#If you like S4 that is super okay | Explore Tumblr Posts and Blogs

sanguineterrain · 1 year

Text

i'll put us back together at heart - s.h.

Summary: It's 1987. You haven't spoken to Steve Harrington in nearly five years. Then Dustin Henderson tells you about a sweet deal he has at Family Video, where he can rent any movie he wants.

Pairing: ex-best friend!Steve Harrington x fem!reader

Word count: 8.8k

Warnings/tags: friends to strangers to lovers. the reader is twenty in 1987 and i technically made steve twenty-one/about to turn twenty-one. s4 happened but eddie's alive and vecna's dead. no earthquakes or anything like that; reader has no idea about what really happened. lots of angst, mentions of billy hargrove (yuck) and steve's s1 asshole friends.

A/N: oh my lord. i don't know where this eighteen-wheeler of a fic came from but here it is. there is a happy ending, not to worry. i'd never do that to y'all <3 feedback and reblogs are always always appreciated!

divider by firefly-graphics

August 1981

"I wish we could stay eighth graders forever."

You lift your head from your orange pool floaty. Steve drifts on the surface of the water. His hair is longer, way longer than you've seen it in the three years you've been friends. He says it's better for styling that way; he's even bought a gel and cream for his hair. You don't understand why he wants to change something that doesn't need changing.

"Why?" you ask. "I thought you were excited for high school."

He hums. The sound echoes in his backyard.

"It's bigger than middle school. More kids, more teachers, more work. I like eighth grade."

"I'll help you with your work," you say.

Steve turns his head and smiles at you. Part of his face is in the water, the image distorted.

"You'll do great," he replies. "You're so smart."

Steve doesn't say those things to get you to help him like other kids do. Steve means it.

"You'll do great too," you say. "You're funny and nice and my best friend. People will like you."

"You think?"

You nod. Steve turns his head and closes his eyes again.

"We'll stay friends, right?" he asks.

The floaty squeaks as you move to sit up. You paddle to Steve so you can look at his face.

"Why wouldn't we?"

"I dunno." His eyes are still closed. "You might make super smart friends. And I'll just be a dumbass holding you back."

You shove Steve's shoulder lightly.

"You are not dumb, Steve."

One muggy June night had had Steve admit he wasn't thirteen, like you and all the kids in your class, but fourteen. He had been held back in third grade after his parents moved from Illinois. It's why my brain's mush, he'd said. I was born dumb.

He had made you swear not to tell anyone.

"You're not dumb," you say again. "Say it, Steve. Say you're not dumb."

His frown deepens, but he still won't look at you.

"Tommy says I am."

"Tommy Hagan is a shithead," you shoot back with so much venom, Steve's eyes fly open. "It's not true, whatever he tells you."

You hate that they've been hanging out more this summer. You can't tell Steve that, because it's not like you own him. He can be friends with whoever he wants. But you can't help that your skin crawls when Tommy and his stupid girlfriend, Carol, drops by and pulls Steve away from you.

“Promise?” he asks.

“Yes, Steve. I promise.”

“‘Kay.” Steve smiles a little. “Thanks.”

You nod and lay back on the floaty.

“Wanna get ice cream after this?” he asks.

“Just us?”

“Just us.”

Now. (January, 1987)

You slam the phone back onto the receiver. A girl playing Pac-Man carefully glances at you.

Whoops. Right. You're still at work.

You smile and give a thumbs-up. She turns around. You return to your wallowing.

You’ve called three different video rentals. Jewel Films, which is about to go out of business; More Movies, whose attendant hung up on you before you could say Molly Ringwald; and finally, Blockbuster, which is thirty minutes outside of Hawkins. None of them have a copy of Pretty in Pink.

And okay. You could just watch another movie. You don't need that specific one. But this year has been shit. You'd thought after starting college, you'd finally break out of the Hawkins forcefield that had limited your social life. You'd thought you'd make friends and not be so terribly lonely. Life is supposed to get better after high school, isn’t it?

Obviously, whoever said that is a big, fat liar.

“Dude!” you hear a familiar voice exclaim. “Stop hogging the game!”

Tawny curls peek from under a green and yellow hat. The hat hovers over an older boy who’s glued to the Tempest booth. You go to them. Dustin Henderson lights up when he sees you. You can read his hat now; it says Camp Know Where ‘85.

“Hey, Y/N!” he greets brightly. “This guy has been here for a half hour. I left to get nachos and when I came back, he was still here.”

“I’m this close to beating my score!” the kid insists.

“Come on, guy," you say, one arm on the machine. "You gotta give other people a turn."

The kid, evidently demon incarnate, sneers at you.

“Who’s gonna make me? You?”

You lean against the side of the game, considering.

“How old are you?”

“Sixteen,” he says.

You snort.

“Sixteen? And you’re still on Tempest?”

He glances at you.

“So?”

“Everybody your age is playing Rampage, that’s all.”

You wink at Dustin. He beams.

“And, uh, I saw a couple girls hanging around Rampage,” you add.

The kid turns to you. You tilt your head innocently.

“Seriously?” he asks.

“Seriously. People always flock to the new games.”

Which is true. The girls part is not, but he doesn’t need to know that. With that attitude, he won't be getting many phone numbers anyway.

You drum your fingers on the game like you have all the time in the world. And sure enough, the kid takes his quarters and heads towards Rampage. Dustin jumps in delight.

“You’re awesome, Y/N!"

You grin. “I try. Where are the others?”

Dustin sours.

“They ditched me. To hang out with their girlfriends! Can you believe that shit?”

“No way!"

He shakes his head.

“I know, right? My friend told me that that’s what happens in high school. People change, y’know? And he’d know, I guess. He’s old like you.”

You scoff. “You make me sound like some kind of ancient. I’m not that old, Henderson.”

“It’s okay, Y/N.” He pats your arm. “In many cultures, the elderly are wise. Now in my experience, this hasn’t been the case. But I think you’re wise.”

“Gee, thanks.”

Dustin smiles like the little shit he is and puts his change in the slot.

“Well, contrary to what this other friend says, I’m sure it’ll pass,” you say. “You guys will hang out again."

You swallow your acidic truth. Dustin's a good kid, and so are his friends. You don't want him to turn cynical like you have. He's too young.

Dustin shrugs, starting the game.

“I guess so. I got a copy of The Lost Boys for us to watch on Friday. They said they’ll be there.”

“Whoa, seriously? That one just came out, how’d you get a copy?”

“My friend,” he says. “The one I mentioned. He works at Family Video and reserves stuff for me.”

“Huh. I thought Family Video was closed."

You'd applied to work there last year and never got a call back. You'd gone by once and it had looked abandoned. Hence why you now work at the arcade across town.

"It almost did, but Keith took over so now it's barely scraping by."

"Ah. Sweet deal on the movies."

“Yeah,” Dustin agrees, eyes crinkling. “My friend's pretty cool. You'd like him."

"Would I now?"

"Absolutely," he gushes. "He's a total badass too. He won his first fight last year. He used to be a jock but he's recovered."

"Wow. Impressive."

"Mmhm. I could ask him to hold stuff for you too, if you wanted.”

“You would?”

The game makes a sad game over noise. Dustin sighs and takes a gulp of his slushie.

“Yeah, totally,” he says through a mouthful of blue raspberry ice. “Which one do you want?”

“Pretty in Pink? I missed it in theaters."

“Sure. I’ll tell him to hold it tonight and tomorrow you can pick it up.”

“Cool. Thanks, Dustin.”

Dustin gives you an apple-cheeked grin.

“Gotta stay in good graces with the arcade attendant who lets me play Tempest as long as I want.”

"I don't know what you're talking about," you say, walking away. "Don't get slushie on the game."

"'Kay!"

Dustin only gets a little bit of slushie on the game, but he cleans it up with about a million of the cheap snack bar napkins. When he leaves, he tells you to mention his name at Family.

"Who do I ask for?"

"You can talk to either of them," Dustin says. "Doesn't matter. Except Keith. You know Keith, right?"

"Unfortunately.” Keith used to terrorize the arcade before he blessedly moved on. “He works there?"

"Barely." Dustin scoffs. "He's almost never there, so don't worry. And feel free to ask for more movies. They owe me one."

Your sole interactions are with professors and a gaggle of high school freshmen. But now you get to watch any movie you want. Maybe this year won't totally suck.

The bell rings pleasantly as you step inside. There's a few people on line, so you take your time walking in. There's a movie display with about thirty copies of RoboCop. A cardboard cutout of RoboCop stares back behind his red helmet.

"Can I help who's next?"

You go to the counter. A girl about your age with a choppy haircut smiles at you but it's sort of strained. She has a pin on her green work vest that says Ask me!

"Please don't ask for Adventures in Babysitting," she says.

"Oh. No, I'm, uh, Dustin's friend?"

You can't believe you're name-dropping a high schooler.

She nods in realization.

"Oh, yeah. God, I keep telling that dweeb not to promise holds."

You wince.

"Sorry. If it's going to get you in trouble…"

Her brows raise. She smiles a bit.

"No, it's okay. Usually my coworker deals with it but, well. He's taking an extra long break today. So, what movie was it?"

"Pretty in Pink," you say.

"Classic," she replies. "John Hughes fan?"

"Somewhat. I didn't get to see it in theaters. I like Molly Ringwald."

She grins.

"Me too. She's pretty."

"Super pretty," you agree.

The girl considers you, then sticks out her hand.

"I'm Robin," she says. "Nice to meet you."

You take her hand. "Y/N.”

"Did you go to Hawkins High?"

"I did. Graduated last year."

"Oh, cool. Are you in college?"

You nod.

"Hawkins State. Twenty minutes from here."

"Sweet! I'm taking a gap year, but afterwards, I’m gonna apply there. It's cheap. College is college, right?"

"College is college," you agree. "But I wish I'd gone away for school."

You don't know why you're telling her this. You've known Robin for all of two minutes. But she seems friendly. And her sense of style is cool. She wears a blue blazer and tie underneath her vest.

"How come?" she asks.

"Everybody from Hawkins is there," you say. "And I… I just want a new start."

Robin smiles sympathetically.

"They're jerks," she says.

You huff. "Yeah."

You'd turned yourself into a social recluse a million years ago. It's your own damn fault you can't befriend anybody in this town. At least, not anymore.

Robin types into the computer, then smacks the monitor. She groans.

"Ugh. Gimme a second," she says. "Stupid technology."

"No problem," you say, smiling. You like her. Maybe you can integrate Family Video into your regular routine, become friends. You can see Robin becoming a good friend. One you wouldn't grow apart from.

She disappears into the back room. You browse the old releases and stop at Die Hard. This one you saw in theaters. John McClane is a badass.

You think of Dustin, and his supposedly badass new friend. It's too bad you didn't meet today. Dustin has a good sense about people. If he says so, it's possible you and this friend really would get on.

The bell rings again. You're slow to look up. The entrance is empty when you do. You keep reading about John McClane's adventures.

"Have you been waiting long?"

You turn at the new voice. The video slips out of your hand and clatters onto the counter.

Steve’s hair has grown since you last saw it. He looks different too, though he has yet to break out of his signature church boy polos. There's a smattering of stubble on his jaw. His arms are lean with muscle. He wears a matching work vest like Robin's, name tag printed Steve in blocky font.

He looks at where you've dropped Die Hard and smiles.

"This is a good one," he says. "John McClane is a total badass."

You blink.

"Did you want to rent that one?" he continues, meeting your eye.

"No," you manage.

"Okay, no problem. Just browsing?"

He doesn't remember you.

You stare and stare. Steve leans in, concerned. He's changed, but he hasn't. He's still handsome with his swoopy hair and big, dark eyes, but the Steve you knew wouldn't have been caught dead working at a video store.

And he doesn't remember you.

"Are you okay?" he asks, sounding genuine.

You take a step back from the counter. The blood roars in your ears. Robin comes back in, Pretty in Pink in hand. She looks at you, then at Steve.

"Got it!" she tells you. "Computer should work now."

"I have to go," you say.

You don't look at Steve again, instead focusing on Robin.

Her brows rise.

"Oh. Is everything—"

"I forgot my wallet," you blurt. "I can't pay for the movie. Sorry."

"That's okay, we can just—"

You run. The bell chimes over her words. You keep running until you get to the bus stop, three blocks away.

Only there do you stop to catch your breath.

And then you cry.

February 1982

"What do you think about Marie?"

You look up from your textbook. Steve is doodling in the margins of his notes. You gently prod his arm. He returns to reading but his leg starts to bounce under the table.

"Marie Iverson?" you ask.

"Yeah."

Steve glances at you. He pushes his hair back. It had taken him freshman year to get his bearings with all the gels and creams, but now, his hair is a point of pride, always perfectly coiffed. Seniors call him "The Hair" and high-five him in the hallway. You hate it.

"I don't know. I don't know her that well."

"She's cute."

"I guess so," you say.

It's harder to get Steve to focus on homework these days. Last year, he happily made flashcards with you and even bought fancy gel pens to share for your notes. Now, he prefers to talk about girls or—

"I was thinking of asking her out."

The tip of your pencil breaks. You really ought to start using pens, but you don't like being unable to erase.

"Shit, here. Take mine."

Steve offers his still perfectly sharpened pencil. You stare at it.

"Y/N?"

"Yeah." You take the pencil. "Thanks."

"Sure. So what do you think?"

"I don't know, Steve. I thought you talked about this stuff with Tommy."

"I would, it's just…" Steve shifts uncomfortably. "He can be rude about it sometimes. He doesn't even get why we're friends, y'know? Doesn't understand why I don't just date you."

Tommy is a moron, but you've said that since last year, and Steve's never listened before.

"Some people don't get it," you say mildly, because you have an upcoming French test and there's no use in getting upset over Tommy Hagan right now.

"But you do. And you know about this stuff better than me. Girls and all."

"Just because I'm a girl doesn't mean I know what girls are best for you to date, Steve. It's weird to talk about."

Steve deflates.

"Oh. Yeah, I guess so. Sorry."

You sigh and rub your temple.

"I thought you knew all about that," you say, extending an olive branch. "Asking girls out and stuff."

"Well, I mean, I've kissed girls but I've never… you're, like, the only girl I really know."

Something like pride swells in your chest. Selfishly, you want to keep Steve. You don't want to help him if it means losing him. Oh, you're so greedy, aren't you? You watch Steve run off with Tommy and Carol and nameless seniors and seethe, because Steve was yours first. Steve is yours.

"Y/N?"

"Yeah." You give him back his pencil and fish for another one in your bag. "Did you ever think about writing how you feel?"

"Writing?"

"Yeah, like a poem or a letter."

"I'm terrible at writing," Steve laments. "The letters get all jumbled and I never spell a damn thing right."

He'd told his mom once how letters melt into each other, how b's become d's. She'd taken him to get his eyes checked, and when the doctor said Steve was fine, Deborah Harrington had told her son to stop begging for attention.

"Someone who really likes you won't care about spelling mistakes, Steve," you tell him. "As long as you write from the heart. Don't do that cheesy shit and quote Romeo and Juliet. They're young, impulsive, and they die at the end, and that's not romantic."

Steve laughs, nose scrunched.

"What!" you demand. "What's so funny?"

"Nothing, 's just—of course you'd have something to say about quoting Shakespeare."

"It's overdone," you say, crinkling your nose. "And girls would much rather read your own words."

"So you think I should write Marie a letter?"

"If you really like her," you say. "Only write letters for girls you really like. Otherwise they lose their meaning."

Steve frowns. "I don't know if I should write her a letter, then."

Don't, you want to say. Don't write any of them letters.

You shuffle your papers into a stack.

"Can we study now?" you ask.

"Oh, sure, yes. Sorry."

"You don't have to keep apologizing, Steve."

He shifts closer to you. His leg has stopped bouncing.

"Lemme take you out," he says.

You nearly swallow your tongue.

"Wh–what?"

"For ice cream," Steve clarifies. "Like we used to. Dairy Queen."

"Oh. Okay, sure. But after we study."

Steve beams. "I'll drive you."

Steve's dad had bought him the BMW as a birthday present this year—not that Richard Harrington actually knows when his own son's birthday is, considering the gift was three months early. Still, it's another point of pride for Steve and about all anybody talks about whenever his name comes up. Steve is the only person in your grade with a car. Junior girls hit him up for rides. You make yourself scarce when they do.

You don't care. You liked Steve before the car. And the clothes. And the hair.

Your throat feels tight. You want your best friend back.

"Just us?" you check.

You can't tell these days. Steve seems to hang out with everybody but you. You're shocked he'd even asked to study together.

"Oh, sure," Steve says. "I just have to drop off Tommy and Carol first, okay?"

You check your watch and close your book.

"I have class," you lie. "I'll see you later."

Steve catches your wrist. He looks at you and you're struck by how sweet his face is. It's not like you didn't understand why girls want him but it's Steve. Your Steve, who still sleeps with a nightlight and who framed a picture of a sports car he cut out from a magazine because he'd thought it would make him cooler (it didn't. You still tease him about it.)

"Please," he says. "For helping me."

Your eyes slit. "I didn't help you to get stuff, Steve. I helped you because you're my friend."

Steve blinks like he's forgotten what it's like to be friends with someone just for the sake of being friends.

"You're right," he agrees. "You're not like that. I'll tell Tommy and Carol to find another ride. It'll be just us. I promise."

You perk up at that. "Really?"

"Really. You can sit in the front with me and we'll play Bruce Springsteen, like we used to. Please?"

"Okay, Steve." You ache. You’ve never been very good at telling him no. "I'll meet you in the parking lot."

And maybe… maybe your best friend is still in there after all.

Now

You ask your shift manager if you can work at the snack bar today. It's in the back and you won't have to deal with any game hogs.

"You didn't put enough syrup in my slushie."

You might have overshot the perks, though.

