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#I don't think I've related so much to a manga as much as this one
tofixtheshadows · 1 day
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I've been thinking a lot lately about how Kabru deprives himself.
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Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.
Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.
Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.
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I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.
He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).
First, we get this:
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Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.
They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.
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It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.
We don't see him eat again until the harpy egg.
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What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?
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He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.
In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.
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Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!
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...but he doesn't get to enjoy it like he wanted to.
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Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.
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And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.
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I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.
And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.
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Meals are the privilege of the living.
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Why is everyone so biased toward One Piece? Literally every character from One Piece I see is the ugliest creature I've ever had the discourtesy to lay eyes on and they're winning by a landslide against genuinely attractive characters.
Oh boy, we've gone over this a couple times but it's been probably a month or two. It's not so much biased as it is a large and organized fandom. Plus good writing can make anyone hot even though the art style can take some getting used to.
Let me explain some fandoms have dedicated blogs that do nothing but reblog polls so that fandom can vote in random fandom related polls all in one place. Now in tournaments it is very unfair sometimes because they can organize themselves and rally to sway a vote quickly. Now I know one piece and bleach do have dedicated blogs when it comes to anime fandoms. Other non-anime fandoms that I know have blogs are Star Trek, Star Wars and Ninjago. I only know this because I used to be really big into voting in tournaments poll.
Plus I do normally share the Fandom overall week in review list and the anime and manga list. This shows the most popular Fandom related trends of the past week by Tumblr's own data. And as someone who's been following that page just for fun since probably 2012, one piece frequently is in the top 20 on the overall chart and I don't think I've ever seen it not in the top five on the anime and manga chart. The fandom is just that large and active. I mean one piece frequently trends when a new chapter or episode drops. It's just how it is.
And as someone who used to despise one piece, I did give it a shot after I watched and enjoyed the live action. Now it's actually one of my favorite animes. However, the manga is so much better due to the less than stellar pacing of the anime. The only reason I'm looking forward to the remake so much is for fixed pacing then maybe more people would give one piece of chance. Because the story and the writing is so good. However, the art style is not everyone's cup of tea and I do understand that and that is probably the number one complaint.
Fun fact, at one point there was a group of you campaigning to get one piece characters banned from my polls because the art style was misogynistic. Luckily that was short-lived because I was about to start blocking people. So let's not start that up again.
Now I will concede that the one piece fandom does like to do cursed polls And definitely request ugly characters on occasion just to watch the world burn. You know who you are. But we're talking about a show that has furries and fish people and characters that can turn into dragons and snake hybrids and dinosaur people. So there's a lot of variety in your humanoids not all of them are hot
I know it bothers a lot of people that one piece wins so many polls but I see this as a case of don't hate the player. Hate the game. So if you can't beat them, join them. So I would recommend if this really pisses you off so much start your own blog dedicated to reblogging polls for whatever fandom you think needs one. So you can start rallying and organizing your fandom against the one piece fandom so you can try to take them down. Don't know if it'll work but it's a start. Again, learn from them and use their tactics against them
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did I pull a all-nighter binging the entirety of Blue Flag in one sitting? Yes, yes I did.
Do I regret it? Nope, not in the slightest.
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rassicas · 23 days
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hello! sorry if youve already been asked something like this before, but I’m curious about the japanese gender nuance when it comes to acht. Mostly because I know the dedf1sh blurb in haikara walker uses “彼女” to describe them, and they appear pretty femme, but they use “boku” in their dialogue in side order. (And of course they use they/them in the English localization, not she/her.)
I know only a little japanese so most nuance about this topic would be lost on me… I was wondering if you might have some more insight? Is there anything related/more telling in how they speak in their dev diaries as well?
I took a quick look on twitter and some articles to see what some JP users are saying about Acht's gender... The consensus I see is that because of their introduction post on twitter (and aforementioned Haikara Walker blurb) using 彼女 kanojo, or "she", Acht is a ボクっ娘 bokukko. this is a slang term for a young woman that uses the traditionally masculine first person pronoun "boku". not that there Aren't women that use "boku" in real life but it's a more of a manga/anime trope... I can't say I'm extremely knowledgeable on this, but it seems how femininely/masculinely these ボクっ娘 characters act can vary. another take i saw was that, because in the game itself Acht's gender is very much ambiguous (and even because they use they/them pronouns in english), that leaves their gender more open to interpretation. Again, I only took a quick look, but seems like a similar thing is happening on the JP side as there is on the english side: do we count that one tweet from 2018 or not? I honestly think it's more valid for that tweet/haikara walker info to be counted on the JP side.... regardless, there is something CLEARLY gender-nonconforming happening with Acht. While this wasn't in your ask, I wanna address a related question I've seen pop up a few times in my ask box and around online: Because of that 2018 info, should we still use "she" for Acht in english? Honestly...I don't think so. I think in this case, we can't use what's happening on the Japanese side to determine whether we can use "she" for Acht because there is a gender presentation happening there that doesn't fully translate, and "they/them" is how that was chosen to be localized once their personality and way of speaking became known. Plus "she" hasn't been used in english officially since 2018 and it wouldn't be the first time a Splatoon NA post from that long ago was quietly retconned. Remember how Ikkan and Warabi were renamed to Quinn and Mashup? Since the english version is subject to these kinds of retranslations while the japanese version isn't, that's part of why I think it's more fair for JP users to still consider that old tweet/haikara walker blurb as valid.
got a little side tracked from the main question but i hope that helps!
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forgedsplendor · 9 months
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Gojo Satoru: or, how the eyes are the windows into the soul.
everyone and their mothers have talked about the kfc breakup scene to hell and back, we've gotten a dozen and more think pieces about the episode on twitter and tumblr and wherever else, but I really needed to add my two cents because it's been on my mind ever since I watched the episode.
something fun I've noticed about mappa's adaption of jjk is the way they animate gojo's technique—specifically in relation to his eyes.
in season one, gojo's eyes were always animated very... otherworldly.
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they're always glowing and sparkling in this weird, uncanny way, which is kind of the point: gojo is the six eyes, after all, and considering the anime's animated and colored medium compared to the original manga's black and white, paneled format, it's a good way to adapt and demonstrate gojo's powers in the way the manga cannot. it also serves to visually separate gojo from the rest of the characters; as the strongest, he is different from the rest.
however, when season two's teasers were first released, there's a particularly interesting detail...
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... his actually normal looking eyes.
and, yeah! that makes sense. as much as gojo and geto's high school selves love to tout around the title of "the strongest", it's undeniable that compared to his twenty-eight year old self, this gojo is much weaker, incapable of holding up his technique indefinitely, and incapable of using red, hollow purple, his domain expansion, and reverse curse technique: all of which his adult self are using passively.
so, i had personally figured that these were the eyes of an unawakened gojo. that once he mastered reverse curse technique, his eyes would start to glow like his adult self. however... that was not the case! as we can see...
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... they still glow! but only when he was using his technique. once he puts it down...
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... the glowing fades as well.
especially in these last few screenshots, mappa establishes the difference between "invulnerable" ( untouchable, literally, with his infinity technique up ) gojo and "vulnerable" ( infinity down, so things can now touch him ) gojo, both literally and mentally. ( let's put a pin in that. ) after geto's reassurance gojo physically lets down his defences of his technique, and thinks that that they're safe... leading to toji taking advantage of that naïveté, and the rest is history.
it's important to note both, as it puts his adult self into a new context: we know that after coming back from the dead, gojo's mastery of reverse curse technique allows him to use his infinity indefinitely without frying his brain.
it's funny, because this parallels his way of coping, as we see here:
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curse technique reversal: red. the opposite to blue's attract, it instead repels.
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after going through the traumatic events of hidden inventory, gojo... feels nothing. he pushes away these feelings, numbing himself to them instead.
he activates his infinity...
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... and becomes untouchable. or, in other words...
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... invulnerable. ( physically and emotionally. )
at the beginning of episode five, we don't get very many close shots of gojo's eyes, but he is in the middle of demonstrating his new grasp of infinity; in contrast to geto's spiral, the main focus of the episode and premature death as a whole, we get shots of gojo's back, his gaze obstructed by his spectacles, his face obscured entirely...
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... or simply just far away.
to be fair, this all is in geto's point of view, and is used specifically to higlight the canyon that's opened up between the two, but the visual language is the same. gojo is untouchable.
well. up until...
