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#and so the many stereotypes about black people are what people see first
starrysharks · 9 months
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i wonder if white people specifically white progressives realise that black people are only ever seen as their skin color first and foremost
#this goes for all poc but im talking about black people here#black people are constantly connected to their skin color and tone in good ways and in not good ways#people will always see you as your race first because white is considered the default#like if someone wanted to insult me the first thing they would go for is my race or gender presentation#whenever an actor is cast for a role people see the fact that they are black before anything else - talent. style. etc is ignored#black people are othered in society to put it bluntly . that is why white people get so upset when black people are cast as any role#or when they uuuuuh you know exist#and if the other becomes the majority - say a movie with mostly black people or a black-exclusive setting#then white people will get uncomfortable and complain#maybe the way i explained it is weird idk im not good at explaining#what im trying to say is that blackness is not something you can hide unless you are able to pass as white/are biracial etc.#and so the many stereotypes about black people are what people see first#what i'm trying to get at is that the way people percive black people completely changes our experiences esp if we're queer or women#a white and visibly queer person will have a different experience than a black and visibly queer person#and white progressives often forget that#sorry if this was explained weird im not a good explainer and also some bad shit happened today so my head is not really in the game#do people even say that god#whatever man
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slyandthefamilybook · 4 months
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so this is something that's been on my mind for a while. I wish I could make a big magnum opus post on it but I don't have the energy
I've noticed in my travels that antisemitism seems to be one of the only forms of bigotry that's not self-evidently wrong. People may think they think it is, but I don't think they do. Every time antisemitism comes up as a topic, I see Jews sharing posts with twin explanations: one on why something is antisemitic, and one on why that's a bad thing
I've seen this a lot, and have fallen into it myself, although recently I've been trying to stop. On a post about Bibi changing his last name to "sound more indigenous": "Imagine if someone said this about Black people". On a post blaming Jews for what Israel does: "Imagine if someone said this about Chinese people". On a post accusing Jews of owning too many industries: "Imagine if someone said this about Asian people".
There was a post that went around claiming the IDF harvested the organs of Palestinians with very little evidence. (There are some great posts debunking that but that's not what this post is about.) I remember looking through the comments and one of them stuck out to me. I can't remember the wording exactly, but it went something like: "Israel heard about blood libel and thought why don't we just do that?". Ignoring the fact that blood libel is about the accuser, not the accused, this comment played over and over in my head. I thought about it as I went to sleep that night. Here was a person admitting that the thing they were saying has a strong resemblance to blood libel, but saying it anyway. It struck me that the underlying thought here was "it's not blood libel if it's true".
Once I realized that, I was stunned. I suddenly heard right-wingers in my head saying "it's not racist, it's just a fact that on average Black people have a lower I.Q.". And suddenly everything clicked into place. I know it might seem like an elementary idea, but it genuinely had never occurred to me
In the eyes of bigots, racism protects power. Antisemitism protects truth.
I've often said that all conspiracy theories eventually lead back to the Jews, and this newfound realization fit in nicely. A popular neo-Nazi slogan I've seen recently is "the goyim know". This idea that Jews have something to hide has saturated the political spectrum
Antisemitism is itself a conspiracy theory.
I realize that makes it sound like I don't think antisemitism is real. That's not what I'm saying, it absolutely is. But the way people talk about it is unlike how they talk about any other form of racism. The Jews are a shadowy cabal, who meet in secret to deplatform people who dare speak out against them. This is something we see on the right and the left, from Kanye accusing the Jews of destroying his career, to leftists accusing the "Zionists" of controlling social media.
Spouting antisemitism now becomes a moral good, a political necessity. It's the most important thing in the fight for truth
I understood then, why people on the left are so comfortable calling out accusations of antisemitism as "frivolous", "unserious", "over-used". How they think people are using antisemitism to silence them. You can't just say something is antisemitic and walk away. It won't stick. You also have to sit there on your computer for the next 2 hours, looking up sources to debunk their claims. You have to appeal to the truth. With any other form of bigotry, it's understood by leftists that whatever the facts may be, they don't excuse racism. The number of Black Americans who commit crimes doesn't justify saying Black people are all criminals. The number of First Nations people who own casinos doesn't justify playing off that stereotype. But when it comes to the Jews, it's open season. You can say anything you like about the Jews, as long as you think it's true. Being told that it's antisemitic isn't enough.
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This is a great example of just that. "Yes it's antisemitic, but it's also true." The accusation of antisemitism becomes an accusation against the truth. So when it comes to people who really believe in what they're saying, it all just bounces off. This is why people never seem to learn. They hop from conspiracy theory to conspiracy theory. As long as someone assures them it's all true, the bigotry doesn't really factor. They apologize not when confronted with their own racism, but when confronted with the facts.
In this way, antisemitism has become baked into society, especially Christian societies. Because why wouldn't it? Yes, the Jew is greedy, yes the Jew is sneaky, yes the Jew is bloodthirsty. But the Jew is above all a liar. They lie about their names, their culture, their history, their victories, their defeats
I wish I knew how to end this post. Some sort of call to action, some idea of how to fix this going forward. But I have no idea. I suspect if I did, we might not all be quite where we are right now
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shuinami · 8 months
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Part 1: What Exactly is Hobie’s Accent and Who Has It?
Part 2: When, Where, Why (Black Londoner Culture since Windrush) | Part 3: How (Writing Tips)
As a black Londoner, a large reason Hobie is so special to me is because I really saw and heard myself in him, while also not seeing a stereotype or typical, lacking in nuance portrayal of a black Londoner.
A lot of people have given great advice about how to write the dialogue of a British person; however, though the U.K. is a small place, different areas, like anywhere, have very different cultures and accents. Even somewhere as geographically small as London has a few different native accents, as many of you have picked up on, Cockney is one but there is also Received Pronunciation (RP), Estuary English and the one Hobie uses for most of his intro: Multicultural London English (MLE). 
I’m an MLE user myself, as are most black Londoners, including Daniel Kaluuya (who voices Hobie and was asked to make the dialogue sound authentic). Aside from tilting my head in slight confusion at some of the slang floating around the fandom, one of the last times I rewatched the movie, I noticed Hobie actually only uses one relatively ubiquitous Cockney phrase… and apparently, it was used inauthentically? On the other hand, he uses quite a few MLE phrases and constructions but it seems few people represent that in their fan content. 
It made me want to give my two cents and some advice on how to write the dialogue of an MLE user since I haven’t seen anyone do something like this yet.
In addition, I wanted to give a little bit of context about life as a black Londoner, since Windrush brought the first mass migration of black people to England in 1948 until now, since it’s another thing that I haven’t seen anyone talk about how it differs from the typical depictions of British life. And also how that intersected with punk culture and what it says about Hobie. Everyone is entitled to their personal interpretations but, of course, as someone who Hobie’s a bit closer to home for than most, I felt a lot of people are missing a key part of who he is without understanding the youth culture of black Londoners.
To answer these questions, I think it would be good to put names to the four main London accents so you can understand exactly what Hobie’s purposefully mixed accent is made up of and the one thing it is not.
I also want to say before we get into it that some people have unique accents/accents that may not seem to match their status or ethnicity, etc. so it’s not that nobody speaks using other accents but if we hear it, it would be noticeable.
Starting off, we have Received Pronunciation which is that posh, fancy and stuffy accent you probably first associated a British accent with. This is the accent of the rich, associated with types who go to private schools like Eton, with the royals’ accents and political figures. Nothing to do with Hobie.
On the opposite end of the spectrum, there’s Cockney. Cockney is an interesting one; it’s a term referring to people that are from East London, and according to Google “traditionally one born within the hearing of the Bow Bells” which means in earshot of the bells of St Mary-le-Bow Church. 
The term is also used to cover the accent and slang; the Cockney accent is not necessarily exclusive to Cockney people but rather is one that, nowadays, floats around the working class. The culture, on the other hand, such as familiarity with rhyming slang and stuff like eating jellied eels is not so ubiquitous amongst the working class not from the area. An example of a Cockney with this accent would be Danny Dyer, who plays Mick Carter in EastEnders and some of the other characters also have a proper Cockney accent. Here’s an iconic clip from EastEnders that showcases the Cockney accent lol
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However, there is a more general accent, which refers to the varying mixtures of RP and cockney that most Londoners have: Estuary English. The estuary in the term refers to the Thames Estuary in the South East of England, near but outside of London. The accent is not locked there, however, and extends to London, especially as people have tended to move further out from London with time due to housing prices and thus accents of outer and inner parts of London mix. It’s not associated with class the way the other two previous accents are.
There are no clear boundaries between Estuary English and Cockney, mainly due to upward mobility and movement around London. I’m not a linguist so it’s hard to describe but I would personally say that proper Cockney has some ways of pronouncing things that even Estuary English speakers on the Cockney end of the spectrum don’t typically do. 
Some examples I would consider Estuary English or more typical accents would be those of people like Amelia Dimoldenberg (chicken shop girl 😂) and Tom Holland; on the more Cockney end of this accent, you’d have people like Adele (who I’m pretty sure has Cockney family members).
Then there’s Multicultural London English, influenced mainly by the dialects of the ethnic immigrants that have come to the U.K., most notably Jamaican Patois but also, more recently, borrowing a lot from West African Pidgin languages, as well as some words and phrases here and there from other immigrant communities. Most black people speak MLE and many other ethnic Londoners do too, as due to the effects of colonization and structural racism, many are relegated to the working classes and live in community together. Examples of this accent would be John Boyega, Jasmine Jobson, Letitia Wright and, of course, Daniel Kaluuya.
Now that we’ve got the accents down, which does Hobie have?
