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#I really like the tone it sets

becca-e-barnes · 1 year

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Ok but what about submissive!dbf!bucky with a praise kink? Maybe one found accidentally? In the drabble where the reader wanted to say he was beautiful, what if she does and he just moans?? What if the word the reader is looking for is pretty? Imagine calling an older man pretty and he nearly finishes just from that?

Back to my current favourite, submissive!dbf!bucky bc I can't get enough of him rn, I have so much I want to talk about

Because ohhhh, I love the thought of him being so totally obsessed with going down on you, to the point that he'd almost do anything just for a taste of you.

And maybe he'd seen you in a pretty little dress at a get-together at your house. Maybe a birthday party or something. You had both been keeping up appearances, pretending nothing is going on between you because he's your father's best friend but he'd taken the risk and approached you, leaning over and whispering in your ear. "Next time I get you alone, I'm going to lick from your ankle to your cunt." That's all he says, his hand rests on your lower back and you barely feel the heat of it through your dress before it's gone again. God, you hope that's a promise.

Of course it is. As soon as he gets a chance to sneak away from everyone else the two of you are tiptoeing up the stairs to your bedroom. After a fierce few minutes of intensely making out, he's laid you gently onto the bed, pushing the skirt of your dress out of the way. He doesn't waste a second, his lips on the inside of your ankle, humming contently as he kisses his way up the expanse of bare skin.

For a man who's kissed every inch of your body, he never seems to get tired of it. His slight scruff scratches your skin and it's lovely to be reminded of how intensely he's worshipping your body.

"You look. So. Fucking. Breathtaking." The words are muffled against your skin, his lips trailing hungry kisses up to your knee. One of his hands holds your leg, keeping you still while the other slips higher under your skirt.

You brace yourself for the groan you know he's going to grace you with and when it comes, it doesn't disappoint. The fingertips of his index and pointer finger trail lazily across your bare sex, gliding easily thanks to the evidence of your arousal.

"No panties?" His fingers keep teasing you, trailing from your fluttering entrance to your clit and back again, giving himself time to decide where he wants to start.

"I took them off after you told me your plan and so far you've let me down." If this were any other night, he'd probably tell you to watch your mouth before he fills it but tonight is not that night. Tonight he's desperate to taste you; to walk back down those stairs, look you in the eyes for the rest of the evening, knowing he made you cum against his mouth and no one else in the room can tell. Then jerk off to the memory tonight when he's back in his own bed.

He wastes no more time after that, flattening his tongue against your ankle and purposefully trailing it up your leg to your knee, then on up your thigh. At the same time, he eases his two fingers inside you, curling them against the soft, velvety wall of your cunt.

You hold the skirt of your dress out of the way so you can see him latch his mouth onto your clit, sucking gently and flicking his tongue while he curls his fingers inside you.

This is fucking magical. You know his mouth is flooded with the taste of you, your fingers tangled in his hair to keep his mouth pressed against you. "Fuck, that's perfect." It's the only way to describe the sensation of his mouth and fingers working you in tandem.

He's lost in it. His eyes are closed in concentration, determined to give you what you need. He needs to please you and it's not a need you've instilled in him. It's one he's always had.

"You're so pretty, do you know that?" It's bouncing around in your head and you feel like you need to say it.

He groans against your sex and you don't think anything of it until he mumbles "Please don't call me that. Not right now." His fingers work you faster but your hazy, pleasure addled brain still manages to ask him why.

" 'Cause sweetheart, I don't want to cum in these trousers. I don't have a change of clothes. Didn't even know I was into that." He sounds smaller, almost pleading with you, palming his cock through his dark jeans.

"But you're gorgeous, Buck. You have no idea how pretty you are with your head between my legs." The moan he emits is so rewarding you swear you could get off on that alone, never mind his renewed need to make you finish quickly before you get him to a point of desperation.