Slushie Girl's hair is bleach blonde and hairsprayed to God. You want to tell her that all that hairspray doesn't keep friends. Or brain synapses.

"I don't make the slushie," you say for the third time. "That's how it comes out of the machine."

She shoots you a mean look.

"I'm complaining to the manager."

You paste on a smile.

"You do that. Have a nice day."

She finally walks away, probably on the hunt for your manager, who's definitely smoking a joint outside to avoid this exact situation.

Dustin comes around the corner and this time, he's with the rest of his party. You smile.

"Hey, Y/N!" Dustin greets.

Lucas waves at you. Max and Mike are arguing and therefore are in their own world. And there's their newest addition, El, whose story you're still not clear on, as well as Will, quiet as always.

You lean your elbows on the countertop.

"What'll it be, gang?"

"Six nachos and six slushies, please. One blue raspberry, three cherry, and two Coke."

You fill up the slushies first. Dustin dances on his toes.

"So did you pick up the movie?" he asks.

"Oh." You try to smile. "I went there but I couldn't. I forgot my money. Pretty dumb of me."

Dustin accepts this with no argument.

"Well, you can go back. They'll hold it for a few days."

You're never setting foot in there again, but you don't tell Dustin that.

He takes his slushie and immediately starts drinking.

"Slow down, dude. You'll get a brain freeze," you say.

"You sound like Steve," Dustin informs you. "Doesn't Y/N sound like Steve?"

Lucas nods.

"Yup. They're both parents."

You feel queasy. You focus on making the nachos, the cheese pouring out thick and gooey.

"Did you meet Steve?" Dustin asks. "You probably know him from high school, but he's different now."

"Yes," you say quietly. "I knew him."

"I promise he's different. Even Mike likes him, and Mike hated his guts. Right, Mike?"

Mike pauses in his animated discussion with Max and looks at you.

"What?"

"I'm telling Y/N about how Steve is cool now," Dustin explains.

"Oh." Mike shrugs. "He's fine. Much better now that he's not dating my sister."

"He's not?" you ask. "But they were in love. I–I mean, that's what I heard, at least."

"She dumped his ass," El says, and it sounds a little ridiculous in her soft monotone.

Max scoffs, taking her Coke slushie.

"Did you live under a rock? It was a huge thing."

"Now Steve is lame," Mike says with a snort.

"Getting dumped doesn't make somebody lame," you say with an old ferocity you'd thought had disappeared.

"Okay, jeez." Mike holds up his hands. "Steve's alright. He's different, that's for sure."

"He's our paladin," Lucas says. "A protector."

Dustin nods eagerly.

You blink. "He protects you guys?"

Max elbows Lucas. You have no idea what that's about. El steps forward and smiles softly.

"Yes," she says. "He's our babysitter."

"Aren't you guys freshmen? I thought you were too old for babysitters."

"Oh no, Steve doesn't get paid for it or anything," says Mike. "He just does it 'cause he has nothing else to do."

"That's not true!" Dustin argues. Then he shrugs. "Well, it's a little true. But he does like us. He's a good guy. He cares about his friends."

You bite your tongue, not wanting to reply to that.

"That's great, guys. The girl, Robin? She seems pretty cool too."

"That's Steve's best friend," says Dustin. "She's great."

"Oh." You wince. "Best friend?"

Dustin huffs. “Yeah. They don’t date. He won’t say why."

"Platonic with a capital P," Max confirms. “It’s obviously because he’s in love with somebody else.”

“Not Nancy!” Lucas protests.

“There are other girls besides Nancy, Sinclair.”

You busy yourself with serving the last set of nachos. The kids pull out crumpled bills and coins in return. You count the money and stack it directly into the register; you know there won't be any change.

When you turn, they're still there. Dustin has his signature grin on, eyes squinty.

"Yeees," you drag out. "Can I help you?"

"We need a favor," Lucas says. "Please."

"Hmm." You lean over the counter. "What's up?"

"They're showing Prince of Darkness on Friday," Dustin explains. "But it's rated R."

"So just sneak in. Isn't that what you guys did at Starcourt?" you ask.

"We had an inside man then. They're a lot stricter at the new one," Lucas frowns. "They ask for IDs 'cause some mom complained after her kid snuck in to watch Risky Business."

"And why can't your babysitter take you?"

You sneer at the thought. Steve spending his Friday nights herding a bunch of adolescent teens into a movie theater. There's a reason you consider Dustin affectionately delusional.

"He has a stupid date," Dustin groans. "He's a serial dater, Y/N. It's terrible. He gets lucky once and totally ditches us."

Now that sounds like the Steve you knew.

"I see. I don't really like horror stuff."

"You don't have to stay!" Dustin insists. "You can watch whatever you want after we’re in. I'll pay you back for the ticket."

“This would be so much easier if Steve still worked at Scoops,” Mike grumbles.

You blank for a moment, the image of Steve in a sailor’s hat and those ridiculous shorts whiting your brain.

“Um,” you begin. “You know I don’t have a fancy BMW to cart you guys around in, right?”

“It’s cool. We’ll get there,” Max says.

“So?” Dustin bounces on his toes. “Sooo?”

You sigh. It’d been nice of Dustin to get you the movie, even though you’d chickened out and ran. And it’s not like you have anything better to do.

“Okay,” you say. “I’ll get you guys in.”

Dustin pumps his fist. “Thanks, Y/N! You’re my favorite old person.”

You roll your eyes. “Funny. Any funnier, and I might rescind my help, Henderson.”

“Byeeee!”

They all disperse to the arcade. You wonder how on earth Steve got involved with them.

March 1983

“Okay, but if you had to choose.”

“Pass. I would literally rather swallow pennies than kiss Principal Coleman’s bald-ass head, Steve.”

Steve takes a triumphant swig of beer. “So you’re saying you’ve got the hots for Benny the janitor.”

“No!” you insist through giggles. “I don’t. God, you’re gross. Can’t believe I’m being treated like this on your birthday.”

“Exactly! My birthday.”

He rolls onto his side in his deck chair and nearly faceplants on the cement. You reach out, reaction time delayed.

“Steve!” you yell. “Careful.”

“I am, I am,” he mumbles, and rights himself on the chair. “Jus’ wanna see you better.”

“I keep telling you you need glasses.”

“I do not,” he whines. “My vision’s ten outta ten. Could a guy who needs glasses do this?”

He crumples up a Twinkies wrapper and throws it towards the garbage. The wind picks up and sends the wrapped into the pool.

“Shit,” he says.

You belly laugh in delight.

“Wait, wait, redo. Go fish it outta there.”

“Oh, as if. I’m not going in there. I told you you need glasses. Even Mother Nature agrees.”

"She does not. Mother Nature thinks I'm a doll."

You hum and close your eyes. Alcohol always makes you sleepy.

The chair scrapes against the concrete. You hear a crinkle of a chip bag. Those are your only warning before you’re crushed by two hundred pounds of drunk boy.

“Steve!” You wheeze, squirming as his hair tickles your face. “Get off!”

"’M sleepy,” he mumbles.

“Well, don't sleep on me, weirdo.”

“‘S cold.”

“You run, like, a hundred degrees, don’t lie.”

He lifts his head. “So you’re saying I’m hot?”

“I’m saying all that booze cooked your brain,” you reply sweetly.

“I’ve been wounded,” he moans and plops onto your shoulder.

“Ugh.” You resign to your fate and lean back. Steve’s not actually that heavy; even drunk, he has a lot of control over his weight and he’s situated himself so he isn’t crushing anything important. No, you squirm underneath him for a very different reason.

“Steeeeve,” you whine. “You’re gonna squish me into a pancake.”

“Can’t believe no one else came.”

You still. Steve’s face remains buried in your shoulder. His body is beside yours, and he has an arm slung over your belly.

“I didn’t—didn’t want a party,” he continues. “I always throw parties. I thought I’d do somethin’ different. An’ none of them even wished me a happy birthday. ‘Cept you.”

You rest your hand on the back of his hair. It’s wind-blown and messy from the drinks, free of his heady hair gel. You’ve never loved it more.

“Did you tell them your birthday is today?” you ask gently, even though you know he did.

“Yeah,” he says. “Told all of ‘em. Guess they weren’t listening.”

“I listen.”

Steve looks up at you. His eyes are glassy.

“God, I miss you,” he says.

You feel the wall you’ve built this year crumble, just a little.

“I’m right here, Steve.”

“I know but—been a jerk lately. I know I have. You’re my best friend, okay? Nothing’ll change that. I–I love you so much.”

Your breath hitches. Steve barrels on, not noticing.

“And I’ll be better. We’ll hang out more. Not–not here, drunk. But for real. We’ll go to the movies. Y’wanna see a movie?”

“Yeah,” you whisper. “I wanna see a movie.”

“‘Kay, what movie? Anything you want. We’ll get popcorn and Raisinets.”

“You hate Raisinets,” you choke through a watery laugh.

“I’d eat Raisinets anytime with you.”

You lay there, in the dark, the only sound being the pool filter.

“Let’s watch the new James Bond.”

“Hmm, okay. But you’ll have to say the name eventually.”

Your nose crinkles. “I am not calling it by its name.”

His laugh is warm in your neck.

You don’t tell Steve to get up again. He snuggles into you, leg over yours. You fall asleep like that, curled underneath him.

Now

“Wait.” Max stops. “Shouldn’t we have, like, a game plan?”

“Game plan?” El asks quietly.

“Yeah. Some of us aren’t so great at playing it cool.”

She stares at Lucas.

“I play it cool!” he squawks. “I am so cool!”

“Right.”

“Just let Y/N do the talking,” Will says. “She’s technically the adult so she should act like this is a conscious choice.”

You shrug. “Makes sense to me.”

Dustin beams. “This is gonna be great!”

“Or a total disaster,” Max says.

You go to the counter, the kids trailing behind like ducklings.

“Six tickets for Prince of Darkness, please,” you say. “And uh, one for Dirty Dancing.”

The attendant looks at you, then at the kids.

“Don’t you mean seven tickets for Prince of Darkness?” she asks. “It’s rated R.”

Shit. “Right, yes. Sorry. Seven tickets. And one for Dirty Dancing. We have another friend who’s late.”

“Uh-huh.”

The attendant, whose bored expression you’ve recognized on your own face after long days in the arcade, hands you your tickets without any questioning.

“I think we’re in the clear,” Lucas whispers when you enter the concession area.

You wait for them to buy their snacks. Max persuades Lucas to let her mix M&Ms into their bucket of popcorn. He agrees and shuffles closer so they’re pressed shoulder to shoulder while they share.

“Okay, last stretch,” Mike says, shoveling a frighteningly large handful of sour worms into his mouth. “We just have to get past the ticket guy.”

Said ticket guy is a kid who can’t be much older than you. You think you might’ve gone to school together, but you’ve made it a point to eviscerate everything about high school from your mind.

“Hey,” you say, trying to act cool. Maybe you’re the one Max should’ve been worried about, instead of Lucas. “Uh, here are our tickets.”

He takes the tickets, then looks behind you.

“Prince of Darkness is only for people seventeen and older,” he says.

“I’m an adult, so I’m with them,” you explain. “I’m, like, their guardian?”

“Yeah, uh—” He hands you your tickets. “No can do. There needs to be an adult for each person under seventeen.”

“Come on,” you cajole. “They’re high schoolers. It’s not like they’re gonna be scarred for life watching some zombies, or whatever.”

He shrugs. “Rules are rules.”

“She’s an adult!” Dustin argues.

“Look, if you’re gonna hold up the line, I’m gonna have to—”

“Yo, Gillespie! That you?”

Dustin turns and lights up. The seven of you part for Steve Harrington and his date, a pretty strawberry blonde you think you had biology with.

“Harrington, man, what’s up!”

Ticket Prick gets up to slam Steve into a bear hug. You barely resist an eye roll.

“Shit, I haven’t seen you in a year! Where’ve you been all this time? Hey, did you hear about that shit with Munson?”

Steve flinches. It’s a tiny movement, indiscernible to the trained eye. But it’s there all the same.

“Gillespie, c’mon. Don’t bring the party down with that,” Steve says, all sweet charm.

“Sorry, sorry. Daisy,” he greets the girl attached to Steve’s arm.

“Gil,” she replies with a giggle. “You smell like popcorn butter.”

America’s future taxpayers. Terrifying.

“Are you gonna let us in or not?” Max interrupts, arms folded.

You feel a burst of pride.

Gil shoots her a dirty glare and puffs up, ready to fight a fourteen year old. Steve cuts in smoothly.

“Gillespie, listen. I know her.” He points to you. You bristle. “I can personally vouch that she’s just trying to do right by these kids. They wanted to see Prince of Darkness, y’know? Get away from the parents.”

“It’s a sick film,” Gil agrees. “You seen it?”

No, of course Steve hadn’t seen it. He hates horror.

“Planning on it,” Steve says, the ultimate image of playing it cool. “Look, you remember sneaking into the movies. Fast Times? Ring any bells?”

Max rolls her eyes. You’re inclined to do the same.

Gil laughs dopily, and nudges Steve. “Hell yeah, I do. That was a crazy night, Harrington.”

Steve smiles thinly. “Sure was. So whaddya say? For old times’ sake?”

Gil considers your little troupe. Then he shrugs.

“Why not. Manager’s not here anyway.”

He takes the tickets and tears them to stubs, then gives them back.

“Theater six. On your left. Enjoy.”

The kids stampede into the left theater wing. You hang back with your own ticket.

“Appreciate it, man,” Steve says, all smiles. “Take care, alright?”

“Hey, you too, Harrington! We gotta catch up!”

Steve and Daisy go in. You expect them to walk right past you, and Daisy does, predictably. But Steve stops.

“I’ll catch up, okay?” he tells her. “Find us some good seats?”

She paws at him a little, then goes, sodas in hand. You stiffen as Steve walks and stops three feet away from you.

“Hey,” he says. “Sorry about that. Gil’s an asshole.”

“I know. He yawned during my poetry reading sophomore year. And then you guys went to the movies together.”

Steve shrinks. “Your poems were great.”

You’re suddenly exhausted.

“What do you want, Steve?”

“I just… I wanted to see you. Say hi.”

“Okay.” You cross your arms. “Hi.”

“You forgot your movie,” he says. “The other day.”

“I didn’t want it that much.”

“Dustin said you looked everywhere for it.”

“Well, in the end, it didn’t really matter,” you say. “Not enough to stay.”

“Y/N—”

“I think your date’s waiting for you,” you interrupt. “Better get back to her. Wouldn’t want to taint your reputation.”

Steve makes a noise like he’s been wounded. You turn on your heel before you can think better of it.

“Wait.” He catches your wrist. Steve’s grip is light, like you’re something precious to hold. You wrench your arm away. “Y/N, I want to apologize. I’m sorry.”

“For what?” you ask. “For forgetting me? I didn’t expect you to remember, Steve.”

“I didn’t forget you,” he insists. “I could never forget you. I wasn’t—please, can I just explain?”

“I don’t need your explanations,” you snap. The hurt corrodes your tongue like acid. “I know what happened. We were both there. You left.”

Steve’s eyes are huge and dark. He looks like you just stabbed him in the heart, and that makes you feel worse. You’d thought telling him how much it hurts would put you back together, but all it did was break you more.

So you run. Again.

You slam through a back exit and rip your ticket into a million pieces. The wind is cold and unforgiving. Your eyes sting.

You call out sick for two days in a row. You kind of expect to get fired, but then again, people have been leaving Hawkins and if you’re not here to serve the masses their slushies, who will be?

So, after lying in bed not thinking about movies and strawberry blonde girls and how sick you are of this town, you get up and put on your arcade vest.

Now it is two in the afternoon. You’d heard it was supposed to snow today.

Robin eyes the snack counter like it holds the next plague outbreak. You don't blame her; you make it a point to wash up to your elbows after work.

"Slushie?"

She looks at you like she’d forgotten you were there. "What?"

You point a thumb at the machine. "Are you here for a slushie?"

"Oh. No, sorry. Red dye makes me insane in the brain. Steve actually—"

Robin stops, grimaces. So he's told her. Probably everything, if the kids had been telling the truth.

You're honestly surprised she's here. Unless it’s to, like, swirlie you in the vat of artificial cheese.

"Are you here to drown me in nacho cheese?" you ask.

Robin's eyes go wide as dinner plates. "What? No!"

"Just checking." You lean against the counter. "What can I do for you, Robin?"

Robin suddenly looks like she's never interacted with a human being before. You like her a lot. Steve probably does too.

"I came to drop off your movie." She holds the tape over the counter like it's a pool of lava.

"But I didn't pay for it." You shove your hand in your jean pocket; you only have a couple dollars on you. "I guess I can get you the money tom—"

"It's on the house. For a fellow Molly fan."

Robin wiggles the tape with two fingers. You take it and wait for a catch. There is none.

"Thank you," you say. "You didn't have to do that."

"Actually, it wasn't me," she confesses. "I'm just the mailman."

You prepare to hand it back but Robin shakes her head.

"He's not going to pop out of the slushie machine, okay? He's just trying to make it up to you."

"He doesn't need to make it up to me," you bite, except those aren’t the words you mean. "Why does he even care? We're not in high school anymore."

Robin smiles a sad smile.

"I know," she says. "We’re not. I know he should've known to fix things earlier. He's received a lot of blows to the head, though, so he's still catching up."

The thought turns your stomach. More? More you weren’t there to protect him from?

"He doesn't owe me anything," you say and wave the tape again. "You can take it back and leave it for somebody else."

"Y/N, I know we don't know each other, like, at all. But it's important to me you know that Steve cares about you, because you’re important to him. And you knew him way before I did, and you probably know a lot of stuff I don't, and that's good because he has a friend like me, but he should also have a friend like you too, Y/N."

"I don't want to be his friend," you mumble.

"Yeah," Robin says. "I figured. But I don't think that's a confession he should hear secondhand."

