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#we have to because the doctor has has a body swap
bubblesthecow · 6 months
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The thing that I love the most about Doctor Who is that it’s just SOOOOOO bad. It’s awful. It’s dreadful. It’s cheesy and stupid and terrible. It has dialogue like “I am the beep of all the meeps!” It’s truly the most embarrassing cringeworthy thing you’ve ever seen. It’s been that way for 60 years. It’s gonna be that way for another 60. It doesn’t matter what kind of budget or fan base they receive. It’s always gonna be this stupid.
I love it so fucking much.
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eiilese · 11 months
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what if the strawhats had different roles on the ship⁉️ i swapped everyone’s roles except for luffy because i can’t imagine him being anything but the captain
these are loose redesigns since their canon designs don’t really read as their roles all that much to begin with. some extra doodles and ideas for this in the cut !!
nami, vice captain: i took a lot of inspiration from her beta design!! canon nami already bosses everyone around so she fits right into the role. she wields an extendable staff (usopp still makes it for her); she lost her arm over the time-skip like how zoro lost his eye. i LOVE drawing cargo pants and boots, so she ended up with a sorta bottom-heavy design. frankly it’s probably not her style but i like how she looks
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zoro, the cook: my foolproof logic is zoro uses swords = good with knives. he does not use katanas to cut produce however, just normal knives. i was trying to go for “sweaty ramen guy” with the towel around his neck. the majority of the shit he cooks would probably be drowned in alcohol. he also wears his bandana the majority of the time now!! it completes the ramen guy look
sanji, the sniper: i also took inspiration from his beta design for this!!! he has guns!! and perfect aim of course. i was going for more of a mafioso look so germa 66 would be like, a mafia organization on top of all the other villain shit they already do. he has two guns but i didn’t draw a holster bc that’s annoying🤞 he lights his cigarettes with his guns. how would that even work? don’t ask me
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usopp, the navigator: his artistic talent lends itself to creating perfect maps! he also still tinkers, making nami’s staff as well as having a specialty for compasses. he uses a slingshot still (no perfect aim we gotta nerf him) and shoots weather-related projectiles. his goggles serve as binoculars, they can zoom to several different distances. i drew him in his zou outfit purely bc it’s my favorite one
chopper, the helmsman: he would predominately use heavy point while maneuvering the wheel. i changed his hat up to look more like a sailor’s cap, with an anchor symbol instead of an X. to be honest i don’t have much else bc helmsman doesn’t bring much to my mind :(
franky, the musician: ROCK N ROLL BABY YEEAHHH come on his stage presence is unmatched. he’s still a cyborg, he has instruments all over his body like apoo does but they were installed manually. his personality changes depending on what genre he’s playing but rock n roll is his default B) (ex. classical calls for a refined gentleman)
robin, the shipwright: her devil fruit gives her as many helpful hands as she needs! she developed nami’s arm (definitely installed some random shit she did Not ask for). she has a robot mecha that she’s able to pilot all by herself using clones. i changed her orange sunglasses to goggle eyewear
brook, the doctor: the irony of being nursed back to health by a literal skeleton 💀the irony of being the doctor of the rumbar pirates yet being the only survivor, saving no one from the poison 💀 i went for a plague doctor look! IM VERY HAPPY WITH HOW HE TURNED OUT i was really tempted to give him the plague mask too, but i feel that would’ve changed his appearance too much compared to the others
jinbei, the archaeologist: the shape of this man demands a little pair of round glasses on his face. he’s an intellectual i tell you!!! plus still a fishman karate master. the history of joyboy and fishman island being so intertwined is how he developed an interest in history
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faeriekit · 7 months
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Health and Hybrids (XVI)👽👻💚
[I can't remember the original prompt posters  for the life of me but here's a mashup between a cryptid!Danny, presumed-alien!Danny, dp x dc, and the prompt made the one body horror meat grinder fic.]
PART ONE is here PART TWOis here PART THREE is here PART FOUR is here and PART FIVE is here PART SIX is here and PART SEVEN is here PART EIGHT is here PART NINE is here PART TEN is here PART ELEVEN is here PART TWELVE is here PART THIRTEEN is here PART FOURTEEN is here PART FIFTEEN is here and this is sixteen *SixTeen theme plays*
💚 Ao3 Is here for all parts
Where we last left off... Martian Manhunter finds out that,yeah, dude, when your brain is missing chunks, you can't write or access data without the hardware to store it. My dude remembers nothing.
Trigger warnings for this story:  body horror | gore | post-dissection fic | dehumanization (probably) |  my nonexistent attempts at following DC canon. On with the show.
💚👻👽👻💚
Days pass. Nights pass.
(He thinks.)
He gets a new room. This one has a window. He can’t stare at it all the time, but when he does, he can feel himself growing stronger. Steadier. The change in his body is borderline tangible.
If only it was physical. He’s still too weak to lift anything but his arms, and not even all the way. Moving his head is tiring. Lifting his head is impossible.
But he tries.
A lot.
The doctors and the lady have to make upset noises with him when he does, but he wants to be able to see everything they’re doing to him. So far it’s a lot of tubes and needles, but what if they become scalpels and clamps?
…Danny tries to assure himself that they probably won’t be.
But they might. Things could change.
And that eats at him constantly.
Someone puts a big circle on the wall in his room. It’s large. It’s a little fuzzy at its distance on the far wall, but it’s got little arms on it, and little dots in equal degrees around the circumference. It takes him almost two napping periods to realize that it’s a clock.  
Danny squints. He can...almost read analog. (Probably.) It sure doesn’t help that he has no idea when night is and when day is, though. He sleeps at one hour and wakes up at another, and the room will look entirely the same. Was it a few hours’ sleep, or a day’s? Was it longer? The world spins outside his window, big and blue, and he spins against it in a station on a lonely moon. There’s no way to tell.
Someone eventually notices that he’s bored, though, because he gets a television and a remote.
It’s a super thin television. At first, Danny spends time wondering why they put a screen with no system in his room, and then hour later the lady starts pressing buttons on the remote, and the screen lights up with a news program.
…The TV is too far away to see all that clearly. He can see some of it when he squints, but then all the colors turn lime green.
The banner on the bottom of the screen scrolls with headlines, and cool, it looks like they invented new letters while Danny was asleep. Fantastic. His head hurts from trying to squint to read, but it kind of looks like a kindergartener scribbled all over an otherwise serious news report.
Great. Now he’s getting a headache.
But the noise is…nice. It’s distracting. The news anchors chatter seriously as Danny gets yet another IV swapped out in his arm, and the heavily geared-up doctors have started telling Danny things he doesn’t like to listen to too much because if it is threats, great, he should ignore that; if it’s not threats, then, well, Danny’s bored of it all anyway.
“—Wel?”
Danny blinks. Well. That sounds like ‘Well’.
He shifts just enough to make eye contact. A doctor looks down at him from their place at his bedside. Their scrubs are kind of blue-green, with little flowers on the trim.
They have human eyes. The sight of soft, brown eyes probably ought to be reassuring, but they just make Danny more nervous.
“Eow eart wel?” They ask again, soft and slow. That middle bit sounds kind of like ‘art’. Ha. Old timey Shakespeare. ‘Art well,’ like ‘you art well—‘
Wait. Danny takes a deep breath. Blinks. His chest arcs up, just a little—just enough for the doctor to realize that Danny’s more than just looking, he’s paying attention. Are they asking him if he’s well?
Danny reflexively opens his mouth and flexes his throat, tries to answer—
Nope. Ow. The noise he makes sounds like the garbage disposal is backed up with angry blob ghosts. It hurts just to make. But the sound makes the doctor look at him; they see him.
“Inne cwic tima!” Danny hears, and then they’re jogging out of the room, and Danny is left alone. His throat hurts.
His head thumps back onto his pillow. The news program plays on. There’s a damaged city he’s never seen before on the news.
…And then the doctor comes back. Danny’s head is swimming, so he almost doesn’t notice their return, but they’re holding something, and that something has a sippy straw.
Danny is perfectly happy with a sippy straw.
The straw is put into his mouth. Danny goes sippy sippy.
…The water sloshes a little weirdly through his throat. Some of his tubes might not be where they ought to be, which is weird. Isn’t he supposed to be human right now? Or. Uh. Kind of human? Human equivalent? …Close enough…?
Danny drinks. When the pain in his throat goes to normal pain levels instead of new and angry pain levels, he lets go of the straw, and the doctor lets him.
Their fingers carefully brush Danny’s hair. Not very hard. A little too slowly. Just at the hairline. But it reminds Danny so much of sitting at home with Dad on the couch, home from school with a fever as Muppets tapes play in the background, that tears leak out of his busted eyes. The tears are probably just as green.
“Eow eart wel?” the doctor asks again. So gently. So careful.
“I’m tired,” Danny rasps.
The effort of speaking crashes into him in seconds. If things are happening around him, he doesn’t understand any of it. Nothing reaches him. He’s so tired.
He’s out before he knows it.
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thefandomlesbian · 9 months
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In healthcare, we learn a saying: "If you treat a disease, sometimes you'll win, sometimes you'll lose. If you treat a person, you'll win every time, no matter the outcome."
I can't help but extrapolate this to House and Wilson. House who has studied every infectious and genetic disease under the sun who fights and fights and fights for life, who pretends he doesn't care about his patients, who even says, "I don't get paid to treat people, I get paid to treat diseases, the fact that people have to be involved is a downfall," who admits he takes every loss personally and feels it's his fault because he failed. If he had been faster, they would have lived. If he had figured it out sooner. House who believes he deserves misery because of this, who thinks chronic pain makes him a better doctor because if he's less pliable as a person he's more likely to find The Answer when The Answer is all that matters.
On the other hand, you have Wilson. A practiced oncologist, someone who has long ago learned it is impossible to beat every disease but it is possible to bond with every patient, to the point that he advises other doctors on techniques to make bonds with their own children, because the point of medicine is in the humanity. Wilson who fights for life but also fights for comfortable death, to whom palliative medicine is no stranger. He takes hits, of course, and the losses hurt, but he also finds comfort in the journey from one space to another. He acknowledges that he believes in the In Between from life to death and though it isn't often expressed (particularly to House, as this elicits too many volatile reactions), he thinks something happens after the meatsack stops working and the chemical computer in the brain shuts off. He believes people are something more than neurons.
And their roles are foils of one another throughout the series. This is always clear in their medicinal acts. House fighting for life, searching for answers, and Wilson rolling joints, rigging PCA pumps, committing MAID illegally.
They only swap roles for each other in the finale.
In the final act of their friendship, Wilson knows he is going to die. He knows his options are shorter and painless or longer and painful. He wants painless. But House needs him. "I don't think that's a bad thing anymore," he says. He is ready to go for the long haul. He knows it isn't a cure, that he'll still die, but sometimes love is worth the pain, and more hours with House (even in agony) will be worth the pain. He's going to fight, knowing he'll lose, knowing it's pointless except to say that he spent another few months with his best friend confined to a hospital and a clean room.
