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walks-the-ages · 1 year

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OP deactivated, and some of the links were broken/marked unsafe by Firefox, so here's a new compilation post of Leslie Feinburg's (She/her, ze/hir) novels and essays on being transgender:

Stone Butch Blues official free source directly from Author's website:

Stone Butch Blues, backup on the webarchive:

Transgender Liberation: A movement whose time has come, on the web archive:

Transgender Warriors: Making History from Joan of Arc to Dennis Rodman, on the web archive:

Lavender and Red, PDF essay collection:

Drag King Dreams, on the web archive:

(Also, if anyone ever tells you that the protagonist of Stone Butch Blues ""ends up with a man""........ they're transmisogynistic jackass TERFs who are straight up lying)

Please also check out your local public libraries for these books and see if they carry them, to help support public libraries! If you have a library card already you can checkout Libby and Overdrive to see if your public library carries it as an ebook that you can checkout :)

EDIT: another not included on the orignal masterpost-- Trans Liberation: Beyond Pink or blue !

annnnnd in light of the web archive losing it's court case, here's a backup of both PDFs and generated epubs a friend made:

5/26/2023: hello! I am adding on yet another book of queer history, this time the autobiography of Karl Baer, a Jewish, intersex trans man who was born in 1884! Please signal boost this version, and remember to check the notes whenever this crosses your dash for any new updates :)

6/24/2023: Two links to share!

Someone made an Epub version of Memoirs of a Man's Maiden Years, which you can find Here , as a more accessible version than a pdf of a scanned book if you're like me and need larger text size for reading--

And from another post I reblogged earlier today, I discovered the existence of "TransSisters: the Journal of Transsexual Feminism", which has 10 issues from 1993-1995, and includes multiple interviews with Leslie Feinburg and other queer feminists / activists of the 90s!

Here's a link to all 10 issues of TransSisters, plus a 1996 "look back at" by one of the writers after the journal ended, you can find all 10 issues on the Internet Archive Here !

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8/28/2023:

"Bi Any Other Name: Bisexual People Speak Out", can be found on the web archive Here, for the 25th Anniversary Edition from 2015,

and also Here, for the original 1991 version.

Each of the above can be borrowed for one hour at a time as long as a copy is available :D

This is a living post that receives sporadic updates on the original, if you are seeing this on your dash, click Here to see the latest version of the post to make sure you're reblogging the most up to date one :)

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October, 25th 2023:

"I began to dawdle over breakfast during shift changes, asking both waitresses questions. After weeks of inquiries, they invited me to a demonstration, outside Kleinhan's Music Hall, protesting the Israeli war against Egypt and Syria. I was particularly interested in that protest. The state of Israel had been declared shortly before my birth. In Hebrew school I was taught "Palestine was a land without peo-ple, for a people without a land." That phrase haunted me as a child. I pictured ears with no one in them, and movies projected on screens in empty theaters. When I checked a map of that region of the Middle East in my school geography textbook, it was labeled Palestine, not Israel. Yet when I asked my grandmother who the Palestinians were, she told me there were no such people. The puzzle had been solved for me in my adolescence. I developed a strong friendship with a Lebanese teenager, who explained to me that the Palestinian people had been driven off their land by Zionist settlers, like the Native peoples in the United States. I studied and thought a great deal about all she told me. From that point on I staunchly opposed Zionist ideology and the occupation of Palestine. So I wanted to go to the protest. However, I feared the demonstration, no matter how justified, would be tainted by anti-Semitism. But I was so angered by the actions of the Israeli government and military, that I went to the event to check it out for myself. That evening, I arrived at Kleinhan's before the protest began. Cops in uniforms and plainclothes surrounded the music hall. I waited impatiently for the protesters to arrive. Suddenly, all the media swarmed down the street. I ran after them. Coming over the hill was a long column of people moving toward Kleinhan's. The woman who led the march and spoke to reporters proudly told them she was Jewish! Others held signs and banners aloft that read: "Arab Land for Arab People!" and "Smash Anti-Semitism!" Now those were two slogans I could get behind! I wanted to know who these people were and where they had been all my life! Hours later I followed the group back to their headquarters. Orange banners tacked up on the walls expressed solidarity with the Attica prisoners and the Vietnamese. One banner particularly haunted me. It read: Stop the War Against Black America, which made me realize that it wasn't just distant wars that needed opposing. Yet although I worked with two members of this organization, I felt nervous that night. These people were communists, Marxists! Yet I found it easy to get into discussions with them. I met waitresses, factory workers, secretaries, and truck drivers. And I decided they were some of the most principled people I had ever met. For example, I was impressed that many of the men I spoke with talked to me about the importance of fighting the oppression of gays and lesbians, and of all women. Yet I knew they thought they were talking to a straight man" Transgender Warriors (1996) Leslie Feinberg

#bold text #large text #transgender #trans #nonbinary #leslie feinberg #neopronouns #activism #no id #pride #essays #Karl bae #memoirs of a man's maiden years #bi any other name

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neroushalvaus · 6 months

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Okay I am going to use the Somerton situation to talk about something that is very important to me. Following the discussion I have seen former Somerton fans being disappointed in themselves and questioning how they can ever trust another video essayist again. I have also seen some people being smug because to them Somerton was obviously unreliable from the start. As a person who also saw the "red flags" in Somerton, I would like to skip the smugness and talk a bit about what the red flags were to me.

Someone else has probably posted something similar and Hbomberguy's & Todd in the Shadows's videos touched a few of these points, but they didn't focus on them or how to spot these things. I think it is a good thing: I think it would have reinforced the idea that Somerton's fans were to blame for being lied to, and these youtubers didn't want to pin any blame on the fans. Also, some of the things I'm going to talk about were not by any means proof of him being unreliable, they were common tropes I personally associate with people who are bullshitting on internet. Think of it as something like spotting terfs: If you consider following a tumblr user and find out they have at some point posted "males will always be a danger to females no matter what they say", it is very possible that they are not a terf. Maybe they were having a bad day and were just wording their post badly – But you should probably search "trans" from their blog before following them, just to be sure.

So, the tropes in James Somerton's content that I consider red flags:

Lack of sources. This one may seem obvious and Hbomb talked about this in his video, but the lack of sources in his videos was outrageous. Video essays are called essays for a reason, they are not supposed to be just a guy talking about whatever comes to his mind, they should be well researched essays. Obviously video essays should contain one's own thoughts and interpretations and those do not need citations. But James Somerton didn't come out of the womb knowing everything about LGBT history, Disney and film theory, if he actually knew something about all this stuff, he should have learnt it from somewhere. There should be sources he could point to. It is very common that even when a video essayist doesn't tell you where they got all their information, they open their video by saying stuff like "when I prepared for this video I read the book Also sprach Zarathustra by Friedrich Nietzsche and this one thrilling blog post about lesbian cruising in 1960s Sweden". From what I've seen, James does not really do this. From watching his videos you could arrive to the conclusion that James Somerton does not read any books, he just knows everything. There are situations where people don't feel the need to add sources, like when the information is considered common knowledge or when the topic relates heavily to the essayist's actual academic field or profession. This is okay and very understandable, but can sometimes be dangerous, since if the video essayist markets himself as a marketing specialist, people are more likely to take his word for stuff that has to do with marketing, even without sources. It is understandable that in many situations an essayist may think "why should I cite a source? I know this thing!", but doing your research well is partly about checking if the information you are certain of is actually true. Also, as Hbomb pointed out, if you can cite a source, your audience can go learn more about the subject. It's not about anyone doubting you know your stuff, it's about learning. That's why well-respected video essayists usually cite their sources very clearly.

