#I just want to mean them fully

[tomurakii]

I like bloodweave. Okay. But I DON'T like the version of them in fanfic where Astarion is a dick and Gale is like. Whining and pleading for him to be emotionally vulnerable (or just. Nice to him) prior to the relationship being established. Because that is just not accurate. Gale needs the player to express interest in him during his weave-teaching scene before he even considers hitting on them properly. Gale is entirely resigned to his fate and needs someone else to pull him away from it. Gale only starts being sweet and romantic and devoted after you accept his love confession and give him hope for the future. Gale says fuck all and then slinks away to cry privately if you break up with him.

Like he isn't chasing after people lmao. He isn't dropping to his knees and crying about anything much less this dickhead he met a week ago. He is overwhelmingly passive about literally everything personal to him up to and including his own death (provided there are no casualties/there is a good reason) until after the player expresses that they care about him. Astarion is not doing that in any of these fics.

Like Gale is friendly and a dork and doesn't wanna get murdered but he fully has a suicide plan. He thought the artefacts would help him survive but he didn't believe he'd ever truly live again. If Gale confessed and Astarion said/did like one (1) mean thing afterward Gale's romance is closed off forever. He's wandering into the forest to cry. He's killing himself immediately. His fragile ego and self worth can't take it. You have to understand that when we joke about him being pathetic it's not bc he's like. Sopping wet and chasing people down and begging for a scrap of attention. It's because he craves affection but would literally rather die than ask or even hope for it until someone else forces that hope back into his serotonin-deficient tadpole brain.

#i feel like u can tell when a bloodweave fic is written by an astarion stan vs a gale stan lol #because the astarion stans are just using gale as a vessel for like. their sopping wet meow meow #who screams and cries until astarion becomes emotionally vulnerable with them #which gale would not do. realistic bloodweave is astarion tries to fuck him in act 1 and he refuses because of the orb #and then astarion is like “boo what the fuck. change of plans” and gale is like “okay” and they never speak of it again lol #anyway #please god the gale characterisation in this place. half of you make him the soppiest most pathetic loser and the other half make him evil #he's not ACTUALLY a loser. when i joke about it the reason its funny is because its not true #hes just a regular guy with depression lol. hes not out here debasing himself begging for some old twink to care abt him #bg3 #gale dekarios #bloodweave #gale of waterdeep #does this make sense. i havent slept #i just mean that if you want gale to be sappy he needs to have like. prior assurance that his feelings are reciprocated #because if he doesnt have that and astarion is a dick to him he WILL just give up on the relationship #like hes not hunting people down after they deliberately upset him. i see so many fics where they create tension by lime #*like #having astarion openly fuck someone else after establishing a sort-of relationship with gale. for the drama #like hey. gale fully dumps you if you do that in game!! you have no way to convince him not to. he will dump astarion for that permanently

[comradekatara]

I saw your toph+katara gender post and honestly... thank you for being one of few ppl i've seen who actually do a deeper analysis of toph? Most people tend to just go "i love toph she's cool <3" and while that's fine, its so nice to actually see someone Get Her. Esp wrt her gender expression and relationship to femininity. She's always been v imporant to me, like when i was like 12 i used to watch youtube clips of the toph+katara spa day scene on repeat and have Feelings abt it (still think its a super interesting scene??). Imo, while a lot of her expression is def rebelling (+overcompensating) and doing the oposite of her feminine upbringing, a lot of it is also a genuine JOY at being covered in dirt/burping/being loud and crass and tough? Idk i just feel like a lot of her contemporary "tomboy" characters were more defined as "ugh i hate Skirts and Dresses", but tophs brand of gnc joy and complex relationship w femininity always hit closer For Me? Like. She's loud and crass and rude and badass and cool, she does find it fun to dress girly but as like an Activity with a buddy, she's overjoyed at being portrayed as a big buff dude ("that's exactly how i would cast it!"), she's actually very spiritual and perceptive when not in Loud Mode, she keeps her fancy hairstyle but adds messy bangs, idk she's just. Character of all time. I'd love to hear if you have more thoughts on toph+gender (or just toph in general), and thank you for actually Understanding Her <33

YES!!!!! i have so many thoughts and feelings on toph. she is one of my absolute favorite characters i truly love her so much, and like you said, i hate when people dismiss her even as they claim to love her. "she's so badass" like okay, and?

toph is also just very important to me as her disability informs so much of her arc. and that disability is also inextricable from her gender and her family and all the factors that shape who she is, her strengths and her insecurities. you cannot separate her parents' abuse from her gender, class, or blindness. it's the combination of being an aristocratic blind girl that informs who she is and how she's perceived, especially by her family. she's an only child in a family that would clearly desire at least one son, and you cannot help but wonder whether they stopped at one for eugenicist purposes, whether they couldn't bear the "pain" of risking having another disabled child. and also because they clearly consider having a blind child such a handful that any other child would draw their attention away from her dire, pressing needs. so they completely smother her, but they also dismiss her, trivialize her desires and ignore her feelings and treat her more like a fragile porcelain doll than a person.

it's why, by the time of "the chase," she gets inordinately defensive over katara's suggestion that she pitch in when setting up camp. i see a lot of people claim that toph in this episode is acting like a spoiled brat who refuses to do manual labor because she's too wealthy to understand, but that's not actually the case. toph is fine with doing manual labor (she literally spent who knows how long working in an underground wrestling ring, she's not unaccustomed to work), but she's averse to helping others. as she says, "i carry my own weight." she's establishing, erroneously but understandably, that her idea of affording others respect is assuming that everyone behaves on an individual basis. she's never had friends before, by her own admission, and so in her mind, the only model she's ever seen for "helping others" is smothering them, denying their agency, and deciding everything for them.

toph thinks that katara is a bitch because katara is suggesting that toph meddle in other people's affairs, instead of respecting their own business. and katara thinks that toph is a bitch because she does just straight up assume that toph is a spoiled brat who doesn't understand the value of community. and while toph isn't a spoiled brat, learning the value of community is indeed integral to her arc. and more than simply communal values of helping and sharing with others, she also learns to rely on them in turn. she learns how to embrace her vulnerability, and let others carry her weight for her. her apotheosis in the finale is literally hanging onto sokka, who is holding her entire weight with one hand, for dear life. putting her complete faith in him to carry her and protect her as he always does.