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though it's hard to see the state of his eyes with his spectacles in the way. but this is very quickly remedied just a few minutes later.
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... his eyes are not glowing.
infinity is not activiated. his technique is down. gojo satoru is vulnerable. literally, in the sense that his technique is not in use, because he is dealing with a friend and not an enemy user, and mentally, because he is angry and upset and horrified and in shock in a way he was not with amanai's death.
as we know, gojo is not one to react emotionally. when kuroi was kidnapped, he did not worry: simply thought of another solution. when toji ambushed them, he did not panic: simply asked geto to complete the mission as he stayed behind to fight him off.
however, with geto's defection...
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he yells, makes himself bleed.
when amanai died, he'd said he felt nothing. he'd floated in the air, weightless, marveling at the beauty of the world above and around him.
with geto's defection...
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while nakamura's voice acting and the incredible animated character acting was more than enough to get his anguish across, using the tells of gojo's technique as well was the icing on the cake.
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the eyes are the windows to the soul, after all, and in this moment, intentionally or not, his were blown wide open as his world crumpled apart.
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sapphixxx · 2 months
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Honestly been really drawn to crossdressing romance manga the last few years. The fact there is such a focus on passing, anxiety over what the other partner might think or feel, the satisfaction of presenting in ways that feel good, the joy of being loved and desired in different forms, and the generally kind of weird funny fluid nature of gender and attraction all feel very relatable to me in ways that Yuri, and even Western lesbian and trans comics don't always reflect. "Is this gay or straight? Am I gay for this? Are *they* gay for this? Whatever is going on here it's not *not* gay and either way I'm committed" is a pretty unique mix of emotions familiar to my bi trans experience after all lol. Unfortunately most of them range from merely sucking to nuclear weapons grade hateful, so it's pretty rare to find a good one.
These pages really made me happy though. These two don't really get along as coworkers, but are immediately head over heels goofy eyed when encountering each other having genders in their off time (at this point neither recognizes the other or knows their gender). Cause like, I've had that experience SO many times where someone got under my skin, and then years later we run into each other after figuring some shit out and suddenly we're like irresistibly magnetized.
(Note: The term Lolita used here refers specifically to the style of fashion, and has no sexual connotations)
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A lot of these manga are written in a very "That's Really a Guy!?!?!?!?!?" frame, but a surprising number even among the shitty ones don't seem to really ascribe much in the way of that like, meaning a whole lot. That's Really A Guy?? But she has effectively completely socially transitioned and is known, loved, and desired as a woman, I dunno, feels pretty trans to me, complete with the scrutiny, misgendering, and gags at her expense that I've known in my life. Being Really A Guy seems to lose very much meaning in that instance. Which is comforting to me as someone who works a public facing role and constantly gets gendered and perceived in weird ways that don't match who I am.
Are these intended to be read so charitably? I don't know, and I also don't really care. That hasn't stopped us from reading transness in Lain or Evangelion, or reading Dungeon Meshi as a lesbian love story has it?
#op
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mj-ackerman · 1 month
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Translation of Tatsuya Endo's Interview with Katsumaru: (You can read the original here X)
Katsumaru: My wife and child are both big fans of "Spy x Family", so they were both excited for me to be able to meet you today. Why did you choose the theme "Spy" in the first place?
Endo: I didn't have any particular desire to draw a spy story or something like that, but I had always liked military kinds of things and was interested in war related things, so when I combined those aspects with the theme of "lies", it naturally ended up as a spy story. However, I haven't seen many spy movies, and for movies like "007", I've only seen one or two of them.
Katsumaru: What? Really? The information about spies that appears in the story, even for someone like me who's been an avid follower of the genre, gives an impression that it's very well thought out. How on earth did you acquire such knowledge?
Endo: Most of it is from books. And then some of it is from documentary films and the likes. There was an old movie called "Shiri" (This is a 1999 Korean film), it's about the battle between North Korean Special Operation Forces and South Korean Intelligence Agency. I liked that very much.
Katsumaru: The setting, in which the husband, Loid, is a spy and the wife, Yor, is an assassin, reminded me of the movie "Mr & Mrs Smith"
Endo: When the series was just starting, I see that title being mentioned a lot in the comments, but to be honest I've never seen it before....(Laughs). I didn't have much time to prepare for the serialization, and since it's a comedy, I thought I didn't have to be that particular about the settings as I drew it. I incorporated the knowledge I had gained from books, but since it's still a manga, I kept the "No way, that's impossible" aspects to it.
Katsumaru: I think it has a really good balance between realistic depiction and entertainment. Spies are part of everyday life, and some of them even established a "fake family" as in "SPY X FAMILY". In reality, there are cases where married couples had been living together without realizing that their husbands are spies.
Endo: That balance is what I pay the most attention to. I guess you can say it's a process of determining the "minimum level of reality" in each scene.
Katsumaru: How concerned are you about the difference between "reality and manga", Endo-sensei?
Endo: This one is difficult. It's a case by case basis, but in manga, there are many parts where I can just go "let's fake the reality at this part for the time being". When you're working alone, you don't have time to do research about this or that fact. However, in anime, you have to create much more detailed settings, so there isn't much room to put on tricks. When the anime team would ask me "What would happen in this part?" I would often reply with "I'm sorry but I haven't thought about it yet...." (Laughs).
Katsumaru: Have you not strictly defined the scene or time period the story is set in yet?
Endo: I had the image of the period setting somewhere between the 1960s and 1970s. I'm trying to explore what I can do with the technologies in this era thinking "This technology might be possible". I also have softened the reality of things, such as the political form. The cold war between the East and West is also part of the motif, but if you just tell the readers that "it's a conflict of ideologies" , it won't make sense to them. So, I put it into a form that is easy to understand as a manga, there are also some parts that I, myself don't know about after all. Similarly, in the real world, for example, spies probably have very few horizontal connections, right? Like for security reasons. However, as a manga, in order to develop the story, it was necessary for me to depict conversations between spies. All the more that this is a comedy story, so it wouldn't work without conversation. It's difficult to find the right flavor between the two.
Katsumaru: It's pretty unique that you came up with the name "Dalc" which is similar to the name of the currency "Mark" (It's Deutsche Mark which is no longer in use since 2002) used in Germany.
Endo: It's actually a combination of "Mark" and "Dollar". I often use names of places and buildings that actually exist in real life. However, I have a pretty bad memory, so I often ask myself later "Where did I get the name of this place again?" (Laughs)
Katsumaru: Is there any expert historical research or supervision of intelligence agencies involved in this?
Endo: I basically think about all the detailed settings all by myself.
Katsumaru: Since the real-life aspects are well-constructed, I thought an expert in international politics was involved in supervising this.
Endo: There are also some readers who read too deep into the historical situation, but I didn't actually put much thought into the details in writing the story. This is just a fictional country called "Westalis and Ostania" after all.
Katsumaru: In "Spy x Family", there are some Russian-speaking names such as "Anya" and "Yuri" that appears, but spies in that country uses more analog method. For example, "flash contact", in which documents are handed over to another person as they pass each other, or a "drop dead", in which documents are hidden in an agreed-upon location and later picked up by a colleague. There is also a method for communication. Although this method is considered extremely inefficient, it is sometimes considered to be highly secure because it prevents interception of communications.
Endo: So there's still that kind of analogs even now huh? Now that technology has developed and everything is digitalized, I certainly think it's much safer now. In other countries, there are organization such as M16 (United Kingdom Secret Intelligence Service) and CIA (US Central Intelligence Agency), Japan also has organizations with such characteristics.
Katsumaru: The "Tokyo Metropolitan Police Department Public Security Bureau (Public Safety)", where I worked, is the counterintelligence arm of Japan. In "VIVANT" (It's a 2023 Japanese Drama), which I supervised, Hiroshi Abe and Ryo Ryusei are playing roles with these type of characters. We have obtained as collaborators people who have a lot of information and people who are in position to meet various people such as reporter.
The only problem was that we didn't have enough people. The CIA has a large number of subordinates under it's station chief, and a large budget. When I was temporary transfered to a Japanese embassy overseas, I was alone, my budget was limited, and I was also reponsible for issuing passports, so there is no doubt that working at an intelligence agency overseas with better environment had allowed me to concentrate more on my mission.