Lack of pictures and screenshots. This is about different kinds of sources again, many things on this list are kind of about sources. An example: When James Somerton made a video about JKR, he mentioned something about Rowling at one time saying that trans students in 30-50Feralhogs (or whatever the wizard school is called) could use magic to present as their gender. If this was any other video essayist, you'd expect a tweet to pop up, or something else confirming Rowling ever said this. Nothing pops up, obviously because Rowling didn't say this, but you can't see anything fishy in that because things rarely pop up in Somerton's videos. He doesn't show you court documents when speaking about a court case, he doesn't show you the comments apparently mad at him for implying the gay anime is gay when he is complaining about people being mad at him. There is a reason people show screenshots and tweets in video essays. When a good video essayist says JK Rowling has tweeted that all people who menstruate should be referred to as women, the video essayist shows the tweet so people know they are not making it up. If there were hoards of annoying bitc-- I mean, angry white women whining about gay sex in HuffPost articles or Somerton's youtube comments, he should have no trouble showing you those. Remember that you should not trust someone just because they show you pictures or screenshots. Pictures can be photoshopped, screenshots can be doctored. Many youtubers are aware that you listen to their videos while cleaning or while walking your dog and don't actually see the screen all the time, and some may take advantage of that by saying something like "and here she threatened to kill me" while showing a text message where someone said "die mad about it". A screenshot alone isn't much but you should demand to see the screenshot.

Passive voice. I am once again bitching about this. Somerton repeatedly says things like "it's been said that" or "it was common knowledge that" or "a legend says that" or "according to most interpretations". He doesn't say who says it, making it very hard to fact check and that seems to be his goal in some cases.

Relying heavily on anecdotes. Writing a dense, analytical video about film theory or history can be exhausting and you may want to pepper in little fun facts. However Somerton seemed to rely on these heavily; he can't just talk about how he has totally bought every lie told by The Pink Swastika, he also needs to tell a cute little anecdote about SS men forcing sexual favours out of men. He can't just tell a story about a court case, he needs to add in ridiculous stuff about the jury booing. This is what I mean by not all the things on this list being necessarily proof of someone being unreliable. Many people use anecdotes and little stories in their storytelling, it makes the videos flow better and it's hard to decide which anecdotes are valid and which are not. A source obviously makes an anecdote a bit more believable, but here are some things that instantly make me fact check an anecdote:

It's a bit too convenient, poetic or ironic. Sometimes real life is weirder than fiction but if an anecdote is "perfect" and has an amazing punchline and you could write twelve poems about it, there is a possibility it was invented by pop science books.

It assumes your political enemies are stupid. Dunking on conservatives, MRAs and transphobes is always fun and after you've seen a lot of this kind of content it's easy to believe anything about these people. You must resist the impulse to believe everything that may make your opponents look stupid.

The person telling the anecdote implies it is an example of a larger, systemic problem. You know what's worse than taking a random happenstance from human history or internet and basing an entire political theory on it? The said random happenstance being made up. You should in general be wary of people telling one story and explaining why it's an example of everything that's wrong in the world. We live in a huge world. You can always find a white woman who loves cute gays but hates the idea of Nick Heartstopper and Charlie Heartstopper getting nasty but that doesn't mean it's an indicator of a larger issue.

Simplifying complex issues. We all know that "only the boring gays survived the AIDS crisis, and that's why gays started to only care about marriage equality and military" is a horrible, insensitive thing to say, but you also have to think about it for like two seconds to realize that it can't be correct. It kind of reminds me of the "roe v wade caused the crime drop of 1990s" claim in Freakonomics. It sounds logical and simple, like a basic math calculation. Societal issues rarely are like that, though. You should never believe anyone who tells you about a huge societal shift and says it happened because of one thing and one thing only.

These were some of the things I noticed in Somerton's content that caused me to distrust him. I hope these were helpful to you and feel free to add your own "red flags" if you feel like it!

#phew. maybe that's enough salt for one day.#james somerton #hbomberguy #todd in the shadows #edit:// embarrassingly many mistakes in the original post. in my defence i have a fever and english isn't my first language. forgive me #edit2:// made the text bigger!

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fruitsofhell · 6 months

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My other fun addition to the Hbomberguy video stuff is not just that you need to start checking everyone's sources just to make sure you aren't being duped, but to not use them as a stand in for media consumption/experiences either. Like I'm not gonna lecture you on reading sources cause I am the first one to not and that's my laziness, but like sometimes more important than checking the original analysis of something is just to... see tge thing being analyzed yourself. That's not even about misinformation or lying, sometimes people's opinions just SUCK ASS.

Like there are youtube video essayists I overall kinda respect but they have dogshit opinions on things. I used to love Jack Saint's bad faith overly critical analyses of throwaway kids films, until I realized he also saw films that in my opinion had a lot of merit, and it turned me off from him. Big Joel is cool as hell, but anytime he gives his opinion on animation save like a few points, I completely glaze over and find him annoying. The other day I watched a video essay about the "Magical Negro" trope, and the first movie sourced interested me, so I watched it and I hardly understand why they put that in, it framed the movie as something it wasn't.

Just in general, it's good practice to make sure your opinions on media are your own and experience it yourself. MY biggest takeaway from the Hbomn video wasn't to throw rocks at Somerton or start obsessively fact-checking every essayist I watch, but to make sure I have a baseline of what they talking about myself and not letting anyone throw around media examples without reckless abandon. The Celluloid Closet and Tinkerbelles and Evil Queens is on my watxh/read list now, but the first thing I did from the words he stole from Celluoid Closet was watch Rebels Without A Cause out of curiosity of this gay subtext in a 50s blockbuster. And it was a super interesting experience that has given me my own unrelated opinions. Not to discount whatever important queer reading and historical importance the film has, but I'm happy I also have more than just that cause I Watched It Myself, not someone's specific and unavoidably biased reading of it.

The video isn't about cultivating suspicion but cultivating appreciation for the skills of analytical/informative/opinion writing. So even when people aren't being lying grifters, it's just good to be your own critic and media analyst. Maybe you'll even contribute to that world yourself, or maybe you'll keep all your cool opinions in your heart and die, who cares. The point is that unlike some people, your opinions and words are your own. It's a beautiful thing to have your own creative voice.

#shut the heck up #video essays #hbomberguy #james somerton #media analysis #art mush #<- for when i get cheesy about the beauty of art and creative processes

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writingwithfolklore · 4 months

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How to Nail your School Essays

Not to brag, but I’m kind of a big deal when it comes to essays at my school. Since I started highschool I haven’t received a grade less than 90% on an essay—so I’m here to share my secret. This works for the classic essay, but you can also use the same advice and fit it to formal reports or other academic writing.