that ability to embrace her vulnerability among the people she actually trusts to not only love and support her, but also to recognize her as a human being and care about her as a a peer, is so crucial to her identity as someone who has learned from years of ableist stigma to put walls up and present herself as someone uniquely powerful and invulnerable. and it's not that she isn't uniquely powerful, but her strength is also largely a projection. it's why she's so delighted to be portrayed by a big buff man, because that's the kind of person she wishes she could be, so that she wouldn't have to be underestimated and belittled and oppressed by people who dismiss her and coddle her and disrespect her and, quite literally, put her in a box.

so if toph's experience with disability is informed by her class and her upbringing, then let's now turn to her experience with gender, which is equally informed by her background. katara often balks at toph's less feminine presentation, because despite her incredibly righteous crusade against limiting patriarchal standards, she nonetheless has her own hangups when it comes to gender. but then again, so does toph. just as katara disdains toph's masculinity, toph finds katara's femininity offensive because her only real model for femininity in her experience is that of aristocratic wifehood. poppy beifong, to be exact, who is not exactly a girlboss (let alone a revolutionary, like katara is). and when katara tries to shove toph back into a box, toph resists because of course she does, that's who she is. she's not going take what she experiences as violent repression lying down.

toph is wrong in "the runaway" to exclude katara from their fun, and she is wrong to call compare her to a mother, but it's not out of nowhere. there is an obvious precedent to these actions. katara is a genuinely feminine girl who loves to boss people around and dictate how they should live their lives. to toph, this is the most egregious sin imaginable. katara, through her femininity and authoritative attitude, is positioning herself, in toph's eyes, as her mother. and toph calls her out for being overbearing and claims that katara hates fun and wants to boss everyone around for this reason, even though sokka is obviously the primary fun-hating, overbearing member of the group.

however, sokka never dictates how toph should act or dress, sokka never made fun of toph for being blind (which is a thing that really deserves its own post, if we're being honest). sokka makes them spend their vacation time at the library and enforces his color-coded schedules on them and generally brings down the vibe what with his neuroticism and severity, but he also laughs at toph's jokes and banters with her in a way that treats her as a friend and not as a rival. and unlike katara, whose desires and commands seem completely arbitrary to toph, sokka's commands are grounded in a logic that toph can understand. so even if from an outside perspective, toph's claim that a revolutionary teenage girl who loves to cause trouble and seeks adventure and joy around every corner is trying to be the overbearing mom of the group makes no sense, it makes perfect sense to toph, based on her history with femininity, overbearing mothers, and feminine overbearing mothers.

toph presents masculinely as compensation, as a way to make herself seem strong and tough instead of dainty and submissive as she was always made out to be. she associates masculinity with strength and femininity with weakness because that's the paradigm she grew up in. it's why she's always teasing aang about his supposed femininity and calling him "twinkle toes" (which, as sokka points out, isn't manly). in their first interaction, aang beat her in a fight and humiliated her in front of all her adoring fans, and avatar or not, toph's gonna make him pay for that by undermining him in turn, by using his presentation as a monk to mock him. even if aang isn't gay or even gender non-conforming (within the assumptions of his own culture), toph is still employing the logic of sexism/homophobia to undermine aang when she makes jokes about him being "more in touch with [his] feminine side than most guys." and of course, the nickname "twinkle toes" is also deeply affectionate, and aang (bless his heart) never actually takes offense to it. but toph is trying to establish herself as more powerful than him due to the humiliating knowledge that he could beat her in a fight, easily.

toph's masculinity is inextricably tied to her invulnerability. she wants to be taken seriously and treated as a human being, which is respect that has been denied to her due to her status as a blind girl, save for her blind bandit persona, which superficially empowered her and made her feel strong. it's not coincidence that her rival earthbender is a guy who is essentially a parody of masculinity. toph wants to position herself as equivalent, if not directly superior, to the Most Masculine Man, because that's how she'll be afforded respect, in her mind. but she is a girl. and there's a part of her that likes being a girl, and wishes she could explore her femininity more than she's allowed herself to, beyond the confines of the beifong mansion. she keeps her hair long because she still loves her family and holds out hope that maybe one day they can accept her (she comes from a culture modeled off of tang dynasty china, so her long hair is likely a product of her adherence to confucian values). and once she embraces it, she genuinely does get into being made over at the fancy lady day spa.

femininity has been a genuinely harmful and repressive agent in toph's life, and it's understandable that she would internalize some misogynistic notions surrounding girl/womanhood as they were foisted onto her her entire childhood. but femininity isn't ontologically harmful. femininity isn't ontological, period. i think as toph gets older, and her friendship with katara grows deeper as they both come to be more honest with each other, she would grow to embrace her masculinity in a more organic and less compensatory way. less of a "i'm not like other girls" complex (which itself is not something that girls should be mocked and punished for, but rather a product of a patriarchal system that oppresses and alienates women, thus leading many less gender-conforming girls to attempt to assert their agency and individuality in any way they can, even if it means putting down others in the process), and more so genuinely coming to embrace her butchness. (you don't necessarily have to read her as a baby butch, of course, but considering that being a masculine girl is important to her, i think that's a really lovely and beautiful synthesis of her relationship to gender as a character.)

i think toph would learn stop pitting masculinity and femininity against each other, and instead embrace whatever aspects of either (or neither) she desires, while nonetheless respecting everyone else's deal in turn. i think she would also, in a key turning point, realize that even if she loves her parents, she doesn't have any obligation to be the daughter they expect her to be, and cuts her hair. and as she grows more secure in herself (which comes with age, no twelve year old is truly confident in their own skin), she would stop feeling the need to put other people down to feel big, and be comfortable embracing her desires. and, credit to her, she's clearly already on her way. the progress she makes being vulnerable, especially around sokka, even in what is chronologically a matter of months, is huge.

toph isn't just "badass" because she's strong and powerful. but rather, what makes her so powerful, at least to disabled viewers who see their struggles reflected in hers, is her ability to grow with her environment, allowing herself to admit help, and letting herself be loved. if you couldn't already tell, toph is incredibly important to me.