Endo: Do you hire locals overseas?
Katsumaru: There are times when we ask locals to work with us by paying them a reward. Or, we can ask them to connect us with people who has information. The Public Safety is very good at finding and training people who can bring good quality information and can do good work.
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the-bloody-sadist · 6 months
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in case no one else has asked, please list your top 10 BL manga/manwha? 👀
i am. very interested in what other media you enjoy, especially BL
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Combining these two bc I didn't wanna leave the second out!
(I wasn't a big fan of Blood Bank personally but I'm so glad it helped you with your world building Lil Whale!!)
I'm hoping some of these are unheard of for you guys because THERE ARE SO MANY BL/YAOI AND I READ THEM CONSTANTLY BUT NOT SO MANY ARE FANTASTIC AND MIND-BLOWING AND SPECTACULAR AND DEEPLY PSYCHOLOGICAL! I'm pretty sure I'll end up listing WAY more than 10, mainly because I want to highlight ones I feel like a lot of people haven't read. ALSO because I read so fucking many of them that I've collected a stash and NOW IS MY CHANCE TO YELL ABOUT THEM.
Just a disclaimer, these are not in any sort of order, as they're all about the same level in my head, just grouped. I'll list the "big name" BLs that I adore after these! First up are the ones that either have a quiet fandom or aren't well known! Since there'll be so many, I'm not going to say much about them, just know that usually no BL/Yaoi is perfect to me, since there are many bad psychology tropes here and there or unnecessary cruelties that aren't exactly realistic etc., but overall, I like the way that the story and characters are handled and/or love the art.
Here's the top five of my top ten that's not a top ten bc there are so many (I just said I wouldn't group them but I lied my ass off apparently):
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Jealousy [Scarlet Beriko]: This is one of those that emotionally hits so hard that it will stick with me forever and I will usually tear up just a tiny bit when I think back to the moments that made this one so beautiful. A lot of times a story with major hurt, angst, and tragedy won't wrap up with enough to make me scream and cheer at the end. But THIS ONE DID. And I stopped reading for a while when a big event happened because I thought it would end horribly and I'd have to suffer three weeks of fiction-induced depression for a man who wasn't even real. BUT NAY. The themes you get in this one revolve around loneliness (huge draw for me, it always hits), mafia-connected characters and the rivalries from that, self-destructive prostitution, and characters who have difficulty receiving love without freaking out. Are those even themes idk. OH WELL. YOU GET THE POINT. I want this one on my shelf. You might've heard of it, but the fandom is silent so I never did. T_T OH ALSO THE ART ON THIS ONE IS GORGEOUS I FUCKING LOVE IT.
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Hitori to Hitori no 3650nichi [Hitomi]: First of all, favorite manga artist. FAVORITE MANGA ARTIST. I'm never exactly sure if the artist is also the writer or if the writer is never the artist or...BUT IT DOESN'T MATTER. Anyway! I listed this particular title because it was the first that I found by this person - but then I discovered it was a part of a bigger series, and there are like I DON'T KNOW FIVE DIFFERENT MANGA?? OR SOMETHING??? Related to this one. I don't know which order, I just know that I read them all in a frenzy. THE CHARACTERS. OH! OH THE CHARACTERS! Oh my gods, it's so good. LMFAO. The arcs these characters have are fantastic, and I loved the fact that the abuser in one is shown to be the victim of abuse in a prequel story, and that his anger issues and other elements of his personality came about to affect him and destroy him. Just...I don't recall the details, READ IT. That's all. Spectacular depictions of nuanced trauma within abusive relationships.
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The Beast Must Die [Lee Hyeon Sook]: This remains one of my favorite depictions IN ANY MEDIA of a psychopath, because it's SO accurate and I'm SO fucking proud of the author for doing their research and OH MY GODS YOU GUYS IT'S ABOUT TO GET A DRAMA CD LET'S FUCKING GO! This story is so good. It's so evil. It's so psycho-thriller. It's so WELL DONE. It features a dark academia-ish secret society within a college setting who hunt people for sport, sometimes. LIKE. Come on. And the psychopath (dark hair) IS THE MAIN LOVE INTEREST! You could literally hear the summary and go "oh this is for Sadist". And I don't get a lot of those that deliver this well. SOMETIMES the art makes me twist my head a little but YOU KNOW WHAT I DO NOT CARE OKAY? It's just SO good. There's murder, there's kidnapping, and - most importantly - a main character who doesn't just DEAL with whatever the psychopath does. He's smart, he fights back, he learns to understand psychopathy to determine if he should remain with the love interest...it's fantastic. That's all. I will stop. *BANGS THE WALL*
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Aporia [Seontae]: ALL HAIL THE HEALTHY BDSM RELATIONSHIPS THAT STILL HOLD TENSION AND EMOTIONAL WEIGHT AND SPEAK TO ME!!!!!!! HELLO!!!!! This is my favorite BDSM-themed story. Everything is consensual, but is everything safe??? Not when it comes to the main character's emotions and tendency to sacrifice his wellbeing for a partner. BUT NOT TO WORRY, HIS SADISTIC LOVE INTEREST IS CONSIDERATE AND ATTENTIVE AND CARES ABOUT HIS FEELINGS!! This is, perhaps, one of my favorite depictions of a REAL sadist. A real one as in a realistic, irl BDSM-relationship sadist. Someone who is just as worried about taking care of his partner as he is about hurting him JUUUUST right. ANYWAY! THAT'S ALL! READ IT! HE'S LITERALLY ME!
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Royal Servant [MasterGin, Chungnyun]: Okay, we were talking about healthy BDSM in the previous one, now let's talk about TOXIC BDSM-THEMES THAT I LOVE. Lmao. DO YOU LIKE MASTER/SLAVE DYNAMICS? DO YOU LIKE STORIES WHERE THE ARC LEADS TO THE ABUSIVE MASTER EVENTUALLY LEARNING TO NOT BE ABUSIVE AND LOVE THE SLAVE? YEAH ME TOO. I DON'T NEED TO DESCRIBE THIS ANY FURTHER. AUTHOR OF ANGEL BUDDY, THIS IS THE ONE THAT I KNEW HER FOR FIRST.
A bunch of other good ones you may or may not have heard of (I won't describe every one of these unless I have something particular to say, so enjoy the pictures from them that I snatched):
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Love me in the Wilderness [Wang Tao]
Neon Sign Amber [Ogeretsu Tanaka]
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Zetsubou ni Nake [Shinou Ryo]: Guys. This story is UNIQUE AS HELL. I had to say something about it. The premise is that a man who was raped turns around and goes back after his rapist and rapes him back, and then they fall in love. IT'S....the amount of times my jaw dropped was insane on this one. SOMEHOW IT'S WRITTEN SO WELL. SOMEHOW THEY NAILED THE STRANGE REALISM OF IT AND HAD ME TEARING UP OVER THE INTENSITY OF THE RAPE SCENES. VERY WELL-PACED, VERY TRAUMATIC IN A GOOD WAY. HIGHLY RECOMMEND. The way they come to love each other after this crazy foundation of mutual rape is IMPRESSIVE. Kudos to the writer.
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Love or Hate [Yeongha]: This is a very well-known one but there's like zero fandom so I think it fits here. Also a lot of hate going around for it? Which I never understood, fuck those guys. This remains one of the most beautifully-written that I've ever read, and I mean that purely in like...the ACTUAL writing on the page. I'm talking poetry, purple prose. I just recall being blown away by that, and no manga before or since has ever reached its level. For once I felt like the writer was also a novelist because of the way that they put things, and had a clear voice in the style. Did the main boy end up with someone I didn't want him to end up with at the end? Yes. But I felt like it fit pretty well, and it was sort of a tragedy, and it was supposed to hit you painfully in the gut. A lot of people were mad at the main character for that and I don't really think it's fair. In any case! A beautiful story with complex characters and intriguing dilemmas. Highly recommend it.
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Shangri La no Tori (Birds of Shangri La) [Ranmaru Zariya]
Two in Six Billion [Denzou]
The Pizza Delivery Man and The Gold Palace [Upi]: Great story and character-building so far! I will say that once it became porn, it dove a little too heavily into it for me. Like I only needed one scene of the porn, I was enjoying the panic attack scenes much more. BUT YEAH, IT'S ONGOING, SO WE'LL SEE WHERE IT GOES! But the panic attack scenes were the reason I read it and yes, I did tear up.