You look at her, stunned. She's such a clever girl. You hope she treats Steve well.

"If you two are—"

"We're not," she says, like this is a regular explanation she goes through. "Steve and I are friends. Steve has crashed and burned with every single date since his fall from regency. Steve is the best person I've ever met."

"Yeah, I’ve heard. You and Dustin are his biggest fans."

Robin snorts. "Trust me, I'm not proud of it."

You shake your head. Your eyes feel hot.

"This town is so shit," you say.

"Yeah," Robin agrees. "It really fucking is. But I'm not asking you to give this town a second chance. Just him."

"Why are you trying so much?" you ask. "You don't even know me."

Robin shrugs. "No, but you're the one person Steve used to be friends with who's not an asshole, and I think us non-assholes need to band together."

"I can sometimes be an asshole."

"Me too. So are those little dweebs. How about calling ourselves the Semi-Assholes Club?"

You laugh. "We'll get jackets."

"With partially drawn butts on the backs," Robin says with a giggle.

You look at the tape in your hand.

"Does Steve like John Hughes?"

"He does. He's a total sap for those. He thinks he's in his own coming-of-age movie because he's delusional."

He sounds perfect. He sounds like the friend you loved.

"I did want to watch this one," you say.

"It won't hurt you to," Robin promises.

You suppose not.

December 1984

You don't believe the whispers. All week, the rumor mill spins tales of Billy Hargrove finally pushing the King off his throne. There's no way he'll show his face, a girl at the adjacent lunch table astutes. I sure as fuck wouldn't.

Steve Harrington is a loser. Steve Harrington got dumped for Jonathan Byers. Steve Harrington may as well be dead, and on and on.

Every line gets you angrier. A boy who sits behind you in chemistry taps his pencil like he always does. Tap, tap, tap.

Halfway through class, you snap at him to quit it. He does, but not without a tinge of embarrassment. You’re so angry this year. Angry at your loneliness, angry at the unfairness of said loneliness. You might’ve done this to yourself, and that fact only gets you angrier.

You see Nancy Wheeler in the hallways with Jonathan Byers, and the confirmation of that rumor should make you happy. It doesn't.

A week later, most of the excitement has died down. Everybody’s moved onto the next big thing, which is to deduce who fucked in Vice Principal White's office. One look at V.P. White, and it had been decided that it can't have been White himself.

You can't care less. Once upon a time you might’ve laughed about it with a friend, but you don't have any more of those, and high school is bullshit with or without them. So.

Steve walks in twenty five minutes into the period. Mrs. Kaplan gives him a downright beastly glare and demands to know where he had been.

"I'm sorry," is all he says. "If you give me detention, I understand."

There are a few snickers that rub at an old hurt, one that had flared up whenever somebody dared to make fun of your best friend. It doesn't bother me, he'd said, and you'd known it was a lie.

It bothers me, you’d replied, and Steve had hugged you tight.

Mrs. Kaplan seems more stunned Steve hadn't swaggered past her like a peacock escaped from the zoo and lets him go sit down without a fight. He takes the only empty desk, two rows across from you. You stare. You can't not.

Half of his face looks like it was mashed in a garbage disposal. It's purple and a sickly yellow. His eye and lip are still swollen. You stare and stare. You feel queasy.

Billy had done that. You're so angry. You think you might never get past this grief, this loss of a once permanent fixture in your life.

No one wished Steve a happy birthday this year, you realize out of nowhere.

You stare and stare and stare until Steve looks right back. You're blindsided by thick guilt, like blinking through a milkshake. And then the familiar curl of anger returns because why the fuck should you feel guilty? You aren't the one who fucked everything up, who mascerated this good thing. Steve did this to himself. Steve deserves to walk the halls alone. It's Steve's fault.

But when you look at him, at his raw wounds, at his bruised knuckles, you know that he already believes he deserves every punch Billy Hargrove gave him.

You hate Steve Harrington. But you really wish you'd been there to drive him to the hospital.

Now (And Forever)

The tape sits buried in your drawer for three days. You don’t know what Family Video’s return policy is, but you hope you’re not racking up late fees. You doubt name dropping Dustin will work again.

It’s Saturday when you decide to watch Pretty in Pink. You remove the video from its sleeve. An envelope falls out.

The front has your name printed in squished, loopy script. You remember January at Steve’s house, a stack of thank-you cards courtesy of his mother awaiting the Harringtons’ sign-off. Steve’s hand would cramp and you’d take over while he made grilled cheese for the both of you. Love, The Harringtons, and there was no love in that house, but you think maybe Steve loved enough to make up for it.

Hi, the letter begins. I hope you’re good. Robin told me you’re going to Hawkins State.

That’s fucking amazing. I’m so proud of you. Are you still writing poetry? I liked that one you wrote about the birds who shared a branch and kept each other warm. I still have it in my notebook in my room.

I’m sorry for the other night. I’m sorry for every night since freshman year, honestly. I’m kind of a dumbass, but you know that, so it doesn’t really excuse anything. I think I’ve actually lost brain cells since we drifted apart.

You crumple the corner, suddenly hot with anger. Who keeps telling him he’s dumb? You want names.

I didn’t forget you, you know. I got scared and I thought maybe I could ease into it, but then you recognized me and… well. I don’t blame you for running.

Anyway. I’m talking too much about myself, when there’s nothing to say. I’m really sorry about what I did, or, actually, what I didn’t do. Somebody told me I was living on autopilot, and that it wasn’t really living at all. I think it was you.

I’m not living on autopilot anymore. I woke up. And I realized that you’re the best fucking thing that’s ever happened to me. I love Robin and the kids and this little family that has apparently invayd invaded your life too. Sorry about that. They never leave and they eat all your food. Good luck.

But I miss you. I always have.

Shit happened these last few years that I’ll tell you about one day, if you want. I’d rather not, though, because you’ve always been the paranoiac (like that one? Robin said it’s an SAT word) of the two of us and I feel like this would just make you even more of one. But I will tell you, if you want to hear it. I want to tell you everything. I want you to tell me everything too. Like we used to.

I want you to tell me how college is going. Who the annoying jerks in your classes are so I can go beat them up (kidding). I want you to stop by to rent movies so I can lend them for free and you’ll yell at me about taking advantage of fre friendships.

Fuck, I miss you. It’s always been there, bubbling below the surface. I never stopped missing you. I never stopped loving you. I’m sorry I didn’t write this sooner. I know you said writing is how we express things we can’t say. You were right. You always are. Can’t believe I forgot that.

It’s okay if you don’t want to be friends. I mean, it hurts, but I respect it. I understand. Most days, I can’t believe people can bear to be around me. But then I hear your voice in my head, telling me that most people are shitheads and that I’m golden and. Well, I don’t know if I believe that, but you were right that most of the people I surrounded myself with were shitheads. Except you, of course. And then I went ahead and fucked that up.

I’ve been working on finding the non-shitheads of the world. I think I’m doing pretty well. And I wrote this because I realized that while I will probably end up buried in this fucking town, you’re going to do something incredible. And nothing incredible ever happens in Hawkins, so I figure you’ll be far away when you do it.

I didn’t want to miss this chance to write things I never said. So here they are. And you can do whatever you want with them. You’ve always been the best of the two of us. I trust you.

You should watch Dirty Dancing. You’ll like it. I did. I’ll see it again if you want. I’ll watch anything with you.

Did you know there’s another Bond movie coming out in the summer? We could watch that one together too. If you wanted more time to decide.

Sincer

Your friend,

Steve

You don’t bother ejecting the tape. You run all the way to the bus stop, Steve’s letter in hand.

You have to see him. No other thoughts register except that one. You have to know if Steve wrote these words because he can’t say them or because you won’t listen.

It isn’t too late when you get to Loch Nora. The neighborhood is dead, which is weird. Steve’s house looks frozen in time: his parents’ car isn’t in the driveway. You wonder if they’ve ever come back since you’ve been gone. You wouldn't be surprised if the answer is no.

There’s a tarp over the pool. The gate is locked with a chain. You can’t sneak in through the fence like you used to. Not that you would. You don’t think strangers can sneak through pool gates.

You knock on the door three times. And wait.

Steve’s car is in the driveway, a duller burgundy than when he first got it. There are a few scratches in the paint. No longer a prized possession. Maybe well-loved instead.

The door swings open.

Steve says your name like a prayer. You swallow and steel your spine.

“I got your letter,” you say.

“Oh.” He rubs the back of his neck. His hair is damp like he’s just showered. It curls around his ears. Waves of want hit you.

“I don’t want to be friends,” you continue before he can speak. “I don’t—I can’t do that again.”

Steve’s mouth draws into the saddest frown you’ve ever seen.

“Okay,” he says softly. “Thank you for telling me.”

“No.” You shake your head. “No, that’s not—I don’t mean it like that.”

His brows knit. “What?”

“I…” You pull out the letter and wave it. “Did you mean it? Do you love me?”

“Yes,” Steve whispers. It’s like a shout in the quiet street. “I meant it.”

“Like a friend?”

“If that’s what you want.”

“Will you love me like a friend forever?” you ask.

“Always.”

You squeeze your eyes shut.

“I love you as something more,” you blurt, watery. “I have for a long time.”

You hear the door shut. This is it: your heart on the line, all for nothing—

“Then I’ll love you as something more back,” Steve says. “I’ll love you any way you want me to.”

And he holds you the way you’d held him so many times. You inhale and wrap your arms around his neck. You’ve got an iron grip around the letter. Tears slip down your cheeks.

“I missed you,” you confess.

Steve nods against your shoulder.

“Yeah,” he says, and it sounds a little wet. “I missed you too.”

“You were wrong,” you say into his neck.

“Hmm?”

You pull back to look at Steve.

“Incredible things do happen in Hawkins.”

“Oh, yeah?” Steve smiles, cheeks blotchy. “Like what?”

“We found each other again.”

#steve harrington x y/n #steve harrington x you #steve harrington x yn #steve harrington x reader #steve harrington fanfiction #steve harrington fanfic #stranger things x reader #stranger things fanfiction #stranger things x you #stranger things imagine #stranger things fic #steve harrington imagine #steve harrington angst #friends to lovers #strangers to lovers #friends to strangers to lovers

6K notes · View notes

fabulouslygaybean · 2 years

Text

hi y'all. im sorry ive been off tumblr lately but im here. also i just finished the final ep of stranger things 4 and i have heavily mixed feelings

#HI. IM GONNA RAMBLE IN THE TAGS BECAUSE I CAN.#GOD i have such mixed feelings on the ending!! tbh i have mixed feelings on the season as a whole!!#i know everyone absolutely loves s4 and ppl are calling it the best season and i definitely enjoyed it but like...#i dont feel like it even comes close to being the best season? like dont get me wrong. it was cool. i liked most of the characters they -#- introduced. i liked the concept for the story. the visuals were super cool and the writing was solid.#but it just feels like its kind of beating a dead horse y'know? there were so many plotholes and so many unanswered questions #not in like a cliffhanger kind of way. but just in a We Tried Putting Way Too Much Into One Season And It's Paying The Price #also like. apparently they're planning on doing a season 5?? what???#i love the series as much as the next guy but.. that's just too much. there's only so much you can do with a series like this.#idk. i loved the first ep or two of season one but it kind of dropped off for a while until the final few eps #its hard to type out my thoughts but ive been rambling to myself loudly in the living room bc my mom passed out like half an hour ago and -#- i swear my thoughts are more cohesive irl. i have SO much to talk about but there's not enough room to type it out and i feel really -#- stupid for rambling out when no one cares online but it's no different than rambling to someone who's passed tf out so idk #okay. back to my rambling.#for a lot of the characters it just really felt like they like. went backwards with character development at first.#the character had the exact same growth in season 3 except it made sense then. now they're just doing it over again.#mike goes from being an immature and kinda self centered dude to a caring and mature boyfriend for el.#steve pines over nancy but steps back because he's more mature than he was and doesn't wanna ruin her relationship with jonathan #robin faces her insecurities to help her friends #will ambiguously pines over mike and doesn't want things to change but relents because change is inevitable #lucas wants to fit in with the 'cool kids '' more than his friends do but he still chooses his friends over anyone else #dustin is the nerd with a heart of gold who plays a big part in the success of the team #el tries to fit in and lead a normal life but realizes that that's bullshit. also she saves the day at the end as usual.#jonathan is kinda shitty towards the start but tries to make it up by the end and mostly does that. nancy is conflicted bc of steve so -#- jonathan kind of knows and he can't really make it up entirely to her.#nancy is badass who loves jonathan but also kinda loves steve and she's emotionally shut off so she just lets it sit and it bleeds out -#- into her interactions with others. the trauma doesn't help either. she still comes through tho bc she's a loyal friend who deeply cares #it just feels so similar to s3. idk. they've already gone through this development once before so seeing it again just feels stale.#im about to hit the tag limit but i wanna keep going so i might make more posts i think. idk.#we'll see how it works out tonight! im so sorry y'all for the brainrot

0 notes

love-toxin · 1 year

Note

Okay but miscommunication trope is only super yummy when there’s a happy ending. Liiiike reader thinking they’re getting kicked out of their relationship in the fruity four, they’re not wanted anymore, maybe even bring replaced (ie with someone like Chrissy), and so every little sarcastic quip or ignoring is seen by them as the others not loving them anymore 🥺. Until one day it all comes crumbling down and I can’t decide with is more angsty, you breaking down telling the others they don’t love you anymore, or you trying to be brave by announcing you’re leaving and the fours hearts just dropping as they try to scramble to convince you to stay and why?! Why are you leaving!?!?! Please! But of course, happy ending when everything’s properly explained and angel is reassured they could never all fall out of love with them ❤️

oh.......miscommunication trope, you say? >:)

(cws: fruity four, gn!angelface, jealousy, post-s4, PTSD, huge miscommunication trope, domestic arguing, you have a tattoo + kinda shitty parents + bad home life, chrissy's a jealousy target, breakups, jopper appearance, you're childhood friends with jonathan, mentions of grief, an almost car crash, very mild head trauma, crying, angst with a happy ending--stick with me angels!)

Sometimes you wish Chrissy would just disappear. Just--poof--and she'd be gone.

It's awful of you to think, but you can't help it. She's just always around, ever since her breakup with Jason she's been by the house much more frequently. You were happy for her at first, because you liked her up until then, and she's always been nice to you. Plus, your partners saved her life back when all that crazy stuff with the Upside Down happened, an event you weren't privy to until after the fact, when you started dating them.

But she's always on Eddie, always chatting him up, always giggling at his attempts to cheer her up, and now she's attracted the attention of your other partners too. They're good friends, and that's good, but....why can you not shake this feeling that there's something more going on? That the arm touches over his jacket and the inside jokes aren't as friendly and harmless as they want you to think?

It's worse than that, though. The honeymoon phase is clearly over--cause all four of them just brush off your concerns, insisting that you're overreacting or just not addressing them at all. So you haven't been piping up when a joke hurts your feelings, and you've bitten your tongue when one of them has to reschedule something you've planned, and it's gotten to the point that they've wondered why you're so quiet all of a sudden. Why would they care? You think with a sour feeling in the back of your throat, rubbing the tattoo on your arm that Eddie gave you and wondering if that was just practice for someone else. You're not oblivious to the way Chrissy is slowly being invited into gatherings and dinners with everyone.....just like you were in the beginning. And after an especially heated fight with both Eddie and Robin, the worst one you've ever gotten into in your entire relationship, he got so pissed off that he just told you not to come to the dinner they had planned, and they'd take someone who actually wanted to go.

That was a couple days ago, and the air in the house has been strained for nobody else but you. You're equally as hurt by Eddie yelling at you as Robin silently going along with it, even though you slammed your bedroom door in her face when she tried to follow you, and waited until Eddie tugged her along to leave before you allowed yourself to cry. You're sick of the feeling that none of them really care for you, that you've been demoted to a piece of furniture in the house, because they've clearly lost interest. And they don't care when your things start disappearing from the house, when the clothes in your closet start dwindling, leaving behind nothing but the ones they've bought for you--no, they'd rather moon over Chrissy fucking Cunningham, and you've just taken all you think your heart can handle.

"I'm going out!" You call into the house from the front door, without any of their four voices responding. When you sigh, turn, and step out to turn the corner of the house, though, you bump right into one of them.

"Oh! Hey, baby." Steve steps back and readjusts the paper bag full of groceries he's got his arm around, keys halfway tucked into his pocket. "Where you off to?"

"Um....just, uh, gonna go visit my parents." You weren't really expecting him to pry, with how in your head you've been lately. But you're not gonna relent just cause one of the people who promised he'd love you forever, yet somehow can't be fucked enough to find the time to even watch a movie with you, asked you a question that remotely shows an ounce of concern.

"Your parents?" He blinks, shifting again to rest the bag on his hip. "You sure?"

That tone is so irritating. You used to love that almost parental sense of duty, the desire of his to know every detail of every problem so he can solve it. But now, you just feel suffocated, even though you're more distant from all of them now than you've ever been. "What, I'm not allowed to see my family?"

"Hey, that's not what I said! hold on," He moves to put the groceries inside, but you wave him off and start walking past him, your tone clearly frustrated as you encourage him to just forget it. But, in a tizzy, Steve hurriedly sets the bag down on the ground and runs to catch up with you, his hand descending on your arm only to be swatted away--but not for long, when he grabs it again and grips it tighter as he turns you to face him. "Jesus, wait! What's the big fuss? Did I do something?"

"Let me go, Steve." You refuse to look him in the eyes, but you can't break his grip. Why can't he just let it go, so it's less painful? "I don't wanna drag this out."

"Drag what out?" Finally, it dawns on him as his eyes dart from the keys clenched in your hand to the windows of your car parked in the driveway, boxes clearly piled up in the trunk and in the backseat that none of them seemed to notice you moving.