#smultronviol #asks #toph #analysis #katara&toph #sokka&toph #aang&toph #poppy beifong #god she just means so much to me..... #i was trying not to make this too personal but like. baby disabled dyke. god she is so important. #not that i'm butch. but i think she is :) #also some of those links are better than others but i included all of them anyway lol #realizing now that i actually talk about toph a lot... #anyway. thank you for this ask #i really really appreciate it and took a while responding specifically because i wanted to have time to be thorough #not that this is like. The definitive toph essay #but i hope what i wrote here resonated #because like i said. she means a lot to me and i truly do feel like very few ppl understand her fully #she is so important blind bandit numero uno campeon del mundo

[lucy-ghoul]

can't believe a show based on a videogame (usually games adaptations are notoriously bad, which isn't the case here tho) gave me the beauty and the beast/twisted mirrors/enemies to traveling companions/ruthless antihero+optmistic but still badass heroine who takes none of his shit/age gap but make it sexy dynamic of my dreams. as much as i love maximus and i think he deserves the best writing ever because 1. he's a clever deconstruction of the aspiring Knight bro who's actually a bit of a loser and, as much as lucy, sees the world in black&white at first and then doesn't get what he thought he wanted but what he needs (or at least i hope he'll eventually get it), and 2. he's a cutie and i want an epic love story for him too, it's very funny how they tried to give us a puppy kind of romance and the tumblr girlies still fixated on the "toxic ~she bites his finger off and he cuts hers off and sews it on his hand in what we'll pretend it's a symbolic marriage rings exchange or whatever~ asshole who used to be a nice guy/good girl™ with a lot of spunk and hidden anger but unshakeable morals" kind of relationship.

#mind you idt the writers will ever have the guts to go for this pair or anything and i'm perfectly okay with the maximus/lucy romance #but still. they tried to give us the wholesome love story between two cuties with a killer side #and the fandom went ~mmmh we kinda want for that girl and the noseless radioactive ghoul to fuck nasty actually #shhdhdhf i'm sorry but this was so predictable to me. conosco i miei polli #also. i don't fully understand those who see it as a father/daughter thing? just because it worked on tlos #doesn't mean we need the same kind of dynamic here #1. despite him being an actual father (or at least. he was 200+ years ago) i've never seen a less paternal character than the ghoul lmao #2. lucy is an adult woman. young but in her mid twenties i guess? cooper had (and maybe still has) a daughter but the kid was like. 6 or 7? #lucy doesn't need a daddy she's a grown up. stop infantilizing women all the freaking time #let them be fully equals!! let them be bickering road trip companions/a killer squad/tentative allies who eventually form a real bond #i SWEAR if the writers go full parent/child bs with them in s2 because they're more popular #(at least on ao3. i don't expect the same level of insanity from the general audience) #than the canon ship i'll riot. idt they will but still #..... maybe they should go for a hot max/lucy/coop polycule instead. that would be interesting lmao #vaultghoul #fallout #val rambles in the tags #val speaks #txt

[0-kbelle-0]

Solar : D(updated his look)-

#reversed them pfft- he was too close to my og eclipse design #also the mechanic outfit- trying to think if i wanted it fully on or not. my brain just went “winry” pfft #i like the popular steampunk goggles. but i decided to go with a more 'typical' safety gear. doesnt mean he wont have a pair for welding- #tsams #tsams solar #sams solar #the sun and moon show #sun and moon show

[spacemancharisma]

#I am so 100% sincere about this #and yes I mean the crusty ones too #I’m sorry if all the little dogs you’ve ever met have been completely untrained but this genre of dog is SO SWEET & clever & full of love #and you could love them #if you would open your heart #also not to fully sound like a conspiracy theorist but I do believe a not insignificant number of ppl #dislike this type of dog explictly because they think it’s ‘girly’ or prissy or whatever #and it is in fact just misogyny #but anyway #I want a middle aged little white dog so baddd #I just want a couch potato friend #personal

[greenvillainredemption]

One thing I love about mutant mayhem is that Leo has a crush on an April who’s not conventionally attractive. It almost feels like, because of the turtles’ isolated upbringing* he hasn’t been influenced by the popular western beauty ideals and just thinks this ordinary human is beautiful! And I think that’s really cool! Because she is!

*though they’ve clearly been exposed to celebrities and other pop culture so ?? idk lol

#tmnt #mutant mayhem #I’m usually a very ‘I’m ugly and that’s okay’ type of person #but that’s really only about the definition of ugly that = not fitting into the popular western beauty ideals #but everyone has something about them that’s beautiful to someone yknow #idk I don’t want to be out here calling this April ugly because I don’t think she is #but I know a lot of male fans of older turtles have been saying she’s ugly #and yeah it’s very cool that this teenage boy character has a crush on an ‘ugly’ girl #and I know I have no stake in straight representation lol but it’s just good to see the girl crush have unconventional features #though I will say personally I don’t want them to be together just because any turtle x human relationship gives me the ick which is fully #just a me thing I think like I don’t think it’s morally reprehensible to ship any turtle with an april or karai (03 leo and karai had me #shipping them as a kid before I even knew what shipping was lol) #my words #ALSO whoever voiced dr stockman sounded SO similar to the 03 him. I was cryin #i feel like this movie wasn’t the best I mean I heavily enjoyed it but I hope it builds up to more. the mid credits scene had me screaming #so here’s hoping we get sequels aaaaa #give me karai or give me death #SMOOTH LIKE BUTTER LIKE A CRIMINAL UNDERCOVER

[astranauticus]

stultifera navis rerun AKA thinking about Iberia hours again because a lot of the Iberians have such fascinating relationships with the concept of home but specifically Thorns and Lumen are eating at my brain. like where do you call home when the place that is your home Just Fucking Hates You? Elysium's rewinding breeze specifically makes a point to hammers home how differently Iberia treats its Liberi and its Aegir

