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#A Man and a Woman
dilfgifs · 4 months
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Gong Yoo as Ki-hong A Man and A Woman 남과 여 2016, dir. Lee Yoon-ki
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cinemuki · 7 months
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A Man and a Woman (Un homme et une femme) (1966) - dir. Claude Lelouch
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triptoartsworld · 7 months
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relationship between a man and a woman
bir kadın ve bir erkek ilişkisi
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sigurism · 5 months
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Jean-Louis Trintignant, Anouk Aimée Un Homme et une Femme Dir: Claude Lelouch
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apicturespeaks · 7 months
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A Man and a Woman, Claude Lelouch
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Sydcarmy lyrics
Brown eyed girl across the street On rue Saint Divine I thought this is the one for me But she was already mine You were already mine...
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bluehome91 · 22 days
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A man and a woman
Director: Claude Lelouch
Box office: 14 million USD (US)
Release date: July 12, 1966 (USA)
Awards: Academy Award for Best International Feature Film, More
Soundtrack: A Man And A Woman (Un Homme Et Une Femme)
Music composed by: Francis Lai, Vinicius de Moraes, Baden Powell
A Man and a Woman (French: Un homme et une femme) is a 1966 French romantic drama film directed by Claude Lelouch and starring Anouk Aimée and Jean-Louis Trintignant. Written by Pierre Uytterhoeven and Lelouch, the film concerns a young widow and widower who meet by chance at their children's boarding school and whose budding relationship is complicated by the memories of their deceased spouses.
The film is known for its lush photography, which features frequent segues among full color, black-and-white, and sepia-toned shots, and for its music score by Francis Lai.
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ourladyofomega · 1 year
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Two movie-couples in black-and-white kissing against hot pink backgrounds under Peignot typeset.
📸: Claude Lelouch (A Man And A Woman) + 🖌️: unknown (both)
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When life is passing in the night, in the rushing night
A man, a woman in the night, in the lonely night...
Must take a chance that in the light, in tomorrow's
-Light-
They'll be together, so much in love
Together, so much in love...
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cinemajunkie70 · 2 years
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Oh no, Silence has left us! Rest In Peace Jean-Louis Trintignant! The Great Silence is one of my all time favorite films!
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darlingbandit · 1 year
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Sometimes I find myself simply considering Anouk Aimée’s cheekbones.
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cinemuki · 8 months
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A Man and a Woman (Un homme et une femme) (1966) - dir. Claude Lelouch
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triptoartsworld · 6 months
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A man and a woman
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drama-kpop-quotes · 1 year
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Movie: A Man and A Woman (2016) Genere: Romantico, Vita, Drama Paese: Corea del Sud Durata: 1 hr. 55 min.
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gunpowder-tim · 1 year
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god i hate weird dreams
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crowdvscritic · 1 year
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round up // OCTOBER 22
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My shortest Round Up yet? My shortest Round Up yet! I spent most of October celebrating fall by rewatching Gilmore Girls and celebrating Spooky SZN by rewatching Halloween favorites and all of Stranger Things (which inspired me to compile a list of every inspiration for and reference on the series in a list on Letterboxd). But a few new movies, SNL skits, and songs caught my attention this month. Here they in the order I experienced them: 
October Crowd-Pleasers
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1. SNL is back! 
