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#Marty Carter
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Quote Edit: Alia and Marty
There are a million ways to say I love you You just have to listen
Inspiration
Gif One - Marty: She's better than she realises.
Gif Two - Alia: Not bad for a newbie.
Gif Three - Marty: You're not alone. I promise.
Gif Four - [Marty: Hey, easy. Easy. You're safe.] // Marty: It was just a nightmare, Al. We're all safe. You're home.
Gif Five - Marty: And this one should go - Oh! // Alia: I need your help.
Gif Six - Alia: What do you want, Marty? For me to stop? / Marty: For you to stay safe. Think about you for once.
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Last Line Tag Game
Thank you so much for the tag over at foxesandmagic, @wordspin-shares; I'm sorry it took me so long to do this. I've been really bad at actual writing recently, so this is a line from a drabble I wrote for my Magical Entrepreneur Story:
A feeling he [Marty] knew he had no right to when his own courage had failed so many times.
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mandysgirlf · 1 year
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the poly angie x peggy x dottie brainrot is real rn my loves
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sure, your ship is OK, but did they go from "I think you'll like me once you get to know me" to "I would rather die myself than leave her behind because I care about her more than I'm supposed to"
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whiteinitalian · 1 year
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Fictional characters that I ship part II
Movieverse
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krispyweiss · 2 years
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“Johnny Cash: The Redemption of an American Icon” Hits Theaters Dec. 5-7
The tailer inevitably opens with the man himself saying: “Hello, I’m Johnny Cash.”
But “Johnny Cash: The Redemption of an American Icon” is no regular biopic. The film instead focuses on the Man in Black’s transformation into a devoutly religious man who ultimately found himself in the light.
The journey was an arduous one, said Cash’s son, John Carter Cash.
“It’s hard to put a finger on it and say, ‘This is the person he was.’ Because there was so much to him,” Cash the younger says.
Set to screen in theaters Dec. 5-7, the film is built around never-before-heard conversations with Cash and interviews with Wynonna Judd, Sheryl Crow, Alice Cooper, Tim McGraw and others.
“He was my hero,” Marty Stuart says of his former father-in-law and bandmate before echoing Cash the younger’s assessment.
“For all the right reasons. And all the wrong reasons.”
10/13/22
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gnobblygnomelad · 1 year
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The genre of isekai peaked with Sid and Marty Krofft.
However, it started with Alice In Wonderland and solidified into its wish fulfillment anime format with John Carter
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Trying to test out if magic can help control portal destinations more effectively than the stargate, SG-1 and the CHS Seven arrive in a mirror image with its own dilemmas.
(Art by Reddenmonmokato; https://www.tumblr.com/blog/view/reddemonmakoto)
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cantsayidont · 6 months
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February 1977. The general presumption in DC's pre-Crisis era was that at some unspecified point in the 1950s, the published adventures of Superman, Batman & Robin, and Wonder Woman had switched from the "Golden Age" Earth-2 characters to their modern Earth-1 counterparts. In a very unusual move in early 1977, the Golden Age Wonder Woman actually reclaimed her own title, which for a little over a year featured WW2 adventures of the Earth-2 Diana. The Golden Age Wonder Woman also got her own feature in WORLD'S FINEST COMICS, an oversize WONDER WOMAN SPECTACULAR, and a costarring role in the 1978 SUPERMAN VS. WONDER WOMAN tabloid edition (ALL-NEW COLLECTOR'S EDITION #C-54).
This was a surprisingly big push for an Earth-2 character — since their revival in the early 1960s, the JSA had become popular supporting characters, but only the Spectre had gotten his own series — but DC was trying very hard to cash in on the popularity of the WONDER WOMAN TV series with Lynda Carter and Lyle Waggoner, which was initially set during World War 2. The series had actually launched a year earlier with a pilot TV movie, followed by a couple of one-hour specials, but it was then picked up for a full-season order that premiered not long before WONDER WOMAN #228 (pictured above) appeared on stands.
Unfortunately for DC, when the series was renewed for a second season in 1977, ABC decided the period setting was too expensive and shifted the second and third seasons to the present, which the show rationalized by declaring that Wonder Woman hadn't aged in the interim and Waggoner was now the son of his first-season character. It took DC a little time to catch up, but the Earth-1 Wonder Woman got her title back in early 1978, in WONDER WOMAN #243. The Golden Age Wonder Woman was also summarily dismissed from WORLD'S FINEST after issue #250.