(which is especially interesting since this comes right after a conversation where Purestream commented on how despite Leizi being a high ranking government official, there are still some experiences that are universal for all Yanese people - because the experience of what Iberia itself is like isnt universal for all Iberians)

But all that being said, Thorns also straight up states that Aegir is not his home, and yeah, how could it be? How could a place you've never been to, never truly known, ever be your home? How could it ever feel like a home?

so where do you go when the place that you are from hates your people and the place your people are from is completely unfamiliar and alien to you? Thorns' answer at the end of the conversation with Aya is: my home is where i chose it to be. my home is where there are people I care about and people who care about me

in the complete opposite direction, Lumen's oprec asks: why do you still stay in a place that wants you gone? because the people of Gran Faro like Jordi well enough but when push comes to shove, they will want the only Aegir in town gone

and yet, when Rald the messenger offers him a chance to leave Jordi turns him down and when he's forced to escape Gran Faro after the people there literally try to send him to his death (or worse) at the hands of the Inquisitors he keeps trying to go back because like everyone in stultifera navis, Jordi is clinging to his own dreams of a golden age

but the shape of that dream is unique to every character and for Jordi, his dreams are deeply, inseparably bound to the Eye of Iberia, the legacy his parents left behind

and it's this dream of becoming someone great, of bringing about that golden age that his parents devoted their lives to help create that ties Jordi to this nothing town because despite everything, despite the mistrust of the townsfolk and the hostility of the Inquisition and the danger from the ocean, he simply cannot leave it behind

(or, because i personally dislike the official translation,)

"I just see this place as my home"

so yeah. not sure what overall point i was trying to make here i'm just. deeply in love with these stories about chosing what is and isn't your home, of saying you will not call a place your home because it has given you no reason to or saying you consider a place your home even though it has given you every reason not to. deeply unwell about them <3

#arknights #asto speaks #not much of an essay writer i just keep thinking about them and i need to force other people to think about them too #thorns story fucks me up bc like. this whole almost found family adjacent idea of like #maybe home isnt something decided by your birth but something you can chose based on what truly matters to you #it just gets to me. i guess. #jordi gets to me in a completely different direction there's nothing personal about it i just find his story *fascinating* #just a guy. a completely normal guy. an absolute nobody caught up in these dreams of greatness while also fully aware of his own normalcy #but never letting either of those overshadow the other. never losing that self awareness or that fuckin obsessive determination #god. what a Character #i love jordi so much like genuinely #i joke a lot about him being just a Guy but thats also kinda like the best thing about him #the fact that he is the way that he is and does all the things he does despite being just a Guy #gently holds #for context i was so hyped about new iberia lore when sn was announced i read the whole thing as soon as it dropped on cn server #cuz someone uploaded all the story sections to bilibili right after it came out #and '我只是把这里当作自己的故乡啊' fucking hit me SO HARD #in like the greater context of elysium demanding to know why hes risking his life in like 5 different ways to return to gran faro #because yeah jordi just doesnt want to leave his home but like we the audience knows the full *weight* of what that home means to him #and the weight of the dreams that made him chose to see Gran Faro as his home and to refuse to let go of that #thats why i like the original a lot more than the translation i think like it really emphasises that active *choice*. #this is the place jordi has *decided* to see as his home and he knows what that means and what it means to him #side note the part on thorns might not actually age well depending on whether hg decides to ever release more aulus lore #i mean i'll gladly take the L if it means more aulus and/or thorns lore like #i just wanna know what (if anything) is tying him to iberia yknow #ak #iberiaposting

[cuubism]

hello friends. despite my 9 million existing dreamling wips i'm feeling the need to branch out a bit for the sake of my mental variety. what pairing other than dreamling should i write a little something for? could be romantic or platonic

other way of phrasing i guess: any pairings you really want to see more fics for in the fandom?

#i actually do have one someone asked me for ages ago i've been meaning to get to so i'll try to do that too #bonus points if it still involves dream bc you know i love dream XD #probably wont do any romantic pairings /between/ the endless because well yeah #but open to exploring pretty much anything else... feel free to send whatever if you want. dont worry about if i'll like it #if i can't vibe with it or find it uncomfy i just won't write it no harm no foul #not me soliciting little prompts fully knowing that motivation is a fickle beast and who knows if i would get to writing them XD i want #to though! or like. idk. if anyone wants to share headcanons about their favorite pairings i am happy to receive them #the sandman #a couple that are bouncing around my head already: #rose meeting desire. this could be really interesting i think (they are of course her grandparent) #calliope and lucienne post-calliope's imprisonment: i think their dynamic could be interesting since they both have/had close relationships #with dream. but of course calliope's relationship with him fell apart. i think lucienne with whatever context of it she had would probably #be sympathetic to calliope's perspective but still staunchly On Dream's Side so the speak bc she is ultimately very loyal to him... could b #an interesting convo. #additionally - calliope and johanna. both suffered things recently. both had curious interactions with dream where they recently saw both #his vicious side AND a kinder more understanding side of him... [dream gave rachel a peaceful death at johanna's request etc] #but they've come out of their suffering really differently (granted it was different types of suffering. but) #wow here i am asking for people's ideas and then just coming up with my own XD #anyway #wait two others: i'm fascinated by the potential dynamic of lucienne and the corinthian they only had like one short scene together in the #show but can you imagine. spending eons being loyal to dream and then going opposite directions with that loyalty. being among dream's inne #circle so to speak except lucienne is her own entity while corinthian was /created/ by dream. they have the most fascinating venn diagram o #personality traits and narrative positions... #secondly. and this is kind of crack. but like. imagine johanna and corinthian in the same room XD 'hi i'm an exorcist and this is my pet #serial killer' 'yeah my lord gave me a vacation to go kill some demons' why doesn't he try to kill johanna? bc she tried to destroy him #first time they met and he can't help but respect it XD

[spidergvven]

thinking about colin saying he doesnt want to be a spokesperson in contrast with sam embracing the opportunity to be a spokesperson, how even though being closeted in an extremely heterosexual and homophobic environment is a painful experience colin can blend in but thats never been an option for sam or any other black athlete. sam is obviously the type of person to speak up about injustice whether he's obligated to or not but in many ways he doesnt really have a choice, not in the way colin does as a white guy.

even within the queer community a cis masc white guy like colin is not going to experience the kind of bigotry a gender non conforming or trans queer person would. and thats not to say that being closeted is a privilege (it is so very very not) or that the homophobia people like colin face isnt awful and painful but it's just. different. and we see this all the time in real life, there are so many white queer celebrities who feel the same way as colin about being a "spokesperson" but really no one wants to be a spokesperson, no one wants to have to fight just for their right to exist but we're not exactly given a choice.