While the term Cockney is thrown around a lot, there is a strong implication that Hobie was born and raised in Camden, especially given the casting of Daniel Kaluuya, who was born and raised in that area himself. 
Here’s a map of London, I split us up based on how I understand people typically refer to it, which is a mix of geography, government designation and postcodes. The rainbow in the middle is considered Central London, it’s a very commercial and touristy area, where all our classic landmarks are and it’s very expensive to live there. 
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Part of the borough of Camden is in central London and, currently, it starts to get more residential near Camden Market, which is 3 miles away from St Mary-le-Bow-Church, aka. The Bow Bells. A true Cockney is said to be within 3 miles or earshot of the bells (for geographical reasons, the sound carries more East). I’m not sure about the balance of residential to commercial areas in the 70s, although apparently, the area near Camden Lock was industrial. London has changed and expanded over time so someone from an east-most part of Camden at a point probably would have been easily counted as Cockney but I have no clue about the timeline. It’s uncertain whether or not Hobie would fit the criteria but if he was born today, Hobie definitely wouldn’t be considered or consider himself a Cockney. 
So again, while there’s no clear distinction of what makes a Cockney accent, Hobie is probably not a Cockney (unless you hc as such).
Does that mean he uses Estuary English? I would say no. I think his accent is predominantly Cockney and he uses some of the slang, as most Londoners do, but being black and not from East London, he mostly uses MLE slang and sentence constructions.
I believe this was the creative intention, given the casting of Daniel Kaluuya, most known for his roles in movies tackling black issues, and the freedom he was given to make the dialogue authentic, meaning Hobie’s blackness is a core part of his character design for Spider-Verse. You can also hear Daniel exaggerating the accent for Hobie at points; as he’s said himself, it’s not just his regular accent, which might not be too obvious to those not so used to London accents. It's a more Cockney accent, particularly in the intro, that he’s putting on instead of speaking normally, despite not necessarily using much Cockney lingo. Bear in mind, that Daniel naturally has a stronger Cockney twang to his natural speaking voice than a lot of MLE speakers.
Returning to the point that the one Cockney phrase, “scooby doo” was used inauthentically; it’s worth noting that you’ll be hard-pressed to find an up-to-date and thorough reference or guide on how to write the use of Cockney slang authentically because Cockney is a somewhat dated culture. For example, jellied eels? Not a common thing anymore, Some people, probably older East Londoners, still do eat them but extremely few places sell them and most of us will have never even seen them in our lives. As mentioned above, upward mobility along with people moving around means that the accent, slang and general culture have been watered down over time. On top of that, a lot of East London has been gentrified, such as the Isle of Dogs (in Tower Hamlets), which has had Canary Wharf transformed - a mall, a business centre and a major transport link and Stratford (in Newham), which has similarly had a giant mall and major transport links added to it.
Some Cockney rhyming slang stuck and is known to all Londoners, such as “telling porkies/porky pies” and “copper”. “I ain’t got a scooby (doo)” is a more common one, although not even that is known to all. Typically, Cockneys only say the first half of the rhyming slang phrase (even if it no longer rhymes). I couldn’t tell you which Cockney rhyming slang phrases have been absorbed into more general London vocab other than those, because again, it’s not used as most lists you could probably find online have it written out in full but know that a lot of phrases have been absorbed. 
Cockney slang is an oral tradition of the working class and so until more recently, when literacy rates went up, probably wouldn’t have been written, on top of people tending to write in standard English instead of using slang when writing. Unless you’re talking to a boomer/gen-x/older millennial from East London, it’s not so likely that you could read off a list of cockney phrases to a Londoner and they would be familiar with them. Because Daniel Kaluuya and I’m guessing the other people involved in writing Hobie’s dialogue aren’t Cockneys, well, that’s how we ended up with what we got.
So, whilst a dated dialect probably would be perfect for Hobie, it’s hard to get right or for it to read as natural to a Londoner because it’s difficult to pinpoint people that still talk like that on a regular basis, even in East London and it’s ESPECIALLY not black people/MLE users that talk like that these days. Cockney Rhyming slang was code language, after all so it figures that it’s a bit elusive.
Funnily enough, Hobie’s use of MLE is probably a slight anachronism, a little ahead of his time. Because the mass migration of Caribbeans began in 1948, by the 70s, most young black people would be the first big wave of second gens or immigrants themselves; ‘Black British’ culture would’ve still been quite young and not had enough time to carve itself as its own thing. The MLE we (including Hobie in the movie) use today started to really be what it is today in the 90s. Point being, you’re not going to find documentation of black Londoners from the 70s or early 80s who talk like Hobie.
Basically… Hobie’s accent is not authentic to the time period so if you wanted to write a historically authentic accent/slang… then you probably wouldn’t really write one… buuut it’s less fun and less Hobie! So let’s learn about black British youth culture and racism in London since the 70s, then we can understand the context in which the language is used before we learn the lingo + how to use it 😎
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kookies2000 · 10 months
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Because I feel like it.
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Yellow sky? Bare footed characters? Mostly a mess? Over exaggerating some of the Hispanic features. I saw the first episode, and it was just poorly written in general. And what mother calls their son "cochinada." Roughly translates to dirty or trash.
What's good Latino/Hispanic representation?
Colombian 🇨🇴
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In the Caribbean region of Colombia, they light up candles and lanterns on December 8, before sunrise. So the candle giving them magic was a wonderful detail. Generational trauma is a thing for us Latinos, and this film handled it in a healthy and matuer manner. And I love how they didn't shy away with how Spaniards attacked and colonized latin lands.
Mexicans 🇲🇽
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Yes, us Mexicans love death. 🤣 But hey, I was always taught to respect death, La Muerte, and our ancestors. So, it makes sense that many Mexican films talk about death. But I also like that Maya and the Three have Aztec, Mayan, and Incan mythology. Natives to Mexico.
Dominican Puerto Rican 🇩🇴🇵🇷
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Luz mom is Dominican, and Luz dad is Puerto Rican. I appreciate a good interracial couple and a mixed child. Luz name also translates to light, and some Latinos are known for doing witch craft. Or at least knowledgeable about witches and demons, and no, we aren't evil. We just know how to handle this stuff. Plus, the owl has many meanings in Latino culture. To some, I believe the owl is a messenger of death and is telling everyone that death/danger is near.
Afro Latino. Puerto Rican 🇵🇷
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I am a massive sucker for interracial couples and mixed kids because of this. I was working at a hispanic store as a cashier. This woman walks past me and starts talking to the bagger. The bagger has blond hair, blue eyes, and white skin. The bagger looks at me worried because she doesn't speak English. So brown skin, black hair, me has to tell the bagger that the lady wanted ice in Spanish. I then talked to the lady in English. Her reaction? "YOU SPEAK ENGLISH!" Same for a dark skinned man. So many people skip me and talk to him in English. He's Dominican, and he only spoke Spanish. I appreciate films that show Latinos in different skin types and features. We're not all brown. So yeah, the mass diversity in this film is just beautiful. And I love how they wrote Miles relationship with his parents. Realistic conflict and healthy communication. Not falling into toxic stereotypes.
Spainard Puss 🇪🇸 Mexican Kitty & Perrito 🇲🇽
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Spaniards are considered Hispanic but not Latinos like Mexicans. And again, interracial couples for the win. And I love the realism in their romance that heals through healthy therapy. Many people see Mexicans as toxic, so having Perrito as a therapist and the one helping everyone emotionally, it's nice. Not every Mexican is toxic. And I love how you can tell their Spanish and Mexican even though their animals. Puss Spanish accent, Spanish actor, him being a ginger like some Spaniards, flamingo dancing, and gazpacho. Kitty, Mexican accent, Mexican actress, black fur/hair like most Mexicans, quinceañera, and I love how they gave her a luchador mask. Something that originates from Mexico. Also, my brother and I joke how we as Mexiacns can't swim and Kitty nearky drowns in the 1st film. 🤣 Perrito, he's a chihuahua with a Mexican actor. Enough said. I also want to say death is Brazilian because of his actor.
I don't know much about Spanish culture, but someone said the wishing star has a connection to Spanish culture. Is that true? If so, COOL! Because death is connected to Mexican culture. So, Dreamworks finding a way to combine Spanish and Mexican culture in one film is 100% magical.
There are many more, like Beverly Hills Chihuahua 🇲🇽. 🤣 That film is better than Primos. Emperor's New Groove, Peru 🇵🇪, and Rio, Brazil 🇧🇷. Not Hispanic but Latino culture. But this post is getting long. Primos! A huge step down in Latino/Hispanic representation. Especially since we have so many good films and shows that have proper representation.
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heliomanteia · 3 months
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did u delete ur latest post regarding rick giving leah a lackluster script?
Hi! Yeah, it needed rewording & more examples but if you don't mind I'll use your ask as a reason to talk about it! Annabeth is my favorite girl and I feel very passionate about how easily she could be dealt a better script.
Under read more because I go on a tangent.
I genuinely think Leah's script was mediocre at best and it's in no way the actress' fault. Many people pointed out that she's way "more Annabeth" within mediums not controlled by Richard & Co: interviews, promotional material, her personal interactions with the cast, and such.
My beef with Richard is that he very obviously "used", for the lack of a better word, Leah as some sort of a shield against any sort of criticism and then sort of really failed her - and I believe Leah to genuinely like her character & do her best.
I. I feel like there's a Lack of Annabeth in the camp scenes as an educator/guide.
Chiron wasn't alone in showing Percy around in the book, Annabeth did it with him. That's how we are first introduced to Annabeth as someone who knows so much of the Camp as she lived there so consistently. She also was the one to teach Percy Greek alongside Chiron. I feel like this positioning of her as someone with high degree of knowledge suffers greatly in the show: we aren't really shown that Annabeth is really knowledgeable, we're told that, and that's all.
