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#Disney magic moments
harmonyhealinghub · 4 months
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Disney: The Magic of Imagination and Dreams Shaina Tranquilino December 30, 2023
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When we think of Disney, our minds are instantly transported to a world filled with magic, dreams, and enchantment. From the iconic Mickey Mouse to the beloved princesses and the enchanting theme parks, Disney has captivated generations with its ability to bring imagination to life.
Walt Disney once said, "I only hope that we don't lose sight of one thing - that it was all started by a mouse." And indeed, it was Mickey Mouse who became the symbol of this magical kingdom. With his mischievous smile and charismatic personality, Mickey captured hearts around the globe, becoming an endearing character loved by both children and adults alike.
But Disney is more than just a cartoon studio. It represents a celebration of childhood innocence and wonder. Through their animated films, Disney has woven stories that touch our hearts and ignite our imaginations. Whether it's the timeless tale of Cinderella or the adventures of Simba in The Lion King, these movies have become part of our collective cultural identity.
Disney's ability to create captivating characters extends beyond traditional fairy tales. They have brought to life superheroes like Iron Man and Captain America through their acquisition of Marvel Entertainment. Additionally, their partnership with Lucasfilm introduced us to new heroes such as Rey from Star Wars. These franchises continue to inspire millions worldwide, showing us that even in galaxies far, far away or in superhero metropolises, there is always room for hope and heroism.
What truly sets Disney apart is its commitment to creating experiences beyond the silver screen. Their theme parks around the world offer visitors a chance to step into their favourite stories. Whether you're exploring Sleeping Beauty's Castle at Disneyland or taking a journey through space on Space Mountain at Disney World, these parks transport guests into a realm where fantasy becomes reality. The attention to detail is awe-inspiring – every corner of these parks reflects meticulous craftsmanship aimed at immersing visitors in a world of wonder.
Disney's influence extends beyond entertainment and tourism. Through their philanthropic efforts, they have made significant contributions to education and children's hospitals. Their dedication to making the world a better place is evident through initiatives like Disney Conservation Fund, which focuses on preserving wildlife and habitats around the globe. They understand that the magic they create can extend far beyond their stories, bringing joy and hope to those in need.
In recent years, Disney has also embraced diversity and inclusion, recognizing the importance of representation. Characters like Moana, Mulan, and Black Panther have become role models for children who see themselves reflected in these inspiring individuals. This commitment to inclusivity ensures that Disney remains relevant and resonates with audiences across various backgrounds.
As we reflect on the impact of Disney, it becomes clear that its success lies not only in its storytelling or theme parks but also in its ability to ignite our imaginations and inspire us to believe in the power of dreams. It reminds us all that no matter how old we are, there is always room for a little bit of magic in our lives.
So next time you find yourself watching a Disney movie or planning a trip to one of their theme parks, take a moment to appreciate the incredible legacy Walt Disney left behind. Let your imagination soar as you delve into tales filled with love, adventure, and happily ever afters because at Disney, dreams really do come true.
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cinemedios · 6 months
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20 clásicos de Disney que no puedes perderte
Descubre los 20 clásicos que han dejado una huella imborrable en generaciones de fans. Desde la encantadora Blancanieves hasta el valiente Simba, estos personajes te han hecho reír, soñar y creer en la magia. ¿Cuál es tu favorito? 🌟
Disney ha tejido historias que han marcado corazones a lo largo de generaciones. Desde historias de valientes princesas y tiernos animales hasta hazañas de héroes que se quedan en la memoria, te presentamos 20 joyas de Disney que tienes que ver sí o sí. La bella y la bestia (1991): Más allá de su hechizante música y carismáticos personajes, esta película nos lleva de la mano a través de la…
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prosebushpatch · 3 days
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Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.
Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.
I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.
This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.
I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.
Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.
Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?
Simon.
Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.
Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.
Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.
Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.
Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.
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disneyfanatic1993 · 5 months
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✨Disney 100 Month, Week 3: Magic Moments (part 1)✨
💖Something amazing about Disney is, magical moments don’t just happen onscreen. They happen in our lives as well.💖
🍄One such magical moment that happened in my life was when my best friend and I first bonded. We had known each other for a while, but we were both shy and reserved. But we learned that we both loved “Alice In Wonderland.” We talked and talked about it, and it opened the doorway to the most beautiful friendship I have ever experienced.🥹 So this film, and the live action ones, are extremely special to me.🍄
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jq37 · 4 months
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Please let us know if you solve this mystery!
OK! It’s the end of the year so let me compile everything I was able to come up with (with the help of everyone I dragged into this–you know who you are and thank you and I’m sorry). 
