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#Life and Death in the Rome of the Caesars
blueiskewl · 5 months
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Vatican Museums Opens Ancient Roman Necropolis to the Public
The site was previously only accessible to scholars and specialists.
The Vatican Museums has newly opened to the public an ancient necropolis stocked with carved marble sarcophagi and bone-filled open graves of everyday ancient Romans.
The word necropolis comes from the Greek expression for “city of the dead.” These “cities” grew up alongside roads outside the urban center due to laws forbidding cremation and burial of the dead inside city limits. Funerary practices and rites are preserved especially clearly in the necropolis that extends along the Via Triumphalis (a Roman road now known as the Via Trionfale), with burial sites accompanied by eye-popping Roman frescoes and mosaics.
Previously, the necropolis was accessible only to certain groups of scholars and specialists. It is now open to the public via the new Saint Rose Gate entrance, inaugurated with the exhibition “Life and Death in the Rome of the Caesars.”
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How extensive is the archaeological area?
It extends nearly 11,000 square feet. The size of the necropolis is not as extensive as some other Roman burial sites, but its importance lies in its proximity to one of the most significant religious sites in Christianity.
What is known about particular people who are buried there?
According to archaeologists, no less than the tomb of St. Peter himself is located in the Vatican Necropolis.
But in general, “Here, we have represented the lower middle class of Rome’s population,” said Leonardo Di Blasi, an archaeologist with the Vatican Museums, in a video on Euro News. “They are essentially slaves, freedmen, artisans of the city of Rome.” Some were the property of the emperor, and are indicated to have been the “servant of Nero.”
One of them was a man named Alcimus, who was the set director for the downtown Theater of Pompeii, the most important theater of the period. Another was a horse trainer who worked at the chariot races.
One young boy is interred there, according to the Catholic News Service, marked by a sculpture of a boy’s head accompanied by an inscription reading “Vixit Anni IIII Menses IIII Dies X,” Latin for “He lived four years, four months, and 10 days.”
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How did this ancient burial ground come to light?
The Vatican burial grounds were first explored in the 1940s at the request of then Pope Pius X, who wanted to be buried near the grave of Peter the Apostle. The dig revealed numerous mausoleums and tombs.
The newest part of the burial ground was revealed through an infrastructure project in 2003, as the Vatican excavated for a new multilevel employee parking garage.
What happened when the Vatican discovered these newest burial grounds?
The department of the Vatican that was overseeing construction of the parking garage, intent on meeting its deadline, was accused of trying to conceal the find, Giandomenico Spinola, an archaeologist and deputy artistic-scientific director of the museums, told the Catholic News Service. It was only when journalists publicized the discovery that he and his colleagues were invited in to advise.
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When were the bodies there buried? How have the tombs been so well preserved?
Bodies were interred in this burial ground between the first century B.C.E and the fourth century C.E., and organic remains have vanished. A number of the graves, including their tombs and decorations, including frescoes, mosaic floors, and marble-carved inscriptions, were fortuitously preserved by a series of mudslides in the area.
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navree · 1 year
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god grant me the serenity not to vaguepost about a reply to a post about the memery of the ides of march
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trikaranos · 3 months
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TRIKARANOS CHAPTER I: S·T·T·L
TRIKARANOS is a dramatized narrative based on ancient events following Crassus (and Pompey and Caesar) through the years 87-48 BCE. Intended for an adult audience.
⭐ Trikaranos will always be free to read. In the near future, you’ll have the option to support this comic & my ability to spend time making it (I Am Extremely Fucking Broke And Have Bills To Pay etc etc) through Patreon! currently, I have a tip jar!
⭐ There is no set update schedule (chapters vary in length and will be posted as I finish working on them)
⭐ alternative places to read it (coming soon!)
CREDITS all additional art used are in the public domain, and the specific images used are open access, etc
🍊the first collage panel is combination of: Plate 113: Greeks Battling the Trojans (from Ovid's Metamorphoses), Antonio Tempesta / The Trojans pulling the wooden horse into the city, Giulio Bonasone (after Francesco Primaticcio) / Terracotta hydria displaying Achilles waiting to ambush Triolos and Polyxena 🍊the second collage panel is: The Lictors bringing Brutus the bodies of his Sons, Jacques Louis David / the paint over of Brutus executing is own sons is my own work based on the composition of this relief of Brutus and condemning his sons to death. 🍊I also used my own art: a panel from the Prologue, and my own illustration of Brutus with the bodies of his sons
📖 PREVIOUS CHAPTER | START HERE | ToC (under construction!)
UNDER THE CUT creator’s commentary, ancient citations, whatever else seems relevant. ideally, this is optional! you shouldn’t need the citations for it to make sense as it unfolds since it’s a comic and a story first and foremost, but it’s here if you’re curious about something or want to see where the inspiration is coming from!
I'm so fucking normal about Crassus and his family (<<< this is a lie)
Marcus Crassus was the son of a man who had been censor and had enjoyed a triumph; but he was reared in a small house with two brothers. His brothers were married while their parents were still alive, and all shared the same table, which seems to have been the chief reason why Crassus was temperate and moderate in his manner of life. When one of his brothers died, Crassus took the widow to wife, and had his children by her, and in these relations also he lived as well-ordered a life as any Roman.
Plutarch, Crassus
like, it actively fucks me up that this is something that's survived about him for over 2,000 years. they all ate together at the same table. Jesus Christ.
so! Crassus' dad! Publius Licinius Crassus (consul 97) fought on the side of Cn. Octavius (consul 87) in the Bellum Octavianum, and it didn't go great for him.
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Crassus: A Political Biography, B.A. Marshall
also. currently, if you look Publius Licinius Crassus up on wikipedia for an overview, his page lists his son (and also my main character for this comic) with the cognomen Dives, which is in-fucking-correct.
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Marcus Crassus and the Late Roman Republic, Allen Mason Ward
and to circle back to houses and meals shared with family, some citations that made me feel some kind of way when I read them
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Marcus Crassus and the Late Roman Republic, Allen Mason Ward
finally, there is discourse or whatever on the placement of the sons of Publius Licinius Crassus. Crassus is the baby brother here simply because I'm writing this story and I get to pick the themes, but also because no one has provided a solid enough argument for him being the second eldest son that I'm willing to buy into with enthusiasm, and I'm more inclined towards G. Sampson's conclusion on the matter.
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Defeat of Rome: Crassus, Carrhae, and the Invasion of the East, Gareth C. Sampson
and while I'm just kind of talking about stuff that I read that I enjoyed, this article by Martin Stone lives in my head rent free
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A Year of One's Own: Dating the Praetorship of Marcus Crassus, Martin Stone
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gallifreyanhotfive · 1 month
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Random Doctor Who Facts You Might Not Know, Part 37
When Mel was 18 months old, she accidentally caused her older sister Anabel to fall down the stairs, which ended up killing her. Mel repressed the memories of her sister's death, and her parents decided to keep Anabel a secret from her. (Novel: Spiral Scratch)
When Leela eventually died, she was reborn as a girl named Emily. (Audio: The Child)
The Seventh Doctor visited Ace when she was a baby to apologize for many of the manipulations he would one day put her through (and that he would continue to put her through) because he thought it was easier talking to a baby than a teenager. He stole a baby picture of Ace and replaced it with a playing card while he was there. (Short story: Ace of Hearts)
Oliver Harper joined the First Doctor and Steven on the TARDIS because he was running from the police, who were chasing him because he had been outed as homosexual. (Audio: The Perpetual Bond)
Martha Jones met the Thirteenth Doctor while she and the Tenth Doctor were stranded in the 1960s after being attacked by the Weeping Angels. (Comic: A Little Help from My Friends)
The Fifth Doctor can go between referring to the TARDIS as "old girl" and as "flying deathtrap" incredibly quickly. (Audio: Zaltys)
Dodo Chaplet's funeral was attended by only two people: James Stevens and the Doctor. Her entire life after leaving the TARDIS was a shitshow and became dark enough that I will not elaborate here. Feel free to do some digging, but it is not for the faint of heart. (Novel: Who Killed Kennedy)
However, there are other accounts of Dodo's post-TARDIS days that do not end as terribly for her!!!! :D
The Doctor's frequent trips in a damaged TARDIS during the 1970s and 80s disrupted Earth's timeline to such a great extent that the two decades folded in on each other, making 20 years worth of events happen in 10. This is how the UNIT Dating Controversy was addressed. (Short story: The Enfolded Time)
The Brigadier once bullied the Third Doctor into getting his metabolism checked over because he didn't believe the Doctor would be safe in Bessie or the Whomobile. While this was all happening, Sarah Jane helped foil a Dalek plot. (Audio: Glorious Goodwood)
Adric does not speak English. He hears Alzarian through the TARDIS translation circuits. (Audio: Zaltys)
Ace has a younger brother named Liam but didn't remember he existed for a long while because their father took him when their parents separated. (Audio: The Rapture)
While on a school trip to the Natural History Museum, Ryan and Yaz helped the Second Doctor fight Myriapods, which are insect like in nature. (Short story: The Myriapod Mutiny)
For a while, the Tenth Doctor traveled with Heather McCrimmon, descendant of Jamie McCrimmon. (Comic: The Chromosomal Connection, et al...she's in a lot of comics)
Rory Williams became Caesar of Rome as an Auton after the death of the Empress Augusta. (Audio: The Unwilling Assassin)
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indigovigilance · 6 months
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Anthony, Anthony, Anthony
What does your Anthony mean, exactly?
I feel like your Anthony and my Anthony are different Anthonies…
In 1941 we learn that Crowley has named himself Anthony J. Crowley (Aziraphale doesn’t pronounce the H but closed captions write it and Neil Gaiman hashtags #Anthony and also it’s Anthony the script book so I guess Michael Sheen is just doing a thing idk). I haven’t seen extensive discussion of this topic but I’m going to jump in with both feet.
I propose that Anthony actually has a double meaning; that is, Crowley chose this name for one reason, but Aziraphale believes he chose it for another.