II. I feel like Percy overtakes a lot of Annabeth's role as a character.
He offers exposition, explains the myths to HER in the Amusement Park episode (why is he the Wise Boy?), and overall "does her job". I wouldn't mind it as much if Annabeth was given a different archetype in return for that exchange, but she's left hollow. It's just Percy doing the thing and her trotting behind. That's... not how their dynamic works.
III. I think Leah!Annabeth is written off as a "Strong Woman" not allowed to show childlike qualities.
She is so serious and it makes her character very single-faceted. Annabeth is serious and focus-oriented, yes; but she is also silly, she is so geeky, she is adorably passionate, and she's so human. Feels like they reduced this in Leah's script by a lot and I don't get why. It would literally cost nothing to let her rant about architecture or let her passionately tell others myths.
IV. I believe her backstory is sort of forgotten about.
Many people spoke about how weird it is that she is presented as the one who needs to reach out to her neglectful dad, to do the emotional labor despite being a young neglected girl. It feels weird that it was Leah who was dealt such unfair treatment of her character.
Annabeth canonically didn't leave the camp much, she isn't familiar with the world outside; it'd be nice to see that aspect of her too. Also, her bond with Thalia is sort of there but her bond with Luke is nonexistent, it's just spoken about. Again, this strips her off so much of her humanity as a character. Without these little things showing that Annabeth can be fragile, vulnerable, sweet, funny, loving we just end up with an arrogant, angry girl. Not a good look for Richard tbh.
V. The show fails to objectively narrate Leah!Annabeth.
The Disney+ adaptation - for the abovementioned reasons - ends up presenting Annabeth to us as Percy's future love interest first and as her own character second. It wouldn't work even if it was Percy's POV because Percy sees her for the girl she is first.
VI. I think Richard fucked up the premise of the character.
Book Annabeth was one of the examples of deceitful appearances: the "dumb blonde" that actually was insanely witty. This "she's not what she appears like" trait was sort of taken away from Leah and I don't get why? I fail to believe that there are no stereotypes regarding presumed lack of intelligence that could be played off with a Black actress. Sounds like Richard and Disney didn't really think about it.
VII. I hate how she was cut out of Tartarus scenes.
That was such a BIG moment for 'beth, she was the one talking to Hades! Because Grover was scared to death and Percy was impulsive and with no filter! He doesn't know how to talk to Gods, he's been a halfblood for so little and Annabeth has been one her whole life! She's the brains, she's the negotiator. The show leaves her in the forest of regrets and sort of forgets about it after.
So, I do think that the script for her sucked bad. And the worst part is, it could be better SO easily. Leah deserved better imo.
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end-otw-racism · 8 months
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The OTW Board Elections are over, and with that wraps up our second End OTW Racism action! Thank you to everyone who has participated over the last few months, whether by voting, attending the July 2 OTW Board Meeting, submitting questions for the candidates, sharing our posts, writing to the OTW Board, providing us critique and feedback, and more. 
Now that we’ve completed two End OTW Racism actions, we wanted to take a breath and tell you a little about how we started. We began as a team of five people in May who felt spurred by renewed conversations we’d seen on twitter about racism within the OTW and wanted to do something about it. As we’ve shared in our FAQ, the core organizers are all fans and users of AO3, including both people of color and white folks, who have been in fandom for decades. We’ve added new core organizers since May, but also some organizers have rolled off, so we remain a small and diverse team.
Since the beginning, we’ve had four specific demands for the OTW:
Harassment policies that can be regularly updated to address both on-site harassment and off-site coordinated harassment of AO3 users, with updated protocols for the Policy & Abuse Committee to ensure consistent and informed resolutions of abuse claims
A content policy on abusive (extremely racist and extremely bigoted) content; by abusive, we are talking about fanworks that are intentionally used to spread hate and harassment, not those that accidentally invoke racist or other bigoted stereotypes
Hiring a Diversity Consultant within the next 3-6 months
Committing to a policy of transparency on this topic, with quarterly updates on the progress of these projects including challenges and their plan for overcoming those challenges. These quarterly updates should be published on OTW News page and newsletters, not solely discussed in Board meetings
This may be surprising, but we only began planning our first action in May five days before we announced it! And we’ve been working really hard since then on top of our other individual life obligations. We also rolled straight from our first action into our second because of the timing of the OTW Board Elections, which made things even busier.
We’re very proud of all we’ve accomplished and everything that has happened since then - not only the work we’ve done and the progress we’ve made on our specific goals, but also the way that a larger conversation has opened up publicly about many other forms of racism and dysfunction within the organization. These conversations have, of course, been going on for years, both inside and outside the OTW, and more recent efforts have built on the work of fans of color calling out racism in fandom for decades, particularly Black fans. The discussions that have happened since May included thousands of people in fandom and have become wide-ranging, and we’re thankful to everyone who has been part of them. Organizing and running this campaign has also been a learning process, and we've grown so much from the feedback we've received. We look forward to being even better as we continue on with our specific anti-racist lens.
We couldn’t have done any of this without all of you, the community that has fostered and spurred these conversations and put them into action. We’re also really excited to see that other campaigns are coming up to address aspects of racism in fandom that are outside our narrow scope. We hope our example of what you can do as a small team can be an inspiration to anyone else who wants to start their own parallel antiracist efforts too.
Since it’s been an exhausting (but thrilling!) few months, our core team is going to be taking a pause for a few months to reflect and regroup before planning another action focused on our specific goals. We also want to figure out how to engage more of the community in our planning for future actions, since we know there are lots of people who are excited about this work, and we weren’t able to do that in the quick turnaround between the first and second actions.
In the meantime, we’re excited to announce that two partner projects will be launching next month! These will not be led by our core organizers, but by other fans who have volunteered to take them on. 
Anti-Racist Fanlore Project: An effort to update Fanlore, the fandom history wiki run by the OTW, with articles that flesh out the history of racism and anti-racism in fandom. This will be a collaborative project run through a new Discord server, and we welcome people of all levels of experience with Fanlore editing, including people who have never done it before! We’ll need people for a wide range of tasks: project management, research, drafting, reviewing, and posting to Fanlore.
Anti-Harassment Street Team: A group aimed at supporting people who are harassed for talking about racism in fandom, including developing de-escalation practices, creating resources on curating your own space, correcting misinformation, and more. This project will also be collaborative and run through a new Discord server.
You can sign up for these projects on our Volunteer Sign-Up Form. If you already signed up for either of these projects at any time in the last few months, you will receive an email with more information when each project kicks off. 
Apart from those projects, we’ll see you again for our next action in a few months. If you need to get hold of us in the meantime, you can email us at endotwracism [at] gmail [dot] com, though we may take a little while to get back to you. Thank you again for your passion and support in fighting racism in the OTW!
- The Fandom Against Racism Team
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torturedblue · 9 months
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It’s the middle of the week, have some dancing turtles
Spoilers below as I gush about my Mutant Mayhem Monday experience 🤗 please feel free to gush with me I wanna hear other people’s thoughts too!
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First off… When Seth wanted to put the teenager in TMNT he meant it. Like, all the versions act like teenagers, but like Nickelodeon PG stereotypical teens. MM turtles were the realest PG-13 outta pocket 21st century teenagers I’ve ever seen and I love that shit because it’s the first time I actually felt like I was around the kids in middle school and high school again with the way they talk. Kinda appreciate Superfly cussing too? Like idk it’s Ice Cube and this villain goes hard tryna kill some teenage turtles he formally saw as his lil cousins, let the grown mutant cuss
Also uh, was not expecting to be sad so early in the movie? Like I could tell from the trailers it was gon be an emotional rollercoaster but shit like ten minutes in and these turtles are fuckin depressed. And to see it really hit me because in every other version (except for Bayverse) the turtles literally never let not being part of the human world get to them. In the shows especially they’re so well adjusted and never bothered by sticking to the shadows. Then there’s Rise where they pretty much go out whenever they want and indulge in most of the human world stuff they want to. For these guys to be so stunted and desperate to have more freedom was so heart wrenching. Especially when Splinter grounds them for a whole month and the reality sinks in of how much they know the life they want isn’t an option for them
Wasn’t expecting any kind of ship or romance but that crush Leo has on April hit me like truck because…… holy crap the Leo-April pair has never been a thing? On top of that this is only the second on screen black April we’ve seen and I’ve been a Leo kinnie across the board since day one so to see this combo of my favorite character liking a black girl is making me lose my mind 🥲 and like it got me thinking of several of my favorite shows and the single characters I kin in those and if they’ve ever had black love interests and it’s just still not a common normalized thing honestly.
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I’m sure a lot of people aren’t excited for the prospect of ships coming back (especially after 2012 scarred us) but as a Leo lover and black girl it got me so excited to see something like this. I’m just hopeful and optimistic they won’t mess it up like a lot of shows do. The “this is just as friends line” already makes me a little worried bc that trope never has a good history but I have faith they’ll handle things tastefully and not make it toxic or messy
MURDER THE SHREKS!
“I assume you’d wanna be on camera. ‘Cause you have, like a very camera ready look…” OKAY SMOOOOOTH LEONARDOOOOOO 👏🏽
Could not stop laughing while he was shooting his shot my face was literally donnie’s restraining myself from bursting out laughing
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Just a couple of my favorite questions that April wrote down for them:
“Do you carry salmonella?” Look I still don’t know wtf salmonella is but it’s the second time a TMNT iteration has joked about it so I’m starting to think it has something specifically to do with turtles 👀
“Have you caught covid?” Oml covid exists in this world
“Are you the source of covid?” OUT OF LINE 💀
“How many people has the red bandana turtle stabbed? Does he need therapy?” Yes.