1. Your essay is about 2 things, demonstrated 3 or more times

This is how I’ve always thought about essays. They’re about two ideas, demonstrated as many times as you need to fill the wordcount. Shakespeare + Feminism, Media + Truth versus Misconception, etc. etc. If you’re lucky, your teacher or prof will give you one of your elements. You’ll get assignments like, “write an essay about Hamlet” or “write an essay about the American dream” lucky you, that’s your first thing—now you need to connect it with another.

This connecting idea is my favourite part because you just get to choose a concept or idea you’re interested in. Here’s a tip, if your first/given topic is something concrete, choose an abstract connecting idea. If your given topic is something abstract, choose a concrete.

So, Hamlet (concrete) could be paired with any abstract concept: Loyalty, Truth, Feminism, etc.

However, if your prof gives you something like, “truth” or “race theory”, you’ll find it much easier to connect that with a more concrete thing, like a book, movie, or other piece of media, or even a specific person.

If you are luckiest, your prof will give you both things, “write about the American Dream in The Great Gatsby” in this case, you’re onto the next stage.

2. Stick to the formula

Tried, tested, true. Nothing wrong with a formula, especially not when it gives you A+ grades. Typical essay structure is:

Intro with thesis

2. 1st Body

2a. Evidence that proves it 1

2i. Justify its relevance

2b. Evidence that proves it 2

2ii. Justify its relevance

Etc.

3. 2nd Body

3a. Evidence that proves it

3i.Justification

Etc.

4. 3rd Body

4a. Rise and repeat, you know where this is going.

5. Some may argue…

6. Conclusion

Let’s break it down.

Thesis:

Thesis completely outlines all your points, or the three+ places you’re demonstrating your connection, and why it matters.

Here is an intro + thesis I wrote a couple years ago:

“This literature review will explore the impacts influencer marketing has on the children that regularly consume social media content. Specifically, this review will focus on how influencers can impact children’s brand preferences, dietary choices, and lastly, the influx of children taking advantage of this system and becoming influencers themselves.”

“Burned discusses the human aspect of sex work and reverses reader’s expectations on sex workers, while Not in My Neighbourhood discusses prostitutes as victims of a system created against them. Both challenge readers’ perceptions of sex workers, effectively drawing attention to the ethics of displacing sex workers from their cities.”

So you have your connection (children and social media)/(Burned and Not in My Neighbourhood and sex work), and the different ways you plan on exploring or proving that idea (children’s brand preferences, dietary choices, children becoming influencers.) etc.

You may also have a more specific stance in your thesis. Such as, “In Macbeth, ambition is shown to be Macbeth’s ultimate downfall in these three ways.”

The Body Paragraphs

You start out every body paragraph with the point of the paragraph, or what it’s aiming to prove. Such as, “Influencers often include advertisements within their content, which can encourage children to feel more amiably to certain brands their favourite content creators endorse frequently more than others.”

After this claim, you spend the rest of the paragraph further proving it through examples. This will look like citing a specific source (a book, academic journal, quote, etc.) such as, “The authors claim likeable influencers can associate their likeability with the products they use, influencing children’s perception of brands, referred to as ‘meaning transfer’ (De Veirman et al. 2019)” (super important to always cite these sources!)

The last part is after each example/proof--you need to justify why this proves your point/is important. So, “This proves children are more influenced towards certain products depending on how close of a relationship they perceive to have with the influencer.”

Typically, your evidence will all lead into each other so you can transition to the next piece of proof, then the justification, rinse and repeat until you’re finished your paragraph. You can have as many pieces of evidence as you want per paragraph, and the longer your word requirement, the more you’ll want to fit into each point (or the more bodies you want to have.)

Piece of evidence + why it matters, rinse and repeat.

Some May Argue:

This is a small paragraph just before your conclusion where you anticipate an argument your readers may have, and disprove it. So, for example, you’d start with, “Some may argue that with parent supervision, the impacts of influencers on children could be lessened or moot. However…” and then explain why they’re wrong. This strengthens your argument, and proves that you’ve really thought out your stance.

Conclusion:

Lastly, you want to sum up all the conclusions you came to in a few sentences. Your last line is one of the most important (in my opinion). I call it the mic drop moment. Leaving a lasting impact on your reader can bring your essay from an A to an A+, so you really want to nail this final sentence.

My final sentence was, “Ultimately, it is hard to know in advance how technology and social media will impact the development of children who have always grown up with some form of screen, but until they grow up, parents and caregivers need to take care in the content their children consume, and their very possible exploitation online.”

This sentence is backed by the entirety of the essay that came before it, and usually leaves a little something to chew on for the readers.

Any other tips I missed?

#writing #creative writing #writers #screenwriting #writing community #writing inspiration #filmmaking #film #books #writing advice #how to nail your school essays #essay writing #academic writing

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satoruhour · 8 months

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a/n: i need college / uni bf!geto rn bc my hands hurt :( newly established relationship <3 0.9k, rich kid!suguru i guess? / tagging @crysugu @na-t0 @papersirens @hydrovillette

“didn’t i tell you not to go so hard on your essay?” geto gives you a small smile, countered by your cute pout in the dark room of your dorm. the way he lectures is gentle, having no bite to it because how would he ever dare to sink his teeth into something as sweet as you? he knows if he does, however, he just might become addicted to you. it’s clear already how the teeth is breaking skin and drawing blood just by the items in the room:

both your faces are illuminated by the fairy lights you begged suguru to buy — he gives in and buys it for you as always. it’s shown in the starbucks mug that cost ¥3300, the sanrio themed bed sheets that you’re now sitting on, the convenience store onigiris for you to store in your fridge.

“was rushin’ it before 2359, su, you know that…” you mumble more to yourself than your boyfriend, who’s staring at you as your eyes droop sheepishly to your connected hands. it’s not wrong that you could’ve started writing this essay a little earlier, cited your sources a little earlier, but you still managed to do it; at the expense of your hands. they ached and throbbed from the position they were in for the past few hours — at least you still had managed to submit it with two minutes to spare.

“but not to the point where your hands turn sore, my darling.” geto brings your hands to his lips to kiss, like the little gesture of love could magically heal you. it feels like it does. the tenderness of his touch, the roughness of his finger pads against your smoother skin, the thoughtfulness itself. you grunt a little in pain when suguru starts to massage the palm, digging his thumb in and dragging it up and down. he squeezes your hands, giving each finger its attention, wiggling the hands to loosen your muscles.

“you know,” you hum in response and look up from your flustered state to find him already staring at you, “my mom used to do this for me.”

“yeah?” you whisper, heart pounding in your ears. two and a half months in and geto suguru was already treating you like treasure, not at all what they say he is: conceited of his intelligence, rude, a know-it-all rich kid. sure, he was smart, he was rich, but he made it clear he had no interest in the industrial, business side of the family. geto was generally open about his past, his parents leaving the toxic world and giving their son an upbringing filled with unconditional love and openness. but people usually liked the juicier gossip; none of them had bothered to know geto for who he was.

“yeah.” geto brings you in via your hands, lips colliding clumsily against yours from the force and you both laugh softly, “said its been passed down in her family for the longest time.”

“it’s helping… a little,” you giggle, eyes memorising his eyes shone under fluorescent.