(I cite as indirect inspo a wonderful Tumblr meta about how the ineffable blockheads have completely different interpretations of Jane Austen and how this informs their S2 decision-making).
Read or bookmark for later on Ao3 because this got away from me and now it's a 2,888 word meta on people named Anthony what am I doing with my life
~~~
First and foremost, let it be stated that there is no canon for when Crowley anti-christened himself Anthony. Neil Gaiman himself won’t know until he writes it.
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Secondly, let it be known that I am not an historian nor a literary scholar of any kind. So people who actually know these stories may find themselves cringing at my surface-level summaries and inaccurate interpretations: I’m just piecing together what I could find easily. I invite someone else to revise and republish if they can delve deeper on these topics. 
Part 1: Mark Antony
There is a bust of Marc Antony in Mr. Fell’s bookshop as of S1E1 modern day (2019) which is still there at the end of S2E6, where it features prominently in the center of a shot. In 2019, the bust is adorned with yellow ribbons; in 2023, it is naked. The flashback to 1941 doesn’t give a good view of the part of the shop where the bust would normally be located so I have no idea when the bust actually got added to Aziraphale’s collection. I’m going to assume, for argument’s sake, that Aziraphale acquired this bust after the Blitz. I’m going to further propose that he acquired this bust because he believes that Crowley named himself Anthony after Mark Antony.
Why would Aziraphale think that? Two reasons.
1) Mark Antony was the loser of a civil war for liberty
Mark Antony was a good and loyal Roman citizen, serving Caesar with distinction, even attaining the title of Master of the Horse (Caesar’s second-in-command). See additional metas on horse symbolism seen throughout S2. After the death of Caesar, however, Octavian and members of the senate turned on Antony, starting a civil war. You know, much like a certain someone we know that was involved in Dubious Battle on the Plains of Heaven.
Mark Antony was loyal to Caesar’s political mission, which was to establish a Roman republic, where the voices of the citizens would be heard through their representatives [a suggestion box, if you will]. But Antony’s defeat marked the end of the republic, ushering in an age of autocracy. Octavian, following his victory over Antony, crowned himself the first Emperor of Rome.
2) Mark Antony was a libertine, but also the loyal, ardent lover of Cleopatra
Mark Antony was an infamous, lascivious, debaucherous, womanizing lush. He was also Cleopatra’s lover and closest ally. Though Mark Antony could not often meet with Cleopatra, their affair was allegedly very romantic, and from afar Antony did everything in his power to support Cleopatra politically, expanding her territorial holdings even while they were apart for years. 
So legendary was Antony's wanton hedonism that when he went to Athens, he was deified as the New Dionysus, mystic god of wine, happiness, and immortality. Religious propaganda declared Cleopatra the New Isis or Aphrodite (mythic goddess of love and beauty) to his New Dionysus. The ineffable emperors, if you will. [source: Encyclopedia Britannica]
Parallels arising after 1941:
After Antony had officially divorced Octavian’s sister, Octavian formally broke off the ties of personal friendship with Antony and declared war, not against Antony but against Cleopatra. Much like how Shax, after her S2E1 “you scratch my back I’ll scratch yours” proposal, threatened Crowley that if he did not assist her search for Gabriel, Hell would declare war not on him but on Aziraphale.
The legacy of Mark Antony, therefore, is one of hedonism, romance, fighting for a cause that you believe in, and losing that fight. It’s easy to see how Aziraphale drew the conclusion that Anthony J. Crowley took his inspiration from this historical figure.
Part 2: Antony & Cleopatra
How is this a part 2? Weren’t we just talking about Mark Antony and his relationship with Cleopatra? Hear me out.
Crowley has never expressed much interest in politics. Every time something of political import happens, he declares that the humans made it up themselves while also taking credit for it with Hell. This includes 1793 Paris and the Spanish Inquisition. If I forgot any, drop them in the comments. 
But Crowley has a deep and pervasive interest in stories, especially romance stories. If he can keep the Bentley from turning it into Queen, he listens to the Velvet Underground. He watches Richard Curtis films (to the degree that he identifies them by director rather than by title). Though book canon is not show canon, it’s worth mentioning that his favorite serial is Golden Girls; while not a romance, it is certainly heartfelt storytelling at its finest and a homosexual staple.
We know, too, that Shakspeare stole a line from him, with an adjustment for pronouns:
"Age Does Not Wither, Nor Custom Stale His Infinite Variety”
Let’s first talk about Crowley’s context for the quote.
Picture it: the Globe Theater, 1601, the house is empty because it’s one of Shakespeare’s gloomy ones and an irritated young Burbage, in the role of Hamlet, is droning out his lines like he would rather be anywhere else.
Burbage: To be or not to be. That is the question.
Aziraphale: To be! I mean, not to be! Come on, Hamlet! Buck up!
Aziraphale looks at Crowley, grinning with delight. Crowley stares back at him, shaking his head slightly, but a smile tugs at the corner of his lip. He wants to be embarrassed, but cannot help being charmed.
Aziraphale: He’s very good, isn’t he?
Crowley: Age does not wither nor custom stale his infinite variety.
Crowley is looking up at the stage, and speaks immediately after Aziraphale has made a comment about Burbage. But is Crowley talking about Burbage? Does it stand to reason that age would not have withered, or custom not staled, this twenty year old (yet somehow jaded) stage actor?
I propose that this is a poetic inversion of the S2E1 cold open, wherein the Starmaker, looking out upon creation, says: “Look at you, you’re gorgeous!” and Aziraphale erroneously thinks the statement was directed at him. Here, even though Crowley isn’t looking at Aziraphale, I believe that Crowley is actually talking about Aziraphale when he delivers that iconic line. Unlike Burbage, Aziraphale is old, very, very old, and we know that he has a penchant for custom, wearing the same clothes and listening to the same music for century upon century. Yet here is this precious angel being a cheerful little peanut gallery of one, continuing to surprise the demon after all this time. Neither age nor custom has staled Aziraphale’s infinite variety.
When Shakespeare commits the line to a play written 1606-1607, a few years after this event, Crowley will recognize his own sentiment about Aziraphale issuing from Antony’s mouth about Cleopatra. The actual historical events will not have left much of an impression, but the immortalization of his own admiration of the angel in human romantic fiction will have.
It must be mentioned that Antony & Cleopatra is a tragedy, where the star-crossed lovers are kept apart by warring factions that demand loyalty to the state at the preclusion of each other.
There are also some (as far as I can tell) nearly copy-paste plot points from Romeo & Juliet about a misunderstood faked suicide followed by actual suicide and the lovers dying in each others’ arms. It does not have a happy ending. Anthony Crowley deliberately choosing his “Christian name” from this play embodies not only his deep love but his hopelessness that he can ever get the happily ever after he desires.
In Summary
Crowley was an admirer, in one respect or another, of Mark Anthony, though he relied more heavily on Shakespeare’s portrayal and reimagining of the character than Aziraphale gives due credit. Nevertheless, the difference…
Wait a minute…
What’s that?
Is that…
A piece of canon evidence that completely undermines my argument??
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This screenshot will only be visible to Tumblr users (sorry Ao3), but at some point we get a good look at the Mona Lisa sketch that Crowley has hanging in his apartment. It is signed (translated from Italian) “To my friend Anthony from your friend Leo da V.”
The problem with this is, the Mona Lisa was painted 100 years before Shakespeare penned Antony & Cleopatra.
However, Neil Gaiman reblogged this transcription and translation, posing the hypothetical, “I wonder if Crowley knows what the A in A.Z. Fell stands for.”
Could it be that the Notorious NRG is jerking us around and sending us on wild goose chases? Absolutely a possibility. But. Let’s give a little grace for a moment, and assume that this comment was made in good faith. A bold assumption, I know. But humor me.
We know that Crowley and Aziraphale both knew Jane Austen, but from completely different perspectives. It stands to reason that Crowley knew da Vinci the scientist, but that Antonio Fell knew Leo da V., an artist with a heart that yearned for an unavailable lover. I’m just making wild conjecture that Lisa Gherardini (aka Mona Lisa), the wife of Florentine cloth merchant Francesco del Giocondo, was a love interest of da Vinci, but it could be true in the GO universe and would make for a great story.
Aziraphale also collects signed items from famous people; the inscribed books of Professor Hoffman to a wonderful student, and the S.W. Erdnase book, signed with his real name, come to mind. The Mona Lisa draft fits in much better with that collection of souvenirs than with anything in Crowley’s apartment. So it stands to reason that it could actually be addressed to Aziraphale.
There remains the question of how or why Crowley has it, but I won’t subject that to speculation here. All to say. Neil Gaiman’s implication-by-redirect is… possible. So let’s assume that it is the case, just for a moment.
If the Mona Lisa sketch is signed to “Antonio” Fell, then this allows the above theory regarding Crowley’s self-naming to remain intact. But it brings up a few questions regarding Aziraphale, not the least of which is: why did he name himself Antonio/Anthony?
Part 3: Saint Anthony of Padua
Anthony was the chosen name of a Portuguese monk, taken upon joining the Fransican order. Anthony rose to prominence in the 13th century as a celebrated orator, delivering impassioned and eloquent sermons. He is also associated with some fish symbolism, since he preached at the shore and fish gathered to listen. He was, incidentally, a lover of books:
Anthony had a book of psalms that contained notes and comments to help when teaching students and, in a time when a printing press was not yet invented, he greatly valued it.
When a novice decided to leave the hermitage, he stole Anthony's valuable book. When Anthony discovered it was missing, he prayed it would be found or returned to him. The thief did return the book and in an extra step returned to the Order as well.
The book is said to be preserved in the Franciscan friary in Bologna today. [source: https://www.catholic.org/saints/saint.php?saint_id=24]
This miraculous incident, wherein the thief not only returns a valuable book but also has a change of heart and returns to the bosom of organized religion, smacks of angelic intervention. But that is neither here nor there. 