".....So that's it? You're breaking up with us?" Steve says it with disbelief, like he's expecting you to say something or anything different. It's almost a little satisfying when you respond in the way he never could have expected, even though he should've by now. Even though it feels bitter on your tongue as soon as it comes up.

"You know what? Yes. That's exactly it." You finally wrench your arm out of his grip, and each of those words sting as they come out, but you won't cry, you refuse to cry in front of Steve today. "I'm leaving tonight, and I'm never coming back to Hawkins again."

"Why?"

"Ask your new girlfriend."

"Who? Wait--Chrissy?" He shakes his head, and what comes out next is more cruel than you wanted to be--but he just won't get it, it won't happen unless you make them realize why they don't want you anymore.

"Wow, the jock has a brain! Well done, Stevie." He grimaces at once, and god, you wish it would all stuff itself back into your throat.

"What the hell is wrong with you? Why are you being such a-"

"I know you're in love with her, Steve! For fuck's sakes, I'm not as stupid as you think I am!" You shout into the broken silence of the front lawn, wishing from the deepest reaches of your heart that this could all just be a horrible nightmare. Not reality. You don't want to be facing those big, soft eyes of Steve staring back at you in shock and pain, so you just turn your head and hope he doesn't see how much you're shaking.

"I get it, okay?! She's prettier than me, and nicer, and she doesn't have my fucking issues--and you guys clearly like her. It's like I don't even exist when she's around." You move aside to gesture towards your car, keys clutched in your hand so they won't fall or get taken from you, because you know Steve is reckless when he's upset. "None of you even noticed I was packing. Nancy fucking helped me put a box in yesterday."

Just then, both your heads turn at the sound of a car approaching--and just in time, you realize it's Eddie, his van's tires crunching the gravel of the long driveway as he pulls up to a stop beside your car. And lo and behold, sitting in the front seat with a smile on her face is her. Chrissy waves to you through the window, and as if your heart isn't in the process of shattering into shards that dig into your lungs, you raise your hand to acknowledge her back. You turn back to look at Steve one last time. Memorizing his face, because you know you won't ever see him again, as you take a few steps backward and hand him your parting words.

"Don't break her heart, Steve. It sucks."

With that, and with nothing but confliction reflecting back at you on his face, you turn on your heels and make your way around your car, bidding Eddie and Chrissy a stiff goodbye as they get out of the van and you get into your car. You reverse, roll back out of the driveway, and shift gears to start puttering down the road. And as soon as the house is out of your rearview mirror, that's when you feel those tears spilling out that won't stop until well after you pass the Leaving Hawkins sign on the side of the road.

A week into your new start in the city, you haven't gotten any more closure than when you left.

Living with your aunt isn't great, but it's something. The apartment is small, and you still haven't found a new job--you did call the Palace to inform them that you were quitting, though, to which you were greeted with nothing but indifference as you left a message on the answering machine. Figures that nobody in that town would miss me, you think, but you can't dwell on it for too long, because then you'll start thinking of them and it'll have you sobbing into your pillow again. Even worse is that you can't even fully express your pain to your family, your aunt, anybody--because they'll all think you're a freak, and it won't be surprising that your "relationship" ended so badly. You don't even really speak to your parents or your family in the first place, so you can't expect them to show you any sympathy. In fact, if they said anything to you, it would probably be that you should be glad it's over so you can live a normal life.

You don't want normal. You want your Robin talking your ear off about something gross for hours, you want Eddie burping into your ear and laughing, you want Nancy falling asleep on top of you and drooling on your chest, and Steve--you want Steve to come over while you're both on your breaks, talking with his mouth full and stealing bits of your lunch while kissing you in between each bite. You want that love back, you want it so badly it hurts, it hurts your heart every time something reminds you of them.

Maybe that's the worst part. That they don't want that anymore, they want someone that can share those memories with of that terrible tragedy, who knows how they feel and relates to those nightmares that wake them up in a cold sweat, who they can compare scars with and laugh with now that it's all over. They want someone scarred but beautiful, someone perfect, and you can never be that way no matter how hard you try. It explains why you haven't gotten a single phone call, or a letter, or anything since you left, and that treatment extends into your second week in Indy and right into the third. But it doesn't get any less painful, even when you get a job at a convenience store around the corner to busy yourself and help with the rent. Nor when you try going on a date or two, just to spend the whole dinner staring off into space as they talk and wondering what the people you loved are doing right now.

While you're behind the counter at work, your thoughts often drift back to that house by Maple Drive. The path around the back that leads into the woods, where Eddie would take you out for a smoke and to watch the stars for awhile--always with a walkie on hand, just in case, as Steve used to say. The pool that often sits empty, and sometimes you'd look out the window to see Nancy lifting up the cover on it to peek underneath, before breathing a visible sigh of relief and briskly walking away. Sometimes even in the middle of the night, creeping out the sliding glass door in her pajamas. And you remember that bed you often shared with Robin, who gets so clingy when she sleeps....and you wonder if she's sharing it with Chrissy now, if the cheerleader you always thought was such a nice girl is occupying the spot you thought would be yours forever.

Your brow furrows as you stock Camels on the shelf behind the counter, sliding each one into the perfect spot but feeling an itch of irritation when they don't line up. Is Eddie holding her right now? Is he coming up behind her every morning, and nuzzling his nose into her cheek as she stirs milk into her coffee? Is Nancy cuddling her and chatting her up about whatever project she has going on right now? Is Steve picking up her bag, and insisting she let her boyfriend hold the heavy stuff while she sits and looks pretty? They probably are. And they're probably much happier doing it with her, than they ever were with you.

Something thuds on the counter behind you, and you sigh without a sound as the gruff voice at your back asks for a pack while you're at it. Your fist squeezes around the box you've got in hand, and when you turn on your heels to toss it on to the tabletop and reach for the scanner, your eyes widen, and so do the ones on the moustached man that's towering in front of you with a petite woman at his side.

"Hop?"

You breathe out the name, trying to regain yourself as quick as you can--you're pretty used to keeping your tears back now, adjusted to having a straight face so nobody will pry or prod for your feelings. The former sheriff of your hometown that you used to duck out of sight from, laughing and hiding your goods with Eddie right behind you, is standing at your counter with a shocked expression, along with Joyce Byers who seems just as surprised to see you here. And with little else you can think of, you clear your throat and try to crack that tense silence.

"Uh...so, you two on vacation, or someth-"

"Are you fucking with me?"

Hopper cuts you off, hands bracing the edge of the counter as he looks you up and down, the two glass bottles of Coke getting shoved aside by him to fall over and roll across the counter as he reaches across the barrier to grab your arm. Without much struggle, because you have no clue what's going on, you allow the older man to yank your wrist up and turn it over, Joyce hurriedly pushing up your sleeve with her gaze pinned to your skin, like she's desperately searching for something that has nothing to do with your confused questions spilling out on top of each other.

When they've finally uncovered that patch of skin they were looking for, the two of them share a look between themselves, before finally looking back up to acknowledge how baffled and worried you are. It isn't until you scan down to see what they found that the pieces start coming together, the black ink of the tattoo Eddie gave you when you first started dating peeking out at you. It's just a thin, mid-sized black circle on your inner forearm, with five points reaching outward like a sun. But the detail of it has always enchanted you, Eddie's diligent stare as he inked it into your skin burned into your mind. You've considered getting it covered since then, but....you can't bring yourself to do it yet.

"I'll call it in," Hopper says cryptically, stepping back and turning away to bring out the walkie from his belt and start mumbling into it. In the meanwhile, you're left with his partner, and the lady you've practically grown up with since she babysat you a long time ago. You often forget that time, when you and Jonathan would run around her backyard with sticks and rocks to try and build your own castle, while his baby brother watched from the stairs and giggled at your antics. You were so young, and so carefree, it seemed....but it was a happy time, one of few before you met those four.

"Honey, you're alright?" Joyce's voice quivers, anxious for the answer, but you nod as soon as her question registers because you hate to see her like this.

"Ye...Yeah, why wouldn't I be?" She circles round the counter, coming right in for a hug that you return without question. The squeeze is tight, like a mother's embrace upon returning home from a long time away, and you instantly feel a pinch of guilt for neglecting to include her in your plan to leave Hawkins. Now that you think about it, you really didn't tell anyone, except....

"-Kid, relax, we're coming there. No, do not get in your car, sit your ass down so you're there when we get back! Jesus," Hop gets more animated as he talks over the channel, and your hug splits as your head swivels towards the sound of a familiar voice through the static. Steve.

"Are they there? Let me talk to them! Please, Hopper, let me hear their voice-"

It's so frantic, desperate. The first time you've heard one of their voices in what feels like your whole life, and you have to struggle not to cave, bringing a shaky hand up over your mouth as you whisper a "What's going on?" to Joyce. And with your ears perked up, you can distinguish the background noise in the transmission--there are three other distinct voices, talking just as fearfully amongst themselves as they also try to get through to Hop. Nancy, Eddie, and Robin, each with as much indignation as Steve, who must be holding the other walkie.

"We're coming down right now, kid. Just try to calm down in the meantime." With that, Hopper shuts the antenna and gestures for you to follow him, the sweet woman at your side holding your arm as you obey him, like she's afraid you'll vanish if she lets go. You're led out of the light of the fluorescent bulbs overhead to Hop's truck parked by the curb--you at least have the sense to fumble with your keys and lock the front door before you leave--you let him open the door and sit yourself in the backseat, and shakily buckle yourself in as they get in front with promises to explain everything. Still struck dumb with shock to the point that it hasn't really registered that you just left work in the middle of your shift.

But you get an idea of what's happening when you turn your head, and catch a glimpse of a scattered stack of papers on the seat beside you out of your peripheral. Tentatively, as Hop starts up the ignition, your fingers brush over one of the nearest pages--and when you lift it up to survey it closer, the two of them notice you and share another sobering look between them. What's staring back at you is undeniably, unmistakably, a missing person's ad. And the picture is one you recognize immediately, because it's yours. Your photo, details of your last sighting, a description of your tattoo, a list of things for people to look out for....

"You really worried everyone back home, kid."

Suddenly, a bitterness rises up inside you, and the paper crumples slightly as you realize what's really happening. "I'm fine. I just...decided to get out of Hawkins."

"Yeah, well, maybe tell your roommates that, first."

"Hop-"

"They didn't care! I told Steve anyways, so what's the big fucking deal?" Even though Joyce flinches at you raising your voice, you can't be quiet right now. Anger is something you've been almost too numb to endure these last few weeks, but now you could just put your fist straight through Hopper's window--they put up such a fuss for what? To drag you back to that shitty inbred town in the sticks, just to make sure they didn't want you in the first place? It's bullshit.

"They sure as shit care!" Hop shouts right back, casting his signature scowl over his shoulder as he drives through semi-empty streets. It's so late, and so dark, it's unlikely there'll even be many pedestrians. "Do you realize how many times Nancy Wheeler has shown up on my doorstep, begging me to go on another search and rescue for you?! They're worried sick!"

"Why?"

There's silence for awhile, very tense silence, before you repeat your question that says much more than just that one word.

"....Because they thought you were gone. They thought you were there."

There. That's what he means--the other world, the Upside Down. The place you've never seen, only heard horror stories about and snatches of descriptions of when you comforted one of them during a night terror. The missing people, the murders, the experiments....they're all so hard to believe, but then again, you can't deny Will's remarkable return from the dead or Barbara Holland's coverup death, both of which you've been close enough to to know that there's no way they're just elaborate lies.

So they were worried you had died. That your disappearance wasn't of your own volition. They're going to be in for an unfortunate surprise, but by the tightly shut locks on Hopper's truck doors, you know there's no getting out of this until he brings you right back to drop you in their laps.

"We came here to look for you. Your mom finally told us you had an aunt in the city." Joyce offers you another piece to the puzzle, but your mind is still stuck on the fact that your ex-partners seemed so desperate over the walkie. They....they wouldn't want you to die, but that doesn't mean they want you. Figures that your parents would make it more difficult for two of the only people that even remotely have any concern for you too, they're probably profiting off all that glorious attention of having a missing child.

"I have a life here, now. I don't want to go back." Lies. You know it's all lies.

"Listen, kid, whatever happened with your friends, I promise it's not worth throwing in the towel. You've gotta see things through." Clearly it's not worth an argument, you'd rather save your energy at this point. You're gonna need plenty to face that hard conversation you know is coming, when you're gonna have to confirm to them directly that you're moving on. No more running away, or hiding from the problem. You have to face it.

"You don't know anything about me, or them."

The already long drive drags on even longer in the silence that follows, and you make a mental note to call your aunt when they get you back to Hawkins, so she doesn't freak out when she comes home to an empty apartment. You can imagine your manager's gonna call and cuss you out before firing you for leaving the store unattended, too, and you groan and let your head hit the seat behind you. Now you're gonna have to find another job, gonna have to explain to your aunt what you did....or maybe she won't even notice your absence, not until someone makes a fuss about it.

Your mind is left racing with so many thoughts and worries that the scenery passes by without note, the moon barely shining any light on the landscape, like it's all one huge plain with little dots for buildings and trees. Like one big hellscape, but it's numb and frozen over with nothing left but a mocking echo of the world that's no longer here. You don't even really recognize your surroundings until a couple hours have passed, and the Welcome To Hawkins sign zips by and has you sitting up in your seat. Just as you pass it, though, you think you see the glimmer of another set of headlights, a rarity on these quiet streets--and then your whole world shifts violently.

"Shit!" Hop curses as he swerves suddenly, and Joyce shrieks as you all nearly careen off the road and into the ditch, your head cracking against the window and bouncing off for you to clutch at it in pain. A groan is all you can get out when he calls back to you, the dizzy feeling making you a little sick, but as you lift your head and the truck rolls to a stop, you spot the culprit of that downright suicidal speed driving that nearly caused a head-on collision.

Your heart is pierced with a deep chill immediately. You'd recognize that van anywhere, and that curly mane of hair as the driver stumbles out his door even moreso. He's not hurt, just dazed--and for the moment, your brain doesn't immediately go to the question of why you should even care. As he stands there in the road, in the dark, Eddie's form is lit up by the headlights still shining without a flicker, but he doesn't flinch even when it must be glaring directly into his eyes, just holds a hand up to block it out. And when they meet yours as you lean over the console to see him, he doesn't wait a second, hurrying around the passenger's side of the truck to fumble for the handle of your door. With a click, and the light above you switching on as a beeping starts to emit from the vehicle, Eddie's suddenly cramming himself into the backseat with you--and there's tears already wetting his cheeks as he grabs you in a hug, gasping in a shaky lungful of breath like he's shocked he's really touching you. Crying and mumbling into your hair, Eddie buckles when you squeeze him back, falling victim to that desire in the deepest part of your soul that just wanted to hold him again.

"I didn't mean it, I didn't mean it baby, I didn't--everything I said, I swear, I was being such a fucking moron-" He starts babbling from nowhere, and his voice itself is a comfort, having not heard it next to your ear for so long that it aches now.

"Eddie-"

"You're mine, okay?! You're my everything!" He cries, burying his face even deeper into your neck and inhaling whatever scent he can get. You're stunned into staying limp, letting his hands grab and squeeze at you wherever they land--his curly hair tickles your cheek and sticks to it, and that sensation alone drags tears up to the surface, only allowing them to spill when you hear him whispering those croaked pleas of "I love you, I love you, I love you" until you're crying right along with him. It's been so long since you heard it, you'd started believing it was never really true.

It takes minutes that feel like hours for you to both calm down enough to look at each other, your face cradled in Eddie's rough hands as he sniffles and murmurs a "You're so beautiful" so innocently sincere, that it instantly makes you wish you had never left. He smiles, and the world that seems so dark grows a little brighter around you. You're not even privy to the looks Joyce and Hopper are giving each other in the front seat, clearly a little surprised at the passion you two share that nobody else has ever seen. But they know. And when Eddie starts pulling you out of your seat with the promise to take you back, Hop only reminds him to drive safely before he allows you two to shut the truck's door and circle round the vehicle with Eddie's arm clinging to your waist. The air hits you, cool and dry, just like it always is in Hawkins. And when he opens your door for you and waits for you to clamber in, before getting in on the other side and fumbling contently with his keys, you're not sure you really know what to expect. He briefly elaborates that he'd gotten worried, and that he's just glad he spotted Hop's truck before he'd sped all the way out of Hawkins and missed you--but it doesn't last, because soon he's grabbing your thigh and sighing out a breath of relief.

"We'll talk about everything when we get home. For now, I just want to hold you." Eddie offers his hand to you, giving it a grateful squeeze when you slip yours into it and interlace your fingers together.

They'll all hate me for real, this time.

That's exactly how the drive goes, Eddie's shoulders relaxed even as he steers with one hand, and navigates while stealing glances over at you with relief written all over his face, and brings your hands up to kiss your knuckles every so often. But he's just one. The other three....your heart sinks as you run over that last conversation you had with Steve, the way you'd ignored Robin completely, and how you pretended everything was absolutely fine with Nancy up until the moment you left. And it somehow dawns on you only then--they thought you were gone, that you had been taken to the Upside Down, and your heart sinks as you watch the trees pass by in clusters while that dread creeps closer down the road that's so familiar.

Not even the comforting warmth of Eddie's hand could drive that thought out of your mind, even less so when he turns and you hit that patch of gravel that leads up the driveway. He'll stop soon, and you'll be facing the music....and when Eddie shifts into park, you sort of float from your seat to the walkway where you threw your feelings back into Steve's face, and up towards the front door that Eddie opens for you before you cross the threshold into the house. It does feel like home, and you don't want to lose it right on the welcome mat, so you blink away any tears that threaten to spill before you quietly follow him into the living room.

