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#not so queer media
charliebugz · 7 months
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When Izzy first walked out I was worried that he would be made into a joke that the crew would laugh at
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but then he started singing and the dancing began and I realized that he wasn’t meant to be a joke at all. This is the most open and happy we’ve ever seen Izzy and the show treated it that way. Not mocking him but instead celebrating this moment.
When we talk about queer representation it’s usually just focused on queer relationships, but what I love about this episode is it shows other sides of being queer. That moment where Izzy saw Wee John doing his makeup and had a realization that he wanted that too? That is what being queer means to me. The crew singing along and cheering for him? That is what being apart of the queer community means to me.
What i love about this show is that it shows queer joy, not in a sanitized way, but in away that is messy, beautiful, and without any mockery or shame.
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kimdokjas · 27 days
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though the movie might be cancelled, yuri on ice will live forever in our hearts. thank you yoi fandom, it's been real ♡
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fruity-phrog · 11 months
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Okay, I saw someone say that Nimona, while being good representation, “didn’t take the big step forward in queer rep that everyone says it did”.
That is wrong. So wrong, my dude.
Yes, an explicit and open queer relationship in children’s cartoons is not new, per ce. Hell, just this year, two popular kids’ cartoons had the main character in an open, adorable, plot-based queer romance. But this is different for a few reasons.
Reason number one, it isn’t left in suspense. Yes, they had that split for three odd weeks, but they started the film as a couple. One of the very first scenes is them together as a couple, Ambrosius saying he loves Ballister, them holding hands, Ballister leaning on Ambrosius’ shoulder. Ambrosius says he loves Ballister three times during the film, and none of them are any more than halfway in. It’s very clear, from their very first interaction, that they are an established relationship, which isn’t something I’ve seen...at all in other animation.
Secondly, they are the plot. Ambrosius not believing Ballister, Ambrosius cutting off Ballister’s arm, Ballister trying to get the video to Ambrosius - this is what drives the plot. In any other children’s animation with queer relationships, the relationship is not the main focus. Even The Owl House, which is so amazing with its constant representation, would still make sense if Luz and Amity never happened. But Nimona’s plot wouldn’t make sense without Ballister and Ambrosius’ relationship. It, quite simply, can’t be erased. It could work as a friendship, yes, but that’s the point. They could have just been two close friends that fell on opposite sides of a fight, but they weren’t. They were two lovers that fell on opposite sides of a fight. 
Thirdly, they aren’t sanitized for “family viewing”. An emerging trend in children’s animation is to only have mlm relationships as fathers to make them seem more “family friendly”. With the exception of Kipo, there really isn’t many tv shows or films that places light upon an mlm relationship. And if it does, it'll be a teen relationship because teenagers being queer tends to come across as less “dirty” and more “innocent”. But Goldenheart is none of these things. They are adults without the mollifying aspect of having a family. And on top of that, they fight. They wield swords and they get bloody and they shoot at things and get angry and yell. They aren’t “clean” and “innocent”.
As well as this, they are in a film. Films are far more accessible than tv shows. You have to watch twenty seven episodes before Lumity in toh is canon. Troy kisses Benson on the eleventh episode of Kipo. And there are two hundred and eighty three episodes of Adventure Time before Marceline and Bonnie kiss. But with a film, the queerness is much more forward - especially in Nimona, where it’s literally the second scene. Animated films hardly ever display queer relationships, but Nimona did.
Finally - they aren’t perfect. I don’t know about you, but three weeks of thinking your boyfriend/maybe ex is a murderer? Doesn’t sound like a healthy few weeks to me. I have only seen big relationship arguments portrayed in straight relationships in cartoons - think Star Vs The Forces Of Evil - whereas queer relationships either have the massive fight prior to being canonically gay - She Ra - or have conflict, not arguments, that are dealt with quickly - Dead End/The Owl House. But Goldenheart? Goldenheart suffers. Their relationship is pushed to such extreme boundaries as for them to be pretty much exes throughout most of the movie. And yet, they are clearly healthy, happy and very much in love at the end. 