Saint Anthony is the Patron Saint of the Lost, and is prayed to by those seeking to recover lost things. What is “lost” in this context is usually an item, rather than a person or an intangible concept, however he is also “credited with many miracles involving lost people, lost things and even lost spiritual goods,” such as faith. [Edit: @tsilvy helpfully contributes that "Here in Italy Sant'Antonio is commonly not just the saint patron of lost things, but, maybe primarily, the saint patron of lost *causes*."] He died at the age of 35, and in artwork is typically depicted with a book and the Infant Child Jesus.
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It’s a defensible position that the thing that gives Aziraphale the most consternation across the millennia is Crowley’s loss of his angelic status, and it could even be framed such that Aziraphale does not consider Crowley actually fallen, but rather simply lost. It is a fact that he finds difficult to reconcile and, depending on your reading of the Final Fifteen, the offer to restore Crowley’s angelic status is one that is so pivotal to resolving his internal conflict that he cannot refuse. If this conflict is so central for Aziraphale, perhaps he did name himself after a booklover and the patron saint of lost things, hoping that the name would carry with it some of the power of the blessing, and return Crowley to the light, and in turn, to him.
But wait.
Because I googled “St Anthony” to look for some images and….
St. Anthony of the Desert
I shit you not there are multiple St. Antonies and we’re going to talk about another one of them with respect to Aziraphale because this guy is bonkers. The story traces to the Vitae Patrum, yet another fringe biblical text and I cannot even get a quick answer on whether it is canon or apocrypha because it’s so fringe. Anyways. I think the best way to explain St. Anthony of the Desert comes from the wikipedia page on the Desert Fathers: 
Sometime around AD 270, Anthony heard a Sunday sermon stating that perfection could be achieved by selling all of one's possessions, giving the proceeds to the poor, and following Jesus. He followed the advice and made the further step of moving deep into the desert to seek complete solitude.
[He] became known as both the father and founder of desert monasticism. By the time Anthony had died in AD 356, thousands of monks and nuns had been drawn to living in the desert following Anthony's example, leading his biographer, Athanasius of Alexandria, to write that "the desert had become a city." The Desert Fathers had a major influence on the development of Christianity.
Let’s all agree that this guy is not Aziraphale; this whole becoming an ascetic and living alone in the middle of a desert thing? Not his cuppertea. But St. Anthony is interesting not just for his decision to go into the desert, but what happened when he got there.
The Torment of St Anthony is a 15th century painting commonly attributed to Michaelangelo. It depicts demons crawling all over and attacking a hermit.
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But the first round of demons are scraping the bottom of the barrel, practically the damned. Anthony’s journey continues and he meets another demon. Actually he meets two; a centaur, who is not very helpful, and then a satyr who is. It is much easier to find paintings of St. Anthony and the Centaur than of St. Anthony and the Satyr, so you don’t get an image, but I find the satyr to be a much more interesting character, so you get that story instead:
Anthony found next the satyr, "a manikin with hooked snout, horned forehead, and extremities like goats's feet." This creature was peaceful and offered him fruits, and when Anthony asked who he was, the satyr replied, "I'm a mortal being and one of those inhabitants of the desert whom the Gentiles, deluded by various forms of error, worship under the names of Fauns, Satyrs, and Incubi. I am sent to represent my tribe. We pray you in our behalf to entreat the favor of your Lord and ours, who, we have learnt, came once to save the world, and 'whose sound has gone forth into all the earth.'" Upon hearing this, Anthony was overjoyed and rejoiced over the glory of Christ. He condemned the city of Alexandria for worshiping monsters instead of God while beasts like the satyr spoke about Christ.
St. Anthony, then, is entreated by a demon to ask forgiveness from God upon the demons, and St. Anthony, seemingly, agrees to do it. He’s overjoyed to ask God to forgive demons. In connection to my analysis of the origins of the Metatron, and how Aziraphale and Crowley’s potential beef with him is that, as a human put in the exact same situation, he did the opposite, refusing to take the demon’s petition for mercy to God but instead taking it upon himself to confirm their unforgivability (yes that’s a word now) and damnation.
That seems like it would be pretty important to Aziraphale.
In Summary
I give up. I have no idea what’s going on with this show anymore. Here are two options each for both of our ineffable husbands to have given themselves the same God-blessed/damned name. You guys tell me what you think, I just have a pile of evidence and no spoons to evaluate it. 
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jacevelaryonswife · 1 year
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Kneel to the Empire or die with the Republic
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A woman cannot be left alone to her own fate. After the fall of what you used to know, your only option was to kneel to him.
pairing: Young!Gaius Julius (Augustus Imperator) x Fem!reader
warnings and a note: angst, grief. This story is based on Domina (tv show), I don't have so much knowledge about the historical facts that involve Augustus, so, for those who have more baggage I'm sorry if something sounds wrong from what happened, please be kind, or just don’t read. English is not my first language. 3,8k
In addition to grief, other factors tightened your chest after your father's death. A good man, a faithful supporter of the Roman Republic and power of the Senate, a patrician descended from an important aristocratic lineage, and the most aggravating: one of those responsible for orchestrating the assassination of Gaius Iulius Caesar.
When the military forces of Gaius Julius, born Gaius Octavius, great-nephew of Julius Caesar, began to act in Rome, you knew you had few certainties and much to fear. Perhaps you were executed with your family, dying in an honorable way and with your head held high against a dictator (in the words of your older brother), or just having your traitorous blood eliminated by the defended cause of the heir of the most important man in Rome. They said he was different, a restorer of the Republic, a supporter of power in the hands of the people and the Senate, a middle ground between Caesar and the most avid Republicans. In those days, nothing was clearer to you than your death, however, Gaius Julius' stroke of mercy in sparing women and children from those considered enemies was at the same time a breath of relief and a punch in the lung.
Relief to the fact that you would have a chance to live, since the fear occurred when your brothers did not have the same luck when they were sentenced to death.
"What are we going to do?" You asked scared.
The two looked at each other for a considerable time, with Nero lowering his head before answering: "you will stay here and we are going to fight.”
“What? I can't stay here! There must be somewhere where his men don't find us."
"And how would you live? Running away forever? It's not the fate our father wanted for you." Claudius said.
"That's exactly what he would do instead of kneeling to a dictator, what do you expect me to do?"
“We are trying to protect you! There is no gentle future beyond these walls and I’m sure that Julius' men will still be less kind if they capture you," Nero said, exalting himself before holding your hands: "we cannot risk your life beyond ours, our father is not here, our allies are almost all dead, there is no hope for the three of us, but there may be for you."
The fall of tears marked your face until they flowed into the union of your hands. “I don't want to be alone,” you whined.
"You won’t”
It wasn't known at the time, but that was the last time you were with your brothers. The soldiers of Gaius Julius broke into your house the same night, looking closely for any fresh trail of male presence. The soldiers responsible for your safety were murdered without any chance of defense, with the exception of those who submitted quickly, fearful for their lives. You didn't judge them, how could you, after all?
When a man pressed you incisively on the whereabouts of your blood, shaking your shoulders rudely, an authoritarian voice interrupted him with a short message:
"Not her."
With wide eyes and irregular breathing, you were released immediately. The violence on the inside was mirrored on the outside, being the clearest reminder of those destined to die with the Republic. Your inert body remained in the sights of the man who guaranteed your release, the same facing you a few seconds after his order.
“My men will do your protection tonight,” he said.
The confusion in your frightened face was clear on the tip of your tongue when you asked a simple question:
"Why?" That didn't happen to other women.
"You'll know at the right time."
That's all the man said.
You remained static for long minutes after the departure of those who vandalized your home, with your father's servants — ordered by them — to remove the corpses from the house and sanitize the rooms to their original. Impossible. Doesn’t matter if the blood is removed, the death will be marked forever in each piece of furniture and corridor. One of the soldiers responsible for "your protection" approached with fear and touched your arm with delicacy, hitherto unknown to you, to get you out of the trance.
“We will assume from here, go back to rest,” he said.
"What's going to happen?" Your question was weak, almost like a meow.
"The house will be cleaned and the perimeter protected."
"From who? Why do you want to protect me?"
He remained silent for a few minutes before answering: "I'm not allowed to say."
Permission? What was going on? What was being planned for you? And by whom? Gaius Julius himself or one of his trusted men? Would you be held hostage? Would you marry any of them? Would it be sold as a slave or prostitute?
The rest of the night was spent in torment, with you pushing the internal lock of your door hard and putting on a clot to try to hide some jewels and coins with you in case you needed it and managed to escape. Sleeping was not an option, but a part of you wished that sleep would erase the horrors experienced and the departure of his brothers, so nervousness and fear partially succumbed to sleep. You allowed yourself to stay in the room a little longer that morning, ashamed of facing your servants and guards (no longer yours, but of the men of Gaius), only to receive a knock on the door of the same man you spoke to for the last time.
“I would like to sleep a little more,” you said through the door, afraid enough to open it.
His breathing was perfectly audible, followed by a moment of silence. "You will have some time, but you will need to leave soon to feed yourself and receive the lady Octavia's visit."
Octavia? Octavia Minor? Brother of Gaius Julius Caesar Octavianus? What the fuck was going on?
If there was any pretension of tiredness in you it was in a distant past, your mind had just been set on fire with what was going to happen, with what that woman might want with you. She was no stranger, visually speaking, since the glimpse of her red hair and elegant posture were seen by you at the wedding of Livia Drusila and Tiberius Claudius Nero. She, Scribonia, Marcus Vipsanius Agrippa and him, the reason for everything that is happening, with his hair and eyes dark as the night, with cheap charm and indecent actions.
You didn’t forget how you caught him having inadequate relations with Cicero's wife during the celebration, how he didn’t seem intimidated or embarrassed by his wide eyes, or how he went to you discreetly after your escape, so calm and carefree that it seemed unreal.
It's too unreal to have him by your side. Too unreal that he approached the daughter of one of the men responsible for the death of his great-uncle.
“I'm sorry you saw that, I should have chosen a place with a door,” he said when he settled comfortably standing next to him.
Your breath froze when you heard such a lack of respect, was he making fun of you?
"Don't worry, the time will come when you will do that for your husband," he provoked again, not receiving silence in response.