Three heads turn to look your way, too inundated in conversation around the coffee table to hear the door opening, but that stops the second their eyes land on you. Steve and Robin are the ones sitting closest to where you stand, but Nancy's the one that makes her way to you first, her lower lip already quivering enough to break into a sob as she crosses the patch of carpet to throw her arms around you. She's strong enough to grip you tight enough to hurt, but too weak to keep herself on her feet, and you end up sinking to the floor with her as your name floods out of her lungs on repeat, getting louder and louder and louder until she's wailing. You could swear the walls rattle with the volume she cries at, completely coming apart in your arms like you've never seen her do before.

"Don't you ever do that to me again!" She shouts, yet her voice is like a child's, wobbling and whiny and so miserably pitiful that it pains you even to listen to it, especially when she's clutching you so close to her body--so afraid that you won't be there when she pulls away, so she refuses to. You don't have any right to cry when she's so distraught, but with your head over her shoulder, the other two watch your lips curve downwards and your eyes screw shut into a flood of tears that won't stop easily.

"I'm sorry, Nancy. I'm okay." You whimper, burying your face into her curls until your lips brush her jawline, and she shudders into each gentle, praiseworthy kiss that you press there. Up until her sobs subside, and she breaths a sigh of relief that you can feel from her chest against yours, each one sinking and rising into each other as you breathe along with her. "I thought you didn't want me anymore."

She shakes her head, and finally pulls herself back to look at you, a fresh wave of tears streaming down her cheeks when she gets a good look at you. Nancy touches your face, thumbs away your own tears--and you know she's not just looking at you, but the girl she lost so long ago, whose smile she sees in yours on those days she misses her the most dearly. "I never wanted you more when I thought you weren't coming back," She whispers back. "How could I not want you? I love you."

The kiss she lays upon your lips is breathtaking, shaking and sweet and just....everything. Everything you missed and craved like air and water and life.

You're already halfway into her embrace when she laughs out that half-hearted joke, walking back with you a couple steps when you throw yourself into it. And she squeezes you so tight, so hard, the kisses a flurry of needy, fluttering touches all over your face until she somehow finds your lips--and when she does, she makes that last one a kiss you won't shake off for days, the feeling tingling your lips even when she pulls away. Still rubbing that spot on your back that she knows is sensitive, Robin grips you in an even harder hug that nearly cracks your spine, and whispers into your ear: "I'm so happy you're here with me." before she kisses you one last time, last one, she swears, fingers crossed behind your back. But then, she takes notice to the man standing just a foot away--and she lets you go to turn you around, her fingertips grazing your arms as you finally face him.

"Yeah, she, uh....she cried, like, every night," Even as Robin says it and breaks the quiet, she herself is rubbing tears from her cheeks, trying to keep that smile going as you stand and Nancy loosens her hold. She moves aside for Eddie to lay his hands on her shoulders from behind, and keep her steady on her feet. "So did Steve. I told you he cries when we watch Princess Bride!"

"I-I....I didn't mean it, Steve. I never...I've never thought you were dumb." Your voice comes out as a whimper, fingers fiddling with each other as you endure that big, brown, wide-eyed stare.

"I know." He breathes, hands clenching and unclenching at his sides. He wants to move, he's antsy, but he won't take another step. "I know, baby."

"Can I hug you?" Steve just nods, but his lip quivers and his features gain that pathetic, sad puppy look, because he was hoping and praying you would say those very words. Your heart soars as he meets your step forward and flings his strong arms tight around your body, crushing you with his huge stature but never loosening up. He instantly brings his hand up to cradle your head against his chest, kissing the crown of it with so much firmness that you know he's reaffirming you're really standing in front of him again.

"I shouldn't have let you leave. I should've slashed your damn tires." He chuckles along with you at the lighthearted crack at breaking the tension, until he chokes up again into a sob. "Nobody could ever replace you. And I swear, I'll never break your heart again."

Steve holds you for a long time, squeezing you and kissing you and brushing strands of hair from your eyes to just look at you, surveying the face of the love he feared he'd never get to cherish again. It's a long time coming, and when he's done, there are three other warm bodies in the room that need attention from the sweet thing they've been killing themselves over these last few weeks.

From there, they catch you up with what had happened in your absence. Steve had walked off to clear his head after you left, and hadn't returned until late in the day--burst through the front door during an unusually quiet dinner and sent them all into a panic, when he realized you really had left and you weren't coming back. The four of them had jumped into action to split up and look for you, Nancy contacted your parents and other family while Steve and Robin tried to find some hint of your whereabouts in the house, cracking open your drawers and notes and realizing how much of your stuff was missing. Meanwhile, Eddie had driven in circles round Hawkins and the outer city limits, trying to find any trace of your car in the dark with the help of passing streetlights.

When those attempts had failed after stretching out into the next day to mid-afternoon, and with your very unhelpful parents insisting they had no idea where you could've gone, that's when your partners had started printing out missing person's flyers and put in an official report with the sheriff's office. And, seemingly having forgotten that you were really the only one who ever checked the voicemail at work, your message tendering your resignation had been errantly erased by your manager--worrying them even further when they questioned him, because if you were really planning on moving away like you said, how could you not tell your employer? It wasn't like you. Their fears had only gotten stronger from there.

The worst had yet to come, though. Because when your car had been found on the side of the road way out in the middle of nowhere, miles and miles away from Hawkins and completely destroyed, the four of them had reached the point of no return. The plates had been torn off, but it was your exact make and model of car, and what were they supposed to believe? That it was just coincidence? That's what Hopper had tried to reassure them with, tried to insist that plenty of cars get found gutted out in the bush, but they couldn't be convinced that it was just some freak happenstance and delude themselves to think that you were fine and dandy somewhere else. The same thing had happened to Max's stepbrother, and they all knew how that had ended.

So started the search parties, the nights spent staying up and studying maps by lamplight, the microwave meals in place of home cooking and sleeping in shifts by the phone, waiting and hoping for some kind of clue to your whereabouts to appear. Finding you had become more important than eating, proper sleep, showering, or attention paid to anything aside from looking towards the horizon to see if you would magically walk back into their lives.

And all that time, you had believed nothing but that they couldn't care less where you were, or what you were doing. When in reality, they could think of nothing but you. That was what had led Eddie to nearly crash into you as you re-entered Hawkins, having been pacing the living room for those long hours after Hop's call until he just couldn't take it anymore--despite the other three trying to stop him, he had dashed out to his van and peeled out of the driveway like a lunatic, just for the slightest chance that he might be there when you needed help. It was so stupid, so reckless, and you'll remember that moment he came rushing around the side of the truck to get to you forever.

Despite them reassuring you about Chrissy, too, when the tears have dried--promising you she's nothing but a friend, and they would have no problems limiting her interaction with all of you from now on--you wave it away, smiling off your stupidity and letting them know that it's fine. You were just being dumb, acting crazy, but you're fine now. And Eddie's eyes narrow at that.

"You're not crazy." He murmurs absentmindedly, and says nothing more until he can slip away from your reunion, and reach the phone in the kitchen. While you're busy dealing with your other partner's crippling absence of affection, he taps his blunt nails into each button, numbly dialing the number he's memorized until the ringing starts and stops.

"Hey, Chris. Angel's back home."

"Oh, that's great! Oh...Eddie, I'm so happy for you. You must be relieved-"

"Yeah. Yeah, I am. Listen, no hard feelings, but....you're my friend, so I'm just gonna be straight. Don't come by the house anymore."

"I--what? Really? I....Eddie, I'm sorry, if I did something to upset you-"

"No, no, nothing you did. Well, not really. But I know how you feel, Chris, and I can't really ignore it anymore." He swallows deeply, and sucks on his teeth as he tries to think of some better way to say it. "I don't want to hurt your feelings, but I don't feel the same. I never have, and I'm sorry if I made you feel like that might change."

"......So that's it?"

"That's it. We can still be friends, but we need space for awhile first, and I'm not gonna ignore you flirting with me anymore. I'm in love and it's not gonna change. Sorry."

"Can we at least talk about it, Eddie? Please? I'd rather talk this out in person."

"No. Bye, Chrissy."

He thuds the phone back on the receiver just a little too hard, and brings his hand up to rub at his neck and try and get the ache out. That didn't feel good, having to confront one of his very few friends with a truth he just wanted to ignore--but the sick feeling he has now can't even compare to how he felt when you were away, and it's an easy decision to make in that regard. He'd take you over her any day. It's a bit of a guilty feeling, but he knows it's the truth even if it hurts Chrissy's feelings, and he's happy even so.

"....Yeah, I missed you real bad, sweetheart. Don't you ever think I wouldn't....or else you are crazy."

"Eddie?" You call out from the living room, and following that sweet voice to its source, he feels himself light up at the sight of you settled back into the couch. Legs tucked up in Robin's lap, halfway into Steve and Nancy's, looking so comfortable and cute as you look up at him. You're where you belong. He's so distracted by the glee and relief of having you home, he didn't even realize how quiet it had been between you all until he came right back from his task. You say nothing more, just hold your arms out to him--and when he gets close enough, you capture him with those pretty eyes of yours, and melt away any ill feeling as you pull him into your chest.

#fruity four #fruity four x reader #steve harrington #nancy wheeler #eddie munson #robin buckley #steve harrington x reader #nancy wheeler x reader #eddie munson x reader #robin buckley x reader #jim hopper #joyce byers #st 4 #stranger things #eddie's angelface #ellie writes #anons

3K notes · View notes

love-byers · 2 years

Text

it’s been a year, mike. (MAJOR BYLER REVELATION INCOMING---MUST READ)

mike and will constantly saying "a year" or "all year" when talking about the time since the move when it's only been six months keeps me up at night

i saw people talking about how they say a year when it was only 6 months because they’re idiots in love and are being dramatic. as cute as that is, i didn’t really buy it until RIGHT NOW. i just saw it as a cute headcanon, but now i see that the writers could be enabling you to make this realization by use of subtext.

allow me to explain

^ these are the three times they say it

at first i thought the writers may have just used year because that’s less confusing for the audience because 1 year time jumps have been used before in stranger things and are super popular in books/movies/tv shows. BUT, it clicked for me that that doesn’t make sense. the timeline in stranger things has always been acknowledged. throughout s1 we hear the amount of time will has been missing several times (as far as i remember). in s2, mike counted the days el had been gone. he called her every night for 353 days. when el and hopper argue in s2, el uses specific numbers to tell us how long she’s really been with him. in s3 hopper specifically says ‘6 long months’ when talking about how long he’s been dealing with mike (lol). that's the same amount of time between s3 & s4, yet mike and will don't say 6 months, they say year. there’s a date at the start of every season. and in s4, el says this in her letter to mike.

185 days = 6 months (almost on the dot)

the writers have specifically told us how long it’s been since they moved, down to the amount of days. and it’s 6 months, not a year. this makes it very hard for me to write off mike and will saying ‘year’ as just the writers slipping up. also in el’s letter, she says this:

this is INSANE.

mike and will are saying the wrong amount of time. the writers aren’t stupid, they know how much time has passed since season 3. THEY WROTE IT. i’m a writer as well, and i know how much time is passing between what im writing because I CREATED IT. IT CAME FROM MY BRAIN. and like i said, the stranger things writers have proven to be very keen on dates and time. all of this happening in the same season is not a slip up, its on purpose. stranger things 4 had a 30 million dollar budget PER EPISODE. do the math--that’s 270 MILLION DOLLARS. and yes, i know they supposedly forgot will’s birthday, but that’s different. his birthday is a date that was mentioned one time and served no purpose aside from creating emotional tension in that one scene. none of their birthdays are important to the plot, hell, will’s is the only one mentioned in the show and it wasn’t even on his birthday. one date that was mentioned one time and never brought up again is NOT the same as continuous attention given to timelines/time jumps over the course of all four seasons. and some fans theorize that they’re lying about forgetting his birthday anyway. either way, its not the same.

so....the writers want us to know that emotions can make time speed up or slow down....and that el’s week has felt very fast because of her emotions....and then show us mike and will SPECIFICALLY deviating from the timeline established in the SECOND LINE OF EPISODE ONE “yeah, but you knew she was having problems for months and didn’t tell me.” “its been six months, mike.”, or “it’s been months, mike.” or not even including that line at all, or “the past couple months have been weird” would’ve worked and stayed in check with the timeline we’ve already established. but when writing those scenes, they chose to say year. which is flat out wrong and way off from the actual time they’ve been apart.

and what did el say makes time speed up or slow down? emotions? oh, okay got it

the first two times mike and will say it’s been a year are in the same scene: the rink o mania fight. emotions are high. they’re in a pretty serious fight. its not about something dumb, it’s about their ten year friendship and how they’ve grown apart. their friendship is VERY important to both of them. (remember when mike said asking will to be his friend is the best thing he’s ever done?) the third time it’s said is when mike is opening up to will in episode 4. it’s a very emotional scene. mike is being honest and vulnerable with his feelings. in this conversation he apologizes and admits that will didn’t deserve how mike had been treating him, which mike never does to anyone else. he admits his relationship with will is different and home isn’t the same without him, and that he feels like he lost will and wants to be best friends again.

and the obvious: emotions making time speed up or slow down doesn’t just apply to in the heat of the moment occasions. (in theory) mike and will are in love. the six months they’ve been separated felt like a year to them because of their emotions, just like el said in the letter. and mind you, will is canonically in love with mike, yet they’re both acting the same way about this. it’s not just will. it makes sense for six months to feel like a year to will because of his emotions, because he is in love with mike, right? well, mike feels the exact same way. this isnt even about the characters as people. narratively speaking, mike and will both doing this doesn’t make sense if it’s unrequited. one way writers show how characters aren’t on the same page about something, a relationship for instance, is whether they’re on the same emotional page about different plot points. something major and emotional happens to all the characters---now we watch how they react to it. and i don’t mean small disagreements & such, characters are allowed to feel differently about things. i mainly mean when whatever happened is painful and important to one or more of the characters. for example, steve and nancy. steve and nancy didn’t feel the same about barb, barb’s parents, and everything that happened in general. steve wanted to keep on like nothing happened while nancy was literally eaten up with grief, guilt, and trauma. jonathan was the one who was on the same page as her and made her feel better about carrying that baggage around all the time. they understood each other. and who was nancy in love with? jonathan. narratively, that makes perfect sense and even further sways the audience into understanding they’re in love.

so...what? the emotions that made mike and will’s six months apart feel like a year to them is....friendship? not a fucking chance. mike and el are a couple, and according to mileven fans, they’re the main couple of the show who are in love and are going to be an endgame couple. why save this incredibly romantic coded trope for will and mike, the best platonic bros? idk, you tell me. and the fact that the line about emotions came from someone in the love triangle?? and it was said to someone else in the love triangle?? not a coincidence.

edit: someone reblogged and pointed out how el said 185 in her letter to mike that we SEE him reading. there is no reason for him not to know how long it's been. so either he isn't paying attention to a damn thing el says in her letters or he is just extremely in love with will

another edit: i keep seeing reblogs of people saying they're probably referring to the time since mike and el started dating, which i used to think too. but the context when mike and will say a year makes it hard for me to believe.

"but you knew she was having trouble for like a year and you didn't tell me"

here mike is specifically talking about el's bullying problem which has only been going on since the byers have been gone and she enrolled in school. what he's talking about is something very strictly related to the time since they moved, and it's been six months, not a year.

"you called maybe a couple times. it's been a year, mike. meanwhile el has like a book of letters from you."

will is again, very specifically talking about something that strictly happened between the time since the byers left and the start of s4. he's saying how crazy it is that it's been a whole year and mike has barely called. but it hasn't been a year, it's only been six months.

"the last year has been weird, you know? and you know, max and lucas and dustin, they're great, they're great, it's just..it's hawkins it's not the same without you. and i feel like maybe i was worrying too much about el...i don't know maybe i feel like i lost you or something."

this one i will cut some slack, i think he could be talking about literally the last year, as in since the beginning of 1985. but immediately after he starts saying how home hasn't been the same without will (and separates his relationship with will as being different than his relationship with max dustin and lucas and even el), something specific to the time since they byers have been gone, six months, not a year:

in conclusion: mike and will referring to their time apart as a year when it’s only been six months is not a mishap on the writer’s part. they go out of their way to make sure you know exactly how much time has passed, down to the number of days, and they put this much attention on time in every season. and in the same season mike and will do this, there is a line in the SECOND LINE OF THE OPENING SCENE OF THE SEASON about emotions making time go by faster or slower.

byler is going to be a s5 surprise, but its not coming out of nowhere. there’s piles of subtext in every single season---enough that when you look back, it all makes sense. small details like this aren’t outlandish because this is without a doubt the length writers will go to keep something hidden, and in byler’s case and many other tv show plots case, to keep something a surprise. and for christ’s sake, WATCH THE SHOW! the amount of attention to even the TINIEST details in stranger things is insane. they put so much thought into everything---not just ships, and not just byler. idk how many times the writers are going to have to say details matter and that there are no coincidences until people believe them.

anyways, byler is endgame. thanks for reading :)

#another day of proving byler endgame done #all in a day's work #they are in love and they are dramatic #byler #will byers #mike wheeler #byler s4 #byler s5 #byler endgame #byler is endgame #byler is canon #mileven is bones #milkvan is bones #stranger things #byler analysis #stranger things analysis #stranger things 4

3K notes · View notes

artsyna · 8 days

Text

What MIKE feels. (WITH SUPER GOOD PROOF ISTG) -

(This is paralleling season 2 btw!! But I’ll get to that later since It’s a central part of understanding this scene.)

(BOARD GAMES??? AS IN THIS WHOLE ASS SCENE??):

(That’s Bold duffers… Anyways let’s continuee!)

(KEEP IN MIND THAT IT SAYS CHANGING AND THE SCREEN IMMEDIATELY PANS TO MIKE!!)

I love how these scenes make you SEE that Mike also thinks he’s being left behind because he’s “different” from the rest of the crew. It's just from Will Byers' unreliable narrator perspective you can't tell what Mike REALLY feels.

THEN IT PANS TO WILL, LIKE- OKAY???