And in this final act of their friendship, House knows Wilson is going to die, has spent days pleading with him just to keep fighting for more time, you could make it another two years instead of five months. Until Wilson is ready to start chemo. "You're the only one I listen to. You're smarter than me." House gives Wilson what he wants: painless and quick, the final five months spent together. House rages against the terminal acts of dying bodies all the time, but he can destroy that instinct to love Wilson better. He can make Wilson comfortable until the very end. He can treat the person, not the disease, just this once.
And that's what medicine is all about.
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defectivegembrain · 10 months
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I hate when people seem to misunderstand Troy and Abed's relationship as being actually like what Vice Dean Laybourne tried to make them think it was. He didn't understand them, he understood just enough to present a simplified, stereotypical version of what they have. Like yes Abed was initially a little inconsiderate in his response to Troy, but honestly as an autistic person, I understand very well the frustration of having something planned out, being very focused on it, having an agreement with someone, and then they suddenly want to change it. People exaggerate how stubborn he was, he was literally about to give in before Laybourne manipulated him.
And he actually does that quite a lot. In the initial buildup of their friendship, he does things like take cues from Troy's behaviour and try to "mess with" him, because that's what Troy teaches him friends do. He's trying to connect on Troy's level. He plays basketball with him, engaging in interests he doesn't necessarily share, he tolerates Troy's competitiveness and lets him win the race to make him happy. It's Troy who has to get past the attitude that friends only do things for him and not the other way round.
And he does learn to be a good friend, but the idea that Abed doesn't show up for him just as much is bizarre. In Epidemiology, he's insistent that if only one of them survives, it should be Troy. He listens and supports him with the AC repair vs plumbing thing, and it is Troy who decides that he just wants to watch tv with him. When Troy goes to the AC repair school, Abed doesn't try to talk him out of it, even though he's devastated. He's upset when Troy and Britta get together, but he doesn't put that on Troy himself.
He listens to Troy about the impersonator thing, despite deep fears of being controlled, and honestly seems more concerned about their friendship than his own safety. He goes along with the body swap bit at a moment's notice, goes to a restaurant he previously said he couldn't go to, puts up with the waiter badmouthing one of his favourite movies, and breaks up with Britta for Troy. When he's so upset about Troy leaving that he hallucinates lava, he jumps into said lava in order to let him go.
And I especially hate when people, just like Laybourne, use the Inspector Spacetime thing to argue that their relationship is unequal. Like sorry, in other instances, Abed is more than willing to play the villain (Kickpuncher, Alien) or love interest (Kickpuncher) or sidekick (their shadow puppets) to Troy's hero. They do Bert and Ernie, who are equal partners. When they do Calvin and Hobbes, yes he's Calvin, but that's notably something only Troy has expressed an interest in him doing before.
Yeah Inspector Spacetime is a more frequent thing for them, but it's pretty clear that's a really special character for Abed. In Virtual Systems Analysis we can see him use the character to express how he's different from other people. Which, yeah, an autistic person connecting with what is essentially the Doctor...go figure.
Like, look at when he lists characters he thinks are like him: "Data or Johnny 5 or Mork or HAL or K.I.T.T. Or K9 or Woodstock and/or Snoopy. Spock goes without saying." None of those are human. Several robots. Most are not the main character. One is an antagonist. It's probably not often that Abed feels this deep a connection to a character who is undeniably the hero, and while not human, still shows human characteristics. And there's no way Troy is unaware of that.
And by the way, Troy never seems remotely unhappy about playing Constable Reggie until Laybourne talks him into it. And never again afterwards. In fact, when Abed is full on trying to act "normal" at Shirley's wedding rehearsal, Troy talks him into playing Inspector Spacetime...with this ridiculously tender look of love on his face.
It's just...it's a severe mischaracterisation of them both, articulated by a clearly manipulative character, and it bothers me when I see people fall for it.
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redpenship · 5 months
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Many fans bemoan Sonic's characterization in issue 50. Why does he talk so much? they wonder. Should he be moralizing at someone he just met? they post on Tumblr/Twitter, the websites for moralizing at people you just met. As a comic fan, should I really be expected to read more than 40 words of dialogue on a single page?
All of these are valid critiques. However, I believe the debate around Sonic's characterization distracts from the issue's most problematic content: the destruction of gay men in the Sonic IDW universe.
The first incident is obvious: the relationship of Doctor Starline and Doctor Eggman. Despite being two men in a relationship, their relationship is very obviously lesbian-coded. As we all know, lesbians get divorced at higher rates compared to hetero- or m/m homosexual couples (source). This is sometimes attributed to the lesbian phenomenon of "u-hauling", in which lesbians move in together very shortly after dating. Now stuck in close quarters despite never truly testing the boundaries of their relationship, they are prone to discover love-breaking flaws in one another that ultimately destroy their romance affair. Eggman and Starline's relationship follows a similar cycle: they meet, move in together, and then tragically break up because they discover irreconcilable differences between each other. Their relationship is lesbian-coded, whether done intentionally by the writers or not.
This is the first affront committed against gay men. Lesbian-coding them is problematic, as lesbian and gay relationship cycles are unique and cannot be swapped around carelessly. Male homosexual romance is particularly distinct. Allow me to outline an example here: typically, the two men begin as rivals who dislike each other for a variety of reasons. This rivalry ebbs due to conflict or mutual interest in helping one another with a problem, such as figuring out what to do when there is only one bed in a hotel room or one of them is going through that "time of the year". Any intrinsic binaries dividing them, be they sociological or biological, play heavily into the flourishing romance--heteronormativity is what makes gay relationships exciting, after all. The two men then realize that they may be attracted to each other despite their rivalry, forgiving each other for past sins even as severe as trying to crash a space station into the planet. They are then free to comfortably fall back into the fictional gender roles ascribed to them, reflecting dominant and submissive positions, and--huh? Sonadow omegaverse doesn't reflect the complexities of IRL gay relationships at all? Weird.
Moving on, I have now established that the lesbian-coding of Starline and Eggman's relationship was one of IDW's first offenses against gay men. The next offense is even grander than the first, so hold on tight!
Within the Sonic universe, Eggman has always stood in defiance of gender roles. His insistence on wearing pants, despite bottoms being a degenerate garment for women only, has always set him aside from other men in the series. Issue 50 undermines his anti-masculine position by reincorporating him into the hetero-patriarchy via intimate violence.
It is common knowledge that drone operators are kinda gay (source). Real soldiers kill other men in close combat wherein their life is likewise in danger. A man killing another man, dominating him while sweaty and short of breath and tussled up, is a strictly masculine affair. Drone operators do not experience such a masculine version of killing. Queer theorist Cara Daggett asserts that the spatiotemporal disorientation of drone warfare emasculates drone operators, as they kill from afar without bearing any of the risks associated with normal combat. A hypermasculine designs and messaging around drones fail to disguise their reality as genderqueer bodies.
This theory can be easily applied to Doctor Eggman. In games and most comics, he does not directly engage with any foes--he prefers to fight with robots and mech suits. His badniks and other robots (such as Metal Sonic) therefore turn into genderqueer bodies as they deny him "masculine killing" by disorienting his spatiotemporal axis relative to his enemies. When this is combined with his insistence on wearing pants, it becomes clear that always operated in defiance to hetero-patriarchal norms. He is a gay man.
In issue 50, this becomes unclear. Doctor Eggman reorients his spatiotemporal axis by grabbing the platypus by his leg and smashing him into the ground. With this one action, Eggman openly embraces his role in the heteropartriarchy by engaging in close combat. The queer ideal of Doctor Eggman is dead.
Starline is gone. Eggman is effectively a heterosexual man. No one cares about Don and Nite. In one issue, the IDW writing team has destroyed the status of gay men in their comics and reduced them to nothing.
Remember this post next time you so proudly post about how many lesbians there are in the comics. Their empire has been manufactured by the systematic removal of gay men in the comics. Do not let the cute wlw or questionable Sonic characterization distract you from this fact!
a/n: sorry, this got away from me. big /j for everything here.
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pianokantzart · 1 year
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As Long as We’re Together
I was thinking about Mario and Luigi swapping hats if they had to separate due to extraneous circumstances, and it the idea expanded into a (slightly rushed) one-shot angst fic. Content warning for injury, because of course one of them has to get hurt.
Takes place some time after the events of the Super Mario Bros Movie, after Bowser escapes captivity and begins to regain some of his old power.
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The sabotage mission, though technically a success, had been sloppy. Mario and Luigi destroyed the primary airship, taking down half of Bowser’s aerial artillery with it, but attempting to slip away landed them squarely between the gathering troops and The King of The Koopas himself. Mario had no battle plan, and what little stratagem he attempted fell apart as the overwhelming numbers separated him from his brother, and Bowser went after Luigi amidst the fight.
Mario wondered if the move was calculated… if Luigi was simply the nearest target, or Bowser knew exactly what would hurt the most. The way he glanced over whenever he landed a blow on his little brother, sadistic glee in his eyes whenever they spotted each other from across the battlefield, scared Mario in a way he could never admit out loud.
Luckily the spreading damage of the exploded airship provided the distraction needed to slip away, even when Mario was forced to carry his wounded, half-conscious sibling from the spreading madness. Escaping into the barren wilderness of The Badlands he searched for what felt like hours before he found what may have been the safest place in all of the Koopa Kingdom– a dilapidated castle upon an ashen plane, far from the lava pits, cold and abandoned. Uncovering a dark, isolated corner of a great hall he gently set his brother upon the ground, leaning him up against a far wall. Luigi let out a hiss of pain as his leg made contact with the floor. Battered and bruised as he was, his left leg had taken the worst damage – stomped on with full force by Bowser in their frenzied battle.
Even now, Mario and Luigi could hear the light rumble of his remaining fleet as it took to the air. They had slowed the invasion of The Mushroom Kingdom… leveled the playing field to an extent… but their mission wasn’t over. Bowser’s army would soon arrive at their destination to reattempt the takeover. Mario did his best to push this thought to the back of his head as he carefully rolled up his brother’s pant leg to better examine the wound.
“Is it bad?” Luigi asked, eyes shut tightly, teeth grit. “It’s… fine,” Mario assured, failing to mask the anxiety in his voice. In the human world such an injury would need a year to heal under the best circumstances– but they were not in the human world, and the mushrooms available across the land outmatched the greatest doctors in Brooklyn. But digging through his pockets, Mario came up short. Every mushroom they had gathered had been used up in their recent battle, save for a pathetic few dried healing mushrooms which Mario immediately– and a little too eagerly– shoved in his brother’s mouth. After a gag and a cough Luigi felt his body mend, the blinding agony of his shattered leg dulling into a sharp pain. The wound was no longer debilitating, though he was still in no shape to walk anywhere unassisted.
“What you need is a power up,” Mario said, “there’s got to be a question block somewhere around here.”
