Trainer Bakugou who you're a little terrified of the first day you're paired with him. when asking for a trainer at the gym, you had expected the friendly redhead who always looked so sweet and encouraging and cut as hell. you weren't expecting his grumpy looking blond counterpart, who was all glares and shouts for his clients to keep pushing themselves.
you were hesitant at first, before you quickly realized that it was all a ruse, for the most part. he pushed those who needed that extra encouragement, but was more lenient to people like you who simply wanted a professionals guidance. so, after a few weeks, you liked him for the most part, and his looks damn sure made it easier to cozy up to the big guy.
the only issue you've been having with Bakugou though are the...coregasms, as you've seen them been named on social media, that you keep experiencing. the first time, you weren't sure what it was, why your stomach and pelvis kept tightening up. you couldn't have...climaxed, or anything. you hadn't even been touched!
but, as the weeks go by, and the workouts get more strenuous, they've become harder and harder to subside and ignore, and so had Bakugou's commands to keep going when you suddenly stopped. you can only lie and say its cramps so many times before he realizes that something is up.
you're midway through a good morning, when that familiar feeling starts tightening in the pit of your gut. you clench your eyes shut, shaking your head a little, as if you could ward off the impending feeling. bakugou notices though, frowning at your almost pained expression in the mirror, walking up behind you to stop you as you pull yourself back up. his hands are on your waist, and as you come up, you feel his bulge glide over the curve of your ass, and something in you snaps.
you gasp, buckling over, one hand on your knee as the other reaches back for bakugou's hand to keep you up as your thighs shake. you can feel yourself spasming, clenching and unclenching around nothing, secretly wishing you had something that could fill you up, something that you felt throb against you as bakugou leaned over your form.
"Another coregasm, huh?" he asks you lowly, his lips brushing your ear as you bite your bottom lip to hold back your moan. your eyes buck open though, when his words sink in, head tipping back to look at him in the mirror, only to find his gaze already on you.
"You knew every time?" you ask quietly, panting now that its finally starting to pass over you. but bakugou doesn't let you up from this position, especially since the area you're in seems to be desolate for now.
"It's hard to ignore how pretty you look when you cum, sweetheart." Bakugou seals his words with a firm press to your ass, his cock rubbing the seam, and you can practically feel the heat and veins of it through your thin bottoms. you groan under your breath, getting lost in the feeling of him grinding against you, when he suddenly speaks again.
"You still feel it?" he asks, voice low as he looks at you through his lashes. you nod, biting at your bottom lip as you meet the steady rock of his hips, watching how he smiles before slotting his lips against your ear.
"Want me to help make it go away?" and he does, in the employee locker room after hours. he makes it go away, and rebuild, and go away again and again until you're hoarse and your legs are weaker than they typically are on leg day. bakugou helps the ache go away, but not for that sweet redheaded coworker of his, whose fists have fucked his cock the entire time of watching bakugou rail you over the locker room bench again and again.
Here's the thing that really broke me about the goyische left's response to the Hamas massacre: once again, the uncritical, antisemitic double standard for Israel and Jews versus literally anyone else has now expanded to assume that Jews do not deserve human rights or have lost them by virtue of being Israeli.
Let's say, for a moment, that you have been radicalized to really believe that the Hamas attack on civilians was a liberatory action, perhaps unfortunate that it targeted unarmed civilians, but what else were they supposed to do? Besides, Israel has visited similar and worse attacks on Palestine for years, so turnabout is fair play, especially in service of the struggle of liberation of a brutally oppressed group. [To be clear: I take issue with this and find it morally repugnant. But for the moment, let's accept arguendo this belief as a baseline.]
Do you really include rape, torture, killing children at all but especially in front of their parents, or killing parents in front of their children and taking hostages of the survivors, beheading infants, trapping and burning families hidden together alive, stripping and parading hostages naked through the street, mutilating and displaying the bodies of the dead proudly and celebrating their deaths, and doing all of this on a holy day where Jewish people the world over are supposed to be celebrating the end of the holiday season and the beginning of a new cycle of Torah learning. On a day that people will be resting, with their families, unarmed and in their holy spaces, and are explicitly commanded to be happy.
.......amongst the "unfortunate-but-necessary violent struggle?"
