#I could probably say even more....
out of genuine curiosity, why don’t you want to write bj goes to Maine?
Well, for starters—and this probably answers your question—I hate BJ/Hawkeye.
I capitalized BJ Goes to Maine to specify that I was referring to the popular fandom trope, not the concept of BJ ever traveling to the state of Maine. I’m not saying I’ll never write BJ going to Maine for a visit or trope subversion, because I did, but I'm not likely to do it again (except [redacted]).
As for as BJ Goes to Maine the trope, the problems I have with it could fill libraries. This is basically just a start.
The heart of it is, it requires characterization so atrociously OOC, I don’t recognize either character. Literally the first question I asked when I encountered BJ Goes to Maine was “what about Erin?” I have never gotten a satisfactory answer to that. The BJ we see in canon loves and wants to be with Peg. Even taking an alternative interpretation of their marriage, or saying circumstances have changed for them, does not change the fact that they share a child. BJ would not leave Erin to go to Maine. A fanfiction BJ who would abandon his child his someone I would be actively rooting against.
BJ Goes to Maine is all about BJ. He is the one taking action, the only one making a choice. Hawkeye just waits around for BJ to show up and declare his love. Hawkeye has no agency. He’s reduced to a love interest and not even a complex one. In the show, Hawkeye constantly fights for agency, while at the mercy of a system doing everything to take it from him. Once he’s finally free to live his own life, he’s not going to let anyone determine its course for him. When Hawkeye feels strongly about something, he takes action. We see it again and again and again. If he wants something, he’s not going to sit and wait for it to come to him.
Despite my penchant for angst, I like happy endings, and BJ Goes to Maine isn’t one. If Hawkeye and BJ remain the most important people in each other’s lives, they have to remain who they who during the war forever. It defines them and they never escape. That’s just about the bleakest thing I can imagine. They need to move on, and Hawkeye already has. Some kind of grand romcom reversal isn’t consistent with who they are. MASH isn't a romance and I don’t want to turn it into one. Intentionally or not, BJ Goes to Maine turns the Korean War into the thing that brought BJ and Hawkeye together. There is a whole complex conversation to be had about how fic that focuses on the characters and their relationships engages with the themes and message of the show, but ultimately I don't believe in policing what people write. I simply don’t like it.
The reality of Hawkeye and BJ is that their lives are not compatible. They’re very different and they were briefly brought together by the war. The bittersweetness of that parting being inherent to them finally getting their lives back is a major theme of not just the finale, but the entire show. Putting any characters together undermines that, but putting Hawkeye and BJ together undermines it more than anyone else, because of the relationship they had. The relationship they had onscreen was entirely dependent upon circumstances and cannot exist after the war ends. Hawkeye knows this and he accepts it, he just wants closure. When BJ tries to suggest ways they could see each other again and Hawkeye says “in other words, goodbye,” he isn’t just saying all of them having dinner is unlikely—though it is—he’s saying they’ll become people who get together and have dinner. That’ll be all that's left, a toast to whatever closeness they once had. And Hawkeye is okay with it. He's sad about it, but he’s okay with it. BJ refuses to accept it and refuses Hawkeye that closure, but I think deep down he knows it too, because his last word to Hawkeye is goodbye, even if he doesn’t say it.
BJ Goes to Maine is antithetical to GFA. Hawkeye and BJ’s goodbye is final. BJ going to Maine is just saying haha, we didn’t mean it! We take it back! Why would I do that to such a great, poignant ending? It’s the lazy sequel way out, like how Andre Aciman ruined the best part of Call Me By Your Name (Elio realizing over time, as he has more relationships, Oliver remains important but stops being the most important) by having Oliver casually leave his wife and kids to go to Italy in Find Me. There's a reason Alan Alda said he didn’t know if Hawkeye and BJ ever saw each other again.
I’m also not sure BJ would. He makes a choice in GFA, and he doesn’t choose Hawkeye. I don't blame BJ for leaving the first chance he gets, and I don't think Hawkeye would either if he handled it better. But he clearly demonstrates his priorities, and they are not Hawkeye. He only comes back because he’s forced to, and he isn’t happy about it. None of this foreshadows someone who’d uproot his life to go to Maine. Again, it would be dependent upon a wild change of heart that just isn’t consistent. BJ can barely handle being around Hawkeye while he’s hospitalized, which again I don’t really blame him for, but that doesn’t tell me he would go to Maine. If he did go, I don't see it ending well. If I didn't think BJ and Hawkeye had negative romantic chemistry, I wouldn’t be able to see a future for them.
The tl:dr is you don’t write things you don’t like, and I hate BJ Goes to Maine.
I'm posting this now so it doesn't get eaten a third time, but I may come back with and another thing-
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Comfortable in New Skin
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I honestly love the clothing styles of each of the turtles in this show and I love how these styles really incorporate their personalities as well.