He started to his feet, but Luigi took him by the sleeve and held him in place. “I don’t think there is.”
“You don’t know that. We just arrived!” Mario said, reassuring in tone as patted his brother’s shoulder, “don’t worry, I’ll fix you up in no time.”
Again he stood up. He walked around, but dared not wander so far that he and Luigi couldn’t see each other. Mario glanced around at the dark hallways and vaulted ceilings, cloaked in shadow and dust. No sign of life, and nothing at all that even hinted at the possibility of a hidden power up.
“What about The Mushroom Kingdom?” Luigi asked. He paused for a moment, hesitating before he continued, “It needs defending, and I don’t think you’ll get there in time to help unless you–”
“I said I’ll fix you up in no time,” Mario interrupted, knowing what his brother was about to suggest and wanting to hear none of it. He returned to Luigi’s side, kneeling down beside him. “No problem.”
“But Peach needs you.”
“You need me. I am not leaving you here!” he exclaimed, and took Luigi’s face in his hands. He leaned in and looked sternly into his eyes. “Remember? ‘Everything’s going to be okay…’” He trailed off to allow his little brother to finish the sentence, oft repeated between them since they first fell into that warp pipe. ...As long as we’re together.
Luigi didn’t finish the sentence. His eyes darted back and forth between Mario's face and the ground as he struggled with the temptation to give in and let him stay. It was what they both wanted, after all. Luigi was terrified of being alone in a place like this, and more than that he was terrified of letting Mario fight a monster like Bowser without someone to watch his back. Gathering his strength, Luigi tried to get back up on his feet, hoping the little bit of healing he received would be enough for him to finish his journey the way he started… the way he intended… at his brother’s side. His leg immediately gave way beneath him in a flash of pain. Mario was quick to catch him. “Ah! Careful Lou!” Mario guided him back down to the ground while Luigi let out a deep sigh, rubbed the back of his neck, and reached over to pluck Mario’s hat from atop his head. Mario looked puzzled as Luigi removed his own hat as well, swapping their caps so that the bright green “L” sat upon Mario’s head, and the shiny red “M” sat upon his own.
“There. A little bit of me with you, a little bit of you with me.” Luigi said, playfully tugging the brim of his green hat over Mario’s eyes.
Mario readjusted the hat, maintaining his confused expression up until Luigi pulled him into a hug, and held him tight.
“Oh, I can’t tell you what to do.” He said, voice slightly muffled as he pressed his face into his brother’s shoulder, “Nobody in the world can tell you what to do, and that’s the best part. You’re always doing the right thing, no matter how hard it is!”
“Is this supposed to help convince me to leave?” Mario chuckled, pressing his head against his brother’s shoulder in turn, “because you’re doing a terrible job.”
“No way. If you decide staying with me is the right thing, I am not going to argue with that.”
The two pulled back from the hug, looked at each other, and smiled; an awkward, uncomfortable, knowing smile. They both knew what was the right thing to do, though it went against their every instinct. There was an entire kingdom at stake. A world that needed saving. Mario brushed off his overalls as he rose to standing. He once more glanced around for any sign of danger, gave the bright green cap on his head a tug for good luck, and started toward the exit.
“You won’t have to wait long! I’ll tell The Toad Brigade where you are.” He called over his shoulder, “If I get too busy ripping Bowser to pieces, they’ll make sure you’re back home before breakfast!”
“Don’t have too much fun without me!” Luigi called back, giving a small salute.
“Stay hidden!” Mario added, walking backwards to keep his brother in his line of sight for as long as possible.
“What kind of advice is that?” Luigi laughed, gesturing at his surroundings, “where do you think I’m going to go!?”
“Just… be safe!”
And with that he was gone, his footsteps echoing down the hallway and bounding down the castle steps, the slowness of the goodbye suddenly turning into a manic sprint the moment they lost sight of each other.
Lost in a newfound silence, Luigi’s smile immediately dimmed into a look of fear. He took the hat off his head, taking some solace in its bright red color as he clutched it tightly to his chest. He shifted his injured body a further into the corner where he was hidden away, trembling a little as he counted his breaths, and waited patiently for help to arrive.
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xtarotdollx · 3 months
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Attempting one of those long ass literary analysis posts because my friends have told me I should please enjoy this long ass ramble
Okay so like Jekyll creating Hyde is itself a crime right? Like it is it’s a horrifying event filled with body horror and pain like Jekyll creating the potion and creating Hyde is an objectively Bad Thing ™ but like why??? Jekylls motivations for doing so are both sympathetic and relatable (and intentionally so) so why are his actions considered the literal original sin of his story?? Anyway I was bored and fucked around and found an answer and I need to share it because fuck me I can’t be normal about Jekyll.
Anyway review time our buddy Jekyll is sad gay and alone and comes to the conclusion that people contain multitudes. And I say multitudes because Jekyll himself admits in his own research that there’s more to his theory and than just good and evil,
“I say two, because the state of my knowledge does not pass beyond that point.”
“… I hazard guess that man will be ultimately known for a mere polity of multifarious, incongruous, and independent denizens.”
and that he splits himself into good and evil because that’s what he’s most familiar with (aka it’s the split that he can use for his own benefit.) But like, homeboy was kinda on to something. The idea that humans are complex and multifaceted with multiple conflicting ideas and identities has been a thing across psychology and even whole cultures for like forever, and considering that Jekyll and Hyde was written around and about the the creation of the psychology as a scientific field, Jekyll is has (for lack of a better word) discovered something very profound, important, and massively influential to the world around him. And positivity influential to!! It’s that iconic quote “if each could be housed in different Identities, the world would be relieved of all that is unbearable” I think he’s getting ahead of himself here and kinda self projecting but there is very real truth to the idea that studying the difference facets of human identity could improve people and society. And even if he’s dead fucking wrong still putting out the information would end up benefiting societies collective knowledge. Kinda like how Freud was so influential to psychology because some of his theories were so buck wild and wrong that people had to come and correct him, widening the scientific field as a whole.
And Jekyll doesn’t do that. This life altering information is kept to himself, for his own personal use, benefit, and pleasure. And that’s so fucking wild and horrific for so many fucking reasons. Like it goes against so many rules of behavior it’s FOUL. First of the selfishness and gate keeping is inherently just cruel, but this man is a DOCTOR, and a SCIENTIST. This motherfucker took an OATH BEFORE GOD to provide the best care to the people, and now that care, or at least information that could lead to better care, is being squandered for personal gain. That’s fucked. That’s criminal activity right there.
But also I dare you to find me a scientist that doesn’t want to share their research and passion THERE IS NONE. I may be basing this analysis off of a stereotype but I believe it’s a stereotype based in reality but isn’t this the very thing people who go into fields of science and research do??? Like, they are unified by their desire to explore and SHARE knowledge??? Even if like the Jekyll wasn’t a professional doctor with his Hippocratic oath just doing things for shits and giggles, how is the goal not to tell people about this?? This doctor isn’t doctoring the way doctors should. Jekyll keeping his discoveries to himself is also just borderline non human behavior to me because who actually in real life does that. Again how is the end goal not to share this discovery? Humans are social creatures we want to share things. Swapping stories around a campfire is like the oldest human tradition ever. If you’re out in the woods and see a cool frog the immediate reaction is to call your friends over to look, or take a picture, or something similar. WHEN I THINK OF NEW WAYS TO VIEW AND INTERPRET JEKYLL ANS HYDE, THE IMMEDIATE THOUGHT IS TO SHARE IT WITH MY FRIENDS. I cannot FATHOM how secrecy is Jekyll’s immediate desire as a fellow human who lives on this earth.
And this actually slots in with really well with Jekyll and Hyde as a social critique of the upper class. Keeping super important info to yourself is NOT a human activity in any capacity, but it is an institutional one. The best thing I can think of to describe and compare it to is oil companies history of actively suppressing information about climate change to stay in business. It’s a modern example but I feel so deeply that there is an 1800s equivalent that I just can’t think of or don’t know in this moment. But the point is, Jekyll isn’t a person (metaphorically speaking), he’s a institution of wealth and power doing what large institutions do best, profiting off of the the control and suppression of the people below them, in this case the control of information.
But of course, Jekyll literally speaking, is a person. He’s just some guy, and seeing a very very human character act without any human instinct so casually is freaky and 10/10 horror. Jekyll’s creation of Hyde isn’t a crime or a sin because Hyde is an evil thing that will do evil things, it’s horrifying because Jekyll’s choice to do so is inhumane in every definition of the word thank you for coming to my TedTalk have a nice day
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ananke-xiii · 12 days
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"The Born-Again Identity" is one of those SPN ep that I like despite the fact that there are so many things in it that drive me a little bit insane (truth be told, in part it's only my fault cause I can never completely turn up the "suspension of disbelief" volume and I go to a default "but why?" mindset everytime I see something on screen, so okay it's a *just me* problem). However, I do think that S7 was not that bad and it had some quite intriguing and original ideas while the execution was... well, let's say clunky. So, all in all, I think this episode is kinda cool.
the things that drive me a little bit insane:
the imagery of sam desperately running alone in the night along some tracks in a supposedly dangerous part of town. The "derailing" and "going off the tracks" symbolism was a bit on the nose; him buying drugs from the "tweaker" and sleeping with the guy in his car: mmm I feel like that was, like. a lot. to be just thrown away like that.
sam being admitted to the hospital with no mention of said drugs use and the whole scene with the doctor telling dean that they had to put sam in the locked psychiatric floor. I don't know, it also feels like.a lot. and.all of a sudden. they could ease into that way better, it's too ham-fisted as in: we have to find a way to put sam in an horror asylum-like facility in less than 5 minutes for the ep to make sense. so that what feels like to me.
daphne. everything about her drives me insane. I have a whole story where she has to clean up the mess dean has made and hide the body of the demon or something. she'll later start her own private hero's journey to find emmanuel and bring him back to their white picket fence life so perfect and so based on manipulation and stockholm syndrome.
the demons showing up at the grocery store. like what? it was established just a few scenes before when dean told the demon that he was "hands-off" or something and that the demon was actually looking for emmanuel. so why oh why would the other demons look for dean when there's emmanuel.alone.in.the.car. nonsense.
that one demon torturing sam with the electroshock. what was the point? why were demons there anyway? weren't the brothers hands off? maybe i missed something here but to me just felt like "asylum ep= electroshock scene is a must" and meh.
sam leaving the hospital.just.like.that and "swapping place" with cas. i'm sorry, what? i won't even comment on meg being suddenly hired as a nurse cause okay i want to give the writers that, but wtf? oh okay, this guy that has just showed up here (and has definitely possibly murdered 4 or 5 people at the entrance) is maybe not okay, let's not call his wife or someone, let's just lock him up. whaaaaat?
the quite intriguing and original ideas:
the cas/sam parallel: they are both evidently mentally unstable for very different reasons. cas has, in a way, "left the life" and dean, of all people!!!, is not 100% cool with him regaining his memories because what if he leaves???? sam is quite literally very close to leave life in general because the trauma is affecting his body in an irreversible way. they are both "born" again identities at the beginning and at the end of the episode. Very cooooool.
sam and lucifer interactions: the actors really did their job well in this ep cause everytime I watch it I'm exhausted, like I can't bear to hear Lucifer talk and talk and taunt and I definitely feel worn out like sam. I think Jared works very well with Mark Pellegrino, too bad that the whole Lucifer storyline was a mess in later seasons cause the actors had great chemistry.
meg. every scene with meg is just joy for me. and her storyline? left alone looking for "friends"? sure, she totally plans to use cas as her ally but what's new? (jokes aside, there's a whole pattern of women manipulating and using cas, am i the only one seeing it???).
marin. first of all, hello abigail????? (hannibal memories flooding in). second of all, cool MoTW-Not-So-Much-MoTW story. ofc she's a sam's mirror used to basically explain what happened to sam but the ghost who's tormenting her is also her brother and he must die-die-die because he won't let her go. hello??? paralleling sam's hallucinations with sam's issues with dean was super intriguing and too bad that the MoTW was Not-So-Much-MoTW cause marin's story was maybe not even 8 minute long.
bonus: "Peace of Mind" from S14 echoes this ep brillianty, they even cast one of the same actors (the doctor/the mayor) and they used the same surname for sam (sam smith/justin smith). cool cool cool (although unrelated to s7).