Like even if you believe in your heart of hearts that all Israelis should die or at least are acceptable casualties in the struggle, do you really believe that there is any excuse for the above atrocities? If you do, I need you to ask yourself some things:
Do you think there is any justification for the manner and cruelty of the deaths?
Do you really think that there is anything a person could do in order to deserve any of these actions as a sentence?
Was the cruel nature of this, designed to inflict the greatest amount of trauma on the survivors and the Jewish people at large, actually necessary to accomplishing the goal of liberation?
Would you accept any of these actions being done to any other group?
If you are a white American, do you think you personally deserve this yourself for everything the United States has done to the native population (never mind anyone else)?
Do you think that civilians can be held 100% accountable for their government's actions? Is that a standard you yourself would like to be judged by?
If context is important, how is the last 2000 years of brutal antisemitism from virtually every part of the world not also relevant context? How is the Holocaust not relevant? The Farhud?
Do you think refugees fleeing genocide should be able to live wherever they can and that other countries and peoples have a duty to step up and take them in? If so, would you call refugees of genocide colonists and settlers?
Do you think that children should have to answer for the crimes of adults? That it is ever okay to kill them in cold blood?
Do you think that non-combatant deaths should ever be celebrated?
Theoretically, if the only way Hamas could accomplish its goal (which we will assume arguendo is Palestinian liberation, despite the mounds of evidence against that) is to kill whatever Israelis they could get their hands on, don't you think that a valid liberation force would just kill people as efficiently as possible rather than take the time to brutalize and humiliate them first? Wouldn't that be the more morally understandable thing to do?
Do you think it's ever okay to mock or talk down to people grieving their dead, no matter who they were, especially if they were random citizens rather than, say, high-profile politicians?
These questions to me are unanswerable and the fact that they are even in question at all unjustifiable. The left has either actively participated in this or remained silent in the face of it. And too many friends who I thought were allies have failed to reach out to even ask if we're okay, let alone made even the weakest of condemnations of the brutality my people have experienced this week.
This tells me that you think my humanity, as a Jew, is conditional. That my right not to experience war crimes is up for debate.
How am I supposed to trust you ever again? Feel safe in your presence? Collaborate with you on other issues? Why should I?
For the people who are posting about the situation yet failed to condemn the torture and brutality against my people, please know that I will likely never fully believe you that you are for restorative justice, against the death penalty, against cruel and unusual punishment, against sexual violence, for children's rights and against the murder of children, against terrorism, against civilian casualties, for the rights and protection of refugees, for freedom of movement, support indigenous groups, and certainly certainly anyone claiming to be against antisemitism. There will forever and always be an asterisk next to your statements in favor of universal human rights which reads: *except Jews.
Samurai and Ninja in crappy pics because December here is under a constant cloud and I just want y'all to see them all golden and cute without learning how to take aesthetic pictures 🥴 💙❤️😆🥰
"they dont have any chemistry in canon-" WHAT HAPPENED TO SHIPPING CHARACTERS JUST BECAUSE YOU THOUGHT OF A SCENARIO THEY WOULD FIT INTO ONCE? what happened to "i saw it in a dream"? what happened to "i just like them so i put them together"? huh? huh? make shipping fun again
rayman, eden's feel good american dream story; an analysis
guess who's back with taking ubisoft's silly guys and cutting them open.
yknow, if you strip rayman of his personality, of all the behind the scenes we get of him, we get a run of the mill news reporter that is an immigrant, who by face alone serves as a shining ray of hope. he's easily something that by all means, can be classified as a diversity hire.
immigrant, nonhuman (which in the world of clh can be considered to be equated with poc irl), and notably the only one in his work environment. don't believe me?
we rarely ever see anyone other than rayman on the show in the form of a coworker. the only time we do see other eden affiliated people, they are both white.
"but you can't see red's face!!" there is a reason his dialogue makes you think of more right leaning people with their claims of 'wokeness is destroying everything' under something like april from tmnt being black and not ginger. he's a caricature meant to represent a specific group of people under fascism; those who have successfully consumed the fearmongering and have let it turn from fear of those that they are told are beneath them into hatred for them. there is also the fact that on live tv he throws up a middle finger, refers to an implied group of immigrant people as 'filthy interdimensional alien scum,' and seemingly gains no backlash for it. yes, the other reporter does try to give red a chance to go back on his words, but he sticks to it. and despite all of this, we get no indication that neither red nor the niji 6 had to apologise or received punishment for this. in fact, red is possibly given more chances by eden due to him being weirdly in charge of bullfrog's containment in a way? (i'm not entirely sure WHY he was there, but as he is one of eden's tv personalities, he's at a possibly televised trial of a terrorist.)