Like, obviously Donnie has the best sense of style, yeah? Think that’s something pretty agreed upon here. Everything we see him put together is very meticulously crafted and clean. That goes with his personality because Donnie is a very meticulous person in general, and he knows what he likes very, very well, and knows how to flaunt it in turn. Him commenting on colors he enjoys or disapproving of outfits that the others see no problem with also shows how he just generally has an eye for this kind of thing. He doesn’t just know what looks good on himself, but also what looks good on others - and I think this ties into his love of gift giving too. Donnie also has a flair for making sure that his things have his “mark” on them, and his clothing is no exception. All that he wears and how he wears them screams “Donnie.”
Mikey is really fun because his styles are honestly a pendulum between super simplistic and incredibly out there. And often, you’re going to see a lot of color or patterns to both. And in my opinion I think that all reflects really well on Mikey’s character - he’s got a colorful personality but even more than that he’s incredible sure of who he himself is. Mikey’s style, I feel, is less what looks good as clothes and more what sparks joy in Mikey himself. His bright stickers he wears are a testament of that! He’s comfortable in his own skin and his style reflects this perfectly, whether he goes for a more out-there look or a more toned down one.
Now, for Leo. Okay, I think I’m actually in the minority here I feel because Leo’s style isn’t really that bad? Hear me out- if you actually look at what he wears, try taking out, like, one accessory. Suddenly, that outfit works! He even manages to put together many good outfits in the series, but his “bad” ones are the ones that tend to stand out, alas (just like how his mistakes tend to be big ones oop-) Basically, my personal look at him is not that he’s inept at styling at all, but that he has a “too much” gene. And like everyone else, this sense of style is completely like him, too. Going too far to impress when all he needed to do was slow it down some to think things through. (And funnily enough, a lot of his outfits take random aspects from his brothers too - “nothing without them” huh?)
For Raph, I feel bad for him since pretty much all of his clothes are inevitably going to be ripped, but he makes them work pretty much each time. Like Leo, Raph tends to go more sporty with his looks, but I also noticed that his stuff often goes in that in between of comfy, cool, and cute. His pajama suit in particular comes to mind in terms of “cute” as it’s more something you’d see younger children in rather than older kids, and I think it can be a subtle nod to the fact that for all Raph tries to seem older, he’s still just a kid too.
I could probably go on, but these are just all off the top of my head - I love how the boys’ personality’s come out in so many different ways.
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I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :
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(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )
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in light of tedtrent becoming so real, im also jumping on the tedtrent epilogue 😊
there's just no way ted wouldn't keep in touch with the others (and have weekly zoom meetings just like in the christmas special) and I just love the thought of the whole team having reunions once in a while.
and going back to trent's arc in s3, the sunflowers conversation, "And your daughter?" "She's never been happier." I think it could go the same for ted.. we've never really properly saw how henry felt about his dad being in london, it's always other people that told ted his son misses him, who's to say henry would rather see his dad happy because that in turn would make him happy too? he was there to win the whole thing, right? I just know ted’s story isn’t done yet when he still hasn’t learned to let others take care of him in return and who else to pair him with than the man who blew up his career because a man was nice to him (and also because they were so. so cruel for the fakeout tedbecca scenes for that finale) 🥺
I'm no writer so just pretend these are snapshots of a slow burn fic where ted visits london for their team reunion and slowly realizes that trent has a crush on him and they kiss about it 💛
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Can I kiss you?
[DP x DC fic]
[Love at first... murder? - part 1]
Next >>
Ao3
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“—so sorry! I swear I didn’t mean to kill him! It was an accident! He just jumped me out of nowhere and I have had bad experiences with clowns in the past so when I saw it was a clown trying to kidnap me I kinda just panicked and punched him! I swear, dude, I didn’t mean to hit him so hard—“
Jason, much too calmly, likely in some form of shock, rises from the crouched-down position he had been in to check the clown corpse’s pulse.
He had seen the poor, still rambling, twink getting grabbed from a distance and was about to step in as Red Hood, not even having been aware it was the Joker who —shouldn’t he have been in Arkham? There has been no announcement of him breaking out yet— had grabbed the guy until he had run close enough to the scene.
Which was after the guy had already been startled so badly by the Joker trying to kidnap him that he sucker punched the Joker into the wall of the alley so hard the clown died.
Said twink then realized what he had done and that he had a witness, that witness being Red Hood himself, and had started his frenzied speech on how it was an accident and to please don’t take him to jail he’s only just started his scholarship at Gotham U. and he can’t have murder on his track record yet.
Breathless, Jason looks at the nervous twink in front of him, who's still trying to plead his case, and who just obliterated the Joker with a punch.
Before his brain can catch up to his mouth, he’s already cutting the distressed monologuing off.
“Can I kiss you?” He blurts out.
Danny, taken off guard, breaks out of his panicked—oh, Ancients, I just killed someone— stupor and lets out a startled laugh.