#ted lasso #colin hughes #sam obisanya #and thats not even getting into how both of them have wealth and celebrity that affects how they approach these issues #anyways i want sam to ego check colin like dude its not about us #its about everyone like us who isnt a rich famous athlete and doesnt have the option to just opt out of injustice #also just now realizing how jack represents the worst case scenario for the path colin has been on #someone who is fully leaning into the power that wealth and whiteness grants people and choosing to conform to the status quo #because challenging it could mean loosing that power #even tho she herself is queer and so wont ever really fit in

[spacedlexi]

people dont talk enough about how heartbreaking the marlon betrayal mustve been for clem too,,

this dude saves the life of her and her kid. takes them in has them patched up gives them their first hot meal in who knows how long. gives them a safe place to stay. possibly permanently. confides in her that hes trying to be a good leader but feels like and fears that hes failing. asks her to help him take care of the rest of the group. helps her get over her fear of dogs by asking her to trust him. and things go well. she feels safe. like this place could really finally be the home shes been looking for

but as soon as she finds out what happened to the twins. that marlon planned on giving up her and aj too. she immediately becomes a liability to him and he attempts to kill her for it. locks her in the basement to die by walker. then tries to turn the group against her so he can shoot her instead when the first method fails. and he nearly succeeds

then a majority of the group turn against clem the minute aj kills marlon. ignoring marlons mistakes but condemning aj for his. like clem wasnt betrayed by marlon in the exact same way he betrayed the twins. like she literally wasnt almost killed twice? and how long had he been considering giving her up? was it always some contingency he planned? did he truly want to keep them around and things only changed when he feared the raiders had returned? she'll never know

#i think about this a lot... the betrayal... clems deep trust issues... then they all want to kick her out (except vi aasim and tenn 💕) #when she was just as impacted if not more so than the rest of them. since she was the only one with her Life on the line #thats why violet fighting so hard for them to stay is so important imo and would MEAN SO MUCH to clem too #vi and aasim are the only ones who can see past the bullshit and realize that theyre safer with clem around #while the rest would rather kick her out so they dont have to acknowledge their confused feelings about marlon #like first marlon betrays her then the rest of the group tell her to get fucked and die. dont come back. we never want to see you again #but she does. and she saves them #personally i do think marlon had 'good' intentions but he was a scared and fucked up kid who made bad decisions #and continued to make bad decisions to cover for his previous fuck ups #but that just makes him interesting :) #and i like teaching aj the difference between people like marlon and people like lilly #all of clems 'wow i feel so safe here :) and these guys seem smart :)' personal dialogue around ericsons makes me 😭 #she was so happy to be at ericsons. and they turn against her so fast when she was more of a victim than any of them #aj is a literal baby. do not treat him like an adult who can make fully rationalized decisions. hes a baby and he only knows survival #at least they slowly get over it after clem comes back (some take longer than others...) #but the lack of compassion in voting to kick them out is heartbreaking. she was heartbroken #and thats not acknowledged as much as it should be #posting this old drafted post now cuz it expands my feelings on clems broken heartedness about the marlon situation #it speaks #twdg

[aquietanarchy]

it's just it's just

pious devoted knight slowly becoming disillusioned with the church because the local abbot is literally manufacturing demons in order to side with the bourgeoisie against the revolution but he's trying his best to cling to his ideals and his christian faith regardless and also there's the inevitable tension of being queer in a predominately homophobic religion

x

indigenous vampire who literally eats the rich and may or may not be the avatar of or at least connected in some way with quetzalcoatl a specifically non-christian god

is literally THE ship dynamic of all time. i cannot stop thinking about them. god. and that last devastating scene between them. they're both so flawed. olrox sweetie you cannot control your lover's actions you need to stop being so manipulative and selfish. mizrak you cannot call an aztec man "an animal who lost his soul long ago" what the fuck that's not okay. it doesn't matter that he's a vampire and therefore "soulless" according to your worldview because according to your worldview you're not supposed to fuck let alone fuck "soulless" creatures of the night let alone fuck "soulless" creatures of the night who happen to be other men. get the plank out of your own eye buddy. i love them both so much

#castlevania #castlevania nocturne #castlevania netflix #mizrak #olrox #mizrak x olrox #mizrox #okay filing tags aside here's some more half baked thoughts!! #i am DYING for them to explore olrox's feathered serpent form and all the quetzalcoatl imagery further in season 2 #like HELLO? you cant just casually drop that #i was fully expecting it to be another varney situation where he's more than your typical vampire #but it seems olrox is actually afraid of erszebet once she goes full sekhmet-mode?? im not entirely buying it. i want him to kill her #um also. if erzsebet drank sekhmet's blood to gain her divinity. #and ive heard speculation that maybe olrox did the same with quetzalcoatl. #so are we establishing that drinking god's blood makes you god in this universe? and what does this mean for christians #wrt to the whole Eucharist thing #i am so not normal about this cartoon. sorry #yarrow speaks into the void

[a-pigeons-soliloquy]

at the request/encouragement/threats of @willgrahamscock lol (I’m joking ofc thank you for giving me courage to post :)), here’s my art of hannibal and will!