"Have you finished yet?" Your question was irritated, although low, without looking him in the eye.
"Yes, I did."
You didn't notice his pertinent choice of words, keeping yourself in the same place while waiting for him to leave.
“A beautiful thing like you deserve a better husband than Livia's,”
And so, he left your side.
Everything that preceded your departure from the room to the bath and to the food resulted in a constant tension in every room of your house. You felt eyes accompanied by you at all times, both from the soldiers of Gaius and from your father's slaves. It seemed that another series of murders would happen and was only prevented, for the time being, by the visit of the dictator's sister, which happened in the early afternoon.
A comforting smile directed to you was present before and after the hug given. "I'm sorry for what happened yesterday, the war usually gets the best of us."
That couldn't be said to her, you thought.
“Thank you.”
One of the guards guided the way to his father's conversation room, where there was some fruit and wine waiting. Quick flashes of happy memories made you walk slower before sitting next to her, it seemed like an eternity from full happiness, and maybe you would never fully recover it.
“Your house is quite beautiful,” Octavia began, looking around, “I always imagined it was, but it's different when being inside.”
“Has had better days,” you said apathetic, looking down.
Holding your hands, she held your chin to face her. “Again, I'm sorry for what happened. It has been a difficult period for all of us, on both sides, and I imagine that being alone in a world of men is more aggravating. That's why I'm here." Your silence made her continue, although she did not mention of stopping. "I believe you follow your father's ideas, perhaps not because you understand what a republic means, but because you accept what your blood believed-"
"I know what the republic means, just as I know what your brother is doing, but I don't think he came here to ask for my opinion," you interrupted her.
“Not an opinion, but a decision,” she rectified.
“And what decision is that?"
She looked down, displaying a strange smile as she took a deep breath. Her response took a while, as Octavia calmly took a bunch of grape in her hands and picked up a berry before resuming the subject.
"Your father's decision to delay choosing a suitor for you was quite risky for your reputation, rumors could have been made about your purity instead. I like to think he was kind, to the same extent as a fool. But maybe, all this time serves a greater purpose,” she took another break, waiting for you to guess, but everything seemed too absurd to unravel.
"What purpose?"
"A woman cannot be alone in the world, especially one with your birth. When the news that your brothers are gone is spread, men of all regions and ages have prowled your carcass and will force a marriage to get your dowry. Maybe some of your uncles or cousins, or any of them. I come here today to offer a better proposal than any of them: Gaius."
The self-control over your expressions was not well executed, since your eyes frowned and your mouth opened. No, it couldn't be. It was a fucking joke. How... how dare she?
"What?" You asked out loud. “Gaius? Your brother Gaius?"
"Yes, he in person." Octavia answered.
“Why? Why do you want me to marry him? Why me?"
“Although many claim that Gaius intends to end the Senate and Republic, this has already proved to be a fallacy. In his trajectory, he showed that he did not conquer power alone. In fact, the Senate is on its way to deliver this power to him, because it recognizes his virtues. He is a merciful man, who wishes to restore the Republics to their glory days.”
“Merciful?” You asked. “Where is the pity in sentencing my brothers to death? How nice would it be to marry the heir of the man my father helped kill? How good would it be to marry the man who is the reason why all this is happening?” Your voice came out exalted again.
Octavia, in turn, restricted herself to looking down. “All the men who remain in Rome will be supporters of Gaius, maybe yes, some dissatisfied rebel can remain, but in the end, their opinion will be worth nothing, so any husband they arrange for you will be loyal to my brother, it’s no less worse.”
“Gaius decreed the death of my brothers, that’s bad enough,” you answered.
“But what will be worse for you: to be unhappy with a bad stranger or to be the wife of a young sovereign leader? My brother was not very favorable to your family, but he would not do the atrocities that could happen to you being alone and vulnerable at this time.”
No answer was formulated by you, maybe a punch in the stomach would be preferable when facing your reality.
“Gaius himself suggested this idea,” she added.
Before or after declaring your brothers as enemies? How could he think of something like that? The memory of your family and your dignity was insulting! You would become what you wouldn’t like to say and that your father would vehemently deny.
“It’s a lot to assimilate, I know, so you have until the rest of the day to think about, tomorrow one of the soldiers will take your answer in writing,” Octavia said.
“No,” you said. “I’ll come to you. Papers can be tampered with, not my word. But I ask you to order your brother’s men not to touch any woman in this house during my absence.”
“I’ll be waiting.”
It was a deal. A marriage proposal by Gaius Julius Caesar. Not a request, an agreement, that’s what it was, an arrangement to improve his image. That was your function, to improve the lives of men, and unfortunately, even if you don’t choose it, there is no way to get out of this situation unscathed, because Octavia didn’t lie when she referred to the fate that awaited you. But that was worse, he was to blame for the chaos and violence that Rome witnessed, the reason why your home was destroyed. You were truly scared between choosing such options. They were all bad in many ways, but Gaius’s was disrespectful and humiliating. And yet you were still considering it. Was surviving so important?
Or was it that you were too cowardly to face your destiny. Between running away and getting married, you preferred death, but you were too cowardly to cut your throat. Maybe one of Gaius’ men could do this after you rejected the proposal, or Octavia herself could meet someone who messed with poisons. By the Gods, you were desperate.
“I don’t know what to do,” you told a personal servant while bathing.
You still didn’t know what to do when you went to sleep, when you woke up the next day, when you ate nothing more than a few grape berries, when you were taken to where Octavia was and when you faced her. You believed that years could pass and you would not yet have a concrete answer to that situation, but even so, the known evil (Gaius) seemed less worse than what could happen if you rejected it.
Even though it is a simple word, it has never been so difficult to make a statement before.
“Yes.”
You accepted him as yours.
Gaius’ sister’s smile was warm, wrapping your body in a hug while saying that from now on you would be sisters. Your dresses and goods would be sent to your new home, and a few maids could be taken too — at your insistence.
“We have our trusted servants, no need to worry,” Octavia said.
And then it became clear that the evaluation of his company was not only for capacity, but for loyalty and security.
“Gaius will be back soon, I’m sure he will be pleased with your presence here,” she said next. “You couldn’t have chosen better.”
Choices. No, you didn’t want to keep torturing yourself by thinking about the other options.
However, a curious fact was noticed by you in the days that followed in Gaius’ house, under the company of Octavia and other ladies: they would die to be in your position. Or rather, they would kill to be the wife of the next leader of Rome. It was one of the certainties you came to believe, Gaius Julius would not lose the war and those women would do anything to be in youe place. The feeling of danger that filled you on the other days was terrifying, restless and too tense to remain surrounded by other people. Turning to Octavia about the possibility of being poisoned, she eased your fears by saying that everything that arrived on your plate was tasted by others noticed. It wasn’t so comforting when you realized that people could die for you. No, that was insanity. Everything related to what you were living was insanity.
Long days and long nights were bathed in fear in your new home, but nothing compared when the news of his return echoed through the walls. Next to your faithful friends, men, family and servants, there you were, in the center, next to your new sister. The smile that stamped his front was raised when he saw your serious and nervous figure waiting for him. The son of a bitch looked like he had won the biggest of the prizes. And in fact, he did it, after all, his image was built for that.
For the reconstruction of the Republic.
No word of his speech was heard by you, just waiting for such torment to end. But the celebrations were just beginning. At first, he did not go directly to meet you, but in the middle of the night, when you were away for too long in a distant room, he approached surreptitiously with gentle steps.
“Even though it was a generous proposal, a large part of me thought you would refuse it,” he said, calm with a breeze.
A sigh was your first reaction.
“A large part of me thought about refusing.”
He stood next to you, or in front of you (depending on the perspective) in the hallway.
“And what made you change your mind?”
“I don’t know,” you replied.
“Don’t you know?”
“No, I don’t know.”
“So why are you here?”
“I was afraid of being alone, not that I’m not at the moment. Not that the other option was less worse, in fact, both were bad enough.”
“And what was the other option?” He asked with a mixture of humor, surprise and curiosity with his sincere answer.
“Your sister can answer that.”
He didn’t hold his smile this time, even if weak and nasal. After that, he was silent for a while, posture changing up before speaking even lower:
“I’m sorry for your brothers.” Perhaps it would have been better to have been silent since your only reaction was to walk in the same direction that he came, leaving him behind, or trying. “Wait, wait! I’m sorry, it was something stupid to say.” He held your arm firmly, but without being rude, as he got even closer.
“Yes, it was,” you agreed and showed the frown you fought so hard to disguise.
“There was nothing to do about them,” he confessed.
“No? Did your supporters say that or was it your idea to declare them as enemies?” You asked (accused) him.
“Would they accept to be loyal to me?”
Of course not.
“I thought you was doing this for the people and the Senate, to restore the Republic,”
“And I am, but would they accept this if it was done by me?”
You smiled with mockery, looking the other way and leaving him unanswered.
“I know you have enough reasons not to trust me, or hate me, but I don’t intend to fail as a husband, and I don’t intend to disrespect you,” he said, trying to soften.
“Just like you disrespected Cicero?” You remembered the incident at Livia’s wedding.
It was his turn to sigh, releasing your arm to hold your hand.
“Cívero married her because her family is rich. That’s why everyone gets married: money, power and family. That the only thing that’s matter.”
“That’s why we’re getting married. Money, power and family,” you said bitterly.
“Yes, it’s. But I know it wasn’t an easy decision fot you to make.”
If your conscience wasn’t trying to push him away, you could have noticed a certain compassion in his beautiful eyes.
“No, you don’t know. You don’t.” That was too much, no, it was an excess of what you could handle. “You have no idea what it’s been like to live with this burden. The people I loved are dead and I feel that at any moment I will be next, and I will still marry you. No, you don’t know how I feel. My father would bitterly deny me if I were alive, my brothers too, because I’m going to marry you, because I’m a fucking traitor!” Tears collapsed violently from your eyes. “Because I have nothing else, there’s nothing left.”