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valdomarx · 1 year
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i acknowledge that the professor yana/master reveal was one of the greatest twists doctor who ever pulled off, HOWEVER it does fuck with the timeline severely.
because the eighth doctor met jacobi!master multiple times. ok, one of those times the master wiped his memories, but at other times he knows who he is immediately. 8 even spent weeks or months body swapped with him, so he definitely knows what he looks like.
and night of the doctor confirmed that eight regenerated into war master, who regenerated into 9, then into 10. and day of the doctor explicitly shows that all versions of the doctor remember the time war. 10 should have all those memories and should recognise jacobi!master as soon as he sees him.
so logically the only explanation for why 10 doesn't recognise yana is that, unlike war master, yana doesn't have a beard. 10 has a good pair of hearts but naught but fluff between the ears.
the master: ahh, doctor, we meet again
the doctor: master, my oldest friend and greatest nemesis
the master, swiftly shaving off his beard and putting on a puffy shirt: good day, i'm a bumbling old professor
the doctor: hello new person who i certainly have never seen before! can we be friends?
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Note
zor and pheonix swap bodies. what happens?
(for a possibly less chaotic choice, its handler and zor)
I assume a race to dismantle their respective operations from inside either via wanton violence and arson, clever thought out strategies or just exposing each other's organisations, or some other equally devastating course of action.
(Okay this turned longer than I expected so I'm just gonna put the rest under a cut here.)
And I mean like depending on if it's long term or short term body swap there's a lotta stuff that could happen differently? The good doctor could certainly set up some... clever plan to unravel all of the Agency without risking their own exposure or whatever, but it would take time and resources to set up, so possibly they just collect vital intel for later use? Actually you could probably make an intriguing story out of "Phoenix and Zor wake up in each others' body - and they are forced to act as each other to avoid exposure" and whatnot. Like. Stepping into your greatest enemy's shoes...
Of course the fun part isn't that, like, they "learn how hard the other one has it" and "grow a new appreciation for each other" no those two would absolutely kill each other with Zero hesitation given the means motive and opportunity. Like yes Dr. Zor tends to not directly kill Phoenix, just. Death traps. I'm somewhat sure they even banned Juni from taking the Agent out while he had them unconscious? Don't quote me on that I have terrible memory abilities anyway what I was saying was they might prefer to toy with Phoenix but they still want them dead and if the Agent was right in front of them they would pull that trigger no hesitation, especially because the Agent would very likely be gunning for them, too. So. No hesitation there's no fondness between them. Or at least nothing to outweigh the desire to see the other dead.
Okay that ramble out of the way - the only reason they don't walk that borrowed body off a cliff is 1. It would kill them too, 2. They have the opportunity to royally screw the other's life up, annnd 3. The other guy (presumably) has their body and can royally screw them up, too. Which is a problem that they need to deal with. So what do they do? Consider it undercover work, I suppose. Plus, no better way to get to know your enemy than being your enemy, right?
Oh the wonderful chaos of "infamous secret agent forced to act as an evil mastermind" and vice versa. They might get a little lucky in that I assume the Doc has things set up to mostly flow smoothly without them, and Phoenix is already so strange that Zor being a lil weird might slip under the radar... problems arise in that Reg knows Phoenix, and Zor is still needed for resolving the petty conflicts and snags in the plans, of course - nothing can just be that easy...
Also, Zor and Reg swapping wouldn't necessarily be less chaotic. The Handler has just as much of a grudge against Zoraxis as Phoenix does, was definitely about as chaotic as them in his field days, and probably definitely wouldn't pass up the opportunity to tear Zoraxis down entirely from the very core. Then there's the issue of Reggie being a decently important Agency employee as we know, which means he might have some sway in the organisation - you think Zor wouldn't abuse the hell out of that?
Hmm. Might add more later I need to collect my thoughts,, I woke up not even two hours ago
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sarahowritesostucky · 3 months
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📖"Hydra Sanatorium"
Rated: Explicit
Pairing: Bucky Barnes x Steve Rogers
Word count: 5112
Tags: a/b/o, medical institutionalization, cognitive disability, made up kinky medical things, diapers, catheters, non-con medical procedures, restraints, forced wetting, hurt/comfort, humiliation, kind!Careworker Steve, bratty!Patient Bucky, alpha Steve, omega bucky, dub con everything due to a/b/o biology, dry humping, forced orgasm, masturbation, implied self harm, orgasm therapy, age difference (19/30), omorashi
Summary: Bucky is a troubled teen coping with the traumatic transformation of late-onset omega puberty.
Steve's been developing too much of an attachment, he knows he has. But he might not have the self control to remain detached anymore.
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A/N: This fic contains heavy medical kink, diapers/wetting, and a/b/o dub-con shenanigans. Consume Responsibly.
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Wait! I think I missed a previous chapter! Series Masterlist
Chapter 5: Excited Catatonia with Aggression
It takes a while longer for Bucky to calm down, shuddering and shivering in Steve’s arms.
This session has been a big deal for the poor kid, since he’s been denied for so long. Omegas don’t do well when they don’t get release regularly. And Steve’s pretty sure that not only is Bucky sobbing because of that, but also because he’s likely been touch and sensory-starved at home as well. Who even knows the last time the boy was hugged, outside of a stay on-ward?
It is, unfortunately, going to be time to tell him about his family situation soon. Steve knows that if he doesn’t bite the bullet tonight, then his boss will do it for him tomorrow. And that won’t increase her confidence in Steve’s impartiality any. Steve could almost stomach her ire, but the part where Christina would be the one breaking the news to Bucky that his folks don’t want him is what sways Steve.
The kid deserves better than Doctor Raynor’s notoriously blunt demeanor. Christina doesn’t do it on purpose, but she’s ex-military and that’s very, very apparent in the way she approaches people. There’s a reason why she has a PhD and not an MD after her name. Raynor is much better suited to managing employees and administrative duties than she is dealing with patients … She tends to make them cry.
It’ll be much easier on Bucky if Steve is the one to tell him.
Still, after watching him come apart in his lap so beautifully, Steve has to pause a few times to steel himself for this conversation. “Well,” he says, trying to think of something else to help put the omega in a good mood. “You earned your reward. Been good all day. You want to take the cath out now?”
Bucky sits back with wide eyes. “Really?” he says, brightening. “Yeah! Can we?”
“We sure can, Sweetheart.” Steve kisses his cheek. “Good boys get nice things.” Bucky blushes, and Steve chuckles about it as he swaps out to a new pair of latex gloves. “Okay, bear with me here.”
It’s a simple process. All Steve has to do is use safety scissors to snip the inflation valve off the tubing, and a second later Bucky’s making a tiny noise of surprise, and the small amount of saline liquid that’d filled the balloon comes dribbling out. “Oohh,” he sighs, relieved. “Oh God. Thank you. Fuck, that was so annoying!”
Steve hums sympathetically. “I can imagine.” Having an object in one’s bladder giving the constant urge to pee doesn’t sound like a good time to him, either. But that’s why it’s one of the consequences that Hydra utilizes. It’s a way to help combative patients accept that they’re no longer in control of their bodies. “Bet you’re not gonna give me trouble on your diapering anymore, huh?”
Bucky grumbles and tucks his head down. “Mmn.”
Steve’s lips twitch fondly. “I’ll pull it out now,” he warns. The first few times that they’d had to cath Bucky, he’d been a crying, resisting mess, but after three years of coming in and out of the ward, he knows the drill. Steve gets enough lube to coat the head of his cock, being sure to slip some all around the tube and push it into his slit as much as possible. “Mmkay. Relax your muscles. Annnd deep breath.” Bucky inhales, and Steve slides the catheter out.
“Ugh.”
“All done.” He tosses it in the medical waste bin. “Good job.”
Bucky exhales hugely, eyelids fluttering. He looks down at himself, and flushes when he sees that his penis has dribbled a little more in Steve’s lap. “Sorry,” he mumbles, and Steve shushes him.
“S’okay. It happens.” They both know that Bucky’s bladder control won’t return to normal for a couple of days, which is to be expected. Bucky seems self-conscious of having wet on him though, no matter how miniscule the amount. So Steve reiterates how it doesn’t bother him, even taking Bucky’s hand in his and pressing their joined hands to the wet patch that’s right at the waistband of his scrub pants. Bucky blushes massively, but his scent radiates comfort, which is the goal. “You’re a good boy, Bucky,” Steve tells him in his best soothing rumble, then just keeps talking at him like that, because it clearly helps Bucky to calm down and be happy.
Steve’s dick is mighty happy, too, though he’s dead set on ignoring it. It’s not like it’s unusual for him to get aroused in-session with patients. It happens. … But it happens a lot more frequently with Bucky than with anybody else. Steve’s been aroused ever since he first got into the double-sit chair with Bucky, and half hard since he started fingering him. Things are a little more pronounced now, and he knows his erection is obvious. It’s approaching a full-on boner, though thankfully still angled down and towards the crease of his thigh. His compression underwear are doing an admirable job of keeping things contained, but it’s still a thick and obvious shape under the pale green of his scrubs. “Um,” he says stupidly, seeing their entwined fingers so close to it. He hastily releases Bucky’s hand.