plus here’s the original will sketch below the cut because he is cute and I want to share him!:

just look at him!!! I want only the best for him

#nbc hannibal #will graham #hannibal lecter #hannibal fanart #my art #look at them sparkling!! #they are smitten #I got inspired and ended up doing more work on the original sketches I did to try to expel the hannibal feelings from my body #and this is the final result!!! #I’m pretty happy with them :D but like also #honestly no matter how hard I tried I could not get the final will to not look like that guy from grey’s anatomy #I feel like his name is derek. probably. #do you see what I mean?? #also please excuse the awful cropping and image quality of will #I tried I promise I tried! #but he did not want to cooperate #you can blame him #I just. cannot draw him. it is the bane of my life I have been trying for nearly a year now #he’s too pretty I simply cannot fully capture his beauty #I don’t get how people do it???? teach me your ways oh amazing artists I am but you humble student grovelling at your feet for scraps #but my sketch will is babygirl and I adore him <3 #printing him out and sticking him on my wall #sorry I know I tag like I’m writing the opening story for an online recipe #I will be quiet now

[volivolition]

suggestion do you have... any wants? like obviously you do but like? suggestion my guy my ourple boy. both the easiest and hardest to write. you need a skill to say something to move conversation along but it doesn't fit any skill in particular? about 80% of the time you can have suggestion say it and it will make sense. but like actually characterizing him... how do i define you dude... what makes your character tick... urgh. i dont get you yet. im trying to understand but you are difficult.

#chemi chats #there are some skills that i just dont understand yet and that just means i have to work on their character study chapter #im reading his bio and i think suggestion is a good manipulator and it's instinctive and he tries not to feel bad about it? #he's clever!! charming!! friends with savvy and drama. planting seeds in the mind and coaxing them to grow towards him like he's the sun. #a crude oil reservoir lying beneath a carefully laid flower bed. taps into the roots. the plants don't know any better than to drink. #he's great at sensing what makes people tick and uses that to his advantage. he needs goals to look forward to so he knows how to best #pull the strings to get them there. otherwise he's a bit aimless. he likes being useful. and since influencing others is helpful #he just keeps doing it? because it's what he's good at. and he tries to convince himself its fun and cool and just cuz hes charming and #it's his role as a skill and manipulation isnt thaaaat bad because it's helpful to them after all... but he does feel bad sometimes. #oh im listening to his voice lines and i just got to ''brother you should have put me in front of a firing squad'' and im sad about him now #but what do you want for short term little guy?? probably for people to like him. he likes chatting with people. i bet he'd like genuine #conversations with no strings attached but there's always some part of him filing information and tidbits away that he can't turn off #subconsciously figuring out things he can hold over them or how he can nudge them into thinking someth-/wait.../ no. no he's just talking. #he's /supposed/ to just be talking stop analyzing them stop falling back into that just have a normal conversation!! but he can't help it.. #hm. this is all really helpful for his chapter. he and empathy are very alike but also different. very interesting... #task: swept up #okay good talk everyone i think i understand him a little better now lmao?? still gotta figure him out some more hes not fully there but ye #also i think he goes by whatever pronoun you think he'd use. just ''oh what do /you/ think i am hm?? what /would/ i use; do you think?? :)' #funny fella. i love you.

[astro-b-o-y-d]

How pissed do you think Shermie was when he found out about what really happened with Stan and Ford???

#Hayley Speaks #It might not hit as hard if you headcanon him as the baby in the flashback #But if you don't and you headcanon him as older than them it's like #Okay so he comes home to find out one of his younger brothers got kicked out #And the other moved all the way to the other side of the country #And then the news about Stan being dead comes up #So I fully imagine that while Stan never outright told him about what happened; he knows damn well that he's not Ford #Even after all the time they spent apart; that is so CLEARLY Stanley Pines who is suddenly going by Stanford #Maybe Stan hides his hands around Shermie to continue the con but Shermie knows #Which means something probably happened to Ford and Stan doesn't want anyone to know #So he keeps the secret and doesn't let on that he knows #He could always confront Stan about it but also like #The last time he really saw Stan was long before he got kicked out of the house #He does NOT want to scare off what is potentially the only brother he has left #He's always felt like the third wheel when it came to them; both because of the twin thing and the 'being the oldest' thing #Combined with the whole 'Pines men don't talk about their feelings' thing; he thinks it's best to just let Stan keep pretending to be Ford #And silently mourn the loss of the brother that the rest of the family doesn't realize is even gone #But THEN the grandkids are like 'Yeah Grunkle Stan's twin brother is back now!' and he's PISSED OFF #He kept Stan's secret for THIRTY YEARS and the bastard didn't even have the gall to let him know that Ford was back face to face #Neither of the bastards had the gall to do it?! #They just took off on a fishing boat together in search of adventure?? #He's so mad at them but also...that is so painfully in character for them. At least from the memories he has of them as young kids. #But also.......he's their brother #They couldn't have told him ANYTHING???

[is-this-tf]

Most underrated type of tf, GO!!

Oh my GOD- okay first off to be clear: everyone has one of these. Everyone has an opinion on what kind of TF is underrated, what kind they want to see more of and what they think deserves more love, and they're all right. TF is a wide as hell interest, and like god damn we're insatiable, but that's alright because it really IS good. (so long as it isn't hurting people but that's a given.)

That said.

Fucking. OC TF. I want to TF into your OCs. I WANT TO TF INTO SO MANY OF YOUR OCS SO BAD THEY'RE SO COOL OR HOT OR CUTE OR GENDER OR WELL CRAFTED OR ALL OF THE ABOVE AND EVERYTHING, and holy GOD I wish people made more TF content for their extremely extremely TFable OCs. Fursonas or sonas in general, dnd characters, original content characters, in-universe self inserts or other OCs made for canon material, the list goes on and on and on and ON. OC TF IS SO, SO UNDERRATED.

(I suffer from what I like to call 'chronic fast TF mood metabolism' and it's terminal. It's forever. I'm in this for the long haul. I see a hot character or a fat OC or a fuzzy AU of a character or a goddamn cool half-finished sketch of a design for something (usually ANYTHING) and I pick that TF mood up so fucking fast. I'm so FUCKED, you have to understand. Please, please make TF content of your extremely TFable OCs I am STARVING.)