“Does sunlight cause you to burst into flames?” They’re- they’re not vampires? 😂
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Leon Ardo deserves the world and whatever he wants in it give him everything 😭
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I will never understand what made Donnie laugh so hard at the name Nardo other than it being because it’s his sibling and that it bothers Leo lmao
All imma say about the puke scene is that I’m glad I heard an “out of context” spoiler about it bc I knew exactly when to look away and I’m glad I did bc the scene lasted for so long??? 😀❓But hey at least I had Unwritten to listen too while I was sparing my eyes 😂
The sequence of them going around and shaking down those gangs and Superfly’s connections. BAD. ASS. And each of them got their own moments to shine? Loved it. Like they each even got to take point and have their moments where they got to kick in the door lol. And the fight scenes were just, muah. Chef’s kiss, they all looked amazing taking grown ass adults down together
Okay Splinter definitely gets the best dad award for putting together that little surprise party, with all the celebrity Chris’s and pretending to wait on them 🥺 so pure. It did make me sad the guys immediately left and you can just see such a sad dejected look on Splinter’s face, knowing he can’t provide what his kids really want or make them happy enough without it 🥲 At the very least they say thanks and that they appreciate but I would’ve at least stayed for a lil bit and gone along with it, Splinter just looked so excited about it and it was so sweet 😭
And he doesn’t even get upset though he knows they’re hiding something, he just says he’ll help them if they’ve gotten into trouble, which is something I’m sure almost every kid has wanted instead of having the kind of relationship where they’re more scared of telling their parents they messed up instead of handling it on their own
I love how musical Superfly’s family is 😂 Ray Filet just starts sing-introducing his name and Mondo and the other couple mutants when they drive with in the car trying to find music they could all sing to together 🥹 not to mention the musical references Superfly makes later that I’ll get to. “Kinda don’t wanna murder everyone on Earth, I just kinda wanna sing” Me too bruh.
Raph immediately going “goochi goochi goo” and playing peekaboo with Genghis frog is so underrated that boy has such a soft side he’s not even that afraid of showing at times, and maybe it’s continuing the trope of Raph having a soft spot for pets/animals? Who knows 😌
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Yo I was kinda shook when that government guy knocked Leo out and he just fell unconscious on the ground 😶 Like we’re used to seeing the authorities be brutal especially in movies like this but that’s a whole teenager? You just assaulted a minor? 🙂 Crazy
Also I know it’s sad they got captured and drained painfully but Mikey in that scene was hilarious 😂 like even the way he was dramatically crying and Leo was just started to cry with him like “iM sO sOrRy mIkEeEeEy! 😭” gold. When one of his children is hurting Leo hurts too. One of my favorite moments 🤣
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They literally started singing BTS while being tortured they’re so unserious but like in a serious way to them and I love it. Also the fact that they did it just to make Donnie feel better? So pure. Like Raph of all turtles offered to sing while being drained of blood (bc I refuse to use the m word 💀)
The way Splinter snuck in and soloed literal government soldiers single handedly? Badass. Never loved seeing a Splinter save his sons so much 🥹
“But it’s the only way we’ll be accepted.”
“No! We accept you!”
“You can come live with us! We accept you!”
“WE VIBE!”
Oml they’re so puuuuure 😭 I really thought this was gonna be a moment where the guys invite them all to come live with them and Splinter was gonna be like ‘aha 😬 whoa slow down there’ but damn nah he was just as enthusiastic as them inviting all those mutants to come live in their home forever “The more the merrier!” Like ugh he just loves finding family like Baxter Stockman and we see where the guys got their loving nature from 🥹
The amount of his soul Mikey put into that BROSEEEPH was so real like I’ve never heard the name broseph be said in any other way, I’m so glad they put that moment in there
“New York, New York!” “I’m the king of New York!”
Oml superfly’s a Broadway baby 🤗 he’s a big bad villain marching through time square and talking about King Kong but he’s fill gonna nerd out and make his musical theatre references 😂
“For once in your life you didn’t sound lame. You actually started to sound like a leader”
“That was really heartfelt Raph”
I love the Leo Raph dynamic in this movie. Like they don’t always agree or understand each other but they will show love towards one another and show mutual appreciation
Something about any of the turtles shells cracking always gets to me for some reason like those are some serious permanent injuries so I want to see if they do anything special with that in the sequel or show maybe 🤔 And I couldn’t tell if all of theirs cracked or just one, and if so which turtle it was. I think Leo or Raph. I feel like it was Leo but Raph’s are also starting to have a trend of getting cracks in their shells so 🤷🏽‍♀️
Also I do not want to judge what other people like to wear but why are Raph and Donnie the only normal dressed ones 😭 like Mikey looks like he’s going on vacation and Leo looks like he’s going to clock in at Best Buy 😂 tell me it’s because they have limited resources for clothes lmao. HE’S LITERALLY WEARING A LANYARD
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Them taking off the masks was crazy honestly… like them deciding not to wear them made my brain pause until I realize they’re kids going to school now and not being ninjas all the time… they don’t need them anymore. I’m just so pleased with the fact that this movie was willing to do what all other iterations weren’t. I see why they’re getting a sequel and show already, these guys and the plot development deserve so much more exploration
Maybe I missed something in the beginning but I’m wondering where Stockman went. Like is he still in custody? Did he die? Because not seeing him again that’s what I assumed but we only saw him get arrested or whatever, so if anything I don’t get why Superfly and the others wouldn’t try to break him out 🤔 I was surprised they didn’t make him a villain though, but I’m pretty happy about him getting to be a more optimistic kind character tho
SHREDDER HAD ME SHOOK LIKE THE ARMOR ALREADY LOOKED SO COOL AND I WAS NOT EXPECTING THEM TO GET THE BIG BAD INVOLVED AHHHH I’M SO READY TO SEE THEM REACT TO THIS ANGRY GIANT TIN CAN
Although I do wonder if Shredder’s gonna have some personal gripe with them since they have a different backstory he doesn’t seem to be a part of. And shit now that they’re public and in school it’s gonna be so much easier for him to go after them 😅 pluses and minuses…
The soundtrack: golden. Cultured. Nothing but range. Goes from a 90’s rap song to Natasha Bedingfield’s soulful 2000’s song. Most movies only ever have all pop mainstream songs or only rap songs because they think they can’t mix but MM does it effortlessly. The turtles are so versatile not just with music genres but they make old and new references ‘cause they’re well rounded kings 💪🏽 Between rizz, Adele, broski, Hey Arnold, K-Pop, Ferris Bueller, etc… I mean Donnie’s literally doing the sprinkler and the funky chicken in that gif up top 😂 they’re born in 2008 I doubt any kids today know about those dances anymore
Clearly I have all the thoughts and feelings about these boys and the movie, but I think this is probably my favorite TMNT movie? I’ve loved all of them but I think this one definitely brings me the most comfort fr
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sussysluttyscorpio · 1 year
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Random Astrological Observations Part-7
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(This picture doesn't belong to me in any way)
(Please take only what resonates)
~Who said that Capricorn Venus aren't vengeful? They are. Don't believe me? Go and cheat on one and then look how they pay that hurt back to you.
They'll eat and leave no crumbs of you. Also, karma. These people are protected by Saturn. Hurt them once, shame on you. Hurt them twice, well, again, shame on you.
~Pisces Mercuries are so brilliant. Like so frigging brilliant. So many physicist/scientists have this placement and voila, discoveries.
I mean how does one become good in science? By knowing how to apply science. And how does one do that? By imagination. Did I hear somewhere that Albert Einstein was a Sidereal Pisces Mercury too? Explains how he was able to give so many theories.
Now, on the flipside, people say that Einstein had a terrible memory. Well, our vivid little Pisces Mercury is at play here too. You see, Mercury is debilitated in Pisces. It is bound to make someone focus more on imagination and less on logic.
Why do you think Einstein denied the existence of Black Hole till the very end even when his equation showed it's discovery.
~On that note, Einstein's Venus was EXALTED in Pisces, i.e., in conjunction with his Mercury. So, he was able to reap good effects of Mercury because the Venus' exaltation cancelled Mercury's debilitation.
Therefore, his childhood struggles to be a science student led to his becoming one of the greatest physicist of all times.
~Please, for fuck's sake, never make a Scorpio Venus jealous intentionally. They'll either rip someone's head off and their own's. I've experience this as a Scorpio Venus in Tropical, even when I don't like Tropical much.
I mean, after things went south with my bf, he posted an intimate picture with some girlie and oh god, I went ballistic. I threw my tablet across the room like a frisbee 2 seconds after I saw that pic.
No tablets were broken in this stunt. Just injured :)
~On the flipside, if I were to judge my anger based on my Sidereal placements, I'd say my lackey Libra Mars made me do it.
Libra Mars isn't equal to low anger. Low drive? Maybe. Low anger? Hell no. I mean, Aries Mars radiate their anger outwards and you can feel it too, BUT Libra Mars had a brooding anger like a bubbling, thick, slimy, scorching hot liquid. You won't know they are angry and that's what is scary. You won't know when or if they'll explode.
~How do I say it that Air placements, especially big 6 (excluding Aquarius) are highly capable of cheating on someone without stereotyping? Like, I always thought that it was a Bias until I saw it happen as well. Maybe because of Rahu (North Node) in first house of Navamsa or I don't know but man, it sucks.
I know. You shouldn't blame your poor life choices on astrological placements but why does it always have to be Badly Aspected Rahu or Air placements (again, excluding Aquarius) more likely to do it?
~With that, let's take a deep breath and talk about Sagittarius Mercury. I swear I don't talk about Sagittarius placements much.