#asks answered <3 #anon #becca writes spice #dbf!bucky #dad's best friend!bucky #sub!dbf!bucky #sub!bucky #this brings 'touch tank' by Quinnie to mind #I wrote a piece for work this week and I'm stupidly excited for it to be printed #it was just like 400 words for a brochure #but it's the very top of the first page on that brochure #so it's the first thing people will read #I really like the tone it sets #I have the coolest outfit for the event I'm presenting at this week #I've got a black jumpsuit that's off one shoulder #AND IT'S GOT A LITTLE CAPE ATTACHED #it's so pretty #just a shame my hairdresser can't take me until next week 😭#and on the house search I've found another one I like so I've got my good vibes back

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sweetsmalldog · 9 months

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I want to be real clear about the fact that I think all or at least most of the pirates are gonna fall or die. Aimsey and Quqqie were the audiences’ sacrificial lambs to show that anyone no matter how likable or interesting can and will meet a brutal end due to forces beyond anyone’s control. No character is safe. It doesn’t matter how interesting their story if they make the wrong choices they will fall just like Aimsey and Quqqie. It also acts as tension building for the audience, we know the corruption is not something to be taken lightly, we know that Olive’s slime is probably going to cause Olive and maybe more people to fall. We know how that those robed figures be they cultists or not are dangerous liars and not to be trusted. We have a much better idea about how twisted their world can be, beyond what any of them know. And we know none of them are safe.

#pirates smp #scurvyblr #think Outsiders most of the characters probably aren’t surviving to the end #I really liked Aimsey and Quqqie’s characters and I understand why people might not have been happy with their ends #but I think it’s important to remember that it’s day one and that over time Aimsey and Quqqie’s death will be further explained #and given even more weight as people find out what happened #I also think it set the tone and expectations very well I trust that POW and the creators knows what they’re doing

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gammija · 25 days

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i REALLY enjoyed dungeon meshi, it has lovely characters and story and worldbuilding - but some of the posts and tweets i saw about it going in, lead me to believe that it had more horror/tragedy elements than it does. While it does have its more serious themes and dark moments, it fits solidly into the fantasy-adventure genre.

just thought I'd put that out there, in case some of yall following me for tma have gotten curious about it

#joos yaps #dungeon meshi #recommended? yes. specifically for fans of darker themes? nah not really #theres some body horror/gore moments but the tone is quite light throughout #also i am sad that we didnt get to know all that much about Falin. and that all the party leaders are men #some posts made kabru/laios out to be like. a ship based on a guy who appeared in only 2 chapters #instead of the guy functionally leading the entire b-plot #which is all annoying because dungeon meshi is rlly good and gloriously succeeds at the story its trying to tell #and didnt set up those expectations within the text- its me interpreting those posts that set up those expectations

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red-moon-at-night · 11 months

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An Analysis of Haruka’s MVs: Distance and Disability

Hello! I’ve recently fallen down the rabbit hole that is Milgram and I have been itching to make some completely normal and sane analysis posts. My silly alternate title for this was gonna be “Things About Haruka’s MVs That Just Make Sense: A Hyperfixation-fuelled Analysis”, because honestly my autistic brain has been having a field day over here.

I am in awe with just about every single music video in this project; the animation is incredible and each one packs so much carefully laid out information. But I have been rotating Haruka’s in my head constantly since I first watched them, and I have a lot of Thoughts. Not about whether he’s guilty or innocent/forgiven or unforgiven. Not about whether or not I can justify his murders. Just some straight up imagery and symbolism analysis, through the lens of disability.

Haruka’s disability has not been specified, but I am confident we can at least say he is neurodivergent. I feel like the cultural differences in names for several things e.g. ‘learning disability’ vs ‘learning difficulty’ will just invite unnecessary drama, and is a little pedantic. What does matter here is that Haruka's experience as a disabled person is heavily intertwined within his story and his motives.

So, without further ado... let’s get into this!

Trigger warnings/TW: I will be discussing ableism, eugenics and harm towards disabled people. Everything else will be related to the music videos ‘Weakness’ and ‘All Knowing and All Agony’, so any triggering content within them may also be mentioned. Read at your own discretion and stay safe!

Disability: some brief (important) historical context

It is only within the last few decades that those who are disabled have been ‘seen’ for the first time. A modern society is (ideally) expected to be built to include and accommodate for disability, and to acknowledge disabled people’s existence. But for many countries (even the ones making steps outlined above) this is still not the case. For a very, very long time, globally, that has not been the case.

For most disabled people, society makes it very clear that they are a burden to it and are better off not existing.

I’m going to make this section as succinct as possible because...it’s heavy stuff. But it’s important, and I want you all to get the gist of what I’m saying. The weight of it.