OC TF is the Best TF, and you can quote me on this because I am RIGHT!

#this is tf #intentional tf #asks #THANK YOU for the question and the opportunity to absolutely go off about an issue i have been drooling over for YEARS. #OC TF is the Best TF and you can quote me on this because I am Right #(making that a tag to keep for the future jic) #I will admit. there are a few exceptions to this that I do not really want to disclose publicly #and i will not respond to asks or questions related to them if asked #(if you know you know and if you guess you guess) #but i digress- i am still just looking at SO many OCs SO respectfully and like. mmmmm i want to TF so bad but how do i say to the ownerrrrr #more often than not the answer is 'don't ask actually you know how TF is' #but like god. god damn are so many OCs i see and keep seeing so. SO GOOD #oh by the way just as a side note i do keep saying hot even though i'm ace and don't like. Fully mean 'hot' in the traditional sense. #just as a force of habit really #whenever i say hot it's honestly like a synonym for 'TFable' or 'I want to TF into them so bad' really #like you get it right? it's like that that's what i mean when i say that

[mysteriouslybluepirate]

Can't send asks from my sideblog, but this is @chewing-the-drywall

I feel like much of s2 fell into Frenchie's "we put it in the box and then lock it and don't open it again" in the sense that it set up A LOT that I was intrigued about how they would address it, but it either never was mentioned again or was handled poorly.

Examples range from light, like how I wish we saw more of the crew interacting with each other in ways that built on their characters from S1, where in S2 they didn't feel any more developed, or even regressed. (Example, Fang used the word Fingies 2-3 times through S2, and it felt like they were using it almost as a shorthand for his character, rather than making him feel more real and multidimensional as a character.)

100% @chewing-the-drywall. When I first heard that line I had I was so excited for the story to prove Frenchie wrong. Or show how important it can be to put aside problems to stay alive in the moment. But in the end, this one line summarized how the season handled everyone, besides Stede and Ed. Below, is an in depth discussion on where this season decided to spend it's limited amount of time. Instead of focusing on the characters and plotlines they'd already established.

This season had so MANY ideas it wanted to touch on.

Izzy trying to deal with his unrequited love and opening up to a new way of living. The traumatized 'Revenge' crew trying to adapt to a softer way of life again. The abandoned crew learning how to help their traumatized friends. Introducing new characters like Zheng, Auntie, and Archie into our main group. Setting up a conflict to resolve in season three. Along the way, referencing Pirates of history like Ned Low, Mary Reed, and Anne Bonny.

Notice, I've said all this and we're not even at our romantic leads.

Which is fine. Stories are fluid things. As long as the story knows how to flow from our leads to our side characters. Which leads us to how I feel this show took a lot of time away from establishing our central crew-

[Warning- this will be a controversial opinion- I want to know what y'all think about this] Zheng/Oluwande. This seasons habit of retreading old plotlines and referencing scenes from S1.

What S1 did so well was paralleling the side stories with what was going on with Ed/Stede. Usually, highlighting how well Stede/Ed worked by showing how much Ed/Izzy DIDN'T work. Or general hijinks that tied into the plot (Oluwande and Frenchie on the French ship).

Season 2 chose to parallel our main story with what was going on between Zheng/Oluwande as a budding romance and Izzy's slow recovery. The reason Zheng/Oluwande scenes felt like a waste for me in that the story was JUST a retelling the story we watched from S1.

A frustrated first mate(Auntie), and a legendary captain(Zheng) fighting over the captain falling in love with an idiot(Olu). In season 2, much like every callback for me, it felt like it slowed down the plot by pulling us out of the story. Like...yeah, you did the thing again, do you want me to applaud you for it?

I LIKE Zheng and Oluwande as a couple! I like that Oluwande was debating leaving Stede and taking Jim and Archie with him. But at the same time, I didn't care about Zheng until episode 7 when she beat up Stede, showing that yes. She's not just some all powerful woman taken down by a mix of love(the crew in ep3) and thinking that she was above it all (ep 7). She's fast on her feet, smart, and willing to stab someone who gets in her way. She's her own person. But.

Every other scene that established her was about her romance, felt like we could have put Rhys and Taika in there. It didn't feel...unique. It's as if the show only knows 1 way to write a romance between a badass and a bumbling idiot. Again. Oluwande in season 1 wasn't dumb in the same way everyone else was. He was protective of Jim, a bit nervous overall, but he was the person the crew chose to lead them. The season just dumbed everyone down a bit and called it a day.

This comes to the larger issue. When we only have eight episodes I don't want to rewatch the exact same plot beats with different characters. Time spent here ends up taking away from other stories we could have told about trauma and growing as a family and other forms of growing as a family. We didn't need another romance plot line. Imagine taking this time instead to show Lucius reaching out to Pete AND the crew for help. Or Frenchie finally feeling safe enough to play his lute. Or Roach helping Fang get over his thing with cakes-you get my point.

The fact we took all the found family stuff from season one, and pushed it onto only Izzy in S2 means when he dies, all the found family shit falls away. His death makes us realize we've been ignoring the central family we were supposed to care about. Because in so many words, their trauma was ignored.

[I even theorize if Izzy was alive and sailed away with them. Showing how he was taken in and loved by his crew, the ending wouldn't feel so hollow. This crew doesn't feel like a caring family. The person who protected them for months died, wasn't mourned, and then they threw a wedding the same day. Not even a full day to mourn. The 'New Revenge' feels like a heartless crew of characters we barely recognize because they aren't a family like they were at the end of S1. More like coworkers who sometimes fall in love with eachother.]

Trauma, Timelines, and Tonal issues when jumping from Episodes 1-3 to Episodes 4-5.

When the crews meet up, the story chooses to focus on the fun plot. Ed and Stede recovering their relationship, only dipping back into that serious tone when Izzy or Lucius come on screen to 'make things sad' again. I don't think the transition from 'serious' to 'comedy' was handled well.