“is it now?” the warmth of his hand leave yours for a moment to tilt your head up, catching your lips properly this time as he moves slow. suguru takes his time with you, moving against you as his other hand still continues to massage. that was one thing he was good at too, multitasking; he plays with your hand, travelling over your fingers and stroking over each section and its nail bed and then pulling away teasingly while he continues to hypnotise you into a dance. you hear him hum into the kiss, exhaling through his nose as he now interlocks both hands.

“focus on the squeezes, baby,” geto suguru drives you insane, in that little silky voice of his and the slight lilt in his voice. you let him lead you, feeling the soft pressure of his hand as he brings them above your heads and leans forward. you make a small surprised sound as he brings you right down to lay flat on the bed, hovering over you whilst still giving those periodic squeezes, entirely at his mercy as his lips never stop. they come off to breathe for some air and you’re the same, flushed cheeks and swollen lips and geto lets out a shaky breath.

it’s only then when he lets go, caught in your trance. easily, he tugs you into his lap as he lays down, not sure if he could uphold his obsession if he was on top.

“is this really part of the massage process?” you ask, legs naturally going to either side of his hips as you lay on his chest. you smile to yourself when you realise how fast his heart’s beating. off to the side, geto finds your hand again: him with his left and you with your right and you tangle into each other with the choreography of a million sprouts in the wind. finger into finger and palm against palm.

“hmm…” geto feigns confusion, prompting you to turn your head towards him. you grin seeing his red cheeks, “nah, just deviating a little from the family recipe… is it working?”

“it was earlier but now? oh, no, not really.” geto’s eyes flutter close when you move forward just a bit to peck his lips. you twine your fingers with his; you’re getting good at this multitasking thing. “but wherever you are, i will always feel much better than i was.”

“good.” suguru mumbles with a lovesick smile, and he gives your connected hands a squeeze and a grin threatens to spread across his face when you squeeze back just as hard, “that’s… really good.”

#jujutsu kaisen x reader #jjk x reader #jjk fluff #jjk geto x reader #jjk scenarios #jjk drabbles #suguru geto #geto suguru x reader #jujutsu kaisen geto #geto x reader #jjk geto #suguru geto x reader #geto smut #jujutsu kaisen fluff #jujutsu kaisen #getou x reader #geto x you #geto suguru

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mindfulstudyquest · 2 months

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❥﹒♡﹒☕﹒ 𝗯𝗲 𝘀𝗺𝗮𝗿𝘁𝗲𝗿 ( 𝗮𝗰𝗮𝗱𝗲𝗺𝗶𝗰𝗮𝗹𝗹𝘆 𝗯𝘂𝘁 𝗻𝗼𝘁 𝗼𝗻𝗹𝘆 !! )

𝟭. improve your writing skills ( ✒️ )

i feel that not everyone has the perception of how important it is to know how to write. you don't have to be a poet, nor the new emily brontë, but fluid, conscious, rich writing makes the difference. really. you could write a page without saying anything at all, but if that damn page is written good and smoothly, then you can be sure that you will get extra points. take the time to improve your writing skills, the best advice i have for doing so is reading. read as much as you can. read novels (non-fiction in this case doesn't help because the content is preferred rather than the form), read contemporary authors – you don't necessarily have to read sophocles' tragedies, but read quality stuff. expand your vocabulary, your knowledge of syntax, learn to use punctuation! and then write, tell stories, write love letters, write reviews of films, books, cultural festivals, open a blog on tumblr and write to practice, reread what you write ad nauseam, until it is perfect, until the form of your essay is pulitzer prize worthy.

bonus some of my favourite authors (tell me in the comments about yours!): ian mcewan, banana yoshimoto, haruki murakami, george orwell, josé saramago, albert camus, khaled hosseini, hanya yanagihara

𝟮. develop critical thinking ( 💭 )

if you have always studied passively by absorbing information and vomiting it onto a test sheet then you have wasted your time. taking on information is not enough, you need to know how to rework it and develop your own idea about it. especially in the arts and literature one may disagree with certain information provided by a textbook. developing critical thinking is not easy, especially due to the school system that teaches us to standardize thinking. always consult all available sources on a given topic, compare them, analyze contradictions. it might be difficult and tiring – our brain spends more energy processing two conflicting pieces of information than processing two pieces of information that agree – but it will be worth it. by practicing critical thinking and improving your argumentation skills, you will not only be able to improve in your studies, becoming able to present complex topics and make interdisciplinary connections, but also in daily life, you will become much less influenced and manipulated by external information.

𝟯. find yourself an interest ( 🌷 )

it could be anything, but find an interest that excites you and you enjoy and do research about it. watch videos, documentaries, read articles. it doesn't have to be school-related, it must be an external topic that you are passionate about and that allows you to rediscover the joy of studying and learning every time school seems to suffocate it. sometimes i'm not in the mood to study for exams, so i dedicate myself to my personal research and finally find my spark, my seek for knowledge. for example, my interest is true crime, it has always fascinated me since i was little, but yours could be wild animals, makeup, comics, ships, planes, ocean flora, literally anything. there is no constraint.

𝟰. analyze your mistakes and recognize your wrongs ( 🫒 )

there is no shame in making mistakes. everyone makes mistakes, we are human, but the real sin is getting bogged down in mistakes, refusing to acknowledge them, and continuing to make them again and again. we should be continually growing, continually discovering ourselves, both intellectually and emotionally. how many of you were the "gifted kid" when you were little and then grew up into burned out high school / uni students desperately seeking academic validation? there comes a time when talent isn't enough, you have to put in the effort, and this doesn't make you less intelligent or gifted, in fact, quite the opposite. dedicating time and attention to your personal and intellectual growth also means having to ruminate on your mistakes. it's scary, but it's the most effective way if you really want to improve. take a notebook and at the end of the day reflect on the highlights and the wrongs, what you could have done better, where you would like to push forward tomorrow, what you achieved today. did you make a mistake? first ask yourself why and then look for a way to solve the problem, make every bad moment a lesson, a brick on which to build the version of you you wanto to become tomorrow.

𝟱. don't be afraid of doing researches ( 🧃 )

the amount of fake news and misinformation online is appalling. opening any app like tiktok or instagram we are inundated with information that is often (not always, but not so rarely) inaccurate. don't be afraid to conduct your own research, if you have time to mindlessly scroll through tiktok you will also have five minutes to read an article regarding that information provided. don't know the meaning of a word? look it up before using it. not sure about a piece of information? check it before using it in your argumentation. in the age of immediate access to data we have no excuse to be superficial.

𝟲. master communication ( ♟️ )

mastering communication is essential in both personal and professional realms. it's the cornerstone of building meaningful relationships, whether it's conveying ideas effectively in academia or fostering connections in the workplace. developing strong communication skills not only enhances your ability to articulate thoughts but also empowers you to listen actively, empathize with others, and resolve conflicts constructively. ultimately, honing these skills cultivates confidence, credibility, and success in all aspects of life.

𝟳. push yourself out of your comfort zone ( 🧸 )

build your confidence. confidence is uncomfortable. don't be afraid of it. you are young, this is the right time to experiment, take risks, discover who you really are. this is the best time for you to do those things that you would otherwise never do, you don't want to regret later in life that you didn't accept that scholarship, that trip abroad, that job opportunity, because you didn't feel comfortable enough. do things that take you out of your comfort zone until everything becomes your comfort zone. go on solo dates, be a social butterfly, tell the girl at the bookstore you love her t-shirt, go to the theater alone, eat at a restaurant alone, take that trip. if it goes badly, you'll only have one funny story to tell.