Let’s highlight a piece of history regarding IQ and eugenics, surrounding the publication and subsequent worldwide reception of ‘The Kallikak Family: A Study in the Heredity of Feeble-mindedness’ by Henry Herbert Goddard in 1913:

“In 1927, it was used as evidence in the case of Buck v. Bell, which culminated in a Supreme Court ruling that the involuntary sterilization of ‘mentally defective’ persons was not unconstitutional in the United States. By 1938, thirty-three US states had passed laws allowing for the forced sterilization of women with learning disabilities and twenty-nine had made sterilization compulsory for people who were thought to have genetic conditions. Many European countries followed suit: Denmark in 1929, then Norway in 1934, and after that Sweden, Finland, Estonia, Iceland, Czechoslovakia, Yugoslavia, Latvia, Hungary and Turkey.”

— Limburg, J. (2021) Letters To My Weird Sisters: On Autism and Feminism, p. 126

This history of a ‘sterilization law’ includes Japan, who between 1948 and 1996 enacted the Eugenics Protection Law which “authorised the sterilization of people with intellectual disabilities, mental illnesses or hereditary disorders.” According to the government, about 25,000 were sterilized.

SO. It’s important to bring this up. To establish how much disabled people are not wanted, just from their governments. Let alone society. To this day, disabled people are hidden away from the public by families that are ashamed of their existence.

Japanese culture values collectivism, and maintaining the harmony of a group...to the extent of excluding those that don’t fit into the mould. That are different.

The question is: where do they go? The ones that are publicly rejected?

Haruka and The Curious Case of Distant Waters

Okay that’s enough of the heavy real-world stuff! Time to delve into some...*checks notes*...heavy fictional stuff. Fun!

Haruka’s MVs prominently display themes of distance and separation through the motif of water, specifically being submerged underwater.

The name Haruka reinforces this concept as the specific kanji used (遥) translates to ‘distant’, ‘remote’ or ‘far away’. As there are many, many kanji choices for the name (including but not limited to: ocean/sea, eternity/permeance, clear/distinct/obvious, and spring/growth/cherry blossom) it feels like a particularly cruel and intentional choice to go with that one.

Through the exploration of this motif, we can see the extent in which Otherness/the state of being ‘Other’ drives Haruka to great lengths to close the distance and escape it.

What I noticed throughout both MVs (particularly AK&AA but note the beginning scene of Weakness), is that whenever Haruka looks at himself in a reflective surface (e.g. the vanity mirror, the fish tank), water either begins to rise and overwhelms him, or is already there and he appears submerged:

I think this is the “All-Knowing” part of AK&AA. He knows he’s different, and he knows there’s a huge ocean between him and his peers, his family, everyone. A disconnect when trying to listen and understand, but also when trying to be understood by others and listened to himself.

You know when you submerge your head in water, and your hearing gets all muffled and incomprehensible? And have you ever tried speaking underwater? You can’t, because if you open your mouth you’ll drown. It’ll just come out as bubbles rising to the surface.

I also think the bubbles symbolise rising tension, between what he wants and what he currently has. Bubbles are everywhere in these MVs, even in places where they shouldn’t logically be? Such as this scene, following the line “don’t wipe me out, don’t wipe me out”:

Immediately pans up to Haruka gasping for breath, droplets of water rising from...somewhere. For about a split second, and they’re gone.

This boy is really going through it. I’m getting an ‘emerging from the ocean before I drown’ vibe from this one folks. When the line that follows this scene is “I can’t stop, I can’t stop”, what I’m REALLY hearing is “I can’t stop (killing) or I’ll drown”. This is his lifeboat, pulling him out from the depths of being neglected and hidden away, into the spotlight.

Some interesting images from Weakness in relation to that (of spotlights):

Anyways, onto the next point:

Blue to Orange: Water to...Nectar?

So, the orange liquid. It’s clearly representing blood, but I don’t think this is just a “danganronpa pink blood” situation of censoring/getting this video onto youtube without restrictions.

I think it’s most likely honey, specifically nectar.

The etymology of the word nectar shows its compounds translate to “death” and “overcoming”. Nectar is also called the drink of the gods, so it would make sense for it to be a ‘death-defeating’, immortalizing liquid.