I don't have an official timeline of the events of season two. But from what I remember, everything happens within 2 weeks.

In episode 4, Stede ignored the vote of his crew- to let the man who was torturing half his 'FAMILY' for at least 80 days- back aboard. This rubbed me the wrong way, as it showed Stede being a selfish prick in a way that could seriously harm his crew. That's when I started to see how not adding a *single* time-skip mid-season would hurt S2.

Imagine if we had a one-week off-screen time skip between episodes 4 and 5.

Maybe it's implied that they stay in that town for a bit. Izzy would a bit more time to learn to move on his new leg and start to open up to those he already trusts. Include a scene of Izzy WITH the crew, maybe laughing about something with the old traumatized crew, even if it's just a 30-second opener. Imply that the traumatized crew would have more time to settle in with the family they miss. Show that yeah, the traumatized crew needs more time to heal. Imply at the start of the 'Ed apology' that Ed and Stede have had more time to talk their issues out.

THEN have Ed apologize. You can even keep the bullshit corporate to show that Ed still has to work for this.

Healing takes time. Setting a series over the span of two weeks after half your cast was tortured by your lead love interest? After five of your main crew thought they would sail off into a storm and die after months of stress and life threatening battles? Why did that shit get shoved to the side so quickly?

Framing episode 5 as the START of Ed making amends with the crew, only to drop the plot by episode 7? Not a smart move. Because let's be honest, 'poison into positivity' in episode 6, referring to the fact that they sold all of Ed's loot to pay for the party, ignores the sacrifices the crew made to live that long. (The death of Ivan, and intense trauma they all need to work through). In a way, Ed throwing this party was him asking the crew to start putting everything away in that imaginary box.

It's Ed retroactively letting himself say 'hey, that time I spent torturing my captives was worth it because we got something good out of it' while still ignoring his own guilt. Ed needed to take accountability for his actions. No more 'I took 'a' mans leg' bullshit. The reason his arc feels so unsatisfying is that the plot easily forgives him. Fuck. I hate what they did for Ed's arc, but that's not the point.

Overall.

My issue with this season is not that it chose to do these topics, it's that it didn't think about the implications of what they were bringing up. It didn't dare to think 'maybe it's fucked if we quickly brush off a trauma like this'. Again. I know we have to blame MAX for cutting off two episodes. But I don't think 2 additional episodes would fix a tone problem seen going from episodes 3-4.

Fucking hell. Each member of the revenge had the potential for their own arc, so it's baffling to see them all reduced to 'well meaning idiot' when they all felt so fleshed out in S1.

When izzy gives his speech about belonging, there's a reason the only image in the show of the crew all together was from S1.

At the end of the day, Season 2 didn't let our surviving side characters grow. This is a mean spirited bit on how I feel the writers see the their own characters.

Stede and Ed are our leads. They won't die, not in this genera. Their shitty actions will be forgiven because it's a comedy, and as long as it's joked about, it holds no weight. They won't die. They won't get fatally hurt. Their trauma will be taken seriously, but it's a 50/50 on if they'll talk about it before breaking up again. They will eventually get a happy ending, their trauma looked at head on, because duh.

Jim, Olu, Lucius, Pete? Characters who used to have defined personalities in S1, but haven't been defined much beyond their relationships with their partners? Whose trauma might be mentioned, but will quickly be 'resolved' in one scene? Shame. Seems like they're only useful as set dressing, But we might make you useful as interchangeable side characters to riff against. Oh, and you're in love! Isn't that cool!

Izzy? I'll just quote Jenkins here. "To have him become a father figure to Blackbeard, and on some level to the rest of the crew, and to see him become the heart of why we’re giving pirates the chance to stand for being able to live how you choose. In reality, they’re thieves and criminals, but what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy." So...Is Izzy a pirate and accepted into the Revenge family? Or is he still an outsider? Jenkins gave us a romcom but still defines Izzy's character as that of one stuck in a drama/tragedy. Point and laugh, because tonally these two things clash HARD and will make an audience lose trust in it's writers unless well established. Leading us to the entire issue we've pointed out of not letting your characters actions hold in dramatic weight in your story.

Frenchie, Wee John, Roach, and Fang- Ah. No love interests again...shit. Well. Background actors it is... for now. We'll see. But we need 2 more scenes of the couple breaking up, so MAYBE you'll get some backstory hinted at in dialogue. You all have 1 thing your good at, so that's easy enough to put you where you belong.

Buttons and Swede? Well. They're still alive!! Don't be sad, fans :) The actors just couldn't show up anymore. We don't want our silly happy queer pirate rom com to not end on a happy ending! (Closes the lid of the trash can where they're keep Con O'Neill a bit tighter, thanking God Con was silenced by a strike this entire season from social media)

Do you agree, or disagree? Leave any lingering thoughts down below!

I'd love to chat down below.

#I am absolutely screwing myself over spelling-wise by adding a poll but fuck it. That's what we do #Overall: Just because you can fit something into your story doesn't mean it needs to be shown on screen. #I wanted to add a section of all the scenes I'd cut/tighten to make my added scenes work but I don't think we're there yet as a fandom #I theorize that the reason they couldn't change the script and had to hack it up was due to them already having 10 episodes fully written #also I SWEAR I LIKE ZHENG- but the part of me that sees her as a hollow Ed 'narrative mirror' finds her a bit boring until episode 7 #I LOVED her ship and how she hated Stede. But that's just because I generally don't enjoy Stede when he's unquestioned #Stede on her ship was a pacified lamb slowly getting fattened for the slaughter. She would have turned on him SO EASILY. She almost did too #I semi-tolerated Ed/Stede's love story of not communicating and puppy love. Seeing it again but sped up didn't make me like it more #ofmd s2 #ofmd season 2 #ofmd s2 spoilers #ofmd critical #? #yeah I'll tag that just to be safe #izzy hands #edward teach #ofmd s2 finale #ofmd season 2 spoilers #ofmd s2 meta #ofmd s2 analysis #trauma