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Sleeping Dead and Living Dead [Asada Nemui]: I RECENTLY FOUND THIS ONE AND ADOOOOOOREEE IT SO MUCH. I DO NOT CARE THAT IT'S AN OLD SCIENTIST AND HIS ZOMBIE PATIENT. NORMALLY THAT WOULD HOLD NO SWAY OVER ME, BUT OH GODS, THE ART IS SO PRETTY AND THE STORY IS SO GOOD. I LOVE THE LITTLE ZOMBIE MAN! I LOVE THE LITTLE ROMANCE THEY'VE GOT!
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Private Lessons [ANCO, Mongya]: It's cuuuuute what can I saayyyyy it has BDSM and threesomes and I liked it. Very entertaining. Scratches the BDSM itch and the little SUB WAS SO CUTE. Anyway.
Kingyo no Ubugoe [Gontaku Nido]
From Points of Three [White Eared]: Threesome dynamics!!
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Silent Lover [Qiang Tang, Bai Li Jun Xi]: I STOPPED THIS ONE AT A CERTAIN POINT BECAUSE IT DIPPED INTO WEIRD M-PREG AND STUFF I CANNOT READ. But BEFORE all that, I was deeply ingrained in this one. It has a main character who can't speak (a particular weakness of mine) and he's OH SO CUTE and he's given as a sex slave basically to the emperor (emperor? idk he's a kingly man, something like that), and the emperor is evil but learns to be soft and yet it takes a LONG TIME SO I WAS BAWLING HYSTERICALLY OVER SOME OF THE HEARTWRENCHINGLY PAINFUL SCENES IN THIS FOR THE POOR YUU-ER. A good read until it decided to go the omegaverse-by-magic-potions route. I didn't stay to figure out where it actually ended up.
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Yoru wa Tomodachi [Ido Gihou]
Toumei na Ai no Utsuwa [Hitomi]
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Re:Birth [Misuaki Asou]: The singular omegaverse story in existence that I actually liked. Hopefully that says a lot. Mostly because it's about the omegaverse elements NOT being present for the main character and him trying to fake it because he's lonely and afraid that his partner (an alpha *shakes off the disgusting label because who the fuck thought alpha was a cool word*) will leave him if he finds out he's just a regular guy (aka beta I guess? ABO is weird idc).
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Sahara no Kuro Washi [Soutome Emu]: MASTER SLAVE MASTER SLAVE---
Haru ni Kaeru [Kunieda Saika]
Incorrigible [Bbong]
Well Done! [ANCO, Mongya]
Nemuri Otoko to Koi Otoko [Zariya Ranmaru]
Even If You Don't Love Me [Pando]: It dropped off SUPER hard (it's ongoing still) but damn was it good in the beginning. I am sick and tired of where it's at currently but the psychological manipulation and the horror of a certain twist in the storyline was CRUSHING to me. I only wish that it would have gone a better way after it happened, because it slowly destroyed itself and became like a lot of tropey rape stories. The asshole just keeps being an asshole and it's not really where the story seemed to want to go with that. But otherwise, it started off strong and I'll give it kudos for that.
Bigger titles I'm pretty sure everyone has heard of that I enjoy:
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Saezuru Tori wa Habatakanai [Yoneda Kou]: Is it a little unrealistic that literally everyone in this story is gay apparently and wants to fuck one man apparently and/or rape him? Yes, absolutely. Does that matter once you're in the story and it's so good and all these unrealistic cruelties make a really strong bond between the main love interest and this self-destructive masochist who's probably not really a masochist but only interested in hurting himself because he doesn't know how else to handle his trauma from childhood? Ummmm yeah. Anyway! This one had a lot of inspiration and a lot of tears and a lot of obsession from me. I re-read it all the time, I watch the movie over and over, I listen to the audio drama and cry at my favorite scenes. Do I care in the end that it's a little unrealistic at times? No but I do laugh sometimes when I'm about to share it with a new person. Because BL is just like that generally and you've got to put up with a little of those tropes to find your favorite stories. THIS IS ONE OF THE TOP FAVORITES OF ALL TIME FOR ME BTW, IT'S ONLY SO LOW DOWN HERE BECAUSE PRETTY MUCH EVERYONE IN YAOI KNOWS ABOUT THIS ONE ALREADY, AND WE'RE ALL AWARE OF HOW GOOD IT IS.
ENNEAD [Mojito]: I will say that this is basically the best manga/comic/manhua...what's the Chinese word idk ANYTHING OF THIS MEDIA TYPE that I have ever read. It's not done, and people have been complaining that it's starting to fall into the common BL tropes but you know what I do NOT care. Mojito is a genius, Mojito is a master storyteller, Mojito is beautiful, Mojito is strong - I just love Mojito and this work. So much. The action, the horror of rape, the deep-set character conflicts and dilemmas and internal turmoils. Everything, nailed it. Nailed it. And not to mention it's set in FUCKING EGYPTIAN MYTHOLOGY AND THEY'RE ALL GODS AND THEY HAVE SUCH COOL BATTLES AND COSTUMES AND DUDE???? I'm so hooked. That's all.
Killing Stalking [Koogi]: OBVIOUSLY. I don't really need to say anything about this one except that yeah, some of the psychology is a little off and some of it is just super shallow. But I loved the characters and that's what mattered in the end. I fell in love with Sangwoo too and it ripped my heart out when I read the ending. I was depressed for like two weeks and it was the first story that had ever affected me that way, but I was also younger and this was one of my first yaoi/BLs and yeah. GREAT story though, fantastic storytelling, very lovable characters. Sangwoo was handled so much better than most "asshole/kidnapper/rapist" characters and I will never stop appreciating that, because a lot of writers tend to forget that your villains have to have redeeming qualities if you want us to like them (????). Jinx, I'm fucking coming for you. Suck my dick. KOOGI FTW.
Missing Love/A Married Man [In Hyerin]: Some of the DESCRIPTIONS of how trauma works especially of the sexual nature in this story are SO. SO. GOOD. However, I am beginning to grow VERY ANNOYED at where it decided to go with the most current updates of the story. The author did enough trauma to the main boy, now it's getting so incredibly excessive that it's overdoing it and the author's kinks are showing through. LIKE I GET IT. Okay? I do. But this one became too much and I need him to return to the actual story arc of going through that trauma so he can HEAL with the right person taking care of him.
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MadK [Ryo Sumiyoshi]: I am into NONE of the kinks that would lead to me picking up this manga. I hate demons, I'm not a monsterfucker, I can't do extreme guro, and yet I SAW CANNIBALISM. THAT WAS THE ONE THING THAT I THOUGHT I'D GIVE IT A TRY FOR. And then accidentally I got obsessed because the plot is AMAZING and the writing is SO GOOD and who cares if I hate demons and monsters ALL OF THEM ARE BADASS AND HOT (??) AND IT CEASES TO MATTER. Good on the writer for making them appeal by personality alone and expressions and whatever else you signed a deal with the devil to make me like because it worked. Also the guro is beautiful, so it doesn't even matter. Hannibal levels.
Warehouse [Killerwhale]
Painter of the Night [Byeonduck]
Viewfinder/Finder [Yamane Ayano]
Given [Kizu Natsuki, Gusari]
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Nii-Chan [Harada] (and basically every other work by Harada)
Sadistic Beauty Side Story [Geumsan Lee, Woo Yeonhui]
Dine With a Vampire [Pangin, Pinko]
Angel Buddy [Mastergin, Chungnyun]
My Partner's Tastes and Fetishes [Deok Hwa]
Interview with a Murderer [KJK]
On or Off [A1]
Steel Under Silk [Snob]
The Pawn's Revenge [Evy]: It was going to be SO GOOD! And then it dropped off harder than a boulder from a balcony and I have absolutely no idea why the author took it the way that they took it, but go off I guess. It's boring as hell now but it started off with promise and I enjoyed the art and character designs. Too bad, I suppose.
Caste Heaven [Ogawa Chise]: An old classic with all the sticky sometimes icky mostly ridiculous BL tropes but hey, it's cute. It's sexy. It's fun. I don't care.
Wet Sand [Doyak]: We're still in the beginning stage of this one but I'm excited to see where it goes! Plus the art SLAPS ASS like nobody's business.