𝟴. stay informed about the news (but not too much!) ( 🌍 )

this might be controversial, but: stay informed about the news, just don't overdo it. personally, i am an easily influenced person and i realized that being constantly exposed to the bad things happening in the world had drained me and made me terribly depressed. don't get me wrong, you need to be informed about what's happening in the world and in your country, just being constantly surrounded by horrible news repeated ad nauseam on TV programs is of no use. be aware.

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4dbarbie-archive · 11 months

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4dbarbie remix: How to realise Self?

Disclaimer: This remix/mashup post was compiled by me, a student of 4dbarbie as a way to make sense of everything and to understand how to apply the knowledge practically. I went through all her posts and answered asks to make this which is made up of various parts of 25 49 (omg lol there was a lot of good stuff) different posts and answered asks. It is not an original post by 4dbarbie herself but all words are directly from her various posts and answered asks (except for my clarification notes which are in purple text in brackets & the last section after the last divider where I make some closing comments). Hopefully the way I've organised the information in this post makes sense and helps some Vanessas out there. ♡

Fair warning as this is a pretty long post essay (!) so maybe grab a cup of tea or something :) If you are really new to all this then take some time to really process it, there is no rush. My personal notes and highlights are in pink for main points and purple for 'action' points.

May we all realize our Self ♡

There would be no steps necessary, no process to undertake if you would just establish yourself in the I AM alone. You are so lost in your play you forget reality. 1 If you are "I AM", it means you are not the person experiencing the world/thoughts/circumstances, you never were. 2

The external world, you control it (because it is you!, in you), you make it, fully, even when you tell yourself you don't. 3 To know yourself as the source of all that is, you have to first remove the veil of what's stopping you from seeing it in the first place. To know your real being, you have to first abandon what you thought yourself to be. 4 There is no external life, there is no need to use any methods to recondition or train your mind. It is much faster, much easier and you are hundreds times happier just letting go of the mind. 5 The process is one of letting go more and more until you find yourself having nothing, being nothing. The thing about nothing though is that it's the only thing that can take the shape of everything. 6

A jeweler who wants to refashion an ornament, first melts it down to shapeless gold. Similarly, one must return to one's original state before a new name and form can emerge. The only way to renewal lies through destruction. You must melt down the old jewellery into formless gold before you can mold a new one. What refuses to die cannot be reborn. - I Am That, Nisargadatta Maharaj 7

Stop thinking you are Vanessa, the thoughts of needing this or that drop away. By thinking you are it, you create a character who desires and then identify yourself with it. You can only have when you let go of thinking that you don't. To change, you need to give up this conviction of being this person. You need to disbelieve. 9

Most of you can't change because you are so desperate TO change... but there is nothing to want to change. Things just are. Don't work with changing self, just realize who self actually is. 10

You have it, all is well. Just stop believing the illusions born out of thinking you're a person. 11

Unless they understand who they really are, that Vanessa is a habit and nothing more - that nothing has existence outside of awareness, including her, that awareness assigns reality and is the only reality - they're always going to struggle to control something and get frustrated they don't see what they think they're aware of. What you're aware of is what you're being. You can't be aware of being something new while also being Vanessa. 12

Knowing is being. If you really knew, the thing you knew would be materialized. You know you are Vanessa so you're being Vanessa. Would you want Vanessa if you were her? No. You are her so you don't desire her. And you won't be able to be Vanessa 2.0 if you don't shed this Vanessa first. That is, let go of thinking the thoughts are yours. 8

Your memories of the life Vanessa lived are now and not in a past. You are imagining her past being now. Her past exists now because you are aware of it now. If you were Lara you would be aware of a different past, still now. Basically there was no yesterday and you are imagining "a past having been" today. 13

Anon: "Do I have to endure the world while I know my self as awareness and disbelieve that I am Vanessa???" Ada: THE POINT OF KNOWING YOURSELF AS AWARENESS IS TO DO WHATEVER THE HELL YOU WANT AT ALL TIMES, FOREVER. It's complete, incomparable freedom and power. It's the only real love. 14

You are either your Self with nothing attached to it or you're an ego. Disbelieve you were ever her. See what happens. 41

A lot of beliefs are subconscious. "I am a body", "I am Vanessa", "There is a world" are all subconscious, automatic beliefs. Upon investigation you can get rid of any belief (by making them conscious and then dropping them). 15 How do you drop a belief? (see part 1 and part 2)

HOW TO STOP?

The body and the mind are only symptoms of ignorance, of misapprehension. Behave as if you were pure awareness, bodiless and mindless, spaceless and timeless, beyond 'where' and 'when' and 'how'. Dwell on it, think of it, learn to accept its reality. Don't oppose it and deny it all the time. Keep an open mind at least. Make your mind and body express the real which is ALL and beyond all. By doing, you succeed. - I Am That, Nisargadatta Maharaj

You need not take time to meditate or put time aside to contemplate and "apply". All you need to do is detach from this form during the day, let life happen as it happens while reminding yourself it's a dream, a dream that doesn't have to be yours. 16 It is your own desire to hold on to it that creates the problem. Let go. Stop imagining that the dream is yours. As long as you give reality to dreams, you are their slave; see all as a dream and stay out of it. 17

You imagine that there is an external world in which the you that you're identified with lives, but all of that is in your mind. Stop imagining it's true and it dissolves, which can only mean it never was. Which can only mean you assigned reality to it by thinking you're it 18

I've said it before, you don't have to convince Vanessa that she's unreal. Just stop taking the thoughts you don't like for truth or reality. There is no convincing involved, it is all letting go... you're holding so tightly onto your ideas now, that's why you can't see their falsity. 19 You don't have to convince anyone of anything. What I teach here is to leave your mind alone, that is all. Don't go along with it. 2 Thoughts will keep on coming for a while, just now you know they have nothing to do with you. Get into a habit of watching, letting them be but not identifying with them. If you can observe them, it means you are not them. 32 Doesn't matter what the thought is, leave it alone, ignore it BUT not by force of will, just indifference. We've established you aren't the ego, alright? Thoughts, right now, are from the ego. 20

Thoughts of the past life come, remember they no longer have anything to do with you. Literal full delusion (I only call it that because after being identified with a person for so long, it's mind-blowing to grasp you are not that). Thoughts are not yours, complete indifference - no need to fight them. Where they come from, none of your business. Only know they are not yours. YOU not being in your desired reality is a thought, got it? This body and this world are not forced onto you, they exist through your identification with them. Not yours, remember? Repeat. Not yours. You won't lose your mind, you'll only lose your misery. After you've detached, you'll easily shift to as many realities as you want - don't put any on a pedestal of desire, they are equal. See this world and the body as not real first. What is true is only what I AM is identified with, right now this body which is not in that TV show (referring to anon's desire). Correct this first by letting go of thinking it's you. 21

You don't need to convince yourself they're unreal, just dismiss them as not yours. They will disappear more and more through your newfound indifference, then their physical counterparts will, too. Detachment is by doubt and indifference. First you start doubting "the facts", then you become indifferent to the facts, lastly there are no facts anymore and you can establish your own. 20