For Haruka’s victims to contain nectar is very interesting. It reinforces that necessity to kill, to take the life of another, to sustain himself. To overcome the ‘living death’ he is experiencing by being hidden away from society.

This is his means of escape from drowning.

However, as we all know, things don’t turn out great for him. By the end of AK&AA Haruka is rejected once again by his mother, after which the door is shut (the light with it is gone too) and we’re met with this imagery:

The nectar floods the room, engulfing him much like the water from earlier.

There are many things we could take from this. One being that the nectar-gathering/killing-spree has clouded his vision; it’s so sweet, so sickly sweet and he’s addicted to the taste of attention, even if it’s very bad attention.

Who else has honey imagery in their MV again?

Oh, right.

Anyway, the nectar/honey situation could also be representing submerging into an even further level of distance. All that murder is gonna push people away, despite his motive being to close the gap between him and normal people. The 'ocean’ has lost clarity and become a maddening, delusional substance. After all, there is a type of honey literally called ‘mad honey’ known for its medicinal and hallucinogenic properties.

That’s enough about honey, though. Let’s move onto less unfortunate... oh, sorry, what was that? *checks notes*...Ah, yes. I meant to say, let’s move onto even more unfortunate symbolism:

The Necklace

So, this necklace. Haruka steals it from his mother’s belongings, and is his only material, physical connection to her. It is taken on the declaration of “making (her) love me again” and getting her attention once more, now he is no longer a child but a teenager closer to adulthood (at least, that’s what I consider the ‘shirt with a vest sweater and tie’ to represent. child him = the blue polo, teenager him = this one, adult him = an amalgamation of his teenager clothes).

I wasn’t sure if this was an opal or pearl/mother of pearl, but I’m leaning towards opal from the other depiction of it in Weakness:

Opals are fun because they can symbolise both good luck and bad luck, usually to do with whether it’s your birthstone. There’s something to be said of Haruka’s belief in his ‘misfortune’ and the superstition surrounding these gemstones.

But they are even more interesting for the powers they supposedly have; in medieval times the opal was considered the ‘patron of thieves’ for their ability to grant the wearer invisibility.

There is a deliciously sad irony to Haruka’s theft with that titbit of information.

Now, if this isn’t an opal, and it’s a pearl/mother of pearl there’s still some fun interpretation to be had! A little less sad, even. Pearls invoke strong imagery of the sea, of purity, and of a connection to the maternal. If this is the last thing he has relating to his mother, I can see this necklace representing a lifeline when he’s deep in the ocean. A reminder of why he’s doing all of this killing, and who it’s for.

His mother’s attention (or the idea of having a mother at all, any mother) is his driving force in life.

Speaking of that...

So We Really Need To Talk About That Fish Tank: AKA, Why Haruka’s Mom Wins ‘The Worst Parent of The Year’ Award

This fucking fish tank.

Okay, I’m gonna start by saying: I don’t think this is reading too far into things. When it takes an animation team months, sometimes years to create a 3-5 minute music video, and one as detailed as this...you don’t just wing it. There are storyboards, there are key frames and there are choices made down to the smallest of details.

From the sheer volume of animal/insect/fish décor that resides in the Sakurai household, you bet I’m gonna pay attention to what type of fish are in that fish tank.

For one thing, they live in saltwater. This is a marine tank, aka the harder choice of aquarium to have. I mean, way, WAY harder. For the experienced only.

These fish right here? One is a clownfish, and the other is a yellow boxfish.

Boxfish are a nightmare to keep alive. This article goes into more detail than I will, but all you need to know is: if there was ever a fish out of all the fish you could possibly want in your tank, this is the one to avoid like the plague.

They release deadly toxins when stressed, as a survival instinct. Boom. All your fish are dead. They need to eat a shit ton of food, but are notoriously clumsy swimmers and slow eaters. Boom. Starving, stressed out boxfish. Boxfish either dies from starvation or dies from stress and toxins.

For Haruka’s mom to have not just one of these fuckers, but a tank consisting ONLY OF MULTIPLE BOXFISH AND CLOWNFISH...

This is a high-maintenance tank. And it shows how much time and effort, how much care she puts into the things she loves.

How neglectful she is as a parent of a disabled child in contrast.

There’s something about the last scene between Haruka and his mother that reinforces this for me:

Haruka’s relationship with animals and himself: AKA, “why don’t I just become the damn fish tank?”

