The fact that Leo can go literally anywhere on earth to be alone with his thoughts at a single moment’s notice is something that shakes around in my head all the time. Like, portals and teleportation are amazing and convenient abilities both in and out of battle, but they could also so easily be used to run away as well.
I don’t think Leo ever would, at least not most of the time. He loves his family too much, and is too dependent on their love and attention to cut himself off so suddenly like that, but it’s a very real possibility nonetheless.
It’s a good thing Leo’s overall temper is more on the mild side and he prefers going to his room or something to complete solitude, because it really is dangerous for a kid to have the ability to isolate themselves like that at their fingertips.
227 notes
·
View notes
I have this one leatherjacket (my dad’s old one lol, very oversized on me but hoping in a cool way) that I’ve been meaning to take the shoulder pads out bc I’ve got enough shoulder as is & fits weird with those. But guess when do I decide to do it?
A) when I have ample freetime
B) when I have a very non-negotiable important deadline in a few days that I’m already behind on
49 notes
·
View notes
i think i’ve learned a lot when it comes to not applying my own values to the media i consume
for my script analysis class yesterday, we discussed two gentleman from verona, and nearly every classmate of mine was up in arms about how sexist the story is.
and i'm not saying it's not, or that it's not infuriating to read. but i'm also not putting my energy into getting upset about something written 500 or so years ago. and i'm not about to put my own beliefs onto these characters that are not me. i'm going to let their choices speak for themselves, and interpret it in the context of the story.
all that said, this now brings me to the point of alastor in episode 5, and how viscerally people are responding to it. those of you up in arms about the choices he’s making, and the violent threat he gave husk, you’re missing the entire point of his character, of this place they’re in, of the story being told. he’s an overlord, and he became an overlord by killing much bigger overlords and broadcasting their deaths over the radio.
HE IS NOT A GOOD PERSON.
if you started this show with the belief that every character working the hotel is a good person, you’re in the wrong place. watch the good place if you’re looking for a good wholesome story about getting dead sinners into heaven, because that’s not what this show is about.
you’re more than welcome to hate him after seeing the way he exerted power over a being whose soul he owns, but you’re doing the media you’re watching a disservice by writing it off so quickly. if you don’t like to be uncomfortable watching media, watch something else. this is an uncomfortable show, it handles uncomfortable topics, and it’s going to be an uncomfortable ride, and if you’re not up for something like that, then you should take a break from it and pick up something else. you don’t have to get online and defend your own ideals while you watch a show that goes against your ideals.
101 notes
·
View notes
Sweet things from an otherwise brutal week:
—ran into a parent who saw me and said “Macbeth right now, right? My son is so excited about it” and when I say I would never have ever guessed that. Except that as soon as he said it I was like oh yeah, he’s been volunteering to read more than usual and looks the smallest bit more awake
—I was doing some basics of writing review with my sophomores and touched on the ‘don’t use first person pronouns’ rule and we were talking about why and then Jane Eyre popped into my head so I told them that first person pronouns could be used to great effect in fiction and quoted the “reader I married him” line and two girls GASPED in wonder and delight. It was the CUTEST
—I passed two 7th graders in the hallway and they were talking about chicken nuggets and I said “I LOVE chicken nuggets” and they started to laugh and as I left I heard one of them say ‘I love Miss K.’
39 notes
·
View notes
And He’s Yours
b.r.b. for my bee 💗 @bradshawsbaby
Sometimes
Your job
Its days and weeks
Demand and take
Leaving you empty
Tired
And aching to your bones
Your mind and heart
Just as drained
Just as sore.
But when you’re home
And he’s home
He’s yours.
You drop away the day
Purse
Work junk
Other metaphorical baggage
The front door closes
Shuts
Solidly behind you
Closing out the world
Life with its demands
Is unwelcome here.
You’re home
And he’s home
He’s yours.
His frame
Tall
Broad
Strong and safe
Fills the kitchen doorway
Almost to overflowing
Spilling toward you
On his eager steps.
Jet-calloused hands
Reach for you
Arms fold you in
And he’s home
He’s yours.
Some sweet name for you
Sighs from his lips
Over yours
Before they’re his
By right of capture.
No happier prisoner
Is there
In your mouth.
His kiss tastes of tenderness
Of peppermint and sweat
Hints of strawberries.
And he’s home
He’s yours.
The night will go on
All soothing sweetness
Dinner
Wine
The yellow roses on the table.
Your laugh he adores
His curls falling loose.
A soak in the tub
Limbs tangled
Bodies close
Hot and bubbly and unhurried.
Maybe he’ll sing to you
Soft and loving.
And it’s good
Perfect
Just what you need.
But
Your favorite
The best part
Is
Him
And you
That’s Home
You are his
And he is yours.
45 notes
·
View notes
“Oh, you’ll fall” Thelma replied nonchalantly, as if that was somehow comforting “Quite embarrassingly, probably. And quite painfully at least a few times.”
“Ah. Well. ” Matthew cleared his throat uncomfortably, the mild sense of impending doom steadily building. “I suppose we best be going then?”
Thelma smiled up at him, a darling sort of smile, the type that lit up half the room, so genuinely happy that Matthew decided whatever happened in the next hour - no matter how disastrous and or embarrassing - it would be worth it for that smile on his sister’s face.
-Post TLH WIP Snippet
7 notes
·
View notes