19 Days [Old Xian]: I hate comedy, I hate fluff, I hate buddies that never become lovers, but none of that mattered when I picked this one up. The duality of man. Bite-sized chapters and ACTUALLY AN EVENTUAL ROMANCE that none of us thought we'd ever get.
Legs That Won't Walk [Black Apricot]: Although this one dropped off hard for me and I'm really just following it to see if it picks up again and does something interesting (it probably won't) I did enjoy it in the beginning. I just get tired of the "asshole just keeps being an asshole and nothing else but woobified slut keeps coming back to him??" without the strong and realistic undercurrent of Reasons Why Someone Would Come Back such as manipulation or threats or unhealthy attachment. Perhaps it was sorta there in the beginning with them but now I'm just like why are we still continuing this story.
Pearl Boy [Inking, Zoy]: *Awkwardly scratches neck* It's not the best okay? It's not. It's really not. I don't like half of the things that occur in this one, but the ART, bro. THE ART, BRO? That's what got me into it and what kept me into it, PLUS I do like little Jooha. I stayed for Jooha, too. Dooshik drives me a little batty most of the time and looks ugly for half the story to me, but when he's badass, he's pretty badass, so I can forgive him. I really don't know why he has such drastically changing appearances because I thought he was someone completely different for a bit LMAO. In any case, I have to admit I like the uhhhhh danger that Jooha gets himself into and the crazy things that make no sense but you know what he gets hurt and then there's comfort and rescue and they cry and I cease to care that it makes no sense. (Sorta, I don't actually cease to care I just laugh awkwardly and go okay sure that's how it works because it's so hard to find stories that don't do this LOL I'm beating a dead horse) BUT WHY DOES HE CUM PEARLS? WILL WE EVER KNOW? WHO THE HELL THOUGHT OF THAT AND WITHOUT A SUPPORTING MAGIC SYSTEM IN THE WORLD TO MAKE THAT MAKE SENSE? IT WENT DOWNHILL SO FAST AND THE ENDING IS TERRIBLE BTW. THE VILLAIN SUCKS.
That's it. I can't talk to much or I'll run out of words but HOPE YOU GUYS FIND SOME NEW READS!!
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How about this? Headcanons for Loona and Octavia (separate) with a nerdy!male!reader??
Idk, but when I was thinking of this I thought of him just being Milo thatch from Atlantis: The Lost Empire if he was an imp (and maybe looking like him with a human disguise).
"My Geek" ; Loona, Octavia Ars Goetia
AN: I have never seen ATLA, so I hope I did this okay for you!!
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Loona would tease you. Brutally, in fact. But she does it all out of love. She just doesn't really know how to show people that she cares about them, so she resorts to teasing to hide the fact that she does. She doesn't want to seem vulnerable, after all. Look where that's gotten her in the past.
With that said, that doesn't mean she lets anybody else makes fun of you. No, only SHE'S allowed to do that. Girlfriend privileges, she calls them. Even before you're actually dating.
But the second someone else tries? Ohhhh dear, be prepared for tears. And not hers (or yours).
"Don't be such a prick when he manages to pull hot bitches with his nerdiness, and you're going to die a loser virgin."
She'd of course comfort you afterwards, in her own Loona way. Telling you how that person was a loser, anyway. How they didn't understand your "weird, shitty hobbies", but that that only made them a little bitch.
Loona will act like she doesn't care about what you're suggesting to her, but in reality... well, her Mammazon cart is full of her gift ideas for you for special occasions. Comic books, manga, movies, costumes, you name it.
And y'know what? She'll never tell you that she actually paid attention to what you told her.
"Here. A random shut-up gift."
That's code for "I've been listening a lot, actually, and I know these are things you like, so I wanted to get you something that lets you know I paid attention", by the way.
Honestly, I feel like she'd prefer a nerdy S/O for a guy, though?? Someone she can be playful and fun with without having to maintain her stone-cold persona.
Now your human disguise... oh boy.
You saw how she was with Vortex? Yeah, well, with you, you can basically amplify that by ten.
Basically heart eyes lmao.
Don't worry, she eventually starts acting more normal around you in that form once she begins associating it back to you, her loving boyfriend.
She'd still have those momentary slip-ups where she says something she normally wouldn't, though, although they're much more welcome when you're actually her boyfriend.
"Uh... Loona? You okay?"
"You're hot... I mean, uh- Y'know, literally. Cuz it's... a hot day out."
Girl is down bad.
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Honestly? Octavia seems pretty nerdy, too. Probably has a secret comic book hobby. So she doesn't see anything wrong with your hobbies. She even finds them endearing.
Likes to hear your little hot takes, whether or not she really agrees with them. It opens the floor for some productive discussion and banter.
"Oh yeah? And what happens if I do something like this?"
And she proceeds to either do it, if it's a physical thing she can do, or explain the idea, eager to hear your take on it or if it's something you'd suggest in that scenario.
Due to that, she really isn't hard to make conversation with at all, since she can relate pretty well to your more geeky interests, and even be persuaded to get into the same fandoms. Or have fandom battles, like Marvel vs. D.C..
She'll always side with D.C., though.
And of course, she'll happily come with you to those types of movies, since she usually really enjoys them, herself.
She's more of a music nerd, though, and she'll definitely try to get you to listen to some of her favorite artists. The music is pretty angsty, but it's not bad, either. And you love her, so you bear with it for her.
Definitely the type to take you to one of those geek stores for your birthday and just let you pick whatever you want.
Girl comes from money, and she knows how to spend it. :)
"S/O? What about this one? It's got that thing you like on it."
As she's proudly showing you a T-shirt of a character you mentioned liking, excitedly looking around for her own things, as well.
Always a fun couple experience.
Oh, also, Stella HATES you, but that's probably to be expected. Not that Octavia really cares for her absentee mother's approval.
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minniiaa · 1 month
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Sorry if this seems repetitive but I haven't been active on social media in yearsss
Is it true that there's a lot of lawlu hate on tiktok and Twitter? I'm so confused because there used to be so much love for the ship back in 2017/2018 from my perspective (Amino era).
The short answer: yes and no. Let me start by saying I'm not the best person to answer this since I purely consume on twitter. I made my personal twitter in 2007 like it's everyone I've ever known irl and has nothing to do with shipping or hobbies and I follow approx 0 accounts related to anime, manga, or lawlu. I just looked up lawlu a few times and browsed and suddenly it's my whole fucking timeline and there’s no going back and now I have a lawlu twitter (This makes me very happy).
So if anyone else has an opinion on this that is more in the community, please feel free to comment away. Otherwise, below are my observations.
First off, there IS a ton of love for the ship. Most of what I see is beautiful art (they got the nsfw ayo), memes, fanfics, and headcanons just like tumblr. There are tons of comments of people swooning over these posts, Lawlu IS one of the most popular OP ships after all.
There's just a vocal minority that are very against the concept of shipping and in that subset there are those who are very against Lawlu. There people out there that will literally list accounts to block that ship lawlu or write lawlu DNI in their bios. The same can be said for other ships, it's not just this one it’s any they deem a ‘pro ship’ (problematic ship) and Lawlu is generally considered one of these. Below as is an example:
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The biggest issues I’ve seen with Lawlu are the following 1. luffy is aroace and cant be shipped period 2. law groomed luffy and the age gap is gross. IMO I think most of these people are just infantilizing Luffy as some goofy autistic kid that doesn't know what love and sex are when in reality he's very self-aware and happy does not equal stupid. Also he's 19 he’s not underage. He met Law twice when he was 17, one of which was saving his life as a doctor and Luffy was unconscious most of this time. Let's not forget Luffy's a war criminal kicking the asses of people 4x his age in a pirate world, age doesn't really work the same as irl.
BUTTT Not that any of this matters because you can ship whoever the fuck you what because guess what? It's ~fiction~. I could rant about how people can ship whatever the hell they want all day but I'll save my breath for now. (my opinion of course)
Also there are just mentally ill people who enjoy telling others to kys if you like something they like do. Lawlu shippers are just their chosen target demographic. Creators get foul messages in their inboxes, rude comments, just general hater behavior. Twitter is just a firey cesspool and all fandoms have 'fans' who do nothing but hate. We live in an age of negativity where being a hater is the cool thing to do.