To anyone who’s just seeing this and doesn’t have context, in November, right before the movie Wish came out, I made a longish post questioning who Allison Moore was (which, incidentally, is the first post that comes up when you Google “Allison Moore Disney”).
The reason I was curious about who this random writer is is because she’s credited as one of the co-writers of Wish, Disney’s 100th Anniversary Feature Film BUT she has no obvious experience writing for animation, children, or fantasy when everyone else on the main team has credits on stuff like Frozen and Encanto. I thought it was bizarre that there would be someone so green on a project so big so I went digging. 
Here’s what I learned:
(1) Moore wasn’t originally announced as being attached to the project. Chris Buck, Jennifer Lee, and Fawn Veersunthorn were all mentioned when the project was officially announced in Sept 2022 (for example). Moore was not. And you’d think they’d mention the *co-writer*, right? You don’t start to see her name until a year later in Sept 2023 when the trailer dropped (for example). So it seems like she was brought onto the project later. Of course, this could just be a normal quirk of the industry or something I’m misinterpreting, but I think it’s worth mentioning. 
(2) Moore seems to have a lot more credits in stage writing than she does in screenwriting. I wasn’t able to 100% confirm it until recently (I’ll get to that in a second) but she’s written a bunch of plays and it seems like this is where she has most of her bona fides. 
“Allison is the recipient of two Jerome Fellowships, two McKnight Advancement Grants and the Bush Artist Fellowship.”
That sounds fancy. But it still doesn’t say “Top Choice for Disney Anniversary Movie” to me. That’s not a statement on writing quality. I haven’t read/seen any of her plays. It’s about the subject matter. Look at some of these synopses:
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None of that really screams Disney. Which isn’t to say people can’t have range. George Miller wrote all the Mad Maxes but also Babe and both Happy Feet. But if I was hiring someone for a really big project, I wouldn’t want that project to be their first attempt at expanding into that genre. 
(3) This isn’t actually inherently important but she was on an episode of Nailed it. That’s where this picture comes from:
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She won the first round and the game ended in a three way tie for the first time in the show’s history. 
The only reason this is noteworthy in the larger scale of things is that, until very recently, this was one of only two places online you could see Allison Moore talking. The other is this very short interview on the red carpet during the premiere. 
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There’s nothing in that interview that explains anything. It’s mainly her talking about how it was fun working on the movie and how good the movie is. 
Honestly, good for her for not being Extremely Online, but it really felt like I could get a bit of a handle on everyone else who’d worked on this project in a high profile way but not her. Which is part of why I started down this rabbit hole to begin with. There was nothing to show where she might have had a connection or an interest or anything that would connect the dots. 
For reference, Fawn (who was one of the Directors and story writers) has the kind of resume that I was expecting Moore to have when I initially Googled her:
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Smaller jobs on other kids/animated movies (Hop, The Lorax, Despicable Me 2), some storyboard or art work on other Disney stuff (Frozen, Moana, Zootopia, Ralph), and then a big break (Raya and Wish). Based on my understanding of the industry (and I know a fair bit because it’s one I’m interested in professionally) that’s a very typical track to get to the writing side of animation.  
A couple of people speculated that Moore got onto the project in a mentorship capacity. Now, I’m a Black woman who writes fiction professionally when I’m not on this hellsite (affectionate) with the rest of y’all. That means I have firsthand experience with what mentorship looks like in writing–both official Diversity and Inclusion type mentorship and more organic “Let me take you under my wing” type mentorship. I have *never* seen anyone get a job this high profile at the jump just due to mentorship alone. Going from zero to Disney’s 100th anniversary is kinda insane. This wasn’t some B project or something. It was a Big Deal Project. And this is Disney so they could have hired basically anyone they wanted. So you have to assume this was an active decision someone made and not just a thing that happened for lack of options. But in all my searching, Moore wasn’t mentioned except to just say she wrote the screenplay with Jennifer Lee. It was just the baking show and the Youtube clip.
Until today.
(4) I’m going to preface this by saying this doesn’t actually answer the question in a big AHA! way, but it is the only interview I’ve seen about Wish from Moore besides the red carpet clip.
On December 15th, Moore gave this interview with the San Antonio Current.
I stumbled across it while searching for a different piece of information and eagerly clicked to see what she had to say after three weeks of silence after the movie dropped on November 22.
Here are some highlights:
-In high school she was a theater kid and thought she wanted to pursue acting. 
-I college she did playwriting and eventually she got her MFA from Iowa (which has a weirdly great MFA program btw, and also, this interview is how I confirmed she was the playwright Allison).