TL;DR - Nimona is amazing with the queer representation, and it is a milestone for LGBTQ+ cartoons. Not only is the relationship romantic for the entire movie, the plot is driven by Ambrosius and Ballister’s sort-of-break-up. In short, they are treated the same way straight people are. They have flaws, they have massive arguments, they have plot importance, they have backstory. They are in love. And that’s what matters more than anything else. 
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whatohitsonfirewelp · 1 month
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You know what? I don’t WANT an awkward double date. I don’t WANT buck coming out and people having the ‘I know’ reaction or the ‘is it Eddie’ reaction.
You know what I do want?
I want Buck panicking over what to wear for the date. I want Buck flopping on his bed like very teenager after their first kiss all giggly and happy and touching his lips because he kissed a boy
I want Buck smiling every time he says Tommy’s name because maybe it isn’t forever and maybe he’s not even looking for forever anymore but he’s so happy and he’s so light and being with Tommy feels good
I want Tommy to keep calling him Evan, because before Buck was Buck he was Evan and Evan deserves to be happy to be treated so softly and lovingly and Evan deserves to be free.
I want Buck to be happy. To be happy and free and queer in the way we all deserve.
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k-wame · 6 months
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ANDRÉ LAMOGLIA as Iván Carvalho & FERNANDO LÍNDEZ as 'Joel' ÉLITƎ Series 7 · EP02 · dir. Lino Escalera
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crunchycrystals · 8 months
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this makes me want to cry
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sentientsky · 6 months
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hmmmmgrhhf thinking bout crowley and childhood trauma and abandonment and rage again
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nabulsi · 4 months
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i keep seeing ppl talking about how theyre ugly sobbing over that shitty pirate show. do you not have shame to care more about a racist antiblack TV show glorifying slave owners, written by a zionist racist supporter of genocide. that you have more tears to shed for that blight on the human race than you do for the millions of palestinians going through horrors unimaginable. where's your ugly sobbing for them?
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aftgscenes · 2 months
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Everyday I thank god (Nora) that aftg is set in college and not high school
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summerlinenss · 4 months
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here’s the thing.
if you’re one of the people celebrating our flag means death’s cancellation for whatever reason right now, i need you to realize that this is just a sign that whatever you love is next.
and i’m not saying that out of spite. having your favourite show cancelled is awful, i wouldn’t wish it on anyone. but if our little-gay-pirate-show-that-could can’t get its third and final season, the future of queer media is extremely grim.
ofmd was the definition of a sleeper hit. hbo max had no faith in it when the first season came out. it gained popularity purely through word-of-mouth. but it became one of max’s biggest shows, and it’s since been marketed as their flagship series.
it was the #1 most in-demand series in the world for 8 weeks (7 of those weeks consecutively). it’s currently in the 99.7th percentile of the comedy genre, meaning it’s in higher demand than 99.7% of all comedy series in the u.s. it has a 94% audience and critics score on rotten tomatoes. it’s the most in-demand hbo original series even above euphoria, succession, and the last of us.
it was nominated for 16 awards for the first season alone, including a GLAAD award and a peabody award. the second season was just nominated for an art directors guild award, which it was previously nominated for and won in the same category for season one.
besides awards, ofmd is critically-acclaimed and praised for its representation (including a cast of majority queer, bipoc, and disabled characters) and themes of anti-colonialism, challenging gender norms/toxic masculinity, and self-discovery/acceptance. it also has a diverse team of directors and writers consisting of several bipoc, women, and queer/trans/non-binary people.
on top of all of this, the plan for the show all along was only ever for three seasons. david jenkins only wanted three seasons for the full romcom structure to tell ed and stede’s story. that’s it. nothing more.
this isn’t an attempt to make you care about the show. but ofmd’s cancellation isn’t just a loss for the fanbase and the cast/crew. it’s a sign that it does not matter how successful or profitable shows highlighting lgbtq+ (or otherwise inclusive) narratives are or how many big names are involved. ofmd would not have been cancelled if it were a straight romcom. they would’ve magically found the budget. but corporate greed doesn’t care about us. they have no respect for queer people or queer media. and in the age of streaming, it’s only a matter of time until we lose all of it.