Oh no. He advanced on you with a tight hug, holding your head against his chest. “It’s ok, it’s ok, you’ll be fine, I promise, I’m sorry, I’m sorry for all this. I promise I won’t betray you, I promise, I’m sorry.”
You didn’t know how many tears you had saved for that moment, for him. Because of him. You couldn’t imagine leaning over to seek comfort in him, squeezing him so hard to prevent him from running away. But he wouldn’t go anywhere, no, he wouldn’t. He wrapped you in a cocoon while holding the back of your head. The inconvenient thought that incriminated him for your situation was unpleasant to deal with, for him, and unconsciously, for you, a small relief was present in the back of your mind because no one was around.
“I promise you, nothing less than respect. I can’t get back what was lost, but I can guarantee new things,” he said when you calmed down.
“I don’t need jewelry, Gaius, or dresses, or maids. I already have that, I’ve always had it,” you countered it.
“I’m not talking about material goods. Some things need interference to be solved, others can be remedied by time, or mitigated. I don’t intend to put pressure or do little of you, I know it wouldn’t work, and that’s not how I want to solve things between us. I hope one day you can forgive me, I’ll be waiting for that.”
Taking a risk by kissing your forehead with affection was dangerous, but touching your lips was off limits. He has waited so long for you, since he saw your wide eyes and beautiful face at Livia Drusilla’s wedding. A beautiful girl from an important family, the same family involved in the size of her great-uncle, yet a beautiful girl to have by his side. He knows it was cruel to have made such a proposal, but it would be even more cruel to leave you for your luck. He could not allow this, not when your fragility was exposed to him in a more frighteningly palpable way, not when even in suffering you confronted him. Call him a fool or hopeful, but he believed that eventually, taking time or not, you would be totally his.
The confusion was evident in your eyes when he felt for the first time the slight landing of soft and gentle lips against your own. His lips... kissing you. Your eyes closed in the final seconds, before a whispered statement was sworn to you in a serious and masculine tone:
“Everything will be fine.”
————————
I didn’t like this as much as I imagined.
general taglist: @chompchompluke
tag for this fic: @lovelykhaleesiii @arcielee
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Common Misconceptions About the End of the Roman Republic
Julius Caesar was not born by Caesarean section. Romans only performed that procedure on dead mothers, and Caesar's mother definitely lived another 40+ years.
Julius Caesar was almost certainly not Marcus Brutus' father. He was only 15 years older than Brutus, and Servilia was married to someone else.
Caesar's electoral campaign for 59 BCE was funded by his intended co-consul, Lucius Lucceius, not by Crassus. Although Crassus probably loaned Caesar money at other times.
It is not clear whether Caesar and Pompey used armed intimidation to get their legislation passed in 59 BCE, as neither of them had an army at this time, no contemporary source charges Caesar with political violence during his consulship, and only some of their proposed bills actually passed. See Robert Morstein-Marx's Julius Caesar and the Roman People for more.
Caesar was not an ideologue or demagogue, nor was his legislation particularly radical or populist. He was neither a "voice of the working man" nor a fascist. However, the methods he used to get what he wanted, and his refusal to back down at critical moments, were controversial and sometimes illegal.
Caesar was probably not behind the Vettius affair, considering that Vettius had previously attempted to get Caesar killed.
Caesar was also almost certainly not a member of the Catilinarian conspiracy; in fact, he assisted Cicero's investigation of it.
The "first triumvirate" was not an official group in the same way the second triumvirate was, nor did it overwhelmingly dominate Roman politics. Most of the triumvirs' legislation failed after the first half of 59 BCE, and most of their electoral candidates were unsuccessful.
Caesar didn't conquer all of Gaul, since the Romans already ruled the southern coast and Cisalpine Gaul.
Caesar landed on Britain, twice, but did not conquer it.
The Gauls were not "savages," but a diverse and sophisticated collection of tribes with their own agriculture, political systems, artwork, trade networks and more.
Caesar's Gallic Commentaries are mostly reliable for concrete events and dates, but less so for distances, troop numbers, and people's motivations. The Civil War Commentaries are even more biased.
There was probably no serious threat of Caesar being prosecuted if he entered Rome without imperium. His conquest of Gaul had been highly popular (with the Romans) and his laws had been repeatedly upheld by the Senate. See Morstein-Marx again.
Caesar did not go to war "against the Senate" or "against the republic." The Caesarian and Pompeian factions in the Senate were roughly equal in size, and the overwhelming majority of senators preferred peace over either one.
Caesar did not say "The die is cast" or any variant of it while crossing the Rubicon. He had already sent troops into Italy, and the Senate had begun military action against him over a month before.
The civil war of 49 BCE was caused by a mutual breakdown between Caesar, Pompey, and other factions in the Senate, not solely by one man.
Caesar and Pompey's falling-out was not caused by the death of Crassus or Caesar's daughter Julia, which happened years before any evidence of a rift appeared.
Most of the Pompeians were not fighting "for the republic," and Cicero expected a dictatorship to occur no matter which side won.
Caesar was not the first dictator of Rome, or even its first dictator for life; the first dictator for life was Lucius Cornelius Sulla in 82 BCE.
Caesar also wasn't the first Roman general to march on Rome. That's Sulla again, or possibly Coriolanus if you believe he was real.
There is no evidence that Roman armies considered themselves more loyal to their commanders than to the republic until very, very late in Caesar's civil war, when we first hear of soldiers calling themselves "Caesarians" in Spain. Caesar, Pompey, Marius, and Sulla all had to argue their political legitimacy to their troops before they could make them fight other Romans. See Erich Gruen's Last Generation of the Roman Republic for details.
Caesar was killed in the Theater of Pompey; the Senate house had been burned down years before.
Caesar's last words are unknown, although classical sources suggest "Kai su, teknon?" (You too, my son?), "Casca, what are you doing?" "Why, this is violence!" and silence as possibilities.
Caesar is not usually categorized as an emperor by modern sources, but some ancient writers like Suetonius did.
Augustus was not born in August, but in September.
Octavian never went by Octavian. First he was Gaius Octavius (Thurinus), then Gaius Julius Caesar (Octavianus), then added "Divi Filius" and "Augustus" and eventually replaced the first two words with "Imperator."
Cleopatra probably was not killed by a snakebite. She had much more reliable and less painful poisons available.
Cleopatra was not the last pharaoh of Egypt. The last native Egyptian pharaoh was Nectanebo II, the last Ptolemaic pharaoh was Caesarion (Ptolemy XV), and the last Roman emperor recognized as pharaoh was Maximinus Daza.
Augustus' reputation as a coward comes from his enemies. He fought numerous battles throughout his career, including the two he was accused of ducking, Mutina and Philippi. (He fought in the second confrontation for each one.)
Augustus didn't declare himself ruler of Rome. Although he was de facto the ruler, he was officially just "the first citizen" (princeps), a concept that long predated him.
Although initially patricians were the aristocratic class, by the late republic they made up only a minority of the aristocracy; the rest were wealthy plebeian families.
The Senate could not pass laws on its own during the late republic; its legislation had to be ratified by the People's Assembly.
The Roman government was not as democratic as most modern republics, with much less of the population represented, but it did have some popular influence on government policy, and public demonstrations and protests were common.
Roman politicians do not fit into modern political movements like socialism, fascism, or liberalism, or into stable parties like democrats or republicans. Roman politics was driven mainly by personal alliances and rivalries rather than by ideologies.
Although the "Roman empire" is sometimes used to refer to the period when Rome had emperors, Rome had an empire-like system of provinces, conquest, and tribute as early as after the First Punic War in 241 BCE. Julius Caesar and Augustus initiated a change in how Rome was governed, but they did not create Roman imperialism.
Roman women played an active role in politics, particularly in coordinating marriage alliances, communication networks, advocating on behalf of their families, public protests, and diplomatic negotiations behind the scenes.
The late republic was very ethnically and religiously diverse, with many Roman citizens descended from Greeks, Africans, Gauls, Jews, Iberians, and other groups. Mixed marriages and multilingualism were common.
Romans did not categorize sexuality by gender attraction, and most Roman men would not have identified as what we now call heterosexual. See Roman Homosexuality by Craig Williams for details.
Most famous Roman monuments, like Trajan's column and the Colosseum, date to after republican times. During Cicero's era the city was mostly brick and wood.
Historians do not agree on why, or when exactly, the republic "fell." Not all of them believe it was "doomed," either. It's likely that many connected factors, and random chance, played a part.
Suggested sources for learning more:
SPQR: A History of Ancient Rome, by Mary Beard
Cato the Younger: Life and Death at the End of the Roman Republic, by Fred Drogula
Cicero: The Life and Times of Rome’s Greatest Politician, by Anthony Everitt
Augustus: First Emperor of Rome, by Adrian Goldsworthy
Julius Caesar and the Roman People, by Robert Morstein-Marx
Historia Civilis
The History of Rome podcast by Mike Duncan
Everything on my recommendations page
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ancientcharm · 6 months
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Claudius: The fool of the dynasty.
Claudius was born in Lugdunum, Gaul on August 1, 10 BC. On his mother's side, he was the grandson of the legendary Mark Antony and great-nephew of emperor Augustus. His father was the son of the Empress Livia and brother of emperor Tiberius. He also had blood ties with Julius Caesar.
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According to historical sources: His sister, Livilla, after hearing an Augur say that her younger brother would be emperor, exclaimed: "May the gods save Rome from such misfortune. That would be the end of the empire." His grandmother, Livia, avoided talking to him because "when he was a child, the empress felt uncomfortable seeing and hearing him." During his childhood, the family avoided taking him to public events so as not to be seen. All this drama just because Claudius was lame, stuttered and had a tic.
During the reigns of Augustus and Tiberius, that is, for almost his entire life, he was prohibited from holding public office because of his "defects." From a very young age it was determined that he could never be heir to the throne. This was determined by his family but not by his destiny.
Three wives, three troubles.
