There’s a line from American Gods I keep coming back to in relation to Yellowjackets, an observation made early on by Shadow in prison: “The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment.” I keep rotating it in my head in thinking about the six survivors, the roles they occupy in the wilderness, and the way the show depicts them as adults in society.
Because in the wilderness, as in prison, they’re trapped—they’re suffering, they’re traumatized, they’re terrified—but they’re also able to construct very specific boxes to live in. And, in a way, that might make it easier. Cut away the fat, narrow the story down to its base arc. You are no longer the complex young woman who weighs a moral compass before acting. You no longer have the luxury of asking questions. You are a survivor. You have only to get to the next day.
Shauna: the scribe. Lottie: the prophet. Van: the acolyte. Taissa: the skeptic. Misty: the knight. Natalie: the queen. Neat, orderly, the bricks of a new kind of society. And it works in the woods; we know this because these six survive. (Add Travis: the hunter, while you’re at it, because he does make it to adulthood).
But then they’re rescued. And it’s not just lost purpose and PTSD they’re dealing with now, but a loss of that intrinsic identity each built in the woods. How do you go home again? How do you rejoin a so-called civilized world, where all the violence is restricted to a soccer field, to an argument, to your own nightmares?
How does the scribe, the one who wrote it all out in black and white to make sense of the horrors, cope with a world that would actively reject her story? She locks that story away. But she can’t stop turning it over in her head. She can’t forget the details. They’re waiting around every corner. In the husband beside her in bed. In the child she can’t connect with across the table. In the best friend whose parents draw her in, make her the object of their grief, the friend who lives on in every corner of their hometown. She can’t forget, so she tries so hard to write a different kind of story instead, to fool everyone into seeing the soft maternal mask and not the butcher beneath, and she winds up with blood on her hands just the same.
How does the prophet come back from the religion a desperate group made of her, a group that took her tortured visions, her slipping mental health, and built a hungry need around the very things whittling her down? She builds over the bones. She creates a place out of all that well-intended damage, and she tells herself she’s helping, she’s saving them, she has to save them, because the world is greedy and needs a leader, needs a martyr, needs someone to stand up tall and reassure everyone at the end of the day that they know what’s best. The world, any world, needs someone who will take those blows so the innocent don’t have to. She’s haunted by everyone she didn’t save, by the godhood assigned to her out of misplaced damage, and when the darkness comes knocking again, there is nothing else to do but repeat old rhymes until there is blood on her hands just the same.
How does the acolyte return to a world that cares nothing for the faith of the desperate, the faith that did nothing to save most of her friends, that indeed pushed her to destroy? She runs from it. She dives into things that are safe to believe in, things that rescue lonely girls from rough home lives, things that show a young queer kid there’s still sunshine out there somewhere. She delves into fiction, makes a home inside old stories to which she already knows the endings, coaxes herself away from the belief that damned her and into a cinemascope safety net where the real stuff never has to get in. She teaches herself surface-level interests, she avoids anything she might believe in too deeply, and still she’s dragged back to the place where blood winds up on her hands just the same.
How does the skeptic make peace with the things she knows happened, the things that she did even without meaning to, without realizing? She buries them. She leans hard into a refusal to believe those skeletons could ever crawl back out of the graves she stuffed them into, because belief is in some ways the opposite of control. She doesn’t talk to her wife. She doesn’t talk to anyone. It’s not about what’s underneath the surface, because that’s just a mess, so instead she actively discounts the girl she became in the woods. She makes something new, something rational and orderly, someone who can’t fail. She polishes the picture to a shine, and she stands up straight, the model achievement. She goes about her original plan like it was always going to be that way, and she winds up with blood on her hands just the same.
How does the knight exist in a world with no one to serve, no one to protect, no reason propelling the devastating choices she had grown comfortable making? She rechannels it. She convinces herself she’s the smartest person in the room, the most capable, the most observant. She convinces herself other people’s mysteries are hers to solve, that she is helping in every single action she takes. She makes a career out of assisting the most fragile, the most helpless souls she can find, and she makes a hobby out of patrolling for crimes to solve, and when a chance comes to strap her armor back on and ride into battle, she rejoices in the return to normalcy. She craves that station as someone needed, someone to rely upon in the darkest of hours, and she winds up with blood on her hands because, in a way, she never left the wilderness at all.
How does the queen keep going without a queendom, without a pack, without people to lead past the horrors of tomorrow? She doesn’t. She simply does not know how. She scrounges for something, anything, that will make her feel connected to the world the way that team did. She moves in and out of a world that rejects trauma, punishes the traumatized, heckles the grieving as a spectacle. She finds comfort in the cohesive ritual of rehabilitation, this place where she gets so close to finding herself again, only to stumble when she opens her eyes and sees she’s alone. All those months feeding and guiding and gripping fast to the fight of making it to another day, and she no longer knows how to rest. How to let go without falling. She no longer wears a crown, and she never wanted it in the first place, so how on earth does she survive a world that doesn’t understand the guilt and shame of being made the centerpiece of a specialized environment you can never explain to anyone else? How, how, how do you survive without winding up with blood on your hands just the same?