Start letting go bit by bit, just to see what happens, you won't start "acting crazy" just because you become uninterested in thoughts, I promise 22

What I recommend you to do is bring your self into focus, become aware of your own existence. See how you function, watch the motives and the results of your actions. Study the prison you have built around yourself because of credulity. By knowing what you are not, you come to know your self. The way back to your self is through refusal and rejection. 23

Here's a scale of emotions you go through, from bottom to top: apathy, grief, fear, hostility, anger, indifference, acceptance, freedom finally - and then unlimited, independent joy. You can review this to see where you are on the journey and what should come next. You can't skip them, all of them have to happen for you to have the all. 14

Do not try to understand any more, just be. And let other things be as they are. Even if you're not happy about what you see, there is no way around it besides accepting it. As long as you fight it and try so hard & incessantly to change it, you're only giving it further reality. 14

If you are angry or in pain, separate yourself from anger and pain and watch them. Step away and look. The physical events will go on happening, but by themselves they have no importance. It is your mind alone that matters. When you identify yourself with them, you are their slave, you think you have to act on them. When you stand apart, you are their master. 24

One thing is certain: the real is not imaginary, it is not a product of the mind. 23

You are beyond the mind. Mind and body become your servants once you discover your Self. The present moment is all that is, so yes - become aware of having never been the ego, of your ego being just one of your creations. Ego is the concept of individuality, of separation from the “I", and the All. Therefore ego is a false assumption. We are really the Supreme Reality, we are not separate from It. To "fix" the separation, reject what you are not. Only look at who you are, over and over and over until it becomes the permanent identification and replaces the ego. 25

Once you are convinced that you cannot say truthfully about your self anything except ‘I am’, and that nothing that can be pointed at, can be your self, the need for the ‘I am’ is over — you are no longer intent on verbalising what you are. All you need is to get rid of the tendency to define your self. All definitions apply to your body only and to its expressions. Once this obsession with the body goes, you will revert to your natural state, spontaneously and effortlessly. 23

Drop the false ideas first and watch. After what keeps you stuck goes, you can do whatever you want. You can think the ugliest thoughts and nothing will happen if you know yourself as who you are. It's your identification with the thought that causes the thought to be true. 26

The guilt is because you think you're running out of time and you need to change "your" life now. Be patient with yourself because you don't lose any time, just get to that place I'm telling you about and then you can just go back in time if you so wish. All worry is pointless! And there is nothing to fear, things just happen, do not claim them as yours for a while. Unclutter your mind, it becomes your servant after you've freed it enough. 27

She (Vanessa) will vanish yes, you ask how because you still think waking is more real than a dream. Do your dreams not vanish? Do you wonder how they vanish? They just stop existing all of a sudden when you go into another dream (waking). What if you've lived all your life as Ada and woke up one morning and were suddenly Vanessa with no memory of Ada, would you know anybody vanished? Nope. All you know is who you are right now (because present is all that is), which is Vanessa. 28 Leave poor Vanessa alone, with both her desires and fears, disbelieve you are her until reality becomes self-obvious.

By being your Self you gain the freedom of existing as anything, anytime. You don't lose Vanessa's pretty body if you don't want to stop imagining yourself as being Vanessa with her pretty body. 29

Nothing is lost, awareness just shifts. You can always go back. We're just removing the obstacles that stop you from having this freedom of choice (your identification with this person). You can completely wipe out Vanessa's existence as well. Later if you change your mind, you can make it so that she actually existed again. You are no form, you are formless, the form only is when you imagine there is a form, be your favorite form and dream beautiful dreams :) 30

There is no difference between sleeping and waking, awareness is the background of both. You just think the waking state more real because you've dreamt it over and over and reinforced your belief. They're equally imaginary. Become aware of this and life will forever be a breeze. 31

All depends on you. It is by your consent that the world exists. Withdraw your belief in its reality and it will dissolve like a dream. Cease from looking for happiness and reality in a dream and you will wake up. - I Am That, Nisargadatta Maharaj 17

Your next step will be realizing there is nothing to learn in a dream. You'll find yourself having less and less thoughts, then none at all. Then, only if you want, you will be able to reinstall the mind, now of your choice, and change the dream. 16

Past doesn't come up anymore, memories don't come up anymore after you've ignored (thoughts) & detached yourself enough. They just don't. You can think freely now about being something different. If you can't, don't get mad, don't blame, only know that the one that's doubting isn't you, so the doubts are totally fine to be. They'll be for a while and then they dissolve too, because by ignoring, not getting involved - you forget. And by forgetting not only do you free up so much mental space, but possibilities of what can be, become unnumbered. 36 Anon: Is it okay to feel completely indifferent after learning about this stuff? Like, not feeling as worried about what is playing in front of me since I know its not me Ada: That's the goal. Then become indifferent to the thoughts you get as well. Those aren't yours either. You'll become aware they've dissolved & you can reconstruct the mind however you want because you have no attachment to past beliefs anymore. 33

Even the process is very beautiful... but the very best is when your Self becomes the permanent background instead of Vanessa. Now you always return to Vanessa, later you'll forget to consider her ♡ Dream not of a character who wants and desires, there is nothing to long for — only things to be. 16

To not depend on anything but everything to depend on you is a top state you can grasp with no method. 5 The experience is of being empty, uncluttered by memories and expectations; it is like the happiness of open spaces, of being young, of having all the time and energy for doing things, for discovery, for adventure. A sense of 'there is nothing wrong with me. I have nothing to worry about'. But not one you condition yourself into like you conditioned yourself into a body, it is one that naturally and effortlessly dawns on you by itself when you reject all else, because it is your natural state. 34 Real freedom and real love only emerge when you're not identified with a transient ego. 35

All you are doing is becoming lucid. Becoming able to control the dream. You won't be able to, unless you step out of it. That is, stop thinking this story you tell yourself is true. When Vanessa is no longer all you are, you'll be able to 'change reality' the way you change the film in a video projector. You'll be able to have as much fun in the play as you want to, change it when you no longer want this one specifically. The emotions of the character are fun and welcomed, because they no longer imprison you, there's the background of love to it all - that once you gain, it can't be lost, it's ever present. 36

What you are identified with materializes. If you are not, it disappears. 37

Just let go of the ego, that’s how simple it is. All you need to fix is your wrong identification. There isn't anyone who couldn’t materialize anything right now if he or she would just let go of identifying as the limited body. 38

Only by letting go of all do you gain everything. But once it's done, it's done irreversibly. Fear is no more, control is fully yours. You are free, completely. And with the bliss of freedom no human pleasure compares. You become full love, full power. The absolute and only power. Sooner or later, you will arrive at the same conclusion. You can't stop being what you are, all else can stop existing, but you can't. The only thing you have a choice in is delaying seeing it by thinking you are this or that. Only see it (I Am), then you can imagine whatever you want and it will be. 39

If you project the world, it is within your power to change it. But you must stop identifying yourself with it first. Go beyond, then you have all the power to destroy and recreate. All everybody wants is to be free, but to do that you must know two things: what you are to be free from and what keeps you bound. 2

Your own self is your ultimate teacher, the outer teacher is merely a milestone. It is only your inner teacher that will walk with you to the goal, because he is the goal. - Nisargadatta Maharaj 40

Got more questions? Recommended reading:

Ada's recommended guides on realizing Self: 1, 2, 3

My recommended posts from Ada*: 1, 2, 3, 4, 5

All references from the remix post

Books: I Am That by Nisargadatta Maharaj** and Keys to The Ultimate Freedom by Lester Levenson

*in addition to the sources linked in the post **a lot of her posts incorporate quotes and excerpts from this book, moreso than Lester Levenson's Keys to The Ultimate Freedom and she also shared a lot of excerpts from the book

What does this look like when applied?