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Year 9: The Empress Livia convinced a senator who was a close friend of her family, to marry her daughter, Plautia Urgulanilla, to her 18-year-old grandson. They had a son, Claudius Drusus, who died at 14-15 years old when he threw a piece of pear into the air to catch it in his mouth and the piece got stuck in his throat. Years before the son's death, a girl was born. But months later, Claudius noticed that the baby looked more like one of his freedmen than him. Claudius publicly declared that the girl was not his daughter. This scandal occurred at the same time that her brother-in-law, Plautia's brother, murdered her wife by throwing her out of a window. After this, Claudius immediately divorced.
Year 28: The prefect of the Praetorian Guard, Sejanus, was plotting to occupy the throne. Knowing that no one would accept an emperor who was not related to the dynasty, he married his sister, Elia Paetina, to Claudius. They had a daughter named Antonia. In the year 31 the plots and murders of Sejanus were discovered; Emperor Tiberius sentenced him to death. Claudius was forced to divorce the relative of the traitor but he never abandoned his daughter Antonia.
Year 38: During the reign of his nephew Caligula, Claudius married a woman member of the dynasty. The young and beautiful Valeria Messalina was the granddaughter of Antonia the Elder, Claudius's aunt. Antonia the Elder was the first daughter that Mark Antony had with Augustus's sister. Ten years later, this third marriage will end in worse circumstances than the first two.
Interestingly, the “mad" emperor Caligula was the first to recognize that Claudius had the skills to hold an important position. Claudius at 46 years old had the well-deserved important office thanks to his nephew. He was appointed consul.
The less thought day
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On January 24, 41, the emperor was assassinated by the Praetorian Guard in collusion with several senators. Minutes later, the emperor's wife and daughter were also murdered.
And what no one would have thought possible happened: At the age of 50 Claudius became Caesar. The fourth emperor of Rome.
According to the historians Flavius Josephus and Cassius Dion, Claudius, terrified, thinking that the senators' plan was to exterminate all the members of the imperial family to restore the republic, hid behind a curtain. A Praetorian soldier found him and immediately proclaimed him emperor because he was the only male in the dynasty who could rule, the other remaining member being his 3-year-old grandnephew Lucio Domitius, whom 9 years later Claudio himself would give the famous name Nero.
Claudius the Conquer
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Claudius surprised Rome by proving to be not only an intelligent emperor but also a conqueror who would make the empire greater. In 43, Claudius begins the campaign to conquer Britannia. Circa 50 the Romans founded the city Londinium /London.
Although this was his most famous conquest and territorial expansion, it was not the only one. Noricum: Present-day central Austria (west of Vienna), part of Bavaria (Germany), northeastern Slovenia, and part of the Italian Alps. Thrace (Bulgaria), and he made the Danube River a new border of the Roman Empire.
Claudius the Emperor
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He distinguished himself for his policy of Meritocracy. He rewarded for ability , not for personal sympathies. He allowed men from of non-aristocratic origin access to the Senate. Claudius gained the respect of the Senate, the army and the people at the same time, something that had not been seen in Rome since the time of Augustus.
He had two children with his third wife: Octavia, born late year 39, and Tiberius Claudius, later nicknamed Britanicus due the conquest of Britannia, born 19 days after Claudius' accession to the throne.
He wrote many works, most during the reign of Tiberius. In addition to a history of the reign of Augustus and some treatises on the game of dice, his great passion, among his main works are a History of Etruscan civilization in twenty books, a History of Carthage in eight volumes, and a dictionary of the Etruscan language.
Pliny the Elder refers to Claudius as "One of the best writers". Evidently, Claudius learned a lot from his teacher, the most prestigious Roman historian, Titus Livius (Livy), author of the extraordinary work Ab Urbe Condita.
In the year 47 Claudius celebrated the Ludi Saeculares of the eighth centenary of the founding of Rome.
The tragic end of the empress.
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Empress Valeria Messalina becomes the lover of Senator Gaius Silius. Taking advantage of her lineage as a woman of the Julius Claudia dynasty, she convinced that man that together they could take the throne from Claudius. In 48, while Claudius was in Ostia, Messalina divorced him and married Silius. Three freedmen arrived in Ostia to give the incredible news to the emperor.
According to Tacitus: "Claudius, having returned to the palace, ordered that Messalina be brought to him, but the freedman Narcissus, fearing that the emperor would forgive her, ordered a freedman, a centurion, and some tribunes to proceed with the execution. The woman was overtaken in the gardens and executed; informed of his wife's death while he was at the table, Claudio would not have asked any more questions."
The senator and his group of accomplices and supporters were also executed.
Seven years earlier: Claudius ordered the return of his nieces, daughters of his deceased brother Germanicus:, Livilla and Agrippina the Younger, both exiled by Caligula in 39. Livilla was highly favored by Claudius, and Agrippina the Younger was ver loved by the people. This situation caused Messalina worry and jealousy.
Messalina, through intrigue, in a very short time managed to send Livilla back into exile, along with the philosopher Seneca -a close friend and ally of Agrippina the Younger- accusing them of being lovers and conspiring. Livilla died in exile shortly after arriving, which leads to suspicion that she was murdered.
But Mesalina could not make Agrippina the Younger disappear, who was extremely cunning and more dangerous than Livilla because she had a son, that is, a candidate for the throne who, to make matters worse, he had more blue blood than Britannicus. In all likelihood, this could be the reason Messalina attempted to overthrow Claudius.
The fourth wife, and the death.
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If Senator Gaius Silius was able to use Messalina's lineage to try to overthrow Claudius by marrying her, what could another do who marries the widow Agrippina, a direct descendant of Divine Augustus? This was the reason for Claudio's incredible decision to marry his niece: simply so that no other man could marry her. Agrippina immediately accepted the proposal to become empress of Rome.
The marriage between an uncle and his niece was considered incest and a crime in Rome. However, this was not an incestuous relationship but a political union. Even so, dispensations had to be presented to the Senate and religious authorities, and there were endless ceremonies.
Finally, in the year 49, in an unprecedented event in Roman history, the Emperor married his own niece. Immediately she gets Claudius to bring her close friend Seneca from exile. Agrippina appoints Seneca as her son's tutor and teacher. Claudius granted Agrippina the title of Augusta. Curiously, he did not grant that title to empress Messalina when they both ascended the throne, but to his deceased mother Antonia the Younger.
In 50 Claudius adopted his great-nephew Lucius as son and changed his name to Nero Claudius. Agrippina's son become the heir to the throne, instead Emperor's own son. Many historians believe that this was because in the Dynasty, when choosing the successor it was more important to take into account who he was descended from in a direct line. Nero, unlike Britannicus, was a direct descendant of Augustus (great-great-grandson).
Later, Agrippina convinces Claudius to marry his daughter Octavia to Nero. At that time Nero and Octavia are around 14 and 12 years old respectively.
In October 13 of 54, at age 64, the emperor died suddenly during a banquet, after having eaten mushrooms, according to Juvenal's version.
There are several versions about his death, however they all agree on the theory that the emperor was poisoned. Personally, I want to believe that his death was due to natural causes.
Below, a text that is not mine but from a very important site with an extensive article on the death of Emperor Claudius. I copy and paste the final part that I was happy to read.
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However, as Levick points out, those present at the banquet do not seem to have suspected poisoning of any sort; moreover, the eunuch Halotus, whose job was to taste the Emperor's food, kept his job when Nero assumed the throne—evidence that nobody wanted to put him out of the way, either as an accomplice or as a witness to assassination. We see no reason to believe that Claudius was murdered. All the features are consistent with sudden death from cerebrovascular disease, which was common in Roman times. Towards the end of 52 AD, at the age of 62, Claudius had a serious illness and spoke of approaching death. Around that time there were changes in his depiction in busts, cameos and coins—with thick neck, narrow shoulders and flat chest. The Apocolocyntosis, addressed to an audience some of whom were present at the death, makes clear that there is no need to postulate poisoning, accidental or otherwise.
Text : © 2002, The Royal Society of Medicine.
The Divine Claudius
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Sculpture of Claudius deified (1st Century) Vatican Museums.
After his death, like Augustus, he was deified.
The boy who was said to never achieve anything not only became an one of the best writers of Rome, emperor and conqueror but also a god.
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homoeroticbetrayal · 1 year
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Iconic Homoerotic Betrayal: Round 2
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Round 2 Directory
Context:
Ides of March
Summary by Mean Girls (from an Anonymous Contributor)
Why should Caesar get to stomp around like a giant while the rest of us try not to get smushed under his big feet? What’s so great about Caesar? Hm? Brutus is just as cute as Caesar. Brutus is just as smart as Caesar.
People totally like Brutus just as much as they like Caesar. And when did it become okay for one person to be the boss of everybody, huh? Because that’s not what Rome is about. We should totally just stab Caesar!
Joshua/Neku
Summary by @purplelea
What if I was a jerk who decided to reject everyone because I was scared of getting attached and getting hurt, and what if I ended up in a death game where I had to learn how to put my trust in others in order to survive
What if I started to change, I started to trust others, to value their inner worlds, and then you came along as one of the people I had to learn to trust
What if you understood me better than anyone else, what if I recognised myself in you, and what if I HATED you for that, because you were everything I were, but that weren't not who I wanted to be anymore
What if you made it so hard to trust you because you were so grating and annoying and didn't deny when I accused you of killing me
What if you gave your life for me right after I learned that you weren't my murderer, what if I had spent an entire week blaming you for my death and what if you died for me before I could even apologise for that
What if I grieved you for a week while trying to fight for my life and fighting to keep trusting others despite all the hurt it kept bringing me
What if I fought my way to the end, victory and salvation so close, and what if suddenly I saw you again, giggling and telling me you were the one behind the whole thing since the very beginning
What if you told me that you were the one who killed me. That you were the one who created this death game. That you were the reason all of this ever happened. That I was nothing but a plaything in your grand scheme, that I've been your pawn since the very beginning, and all the fights I fought in order to come back to life were in fact helping you to achieve your goal of destroying my city and everyone I cared about
What if, still smiling, you gave me one last chance to save everything. A duel. A countdown. 10 seconds, one pull of the trigger, and you would be dead, my death would be avenged, my city and my friends saved
What if three weeks before that was exactly what had been asked of me, to kill someone else to save myself, and what if back then someone had to stop me from doing it
What if, pushed by how angry and hurt I was because of your betrayal, of your lies, of how you manipulated me and everyone around you, I found the strength to aim the gun at you, ready to shoot, crying but determined
But what if this time, because of everything I've been through, everything YOU put me through, I couldn't do it. Because you betrayed me, you hurt me, you did everything do I would want to pull that trigger, but everything you did also lead me to change, to start to trust others, and you're included in those others. You made me see that others' lives are worth the fight, are deep and meaningful, are something precious that shouldn't be discarded because I can't understand them
What if as you counted down to zero, I lowered my gun, and when your countdown met its end, you shot me once again, a bullet piercing my heart just like your betrayal did a few moments before.