HOWEVER, I see more people posting about why those people are wrong and stupid than the actual negative tweets but maybe that's because I actually support the ship and the algorithm sees that. Not sure how twitter works, nor do I want to know about that dumpster fire there's a reason I came over to tumblr.
As for tiktok, I don't really consume a lot of tiktok so I can't speak on it besides seeing cosplayers and cute animations/art. I'll leave that to the tiktok people to look into.
For argument's sake, I went through the lawlu tag and picked some lovely tweets to share with you so you can see the toxicity for yourself. Sadly only 10 images per post but I think you get the point. Thanks for the ask hope this was informative. :)
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trigunbookclub · 7 months
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TrigunBookclub Afterparty!
Hello there! As bookclub winds down to a close, there a few things to announce:
Bookclub Afterparty!
Bookclub may officially be over, but the Trimax brainrot continues! There are some bonus comics, the Multiple Bullets anthology (with all its great and terrible stories), and some folks have fallen behind, have essays left to write, or have things they wanted to create or share and haven't had a chance. I myself fell behind since life has been a bit hellish on my end, I'm two volumes behind--and I don't seem to bethe only one in that position!
So, I want to invite people to keep using and watching the tag until the end of October! Discuss, share theories, thoughts, art, shout-out posts and ideas that you love, just have fun! You can discuss the entire series and all related materials--hell, you can even do a read/reread it if you want to. Whatever goes, so long as it follows the guidelines.
Bookclub 2.0!
I've been talking with the @trigun-manga-overhaul team, who we all know has the best Trigun manga translation out there--but it's about to get better with Overhaul 2.0! When it drops probably next year, it will be at the pace of a chapter a week, and I plan to run the bookclub during that time to celebrate! This gives much more time for discussion, comparing, analyzing, and keeping up with posts. Since it will be a longer reading time and it's round two, spoilers will be allowed, though I will ask that they be tagged.
I also highly encourage everyone to feel free to use the tag when the hardcovers from Dark Horse are released to celebrate and discuss!
Bookclub Archive!
Since social media has a tendency to be ephemeral at best, the lovely @versaphile has taken it upon themselves to archive the bookclub posts of everyone who gives permission for them to do so! This way you can binge meta and posts and find everything much more easily. You can find the archive here, and see an example of archived posts here. If you're interested in or okay with being included in the project, please contact @trigunreferencelibrary!
Bookclub Stickers!
Multiple people have talked about wanting a badge of honor for participating in/keeping up with bookclub, and I think that might be a bit tricky... but how about some stickers? I figure that this way, the shipping is affordable even for international folks since I've seen a good amount of people around the world participating and lurking! I'm going to try and find printing for as affordably as I can (if anyone out there knows any good distributors for smaller batch sticker orders, please shoot me a DM!), and it won't be something to profit off of--just in memory of a great time! The only thing is I have two options, and I don't know if either of them are even what folks want. So...
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And that's all that I can think of for now! I'm a bit exhausted and run ragged at the moment, so feel free to ask for any clarification on anything. When I started this project, I honestly didn't think I'd get many if any people following through--I know people lose their focus easily (myself included). But instead it turned into a huge celebration of a beautiful manga that is finally getting the attention it deserves after kind of getting buried by time. I've met some absolutely amazing and brilliant people throughout this event, and I just want to say thank you to every single person who made a post, supported others, and/or just lurked. You guys are fantastic and made this an amazing experience.
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mezzy303 · 5 months
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So I've been rereading skip beat from the beginning for the first time in uhhhhh almost 10 years and I'm going inSaNE over characterizations and development that I have to write it down
At this point I'm only at the Heel siblings arc so I haven't gotten to the Guam or Saena arcs which are very big for Kyoko and Ren's character development and healing which I haven't reread since those chapters came out
Can we just take a moment to appreciate Nakamura for basing Kyoko and Ren's childhood struggles and trauma on very real things that aren't often, if at all, dealt with in anime/manga and also writing them with utmost care (Not only do the traumas inform their personalities, but their healing arcs aren't just a one and done thing!! It's a very slow process) Like starting with Kyoko, her single mother neglected her so much that she was raised by a family friend. On top of that, nothing Kyoko did was ever good enough for her mother, and both of these things are so apparent in Kyoko's character. She attaches herself to fairytales and magic as an escapism and because she relates to stories like Cinderella. She literally cannot function if she messes up and no one criticizes her. She can't properly acknowledge her own talents and beauty without it being attached somehow to fairytales; she never quite believes shes good enough. Similarly, she didn't want to bother anyone with her troubles, so she always dealt with them alone/in private spaces. Pretty sure she also has lowkey abandonment issues. And this is all parental trauma!! Things she already has before the series starts and she gets so utterly heartbroken she swears off romantic love entirely so she can never get hurt the same way again.
(I don't think I'll ever get over how Kyoko told all this to Kuu and he was literally like I'm adopting you. Your mine now. Sorry I don't make the rules ¯\_(ツ)_/¯ And Kuu going home to his wife like hey we got a new kid 😂 Like Kyoko freezing up when she made mistakes and then Kuu showing her love instead of reprimanding her makes me go 🥹😩💖✨😭💝 Kyoko getting all fluffy from head pats🥹🥹 But on the downside she literally can't bring herself to call him dad unless she's in acting mode sjdfhsf)
When I really consider it, I wonder if Kyoko really loved Sho as a person or like.... the idea of him. Like he was just a convenient guy via proximity bc Kyoko needed someone to be her "prince". We haven't been shown exactly why she fell in love, but it would explain why she stuck with dedicating herself to him despite his terrible personality and knowing he never saw her the same way. It's portrayed like the concept of hatsukoi in anime where its ✨pure✨and innocent✨It seems very idealistic. Whereas Kyoko's love for Ren is more mature. She sees every aspect of Ren and doesn't sugarcoat it, she sees him as he is (she does him up on a pedestal but partially bc she admires him but also as an extreme measure to protect her heart and hide her feelings imo)
And REN. trauma to the max. He had to deal with the hardships of making a name for himself when his parents are already famous, extreme racism from being biracial, his friend/mentor dying from an accident he unintentionally caused???? Like boy hates himself so much he's literally disassociating 24/7 he needs a fucking therapist. I get how being Ren has helped him in some capacity but he needs a professional asap. Though deep diving into this is so interesting because Ren/Kuon compartmentalized his issues and the parts that he hates about himself so much he created its own persona ("Dark Kuon"), to the point he's rarely ever just himself. And he buried it so deep that as soon as he cracked the lid open, those emotions just spilled out. He can't even allow himself to be happy, and when he does feel truly happy, his automatic response is acting nonchalant,,,,,,,,,,,, he didn't even realize he was doing it at first 😢
Also the symbolism with Ren's watch makes me go a little feral. I don't remember if it's originally his or Rick's but it obviously stopped when the latter died and Ren keeps it as a reminder of what happened and why he went to Japan. It's a weird item since it grounds him but also represents his heavy trauma, and I think having those two things in one kinda showcases Ren's unhealthy coping mechanisms (like grounding himself to something traumatic isn't... great...). But that scene where he realizes he took it off and he has a moment of whether it to keep it on as Cain Heel or not??? *clenches fist* it was so good. (To recap it, he had his watch so he wouldn't lose himself in the role of BJ and then forgot it in the bathroom after an unexpected trauma response) Ren narrates his thoughts as choosing between Rick or Kyoko but interpreting this, he's choosing whether to keep himself stuck in his past trauma or move forward and let himself be happy AKA stick with unhealthy coping mechanisms vs try something healthy and rely on people he trusts. Kyoko essentially becomes someone Ren grounds himself to 🥺 He still needs therapy though lmao. He's so mentally unstable in this arc,,,
As I'm writing this I'm seeing a parallel between Kyoko and Ren and how they both had an experience that completely and utterly broke them, and it was this that pushed them onto their current paths in showbiz. And they likely would never have met each other again if those things never happened (they had to lose themselves to find each other?? 😭). It's so funny to me that Ren is all like ThEiR fAtEs ArE iNtErTwInEd with Kyoko and Sho when you have to consider the fact that him and Kyoko meeting again was like. a chance in a billion. It was fate 😂
KyoRen is such a poetic ship to me. The fact that they're different people when they meet and don't recognize the other. How Ren starts falling in love AS SOON AS HE REALIZES KYOKO IS THE SAME GIRL HE MET (Ren being gray/demiromantic.... more at 5). Kyoko lowkey starting to crush on Ren when she witnesses a bit of his real personality. These two things happening around the same time??????? And Ren being SO afraid of being Kuon, his true self, because of his bad qualities, but Kyoko pulling out the good qualities without him fully realizing it?? (I'm 100% referring to Kuon being a mischievous little shit and I live for how he teases Kyoko) tbh they treat each other differently from other people without even realizing it lol. And Kyoko being surrounded by toxic and possessive men pursuing her, and Ren being anything BUT. Like my man is a gigantic green flag. He recognizes that he can't seriously pursue Kyoko bc she's a minor and he really tries his best to only be a friend and mentor in her life and keeping her trust and never crossing her boundaries despite the stereotypes of men being "unable to control themselves." Y'all take point this should be the standard at minimum☝️
I have to talk about Sho bc this boy is so fucking toxic but he makes such a fascinating character. As much as I hate how Kyoko got heartbroken in the way she did, I think it was necessary so that she could leave Sho's sorry ass and cut him out of her life. Seriously,,,, he took advantage of her and used her as a servant. she literally dropped out of school, moved to a different city, and took on two jobs for the sole purpose of helping his career and then he threw her away like a used rag (JUST THROW THE WHOLE MAN AWAY). And then he has the audacity to fall in love with her smh. Anyway the fascinating part about him to analyze is how he's so possessive of Kyoko. Like she was a mere fly in his life, but she was always his. Until she wasn't. And I think those twisted thoughts kinda morphed into feelings for Kyoko. Ig in a way he still cares about her, but it could never hide how toxic he is. Anyone who's like I don't care how this person thinks of me as long as I take up the biggest space in their heart is egotistical and narcissistic. BUT he and Kyoko bickering like siblings will always be funny. Like epitome of two people who've lived with each other for way too long so they know how the other ticks and also get on each other's nerves 😂😂Sho does makes a good foil for Ren though. Like he's basically everything Ren is not: immature, temperamental, possessive, vain, the list goes on. His only redeeming qualities as a character is providing good drama and humor and being an example of what Ren isn't.