now if you compare this to rayman, who also acted inappropriately on tv by literally saying fuck, you'd come to realise that rayman was treated so much more harshly. he was IMMEDIATELY replaced by a clone of himself, with no warning nor any indication that eden would do such a thing. it's very likely this was one of, if not the first time that rayman has slipped up like this on live tv. maybe it's a repeat offence considering his personality, but then you could argue that red is a repeat offender of the same shit and then you have to wonder why a soldier like red was not easily replaced but someone who is the literal face and voice of eden was with ease.
it's because rayman made himself more than jus a story, he humanised himself by showing a peek of his raw feelings.
remember that cute little exposition of the rayman kids show about hybrids? where we see all of these hybrids working as society's grunts and the kids are told to be thankful for hybrids? it's very sweet and gives a good message! now the rayman kids show is a product of eden propaganda, but rayman very much has a hand in it, most likely as a writer. he uses his platform to speak on issues that has happened and affected him. this can be seen in his biopic.
jus sit with this image for a moment.
you ever think about why rayman is specifically made as an alien? why he's specifically an immigrant?
in real life news reports and speeches, there is a difference in implications when people use immigrants and not aliens. you wanna know why?
as someone apart of an immigrant family myself, i live in a community of other immigrants. majority of them are hispanic, and while i myself am not hispanic, i am very aware of how hispanic immigrants were referred to and treated by politicians under trump's presidency. how couldn't i? even as children in middle school and elementary, we had discussions about what trump was saying because it directly targets my friends and their families. they are people targeted by a man who specifically uses derogatory terms to dehumanise them, to make it easier to justify in the average american mind that the government is doing the right thing by keeping out and protecting america from these so-called 'invading animals.'
makes what red was saying earlier feel very on the nose, right?
adi shankar, the showrunner for captain laserhawk, is also an immigrant man. immigrated from india, which by the way, did you know has a lot of people immigrating for the purpose of having a better life? that's a common sentiment that can be found in every single immigrant family's story. i've asked my filipino mother why she took an opportunity to live and work in america, and she told me it's because she wanted to give her children a better life than what we would have had in the philippines. hell, i bet if you share a similar background to me, you can ask your own parents the same thing and get the exact same answer, regardless if you came from latin america or africa, or asia. it's because of the concept of the american dream.
everyone who has ever engaged with any degree of immigrant discussion has heard of the american dream. it's a concept that seems to be consistently proven via word of mouth, with the biggest examples being celebrities. they will always, without fail, eventually speak about the american dream within their backstories. and typically, they will use their platforms to further empower others within their community. it's why people from specific ethnicities tend to group together, why people make art meant as something akin to a homage to their people. it provides hope to the masses, makes you relate to the person on the screen, and believe that this society is truly a gracious one by providing opportunity. because yeah, it may be bad, but it could be worse. i mean we appreciate you! just look!
dont mind the fact that the majority of opportunities allotted to you is grunt work, the work where you at the base of the pyramid, with the harder jobs and the jobs no one wants to do. dont mind the fact you will be actively dehumanised, forced to work for hours in conditions we wouldn't put anyone else in, but hey. we appreciate you. we thank you. and yknow, you can become more than what you are. yknow, we let someone just like you be more than what you are! nevermind the fact that if they slip up, they'll be met with MUCH harsher criticism in comparison to someone who isn't you! aren't we so gracious?
i probably sound a bit like matpat's insane out of context real world examples, but this show is filled with political imagery, so let me be.
anyways, let's get back to eden and rayman. rayman, despite being specifically from dimension x as an alien, keeps hybrids in mind when he's doing his work.
people of colour tend to share solidarity with one another due to the fact that surface wise, we share similar struggles. to grossly oversimplify things, we all face discrimination through our appearances and are oppressed by the rules of a society created by our white oppressors. again, hybrids and dimension x immigrants can be equated to irl poc, and despite being different from each other, there is still community. rayman keeps them in mind, hoping to make things better for the overall nonhuman and nonnative (native as in naturally born) population of eden.
but, rayman is not what he believes he is. because despite everything he has worked for, despite what he has tried to do, he is still a facilitator of the fascist regime that has an active hand in the perpetual oppression of his own people.