What if after living all of this, I woke up in the middle of the city where I had been waking up at every start of every week of the death game you put me in, but this time alive and well, and I had to come to terms on how I felt towards you and the whole ordeal
What if I did come to terms, and put words on it. An entire monologue I gave to you, not even knowing if you were listening, but trusting that you would.
What if my name was Neku Sakuraba, and yours was Yoshiya Kiryu, but I could call you Joshua, seeing as I was your dear, dear Partner.
"I can't forgive you, but I trust you."
For other JoshNeku essays, see spreadsheet
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aphroditelovesu · 8 months
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this is going to end badly, but... Can you do Yandere love letter where the boys found out Reader cheated on them?
The Yandere love letter from Alexander The Great, Julius Caesar, Napoleon, and Henry VIII pls
Alexander the Great
My Queen,
May your betrayal be your own curse. If you persist on this path, know that I am capable of things that not even the gods would dare to speak of. My wrath is relentless and uncontrollable when it comes to the woman I once loved.
As for this man you cheated on me with, know that he is playing with death itself. I, who faced entire armies, will pursue him to the end of the earth, and he will find no refuge. If he touches you again, not a stone will be left unturned in his city, and he will be remembered as a traitor until the end of time.
I swear I will destroy his city, put men to the sword and sell their women and children into slavery. And then I will deal with you.
You, (Y/N), have the power to avert this dark fate. Return to my arms, renounce this treachery, and perhaps I will consider showing leniency. If not, know that my vengeance is a storm no mortal can weather. Make no mistake though, because you will be punished and I guarantee you won't like your punishment, my love.
This is your last chance, my Queen. Return to me and hand over your wretched lover and perhaps I will show you mercy.
With fury and despair,
Alexander.
Julius Caesar
My love,
Today, darkness enveloped my heart. The news of her betrayal, my sweet wife, tears me apart in a way that not even the bloodiest battles have been able to do.
For you, I crossed oceans and crossed deserts, shed blood and brought down empires. However, I realize that the hardest battle I face is the one you fought on the sly with another man. I feel betrayed, but also consumed by a sick, and furious love that burns like the fire of Rome.
I will not allow him to breathe the same air as you, to touch your skin as I did, to steal your love from me. I will hunt him down, torture him, and kill him.
(Y/N), my wife, my life and my soul belong to you. If you continue with this traitor, I swear I will make an example of him, a warning for all to see. I'll make an example of you. You are my wife, my reason for living, and I won't let anything or anyone take you away from me.
Reflect on your actions, my beloved, for my passion is stronger than any army, hotter than any fire. I won't forgive you, but I'm willing to compromise.
With angry and love,
Julius Caesar.
Napoleon Bonaparte
My beloved wife,
I write these words with a heavy heart and a mind tormented by the thoughts that have invaded my soul. I found out that you, my beloved wife, betrayed the trust that we once placed in each other.y pain is indescribable, my mind troubled by terrible visions of your betrayal.
You know what I can do when faced with challenges when those I love are threatened. My reputation as a military leader is widely known, but what you may not know is that my love for you is just as fierce.
I know where you've been, who you've been with, and what you've done. Every detail is etched in my mind like a scar, a scar that burns like lava from a volcano. (Y/N), my love, I solemnly warn you that if you persist in this betrayal, the consequences will be dire. The fire that burns in my chest can be directed to protect or to destroy, and you must choose wisely.
Reflect on what we have together, on the lives we've built, and on the price that may be paid for your actions. My love for you runs deep, and I will not hesitate to use every means in my power to keep what's mine. You are mine and I will destroy anyone who gets in my way, especially that damn lover of yours. But don't worry, I've already dealt with it myself.
I pray that reason prevails in your heart, for my passion and my anger are a force that cannot be contained. I hope you make the right choice and maybe I'll be benevolent.
With love and so much jealousy,
Napoleon.
Henry VIII
My sweet wife,
I write these words with a rage that burns hotter than the sun. My trust in you has been unacceptably betrayed, and my rage is untamed. How dare you betray me, a woman who swore allegiance to me and our kingdom?
I, Henry VIII, a mighty and formidable king, will not tolerate such dishonor. You must be aware that by challenging my authority and my love, by violating our marriage, you are playing with your own destiny. With your life.
My spies have reported every detail of your heinous betrayals, (Y/N). There is no escape, no hiding place where you can hide. My anger is like an approaching storm, and the thunder of my vengeance will resound across England.
You, who shared my bed and my trust, now face the wrath of a disgraced monarch. Have no illusions my dear as my love for you has turned into a darkness that will swallow up everything in its path. And it's all your fault.
(Y/N), if you wish to avoid a dark and terrible fate, I suggest you change course immediately. Renounce your betrayals and be my loyal wife again, and I can show you mercy, but not your damned lover. No. He's already dead. Should you decide to disobey me once more, the sword will fall on your head, as it fell on others who dared to defy me.
With unabated fury,
Henry.
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blueiskewl · 9 months
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Ruins of Roman Emperor Nero's 'Theatre' Unearthed in Rome
Archaeologists in Rome think they may have found Nero's theater during a hotel excavation.
Archaeologists in Rome think they may have found the ruins of Nero's theater, a first-century imperial performance space that was widely described in ancient Roman texts but whose whereabouts had remained largely elusive.
The theater is named after Nero Claudius Caesar Augustus Germanicus, who served as Roman emperor from A.D. 54 to his death in 68. Officials are calling the discovery of the theater, located just east of Vatican City, "exceptional." It was likely where Nero rehearsed poetry and put on musical performances, according to ABC News.
More than a millennium after his death, Nero remains one of ancient Rome's most infamous rulers, accused of playing his fiddle while the city burned to the ground during an epic fire. While much has been written about the atrocities and poor governance that occurred under his leadership — he allegedly killed his own mother and two wives and lavishly and indulgently spent Rome's money — he's also remembered as a lover of music and the arts, leading him to offer public performances at his theater, an act that the elite usually didn't partake in. He was particularly fond of playing the cithara, a portable harp-like instrument with seven strings.
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But when the powerful Praetorian Guard, the force in charge of protecting the emperor, withdrew their support of him, he reportedly took his own life, uttering "what an artist dies in me!"
Researchers unearthed a variety of artifacts scattered among the building's ruins. These included seven ornate medieval glass chalices, segments of bone used to carve out rosary beads, clay pots and urns, cooking vessels for baking bread, coins, combs constructed out of bone and numerous pieces of musical instruments. As for the remaining architectural elements of the theater itself, archaeologists unearthed marble columns and plaster decorated in gold leaf, according to ABC News.
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"It is a superb dig, one that every archaeologist dreams of," Marzia Di Mento, the site's chief archaeologist, told reporters during a news conference, according to ABC News. "Being able to dig in this built-up, historically rich area is so rare."
The discovery came about as construction crews were working on reconfiguring Palazzo Della Rovere, a medieval palace, into a new luxury hotel, and was found buried beneath the structure's walled garden, according to The Associated Press.
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Artifacts from the excavation will be put on display and added to a "city-run public databank to add to the wealth of information gathered over the years on life in Rome throughout the centuries," according to ABC News.
Archaeologists plan to rebury the theater once excavations wrap up.
By Jennifer Nalewicki.
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whencyclopedia · 5 months
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Caesar As Dictator: His Impact on the City of Rome
Gaius Julius Caesar (100-44 BCE) first assumed the role of dictator in 49 BCE, however, once he had secured his election as consul for the following year, he resigned after 11 days. After defeating Pompey at the Battle of Pharsalus in 48 BCE, he was once again appointed dictator, this time for a year. This was followed by a ten-year appointment in 46 BCE, then he assumed the power of dictator for life shortly before his death in early 44 BCE.
Continue reading...
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theantonian · 4 months
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The Antonian Reading List
Mark Antony: A Life by Patricia Southern (Highly recommended!)
Mark Antony: A Biography by Eleanor Goltz Huzar (Highly recommended!)
The Life and Times of Marc Antony by Arthur Weigall (Recommended)
Marc Antony: His Life and Times by Allan Roberts (Recommended)
Marc Antony by Mary Kittredge
Antony & Cleopatra by Patricia Southern
Antony & Cleopatra by Adrian Goldsworthy (By far the most negative book on Antony by a modern historian, the Cleopatra portion is better)
Mark Antony: A Plain Blunt Man by Paolo de Ruggiero (Recommended)
Mark Antony and Popular Culture: Masculinity and the Construction of an Icon by Rachael Kelly
Mark Antony's Heroes: How the Third Gallica Legion Saved an Apostle and Created an Emperor by Stephen Dando-Collins
A Noble Ruin: Mark Antony, Civil War and the Collapse of the Roman Republic by W. Jeffrey Tatum (Highly recommend!)
Mark Antony & Cleopatra: Cleopatra's Proxy War to Conquer Rome & Restore the Empire of the Greeks by Martin Armstrong
Actium and Augustus: The Politics and Emotions of Civil War by Robert Alan Gurval
The Roman Revolution by Ronald Syme (Recommended)
Octavian, Antony and Cleopatra by W. W. Tarn
Fulvia: Playing for Power at the End of the Roman Republic by Celia E. Schultz
Cleopatra: Last Queen of Egypt by Joyce Tyldesley (Highly Recommended!)