LITERALLY MIKE USING EL AS A BEARD IN S4!!! He’s trying not to change, trying not to be DIFFERENT! (different is gay btw)

OK THIS PART IS SUPER IMPORTANT!(OKAY ITS S2 PARALLEL TIME!! YAY!!)

In the season 1 clip, Mike finds out that Will died, It’s something will related, he’s dead and that means Mike will be separated From Will forever. This just proves that the season 3 scene is referring to Will.

NOW!! Here comes the interesting part. Look at the lyrics of the song in the background of the season 1 clip! (Heroes)

This is EXACTLY what the lyrics says EXACTLY in that clip about being separated by Will. Now, there were rumours going around hawking that Will got killed off for being queer, so that just gives the whole season one scene that has a whole different and deeper meaning. (ALSO look at how the lyrics continue!)

Ok Mike… He really just said beat the homophobes lol.

(Proof:)

Just look at stranger things season one episode three minute 49:14

THE ENDDD HOORAY.

It's uh, it's a tad bit long...

#gay people #stranger things #byler brainrot #mike wheeler #byler #will byers #silly little guy #byler theory #byler endgame

140 notes · View notes

carigm · 2 months

Text

MORE INSANE THINGS ABOUT THE VR GAME

Vecna tries to get into all of the boys’ minds but he’s unsuccessful except with Will.

He tries to taunt Mike by saying to him that it’s his fault that El is gone but this gets blocked out by Mike’s happy place/memory and it’s of him playing D&D. There’s a rainbow dice basically wiping Vecna away in that sequence lmao…and you also hear Will’s voice. (Some people have already posted about it in the tag so I won’t add pics).

The part about the happy place/memory thing is super interesting because the writers decided to make Lucas’ happy place a memory of him and Max at the movies, even tho atp in the story they have not met. It’s set pre S2….which makes you wonder why they couldn’t make Mike’s happiest memory be one with El…

Another insane sequence is the moment where Will breaks out of Vecna’s vision…Will got a nosebleed in the real world and Mike is wiping the blood off his nose, and Will focuses on this to get out of Vecna’s hold and walk into that moment, just like Max did in S4. There’s a few interesting moments of dialogue from that sequence because as this is happening Vecna keeps taunting Will in the background. Lemme share some interesting screenshots.

The first is this quote from Vecna saying that through Will he will get into his friends’ minds…with Mike being heavily focused on….

This one is just crazy…Vecna saying “you’ll finally matter to someone, Will” and Mike’s all up on the screen lol

And this one is the most insane one imo. It’s the end of the sequence with Will coming back to himself, and Vecna is bothered that his friends (cough Mike) brought him back. At the same time he says “you are alone” Mike is asking him if he’s okay, basically proving Vecna wrong.

And that’s what he’s always been for Will, he’s always pulling him out of all his episodes, has always been his light.

I really don’t think Vecna is anticipating queer love to save the day but….lol

One last thing I want to mention if that even tho the game takes place pre S2, the characters are wearing clothes from all seasons, Lucas is able to see Max in a memory before he’s even met her, and Mike literally says to Will at one point “you look like a time traveller”

So I think time fuckery is basically a given in S5, be it inter dimensional time travel or whatever people wanna call it lol.

As for the canonicity of the game, they consulted Paul Dichter, who was a co-writer on a few episodes, including Will the Wise and Dear Billy. Make of that what you will.

#byler #byler theory

146 notes · View notes

luveline · 1 year

Text

𝐬𝐭𝐚𝐫𝐫𝐲 𝐞𝐲𝐞𝐝 𝐬𝐦𝐢𝐥𝐞 | 𝐬𝐭𝐞𝐯𝐞 𝐡𝐚𝐫𝐫𝐢𝐧𝐠𝐭𝐨𝐧

Steve doesn't really like the holidays, but he likes you. So, he makes some concessions. Rainbow lit, tinsel-covered, pine tree-smelling concessions.

6k words, christmas centric, fem!reader who celebrates christmas, mutual pining, gingerbread houses, mistletoe, ugly sweaters, friends to lovers, idiots in love, allusions to s4.

❆

Steve hates Christmas. He doesn't want to get into it and he won't, not when you love it the way that you do — quietly, and yet every movement hints at your excitement.

Your hands are basically shaking when he lugs the new box onto the desk. It's adorable.

"Thank you for doing this," you say, meeting his eyes and sending him one of your too-nice smiles. Kind that makes him nervous and sick and excited all at once.

"I don't know why you're so eager. They're the same cheese-fests this year as last year," he says.

You lean over the counter enough for him to smell your perfume. "That's not true. You said you have The Christmas Star, right?"

"Ten whole copies."

He pulls open the cardboard box and digs for your desired tape. The case is cardstock and crisp with newness, and it squeaks as he pulls it up and displays it against his chest.

You beam. "Yes. How much? Expensive 'cos it's new?"

"Not with the employee discount," he says, placing the tape down neatly.

Your smile turns shy. Steve has always thought you were pretty, in the same way he thinks that grass is green and stars shine at night, but lately you've turned to a sweetness that has his teeth aching if he thinks about it, all manner of terrible emotions flooding his idiot brain. Jealousy, protectiveness, and — he shudders — affection. Even now he's tempted to round the desk and make up an excuse to touch your arms, or your hands. Your face.

"Thanks, Steve," you say softly.

"Of course. There has to be one pro to working in this dump, right?"

"Is it a dump? It looks super clean."

He hesitates. "We had to fix it up. Holiday decorations are coming in tomorrow."

"Make that today!"

You both turn to see Robin struggling out of the back room, two boxes held in her arms and hiding her face. She stumbles to the desk and Steve leaps to help her, unveiling her grinning face. There's a meanness to her eyes that Steve abores.

"Well, yesterday. Keith says they got here last night, which means today is officially the first day of Family Video Christmas."

"It's November," Steve says, narrowing his eyes.

"Thirty first!"

Robin pries open one of the huge boxes and thrusts both hands in unafraid, pulling out streams of green and silver tinsel like festive innards. Her eyebrows jump up. "Nice," she says appreciatively.

"I almost wish I worked here."

"You can stay and help," Steve says.

Your laughter makes his chest hurt. "I can't. I have decorating to do all by myself next door." You straighten your Palace Arcade polo and your black, plain skirt. "Do I look okay?"

Steve has a terrible lapse in judgement wherein he thinks about telling you exactly how you look, lips pressed together ready to make a 'b' sound, but he stops himself in the nick of time. Friends don't really do that.

"You look fucking adorable," Robin says, having wrapped the tinsel around her neck in a makeshift scarf. She sparkles as she turns to Steve. "Doesn't she?"

"Adorable," he says tightly.

You scratch under your ear. "Thank you.”

You promise to come back at the end of the day for The Christmas Star and escape before Robin can poke fun at your shyness.

The door closes behind you and Steve buries his face in his hands. His cheeks are hot.

"That was pretty bad. Better, though," Robin says, an air of genuineness about her that he knows she doesn't truly possess.

Steve scrubs a hand through his hair, temper welled to the surface quick and uncomfortable as usual. He pushes it down and turns away from Robin and the glaringly bright Christmas decorations rather than say something snappy that she doesn't strictly deserve.

"Maybe by Christmas you'll be able to look her in the eye."

"Maybe by Christmas I'll have friends I actually like."

"Points for quickness," she cheers. Steve can feel her moving to stand beside him. "But ultimately weak."

"It could happen."

"Could it?"

He rolls his eyes and starts to log The Christmas Star under his name for you. Employees get pretty good privileges, like reduced rates and nulled late fees. You could keep it 'til the 25th, if that's what you want.

Robin drapes tinsel over his shoulders. "I really, genuinely think that, despite your bad posture, your hair, your clothes," — Steve scoffs — "and your dismal taste in movies, she likes you."

He's so distracted by her (mostly) joking insults that he doesn't quite hear the end. Then, when it sinks in, his incredulity lends itself to a new target.

"What?"

"Steve," Robin says flatly.

"She likes me?"

"I think so. She's not coming in here every day for me."

"How should I know? I'm not exactly a good judge of it."

Robin taps her foot against his. They're overly familiar if not overly affectionate friends, and he relents in his bad mood, pulling the tinsel from his shoulders with a dejected sigh.

"I doubt it. She was excited about the new movies." Not me. He doesn’t think you'll be back tomorrow.

"Why aren't you excited?" Robin asks.

"You know I don't like the holidays." His agitation is clear in his annoyed hand gestures, fingers furling and unfurling. "Weeks of torture. Cranky moms walking around like somebody shoved a candy cane up their-"

"Steve, that's like, ten percent of the holiday season! There's a bazillion other things to like about Christmas."

He snorts. "Like what?"

—

Steve doesn't know how she managed it, but Robin has someone orchestrated the older gaggle of their friends to sit down anywhere but next to him. When you arrive, late and full of abashed apologies, the only seat empty is the chair to his right.

You collapse beside him and the December chill outside follows you. Cold emanates off of your clothes. You peel out of your black denim jacket and press the back of your hand to his.

"Cold, huh?" you ask.

He swallows around nothing. "Cold."

Your touch lingers. If he were your boyfriend, he'd take your cold hands in both of his and blow on them generously. He'd rub your stiff knuckles until they were loose and your fingers limp.

Robin opens her arms and a half a dozen boxes clatter into the middle of the table, upside down and on their sides. Steve turns his head to read the font, and then promptly sits up.

"No," he says.

"Steve," Robin pleads, already turned away to retrieve a wicker basket full of candy. "Don't be a loser."

"Too late," Eddie says, painted nails digging into the cardboard flap of his box.

"You don't want to make one?" you ask Steve.

"Gingerbread houses are a little elementary school, aren't they?" Steve turns to Jonathan imploringly. "You agree, right?"

"No," Jonathan says with a laugh. "Me and Will still make them every year. El's getting good at them, too."

"Will made one with a door that opens last year," Nancy says, pride for her boyfriend's brother clear in her pert smirk.

Steve rolls his eyes. "That's good for him, and I mean it, but why are we doing this? Tell me there's beer, at least."

"Yes!" Eddie cheers, slapping his thigh. "Harrington, you're finally saying something I can get behind. I have a little something extra in the van, just say the word."

"There's beer," Nancy says emphatically.

Eddie pretends to die in his chair. You giggle like crazy at his dramatics and set about opening your box, fanning gingerbread walls and roof panelling out over the table.

Steve feels old resentment for Eddie bubble up like it never left. He wants to be the one who makes you laugh like that, all sweet and secret like you're trying not to make a fuss but you just can't help it. The resentment fades when you reach across from him and open a second box, laying supplies out in front of him one by one.

"I think we should be a team," you tell him.

"That's not fair," Eddie says.

"Can it, Munson-"

"We can all be teams," Robin says, returning with a blessedly cold six pack, three piping bags, and a handful of metal tips. "You two, me and Eddie, Nancy and Jonathan."

Steve doesn't miss her suggestive eyebrow wiggle, and neither does anybody else. You turn to Steve in confusion. He shakes his head vigorously in a rapid and untrue show of I don't know, arm weaving under yours to bring your attention to the bigger piece of gingerbread. "This is the floor, right?"

Steve’s surprised by how good of a team you turn out to be. Your gingerbread house takes shape slowly. Steve holds the pieces in place and you apply the icing seams like caulking, smoothing the lines out with your index finger and licking it clean. You’re a picture of happiness, happy jabbering interspersed between singing along to the Christmas songs on the radio and warding off insincere insults sent your way.

"My grandma can decorate better than that, and she's pushing ninety. She has glaucoma."

“Cut the shit talking, Eddie,” you warn, flicking him with a jellybean. It hits his neck, and his retribution comes in five more aimed at your gingerbread house.

The sides wobble unsurely.

Steve frosts the roof, assuming it’ll be easy. It isn’t easy at all, and soon any cuteness you’ve made is ruined by his ugly hatching. He winces, then frowns, then glares, eyebrows furrowed in agitation.

Jonathan and Nancy are the ones to beat. Both nerds, both neat. Jonathan’s an artist and it’s obvious he does this every year, their house made up of pretty white swirls and gem decorated doors and windows. They're bantering quietly, insincere declarations that make Steve jealous — not of Jonathan, exactly, but of their relationship as a whole. They fit together in a way Steve and Nance never had. They’re effortless.

Robin and Eddie make a good go of it, surprisingly. Steve had expected Eddie to throw the competition before he could lose, and hates to be proven wrong. Dorks combined with too much imagination, their gingerbread house has become a sort of macabre scene with a dead gingerbread man outlined in the snow surrounding, and icing stalagmites rise under the roof’s overhang.

You pull your chair in as close to Steve’s as you can, your knee pressed into his thigh and your elbow glancing off of his bicep every time you place a jellybean.

“There,” you say, pulling back. “That looks awesome, doesn’t it?”

It’s a hot mess. Unbalanced, too much icing on one side of the roof and not enough on the other, you lean back into Steve’s chest, your skin to his skin and your hair smelling of jasmine, appraising the work you’ve made just as it begins to fall apart. The weight of the roof becomes too much and the walls split either side of one another, in both slow motion and fast. Steve sees it happen incrementally, and it’s too quick to stop.

Your gingerbread house collapses.

“Fuck,” Steve says. “Fucking fuck.”

You get second place.

“It looked good when it was actually standing,” Nancy reasons, her lies obvious in her raised pitch, her queasy shifting.

“It did,” you agree.

Steve’s self-loathing abates ever so slightly.

“Pity win,” Eddie says with a cough.

You laugh like crazy, and Steve decides gingerbread houses are for kids.

—

After the gingerbread house disappointment, Steve thinks things cannot get worse. He is swiftly proven wrong.

It's his turn to host a party, Robin's idea, and Christmas crawls ever closer. When he closes his eyes at night he can see the faces of every annoyed mom asking for The Christmas Star. Carols play in his ears unbidden. He finds himself humming songs he hates out of nowhere and clamping his mouth shut hard enough to chip a tooth every time.

You love decorations, and so he and Robin have spent the last hour making his big empty house something fit for a rom-com, wreaths and tinsels and rainbow flashing lights. You love Christmas music, and so the stereos dialled to a cruel thirty in preparation for your arrival. You love cookies, and so, to Steve's amateurish expense, plates of sugar cookies line the kitchen countertops, along with all the finger foods one could ever desire.

Though in Steve's case, that's none. He hates Christmas parties, reminded of his parents' misaligned efforts to earn favour with equally pompous parents. He and Tommy would hide out in backyards with stolen booze, and when that got too cold they'd shuffle inside, warm in their chests and numb in their fingers.

He frowns at the memory and wizzes it all away. Tommy was an asshole. Steve was an asshole, he still is. This party isn't for his parents.

It's for you.

Not that anyone can ever, ever know.

"What do you think?" Robin asks, pulling at the edges of the sweater she's changed into.

It's a movie reference he should understand, but doesn't. "I love it."

She smiles. Rare for them to operate above dry sarcasm and quick wit. Christmas makes Robin squishy, like she's forgotten how shitty the world is, and Steve wants her to have a good time tonight. This includes being nice (which he should be more often, anyway).

"Go change. She'll be here soon."

"Who, Nance?"

Robin tips her head back. "Oh, yeah, Nancy. Definitely who I meant."

He flips her the finger, putting an end to their Christmas niceties. She's still laughing as he climbs the stairs and barrels into his room. He doesn't bother closing the door even as he hears the doorbell ring. The pizza should be getting here around now.

Steve doesn't rush. He’d left cash on the countertop. Robin can deal with it.

He ducks forward and pulls his polo up the length of his back, hair puffed out like a cloud. He'd set aside his ridiculous reindeer sweater on the top shelf of his closet. Or, at least, he'd thought he had. He searches once, twice, and then gives in to his short temper and drops his face into his hands.

Stupid Christmas. Stupid sweater. Stupid party.

He hears your inhale like a whisper. Breath caught in your throat.

"Steve," you say, sounding surprised.

It's his room. He's not sure what's so surprising.

You're standing in the doorway looking angelic, all things considered. Your features softened by powder, wearing a white Christmas sweater with dainty beaded snowflakes and a plaid skirt. You look pretty, and Steve's not one for dramatics but he wishes he was dead.

"You look nice," he says pathetically.

"You, too," you say. You clear your throat. "I mean. Uh-"

"You okay?" he asks, pushing hair out of his eyes.

Your smile falters. You look at his naked chest. Steve worries he's making you uncomfortable and turns as nonchalantly as he can to his closet again, says, "I can't find my sweater. It's…" He lifts a bundle of jeans up. "Horrifying."

"I can help."

You step into the room. Each footstep silent, you've already discarded your shoes. He looks down to your stockings and then up again, ignoring the blush that wants to emerge at the sight of your thighs.

"It's brown, and it has a weird red thing hanging off of it. Rudolph's nose."

You step close enough that he can feel the heat of your arm and run a hand down the shelves. It takes a couple of seconds at most and you've found it, pulling it from the pile carefully. He loves the way you move, each inch deliberate.

You press the sweater into his chest. His hands come up, his fingers cover your own.

When he's with you, Steve feels as though everything — every movement, every moment — is broken down into its finest details. He thinks he could draw your fingerprint if asked, each miniscule line embossed into his skin as you touch him.

"Steve?"

But that's ridiculous.

"Thanks. I think I got tinsel in my eyes or some shit," he mutters, averting his gaze.

"You're welcome. Robin sent me to see what was taking you so long. I'll tell her it was a Rudolph related crisis."

You stroke his arm.

He loses his shit internally, hand reaching for your retreating figure as you turn your back. He doesn’t know why. Maybe he would’ve kissed you.

"Steve?" you ask, now standing in the doorway.

He recalibrates, muddled. "Yeah?"

"Get dressed,” you encourage. You give him a short smile, blinding, and laugh quietly as you leave.