-When she started on the theater track at her college, she told them she was a playwright so she could study that too even though she’d never written a play before. So it sounds like Wish isn’t the first time she’s just jumped into a new thing without experience. You have to respect the hustle.
But this is the most important line in the interview because it’s like, an answer and a non-answer all in one. She’s asked, “How did you go from writing plays to writing for TV and film?”
And her answer is, “I had a whole career writing for theater, and then when my son was born, I realized I needed to make more money, so I started pitching for TV. I worked in television for about a decade. In the midst of working in TV, I continued playwriting. That's how I got on the radar at Disney.”
Which kind of sidesteps the most intriguing part of the question? Like, first of all, it’s not 100% clear if she means her playwriting or her TV writing caught Disney’s attention. I’m guessing playwriting, but I could be wrong. Secondly, who is “Disney” in this situation? A Disney recruiter? A Disney director? Did Jennifer Lee see a production of Slasher: A Horrifying comedy while passing through Texas and think, “Her. I want her to be my co-writer on this children’s film.” And what did she do to impress them so much that they right away put her on the the *Anniversary Project*? Like, I know I keep harping on this but I can’t stress enough how big of a deal this is. It’s hard enough to write for just your average sitcom or little movie. To just jump on something this big is baffling. I obviously don’t expect Disney to be justifying their every hiring decision publicly but, usually, when someone is doing something like this, it’s very obvious why they were chosen and, even with this sliver of explanation, it’s still frustratingly opaque. And with the strange post hoc timing of the interview (seriously, doesn’t promotion usually happen PRE movie release?) It almost reads like an interview that exists because someone realized the lack of any online presence was weird. 
(5) When she was a kid, Allison Moore had a crush on Fox Robin Hood. That’s not at all important to the mystery, that’s just information she volunteered during the interview and that I’m now sharing with you. So when you search her name now, the top results are me wondering who she is, her IMDB, and her talking about how she liked Fox Robin Hood's little hat. Which isn't a LOT of information, but it’s more than we had before and that’s something.  
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princessagretta · 5 months
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@disneyfanatic1993
Week 3: Magic Moments
Oh yeah, my favorite Disney magic moment is definitely the scene when Moana meets her grandmother again. And this song>>>❤️
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By the way, I love your fanfics and your art, of course.
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meekosthemeparkphotos · 2 months
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Miss Piggy
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menervaloki · 2 years
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A romantic moment like this ✨️♥️✨️
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downfalldestiny · 1 year
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A sunset at the Disney Castle 🏰 !.
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anonyhun · 14 days
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Just watched Wish and like
It's a movie I guess
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cinemedios · 7 months
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La historia detrás de The Walt Disney Company
¡Celebremos 100 años de magia Disney! 🎉 Descubre la asombrosa historia detrás de The Walt Disney Company, el imperio que nos regaló innumerables sueños y momentos mágicos.
En 1923, el mundo presenció el nacimiento de algo especial cuando Walt Disney, junto a su hermano Roy, estableció el “Disney Brothers Studio” en Hollywood. Estos primeros días fueron cualquier cosa menos fáciles, con Walt vendiendo su cámara de cine para financiar el negocio y Roy, quien acababa de recuperarse de la tuberculosis, manejando las finanzas con una frugalidad extrema. Pero la ambición…
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Bands & Disney! 🐭
Lzzy Hale, Ash Costello & Maria Brink + Sanderson Sisters! 🌙🧹✨🐈‍⬛
“I put a spell on you, and now you're mine. You can't stop the things I do, I ain't lyin'. It's been three hundred years right down to the day. Now the witch is back, and there's hell to pay. I put a spell on you, and now you're mine!”
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ms-mani · 4 months
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#disneybound
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atwellfilm · 11 months
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☆⭒ Characters Played in Disney's Live Action | +1 | ⭒☆
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A movie with these 3 acting together would be magnificent 😍
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makiruz · 1 year
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Another thing about the Gargoyles fandom; this isn't new, I've seen it in fics that are 20 years old, but folks seem to think Owen is way more limited than he really is. Y'all forgot Oberon's command was the Puck could return to his real form when protecting Alex, if Alex needs protecting Puck can take his real form, and you bet that he's gonna find reasons to protect Alex even after he's grown and technically capable of protecting himself.
Going by the Wiki and Greg's notes, the first time he's gonna experience true mortality will be in 2198, when Alex is kidnapped by aliens and according to Greg he's stuck as Owen because: "he already failed to protect his charge, and certainly has no opportunity to teach him anything at the moment" (source)
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blissfali · 1 year
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girls when they get emotionally manipulated <- chewing drywall
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