With a new logo and opening credits to boot. These skits made me laugh most in the last month:
“ManningCast Cold Open” (4801 with Miles Teller)
“Please Don't Destroy - Tommy” (4802 with Brendan Gleeson)
“Weekend Update: Marcello Hernández on the MLB Playoffs” (4802)
“Joker Wedding” (4804 with Jack Harlow)
“Weekend Update: Drunk Uncle on Why He Hates Halloween” (4804)
“David Pumpkins Returns” (4804)
“Kanye Skechers Commercial” (4804)
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2. Ticket to Paradise (2022)
Without underselling the effort needed to make an easy, breezy, beautifully simple film like this appear effortless, Ticket to Paradise had a lower threshold for success: With George Clooney and Julia Roberts above the title, It really just needs to not mess that up. Paradise may not be as clever as a Howard Hawks romp, but it’s just as feel-good as his classics and just as worthy of Roberts’s canon as her Garry Marshall collabs. Read my full review for ZekeFilm. Crowd: 9/10 // Critic: 7/10
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3. Midnights by Taylor Swift (2022)
In the most predictable news of 2022, Taylor Swift made another great album! I enjoyed the characters and stories on reputation, folklore, and evermore, but the return to confessional songwriting feels like finding homeostasis after the sonic experiments of her previous four albums and two re-relesases. Even though this album leans into a minimalist electronic vibe-y pop like Lana Del Rey, Lorde, The 1975, and Bleachers, many of the songs feel like throwbacks to Fearless, Speak Now, and Red. (Makes me wonder if she held on to these songs for years.) “Sweet Nothing” sounds like curling up with a blanket next to a fire, “Question…?” makes me feel 19 again, and “Anti-Hero” reminds me of Stephen King’s advice to use stronger nouns and verbs instead of adverbs. (Please don’t @ me with your feedback on my opportunities for development here.) With plenty of jams and sharp lyrics, Midnights has a cohesive sound like 1989 with the poetry I wish 1989 had.
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4. Black Adam (2022)
Saying Black Adam is one of DC’s better superhero movies isn’t saying much. Like Wonder Woman 1984, Black Adam is a fun watch in the moment but fares less well upon further reflection. It’s trying to be two movies, and only one of them is working, though fortunately, it’s the one I paid to see. Read my full review at ZekeFilm. Crowd: 8/10 // Critic: 6/10
October Critic Picks
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1. Amsterdam (2022)
At times this feels like a loose collection of episodes, and in some scenes I wasn’t sure if the slack-laden thread would hold it all together. But I don’t trust every film’s architect like I do David O. Russell. Grounding it all together is a reckless hope we can make beautiful things out of a grotesque world. I’ve had my share of cynicism in the last few years, and I’m happy to welcome back movies as sumptuous and sentimental as this one. Read my full review at ZekeFilm. Crowd: 8/10 // Critic: 9/10
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2. Close Encounters of the Third Kind (1977)
I tried 12 new movies for Spooky SZN this year, but this alien maybe-invasion classic is the only one in this Round Up. If you love the Spielberg wonder face, Close Encounters may be the peak example. Richard Dreyfuss, Melinda Dillon, François Truffaut, and more keep looking awestruck at the sky when U.F.O. after U.F.O. appears and they feel compelled to follow the lights. (Spoiler alert!) There’s a darker reading of this film that interprets Dreyfuss’s obsession as a preference to be abducted by aliens instead of spending time with his family, but I’m choosing to focus on his desire to uncover the unknown. (End spoiler alert.) Crowd: 8/10 // Critic: 9/10
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3. Sofia Coppola on Instagram
Another one of my queens has entered my feed! She has been sharing inspiration and behind-the-scenes shots of her new biopic about Priscilla Presley, plus a playlist she curated for getting the set ready for the day. I feel smarter and cooler and every time she posts.
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4. Un Homme et une Femme (1966)
Widowed single parents meet when their children attend boarding school together. She works in the movies, he drives a racecar. This French New Wave film shows them opening back up to love through montage, and it just might be a montage of you falling in love with this story, too. Crowd: 8/10 // Critic: 10/10
Also this October…
On SO IT’S A SHOW? ep. 130, Kyla and I watched a George Clooney double feature in honor of Ticket to Paradise. First up is the 2002 sci-fi drama Solaris, in which Clooney is investigating some weird behavior in outer space, and then it’s the 2005 journalism docudrama Good Night, and Good Luck., in which Clooney is investigating some un-American behavior in the newsroom. What is the story of Solaris? Which famous journalist is Paris comparing herself to? What did audiences and critics think of these movies? And did the Oscar buzz get to George Clooney?
At ZekeFilm, we all checked out movies from the 1980s that we’d missed until now. For me, it meant writing almost 800 words with 8 reasons and 60+ examples of why the ‘80s were totally, tubular-ly awesome for the movies.
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