Experience is the best teacher and learning from other's experiences and how they applied this knowledge can be really valuable and insightful. I don't define success based on materialising things necessarily although that is one result of realizing Self.

From 4dbarbie students: see the tag

Other: 1, 2

Okay, what to do after reading all this?

Apply apply apply. Don't wait, nothing will happen by waiting. There is only now. Inquire who is causing trouble and to whom. You can't think yourself into realization. 'You' are beyond the mind. You are the creator of the mind. It must be experienced.

#remix #4dbarbie #nonduality #non duality #nondualism #non dualism

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berk-brain-rot · 3 months

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So Berk posted a video of some poems that never made it into Lazarus Rises and I wanted to talk about my favorite one.

It's this, it's this one.

If you're just here to read the poem, fair, it's amazing and stands on it's own, honestly click the link and read the rest of them, because they're all so good!

If you're here as a fellow-feral-unhinged-raccoon and want to read my honestly unneeded analysis, it's below the cut.

Oh my god. Are you kidding me?? This was a poem that didn't pass the cut??? And it's this good?????? (Once again I feel justified in telling literally every person who spends five minutes in conversation with me about how good of a poet Berk is)

Honestly though, this is one of my favorites of the poems in that video, because it's so short, it's so simply written, and this says so much that I feel like I could write an entire essay on each of the lines themselves and their meanings (I honestly might anyways but I'm not gonna subject you guys to those rambles)

"Life loves Death"

In the same way you can't help but love an impossible task you just want to give up but that at this point is the only company you truly remember and the only thing you know how to work towards.

"Life loves Death"

In the same way we can't help but try and find meaning in beauty in the thing that truly only takes from us, because if there isn't meaning and beauty in our pain, then why the fuck do we have it?

"Life loves Death"

As something we can't take seriously. As something we truly don't understand the risks of until it's too late. As something that for some of us, we rush forward to with joy and open arms because we think it'll feel like the warm embrace of the sun but instead all we are met with is the cold cold ocean.

"Life loves Death"

As a burden, a burden that some claim is a gift. A burden enforced upon us poor poor sinners by a god in punishment. Am I talking about Apollo or Jesus? Both, neither of them, I don't believe in either, but I mean no one believed Cassandra either.

"Life loves Death"

As a needed tool, as a part of every flower we decide to put in a vase, as every dye we put in paint, as every food we are forced to consume and as the tool that at the end of the days ends up changing us.

Also something something, gods punishing poor sinners for wanting to enjoy life something something an apple and a weaving contest being the show of ultimate pride something something I don't have religious trauma you do

Like do you get it???? Do you see how insane this is??? How much information they've packed into six lines???

And I'm not even gonna go over the way Life and Death are capitalized and personified, you all already know how I feel about how impressive it is they do that, but regardless, this poem is amazing and you can pry it out of my coffin-bloodied-cold-dead hands.

As always, the source is always more interesting than anything I have to say, so if you haven't yet, go read Lazarus Rises(amongst other things) and follow them on their Tumblr @icaruspendragon because they write so many cool things beyond just their published book.

#lazarus rises (amongst other things)#lazarus rises amongst other things #berk #berklie novak-stolz #poetry analysis #brain rot #poetry #analysis

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khaire-traveler · 5 months

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The Nine Muses

This is a very simple post about the Muses in hopes of explaining who they are, what their domains are, and some things they may be able to help with. This post isn't a deep dive by any means - just a simple introduction. Enjoy!

Who are the Muses?

The Muses, or Mousai, are goddesses of inspiration for various creative, scientific, and poetic endeavors. They were believed to also have knowledge of all things that have come to pass, remembering events with clarity that mortals could not hope to have. Their names are Kalliope, Kleio, Ourania, Thaleia, Melpomene, Polymnia, Erato, Euterpe, and Terpsikhore.

In total, there are nine Muses. The god Apollon was often believed to be the leader of the Muses, having a very close connection with them. The goddess Artemis was also paired with them.

Their origin and family varied depending on the source, but the most common notion was that Zeus and Mnemosyne are their parents and that they were born at the foot of Mount Olympus. Some other possible parents are Ouranos and Gaia, Zeus and Plousia, Pieros and Antiope, or even Apollon.

Poets of the past used to invoke the names of the Muses in hopes of gaining inspiration and the ability to gracefully convey their words. When a connection was drawn between them and Apollo, they were also known for their prophetic abilities as well, even being said to teach the art of prophecy.

What are each of their domains?

Kalliope - The eldest of the Muses, she is the goddess of eloquence and epic poetry. She is often considered the mother of Orpheus. She was depicted with a tablet, a scroll, or (later on) a lyre. Her name has been translated to mean "beautiful-voiced".

Kleio - Wise and intelligent, she is named the goddess of history. In art, she was often depicted with an open scroll or chest full of books. Her name was translated as "to make famous".

Ourania - Associated with the stars, she is the goddess of astronomy and astronomical writings. She has been depicted pointing at a celestial globe with a rod, but I wasn't able to find more information on her symbols. Her name means "heavenly one".

Thaleia - A goddess that helps bring joy to the world, she is the goddess of comedy and bucolic poetry. She was also considered to be the mother of the Korybantes (a group of seven demigods). She was often depicted with a comedy mask, a shepherd's staff, or a wreath of ivy. Her name has been translated as "festivity" or "blooming".

Melpomene - Holding a domain more somber than the Muse above, she is the goddess of tragedy. She was named the mother of the Sirens by Apollodorus. She was depicted with a tragedy mask, a sword, a wreath of ivy, or cothurnus boots. Her name likely means "to celebrate with song (and dance)".

Polymnia - With a name meaning "many hymns" or "many praises", it's no surprise that she's the goddess of religious hymns. She was often portrayed in a meditative pose.

Erato - A Muse that needs no introduction, she is the goddess of erotic poetry and mime. She was often portrayed with a lyre. Her name means "lovely" or "beloved".

Euterpe - Likely full of rhymes and reasons, she is the goddess of lyric poetry. She was often depicted with a double flute. Her name likely means "well pleasing" or "giver of much delight".

Terpsikhore - Filled with music, she is the goddess of choral song and dancing. She was often depicted with a lyre and plectrum. Her name has been translated to "delighting in dance".

Kalliope - Speaking presentations, writing essays, script reading, reading/writing informational posts/articles/etc., interpreting poetry, poetry writing/reading, sharing your own poetry, communicating clearly with others, important conversations, coping with conflicts, addressing conflicts, making peace with others.

What are some things they can help with specifically?