Cleopatra by Michael Grant (Highly Recommanded!)
Cleopatra: A Life by Stacy Schiff (Highly Recommended!)
Cleopatra - A Biography by D. Roller
Cleopatra and Antony by Diana Preston
Cleopatra by Alberto Angela (Recommended)
Cleopatra by Jacob Abbott
Cleopatra the Great by Joann Fletcher
Cleopatra and Egypt by Sally-Ann Ashton
Cleopatra and Rome by Diana E. E. Kleiner
Cleopatra Her History Her Myth by Francine Prose
Cleopatra Histories, Dreams, and Distortions by Lucy Hughes Hallett (Recommended)
Cleopatra’s Daughter Egyptian Princess by Jane Draycott
The Storm Before the Storm by Mike Duncan
SPQR: A History of Ancient Rome by Mary Beard (Good for beginners)
The Last Assassin: The Hunt for the Killers of Julius Caesar by Peter Stothard
Robicon by Tom Holland
Alesia 52 BC: The final struggle for Gaul (Campaign) by Nic Fields
Actium 31 BC: Downfall of Antony and Cleopatra (Campaign) by Si Sheppard
Pharsalus 48 BC: Caesar and Pompey – Clash of the Titans (Campaign) by Si Sheppard
Philippi 42 BC: The death of the Roman Republic (Campaign) by Si Sheppard
Mutina 43 BC: Mark Antony's struggle for survival (Campaign) by Nic Fields
The War That Made the Roman Empire: Antony, Cleopatra, and Octavian at Actium by Barry Strauss
The Battle of Actium 31 BC: War for the World by Lee Fratantuono
Rome and Parthia: Empires at War: Ventidius, Antony and the Second Romano-Parthian War, 40–20 BC by Gareth C Sampson
Rivalling Rome: Parthian Coins and Culture by Vesta Curtis
Classical sources:
Plutarch’s Lives
Cicero: Philippics, Ad Brutum, Ad Familiares
Appian, The Civil Wars
Dio Cassius, The Roman History
Suetonius, The Twelve Caesars
Flavius Josephus, The Jewish War
Livy, The Early History of Rome
Tacitus, Annals and Histories
Friction:
The Tragedy of Julius Caesar by William Shakespeare
The Tragedy of Antony and Cleopatra by Willian Shakespeare
All For Love or The World Well Lost by John Dryden
The Siren and the Roman – A Tragedy by Lucyl
Caesar and Cleopatra by George Berbard Shaw
Cleopatra (play) by Sardou
Antony by Allan Massie
I, Claudius by Robert Graves
I, Cleopatra by William Bostock
Cleopatra by H. Rider Haggard
Cleopatra by Georg Ebers
Kleopatra (Vol I & II) by Karen Essex
Last Days with Cleopatra by Jack Lindsay
The Memoirs of Cleopatra by Margaret George
When We Were Gods by Colin Falconer
The Masters of Rome series by Colleen McCullough
Caesar's Soldier: Mark Antony Book I by Alex Gough (Ongoing series)
The Antonius Trilogy by Brook Allen
The Last Pharaoh series by Jay Penner
Throne of Isis by Juith Tarr
Hand of Isis by Jo Graham
Woman of Egypt by Kevin Methews
The Ides of Blood 01-06 (Comics)
Terror - Antonius En Cleopatra (Erotic yet pure love, Dutch comics)
Cleopatra - Geschiedenisstrip (Dutch comics)
Les Grands Personnages de l Histoire en Bandes Dessinees – Marc Antonie (French comics)
Les Grands Personnages de l Histoire en Bandes Dessinees – Cleopatre (French comics)
Les Grands Personnages de l Histoire en Bandes Dessinees – Julius Caesar (French comics)
Cléopâtre (French Manga)
 Ils Ont Fait L'histoire - Cléopâtre (French Graphic Novel)
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luxlightly · 2 months
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In celebration of the holiday, shout out to the time an ER doctor, looking at me crying after she guilted me into getting an incredibly painful pelvis exam I desperately didn't want(or need), feeling hopeless because no one would believe there was anything wrong with me, said:
"It's okay you haven't done anything with your life yet. Julius Caesar didn't do anything with his life until he was in his 30s!"
and I was like "....the guy who lead to the fall of Rome and got stabbed to death by all his friends?"
"Yeah, but he also was a great warlord and conqueror who colonized a bunch of places for Rome!"
and it legit stunned me so much I stopped having a panic attack because, in a way, though the opposite way of how she intended, it was actually inspiring.
Like, whatever I do with my life, I will almost certainly not lead to the fall of Rome and be stabbed to death by all my friends. I still, by default, am doing better than Julius Caesar.
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avelera · 1 year
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Reflections on the Ides of March
After all the excitement yesterday about the assassination of Julius Caesar, I think it's worth mentioning that Julius Caesar's death being celebrated as the common man's answer to tyranny is a little like celebrating the Mayflower Pilgrims for being on the side of religious tolerance.
Like, the Mayflower Pilgrims emigrated from England because England wasn't religiously controlling enough for them. They wanted more religious tyranny and were upset that the government was too moderate for their liking in allowing other ways of life.
In a bit of a distant parallel (bear with me, ADHD connection brain go brrrr) Julius Caesar first made enemies among the aristocrats who eventually murdered him by being a populist endeavoring to solve Rome's growing inequality issues by bringing land reform to Rome specifically targeted at redistributing land that had been gobbled up by the rich and powerful to give it back to its people.
It's a little complicated because, yes, Caesar's move to dub himself dictator for life was absolutely an authoritarian move. In addition, Augustus and subsequent European authoritarians/monarchs (I believe we should use the term more interchangeably tbh) used "Caesar" as a title and justified their reign going back to him via Augustus's eventual ascendence as his heir after a bitter power struggle and killing off all his other rivals who could claim that title, and thus brought an end to the (already tottering) Roman Republic. This puts Caesar as a step on the path to a reduction of a form of non-authoritarian rule.
But tyrant, as Caesar was referred to by those who assassinated him, in the ancient sense had a subtly different meaning. A tyrant was usually a figure who gained popularity among the masses by becoming their advocate against the rich and powerful and who ascended to power usually on the wave of a cult of personality and promises of egalitarian reform. They rarely established dynasties because the skills needed to reach their position of power rarely appeared in their biological heirs and without the structure of a monarchy to pass that mantle of authority onto their sons and heirs, the power structure of that tyrant usually fell apart upon their death.
Basically, one really magnetic person would occasionally rise up when the rich and powerful had gone too far in the societal imbalance. Rich aristocrats hated that. The enemy of most classical tyrants were the rich and powerful. Tyrants were populist leaders who usually took power for life (often, a rather short one if they couldn't keep the reins of power well in hand). This is a part of the rather complex political history of "rule by the people" and how it wasn't always a straight line from "rule by one" straight to democracy, sometimes a single authoritarian dictator/tyrant actually was the representative of the common man in confrontation against the accumulation of power by oligarchs.
So, Julius Caesar is a bit of a complicated figure here, because he rose to power by being a champion of the common man, in a tradition in Rome going back to the ill-fated Gracchi. By taking "dictator for life" powers, he was feared to be setting himself up as a king, or rather as a tyrant by Roman Senators, all wealthy aristocrats and by today's standards, oligarchs. Rome originally became a Republic, historically, when a Brutus family member assassinated the then-Etruscan tyrant so Rome could rule itself (or rather, could be ruled by its own oligarchs, which was much more democratic before it exploded into an empire by Caesar's time).
But the material damage the Roman Senators feared from Caear was just as much that he would take their land and money from them with that dictatorial power in order to repair the desperately crumbling "middle class" (term used loosely as it does not directly translate) which had been picked clean and robbed blind by the aristocrats over the past century or so in Rome since the Punic Wars. Caesar was championing anti-poverty measure that was looking out for the actual common citizens of Rome, something the Roman Senators did not want Caesar to do because it would bite into their wealth.
This makes it rather bitterly ironic that the common people today celebrate Caesar's death when, at the time, one of the reasons he was murdered was for being the champion of the common man. However, it is an understandable irony given how Caesar's legacy would be used by authoritarians after his death, up to and including in modern times.
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suburbanbeatnik · 5 months
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I did a sketch! The first time since my cat Peggy died. It's a scene from Gillian Bradshaw's Render Unto Caesar, which is one of my favorite books ever. From a review I just wrote:
Render Unto Caesar is a timeless, fast-paced and deeply felt romantic thriller set in first century Rome by historical fiction master Gillian Bradshaw. It seems to be about a man trying to get an important politician to pay his legal debts, but it's actually about a life-or-death struggle of the Roman West and the Greek East, rendered in exquisite miniature. This is also the closest to a historical romance as Bradshaw has ever written, and I find it completely delightful. I've read this book about five times over the past fifteen years, and I've enjoyed it more and more as the years go by-- there's so much to love about it. The characters are fully realized; the setting is portrayed with all the depth, detail and rigor you'd expect from a classics scholar; and there's a lot of action too. But the heart of it is a compelling romance between people of completely different backgrounds-- Hermogenes, the sober Alexandrian businessman, who is looking for justice from the Roman political elite, and Cantabra, a Celtic Cantabrian gladiatrix whom he hires as a bodyguard. The character arcs are beautiful and deeply satisfying. At the beginning, it's impossible to imagine these two getting together, but the MMC and FMC have some major growth, and their feelings and their relationship comes about in the most natural and moving way. Some tropes, if you're into that sort of thing: Fugitive Arc, Clear My Name, There Is Only One Bed, Break the Stoic, Hurt/Comfort, Hidden Depths, Bodyguard Crush, Action Girlfriend, among others. And it has an HEA! I do think this book probably didn't get the audience it deserved because it has very strong romantic elements, which is not really evident in the publicity it got when it was originally released. Anyway, if this sounds interesting to you, I highly recommend it! It's a great book that deserves to be better known. IMO, Bradshaw deserves to be better known too.
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