Over the years at this job, Steve’s gotten used to not acting on his own arousal, but he isn’t surprised that Bucky gets distracted by it. The boy is a sexually frustrated omega teenager, after all, and Steve’s the only alpha who’s ever touched him intimately, probably the only one who’s been dominant to him in any sort of organized or respectful fashion, too. He can’t expect the kid to have the same control of his faculties that a regular person would. That’s just not how omega bodies work. And Steve is a healthy, thirty-year-old adult alpha male, so it’s simple fact that when he’s aroused like this he’s gonna wind up clogging the air a bit for Bucky. He can see it happening already, knocking the kid a little woozy. “You okay, bub?”
His nostrils keep flaring and he keeps sucking his bottom lip compulsively as he stares at Steve’s crotch. He stops using his words and switches to little grunts and hums, starts making this needy little sound in the base of his throat that both medical literature and video titles on PornHub would refer to as a ‘keen’. His eyes go glazed and he makes that noise repeatedly while his backside weeps and his nipples pebble up beneath his shirt.
This, right here. This is why people make fun of omegas as being empty headed cocksluts. Not that Steve sees it that way—God no, he doesn’t. It’s a beautiful thing to him, to see Bucky go all soft and wanting, a natural reaction that tells him the omega is feeling pleasured enough and protected enough to let go. It means his body and brain have actually decided that it’s safe enough for him to be vulnerable like that. If nothing else, it’s a huge fucking compliment to Steve as an alpha. “Oh, Honey,” he coos, petting up and down Bucky’s sides. “You gettin a little soft, mm? Sinking a little?” Bucky whimpers and Steve hushes him supportively. “That’s okay, Buck. I’m here. Alpha’s here. You can let go for a little while if you need to.”
“... ‘pha,” Bucky slurs, latching onto the word, and Steve nods.
“Yeah, Sweetheart, Alpha’s got you. You want to lay your head down for a—”
‘Going soft’ usually only means whining and slicking and, well, going soft. It’s something easily contained and soothed, encouraged into a nap or a bit of cuddling. But that’s in healthy and well-adjusted omegas. Bucky veers in another direction altogether when he slides his hand over and starts aggressively cupping Steve’s erection through his pants.
Steve’s eyes widen. “Hey, hey. Uh-uh.” He tries to grab Bucky’s wrist but the boy evades him and his scent sours at what his dumbed down mind perceives as rejection. “Buck, now listen: you can’t touch me there.”
Bucky’s too far down already, and hearing this just makes him get more aggressive. He shoves forward, hand moulding back to the shape of Steve’s dick and squeezing insistently. “Nnn.”
A guttural sound of pleasure escapes Steve before he can cut it off, and then he’s on course correction. “O-okay bub,” he chokes out, gathering Bucky’s hands and guiding them away. “You know I can’t let you.”
Bucky whines mightily at being denied, rocking in his lap like a tantrum and trying to tug his hands free. His hips are jerking in tiny movements, and the strap support that’s under his thighs is definitely the only reason he’s not grinding directly against Steve’s crotch right now. “Nnn!” he whines, when he tries to tug his hands free and can’t. “Nnn!” He starts to get violent. He gets his hands free for a split second and manages to whack Steve upside the head before Steve regains control.
“Bucky,” he Voices, quiet but stern, “Stop. Don’t hit. I can’t let you touch my dick. You know that. It’s against the rules. Now stop. Alpha’ll be real mad if you don’t listen, right?” After Bucky finally tapers off and goes lax in surrender, Steve cautiously releases his hands. The omega grumbles unintelligibly and puts them on his shoulders instead of trying to get them anyplace Steve’s employment contract says they can’t be. His fingers curl hard at the bend of Steve’s neck and his nails do dig in a little meanly, but the point is he’s trying. Steve relaxes and praises him with a gentle, “Good job, baby. That was good listening.”
Bucky grunts a little more, and he seems to get his brain back online after a few more minutes pass by and he’s relaxed into Steve’s lap better. He doesn’t look as buzzed, looks like maybe he remembers most of the English language.
“You back with me?” Steve asks, when he notices him starting to try and hide his face in shame again.
Bucky nods, scrubbing his cheek on Steve’s shoulder. “Sorry,” he mumbles. “Didn’t mean to.”
“I know, sweetheart. You’re okay. You pulled out of that one real good. I’m proud of you.”
One of the things Bucky struggles with is the tantruming that he tends to shoot off into during or after release. ‘Excited Catatonia with Aggression’—Present in every edition of the DSM since III came out in the eighties. It’s somewhat like a heat frenzy, only with behaviors that can turn self-injurious and emotionally harmful in the blink of an eye. Steve is relieved that they were able to avert an episode this time. “Real good,” he repeats. “Have you been practicing your calm down techniques at home?”
Bucky squirms. “Mmn.”
“Use your words, bub.”
Bucky grumbles some more, and he keeps hiding against Steve’s shoulder, but eventually he does admit, “I do ‘em sometimes. … Sometimes in my room. At night.”
Steve feels his heart ping in with another dent. ‘At night’, he knows, just means when Bucky’s family won’t catch him doing it. When he won’t be shamed for rocking or sucking or stimming in some other way. Steve’ll never forget the first time he’d tried to send Bucky home with a few helpful items. The father had gone red in the face and dragged Bucky out the doors, and Steve had been unable to do anything but watch from the building’s west entrance as everything they’d given Bucky to take home with him was dumped right there in the parking lot.
Deep down, even way back then, Steve had known in his heart that Bucky wasn’t going to be able to stay with his family. Not if he was going to make it.
(And Steve really needs him to make it.)
“... Steve?” Bucky sounds shy and fatigued, which can happen when he’s fought off the emotional stress of a tantrum. “Can we stay here for just a little bit? Please?” He shuffles on his knees with a sniffle, pressing close for comfort. “Just for a little bit? You smell so good, and I don’t wanna leave yet.”
“Of course, sweetheart, yeah. We can do that. We can stay for as long as you want.” Steve really means it, because he knows he’s got to figure out a way to tell Bucky the bad news tonight. And Steve hates to think the worst of any patient, but he’s got a bad feeling that it’s not going to go over well at all. “Buck?” he prods gently, waiting until he knows the omega is paying attention. “Honey, can we talk a little bit?”
Maybe if he can get Bucky to talk it out, he thinks, get him to conclude on his own that going home isn’t the best option for him, then maybe Steve can present the change in custody as a choice. It’s wishful thinking, but he has to try. He doesn’t want to crush Bucky’s sense of self worth more than it already has been. Bucky already feels dejected and unloved, and knowing that his family has legally washed their hands of him isn’t something Steve wants him to have to deal with. It’s better if Steve can talk him around to the other side, make him ‘decide’ that he doesn’t want to go home to his family.
Steve knows Christina wouldn’t approve of the deception. And he knows if she found out, he’d be taken off Bucky’s case at best, professionally reprimanded at worst. He’d be considered compromised. And hey, maybe he is. Doesn’t mean he’s going to do things any different until somebody makes him. Bucky’s still his patient right now, and Steve is going to take care of him the way he thinks he needs. “So … um, I wanted to ask you about how things’ve been at home, lately.” Bucky tenses and Steve hushes him, bringing a hand up to cradle the back of his head and encourage him to press his face closer. Bucky takes the cue and snuffles into Steve’s neck, mouthing over the pulse point. Steve pats his back. “Has anybody been close with you?” he asks, near-pained because he thinks he already knows the answer. “Your mom maybe, or your brothers?” Bucky shakes his head and Steve feels awful. “Are you sure? Snuggling? Or, even just a hug when you need it? Some scenting?”
The last time Bucky had been admitted on-ward, the social services team had roped his folks into a session to try and better educate them on their son’s new special needs. Steve hadn’t been present—had been on vacation, of all things, Christ—but he’s heard that the parents did not appreciate the instruction, and they didn’t take any of the information to heart. Obviously.
“Mm mn,” Bucky’s saying, rubbing his mouth over Steve’s skin as he speaks. “I never ask. Don’t want ‘em to know. They’d just make fun’a me if I asked.”
Steve inhales sadly. “You need regular touch Bucky. Hugs, skin contact, lap time, something.”
“No,” he mumbles, sounding like the surly teenager he is. “You don’t get it.”
“Well explain it to me, then.”
“They’re totally ashamed of me. My dad hates me.”
Steve tuts. “I’m sure that’s not true, Honey. They may be uncomfortable about certain things—uneducated, or ill-equipped to help you. The counselors here have talked to you about it, haven’t they? You know: about how people can have implicit biases that they—”
“No!” Bucky gets angry and pulls away, sitting back on his knees and giving Steve a sharp look. “I’m embarrassing to them. They don’t want the neighbors to know! My brothers’ friends aren’t allowed to come over to our house to hang out anymore, so they hate me too, and just … Ugh! You just don’t get it, Steve. Not everybody believes like you guys do here. Lots of people just think that omegas are … they just think that we’re …”
“Honey,”
“Mm mn,” he sniffles, stubborn. “They think we’re useless, dumb. A waste of space.”
“That’s not true and you know it Bucky,” Steve says sternly.
“I don’t know shit,” he growls. “That’s how it is in the real world, Steve. And how’re they wrong, huh? I’m never going to be able to have a job, never gonna be able to take care of myself.”
“Bucky,” Steve pleads, concerned at the vitriol in Bucky’s voice. He should not be talking like this, and the fact that he is means that things at his home have been more abusive than Steve realized.
“—Just a waste of tax dollars. A drain on society. Waste of hardworking people’s tax dollars,”
“Stop.” Steve’s pissed when he Voices it, and it comes through loud and clear. Bucky shuts up right away. He blinks wide eyes at him, and Steve takes the opportunity to shut him down. “I don’t ever want to hear you talk like that again, Bucky,” he says, easing off from his Voice when he can see he’s gotten the kid’s attention. He puts his hands on Bucky’s hips and looks at him sternly. “There are people who think like your parents do, yes. But it’s not nearly the majority. I think you’re under the impression that a lot of people share those ugly beliefs.” He waits, and when Bucky says nothing to deny it, Steve huffs. “It’s not many. I’d say … ten percent of folks? Maybe fifteen, when there’s a Republican in the white house.”
“What? Really? …You’re not just saying that?”
Bucky looks slightly swayed. Bolstered, Steve pets his hands up and down Bucky’s sides, rucking the soft material of his tee shirt as he does it. “No, I’m not just saying that. Most people don’t think the way your folks do. Only assholes who watch Fox News parrot out the sort of vile shit you just did.” He raises a knowing eyebrow, daring Bucky to deny it. He’s met George Barnes a few times. He knows what type the man is. “You are just as important as any other person, Hon,” he promises, and when Bucky starts to sneer again, he’s struck by the distinct urge to smack him.
He digs his fingers in warningly at the boy’s waist. “Hey, listen to me, now.” Bucky stops sneering, and Steve sighs, trying to think of something he can say that’ll make Bucky realize he’s actually worth something. “Do you … Do you believe in God, honey?” he asks—not at all professional, but Steve’s gone past professional with Bucky for a while now, whether he wants to admit it or not. He’s heard Bucky make a few flippant comments in the past, about ‘God’ or ‘heaven’ or ‘prayers’ (usually in relation to morbid comments about wanting to die or off himself), so he’s taking a chance and going out on a limb here. “Hm?”