Skip Beat is really a story about healing and learning to love yourself and letting others love you and Nakamura is such a good story teller 🥺
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aihoshiino · 2 months
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do you thing the incest plot in oshi no ko is just for author benefit? something the author inserted for kink/fetish/ect.
I've seen people float this accusation around and I'm honestly baffled by it lol. I understand the kneejerk 'for fuck's sake' reaction to the subject coming up with how it's often used and treated in anime and manga, but to leap to assuming that the ONLY reason an author could have for including it is because they're getting off on it just feels like a bad faith read to me. Like, obviously I don't know what's in Akasaka's head or heart but neither does anyone making this kind of accusation. All we have to judge him on is the art he has created and… I honestly don't at all get the impression that sibling incest is A Thing for him?
Admittedly, I'm not super familiar with Akasaka's work outside of OnK (though looking this up was how i learned that he was a background artist on subahibi and was the original character designer and illustrator for V3 IA??? insane) but from everything I've learned, I've never gotten the impression that sibling incest is a throughline for him and certainly not to the degree that you could call it a kink. I tend to find that when an author has a certain Fixation on a particular subject - sexually or otherwise! - you will see it resurface over and over in their work.
For examples of this relating to incest specifically, you often see incest quite centrally in the works of both Kunihiko Ikuhara and Yoko Taro, not because of any hornybrain reasons (AND IF IT WAS HORNY, TRUST ME, YOU'D KNOW) but because these are unavoidably emergent elements of their shared fascination with exploring complicated and toxic sibling dynamics and how we as humans unthinkingly cause pain to the people who love us most. Compare that to like, Tsukasa Fushimi (the OreImo guy) who very clearly just likes sibling incest as a dynamic, for better or worse.
By contrast, I've never heard anyone say that sibling incest comes up that often outside of OnK. The only example I ever hear is that one joke in that one Kaguya-sama chapter and that's kind of it. So I find it hard to believe this is something Akasaka has such a fixation on, he HAD to put it into his work.
There's also just the fact that… nothing about any of the framing with regards to the OnK twincest is remotely fetishy? On the occasions it's come up since 123, it's mainly framed as a gag. The most overly fanservicey it gets imo - and I'm really stretching here - is that one panel from 124.
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Wow, so kinky. Much fetish. Like, come on, y'all. Mengo Yokoyari draws this manga. If she wanted something to look titillating and sexy, it would look titillating and sexy.
Actually there's a good point lol... why are people always coming at Akasaka with the freak allegations when Mengo is the one who has actually written and drawn mountains of explicit incest porn in her own work? God forbid women do anything.
But either way, no, I don't think the incest in OnK is there for kink reasons. I don't think anything in the series is there for kink reasons, purely because none of the framing of these elements feels remotely fetishistic. I think leaping to accuse an author of inserting a fetish into the story because you don't like that they're talking about a taboo topic is a bit silly. Like, we're not out here accusing Akasaka of having a teen pregnancy fetish, right? .... Right...???
Dear god, don't let that be the discourse next...
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troius · 2 months
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I just want to say a few things before you get to the end. First up, it's been a pleasure to read your thoughts on the series; like any fan, you have your own unique interpretations and it's always good to read how fans see certain scenes. It's also been fantastic to see fellow fans respond to your posts adding on to what you've written, again bringing your thoughts out more and generating discussion.
Also, seeing your thoughts has made me appreciate scenes and characters I never thought I would -- Yamamoto for instance, who would've thought?! They've also reminded me of why I fell in love with the series as much as I did, from the artwork to the themes to the incredible bonds between the characters. You've reminded me that BLEACH has it's flaws that can sometimes take you out of the story, but when it hits, it 100% HITS! It's a manga that's about the bonds we form, how they can help us overcome challenges and be a source of light in our lives. It's about the ways we overcome grief and the fear of death, whether it's literally fighting your way through it or slowly coming to a state of acceptance as time goes on. It's about the 'hearts' of people, about what they look like and how they're shared between those you choose. I could go on and on, but then this would become an essay and we'd be here all day.
All of this is to say, thank you for choosing to create a Tumblr account and deciding to read the series and give your thoughts along the way. I can't believe you've finally reached the end, it almost feels like I'm saying goodbye to the manga again!! I don't think I'm the only one here who sees you as a big and valued part of the community on here, so I hope you'll be sticking around! :)
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Thank you so much Rays! Response under the cut because it went long.
This won't surprise you, but I too have grown in my appreciation for the series over the course of the uh three years that I've run this blog. Bleach has character concepts I've never seen elsewhere. It has moments of storytelling brilliance. It has truly, phenomenally astonishing art.
But more than anything else, I, like you, am impressed by the heart. For a story that's largely about the afterlife, Bleach is shockingly humanistic, locating virtue not in any system of belief, in any group or faction in the various conflicts that provide the setting for the manga, but in people. All people, whether they're our extremely relatable teenage protagonist and his friends, the occasionally sketchy adults in his life, or the various adversaries ranging from evil monsters to supernatural samurai to a regular-ass gang to a foreign apocalypse cult. Bleach never, not once, lets the viewer fall into the comfortable childish space of believing that there's good people and bad people in the world.
There's just people. Sometimes these people want to do bad things, like execute their sisters, or kidnap your girlfriend, or isolate you from your family, or destroy the entire world. Bleach doesn't flinch away from that either. But it (again, very humanistically) locates those bad actions not in the individual human beings, but in our relationships with one another through the systems and structures we've created to organize ourselves.
And yet in the face of the idea that humans do their worst work through other people, that's also where Bleach locates its greatest virtue. Alone, we're nothing. It's the bonds that we have with others that are what make life worth living, that are the source of everything good in this world. And navigating that dynamic, between spiritual bonds and structural shackles...that's really what adult life is all about, isn't it?
Anyhow, my adult life has been greatly enriched by all of you on here. But I'll take the chance to thank you specifically Rays, for being such a source of joy. Your positivity and passion are the sort of thing that makes a humble blogger want to come back for more, and I've deeply enjoyed hearing all of your thoughts, not just on my liveblog, but through your own posts and writing. I'll be sticking around for sure.