Let me backpedal a little bit. This subheading will make sense in a minute.

So, like I said earlier we have a lot of décor in this house relating to insects and fish. We also have a lot of pets. Both living and dead, taxidermized creatures in one household, proudly on display.

I think this may have created some confusion for Haruka regarding the value of animals being alive or dead, as in his perspective his mother values both equally. The fish in a tank may be full of alive creatures, but they’re still on display as if it’s artwork. Isn’t breaking the glass of a framed picture of a fish equal to breaking the glass of a tank with a ‘picture of living fish’?

(This isn’t to say Haruka is clueless to the impact of his actions, nor to justify any harm to animals. I just find the train of thought to be intriguing.)

So when considering these ‘objects’ are proud trophies of his work:

This is a carefully arranged display, which by the way, doesn’t contain a single fish. In fact the only piece of that moment visible here is the...large piece of driftwood? Okay. Keep that in mind.

We proceed into Haruka’s mother opening the door and seeing her son, for the first time in any of the MVs. Note the way they composed this shot:

I’m obsessed with this scene. The blue eye framing Haruka, with a literal fishbowl effect on him...

He is the goddamn fish in the aquarium now. His mother’s full attention is on him and him alone, with only the dead animals, the books, the lamp and the driftwood as window dressing to this wonderful display.

Doesn’t it just scream “Look at me! Look at what I did, mom!” to you?

That blue spotlight is on him once more. He is not just drifting deeper into an endless ocean, but contained in a vessel to be stared at.

One Last Observation

I didn’t know where to fit this in but I think the end feels appropriate.

His clothing here:

Is a frankenstein-esque mash up of clothes from his younger years. He wears this throughout AK&AA, and as I mentioned before it signifies him as an adult. However, I should clarify what I mean here as Haruka says “he thinks he’s 17″ and “doesn’t care about his age”. So... not an adult, but on the cusp of adulthood.

But I think he actually does care about his age, and quite a lot too.

This outfit feels symbolic of refusing to let go of the past, and of himself as a child. He’s literally grown out of his clothing, but he still clings onto it. He’s attached to the past because it not only contains his happiest moments, but the change from being loved to becoming neglected.

As a disabled person, you’re often treated with a lot more forgiveness when you’re younger. That is to say, some people don’t realise that children with disabilities grow up into adults with disabilities. There is a point where even support from medical and social services drops off like a cliff edge once you turn 18.

The ill-fitting clothing in this context becomes more than a reflection on Haruka’s feelings, and extends to reflecting society’s feelings on disabled adults ‘refusing to grow up’.

I don’t blame Haruka for holding onto his childhood like this. He’ll be even less publicly visible and seen once he is no longer a pitiful child, but a ‘weird’ adult in ill-fitting, children’s clothes.

#milgram #haruka sakurai #analysis #weakness #all-knowing and all-agony #symbolism #disability #*drops this onto the fandom like a ton of bricks* hi i'm new here pleasure to meet u #oh man I finally finished it... this is a very (and I mean a VERY) long post asdfghjkl #I'm pretty happy with how it turned out though! I got most of the things I wanted to say and point out down #believe it or not there was actually MORE I could've said but I think tumblr may have crashed on me if I did that lmao #particularly to do with Weakness as I focused more on AK&AA here. but anyways #I love how morally grey everyone is in this series! It makes for some really fun analysis!#it's so so nice seeing a disabled character in such a position too and not just 'is a cinnamon roll' or 'the devil reincarnate' yknow #I debated leaving in the real-world history stuff but I think it sets the tone of my analysis pretty well and shows the importance of--#--haruka's disability not as a justification of his actions but as a vital backdrop to his environment and struggles

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residentsocialfailure · 2 years

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My favorite part about the romantic cutscene with Garrus at the end of ME2, is that I couldn't even focus on it because all I could see were the dead fish I forgot to feed in the background.