Blunt. Yeah. BLUNT ASF. I know, I'm stereotyping but god, this placement just says things as they are. No sugar-coating, no messing around. Even if they have a Capricorn dominant or Virgo dominant chart or some grounded placements, they'll still say whatever it is with a chilly voice.
They are the people whose words really sting. Also, these people aren't 'ride or die' friends, rather, they are those honest friends who'll call you out whenever you're wrong.
Many-a-times, they don't even mean to say it, and it just slips past their tongue. But well, we do not blame you at all Sagittarius Mercury. Hugs to y'all peeps.
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i-hate-gravel · 6 months
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my thoughts about Osvald Octopath Traveler 2, the guy of all time
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his entire character is the most tragic and hysterical thing to me. what if there was a guy so autistic about math and magic he equations his way into harnessing the fundamental forces of the universe or whatever. also he's a dilf and loves his family.
oh yeah also his story starts with him MUZZLED and FALSELY IMPRISONED for the murder of his own wife and child. the first thing you do with this epitome of academia is MUG AND ROB A MAN, and its one of his MAIN MECHANICS as a characters
if you start the story with Throné the way i did you find him passed out in the bushes after he escapes by making a friend and then having that friend immediately SACRIFICE HIMSELF for him.
he only drinks black coffee and is pretentious about it canonically
SPOILER SHIT BELOW
i feel like the horrors he endures are so insanely next level compared to the average party member? like they have their problems (Hikari fights a full out war???) but there is a certain depth and horror embedded in "hey Osvald I framed you for the murder of your wife and child and got you sent to prison for it so I could steal your life's work and respected position as a professor. Also your daughter's still alive but I've brainwashed her to believe that I'm her father instead of you. Also your wife? Yeah I took her FUCKING SOUL AND PUT INTO THIS GOLEM THAT IVE COMMANDED TO KILL YOU. toodles i'm off to sacrifice your daughter to achieve forbidden power." that cannot be matched.
like i genuinely had to stop playing for a while and just put my switch down in complete shock as I realized what was happening. the writing in octopath 2 wasn't always great with all of the stories but oh my god when it hit it fucking HIT
he wears a rope as a belt, which at a certain point in his journey is something he could definitely fix, but i believe chooses not to
maybe he can't see it when he looks down because of his massive fucking naturals metal collar and chain. which he also chooses to keep on.
i utterly detest the stereotype of 'autistic and good at math/comparable things but struggles with emotions' that burdens so many characters esp because he has a full. wife and child and i would also hit that but like there's no way he was as emotionally closed off before the events of the story as he is when we encounter him so i choose to believe his regression in emotion maturity to how he considers the world and people around him is purely a trauma response and survival tactic in prison, hence how it is through meeting the party and traveling with them that he unravels his defenses and relearns how crucial love is to True Magic and he does it all for his family oh my god
what a nerd ass loser i love him
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larryatendoftheday · 4 months
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This year I craved stories that transported me somewhere else. So in addition to my usual weakness for angst, I sought out fics with surprising plots and excellent world-building. These were the ones that really stuck with me. Thank you to these creators and to everyone who shares art or writing or creates fic rec lists. You have been and will continue to be a fantastic gift to so many. Thank you <3
Note: The fics in this list were published in many different years. They are not in a particular order. The main pairing is Louis/Harry unless otherwise noted.
Party Lines by nonsensedarling @absoloutenonsense Explicit | 25k | Phone Sex Operator
Several of my all time favorite fics are phone sex operator AUs, and this fic is an iconic addition because Louis isn’t even actually a phone sex operator. He’s pretending, and he gets attached. Full of sexy, sweet, and funny dialogue and the appropriate amount of suffering and uncertainty, this fic will transport you to an excellent alternate universe.
War Of Hearts by BoosBabycakes @boosbabycakes28 Explicit | 80 k | Enemies to Lovers / Non-traditional ABO
I live for a well-executed enemies to lovers arc, and this is it. Believable, sweet, funny, angsty, and oh so satisfying to read. Alpha Harry doesn’t fit his gender’s stereotypes, especially in private. His arch-nemesis Louis knocks on his dorm-room door in the middle of a pampering self-care night and sees the side of Harry that he keeps hidden. What follows is a fantastic gAyBO story about repressing, exploring, and accepting your true self. There is a strong cast of OT5 and related people that keep you laughing and believing. Honestly, I need to re-read this right now.
Men of Steel, Men of Power by Stria (Asia117) @nooradeservedbetter Explicit | 58k | Political Revolution / ABO
Get ready to be absolutely consumed by this parallel universe and the angst-ridden reality of Louis, pretend alpha and head of security, and Harry, feminine alpha and new-hire. There is enjoyable intrigue, mystery, crying, sex, political philosophizing, and some spy movie shit as Louis attempts to right wrongs and push back against those in power. OT5 pop up in surprising and satisfying ways. However, perhaps most notable to me was the attention to detail in how Louis deals with pretending to be a gender he is not. (Perhaps don’t read while in your gender dysphoria feels but do read to feel seen.)
what's left of my halo's black by LiveLaughLoveLarry @loveislarryislove Explicit | 22k | Friends with Benefits / Angst
If you love pain, this fic is for you. A heartbroken and emotionally damaged Louis manages his problems—such as being a wedding planner and the impact of his abusive ex--by secretly fucking his coworker Harry. It turns out this doesn’t actually solve his problems, though, and new issues emerge from what was supposed to be a simple friends-with-benefits arrangement.
turn me up by turnyourankle  Explicit | 3k | Hanky Code PWP | Louis/Luke Malak
I found this while searching for @1dhankyfest content, and I love it. There’s something about unabashed gay sex culture that revives my soul.
Paint Me In A Million Dreams by green_feelings @greenfeelings Mature | 112k | Fake Dating / Enemies to Lovers
Hollywood actor Harry Styles is gutted when the man he can’t stand gets the Scorsese role he wanted. It gets worse when their teams conspire to set them up in a fake relationship to promote the film. I read this fic in the first days of 2023, so the details are a bit blurry in my memory. I know I loved the enemies to lovers arc, the strong Ziam subplot, and Harry obsessing over his unavailable crush (which isn’t Louis). In my comment, I wrote, “My heart absolutely ached with the pining and angst, and the sexual tension was so palpable.”
Gonna Dream of How You ... by therogueskimo Explicit | 4k | PWP / Canon-compliant
This canon-based fic was so steamy and tender. Photos of Louis performing in a tanktop get Harry going. What follows is some long-distance edging and fun. It features soft Dom Louis and desperate Harry and just really hits all the right notes in my opinion.
Almost Misheard by tommokat @tommokat Teen and Up | 4k | Friends to Lovers / ABO
This is a comfort fic. It’s got hilarious fluff about best friends who realize what their inner alpha and omega knew all along. (The rest of the gang might be in on the secret too.) I’m almost amazed by fics that manage to pull me in with believable characters and storylines without any angst, and this one delivers on every front. You’ll be grinning the whole time.
Coax the Cold by MediaWhore @mediawhorefics Mature | 86k | Mermaid / Historical AU
Professor Tomlinson is fascinated by the occult. When a circus advertises a unique sea creature, he decides to go undercover as a janitor to get close. He plans to write the paper that will finally prove he was right about the existence of fantastical creatures. This author expertly builds the world of this fic – 1800s Britain, academia, and freak shows. I loved the believable cast of characters (OT5 and more!) and the stakes that are set, including the horrid antagonists.
fondre ton absence by scrunchyharry @scrunchyharry Teen and Up| 41k | Amnesia / Historical AU
Harry and Louis childhood best friends who grew up and discovered love together in a quiet village. Harry manages asthma and chronic illness that often leaves him homebound with his books, but Louis always keeps him company. Their simple life is turned upside down when Louis is drafted in WWI and does not return home. Then, when Harry finally finds him, Louis doesn’t remember anything. This story was a tearjerker but so beautifully written. I adored that portions of the story were told in letters and that Harry often referred to literary works. Bonus: This fic has amazing visuals by whenthebodiesspeak.
be a good boy, Harry by stretchmybones Explicit | 1k | PWP / Pet play
Harry wants to play, but Louis is busy watching football, so he asks Harry to wait. I haven’t stopped thinking about this domestic and sexy little slice of life since I read it in January of 2023. My comment said “simple and perfect,” and I still agree.
The Heart's Home by homosociallyyours @homosociallyyours Teen and Up | 10k | Squiddry
Someone wrote the Music for a Sushi Restaurant fic of my dreams. Half-man, half-squid, with the voice of an angel, Harry is quite the catch. Louis, an exhausted and lonely restaurant employee, is tasked with keeping an eye on the special find. This story was so entertaining and sweet. It filled me up with good vibes and left me happier than I started.  
~~~~
I always include my favorite fic that I published that year at the end of these lists. I didn’t publish much, but I really enjoyed this one.
In His Rightful Place by larryatendoftheday @larryatendoftheday Explicit | 2.7k | PWP
Harry reunites with Louis and gets to reclaim his role as the person who fucks his boyfriend best.
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bohemian-nights · 5 months
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I’m not team black or green, and I’m also only watching this show for nettles - but I have to say that the only racist comments I see are coming from team black. They are so racist it’s insane.
1. They treat the velaryons like Rhaenyra & her (white) son’s cheer squad . They can’t fathom the velaryons being their own people with their own thoughts and opinions.
2. Their treatment of vaemond. They justify his murder for daring to speak up against their fav. They gaslight anyone who supports vaemond’s right to be angry that his house is being stolen by a white kid and claim that Luke “legally” isn’t a bastard and that we are misogynistic.
3. Their treatment of laena - they either claim that she was Rhaenyra’s lesbian (?) lover or that daemon never cared about her - they refuse to acknowledge that daemon was happily in love with her.