“God?” Bucky’s brow furrows. “I guess so. I mean my family never really goes to church except for—”
“I didn’t ask if you go to church,” Steve interrupts. “I asked if you believe in God, in one form or another.” He waits patiently for Bucky to answer him. When he does, it’s with a tiny nod and a mumbled,
“Yeah. I think so. … I do.”
Steve softens. “Okay then. Me too, by the way.” Bucky makes a weird face like he’s still unsure why Steve is talking about this, So Steve explains, “Think about it: Do you really think there’s any God out there who’d create a whole class of people that didn’t have a purpose? Ten percent of humanity that’s just a ‘stupid waste’?” He waits until Bucky makes a face in consideration. “Right. I’m Catholic, you know? My ma dragged my butt to mass every Sunday growing up. And I just wish you could’a heard the things I did, the things they preached. It was never ugly like what your folks’ve been telling you. Omegas are different from other people, but so are Alphas. Doesn’t mean we’re not just as good and important as anybody else. We just have different needs, and that’s okay.” He offers Bucky a cautious smile. “I mean, maybe it’s not a coincidence that we’re five and five of the population, huh?” He reaches up and cradles the side of Bucky’s face, tracing his cheekbone with the pad of a thumb. “It’s like somebody had this idea we’d be complimentary, or something.”
Bucky’s lips have parted, and he even smiles reluctantly at the soft teasing in Steve’s tone there at the end. He reaches up and covers Steve’s hand with his own. “I guess so,” he murmurs. “I mean, it kinda makes sense.”
“Mm.” Steve smirks. “It does.” He kisses his cheek and gives another little squeeze on his waist. “C’mon. Let’s go get cleaned up.”
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Bucky is sullen at first when they exit the massage room, but when Steve makes it clear that he won’t be leaving Bucky’s side now that their lap time is over, the omega trails along happily enough. They wash up in the bathroom and change into clean clothes. Bucky doesn’t fuss at all when Steve helps him into a fresh diaper, but he does mumble, “I hate ‘em.”
Steve has just pulled up the soft fleece pants for Bucky. “Do you really? Or d’you just hate how embarrassed it makes you feel?”
Bucky chews his lip and doesn’t answer for a long minute, his lashes lowering and his cheeks darkening. “... The second one, I guess. Embarrassing.”
If you were my omega, Steve wants to say so badly. You’d never have to feel embarrassed about anything. Not for the rest of his life, because Steve would take care of him, make him feel like the treasure he is. Like he deserves. He licks his lips, overly emotional and trying not to let it show. “Hey,” he says softly, putting his hand over Bucky’s fleece-covered knee. “You know it’s a common thing, the wetting, right bub?”
Bucky nods sullenly. “I guess.” He’s still sitting on the changing table with his legs thrown over the side, and Steve steps forward to give him a hug. “Who’s ever gonna want to put up with me?” he says, and Steve’s heart just about fractures.
Me, he wants to say so badly, but he can’t. He holds the words back like bile in his mouth, hugs him tighter and says into his hair, “Lotsa people, Buck. There’s whole agencies devoted to helping omegas find their mates.”
“There are?”
“Of course. Half my job is making sure patients are set up to succeed in the world, once they get outta here.” He steps back and takes Bucky’s hand, and together they walk out of the bathroom and down the ward’s hallway. “That’s actually something you and I need to talk about.”
It’s dinnertime, so Steve walks them to the room where all the patients on C Hall eat their meals. He makes himself a coffee while Bucky goes to load up a tray with food from the line, then they sit together away from the other patients. Steve works up the nerve to have the conversation he’s been avoiding all day. “So,” he says. “When you get out of here,”
Bucky makes a face down at his tray of food. “Ugh.”
“Ugh?”
He shrugs. “I dunno. I hate thinking about going home. They’ll come and pick me up, be jerks all over again, till next time.” He stabs vindictively at the little pile of peas he’s got. “I know it’s crazy to want, but … sometimes I wish they’d never come back, that they’d magically just forget about me and I could stay here forever.”
“Aw, you don’t want to stay here forever,” Steve coaxes. “In a mental hospital?”
Bucky shrugs. “I’d rather be here with you then back home with them.”
God, Honey. You’ve got no idea how much I want to keep you. Steve tries not to get overeager, but this is a good start to the conversation they need to have, so he goes with it. “Yeah?” he prods. “I’ve always been able to tell your dad’s a bit of a prick, but things are that bad at home?” He wants Bucky to talk about the abuse, then they can segue into discussing healthier options. “Buck?”
Bucky avoids looking at him, poking around his food and making patterns in the mashed sweet potatoes with his fork. “... Nobody makes fun of me here,” he says quietly. “I’m allowed to relax and … and do what feels good.”
Christ. Steve grits his teeth and imagines beating George Barnes’ face to a pulp. “Yeah Honey,” he eventually croaks. “Yeah that’s how it should be. Always. The fact that your folks make you feel that way, that they treat you the way they do … It’s wrong. It’s abusive. So is the way they’re always dumping you here and yanking you out, using it as a punishment. You do realize that?”
Bucky glances up at him, but he shrugs. “I guess so,” he mumbles.
“No, not ‘I guess so’, it is,” Steve insists. He nods at Bucky's tray. “Stop playing with your food. Put a bite of that in your mouth.” Bucky’s eyes get a little wide at the command, and then he flushes and responds positively, listening to Steve and eating a forkful of potatoes. Steve feels a warm thrill of satisfaction at being obeyed. “Good boy,” he praises. “Look, Buck. I want to talk about your options for when you leave here. You do realize that I’ll help you, right? If you put in a petition on grounds of abuse, I’ll sign it. You could choose where you live. You wouldn’t have to go back to your parents’ place. In fact I don’t think you should. It sounds to me like they make you pretty miserable.”
“What?” Bucky looks surprised. “But where else would I go? I don’t have a job or any money.”
“That’s okay. You know the state puts money aside for omegas, right? We can get you set up with what you need.”
Bucky looks wary, but he nods. “Yeah. They talked about it in life skills class. Welfare programs.”
Steve supposes that’s the sort of thing George Barnes talks trash about at home. “Yeah,” he says encouragingly. “You can apply for an apartment and an income. It won’t be a lot, but it’d be enough to live off of. You’ll get medical, housing, heat support.” Bucky’s face goes scarlet at the mention of his heats, but Steve presses on. “And there are jobs out there for omegas who want to work. You just have to know where to look. Like this girl I know from my church? She got a job working at a childcare center. Told me she loves it.” Bucky’s brow is furrowed as he takes in all that Steve’s saying, and Steve holds his hand out over the table, palm up. “C’mon, tell me what you're thinking.”
Bucky bites his lip but he does put his hand in Steve’s. “I don’t … I don’t know how to be on my own,” he admits. “I’m afraid. What if I mess up?”
“Oh, sweetheart.” Steve squeezes his hand. “You won’t mess anything up. You know, I have so many omega clients who do well. Almost everybody does, really, when they get out of here. And you wouldn’t be on your own. There’d be people helping you. You’d get a caretaker assigned from an agency. A good one.” He hates thinking of another alpha helping Bucky, scent marking his apartment and making him feel good. But that’s Steve’s problem, not Bucky’s. “Honey, I think your self esteem has taken such a huge hit from this when it didn’t really have to. Your folks have been saying nasty shit in your ears ever since you presented three years ago, and I’m sorry but that’s a damn shame. It’s fucked up.”
Bucky is looking at Steve like he can’t believe what he’s hearing, and Steve knows why. He’s never really cursed in front of Bucky before, and he’s certainly never verbally trashed the kid’s family. But Steve is fed up. He just spent the last hour helping the most beautiful, sweet omega through a release, and knowing that the poor thing is so mixed up about his gender because of his asshole family absolutely burns Steve up. He’s had enough. Bucky deserves to feel good about himself and have a good life. Steve gives his hand another supportive squeeze. “Hey, why don’t we sit down tomorrow and make a ‘what if’ plan, huh?”
“... What’s a ‘what if’ plan?”
Steve smiles gently. “It’s where we think up options for what you might do, where you might go, if you want something different when you get out of here.”
“Steve, I don’t … I don’t know.” Bucky looks down, face screwed up in worry. In a tiny voice, he admits, “I’m not sure I can really take care of myself. Not like this.” He says it so sadly, and Steve doesn’t know what ‘like this’ means, but he can make a few guesses. Across the table from him, Bucky is looking rather miserable. “My parents’ll probably be by any day now to pick me up, anyway.”
Steve cringes. He finally forces himself to say, “Well, that’s um, that’s not really going to happen, actually.”
“What?” Bucky’s wide, hurt eyes coming back up to lock on Steve don’t make this task any easier. “What do you mean?”
“Um, you see, your folks decided to sign a paper when they came by this last time, saying that they agree to relinquish custody.”
Bucky’s entire face falls in a way that absolutely breaks Steve’s heart. “Oh,” he says, voice tiny. “They got rid of me?”
“They signed over custody, baby. I think they finally realized that it was hurting you more than helping, so they agreed to let us take care of you from now on. They’re finally trying to do right by you.”
It’s a complete lie, Steve is pretty sure. He knows Bucky’s parents and he’s certain that nothing about the situation was done for Bucky’s benefit, only their own. The Barnes’ simply didn’t want to deal with their son’s needs anymore. But Steve is trying to put the best spin on this he can, for Bucky’s sake. “It’s going to be okay, Buck,” he promises. “I’m not going to let anything bad happen to you. You know that, right?”
Bucky’s already pulling into himself. He physically almost seems to shrink, shoulders hunching and arms tucking in. He nods at Steve’s question though, and he doesn’t rage or fit at the news that his family doesn’t want him anymore. “Yeah,” he says, voice dull. “I know.”
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J2 Main Panel Nolacon 2023
The stage the boys are on has a catwalk so they play around and do a model walk at the beginning.
Also, before the questions, Jensen shares that he had a senior moment recently, he was taking the kids to school and In the Air Tonight by Phil Collins came on the radio. His daughter asked if they could change it and he told her no and as they were waiting at a stop light he told her to wait for the drum solo, because for those that have never heard this song before- do so but also this song has a very iconic drum solo, and when the drum solo came up he threw his neck out playing along to it. And Jared tells that he did the army certification training during his USO Poland stop and it was like the 2nd day there and there were all these jacked up 25-year-olds and they explained what they had to do and his knee is all jacked but he can’t say no so the time comes for the deadlift portion and he ended up tweaking his lower back a little bit. Then out of frustration, the last part of the test is holding a plank for like a minute and 15 seconds but he decided he was gonna stay in that plank till he dropped so he so he did a four and half minute plank. And then could barely walk and was all hunched over.