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sillypenguinwitch · 10 months
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okay so i'm not trying to make this a ~thing~ or a hot take or whatever, but can we talk about how all the hyped up queer shows still predominantly feature mlm couples? i'm not saying there aren't wlw shows/movies or the mlm-focused shows don't also feature wlw characters/couples, just... they either get nowhere near the same amount of hype, have some other main plot, end with at least one of them dying or experiencing something traumatic, get cancelled after one season in the middle of their arc, or they're not the main couple. And that's not to discount the representation you can get from secondary characters of course but just... ugh I want a heartstopper or rwrb or young royals or skam or love, simon or i don't even know... with girls. And I know I'm not the first person to bring this up and I know it's not that simple, but seeing all the hype for heartstopper and rwrb this week makes my heart ache a little bit so i needed to say this somewhere.
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The casting of Michael Sheen and David Tennant for good omens was artful, and not just in a "they did a real good job" way.
The thing about queer media is that it's not just the film. When an actor does a queer film, regardless of whether they're queer themselves, they're somehow taken as a Representative Of The Alphabetti Spaghetti. So, to star in queer media you have to be morally rock solid, unable to be found fault with, or it seems to set queer people back? Which is ridiculous.
David Tennant is SUCH a household name, literally has been Doctor Who, and doesn't use the internet enough to care about some transphobes on shitter sorry twit sorry xitter. For him to do gomens is wild but also meant that my father, who wasn't homophobic but apathetic, has now watched queer media and vaguely understood queer issues. (This may in part be because of his queer daughter, but regardless.)
Michael Sheen is an actual angel in real life. "I give all my profit to charity" right Sheen, give the rest of us a bit of generosity- oh, and he's sold his house. For him to do queer media means nobody's finding faults in his character. For him to do queer media means it's not just another excuse for people to discriminate against queer people. Also, for him to do so well at it? Like yes, you stare at David Tennant with lovesick eyes (I mean we're all doing it, but none of us TO HIS FACE ON CAMERA WHEN WE STILL HAVE TO WORK WITH HIM-)
Anyway just a few thoughts. They rattled around my brain for a bit like tumbleweeds and I might not have expressed this well but have them.
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midnight-love-song · 13 days
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“Marry someone you want to annoy forever”
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aroaceleovaldez · 7 months
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i still think a lot about how technically, it's implied Anubis and Walt started dating each other before they asked out Sadie, and if Sadie had said she wasn't interested they would have gone "Entirely fair have a nice day" and proceed to just go continue to date each other.
Cause like, that was the entire thing. They decided that themselves. That things would work best if they were together (as in both physically sharing a body and also relationship-wise). The "asking Sadie about it" part was secondary. If she had said no, they would have stayed together, because among other things Walt would kind of die if they didn't. Walt and Anubis are technically the first gay couple in the Riordanverse. AND they're in a polyamorous relationship with Sadie. Why does no one talk about them ever.
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whatohitsonfirewelp · 1 month
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Guys can we please talk about how HUGE buck being bisexual is?
We have more people watching the show because a man was made bi and he hits NONE of the gay stereotypes.
People are doing it because this is so so so rare!!
People are doing it out of SPITE for the homophobic fans!!
People are watching the first season and are in SHOCK because oh?? There’s a lesbian black couple?? With a CHILD??? Oh there’s a gay 911 operator???
Guys it’s just
So many people are discovering this amazing beautiful show and the queer characters and now THEY get to see themselves as well!! THEY get to experience this joy with us!!
Because 911 is so much more than Evan Buckley. It’s so much more than Hen and Karen and Josh. It’s so much more because of them. It’s so much more because we have such a diverse and amazing cast. It’s so much more because they talk about topics of abuse, ptsd, family trauma (for SEVERAL characters), therapy for MEN, the grief of losing a partner or a parent or a child. It’s fully a found family show!!
And it’s so beautiful to see people hear about this show and watch it and feel seen. That Evan Buckley being bisexual opened a door for so many people that never knew it was ever there.
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k-wame · 2 months
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NICHOLAS GALITZINE as George Villiers MARY & GEORGE (2024) · S1·EP4
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