4. Their treatment of nettles.
I’m so done. I’ve just had a conversation with one of those insane stans, and they said that I’m “playing the victim” for pointing out their racism. I’m so sick and tired of hearing that I’m “playing the victim” or that I’m being “over dramatic” for wanting actual black representation and calling out performative activism.
Team Green has its moments(I don’t love how some of them treat Nettles), but Team Black is indeed objectively worse.
I have yet to see any other sub-fanbase go on rants about how there are too many Black people on the show so it’s fine to cut the only in-canon Black character(Nettles), that they are glad the n-word died(Laena), claim that a Black woman’s Afro-hair is dirty(the leaked photo on the beach), calling people monkeys(again Laena), comparing characters to animals(Laena and Nettles), the legally biracial fiasco, denying that there is racism in the books and that their fave is one of the perpetrators, saying that Daemon sleeping with Black women is a detrimental character trait…It’s a mess.
Honestly, most of the viscerally racist stuff that has been said had been geared toward Nettles or Laena(Vaemond’s a close third) because they are perceived as a threat.
Which shows you how f*cked up these people are. They are legitimately willing to resort to racism to attack fictional characters over a fictional ship.
And the kicker is, they don’t see anything wrong with their behavior because: I’m not racist. I have no problem with good Black people(aka the ones who kiss up to my fave), ignore me saying how a white woman (who I hate cause she's a Green 🥦, but she's still white) with less plot development is somehow more relevant than the girl who shows that you are more than the blood in your veins. That's not relevant. You wouldn't like her if she wasn't Black!
Let's not get into the fact that they only like Baela, Rhaena, Corlys, and Alyn because they haven't/don't do anything. The moment we see them have a personality and it’s not solely about worshipping Missy Anne they'll turn on them.
If the show ends Rhaena’s arc marrying a Hightower they'll call her a whore and a traitor. If Baela calls out Missy Anne for not being motherly towards her and her sister they'll call her ungrateful. When Corlys puts his blood first he’ll be treated just like Ser Vaemond. Alyn will be hated not for saving the psychotic white woman(who arrested his father and tried to arrest his brother) in her hour of need.
If what they said about Rhaena taking Nettles’ place actually happened, do you know how upset they'd actually be with Daemon even putting his actual child first before Miss Maegor? She'd become enemy #1. He is not allowed to love anyone more than her.
They also love to defend their deplorable behavior by saying the characters they are attacking are fictional so it doesn’t matter.
B*tch it’s no longer just fictional when you call someone(even if it’s a fictional character) the n-word.
When you are actively trying to take away what little representation we do have and hurling slurs and stereotypes used against Black people in real life for centuries to attack characters you don’t like, you’ve gone past fiction and gone straight into a Klan rally.
There is loads of evidence of their demented behavior. Anyone with a working brain knows they aren’t right in the head and what they are saying is wrong.
Hell, they themselves know what they are saying is f*cked up, which is why they try to gaslight you into believing they are the innocent victims and you've just lost your mind. When that doesn't work and you provide them with the receipts for their bullcrap it’s crickets cause they’ve gone crying in the corner 🦗
They keep crying and bemoaning about Miss Maegor being called a whore. That isn't exactly nice, but you can't flip things around and make yourself look like the injured party when you are a f*cking racist.
For Christ's sake, these people are just all-around hypocrites. Some of them have called Nettles a whore(the worst is yet to come with her) yet they spaz out when you say Miss Maegor and start yelling about misogyny.
They are the same ones who mocked Laena dying(and her son) yet they cry when you call a dragon baby a lizard.
You can't claim that it's all fiction and then start crying when your fave who is also fictional is “attacked.”
There is a good reason she's being “attacked” considering she's an awful character with next to zero redeeming qualities(which is probably why she's attracted the worst fanbase).
You can't claim misogyny and perpetrate it yourself. You can't claim to not be a racist and then overtalk Black women when they call you out on your behavior and then call them crazy for defending themselves. You can't force Black women to overlook your faves racism for the sisterhood and then spit in our faces when we don't. That's not how this works.
I could go on, but I'm going to stop here cause it's pointless. You just have to laugh and bow out cause talking to them is like talking to a brick wall.
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gotinterest · 3 months
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I Want To Watch Kamen Rider, Which Season Do I Pick?
I'm going to focus on Heisei Era shows because those are the easiest to access and the ones most fans have watched so it's easy to find people to talk to about them. Every season of Kamen Rider is a different story with a different cast and vibe, so determining which season you should start on is largely dependent upon your personal taste. This list is based mostly on the shows I have watched or know a lot about, so it's not exhaustive. Some shows will be listed under more than one category, just depending upon what might be most important to you. Guide is located under the read more!
DO NOT START HERE: Kamen Rider Decade, Kamen Rider Zi-O, Kamen Rider Gaim. Decade and Zi-O are anniversary shows that lean HEAVILY upon Rider lore and referencing past seasons. You don't need to watch those seasons to understand the story, BUT you may get spoiled on key plot points from past seasons by watching them. Gaim is on here because it is almost universally hated and thought of as a terrible show.
WARNINGS FOR THE SHOWS RECOMMENDED HERE: Kamen Rider Blade is heavy in the flashing lights department and the opening in particular is known to bother photosensitive folks! All the seasons have flashing lights, but Blade is the one that people have straight up said they couldn't watch through because of how many flashing lights there are.
Kamen Rider Kuuga has a pretty gross transmisogynistic caricature in two of the episodes.
Kamen Rider OOO has a cafe that is nicknamed the "cultural appropriation cafe" by fans because the servers are frequently made to dress up in outfits from other cultures and it can be a bit offensive from time to time. It's not the worst I've seen in terms of "people dressing up as other cultures" and there isn't any black face or brown face but I still felt it worth mentioning since the cafe is a major part of the show.
Kamen Rider Faiz has a black character in it for a few episodes who is written in a way that gives "big dangerous strong black guy" stereotype. It's uncomfortable to watch.
RECOMMENDATIONS:
I don't really like kid's shows and I'd prefer something a little more mature: Kamen Rider Kuuga, Kamen Rider Ryuki, Kamen Rider Hibiki (eps. 1-29 only). If you are looking for a show that feels more mature, these are where you should start. The pacing of these shows is a bit slower and more thoughtful. Kuuga and Ryuki are both HIGHLY beloved. Kuuga is good if you really like monster of the week shows, Ryuki is more for you "overarching story driven" types. Ryuki is a bit more silly in places than Kuuga, but largely maintains a serious tone. Hibiki is very creative and experimental, but it doesn't really give you an accurate picture of what most Kamen Rider seasons are like because it is very different. BUT if you can't stand musicals do not watch Hibiki. ALSO stop watching Hibiki on ep. 29. After that there was a show runner change and the end of the show sucks. Ep.29 is largely considered a satisfying enough end to the show.
I like mature themes and concepts, but I'm fine with kids show silliness: Kamen Rider OOO, Kamen Rider Build, Kamen Rider W. If you constantly feel guilty for wanting things and taking up space, watch OOO. If you had a rough childhood and complicated feelings about your family watch W. If you want to watch a show about war, watch Build.
I love kid's shows give me silliness and fun!: Everything recommended in the second category + Kamen Rider Den-O, Kamen Rider Fourze. Den-O is a time travel story that is heavy on slapstick humor and has a lot of heart. You may have seen a a red horned guy named Momotaros dramatically swing his leg up to rest it on the bench of a booth- that's from this show. Fourze is a high school story about friendship and space!
I like to watch things that are bad but also good: Kamen Rider Blade. You can basically ignore almost the entire lore built up in the first half of the show. The writers certainly do. If you've seen people memeing on a guy named Tachibana... this is that show. This show is very easy to post about. Deeply funny but not on purpose in many places.
I want to watch one of the ones that are especially known for homoeroticism: Kamen Rider Kuuga, Kamen Rider Ryuki, Kamen Rider Blade, Kamen Rider OOO, Kamen Rider Build, Kamen Rider Faiz. Blade isn't initially very homoerotic until it very much is. Kuuga is for you if you want a more sweet and sincere vibe. OOO, Ryuki, and Build are more for if you like watching men bicker with each other homoerotically. Ryuki also contains a couple of side characters who read very much as a domestic couple (if you are big into the "loyal dog" type dynamic you will enjoy these two). Faiz is for you star-crossed lovers enjoyers that can also tolerate a stunning amount of heterosexual love drama (Blade is also a bit star-crossed). Watch Blade if you want to have a very personal grudge against a bench for the rest of your life. Kuuga and OOO are the most homoerotic.
I like weird shows where I don't know what the fuck is going on: Kamen Rider Kabuto, Kamen Rider Blade. If you watched Hannibal and were really into the way they talked and made a bunch of food, watch Kabuto.
I want something that leans more into horror: Kamen Rider Kuuga, Kamen Rider Agito. Kuuga can lean pretty hard into horror in places. Agito is a bit lighter, but still has more of a horror vibe to it.
I like mystery stories: Kamen Rider Kuuga, Kamen Rider Ryuki, Kamen Rider Agito, Kamen Rider Build, Kamen Rider W. There are other seasons with elements of mystery, but these are the ones where the mystery really takes more of a front seat. W in particular is actually a noir-inspired.
I want to watch the one with that blond curly haired Ankh guy that I keep seeing on my dash: Kamen Rider OOO
I want something that's a bit artsy and I also like or don't mind musical numbers: Kamen Rider Hibiki (eps. 1-29 only). The only Kamen Rider season where characters regularly break out into song. The sound track, editing style, and aesthetic of the show are so unique. Really strongly written. Do not watch past ep. 29 because of studio mandated changes ruining everything that made it worth watching.