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auxiliarydetective · 6 months
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To all the people making One Piece OCs after the Live Action, I love all of you and I have some important info for you!
I'm here as a seasoned manga/anime fan to give you some tips and resources on names and devil fruits that live action only fans probably don't know, so stick around! :)
Edit: I now have an entire blog dedicated to spoiler-free One Piece resources @onepiece-oc-archives so if this post helped you, maybe you'll find more there!
Keep in mind that these are things to make your OC fit into canon, which I think is pretty important, but not a must. Making OCs is about having fun, after all. If my tone seems a little pointed, take it in the light of my hyperfixation and personal opinion. These are all offers and ideas, not requirements.
There are 8-ish paragraphs in this post and I'm just gonna give you a quick outline so you can find everything more easily:
Names (Please read this, this is about a "mistake" I see lots of people making!)
The D. in Luffy's name
Devil Fruit Names
The Uniqueness of Devil Fruits (REALLY important, please read this)
What if my Devil Fruit is taken? (Follow-up to 4.)
Creature-related Devil Fruits
Devil Fruit Fun Facts (little details that could spice up your OC)
Final message/What if my question isn't in this post?
First of all, I've seen some people seemingly confused about the naming schemes of the characters. One Piece names work with the Japanese naming scheme, so the family name comes first! Roronoa Zoro means Zoro is the guy's first name and Roronoa is his last/family name. I think you can see it best with Monkey D. Luffy and SPOILER FOR LATER EPISODES Monkey D. Garp. They have the same family name, that being "Monkey D.". No, there are no exceptions and I'm begging you to keep that in mind for your OCs as well. Not all characters have a first and last name, in fact most of them don’t, by the way, and names can sound like Greek philosophers or Disney sidekicks or whatever else you want a name to be, so feel free to get creative
Sort of halfway adding to that though I've seen nobody doing it: The D. "D" stands for "Don’t give it to a character unless you know what it means". So, before you name your character "Original D. Character", look up the D. You can still do it, it might even be really awesome, just look it up, but only look it up if you're willing to take spoilers. Otherwise, you can always add the D. later.
Second topic of this post: Devil Fruits! I highly recommend you think about the Japanese name of your fruit, simply because it's fun! Eichiiro Oda, the creator of One Piece, loves naming his devil fruits after puns or onomatopoeia (meaning things like "moo moo" in English, but Japanese has a lot more and a lot cooler ones). For example, Buggy's fruit, the Chop Chop Fruit, which is called Bara Bara no Mi in Japanese. Barabara is Japanese onomatopoeia for something coming apart. To avoid spoilers, I'm gonna use my own original fruit as the second example: It’s the Sew Sew Fruit, or Chiku Chiku no Mi, chikuchiku being the sound of a needle piercing through fabric. As you can see, the onomatopoeia or pun usually doesn't carry over to the English name, which is why I suggest the Japanese. Just for funsies. If you want something like that for your fruit, here are some resources I found:
https://www.tofugu.com/japanese/japanese-onomatopoeia/ (<- ordered by theme, makes things easy to find)
https://gist.github.com/UserUnknownFactor/093a2296c5a4d9ef7b404728ebde94a3 (<- ordered by alphabet, things are harder to find but as a LOT more stuff; maybe read the first link first so you know where to look)
Another thing about devil fruits which they kinda touched on in the show but never clearly stated: Every devil fruit power only exists once in the whole world. So much for what the live action said. But what they didn’t say is that the person currently possessing the power has to die for the fruit to reform and another person to eat it. What that means for you is: Your OCs cannot have powers that are already in use by canon characters. Of course, to figure out if your fruit of choice is taken, you'd have to do research and risk spoilers. BUT if you don't wanna do that, just ask me. I'll either be able to tell you straight away or do the research for you problem solved!
What do I do if my devil fruit is taken?
You get creative. The exact same power may not exist twice, but there are variants like ice and snow, fire and lava, kilo and ton... Taking my own fruit as an example again, the power of stitching things together was already taken, so I widened the spectrum of my devil fruit to be generally sewing-themed. Canonically, the only real limit to what devil fruits can exist is a person's imagination, so you have explicit permission to go wild.
And finally, one last thing about devil fruits: You don’t have to limit yourself to typical "powers". There is a whole category of devil fruits that lets the user transform themselves into a living being, usually an animal. This includes mythological creatures! So, once again, go wild! They work a little differently than other devil fruits, but the basics are: You have your fully human form, your hybrid form and your animal form. These types of devil fruits are named a little differently, going after a scheme of Animal Animal Fruit, Model: Subtype/Breed/etc. Yes, there can probably be a Dog Dog Fruit for every type of domestic dog breed. Yes, you can make a cat girl. As an example for what you can do with these types of devil fruits that goes more in the whacky direction, one of my manga OCs has the Kami Kami no Mi, Model: Shikigami. Seriously, go wild. This is the fandom for it.
As sort of an extra fun fact while we're on the topic of devil fruits: Devil Fruits have the potential to alter a person's appearance when they eat it. It doesn't always happen, but it can. For example, there's a devil fruit that freezes your aging as a side effect and one that makes you lose any excess weight when you eat it. This also sometimes happens with the animal types. Maybe that’s something you can use for your OC. Also, clothes usually transform with the user when they use their powers, but not always. So, use whatever version you want for your OC.
And one final message: I love all the new fans coming in and I love seeing what you create! If you ever have any questions or need help fitting something you came up with into the OP universe or something, feel free to send me a message or, if you're too shy to do that, hop into my ask box on anon - or without anon. Or if you just wanna ramble to someone about your OCs or literally anything else, you can also just come to me. I'd love to hear from you!
Also, one more thing, if you think there's something missing here that I should touch on, tell me and I'll add it in a reblog or make a new post. This post is already long enough XD I've been thinking about making this a thing on my blog, not just for One Piece, where I just generally give resources and spare people the often spoiler-riddled or tedious research
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epicspheal · 4 months
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Pokemon Concierge
I have to say after watching Pokemon Concierge last night, it brought actual tears to my eyes. Happy tears it was such a good series probably now my favorite miniseries of Pokemon outranking even Twilight Wings and Hisuian Snow. It was such a wholesome and refreshing take on the series. Don't get me wrong I love the battling aspect but it's nice to see the life of everyday NPCs who aren't partaking in the league/contest circuit/rangers/island challenges. Like it's been hinted since gen 1 most of the world aren't really active trainers (and by that I mean getting the badges/ribbons and actively competing in leagues/contests) but rather just live and work alongside Pokemon. We just don't get to interact with that world of Pokemon since the games always put us in the role of someone aiming to be a champion/complete the Pokedex. So it's nice to see that aspect get focused and the worldbuilding around it because it's a lot. The idea of resorts for people and Pokemon to relax makes a lot of sense when you think of the world. Even though it's in many ways a lot better than the real world it still has it's stressors (as the series of event that led Haru to the Pokemon resort in the first place lay out). I could honestly really relate to Haru's anxiety having a long string of stressors that just lead you to needing some type of change in environment. One thing that really stuck out to me in the last episode was Haru mentioning "adults have a lot of freedom" and it made me think. Granted I've spent only 12 out of my nearly 30 years on this planet as an adult and oftentimes it doesn't feel like I'm very free but you know in the end I do have freedom. Not freedom from bills and taxes but I can more freely pick my path in life and how I want to achieve my goals compared to as a kid.
Not to mention the Pokemon themselves that we see throughout the episodes all having their struggles and it was exceedingly wholesome to see the Magikarp evolve and be able to swim, Psyduck learning to control it's psychic powers to reduce headaches and the Pikachu finding it's voice. It makes sense that living, sapient creatures like Pokemon It's a very realistic and mature portrayal that we don't really get to see all that much in the mainline games (Amphy, Koraidon/Miraidon and Arven's Mabostiff being a few notable exceptions and of course there are instances in the manga and anime as well) because at least for the player (the rideable Koraidon/Miraidon being the exception) it's kind of necessary for the purposes of the gameplay that their Pokemon aren't in need of true psychological or physical support (that being said I would love a side-game that was based on Pokemon Concierge or even a Pokemon Hospital). Pokemon Concierge is the type of extra media we need more of to expand on the world building and I'd love to see A) more episodes of Pokemon Concierge and B) more miniseries that dive into parts of the Pokemon world outside of the league.
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