Into questions we go, what’s the weirdest space they’ve shared a convention with? Jensen starts to say that they don’t normally share a space but is then reminded they once shared with a furry convention that was going on. Jared says he recalls that probably around 2009-2010, in the first couple of years of them doing cons, at the same time they were doing a con there was a doctor convention a couple of doors down and some of them would get lost and you would just see physicians walk into the room and then back out slowly looking very confused due to some of the questions they were hearing for example about killing Lucifer. So they joke that if you don't know what SPN is or watch the show and you hear the questions they get, you're going to be wondering where you are. x
If they were in a Freaky Friday situation and swapped bodies what are some of the first things they would do as each other? Jared shares that the episode Swap Meat was initially an idea for an episode where Sam and Dean swap bodies and it was pretty wacky but as they started developing it he thinks the network shut it down but Jensen says that he thinks it was changed in an effort to give them some time off because they tried to give the boys a break every once in a while, and if they had gone with this idea they would both be working a lot of hours every day like 14 hours.
Jared answers that if he was body-swapping with Jensen different answer but Sam body swapping with Dean would probably go to the fridge and throw out all the unhealthy shit and swap it for salads and fruits. If he was body-swapping with Jensen, he’d probably get up and play a concert. Jensen would go get his knee surgery and then he’d go play any game of pick-up basketball there was and block the throws. They say that Jared did that the day prior, someone had thrown like car keys and Jared automatically slammed them down to the ground mid-air. Jared says that both with his friend group now and also the one he grew up with if anything is thrown in the vicinity of one of the friend members he'll smack it off the air. And Jensen says that Jared will do it without meaning too, it's just a reaction he has, that there was a scene where Dean throws C something, and Jared without thinking smacked it to the ground and then immediately regretted it cause they had to shoot the scene again. 😂
If they had to rule the world for a day either together or separately how would they do so? Jared says he would make social media not anonymous. You’d have to face all the hate- he thinks the world is a nicer place on the elevator with somebody than when people are behind a computer. And then he'd eat a bunch of candy. Jensen says he’d force government buildings to play New Orleans-style jazz music all the time, he thinks the world is a better place when there’s music involved. x
Are they going to do more voice acting? Do they enjoy it? Jared says he does enjoy it but that there’s a difference between voice acting when the animation is already done like with the SPN anime it was originally in Japanese but there were some sentences that in Japanese are like two words but that wouldn't be the case in the translation to English so he had to speak as fast as possible while trying to act so he’s not interested in dubbing. As Jared is saying this, Jensen laughs and says that it feels like Jared was traumatized by that experience and tells him that those difficulties are why he did not do the dubbing for the anime, and when Jared tells him that he didn't tell him Jensen replies that he tried.
Jensen says the normal process is the voice gets laid down and then the animation gets done like they did for Scoobynatural. He shares that he’s got a recording he'll be doing on Tuesday for a new project. And there are some he’s already done that are being animated, they’ll probably be out maybe later this year. He does enjoy voice acting because it’s such a departure from what they normally do on camera, they go in and deliver dialogue but it's not with a scene partner, he's in a booth by himself so it's odd when you meet someone who you had already done a movie with without actually meeting them. And each line of dialogue has a number next to it so the director might ask him to skip to a certain number and do multiple different readings of it. He looks forward to doing more voice work, it's something his father has made a living off for most of his career, his dad does voice-over for commercials and such, and says that it's a difficult part of the industry to get into.
Jared also mentions that they realized, especially during the early seasons of spn, that if there was something difficult to do but they did it over and over again and they did it well it would be written more so there would be things he enjoyed doing but didn't want to do often so he'd sandbag a little bit and Jensen would do it with Latin incantations, he'd pretend he wasn't good at it so he wouldn't have to do them. x
Is there an episode of the show that is memorable for them or that they feel changed their lives? Jared replies that the short answer is so many, and the shorter but more detailed answer would be when Sam opens up to Dean about some struggles going on in his head and Dean is supportive, that made Jared realize that he could talk about embarrassing stuff because people can respond not judgementally but be supportive. A lot of the eps are special but the Pilot as well holds that importance for him, says there are things in their industry where they know they have lightning in a bottle but it doesn’t matter if the people who are paying for them to play pretend want more viewers or a better streaming situation you can have something great but it get cancelled after an episode or a season or two. So he feels like to the best of his recollection even from the Pilot he felt like they had lightning in a bottle and they had something that was really freaking good but that it might not ever get aired then jokingly says that 15yrs later they were wondering when it was going to end.
Jensen gives two answers, one that changed from the show's perspective and one from a personal perspective. From a personal perspective, Wendigo. That it wasn't one of the amazing episodes of the show but for them, it was really their first step in their journey together. The Pilot was something they were going to do that had no promise of a future, they hoped it would be picked up and turned into a series but when they stepped foot into the set of Wendigo they knew the show was going to see the light of day, they knew they would have multiple episodes and they knew this journey they were about to embark on was going to happen and they didn't how long it was gonna happen but they knew there was at least a journey to be had so that changed him personally. From a show perspective, he’ll say Lazarus Rising because that’s when the show expanded their universe into heaven and hell. x
What’s the best and worse thing about being on such a long-running tv show? Jared can’t think of the worst. He says that the sacrifices if they can be called that are pretty obvious like the long hours, and having their family in Texas while shooting in Vancouver was rough but he just spend a week in Poland with people who are away from their families for nine months at a time so he’s not bitching, but there was a toll on his body like having wrist surgery and having to go into work the next day but on the other side of it the feeling of letting your head hit the pillow after a hard day at work there’s nothing like it. The best would be making lifelong friendships and relationships. He feels like if he had to go to Van tomorrow he'd be texting the SPN cast and crew to catch up, and it would be as if no time had passed.
Jensen would say worst part was the walking away, if you’re on a show for 1-3 seasons it’s much easier to walk away from that than it was to walk away from 15yrs of relationships and laughter and friends and family, and not just walking away from set and the people who made that set but also walking away from a story and characters they had truly grown to love. But that was also the best part being able to build that family, and build that set, and build those relationships and journey with the characters and friends and family for that amout of time that was the best part. x
What non-hunting related habits and quirks do they think Sam and Dean inherited from John? Jared jokes the voice. Then says he thinks Sam fought a lot against turning into who John was for him, and something that having three children and talking to other parents he has learned is every kid is born into a different family. So he thinks the John Sam got was different from the one Dean got if for no other reason that Dean's first 3 or 4 years were with mom still, Sam didn't have that so he thinks Sam put up a facade, he takes after his father and his brother anyways but he tried not to emulate John. Jensen says definitely the voice for Dean also maybe some driving skills and he would say on a more serious level the willingness to sacrifice oneself for the ones you love. x
Can Jensen share some stories about the finale of The Winchesters and Meg Donnelly driving Baby? Jensen says Robbie Thompson knew he wanted to make that happen for the finale quite a while before they even broke that story, it was something to spice up the season finale they try to do that in just about every show wether it's bringing back a familiar character or paying for a very expensive song which they also did, he says that Kripke actually called him and asked how he got Zeppelin and Jensen replied "name your kid Zeppelin you get Zeppelin". So they knew they wanted to somehow incorporate the car and he was on the docket to come back, and they wanted some other familiar faces so luckily Jim Beaver was available and Alex Calvert was available then he says MC offered but he said no. And you might be tempted to think he's making a mean joke but he says it’s true that MC told him he would came back that he wasn't doing anything and Jensen was like oh it's okay, we're good and if you're laughing right now just know you're not laughing nearly as hard as Jensen and Jared were cause those two were cracking up on that stage. Jensen says there was a reason for that but he can’t get into it but depending on the future of the show he’ll say why at sometime, which is professional speak for I'll never tell (and that's professional speak for I didn't want him there).
But getting the car back over there was something they knew they were gonna do so when they did he then saw on the script Meg was going to drive it even though she had just gotten her license the previous week but luckily Meg is a skilled performer but also she's a truly talented singer and dancer so she's very athletic so she has very good spatial awareness and motor skills which are a necessity when you're driving. So when she went to drive he was like okay, don't mess this up, and he did know that if anything happened to it the car was immediately going back to a shop and getting fixed. But she did great and he's glad it worked out that way and he was really proud of what everone did in that finale, he thinks it turned out really well and it's something he's very proud of. x
If Baby was possessed and had to be put down what would their last words be to Baby? Jared says Sam would probably be like 'hey Baby, can you just hold here a second I’m gonna try and find Crowley to put him in the trunk before we take care of business'. On a more serious note he thinks Sam would be like 'all right, get up to Heaven and wait for my brother'. Jensen asks the fan if they have seen Marley & Me but the fan hasn't because they know the ending is really sad. Spoiler alert for a movie from 2008, the dog is put down at the end. But Jensen says it would be like Marley & Me for Dean there would be tears and him uttering the words I'm so sorry Baby.
Jared shares a quick story about how years ago like 10-15yrs ago they were on a flight to somewhere and the way they were situated he was facing Jensen and D, and at one point he looked over at them and they had their headphones in like they were watching something but they were a wreck, silently crying and it was because they were watching Marley & Me. Then on the flight back Jared watched it and he was the same, a silently crying wreck. x
Any possibility they’d do an SPN movie? Jensen says yes. Jared asks him if he would prefer doing a limited series or a movie? Jensen answers, yes. Jared says that when they walked away from SPN they weren’t saying goodbye it was see you later and they looked at each other and kept going 'don't think about it too much because we’ll talk again in 2025'. So talk to them in 2025. Jensen says that they decided they were gonna wait 5 years, and then talk about what it would look like to bring it back out that obviously a lot of people need to be involved in those conversations, there's a lot of legalities and business affairs but obviously they can't do it without them and that's something they'll be talking about in a couple years. x
If somebody stole the Impala what would Dean do? Jensen answers that it would be all four John Wick movies rolled into one. He thinks if somebody stole Baby, Dean would go a little nuts, he would get Baby back no matter what the cost. The fan also asks if Dean's answer when Sam asks him that question and Dean says he'd murder them all was improve or if it was in the script, Jensen believes that one was improve.
Also, he does the Dean voice and we get some fangirl!Jared ❣️ x
When they were little kids was there any show they used to act out like if they were one of the characters? Jensen says Zack Morris. Jared says Home Improvement, Jonathan Taylor Thomas. That he was the same age and all the girls he liked had a crush on him and he liked the show, and thought he was funny, and liked that he had brothers and he wanted to be an actor like him so he would have loved to have been one of the brothers on Home Improvement.