I want to get a good intro to Kamen Rider: Kamen Rider W, Kamen Rider OOO, Kamen Rider Build, Kamen Rider Agito. Kamen Rider W and Kamen Rider OOO are considered great starter seasons. They give you a pretty good feel for Kamen Rider's formula while overall being pretty solid shows. Build gives you a good vibe for how Kamen Rider seasons with bigger casts feel while giving a good balance of serious and silly. It also gives you a bit of a better feel for what some more recent Kamen Rider seasons are like stylistically. Kamen Rider Agito is just a solid early Heisei show that gives you a feel for the tone of a lot of early Heisei shows WHILE also being a good starter show for you to dip your toes into the works of the infamous Toshiki Inoue. Inoue is a prolific writer of tokusatsu shows that most fans have a love/hate relationship with. He is the main writer for several Kamen Rider seasons, specials, and movies and has written several episodes even in shows that he wasn't the main writer for.
WHERE TO WATCH:
Legally: Ryuki and Kuuga (along with the original Kamen Rider from the 70's which is good cheesy fun) can be streamed on Tubi (at least in the US). If you understand Japanese and have a VPN (or are in Japan) I believe most of the seasons are on Hulu.
*I actually wouldn't recommend watching Kuuga FOR THE FIRST TIME on Tubi because the Grongi subtitles are baked in and you can't turn them off. I strongly believe that a key part of the first watch experience is not being able to understand the Grongi, as was the original intention of the show's creators. You can buy the blu-rays for Kuuga and toggle the Grongi subtitles if you really think its worth it to spend the money*
Alternative: You can watch them on most illegal streaming sites, lol. The only season I've seen where that has been an issue so far is Den-O, with the uploads being kinda wonky and partially missing.
There is... another source but I shan't link to it directly here (loose lips sink ships!) Please reach out to your nearest Kamen Rider blogger for the goods.
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elisaintime · 5 days
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Woah, I must have missed something, why are people jumping down your throat?
From what I can gather at this point, it seems like they feel like anyone who likes Anne Rice herself and the books better than the show=automatically racist. Even if they ALSO enjoy the show and support the race change of the characters and all the racial conversation the show incorporated into its adaptation.
Personally, I think it does a disservice to the fandom to assume that the only reason one could like the books over the show is because of racist reasons. Anne's books speak to so many people in so many ways, especially those who have ever felt like outcasts or apart from mainstream society, and many fans have extremely personal connections to the books for a huge variety of reasons.
Like I said in my videos, I was excited and intrigued to see this AU version of the story (I love AUs!) but my complaints with the writing of the episodes mostly came back to when the show was trying to stick TOO MUCH to the books.... Because the show was really making its own thing with its own versions of the characters and all these new ideas, but then suddenly it would shove in a scene/dialogue straight out of the books which would contradict or make no sense with everything else the show had already worked to set up with the new direction it was taking itself.
Critiquing sloppy/weak writing does not mean I or any other fan who feels the same is doing it for racist reasons. Much of my criticism was about how the scripts changed Lestat's character to make him so much worse than he was in the books (which would be fine, it's their story, whatever--except the show runners told us over and over again that the whole reason Louis was doing a second interview was so that this time we could see the real version of Lestat and how Louis felt about him instead of the mean, insulting version he gave in the first interview). There was a lot promised by the showrunners about what their adaptation would be like that was not delivered ("closer to the books than the 1994 movie," "true to the spirit of Anne Rice" etc). The entire reason I made my videos was to evaluate how well the show measured up to those promises.
Worse than making Lestat so irredeemable, the way the first season ended in a way that made so many fans believe that Louis might have been lying about everything didn't sit well with me at all--it's a harmful stereotype to make the black man a liar, especially when it comes to abuse. I know the "the DV didn't actually happen and black Louis was lying or mind controlled by his evil non-white boyfriend" became a running fan theory, but I personally don't believe it one bit. But I can see why so many fans do--again, sloppy/weak writing on the show's part.
Like I said in my video, the only thing Louis actually lied about in ep7 (and he was lying to himself, not deliberately lying to Daniel) was the depth of his love for Lestat at the end. And that's entirely canon for Louis to deceive himself about--admitting how much he truly loves Lestat always came hard for him. I personally don't think it's going to turn out that anything Louis told us in season 1 was a lie. I think the show would have revealed that at the end of the season, not waited another season (or two or three) to reveal that. And the theme of season 2's promotional material has all been about memory, not honesty. I don't think Louis could mistakenly remember getting dropped from a mile in the sky and the months/years of recovery afterward, so I personally think all those memories were real.
The first three episodes of season 1 made Louis's struggle with race its primary focus, and the series description began with how Louis was chafing at society as a black man. But then from episode 4 on, the focus of the show shifted entirely. Obviously racism still existed in Louis's world, but the show pushed it all entirely to the background with little things, like segregation on the bus, and we saw the characters quietly taking in stride, not making any plot out of it. Suddenly all of Louis's character-driving moments weren't about that anymore and we were in a whole new story, when his battle against racism had been the entire theme of the first three episodes. This was something I noticed and pointed out in my videos--I didn't say it was a bad thing (after all, seeing people be racist to Louis on screen, while "realistic," isn't exactly fun for anyone, and we'd already seen plenty), but I did think the sudden dramatic shift in story focus weakened the show's themes and throughline.
Again this comes down to writing, and the premise/script was written by white people. I think they could have done much better with much more non-white involvement on the writing level. I think the show could have been stronger with some more care taken to create consistency and smoother transitions between episodes (like when they take Claudia out to feed in episode 4, suddenly all the race riots are gone, when everything was on fire 2 hours ago). It's common for shows to have each episode written by a different person, even though they all collaborate in a writer's room, but to me it felt like the show lacked efficient script supervision to make sure all the scripts flowed into each other without any contradictions or inconsistency.
When I talked about these things in my videos, when I said I would have liked the show to do better with the way it missed the mark sometimes in handling racial aspects (even though other parts I commended as being great), and the way I critiqued the inconsistencies and contradictions, some people took that to mean I hated the show entirely. The point of my videos was to see how well the show measured up to Rolin Jones's promises that it was so faithful and respectful to the spirit of the books and that all he wanted to do was honor Anne's work. I know the books back and forth, enjoy having a ND hyperfixation that gives me near-encyclopedic knowledge of the texts and Anne as an author. So people ask me questions about them all the time, especially in comparison to the adaptations. Who better to make videos evaluating how well the show measured up to RJ's promises and claims of faithfulness? But some people took me comparing the show to the books to mean I thought it was a bad thing that they weren't the same, and I hated the show entirely for not being the same as Anne wrote it, and therefore that meant I (and anyone else who loves the books) was racist 🤷
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mask131 · 10 months
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The thing that I always found abominably fascinating and insanely mind-blowing with the Earthsea series is that it breaks all the worn-out, over-used, “seen everywhere” cliches of fantasy people complain about today and try to avoid. 
Tired of your typical Europe-setting? Here is a world of islands influenced by a lot of various non-European civilizations!
Tired of having a white-predominant cast? Here is a series where people of color are the dominant ethnicities and the white are the minority and bizarre barbarian foreigners from far away!
Tired of having the heroes go on grand and perilous monster-slaying quest to fight some dark overlord or fetch a magical item? Here are books where the villains are elusive, abstract and philosophical threats, where the quests to defeat them are very down-to-earth, solitary and rely more on self-search and the understanding of human nature rather than great exploits. 
Tired of seeing the same old-worn out fantasy races tropes? None of this here! 
This book series was created with the intention of subverting, avoiding or breaking the new tropes and stereotypes that were rising up with the success of Tolkien’s work. It was made to be different and ground-breaking and stereotype-crushing, and it worked extremely well, becoming a classic of fantasy literature and influencing the genre massively... And yet, people only rediscover it today, and know about it today somehow. (Well a “large” today including the dozen of last years of so).
This series is the perfect example of the “new” fantasy that rises up in the modern era, as an attempt to “break off” from the “traditional” or “cliche” fantasy... And the first book has been sitting there since the END OF THE 60s!!! 
There are more examples I could point out of books that present to us a completely out-there, trope reinventing, stereotype breaking form of fantasy - and that yet have been there since the 70s or the 80s, or even before! As I went back in time to see several of the “classics” of fantasy literature, I came to understand something - a lot of the “cliches” and “stereotypes” and “over-used tropes” of fantasy people complain about today were not at all dominant for a very long time. If you believe the words of many people out there, you imagine fantasy never had black characters or queer characters or non-European settings or non-Tolkienesque plotlines until the 2010s or something... Which is not true. Fantasy was such a varied, bizarre, diverse genre in its literary form all throughout the 20th century, and many “old” works of the first generations of the post-Tolkien fantasy are basically what people want to see today as “pattern-breaking and fresh new fantasy”. 
The Tolkienesque-fantasy and all of its cliches and stereotypes were not so much dominant as just present in a handful of massively popular and widespread works - the case of the Shannara series can be pointed out, as its first book was PRAISED at the time for being able to recreate a Tolkien story in the 70s, and it was because it was mostly a copy of the Lord of the Rings that it got so popular (and why it is not well-liked today). And then the 80s rolled and early D&D reignited the flame of the Tolkien-inspired fantasy. By the 90s, it seemed Tolkien had been used and over-used to death, and people didn’t trust it all anymore... Which is why David Eddings’ Belgariad series was created. Its key point was to take back all the elements of the traditional epic fantasy story, but reassemble them, freshen them up, twist them slightly, all of that to re-create a by-the-book BUT fresh, new and interesting series. It was an attempt at prooving that, with innovation and some twists and modernization, the Tolkienesque fantasy would not die - and it worked massively well. And then in the 2000s, the Lord of the Rings movie sealed the deal. 