#god it was so funny #he's being all sweet and romantic #and I'm just like #god fucking damnit i forgot to feed the fish #really setting the tone i think #mass effect #shakarian #shepard x garrus #garrus vakarian #mass effect 2 #me2

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swiggity-swexual-i-am-asexual · 11 months

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So fun fact for those of you new to Danny Phantom crossovers, specifically to Danny Phantom lore—Phantom is entirely capable of doing incredible feats of strength and endurance. He once, canonically, lifted a school bus full of children without issue. On the other hand, Fenton, human Danny Fenton? He’s failing gym class. He’s not like, faking it either. He is not thinking that far ahead. He’s GENUINELY bad at PE. So is Tucker, actually. SAM however, is INCREDIBLY GOOD. One of the best in class, actually. And Jazz has at least been shown to enjoy VR kickboxing (or whatever we’re calling what she was up to during the whole Danny Got Shrunk With Dash episode).

So, like. Yeah. For the most part, in fanon it’s a little ignored, especially as we do see Danny do some pretty cool flips, some while still in ‘human’ form. But canonically he’s pretty weak and has needed help to not, like… die. (Maternal Instinct is one episode that shows this—Maddie and Danny end up stranded in the middle of the forest because… long story short, it’s a Vlad scheme. And she spends most of her time when she’s with Danny protecting him from the… everything that’s trying to kill them, which is, in fact, everything. Involves a scene where Danny sits in a tree as his mom fights an ectobear if I remember correctly. This is me blatantly telling you to watch Maternal Instinct by the way.)

Do with THAT what you will.

#danny phantom #danny phantom crossover #listen there’s lots of canon stuff we should use more #like. seeing Danny have more ghostly attributes is fun #I like it!#but I wish it got balanced with .phantom. being more human like. which doesn’t always happen #and rarely in a like. idk how to phrase it. horror way?#while fanon does sometimes separate Fenton from Phantom and I have too for story reasons #in canon it does a GREAT job of setting it up as just Danny. there’s not really a separation.#and yet the lines between Phantom and Fenton are VERY distinct #Danny does do ghost stuff as a human #but it’s always portrayed as either an accident because of sudden powers—understandable #a power acting up because Ghosts—again. understandable #or very intentional.#so there is basis for that. but phantom is also like. one of the only ghosts with a human skin tone #iirc at least #spectra SORTA does but spectra is frankly terrifying #like. we should use her more as a trauma point tbh #she tried to kill Jazz? to depress the entire school INCLUDING Danny #so she could feed #and then the time everyone got a ghost bug and Danny ended up strapped to a table and she tried to steal his dna for an immortality skin #which. she specified Fenton dna and Fentonightingales were witchhunters.#an untapped lore source in crossover. I rarely go to the normal fanfics so idk if it’s different there #…. I should go there more but crossovers tend to be more up my alley in creepiness and jokes #eh. should check in anyways bc maybe that’s changed now lol #why is the phandom like this they ask? pls look at the canon material dear LORDT.

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just-your-average-tangerine · 3 months

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I find it frustrating how being a gnc and gay makes it hard to talk about my experiences as a trans person.

Both because the experiences themselves are so different from the norm. And because, if i try to talk about transphobia I face there's this underlying idea that because im a feminine trans man, I deserve it or at least could avoid it by being less feminine.

And there really is no way to win because if I'm feminine, then I'm not really a man (or not trying hard enough to be one) but if im masculine then I'm not queer enough and get shit from within the community for that too.

And I cant relate to the average trans masc experience (tm) because my (lesbian) mother's idea is that I should be a butch lesbian instead of a fem gay man so the lack of acceptance from them comes in the form of barring me from wearing makeup or "flashy" clothes, as opposed to the more typical enforced femininity.

How much of myself am I expected to give up? And more importantly, why is that expectation coming from other queer people, people who should know better?

#transandrophobia #transmasc #trans man #it just makes it hurt that much more that other queer people #and even other trans people #are pulling the same shit #and on a personal note #as if this whole thing wasnt already #it really sets a grim tone for the future #the entirety of my twenties has been a constant cycle of 'youre not gay because youre trans and therefore not really a man'#'but youre not really trans because youre too feminine'#'but youre not really queer because youre too masculine'#so at what point do i just fucking give up #and what part of myself #do i give up the makeup and fun clothes that makes me feel good about myself give up my femininity to 'be a man'?#do i give up my transition and my manhood and 'just be nonbinary' like so many people have told me to in order to be a 'good queer'#or do i just give up on friends love and community and just keep to myself?#its not like i can change the way i was born so theres no future in which i get to live as a gay man #it just all feels useless #it is useless #op

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