All six of these girls found, for better or worse, a place in the woods. All six of them found, for better or worse, a reason to get up the next day. For each other. And then they go home, and even if they all stayed close, stayed friends, it’d still be like stepping out of chains for the first time in years. Where do you go? How do you make small choices when every decision for months was life or death? How do you keep the part of yourself stitched so innately into your survival in a world that would scream to see it? How do you do away with the survivor and still keep going?
They brought it back with them. Of course they did. It was the only way.
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as a jew, seeing what all of these israeli leaders have said is sickening. as a jew, anti-palestinian rhetoric is sickening. as a jew, zionism is sickening.
how dare my people -- a people who've been massacred, ethnically cleansed, dehumanized, forcibly removed, and discriminated on religious grounds for their entire existence -- do the same to another people? how dare we turn our backs on them, when they suffer like we have?
i understand that so much of us have been fed zionist propaganda our entire lives; the same happened to me. i understand the desire for a homeland where we don't have to fear antisemitism at every turn; i want that too. but it doesn't take much thought to understand that a homeland for us, which actively oppresses and kills another people, is antithetical to what we want.
if you, as a member of an oppressed group, believe that your freedom and safety can only exist when you oppress another group, you are acting no better than the people who oppressed you. such a belief is horrible, and cynical, and wrong.
as a jew, i want jewish people to be happy and safe and connected to our heritage; as a jew, i also want other peoples to be happy and safe and connected to their heritage.
don't call the palestinians "amalek". you are turning us into amalek.
doesn't the torah tell us to have empathy for those beaten down by the world? doesn't the torah tell us to make the world a better place? doesn't the torah tell us to free people of their shackles and help them escape oppression?
i have so many israeli aunts and uncles and cousins; i fear for their safety. of course, my parents do as well. i'm worried that this fear, in addition to anything they were led to believe earlier in life, is placing my parents even deeper in the zionist camp. but it doesn't have to be this way! my relatives' safety does not rely on the continued oppression of gaza!
it is easy to be uninformed, to be swayed by propaganda, to blindly hope that israel was founded in good faith -- but we can't lie to ourselves. a world steeped in senseless hatred (which we are now promoting!) could never be a home for us. none of us are free, liberated, equal, until all of us are.
as a jew, to other jews, i implore that we stand with our palestinian siblings. i want us all to be happy and safe. i want us all to live in harmony -- in the holy land and around the world. that is what we all deserve. <3
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To Hell and Back (werewolf-hunter au)
fic tidbit below
The lycan growled, his ears flattening. The fur along his spine and his tail puffedup, making his silhouette even larger than normal. Stone’s teeth, normally shining bright, were dark and stained thick with blood. His fur was also covered in what looked like a viscous mixture of blood, mud, and phosphorous slime. The wolf favored his left front paw, snapping at him in warning – Don't get close.
"Stone. It's me." Robotnik spoke firmly, with no room for doubt. "I'm here to bring you home."
The word "home" landed hard. The growling stopped, and a small whine came out instead from the wolf. Stone stood fixed in place, his legs shaking from his body’s prolonged state of fear and exhaustion. His eyes darted cautiously, still searching for the impending danger.
"Yes, home." Robotnik repeated, removing the gas mask off of his head. With great strength of will he ignored the sweltering, noxious heat and stench in the air. He cleared his throat, fighting back the instantaneous nausea, and softened his voice to speak again. Back to the voice he used only when they were alone together. "Samir. Come with me. We'll be together again."
The lycan's mouth opened, panting in slow, heaving breaths. Two trails of tears streaked clean amidst his blood soaked face. Stone took a step towards Robotnik, then another, limping closer.
Just as they were about to be within arm's reach, a searing scream pierced through the air that was quickly joined by a hellish chorus of voices. A pack of demons were approaching.
Robotnik raised his shotgun. "Time to go! Move it!" He slipped his mask back over his head and beckoned Stone to follow with a hard swing of his arm.
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thinking about the way ghost doesn't hesitate to start killing shadows when graves betrays them but soap only takes one hostage
you can almost hear the voice in his head telling him it doesn't have to be this way; they can still talk it out
"i'm calling shepherd"
his first instinct when confronted with betrayal is to play it by the books; to go up the chain and sort it out democratically. that goes against everything we've seen him do; he’s quick to drop his enemies and bucks authority at every chance except for the one time he's confronted with the barrels of his allies' guns
he wants a peaceful resolution; for the first time we've ever seen, he doesn't want violence to be the answer
there has to be another fix, a solution that doesn't end with him killing the same men he's been working with; his friends
nothing's happened yet
it doesn't have to go this way
but ghost has been betrayed before. he knows the way this ends; either with him six feet under or his enemy
he doesn't hesitate
it's only when they knock alejandro out that soap shoots; when they spill the first blood and cross a line they can never come back from
only when ghost orders him to run and he has to cover his retreat
and somewhere along the line, between civilians’ screams and taunting voices, between his shaking breath and ghost steady in his ear, that naivety is stripped away; his trust turned to teeth that he uses to sink into throats of men he'd have given his life for
"be careful who you trust, sergeant; people you know can hurt you the most"
he's learned the price of trust
just like ghost did
but unlike ghost, he has someone to guide him through the aftermath
"good advice, It"
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