All these works make it look like fantasy had always been copying or taking inspiration from Tolkien. But it is false. It is true that most of the classics are tied to Tolkien, but not always in imitation or re-creation - in the case of “Earthsea”, there was a willing attempt at getting away and inverting the Tolkienesque fantasy to create a fantasy that went the very opposite direction. Same thing with the Elric Saga, also designed to be the reverse or opposite of The Lord of the Rings, and which in turn became the classic of another new genre of fantasy: dark fantasy. And Conan in all that? People forget that the Conan the Barbarian series were just as influential for fantasy works as Tolkien’s Lord of the Rings was. The Elric Saga, again, was created to completely reverse and avoid the Conan-like fantasy. A similar thing was done with Leiber for his “Fafhrd and the Gray Mouser” series, which was designed to break away from the Conan “heroic fantasy” style and reinvent the genre in a new direction. 
There are so many “old” and “classic” works of literary fantasy that actually do not feel like a “classic” at all because they have all the vibes, elements and expectations one has from a non-classic, non-traditional fantasy... BUT THEY ARE THE FOUNDATIONS, they are the basis and classics and inspirations of fantasy. And it all shows this huge gap between what people think fantasy is, and what fantasy really was - it is a fascinating case study of how one specific trend somehow got over the entire genre. Imagine a world where people think Gothic novels can only have a vampire or the ghost of a judge, and must be Bram Stokers-inspired, and that everybody points out they are tired to see Dracula-expies everywhere... Only to discover the stories of Edgar Allan Poe and be baffled by them and their “inventivity” and “breaking of patterns”. I’m sorry, that’s the fastest comparison I can make, but this feels just like that. There is this strangely specific idea of what fantasy is today forged on a few items... I think, beyond the massive success of Tolkien and imitators, D&D probably is also to “blame” for how people see fantasy today.
But even then, D&D took inspiration from so many non-conventional works of fantasy... Yes many became “classics” now, though often ignored by the masses - The Elric Saga, and Fafhrd and the Gray Mouser were big influences. But take the Jack Vance series “The Dying Earth”, another big inspiration on early D&D. Take that. This series is from the 50s - FROM THE 50S - and yet it is a unique genre of sci-fi fantasy that I haven’t seen much being done around, and it creates such a weird, whimsical, bizarre, surrealistic fantasy world, it feels completely unique. And again, it is a classic of the 50s and 60s. 
I don’t really know where I try to go with this but the important thing is: when someone wants to read “non-traditional” or “non-Tolkienesque” fantasy, or “non-stereotyped” fantasy, it is possible, instead of searching for every new author nowadays (not a bad thing to do that though), it is possible to just go back in time, look back at the books of the 70s, 60s and 50s, and find there a novelty, a freshness and an inventivity that is lacking in a mass production of modern day fantasy. And that such a thing is possible is truly crazy for me. I don’t know if such a thing happened with other literary genres, but it is insane that sometimes in fantasy, to see “new” things you just have to look back into the past. 
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captainsavre · 20 days
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100 Episodes and Beyond: The Legacy of ‘Station 19’
What we’ll always take away from the landmark series even after it fades to black.
BY MALCOLM VENABLEPUBLISHED: APR 10, 2024
Station 19 is ending, sadly, but when it does make its final farewell this year, Shondaland’s ABC series will leave behind more than teary eyes and a legion of loyal fans not ready to say goodbye. Though on the surface Station 19 functions as a standard emergency services/rescue drama, it has so much more going on underneath its fireproof exterior. For seven seasons now, the Grey’s Anatomy spin-off has become a landmark TV show in its own right, leaving behind a lasting legacy.
On a recent visit to the Station 19 set, where Shondaland was on hand to celebrate the momentous achievement of Station 19 finishing its 100th episode, which airs Thursday, April 11, we caught up with its beloved stars to probe what the show means — and talk about some of the ways the show will live on forever.
First-responder life
Perhaps the biggest and most important legacy of Station 19 is the way it reveals the struggles, sacrifices, and everyday heroism of first responders. Statistics show that Americans make roughly 240 million 911 calls a year — that’s more than 600,000 emergency calls per day. If we’re lucky, we’ll never have to make such a call, making it easy to forget that on the other end of that line are real people who get up every day and put their own needs and lives aside to help us when we’re having the worst day ever.
Through all kinds of calamities, disasters, and unthinkable emergencies — gas leaks and bombs, medical scares and car crashes, and of course, fires — we’ve seen these fictional characters mirror the courage and heroism real first responders exhibit every day. “I think Station,” executive producer and co-showrunner Peter Paige says, “has this magical formula of great action, incredible characters, incredible human stories that model a better way to be in the world.” Amen to that!
Mental health
The flip side of those incredible acts of service on Station 19 is the toll such a job takes. Sure, fires and rescue scenes make really good TV, but what has made Station 19 so impactful is the way it shows the human cost of such work. The death of Rigo (played by Rigo Sanchez) in season three is a good example: The subsequent group therapy sessions, where Andy Herrera (Jaina Lee Ortiz) and the team confront their grief and loss, illustrated how the job doesn’t exist in a vacuum and even the world’s toughest people feel emotional pain. “The relationships and circumstances really resonate with the audience,” Ortiz says. “They cry with us and grieve with us.”
Representation
“I feel like we have a lot of good representation,” says Zoanne Clack, co-showrunner and executive producer. “A lot of people who don’t see themselves represented usually on network television see themselves on our show.” She couldn’t be more correct. Station 19 has been trailblazing for the way it depicts a number of underrepresented groups — most notably Latinos, who are vastly underrepresented on television — in lead roles, with Pruitt Herrera (Miguel Sandoval) and Andy Herrera (Jaina Lee Ortiz) in particular as standout examples. Showing them as captains has been quietly revolutionary, helping to undo persistent stereotypes that have Latinx people in service jobs or as criminals. LGBTQ characters get a lot of shine on Station 19 too; we see characters like Carina (Stefania Spampinato) and Maya (Danielle Savre) living out their lives, and not being held up as perfect aspirational models but as everyday people dealing with work, relationships, parenting, and the like — just like so many LGBTQ people the world over.
Family
“I think everybody sees the family they grew up in and the family they created — good, bad, and ugly,” says Jason George, otherwise known as Dr. Ben Warren. Indeed, Station 19’s 100 powerful episodes give us unflinching glimpses into what it looks like to be a pea in a pod, so to speak, and navigate the dynamics of being in a forced cluster — particularly accepting and supporting other people even if, in the moment, you’d really rather not. From courtships to breakups, baby making, and confronting the finality to death, the Station 19 family have endured it all together, and viewers have gone through it all alongside them. And that’s just one of the many reasons why its impact will stick inside the hearts of viewers for years to come.
For more on the legacy of Station 19, watch the video above from the series’ 100th episode celebration. And catch the final season of Station 19 on Thursdays on ABC, or stream episodes on Hulu.
Link: 100 Episodes and Beyond: The Legacy of ‘Station 19’ (shondaland.com)
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artofkhaos404 · 8 months
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Hobie Brown is a fantastic character.
His design, concept, uniqueness and how HOT he is make him altogether very likeable. But all these things are not why I love him so much; it's what he represents that gets me.
The symbol in modern media he is for many different types of people. For one, he's pretty awesome for people of color to enjoy. Another black hero who can get down to business is always welcome, though it's nothing new for the Spiderverse universe with Miles Morales being our main protagonist. Having a British black character makes it all the more fun, diverse and interesting!
All that being said, the thing that warms my heart about Hobie Brown is what he means for the alternative community.
Im a punk. I'm also an anarchist.
Like anyone, I look for people in media who represent me in both appearance and ideals. As a plus sized person, finding people in media who look like me and aren't part of the toxic stereotype for fat people is uncommon. Chubby characters who don't make their weight part of their personality is unheard of.
Finding characters who properly represent my beliefs and ideals is nigh impossible in my experience. Seeing a punk in modern day popular media is rare. And when I say punk, I'm talking PUNK RAWK. Musicians with colorfully laced boots and symbols painted sloppily all over themselves. Gritty political activists in homemade clothes and piercings, fighting tooth and nail for what they believe in. In truth, I don't know if I've ever seen that in popular media; not authentically.
What do we get instead? Punk coded teenagers who don't really believe in anything, pissing people off for the sake of it. That ain't us. We believe in respect, love and morals. We believe in doing whatever is necessary to achieve the perfect world, whatever each individual believes that is.
The representation is even more insulting for anarchists. Everywhere are both mature antagonists and cartoon villains parading around preaching "anarchy" and completely misusing the word. Its to the point that my political belief is now more closely related to dictatorships (the literal OPPOSITE of anarchism!) or simply death and destruction rather than the true definition: no institutions, just people.
That word has been defiled. I've had people laugh at me and ridicule me when I share my political stance with them due to this stereotype. I've had people tell me I believe what I do just because it "sounds cool."
People that were uneducated to the concept in the first place have now been reeducated by an overlord walking across a battlefield of dead bodies in some movie screaming about "anarchy." Thanks Hollywood. Really appreciate that.
But Hobie is a punk. And he's an anarchist.
He's a hero. He's intelligent. He knows what he fights for and he fights well. That alone is revolutionary for the anarchist movement.
And in a MARVEL FILM. Millions of people watch Marvel films across the globe. Across the Spider verse has pulled in 1.35 Billion dollars. This is exactly what we need.
So, as a representative of my community, thank you Sony Pictures for this gift. I hope to see more like it. And while we're at it, thank you for all the diversity in this new film between all the ethnicities shown onscreen to putting someone my size in the mask!
Thank you, thank you, thank you!
(also if anyone has any recommendations for realistic punk characters in media I'd love to hear em)
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