***These are merely suggestions.***

Kleio - History exams/tests, studying classics/history, delving into your own history, discovering family history, recalling past events, writing myth retellings or similar, identifying patterns of behavior, releasing the past, learning from the past, finding hope for the future.

Ourania - Studying the stars/space, story-telling, understanding the universe around us, memorizing constellations, finding peace in the night, finding hope in the darkness, creating goals for yourself, "reaching for the stars", holding onto your wishes, finding a sense of direction.

Thaleia - Creating your own joy, finding what makes you happy, performing stand-up comedy, writing any form of comedy, play-writing, healthy positivity, learning to laugh things off, releasing stress/burdens, moving forward, expressing your joy.

Melpomene - Coping with hardships, moving through difficult times, releasing the past, forgiving oneself, coping with past mistakes/regret, healing from difficult events, coping with the "downs" of life, play-writing, telling tragic tales, addressing difficult topics sensitively.

Polymnia - Writing devotional poetry/hymns/songs/etc., growing closer with religion/devotion, inspiration for offerings/devotional acts, coping with religious difficulties, finding comfort/joy in religion, connecting with the divine, religious/spiritual writings, connecting with your practice.

Erato - Love letters, confessing your feelings through writings/songs/etc., connecting with sexuality, writing/reading erotic stories, communicating sexual needs, establishing/discovering sexual boundaries, sex positivity (especially through literature), embracing your sexual interests.

Euterpe - Writing poetry, interpreting poetry, communicating one's emotions, romanticizing life, sharing poetry with others, devotional poetry, expressing one's feelings through writing, processing emotions, finding the "right word" for a piece you're writing.

Terpsikhore - Song-writing, learning to dance, expressing yourself through dance/song, connecting with music, processing feelings with musical aid, instrument playing, choral/instrumental performances, writing a musical, musical theater, finding your voice, embracing who you are, expressing yourself.

#the muses #mousai #helpol #hellenic polytheism #hellenic pagan #muses

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colleendoran · 1 year

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The Secret Language of a Page of Chivalry: The Pre-Raphaelite Connection

Adapting Neil Gaiman’s Chivalry is a decades-long dream fulfilled. The story as text can be enjoyed on multiple levels, and so can the art. You look at the pages and see the pretty pictures, but the pictures also have meta-textual meaning. Knowing this secret language adds to the experience.

Some people pick up the references quickly, but I’ll share with you some more of what’s going on under the surface.

In Ye Olden Days of Art Making, most painters made pictures that contained visual narrative cues. Flowers in a picture might be heraldic signs that signaled political affiliations, or could indicate purity, anger, or love. Purple was the color of kings. A dog in a picture might represent faithfulness, and butterflies could represent the soul.

There are Pre-Raphaelite paintings with so many symbols and ideas in them that you need a deep working knowledge of Victorian and Edwardian social mores to understand what’s going on.

For example, Ford Madox Brown’s Work, a painting which took some 13 years to complete, was first exhibited in 1865 with a catalogue explaining all its symbols and elements. There is nothing in that picture that doesn’t mean something.

I brought some of that visual meta-textual sensibility to Chivalry, (and I’ve written about the symbolism and meanings in the work in other essays.)

I also brought into the work direct Pre-Raphaelite art references.

From 1868-1870, Sir Edward Coley Burne-Jones created four paintings illuminating the tale of Pygmalion and Galatea, entitled Pygmalion and the Image, and wrote a poem with each line titling one painting:

The heart desires

The hand refrains

The godhead fires

The soul attains.

A perfect little poem for Chivalry, and I think of it often when some people present me with what I think is a very strange question: why didn’t Galaad just take the Holy Grail from Mrs. Whitaker?

It kind of breaks my heart that people would even ask that.

Burne-Jones painted two versions of this series of which this is the second.

In the first panel of this page, Sir Galaad kneeling before the Grail is derived from the figure of Pygmalion kneeling before Galatea: The Soul Attains.

Sir Galaad’s restraint even in the face of his greatest desire makes him worthy of his prize.

There are two Pre-Raphalite references in this page, the most obvious being in panel 2: it’s Sir John Everett Millais’s 1857 work A Dream of the Past: Sir Isumbras at the Ford.

The painting was very poorly received on first exhibition, compelling Millais to redo significant portions of it. It was caricatured and ridiculed, and then ended up becoming influential and popular, and isn’t that the way it goes.

That’s an art career in a nutshell, really.

The Sir Isumbras image also influenced John Tenniel’s illustrations for the Lewis Carroll Alice in Wonderland novels.

Sir Isumbras derives from a 13th century Medieval romance poem about a good knight whose pride causes him to fail in his Christian duty. He is presented with a series of difficult challenges before he can find happiness again, reunite with his family, and be forgiven his sins. The painting by Millais is based less explicitly on the poem than it is on a later parody of the poem. (It’s complicated.)

My using Sir Isumbras as the base for the shot of Galaad with the children is obvious here. In the Millais painting, Sir Isumbras carries a woodcutter’s children across the ford. In Chivalry, Sir Galaad carries the children of Mrs. Whitaker’s neighborhood down the street.

While Sir Isumbras spent many years learning humility and Christian duty, Galaad has a long quest to fulfill before he can achieve his goal. And on the way to that goal, he’s humble and nice to children, too.

That the Millais painting was such a huge influence on many a depiction of knighthood over the years made it a perfect reference point here, and the story behind both the painting and the poem give it further layers of meaning.

The next panel has a far less obvious reference, but the source is Arthur Hughes’s painting The Rescue.

Arthur Hughes is one of the lesser-known Pre-Raphaelites, but his art is widely seen and influential. He’s certainly been a big influence on me, as many of his paintings appear again and again in Arthuriana references, as he was a prolific King Arthur picture tale teller.

The Rescue (1907-1908) was originally part of a diptych which was separated and sold back in the 1920’s. His style was becoming unpopular by the time Hughes painted the work, and little is known about this work except that one panel was in the collection of Andrew Lloyd Webber at some point. Maybe still is. Dunno.

Anyway, the diptych depicts a little child kneeling in prayer menaced by a dragon in one panel, and in the next, safely trotting away with a knight on horseback. I like that this is a diptych, a kind of proto-comic art form common in medieval religious art, so this was perfect to use here.

Another reference to Arthur Hughes is in this double page splash from later in the book as Galaad on his quest encounters the Hesperides.

I didn’t set out to reference this Arthur Hughes piece at first, but it’s one of my favorite paintings. When I realized my sketches for this scene kept echoing the Hughes composition, I went with it. The Hughes painting of Galahad is one of the most famous depictions of the character, so it makes me happy to have this referenced in Chivalry.

Kindly ask for CHIVALRY, published by Dark Horse Comics in the USA and by Headline Books in the UK at your local comic shops or bookstore. Written by Neil Gaiman. Adaptation and art by me.

For further reading on this project, go HERE.

HERE.

And HERE.

Thank you to my Patreon patrons for sponsoring my work and this post.

Colleen Doran Illustrates Neil Gaiman will be a solo exhibit at the Society of Illustrators in New York City this spring. Watch this space for updates.

Have a wonderful holiday season.

#neil gaiman #dark horse comics #king arthur #Sir Galahad #Comics #graphic novel #fantasy graphic novel #watercolor #pre raphaelite #pre raphaelism

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