“Take me out to dinner first” came the automatic joking reply, Danny still largely in shock of what he did.
Jason, either not picking up on the joking tone or ignoring it, nods seriously, already trying to come up with the best place for a dinner date with the cute twink to thank him for his service to the city.
Danny, who has calmed down slightly by now, glances between the red-helmed vigilante and the clown corpse. His gaze lands on Red Hood and he hesitantly speaks up again.
“So, uh, what happens now? Do I need to go to the station to make a statement orrrr?” He pauses awkwardly.
Jason, who’s still trying to figure out whether the Bat Burger would be a good place for a first date or not, doesn’t reply.
“I’ve got school in the morning and I only have like,” he pauses to check his phone for the time, “3 more hours before I have to be up for my first lesson. Soooo, I’m just gonna go. That cool?”
Again, he waits for a reply. But it doesn’t come.
“Right. Cool cool. Uh, see you later? Mr. Red Hood dude sir?” Danny gives a clumsy and awkward salute before turning tail and speed-walking away.
It’s not until 30 minutes later, once Jason has finally decided on the perfect place to take the guy to dinner to, that he realizes the twink is gone.
Fuck, he forgot to ask for the guy’s name.
…
And number.
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I've come to realize a trend/trope in ships I like and It all really boils down to:
Insanely popular and or powerful person/being x Just some random ass dude (gender neutral)
Just like: "Wow I have so much power and/or status!" (and maybe even many love interests that already want them) "Oh, who's that standing at the corner?- *literally just the most basic and average being on the fucking planet standing there* "OH MY GOODNESS, MOVE OVER RANDOS I'VE JUST SEEN THE LOVE OF MY LIFE!!!<3!!!" like that's so funny to me
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I love how todays update really drives home the tragedy of everyone just doing their best and trying so hard and bad things still happening to them
It is understandable that van helsing can't stay every night with lucy indefinitely because he has other things to do back home and he tries to get seward to be there in his place but accidentally fucks up the adresse on telegram he sends
Seward can't be there for lucy every night indefinitely because he too has work to do he already has fallen behind on with everything going on, he also can't give more blood transfusions at the moment so he can't save lucy in an emergency and he is exhausted so he couldn't even properly look after her at night
Lucys mother just wants to check on her daughter and dies because of it because dracula scares her to death
Lucy tries to look out for the maids by sending them to the dining room to calm down and have a drink which opens them up to being drugged and makes herself even more vulnerable
Lucy herself wants her mother to have some flowers in death so she accidentally gets rid of her last defense against dracula even if she knows van helsing told her to keep the flowers where they are at all costs
And even mina can't be there for lucy even though she so desperately wants to because she still has to care for jonathan who is still dealing with the aftermath of his encounter with dracula
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So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?
Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.
So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.
The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!
And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.
He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,
and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!
I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.
And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.
And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.
And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.
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[ID: a digital drawing of Hunter and Willow from the owl house based on the "lesbians doing makeup" meme. Hunter is lying beneath Willow, who straddles him while doing his makeup. He looks at her somewhat dazed and she looks at him fondly. the background is a mid-tone blue. End ID]
This is what they are. To me
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We're going to save your brother.
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I want you to tell ‘em that you love the way that they don’t stick out like sore middle fingers
[Continuation of this]
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DP x DC prompt where the only reason Gotham doesn’t have its own ghost population is because blood blossoms grow throughout the city.
Danny gets dragged to Gotham by his parents for a ghost hunting convention. He feels fine at first, sticking to the hotel, but as soon as Danny goes out to explore the city at night he starts to feel exhausted and ill. He tries to turn around and go back to the hotel, realizing something is wrong, but winds up collapsing outside of the park where there’s a particularly dense flowerbed of blood blossoms. He transforms, lessening the effects somewhat, but Danny still feels remarkably ill.
Bruce sees him while driving back home from a social event. Just some strange kid trying desperately to stand up and walk-- and falling repeatedly. Getting physically sick on the pavement. The kid is coherent enough to vehemently refuse being taken to a hospital, but can’t articulate much more beyond that. Bruce doesn’t know if he’s been drugged or what, but the kid is scrawny and covered in scars-- possibly abused. Determined to do something and not let the kid waste away on the side of the street, Bruce offers to let the kid rest at the manor while they try and get in contact with his family.
The kid doesn’t even get to give him a proper answer. Bruce puts a hand on his shoulder to steady him and has to make a desperate grab to catch the kid as he faints.
Bruce takes the kid back to the manor where they try to figure out who he is while making sure he’s comfortable and not in life-threatening danger. The kid has no ID on him and doesn’t even have a cellphone (seeing as Technus smashed his last week). The kid seems stable enough-- barring a strangely low heartbeat and remaining unconscious-- but doesn’t seem to be improving.
Unfortunately for Danny, the manor is surrounded by blood blossoms.
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