He's hopped up on hope as he gets dressed, a smile plastered over what had felt to him like a seasonal scowl. He's no idiot; arm-touching, your tinkling laughter. Maybe his crush isn't as hopeless as he'd thought.

He smooths down his hair for much longer than necessary, listening as the door opens and closes and opens again, friends trickling in with happy hellos and complaints about the weather. It's cold but too wet for snow, and evidence of it trails in from the front door through the hallway where shoes lie discarded in clumsy pairs.

He picks over them and finds his friends, ones he made willing and otherwise, draped over his living room like old throws. Max and Lucas have stolen the couch where they sit laughing, clearly gossiping about something. The rest of the lunch club stick close by, bowls of snacks already claimed and in cross-legged laps.

"Steve," Jonathan says, "what the fuck is that?"

"Fucker," Steve says. He's the butt of too many jokes, then, and he glares at Robin even as she plates him some still-warm pizza.

"Sorry," she mouths.

You curl up on the couch next to Max. He appreciates the unlikely friendship you've formed, sort of a sistership. You only know her through Steve but he genuinely thinks you'd pick her over him, and that makes him like you more.

That's all he does, lately. Finds new ways to fall in love with you.

"That is the ugliest sweater I've ever seen," Max says.

Fucking Christmas.

—

Steve's been in a bad mood since he came downstairs, and you're not okay with it. Despite your shameless meltdown in his bedroom at seeing him shirtless, you don't quit. You spend some time with Max on the couch, and when she seems a little less agitated you track him down.

He's definitely hiding.

"I think Max's glasses are hurting her nose," you say.

Steve looks over his shoulder at you, and he smiles, the slopes of his face kissed by the open refrigerator light. "They'd hurt anyone. The lenses are like, five inches thick."

“Poor girl,” you mumble, more to yourself than him.

He turns back to the fridge and pulls out a two litre of coke. “You want a drink?”

You shake your head. His hair looks incredibly sweet from this angle, and you don’t mean that in a condescending way. It curls toward the bottom of his neck, that tiny bit too long compared to his usual cut. His neck moves as his head swivels, and there’s ligaments, there’s muscle, the bump of his Adam’s apple, all of it commanding attention. You think about stepping forward to touch him, his neck, to curl your finger around the side of his throat and hold him in place. If there’s one thing about Steve lately, it’s that he’s always fucking moving. He can’t sit still. He looks between you and the empty glass in question, twice, a third time.

“I don’t read minds,” he says eventually, near pleading.

You decide some flirtation is in order.

“I’m glad you can’t,” you say lightly, crossing what’s left of the kitchen tile between you to stop at his side. You pretend that you’d wanted a drink, taking a glass down from one of his cabinets so he can fill it for you. Something he could’ve done himself. You hope that’ll be clear enough for him — the blatant want to be close.

It isn’t, unsurprisingly.

“What’s that mean?”

“Well, I think…” You lower your voice,a private confession. “That sometimes what I’m thinking, it might be- Uh, telling.”

Poor Steve. That hadn’t come out anywhere as smooth as you’d anticipated. It’s harder to tell him now you’re confronted with him, his every detail. And Steve, sweetheart, angel Steve, he misses the mark. Forget different pages, Steve’s reading a separate chapter, and your flirtation reads as a deeply unromantic confession.

“Is there something wrong?” he asks.

“No,” you say. “Of course not.”

His eyebrows jump and his forehead crinkles. “You sure?” His protective tone melts into something softer. “Let’s hear it, whatever it is.”

Steve isn’t patient. You know that about him. His temper is short and fierce. You like how hot he runs, love his agitated pouting and his dark-eyed scowls — he’s handsome in every expression.

He isn’t patient, but he tries. He’s kind, and if you wanted to sit and talk about the hypothetical that isn’t bothering you, he’d listen.

“I actually wanted to ask if everything was alright with you,” you say gently.

His hand wobbles, fastening the coke cap. “Why wouldn’t it be?”

“I’ve noticed you don’t really like Christmas.”

He smiles, and soon the smile catches, a shy lip bite that has you fighting with your hands to keep them where they hang at your sides.

“You got me.”

Steve pushes the twin glasses of coke back and then turns around, resting the small of his back against the countertop. You step in front of him without thinking, head ducked to catch and keep his eyes. They’re such a lovely brown, light and earthy, potted with white dots from the fluorescent kitchen light like falling snow as his eyes slip down. You swear, Steve is looking at your lips.

“Is there something I can do?”

It’s a terrible time to ask because you genuinely mean it, you’re not just trying to cop a feel. He doesn’t smirk or laugh as you’d thought he would, he only smiles.

“Thanks, but I’m good.” He tips his head back, criminal, neck arched and ever-enticing. “Fucking sick of this itchy straight jacket,” he groans, pulling at the collar of his sweater like he’s hot.

He is hot. You’d both benefit from a sudden winter breeze.

His head drops, eyes lit with confusion. “What? Something on my face?”

“Something,” you agree.

You look behind you to check what you’d thought you’d seen was truly there. When it is, you turn back to Steve with a feigned concern. “Here, come step into better light.”

You hurry into the doorway, frowning.

Steve frowns in turn and follows you. You give the game away without meaning to, looking up at the sprig of mistletoe pinned sloppily above you.

He sees it. He lights up. The happiest he’s looked all month, Steve scrubs a hand over his face and into his hair, pushing it out of his eyes as he comes to meet you. Your stomach flips with excitement, because oh shit, he looks like he wants to kiss me.

“Butler, I’m in need of one of your finest cokes, please.”

Oh, no.

Eddie bounces into view with a certified shit-eating grin, hair decorated with tiny metallic baubles. His sweater is surprisingly normal, a black and white knitted affair with reindeer and snowflakes.

He comes to a stop beside you. “What’s happening?”

Don’t look up, don’t look up, don’t look-

“Shit, hey! Mistletoe.”

Eddie opens his arms. You sigh, to his delight, and lean in so he can give you a chaste kiss on the cheek. You try to look at Steve and find your view blocked by a mass of hair.

“Wow, sweetheart. And I thought we were friends,” Eddie says good-naturedly.

You scrunch your hand in his sweater to push him away, not unkindly. Guilt gets the better of you and you pat the place over his heart. “We are.”

He makes a kissy sound and dives in toward your neck. Startled, you squeal, stumbling away from his rabid affection and back into the kitchen. He follows, though he doesn’t try anymore kisses.

“Harrington! I wasn’t joking about the coke. Can I-“

“Help yourself,” Steve says.

He sounds miserable.

—

There isn’t time or opportunity to smooth things over with Steve that night. Actually, a week becomes two, and neither do you kiss nor talk about kissing. You want to explain to him what he probably already knows — you really had been standing there for him, hoping for a kiss, a proper kiss.

He’d looked crushed. You don’t use the word lightly. Steve looked as though somebody had stepped on his chest and pressed all of their weight against his ribs. Frazzled, unhappy. You can’t get the look out of your head, and Christmas doesn’t feel so cheerful with the gap that yawns between you, an icy crevice.

You try to explain and things get in the way. At the video store, you show up with a plate of apology cookies hoping for a second chance and suddenly the radio breaks and gets stuck blaring ‘Here Comes Santa Claus’ like a storm siren. You meet up for games night with a twig of mistletoe in your purse hoping to be a tad more brazen about it and he sits on the opposite sofa, doesn’t take any pee breaks, effectively foiling your plan with inactivity. You ask him out for hot chocolate over the phone and he can’t come.

“My parents are flying home. I gotta pick ‘em up from the airport.”

You don’t know whether he’s lying or not. His parents actually being home feels outlandish. If he is lying, he doesn’t want to see you, and if he doesn’t want to see you…

He doesn’t like you. Not the way you like him.

You worry you imagined the whole thing, his enthusiasm, his starry eyed smile.

So you’re giving it one last shot. If it doesn’t work you’ll spend your Christmas heartbroken and sulking, but if it does you might actually get to kiss him. It’s a huge thing, and your hands are shaking with more than the cold as you bump up the small step to Steve’s front door.

The green wreath hanging below the peep hole jitters as you knock, a fragrant twining of pine and cinnamon sticks.

The door opens all at once.

“Hi,” you say, biting the tip of your tongue. “Hi, I’m, uh-“

The man who’s answered, who you summarise to be Steve’s father despite never having seen him, looks disinterested. “Steve,” he calls. “One of your friends.”

He walks away with nothing else to say, a dark brown liquid lapping at the sides of his small glass. You pull the wrapped box in hand closer to your chest, shifting from one numbing foot to the other as a small tumbling sound comes from upstairs. A pair of hinges squeal, and Steve is halfway down the stairs before he’s even looked up.

He slows as he approaches the bottom.

He’s in pajamas. Sweatpants, nondescript, but his too-tight shirt clearly of the Christmas variety. A snowman smiles over his chest.

“It’s laundry day,” he says.

“Sure.”

“I’m sorry I couldn’t go out with you-“

“Steve,” you interrupt, shaking your head. “It’s okay. Don’t worry about it.”

“Is that… for me?”

The box in your hands is wrapped modestly. You hadn’t wanted to shove Christmas down his throat, trading reds and greens for a shiny silver paper pressed with fine glitter snowflakes.

“Yeah. It’s for you.”

Steve stares at you. You stare back.

“I’d invite you in, but…” He shakes his head. “Let me get my coat.”

Steve doesn’t close the door, to his father’s annoyance, deep grumbling echoing from the kitchen area. You watch him shove his socked feet into a pair of sneakers and scramble to grab his coat and a scarf.

“Okay?” he asks, stepping out onto the path and closing the door behind him.

You don’t answer, distracted by his hands suddenly held up, the scarf thrown neatly around your neck. He does a single knot and tucks it under your jaw. “Awesome,” he says.

You walk down his street. Hawkins is half woods, and soon you’re weaving between naked trees, no destination in mind, not one unspoken feeling acknowledged between you.

“Why do you hate Christmas?”

It’s just dark enough for Steve’s clouded breath to show against the sky. “I don’t,” he says.

Your footsteps break over leaves so frosted they crackle.

“I mean, I guess I do,” he says. “I don’t know. I think I want it to be better than it is.” He stops under a tree that’s clinging to its last handful of leaves and gives a low-hanging branch a playful shake. “I never enjoyed it, as a kid. Or, I don’t remember. I’m sure I liked it when I was still snot-nosed.”

“So, last year?”

He chuckles warmly. “Exactly.”

You walk a little further, too awkward to hand him his gift.

“I don’t hate it. But it’s cold, and everyone’s rushing, and the bad outweighs the good.” He sounds tired.

He breaks your heart like that.

You stop walking and Steve takes your cue, the two of you toe-to-toe, your sneakers dirty, his socks odd. One white and one grey.

“I got you this because… um, I have something to tell you. I don’t think I can say it out loud, but- but I hope it adds something to the scale.” You extend the box slowly, your fingers stiff with the cold. “You deserve some good. You deserve a lot of good.”

You laugh, flustered, and Steve joins in, chest lifting with it as he accepts his gift.

He rips off the wrapping paper, at first carefully and then less so, shoving little pieces into his pocket as he goes. You take the bigger scraps from him so he can look at the box itself.

Your gift is actually multiple gifts contained inside, and the first isn't technically a gift at all. The Family Video copy of The Christmas Star.

"Is this-"

"I've been meaning to give it back to you. I'm sorry, I know it's not a real gift, I just figured- I mean, you've never seen it. I thought we should watch it, and that you'd like it if you did. Or maybe you'll hate it, and that would be fine too."

He nods and moves to the next gift, lips twitching with an emotion he won't share.

"That's your size, hopefully. I asked Robin but she didn't know. I kept the receipt."

Steve smiles at you. "Would you hold this?" he asks.

You put your hands out and take the box back, worried, but he's only unzipping his coat. Quick as a flash he's shrugging into the sweater head first. It's a simple thing, red wool, soft to touch. A Christmas sweater, though there's no decoration beside a tiny holly leaf embroidered at the collar in dark green.

"This is fucking sweet," he says.

You agree. He looks good.

A shiver racks his spine.

"Put your coat back on, you're gonna freeze," you say gently.

He beams at you. "My dead body will be the best dressed in the morgue."

"Don't joke about that!"

He laughs and gets back into his coat, zip right up to his neck. He still looks cold.

The third present is a gingerbread house kit. The fourth, a sprig of mistletoe. They're obvious now the sweaters in action, and Steve seems mildly confused by them. You leap to explain.

"I thought, I mean- I want a do-over." You tilt your cheek toward your shoulder, scared and fond at the same time. "I wanted you to kiss me. I think you wanted to kiss me, and then Eddie," — you laugh loudly, cheeks burning with the cold — "was being himself. And Steve, I brought that stupid plant with me to Robin's house last week hoping we'd be alone, and to work the week before. But you're hard to pin down."

You take a deep breath before continuing, eyes determined at his collar, "If you don't want to kiss me, that's okay. That's why I brought the gingerbread house, because ours was awesome before it fell apart, and I'm pretty sure Robin gave us a dud on purpose. We made something really cool together, and I think we can do it again."

"I did want to kiss you. I do."

You bite the inside of your lip, nose scrunched up in happiness. "You do?" you ask, and there's this feeling in your chest like you could burst, and all the cold shrinks into nothing. You're warm in your arms, your fingers, your fingertips.

His hand comes up to his face briefly, shielding his eyes. "Am I obvious?"

"Am I?"

His exhale tickles your cheeks. "No," he says breathlessly. "No, you're not."

He says it like it's a good thing. A great thing.

"Everybody else knows," you say similarly.

"I know."

He brings a hand to your cheek. It's cold, cold as your face, but he still winces and rubs at the apple with his thumb. "You're freezing," he says as he inches forward.

His lips are warm. More gentle than you'd imagined, hesitant, and the box you're holding stops him from getting as close as you want him to get. He kisses you once, then he pulls away and kisses you again, his lips slightly parted.

It's better than you'd thought it would be. His palm stroking your cheek, the pressure, the heat. Knowing he wants to kiss you now as he wanted to then.

"No fucking way," he says, tilting his head back.

You tip your head back too. Something wet falls in your eyelashes, a drop of rain.

Not rain. "It's fucking snowing," Steve says.

It's snowing. Because it's Christmas, and the powers that be are on your side.

"Happy Christmas, Harrington," you say jovially.

You're given another kiss in reward. Reward, or to shut you up. You're not sure.

—

Steve is impartial to Christmas. He doesn't want to get into it but he will, because you love it.

The snow — the snow, which had fallen thick and fine as powdered sugar, which you adore, and which makes coming to see you in the days leading up to Christmas near impossible. It's something out of a movie, Steve, seriously, and you need to appreciate what's happening.

The music you play when he comes to see you, records on your record player and cassettes in your tape deck lying on your chest, knee to knee and thigh to thigh with him. Your quiet humming; you won't sing, but the small sounds alone are enough to make him want to kiss you (though everything does now). He can't hate Here Comes Santa Claus when you hum along under your breath, lips skipping over the skin of his bicep, your hand scratching a rhythm into his hair.

Everybody knows Santa's coming, I don't see why they have to have a whole song about it.

Are you jealous? I'll write a song about you. Or maybe I can steal one. You ever hear Santa baby? We can make it Stevie baby.

Christmas music? Not his thing. You calling him baby? Fine, he can get behind it. At least until January.

Christmas sweaters! He fucking hates them. They're ugly, they're scary, he doesn't wanna walk around with a pom pom on his chest thank you so much, but he has to allow them. Has to. If only so he can watch you get dressed with one eye hidden in your pillow and the other wide open. Thank little baby Jesus in the manger for Christmas sweaters so you have something to tuck into your skirt, so you have a reason to wear a skirt at all, and a reason to take one off.

Christmas snacks he can get behind. Or, he can get behind this. You on the couch, a needle threaded in your hand. A bowl of popcorn in his lap, and your face as you lean back.

He throws a kernel and it lands in your open mouth.

You both holler, twin expressions of unadulterated joy, popcorn spilling over the sides of the bowl. You just look so happy, he climbs on knees to steal a kiss. A smiling kiss, the very best kind.

"Aren't you supposed to do this stuff before Christmas eve?" he asks.

"I've been a little busy."

Steve digs his face into your neck so you won't see him blushing, hands curling around your waist in an impromptu hug. Yes, he supposes you have been.

You kiss his temple sweetly.

"Merry Christmas," he murmurs. He really, really means it.

❆

thanks for reading! im so out of practice but hopefully this is okay!! i meant to post it yesterday but anyhow, i hope you enjoyed <3

3K notes · View notes

emblazons · 8 months

Text

Okay but I’ve got S4 on in the background (first time in a while actually) and ??!? it’s still insane to me that Argyle referred to El as Mike’s “super girlfriend” despite driving El as the whole sister of Jonathan and Will for an entire year AND having only met Mike like. 2 days before?

I just—that makes no sense from Argyle’s relational standpoints unless the writing itself is meant to draw our attention to that specific designation for El with Mike—aka, that Mike’s primary association exists (once again) with the “superpowers” and “girlfriend” (the title) rather than any kind of romantic depth for her, or even depth of interpersonal relationship, when he explains who she is to him…which is in fact an ongoing theme for him.

This isn’t even the first time he’s lead with El’s powers/heroic ability over anything else either (cc: the pep rally with Dustin…and how the only other woman he compliments, Suzie, is solely re: her ability to save the world too), which….I mean you all know the conclusion I’ve come to he admires her and cares deeply about her well being but doesn’t love her…because he likes boys BUT. After so much time not analyzing…it still hits me hard over the head LMAO

bonus points for the joke Argyle made about Mike getting another guy’s digits at the end of that segment tho lol I forgot they threw an extra reference to his being into men in 😂

#like. how…how do people miss this always I’m so ???#I feel like the kid who got the point of the poem walking into a Socratic discussion and then being subjected to MADNESS as ‘analysis’ lmaoo #ANYWAY #byler #mike wheeler #argyle #gay mike wheeler #my st commentary #stranger things

206 notes · View notes

byerseason · 3 days

Text

why byler is the only logical way to end stranger things: a personal opinion

long post incoming. i've been thinking about what else can they do other than canon byler or is there any logical way which would please everyone. but i genuinely can't find any logical ending.

first of all, let's see the options i heard from people who doesn't think byler is gonna happen.

not adressing will's love for mike, mike never finding out about it and will's arc simply focusing on supernatural part : well, we all know that's impossible. not after spending a whole season to show us his deep love for mike. also it's confirmed that an emotional arc for him is what is gonna tie up the story.

