Marchil March 2024!
A ship week event for the Dungeon Meshi pairing Marcille x Chilchuck! It will run from Monday the 18th to Sunday the 24th, in about a week.
The themes for the days are:
Explosion / healing
Fairytale / role swap au
Fashion / modern au
Hair / race or species swap au
Teasing / genderbend au
Gifts / date
Free prompt / food
You’re welcome and encouraged to put a twist on the prompts, pick either of them on any given day or mesh them both into the same piece, stick to them as much or as little as you want. For example, the race swap prompt mainly refers to elves, half-foots, etc, but you could just as well use it to draw them as cats if you’d like! There are essentially no rules, this isn’t inktober and there’s no pressure, feel also free to make things for it in advance rather than day to day.
This is a ship week, but feel free to depict them in a platonic or queerplatonic way rather than romantic as well! This week is to celebrate them as a duo, and every work is welcomed: fanart, writing, edits, anything. Join the festivities!
Tag your posts for it "marchil march 2024"!
I’ll be hosting it on the @feedmarchil blog, I intend to reblog every piece made for the week there.
Ty to Pupucachi for heavily inspiring the first ad card!
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listen, listen
I know this is gonna be a controversial take, but the more I think about it, the more obsessed I am with the idea of Varric voluntarily helping The Crimson Knight (especially in a worldstate where Hawke was left in the Fade).
I’ve talked before about how I view Meredith as the type of person who is motivated by her desire to protect her own at all costs, and how this leads her down the path of Well-Intentioned Extremism, and culminating in becoming the embodiment of the uh, Knight Templar trope.
And Varric is obviously motivated by his motivation to protect Hawke: he shielded them from the Inquisition, and when push came to shove and he was forced to expose Hawke to the Inquisition anyway, it can result in Hawke’s death. The Inquisition fails Hawke, who is basically Varric’s moral compass — without Hawke’s influence, he defaults to siding with the templars at the end of DA2.
Most of the Inquisitor’s inner circle scatters over Thedas and Varric returns to Kirkwall. Varric loves Kirkwall; he’s a Kirkwaller through and through: even though he’s never envisioned nor wanted a life of politics, he becomes the fucking viscount, because there’s nobody else left who wants one drop of the poisoned chalice of that role.
And Kirkwall is a city that has always been dependent on its templars for protection. They are the city’s military force, and the city is noticeably weaker once the templars abandon it — depending on world state, it can lose a significant portion of its territory to one of Varric’s former companions. If someone he knew and trusted can do that to Kirkwall, who else might take advantage of Kirkwall in its weakened state?
Varric is isolated and alone, away from anyone who might be able to help him see the situation in a different light: his main support network is Aveline and Seneschal Bran, neither of whom are known for their ardent support of mage rights. They’re doing their best to clear Kirkwall of the impacts of the war, of the red lyrium, and even though they’re doing their best to avoid exposure, being around that much red lyrium cannot be healthy. Slowly, the paranoia and increased penchant for violence settle in. It becomes impossible to resist spending more time around the substance — and sometimes, it talks! And it sounds like Meredith Stannard.
Varric is desperate and scared and has lost everyone he has ever loved. The Inquisition has been downsized or disbanded, and his only purpose is to serve his city: the same intention with which Meredith started, the same intention and fears that the red lyrium feeds upon in them both.
Varric fears becoming his parents: people who failed to protect him because they were too caught up in their past mistakes.
But sometimes, as people, in our attempts to avoid our fears, we end up barreling into them headfirst instead.
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Something that SEEERIOUSLY isn’t talked about enough among Rodrigue fans is how Rodrigue (almost? or generally) always refers to Dimitri as “Your/His Highness” except in the moment that Dimitri’s life was at risk right in front of Rodrigue and Rodrigue shielded him with his own body.
Rodrigue is always respectful and aware of their stations, but none of that matters when Dimitri is almost killed. Rodrigue reacts emotionally without station in mind, forgetting to refer to him in an “appropriate” manner and reacting instead in a more intimate manner (i.e. using a person’s name instead of their title).
Most people wouldn’t dare to refer to their prince by their first name, but Rodrigue forgets all that the moment Dimtiri is in danger. He follows up that familial intimacy by calling Dimitri “my boy”. In a way it’s like Rodrigue's formalities are just forced expectations that are ingrained into him, because his actual instinct is to refer to Dimitri in a familial way. If he doesn’t have time to think about what he’s saying, it will be Dimitri’s name that he uses because that’s how he truly thinks of Dimitri.
He doesn’t solely view Dimitri as his prince. He views Dimitri as family, and in a setting where royalty exists, it’s so important to the relationship in question when that societal expectation is broken, simply because it tells you exactly what that character thinks of their royalty.
When royalty’s life is in danger, it would even make sense for people to hesitate because if they do anything, they might also be in danger and generally humans instinctually prioritize their own life (even if they do really want to step in to help). That typically is not the case with humans regarding loved ones, where that instinct instead changes to an instinct where they automatically step in to protect people dear to them - especially parents to their children. Parents - not just in humans but in most forms of life (cats, dogs, etc) - are extremely protective of their children and react without a second - even a first - thought, because it’s not a thought at all when they see their children in danger. It’s a base reaction.
Rodrigue wasn’t witnessing his prince being attacked. He was witnessing his son being attacked, and he reacted as a father would - not as a knight, a vassal or anyone under Dimitri’s station and how they would be expected to react to protect him. Dimitri didn’t have to be his blood son for him to react the same way a blood parent would. Dimitri wasn’t born to him but he was Rodrigue’s son all the same and he couldn’t accept his boy being harmed.