one of the core concepts within fascism is us versus them. it's an easy way to instill fear (which is very much needed in fascism to make it easier to lie to the masses) and it's used in multiple layers, beginning with a large group (ex. us versus ussr, capitalism vs communism), then progressively sizing down (ex. saying all eastern europeans are communist, then going smaller and say all those affiliated with eastern europeans are communist) with the goal being to put people against each other and break up community since if you put your minds together, you'll start to realise that the fascist system is bullshit.
what i've personally come to find is that in order to hide the fact that there is fascism lurking is that someone that can be considered a 'them,' an other, will be given a seat at the table. it's so they can be used as an excuse, a human shield, when they inevitably slip up and can be paraded to the masses as proof that the other is not as smart or powerful as 'us.' the 'other' within the 'us' is used as something to look down at, while also justifying to oneself that they have a place, that they are not being oppressed. they have an opportunity as much as anyone else!
so long as they don't mess up.
rayman messes up, and is shunned from 'us.' hes a mistake, impure, clearly not like 'us,' 'us' who had been so gracious to give this 'other' a place. he's cut out and discarded because he has well worn his purpose, and clearly, they can just get another little puppet. they'll dress him up and make him worthy of being one of 'us,' and make sure that this one won't fall to the fault of his little ideas. which is exactly what leads to rayman's transformation of ramon. being forcibly forced out and discarded by eden because he showed his true ideas makes him realise that there was no real place for him within the system. because what good is his work if it leads to what he tried not to create? it's worthless, just as the system it attempts to thrive in is.
tl;dr, rayman is a representation of the american dream, specifically celebrities. he tries to do what he can with his platform, but the fact is that within a fascist system, his impact is not entirely felt in the way he wants it to. that is why he becomes ramon.
anyways if you reached the end of THIS LONG ASS PIECE GOOD LORD thank you!! always open to discuss this and take criticism, my ask box is open in the lil 'who's asking' :^]
OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever
Workin on Redesigning Jackies Colorful version and Im stuck as hell on clorors to pic for their Hair. Tried a billion different ones but These 5 seemed to work best I think
Also also Redesigning Isaac as well as his Sister. The old story I had for them was okay but then I got a better idea that makes Isaac the irredeemable shit I wanted him to be originally!
Also this idea allows me to tie in the whole thing from the cannon creeps comic of everyone seeming to hate LJ. Only in PM I plan on it to be a bit different with Ragz. Mainly that they didn't really do anything but SOMEONE did.
I couldn't resist, and thank you very much for it, Jay/Plagg!
To challenge myself, I'm gonna see if I can stick to songs from anime East Asian shows/stories
A - All-in (Alien Stage)
L - Last Dimension (TRIGGER)
W - wi(l)d-screen baroque (Revue Starlight)
A - Artistic Partisan (ALKALOID x Valkyrie)
Y - Yumemiru Architecture (Kagehira Mika; Enstars)
S - STRONGER & STRONGER (Zool)
A - Ame (MEZZO)
J - Joker Flag (IDOLiSH7)
O - OMEGA (STEREO DRIVE FOUNDATION; Yuukoku no Moriarty)
Y - Yume Shizuku (Re:vale)
F - Forever Note (MEZZO)
U - Until it Dies (覃云; Link Click)
L - Lily (Luck Life; Bungo Stray Dogs)
N - Now and Then (Re:vale)
O - Or the Beautiful Golden Drop (Knights; complete version out on May 22, so have the game version)
T - THE POLiCY (IDOLiSH7)
E - Eccentric Party Night!! (Five Eccentrics)
19 songs...and I tried to find ones that I genuinely enjoy right now (RIP to me making this challenge harder), so hence, the above mostly-Japanese-dominated list.
No pressure tags: @bobisnolongerhere @lizzieonka @rosencrantzsguildenstern @msperfectsheep-posts @mahounonbinary @praise-the-lord-im-dead @nitunio @akitchenknife @teslathelame @koi0boi @mihai-florescu @forebodinglight @imissthembutitwasntadisaster and anyone else seeing this because i am now incredibly curious about what songs you will choose (im so sorry if I forgot someone)
This started out as cat mirroring and fluff but unfortunately for Eclipse a lot of my trapcards have their origin in the first half of the 20th century and I'd like words.