Jensen tries to think about some of the shows that were on at the time when they were kids, and Jared asks him what Golden Girl he'd be, he answers Blanche. But he wanted to be Sam from Cheers, they watched that a lot and he just thought that character kinda had the world revolve around him a little bit and that's not to say that's what he wanted but he wanted to be the guy in the middle making it all happen, fixing the bar, making the drinks, having everybody know his name. x
The next question is a long one: of all the projects they've done was SPN their favorite show to act in? If it was what was their favorite part about working with the cast? What was their favorite episode? And what was their favorite Sam and Dean quote? Jared replies that he feels like every emotion he has ever had in his life he's had at some point in time during SPN so it's certainly the most complete, that it's like asking which child is his favorite. It was great, he fell in love and met some friends and got to do everything as Sam, he played every version of Sam he could; that it was awesome to explore and in a sense, especially in the beginning, it was nice that they weren't in LA because in Van they basically went to work, went home, went to bed and every now and then they'd get off early enough to go get a steak and watch some sports but they weren't distracted by like the next red carpet event in LA they just kinda were loving the process. For favorite line he says: "What kind of house doesn't have salt?"
Jensen says it's easy to make an argument why SPN has been his favorite project to work on and it's crazy because you work on a show for 15yrs, you would think there would be plenty of negative aspects to it that would maybe reveal themselves or whatever but he would say there was the least amount of drama, problems, issues on SPN than any other project he's worked on and to have that as long as he did that's his favorite- he would say that's why SPN is his favorite because he's known it the longest and he got to know it the deepest and most engaged with it than he ever has been with any other project. Line wise he goes with the first one that comes to his mind: "That was scary" x
Last question time, the fan first asks Jared when he’s going to bring G to see the fans at a con. Jared answers that it sounds like an awesome idea but then who’s gonna watch the kids…….I could make so many comments but I’m just gonna keep it moving. Jensen asks the fan what they would ask G if she were there and Jared pipes up and says "when are you gonna go back home?" What a loving husband.
Anyway, the actual question is what was their favorite or most memorable ep to film? For Jared most memorable is a little difficult to answer because there are so many but for favorite French Mistake, that it was a lot of fun and he doesn't think he'll ever get the chance to do anything similar to that again. Jensen says Inherit the Earth. x
And at the end of this panel there's also a butt pat! 🍑
J2 Main Panel Nolacon 2023
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ssaalexblake · 10 months
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Real talk tho Yaz's arc as a character took preference to the incidental romantic plot in her storyline which is uhm. How it should be.
Pivoting to give preference to the romance plot (hesitant to call It a romance plot bc it's more like a love story but for ease of use, there we are) when the whole story has been Yaz's evolution into aspiring to be like the doctor from hero worship, to the want to better herself, to the want to be like the doctor whom she sees as a good person, where the culmination of this is her facing off against a character who reduces the doctor to their biology and not her actions and Winning by successfully being the doctor when the guy who literally stole the doctors body is the same moron as always was far more important as an arc to be the forefront of the story, and had they taken the onus off of that it would have been Not Great for a variety of reasons.
Yasmin khan is the doctor and 13 is the companion. The doctor (yaz) lost the cute blonde they were in love with bc she had a vastly higher life expectancy, a tale as old as doctor who time. Just a little swapped around.
Yaz's arc as a character was given president over all else to really push through one of the morals of the era: it's not our biology that makes us what we are, it is our actions, and we can be exactly who we want to. Even if our actions are limited by our circumstances. The doctor still saved the day even as the master walks around in her skin and she is dead, because the doctor is an ideal and not a set of genetic code and that doctor is Yaz.
Like, sorry, but as a shipper I'd have been furious had they done Yaz that bad to swerve her arc to full romance at what would have been the detriment to her personal storyline after seasons of work on it, and it also would have been Exceptionally questionable from an optics standpoint also.
And like. I still don't think it should be called a romance. It brings implications that the story itself does not. It's a love story. It is not a romance by Design.
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spnfanficpond · 26 days
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New Member Spotlight - April 2024
The Pond is always growing and we want to make our new members feel welcome! Here’s a list of recent additions to our fishy family, along with a little info about them!
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Guppies, Jellies, and Mutuals, oh, my!
@elf-punk -
Other SM names? - Discord: crumblemoon, AO3: queen_karnilla
OTP? - Destiel all the way
Other fandoms? - Doctor who, Dune, Harry Potter, Marvel (Loki specifically), Sandman
Looking for in the Pond? - Mainly to meet and hang out with other SPN fans, and share/read fanfic and headcanons! Nothing super specific.
Pairings you read? - Reader inserts/OC mainly involving spn angels (michael and cas are my favourites!)
Genres you read? - Romance, friends/enemies to lovers, angst with a resolution, all things fluffy! Will read smut as part of a longer romantic narrative, but not for the sake of it.
What do you like to write? - Reader-inserts/OC, introspectives and character studies
Masterlist!
@jinkieswouldyoulookatthis -
Other SM names? - Discord: jackiefour, AO3: jinkieswouldyoulookatthis
OTP? - Wincest (Sam/Dean)
Looking for in the Pond? - Just looking to strengthen ties with the general fandom community and it's always nice to have other writers/readers to talk with.
Pairings you read? - SamDean in all its variations, either of the brothers/reader together or separate is good too.
Genres you read? - Angst, smut, crackfics are my preferred, although some fluff is nice and appreciated too. The trope doesn't matter as much to me as the overall quality of the writing.
Favorite writer(s)? - Gah, too many amazing writers to narrow it down to a favorite, but @applecrumbledore, @dyed-red, leonidaslion, candle_beck, deadlybride immediately spring to mind.
What do you like to write? - Currently been writing wincest (SamDean) but I used to write reader inserts for both of the boys.
Masterlist!
Most underappreciated fic? - Probably this one because it's a body swap/gender bend with low key non-con elements to it (so I get why it doesn't get as much love as some of the others): Make A Wish
Something you haven't written but would like to try? Why not? How can we help? -I am currently working on my first long fic, just getting going on it and am a little intimidated by the scope, but I don't deal with deadlines or anything like that well, so I'm hoping that just being around other people writing and talking about writing will help keep me motivated to finish it. Basically, I'm just looking for passive motivation and community.
@i-already-know-im-going-2-hell / @aceing-on-the-cake -
Other SM names? - AO3: i_already_know_im_going_to_hell
OTP? - Honestly I think Wincestiel can't be beat when it's done well, best of both worlds
Other fandoms? - I enjoy a lot of fandoms but to be honest I'm really only making content (writing and drawing) for supernatural.
Looking for in the Pond? - Honestly I'm just looking to hang around, meet fellow writers and artists, and pick up tips and tricks along the way. I find I'm motivated so much more when I have others around me who are just as into the things I'm into.
Something to signal boost? - Honestly the only thing I'm currently working on bigger project wise is a supernatural au I'm doing a lot of drawings for. This is the original post --Guineanatural-- and it has all the links in it towards currently running polls or completed artworks.
Pairings you read? - I'm a multishipper, I will read almost any pairing that's not parent/child honestly.
Genres you read? - Angst and Hurt/Comfort are my jam. Smut, fluff and crack are great if they're included, but I'm truly there for pain of angst and then the comfort that comes after.
Favorite writer(s)? - @applecrumbledore on AO3, is the author of one of my all-time favorite Dean/Sam fics I've ever read, Acid
What do you like to write? - Angst/Comfort with a whole lot of character analysis thrown in
Something you haven't written but would like to try? Why not? How can we help? - Unfortunately, my bane in life is to house more fic ideas in my head than I actually ever have a reasonable amount of time to write and to have crippling adhd caused executive dysfunction, which can truly only be fixed by Earth changing to a day cycle longer than 24 hours and absolutely using body doubles in any form I can take those. The first problem truly can't be fixed by mortal men unfortunately, but for the second honestly me just hanging around with other writers or seeing other writers work on things too helps to work as a body double for my brain a lot of the time. So honestly, just hanging in the server itself and following the tumblr should be plenty of help.
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That's all for this month, folks! (If we're missing anyone, let us know and we'll add them to next month's list!) Make sure to say hi to the newbies and make them feel welcome! Thanks to all from @manawhaat, @mrswhozeewhatsis, @mariekoukie6661, @thoughtslikeaminefield, and @heavenssexiestangel!
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denimbex1986 · 6 months
Text
"It feels different this time," said David Tennant's Fourteenth Doctor as his skin turned regeneration luminescent in 'The Giggle'. Asking his two former companions to pull at his arms like he had been hoisted up onto a makeshift rack, out popped Ncuti Gatwa's head like a handsome Hydra.
So goes the first ever bi-generation, a duplicating version of the well-worn regeneration, which we were told has always been something of Time Lord myth. Maybe the chief reason the Whoniverse only just introduced the concept of bi-generation is that trying to render it on the pre-Disney budget would have been a tougher feat.
Yet what it inadvertently does is leave open the door to David Tennant coming back for a third helping as the Doctor, thus putting Gatwa in the curious and unique position of being the first ever 'pretty much but not exclusively The Doctor' Doctor.
While fans could now be left clamouring for Tennant to come back, after the rip-roaring ride of these three 60th anniversary specials, we've not had any indication he's lacing up his Converses for good.
Yet the possibility that he one day could rev up his duplicate TARDIS and whizz back onto our screens leaves Tennant slightly hovering over the Fifteenth Doctor's shoulder.
It poses the question of whether Gatwa, who is the first Black and openly queer man to play the Time Lord, should have been left to go forth as the one and only Doctor in his own right.
While it's a legitimate issue to raise, the scenes afforded by the bi-generation between Gatwa and Tennant are ingenious because they build a deliberate bridge between this new era and one of the most successful periods of the show's modern incarnation.
Giving Gatwa such a solid jumping-off point with, arguably, the most popular modern Doctor of the lot feels even more significant given that he's coming into proceedings in the wake of a rather fallow period.
After the TARDIS skirted off into the ether in 'Wild Blue Yonder', the Doctor delivered a monologue on the majesty of his blue box. He painted a picture for imposter Donna of a civilisation's ebb and flow around the TARDIS and how it could live on through it all.
The moment appeared to be a metaphor for Doctor Who as a whole and the similar wax and wane of reverence for the show. Russell T Davies has said how unpopular a move it was to reboot the sci-fi classic in 2005 and he's now been parachuted back in to juice up the BBC staple.
Seeing Gatwa and Tennant interact together in the final act of 'The Giggle' allowed for a more concrete passing of the baton, which the instant body-swap of classic regenerations never really have.
It was also then we learned another nugget of lore to give Ncuti's Fifteenth Doctor some primacy over Tennant's Fourteenth, as Donna tells him he's the "older", and implicitly wiser, Time Lord of the two. Even in their brief scenes together, the Fifteenth Doctor has a calm assurance in the face of the Fourteenth's wobbles.
While the bi-generation might seem like a diminishing of Gatwa's role as the Doctor when viewed in its simplest terms, now that we've finally seen him in the role, it's impossible to think of him as anything less than the Doctor. He's so cooly comfortable – even on a helipad in his underpants – that it doesn't seem his star can be dimmed by the existence of other Doctors out there somewhere.
Ultimately, this major change of the bi-generation is why there is a 60th anniversary to be had in the first place – because Doctor Who is not a show that's against reinventing itself and changing the rules to keep us guessing.'
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