"his love for mike was for him to explore his sexuality, he's gonna have another boyfriend." : they could easily show it to us without bringing mike into it. the byers moving to california was a perfect chance for it since it's a place better than hawkins when it comes to LGBT, they could easily give him a love interest, include him to their journey to find el just like they included argyle and give him a good character arc in s5, just like robin in s4. well, they didn't.

"mike is gonna reject will" : okay, then what was the reason of making him fall in love with mike? did the writers want to write a horrible story for the only gay child in the group? especially after showing us how miserable he feels about mike and how much he loves him? no.

now let's look deeper at the character arcs. my biggest reason to think byler is the only logical way is: will byers

i don't think i have to mention how much will suffered throughout the show and how he needs the happiest ending. they left season 4 at a point where everything about that love triangle is unresolved and they're obviously going to do something with it.

we all know mike is the one who understands will the most. he always been, since the very beginning. we've been shown that their bond is different and special. in a scenario where mike rejects will, we all know this is gonna be ruined. will is not gonna magically bury his love and go back to being besties with mike. and for mike, it's not possible for him to ignore will's love for him and stay friends as nothing happened. it would ruin their friendship for absolutely nothing.they can't simply take the only one who understands away from him.

will said he wants to spend the rest of his life with mike for two times. even if he doesn't have any hope, he desires it. so why giving him a love that he will never have? in this scenario will's character arc is literally "the gay kid always thought he will never have love just because he is gay, he thinks it's wrong and he is a mistake, well yes, he was right! he will never find the love and just watch the other straight people have it. thanks for watching stranger things." will's arc should be an arc where he is proven wrong, where he understands it's okay to love, where he is loved the way he loves, purely. otherwise his character arc is gonna be useless. where did we leave will in s4? he was thinking there's no chance for mike to love him and he has zero hope-- he ripped off the band aid. if mike rejects him the character arc and all the build up in season 4 becomes useless. he was at zero, and he is still at zero.

like i said giving him an arc where he is loved the way he loves was easy to be done without mike but now it's too late. they made it super clear that will doesn't want to be loved, he wants to be loved by mike. mike hurts him yet he still thinks mike makes him feel like he's not a mistake at all. that's not a simple crush. that's pure love. as a writer of a show you don't spend too much time to sympathize the characters love to the audience -something you never did with your other characters, at least not as much as will- you don't show them pouring their heart to a gift, just to waste it, just to make the character feel the worst they can feel just to make the person they love happy. will loves mike such a way that he prioritizes his happiness over his. this is what is gonna pay off.

the second character whose character arc needs byler: mike wheeler

mike has always been the most complicated character of the show, but most of his actions have no explanation other than him dealing with his own feelings. the show introduced mike as the leader of the party and i think it's okay to say he was one of the main characters in season 1 & 2. what happened after s2? a crazy character downfall. the audience started to dislike him and think he is useless. he didn't have any character development in the past 2 seasons. why? why? why?

because we all just watched him struggling. dealing with something inside of his mind that we don't know.

let's talk about a scenario where byler doesn't happen. this makes all mike's arc about being a love interest since s3. no development, no explanation for his behavior in the past 2 seasons. of course mike is traumatized and never talks to anyone which effects his behavior a lot. but there's still an unanswered question. why is he distancing himself from will specificially? the writers showed us that they understand each other the best, they know each other the best and notice if somethings wrong, so why is he distancing himself from the person who he needs the most as a best friend?

this is where we start to think if the problem is will himself, for mike.

why did we make will fall in love with mike just for mike to distance himself from will for no reason and make will upset? did we want will to suffer for no reason or create an empty storyline?

if mike is not how we think he is, he is going to end the show with an empty character arc who is nothing but a love interest, a side character. if mike ends up how we think he is, he is going to be the best onscreen representation of internalized homophobia. people think he is useless or just an asshole but he will turn out to be a perfectly written character who has his own arc.

people love to say "gay people didn't exist in 80s, byler would be unrealistic." which is completely wrong. gay people DID exist in 80s and they DID find love. did they have peace? they didn't. this is why mike and will are gonna be a real representation. we watched all the real struggles they went through. even if we don't get to see them as a couple, they will know they love each other by the end and that's what matters. and there's nothing unrealistic about it.

#byler #mike wheeler #will byers #byler endgame #byler analysis #byler proof

141 notes · View notes

daisynik7 · 7 months

Note

“Into you” by Fabolous for Connie Springer- smut + fluff

(S4 connie ofc)

Into You

I think you’re truly something special, just what my dreams are really made of

Pairing: Connie Springer x f!reader

Rating: Explicit – MINORS DO NOT INTERACT

Word Count: ~2.4k

cw: super fluffy, kinda cheesy, college au, modern day au, lots of basketball terms (applies specifically to NCAA and NBA), explicit language, smut – PIV sex (cowgirl position), implied creampie

Summary: You and Connie Springer have been close since childhood, growing up as next-door neighbors and best friends. The bond the two of you share is undeniable, but you’ve never been able to admit how deep your feelings are, either to yourself or to him. You continue to support him as his friend while he pursues his career as a basketball player, trying to get drafted into the NBA. Though the journey has its ups and downs, one thing is for certain: The two of you will always have each other, forever and ever.

Author’s Notes: Hi anon! Thanks so much for requesting this song for the y2k karaoke party because it’s one of my FAVORITES! It really gives me Love & Basketball vibes, another favorite of mine that also happens to be a classic in the y2k era. This little fic is very loosely based off of that, so I hope you enjoy! Also, all the basketball/NBA tidbits are mostly from being with my boyfriend, who is a huge NBA fan, so yeah, sorry if any details are inaccurate lol. Likes, reblogs, and/or comments are always appreciated, thank you for reading and I hope you enjoy! MDNI banner credit to @/cafekitsune. Header image from Pinterest (Slam Dunk manga).

“You have to pinky promise, okay?” Connie sticks his tiny finger out, wiggling it in front of your face, sucking on his cherry-flavored lollipop, lips and tongue-stained red. You’re both five years old, sitting cross-legged in the front of his yard, taking a break from playing hide-and-seek.

“What am I pinky promising?” you ask, voice squeaky and curious.

“That we’ll be best friends forever and ever! No matter what!” he exclaims, beaming at you with his eyes wide, twinkling earnestly.

You only need to think for a few seconds before you’re hooking your pinky with his, committing to this promise for the rest of your lives.

~~~

Ten years later, Connie makes it on the varsity basketball team in your high school. It’s rare for a freshman to make it to varsity at Ragako; the coaches must have seen that spark in him that you and his family have witnessed since he started playing at ten-years-old. You used to shoot around with him out in his driveway, where his father set up a little hoop. Eventually, the little one got upgraded to a real one, where the height was adjusted appropriately as Connie grew. You became his practice partner, no longer able to compete with him. Instead, you passed him the ball, watching in awe as he made shot after shot, sometimes deep from the street. He’d pick you up and spin you around, the two of you cheering together, impressed by his skills.

Year after year, he only improved. The way he handled the ball, expertly dribbling it between his legs, behind his back, one-handed, without looking. Or the way his feet gracefully shuffled along the court, the distinct squeak from his shoes echoing off the walls as you watch him on the bleachers, playing three-on-three against some of his buddies at the gym. One time, his friend Jean teases you. “You know, you should stop hanging around here or else people might think you’re his groupie.”

Before you can think of a smart comeback, Connie interjects, shoving Jean hard in the arm. “Hey! Leave her alone. I want her here. I only play like this when she’s around. And she’s not a groupie. She’s my best friend.” He wraps his arm around your shoulders, leading you towards the exit while Jean sputters apologies that go ignored. “Sorry about that,” he whispers to you. “Jean is an asshole. I want you around, got it? Forever and ever.”

You smile, leaning into him. “Forever and ever.”

~~~

It’s at the championship game during senior year that you realize that you’re in love with Connie.

Scouts have already contacted him about full-ride scholarships to university, recruiting him for their team. He’s the most celebrated point-guard in your school’s history, his average points and assists per game breaking records. Ever since he joined, your school has made it in the final round each year, last year resulting in a win, this year leading to a second.

With seconds left on the shot clock, tie game, Ragako with possession, Connie makes his move. He inbounds the ball to his teammate, quickly taking position at the right wing, his sweet spot. As quickly as it leaves his hands, the ball is passed back to him. He shoots it, and as it flies out from his fingers into the air, the buzzer rings, and he makes it. The crowd goes wild; one side of the bleachers erupting into a frenzy, jumping up and down with excitement. Connie’s parents hug each other first, then surround you in their arms, elated. You don’t expect him to celebrate the win with you, not with his entire team huddling around him, splashing water on his head, cheering his name. Not with all the cheerleaders and fans gravitating toward him, eager to be in the presence of a sure-to-be star in the making. So, it surprises you when you see him maneuver his way through the crowd, heading straight towards you. He pounces on you, giving you the biggest, sweatiest hug with tears streaming down his face. It’s a split second where the surrounding noise goes blank and it’s just the two of you there, basking in each other’s warmth. Soon, his parents join you, also crying happily, and it’s in this moment that you realize this is where you want to be: with him. Forever and ever.

~~~

It's no surprise that the two of you attend the same college together. Most people will see it as you following him, but in actuality, Connie agrees to go wherever you go. Lucky for you both, your top choice is a D1 university where he’s offered a scholarship to play for their basketball team. It works out perfectly, as if it were meant to be.

He’s busy from the get-go, practicing every day until the season starts in November. You become preoccupied with classes, and naturally, the two of you travel your different paths, meeting in the middle whenever you can. When the season official starts, you attend all his home games, cheering for him from the sidelines surrounded by the other students also chanting his name. Weeknights, he’s often too tired to hang out, retreating to his dorm room to fall asleep, only to repeat his busy schedule again the next day. He grows close with his teammates, spending most of his time with them instead of you, which is to be expected. After all, you and Connie are just friends. Sure, you’re completely and madly in love with him, but he’ll never know that. So, you watch from afar as he pursues his career without you in the way. It’s the way it has to be.

By the time spring semester rolls around, you and Connie barely see each other. You’ll still text, sometimes video chat or talk on the phone. He mostly vents to you about teammates or coaches that have gotten on his nerves that day. He’ll catch you up on the other schools they’ve defeated or the ones that they’ve lost to. Your school’s record is quite good thanks to Connie, who’s only gotten better since high school. If they continue at this rate, they will win the conference tournament, meaning a trip to March Madness, the most prestigious competition in college basketball. Most importantly, it’s one step closer to the NBA.

As expected, the team does win the conference tournament. That night, the entire campus is lively with students buzzing in school spirit, ready to party the rest of the weekend. All you think about is calling Connie to congratulate him, hear his voice and tell him that you’re so proud of him. You debate with yourself for nearly fifteen minutes, staring at his name on your screen, fingers so close to dialing his number. You decide not to go through with it, certain that he’s too busy with his team, too busy with his fans. He’s not thinking about you, not when his whole world is about to change. And you can’t blame him; you’re just friends, and this is the way it has to be.

The following night, your school organizes an impromptu homecoming for the basketball team, welcoming them as they arrive on the bus, fresh from their championship win. They have a couple days of rest before they leave for the NCAA tournament, but you’re sure they’ll be busy with press and practice until then. You’re not there to greet them when they step off the bus; instead, you’re sulking in your room, buried under the covers, feeling sorry for yourself for ever falling in love with Connie Springer. It’s a sad, pathetic sight, but at least you’re alone for the weekend to do it while your roommate is out visiting her boyfriend out of town.

You’re surprised to see Connie’s name flash on your phone a few hours later. You let it ring twice before answering. “Hello?”

“Where are you?” he asks. There’s shuffling in the background, as if he’s walking outside.

“I’m in my room.”

“I’m coming over now.” He hangs up, not giving you any time to respond. You sigh, mentally preparing yourself for what’s to come.

When you open the door to let him in, he wraps his arms around you in a snug embrace. “I missed you.” He pulls off to hold you by the arms, glaring. “Why didn’t you greet me off the bus?”

“I…” you start, unsure how to respond.

“I was looking for you and you weren’t there. Where were you?”

“I was studying in the library.” This might be the first time you’ve ever lied to him. You feel guilty and gross.

“Oh,” he says sadly, still staring at you.

“Congratulations, by the way. It was an amazing win.” You give him a weak smile, blinking away the tears welling in your eyes. You don’t even know why you’re crying; Connie did nothing wrong. You’re letting your emotions get the best of you, and you can’t help but crumble in front of the only person who knows you better than you know yourself.

“I don’t care about that right now. I care about you. What’s wrong?”

“It’s nothing, Connie, I promise.”

“Don’t promise me shit like that. I know you’re upset. Tell me. Please.” His eyes search yours, desperate for an answer.

You look at his feet, fixating on his shoes, scuffed on the sides from playing. Tears start to drop from your face and on the carpet. “I just…I missed you too. I miss you, Connie. I…I love you.” The confession slips from your mouth in a sniffle, and you’re so upset with yourself for letting it slide in this crucial moment. Neither of you needs the drama of your unrequited love right now. Not you, knowing he’ll be leaving again soon, and especially not him, who has bigger and better things to focus on.

He gapes at you, stuttering, “You love me?”

You nod, biting your lip.

“Like, love love? Or love like a friend?”

You’re tempted to lie, just to make it easier. But you owe it to Connie to be honest with him. “Love love.”

His mouth is open, eyes bugging out, completely shocked by your admission. Before he can respond, you add, “I’m sorry, Connie. I shouldn’t have told you this right before the tournament, but…I don’t know. It just came out. I’m sorry.”

He stammers, “You’re sorry? This is the best fucking thing I’ve heard in my entire life.” He breaks into a smile, laughing hysterically, an even more bizarre reaction.

You cross your arms, getting impatient with his ridiculous behavior, eventually grabbing his shoulders to shake him out of his fit. “Connie, what the hell?!”

He wipes his eyes, crying from giggling, beaming at you. “I’ve been in love with since we were kids. Been dreaming of hearing you say that since we were five-years-old.” He hugs you tightly, nuzzling his nose to the top of your head. “I love you and I want to be with you. Forever and ever, right?”

You nestle into his chest, inhaling the familiar scent you missed since he’s been gone. “Forever and ever.”

~~~

The two of you spend the night together, making love for the first time. His lips are soft against yours, and you smile into his kiss, remembering the day you pinky promised that you’ll be best friends forever and ever, no matter what. His lips were stained red with cherry-flavored candy, looking sickly sweet as he smiled at you. And as you kiss him now, he tastes just as sweet as you imagined he’d be after all these years.

You kiss him sloppy as you ride his lap, his cock buried deep in your pussy, filling you up to the brim. He moans your name into your mouth as he laps at the saliva collecting on your tongue, slurping your spit, swallowing it thickly. “Fuck,” he groans, hands gripped to your hips, rocking you back and forth on his thighs. “I’ve dreamed about this for so long, baby. So long.”

“Me too,” you whisper, starting to bounce on him, close to your climax.

“What would you think about? Tell me,” he demands, thumb pressed to your clit, rubbing it raw.

You whine from his touch, increasing your pace, resting your head on his shoulder. “You and me, just like this,” you huff, short of breath.

“Yeah? You thought about me deep inside you, huh? Fucking this sweet pussy until you come all over my cock, huh?” He thrusts up into you, grip tightening, fingers digging into your flesh. He’s close too, you can feel it.

You moan into his skin, sweat beading on your forehead, throwing your ass back against him in tandem with each pump of his cock. A few more strokes and the two of you come together, the mess spilling onto the sheets as soon as he pulls out.

He wipes you down with tissues and baby wipes you have handy on your bedside drawer. As soon as you’re both clean, he cradles you in his arms, spooning you from behind.

“I know this is going to sound super cheesy, but I truly feel like a winner now,” he says, kissing the nape of your neck.

You chuckle, squeezing his hand in yours. “Wait until you win March Madness. Then you’ll really be a champ.”

“Even if I lose, I’ll still have you. And that’s been my dream all this time.”

You shift your body to face him, gazing into his eyes. “I thought your dream was to make it into the NBA?”

He smiles, booping you on the nose. “It’s part of the dream, sure. But I wouldn’t be anywhere near where I am now if it wasn’t for you. You kept me going all these years. Knowing you were always on my side gave me the strength I needed to get here. As long as I have you, I’ll be living the dream.” He kisses you on the forehead. “I’m going to love you for the rest of our lives.”

“Forever and ever?”

“Forever and ever.”

~~~

In an upset, your school loses in the Final Four. It’s the furthest they’ve gotten in university history, and a large part of that is due to Connie and his extraordinary performance as their point guard. His efforts do not go unnoticed; his coaches and many prospective agents have contacted him, encouraging him to apply for the NBA draft.

June of the same year, Connie Springer is drafted tenth in the first round and you’re sitting right beside him with his parents, cheering for him. Just as you have throughout all these years, and just as you will for the rest of your lives. Forever and ever.

#connie springer #connie springer smut #connie springer x reader #connie springer x you #connie springer x y/n #Connie springer fluff #connie smut #connie x reader #Connie x you #aot smut #aot fluff #attack on titan fluff #attack on titan smut #y2k karaoke party #milestone event

296 notes · View notes