I love that his reaction is exactly the same as what Lambert would have done. I love that in that one moment when he didn’t have time to think about his word choice, such important stations meant absolutely nothing to him. I love that what was important to him was Dimitri the person, and not Dimitri the prince. I love that at the very end, he died knowing his boy was safe and alive. I love that, when he starts reusing “Your Highness”, it’s only after the immediate danger has passed and he has time to actually process his word choice again, because it really drives home how quickly and thoughtlessly he reacted to seeing Dimitri in danger when he dropped formalities to use his first name.
He also didn’t tell him to live for the people or live because he was a prince. He wanted Dimitri to remember to live for himself and likely died with the hope that those being his last words would be taken much more heavily and sincerely, and give Dimitri a lot to think about in regard to caring for himself as a person and not just seeing himself as a prince/future king, because Rodrigue also saw him as a person.
Not only did Rodrigue protect his son (which mind you must have been extremely important to him after already losing a son. Can you imagine how devastated he would be to lose another child? This time he saved a son from death, which he was unable to do previously and he wasn’t present to be able to even try), but he gave Dimitri the thing Dimitri desired the most from those he loved: he treated Dimitri like a regular person who needed to live his own life for himself, and in the single most critical moment to Rodrigue, forgot to use titles and formalities and openly expressed his true feelings just by using Dimitri’s name alone.
Dimitri never liked all those stuffy behaviors and titles. He just wanted to be a person. Rodrigue, his family, gave him that at Rodrigue’s very end, explicitly informing Dimitri that was how this man always thought of him just from that one moment of Rodrigue’s feelings slipping through. He was always keeping up appearances, but Dimitri was always just Dimitri to him.
Also, Rodrigue says “please tell me it wasn’t in vain”. Remember, Rodrigue’s son died in vain. Glenn didn’t actually get to protect Dimitri. Earlier, Rodrigue stated that Dimitri’s injuries left him on the verge of death. Glenn didn’t die protecting him. Glenn died in a tragedy. Nothing Glenn did that day that led to his death actually helped Dimitri survive. Dimitri survived because Gilbert found him in time.
Rodrigue knows that and doesn’t want another person dear to Dimitri to die a death that didn’t need to happen. He also doesn’t want it to be in vain because if it was, he would have died being unable to protect his son. Rodrigue “died for what he believed in”, but he died because he thoughtlessly, without hesitation, died to save his son. He believed in Dimitri, but he also believed Dimitri to be his child as much as Glenn and Felix ever were.
Even though Glenn did die in vain, he attempted to die keeping his best friend alive. He believed in his best friend, just like Lambert believed in his son to be able to saved if he ever went astray.
Before Rodrigue dies, he last thoughts are of Lambert, but also his promise to Lambert, which was about Dimtiri.
Rodrigue was always thinking of his family throughout the whole game (literally, he brings up Felix to Byleth regularly and brings up Glenn throughout the story as well), and that extended to Lambert and Dimtiri. At the very last, he literally died like he lived, and that was for his family.
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reading up on autism to figure out what the fuck is going on with me and making a list of personal pros and cons to figure out whether i should feel good or bad about it. as one does
pros: hyperlexia, deeply compassionate, talent for mathematics and the sciences/can do calculations of reasonable complexity in my head, visual hypersensitivity/decent artistic ability when replicating from still life/good at distinguishing subtle colors, acute hearing/good at identifying distinct sounds and sonic textures/deeply moved by music, can rotate some shapes in my head really fast i guess
cons: people can tell something is "off" about me in a fraction of a second and will be anywhere from begrudgingly polite to overtly hostile about it, terminal "not like other girls" disease/feeling of disconnect with existing in a feminine body, can pace for hours on end until my legs hurt, frequent crying & shutdowns, talk about myself and my interests extensively and can't seem to find a way to stop or better relate to others outside of mirroring them, productive work that actually *utilizes* my talents seems to only happen in increasingly infrequent bursts of hyperfocus, recurring identity issues stemming from a fundamental feeling of being born wrong and belonging nowhere, visceral hypersensitivity means i'm in pain from the normal functioning of my own organs for most of the day, people have compared me to sheldon cooper and elon musk, i am constantly begging for the sweet release of death,
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truly the only thing that matters in this world is trans people finding community,,,, a person I knew for 3 months on a farm gave me a tip for wearing a binder that I still use daily, a friend of mine who took my deadname as her own helped me clean my depression room and gave me the realization I wanted to start hormones, an older camp counselor pulled me aside to chat about dysphoria and reassure me about my future ... the loveliest form of care is finding people on the same wavelength as you and sharing in the communion of transformation and realization.
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Hey, hello, buddy. I would like to ask you something. It turns out that I really liked the song "Who's your God?" from Therion, but not being an English speaker, it's hard for me to understand the lyrics. I would like to sing it, but it is impossible for me. Do you manage to know the complete lyrics of the song?
I wish! Lori's singing is pretty hard to understand in the bootlegs we have. I tried my best to transcribe the text, but her parts are tough. Also some words or lines are different in different versions:
All:
Who's your only god?
Tell me, who is he?
I have seen the darkness inside.
Lori:
[sings something, I find it impossible to understand]
Thomas:
I am the one
The one and only
Who'll bring the darkness back into the light
OR (in some versions):
Who has the darkness inside of my heart
Lori:
[Sings something, I THINK she's saying "You think your rule will bring a brighter day", but I'm not sure]
But I can see you will [take OR lead] us into darkness
Linnea:
Is he the [dark god OR darkness]?
Is he the Antichrist?
All:
Who's your god?
And what is his name?
Hope this helps a little, I would love to know the complete lyrics too, but this is all I could make out.
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