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Even if you're a fan of the TV show (and who doesn't love Lynda Carter as Wonder Woman?), these '70s Earth-2 Wonder Woman comic book stories are generally disappointing. The art, mostly by José Delbo or Don Heck, usually inked by Vince Colletta, is lackluster, and the stories are largely uninspired: Unsurprisingly, the loopy utopian philosophy and BDSM themes of the Marston/Peter comics are almost wholly absent, but the stories also don't line up well with the plots or continuity of the Golden Age Wonder Woman stories, and take various liberties to align the series with the TV show (such as inexplicably making Diana Prince a naval yeoman rather than an Army officer). There's not much effort to ground the series in real-world history either, which often reduces the period setting to a rote backdrop for some very ordinary superhero adventures. Nonetheless, these issues are potentially of interest to JSA fans, as several Justice Society members guest-star, and this period spawned a number of new Golden Age supervillains (like Baron Blitzkrieg, first seen in WORLD'S FINEST COMICS #246) who later became staples of ALL-STAR SQUADRON and YOUNG ALL-STARS. After this, the Golden Age Wonder Woman went back to being a supporting character, popping up only once more in the WONDER WOMAN book (in the appearance that introduced her daughter, Lyta Trevor) before her exit at the end of the Crisis.
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longliverockback · 2 years
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Eddie Money No Control 1982 Columbia ————————————————— Tracks: 01. Shakin’ 02. Runnin’ Away 03. Think I’m in Love 04. Hard Life 05. No Control 06. Take a Little Bit 07. Keep My Motor Runnin’ 08. My Friends, My Friends 09. Drivin’ Me Crazy 10. Passing by the Graveyard (Song for John B.) 11. It Could Happen to You —————————————————
Tony Brock
Joe Caldo
Ralph Carter
Chuck Kirkpatrick
Jimmy Lyon
Gary Mallaber
Eddie Money
Alan Pasqua
Marty Walsh
Art Wood
* Long Live Rock Archive
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Incorrect Quote: Marty and Zeph
Look, let's just agree to say "I'm sorry" on a count of three. One... two... three... ... ... See, now I'm just disappointed in both of us.
Inspiration
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‘Why does Freddy do that?’ Marty asked, his attention on the other young man as he slipped a few chips from Alia’s plate. In Marty’s eyes, they looked exactly the same as his own.
‘Because he’s a mother hen with no sense of shame,’ Alia noted. Despite the irritation infused in her words, there was no ignoring the affection beneath it.
‘Is it wrong to try protecting my best friend?’
‘There’s not gonna be peanut on my chips!’
Marty’s insides twisted ever so slightly. Alia’s allergy was far worse than she tried to brush it off as, that much he’d gleaned from an argument between her and Madame L one time in the bookshop. He’d been lucky enough not to see how bad it could be first hand, but the shadow of fear behind Freddy’s eyes assured him the other man had.
‘Actually –’
‘Don’t side with him, Care,’ Alia sighed exasperatedly.
‘Siding with the truth, honey,’ Carolyn said simply.
Alia rolled her eyes, but narrowed her focus back to Marty. ‘Apparently he does it to check for traces of peanuts. Personally, I think he just likes free food.’
‘Guilty,’ Freddy sang, reaching for one of her chicken nuggets. Alia was ready for him, and hastily pulled the tray away from him.
‘You remember I survived without a tester for years, right Ashcroft?’
‘That was before you pissed off big scary demons for a living,’ Freddy countered easily, reaching around her but not actually taking a nugget this time.
Alia glared at him, making no attempt to squirm out of the cage of his arm and the table. Most people, Marty was sure, would have flinched from the look immediately. Freddy, however, merely smirked charmingly at her.
‘Can I make a drinking game out of that yet?’ Carolyn questioned, shattering the standoff easily. Freddy shifted back into his seat as their friend elaborated. ‘Take a shot every time Freddy mentions the supernatural.’
‘Even you’d be on the floor in like ten minutes,’ Alia teased, before taking a petulant bite from a chicken nugget.
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soracities · 11 months
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Hi! Would it be okay to ask for poems that radiate some kind of "red" energy? I saw your recommendations about the similar ask with blue and I really loved it, so I thought I could ask for more :)
Red and blue, twin poles of the world 💘I had to think about this one (red has a distinct vibe for me) but I think all of these feel "red" when I read them, in one form or another, if not always overtly, so I hope you enjoy them, too:
"In the Desert" by Stephen Crane
"Woman Unborn" by Anna Swir
"El Beso" by Angelina Weld Grimké
"What Do Women Want?" by Kim Addonizio
"For You" by Kim Addonizio
"I'm Explaining a Few Things" by Pablo Neruda
"Dirty Valentine" by Richard Siken
"Little Beast" by Richard Siken
"Aubade" by Miller Williams
"Green and Gold" by Rachel Hadas
"Ishtar Awakens in Chicago" by Mohja Kahf
"The Second Coming" by W.B. Yeats
"O" by Dunya Mikhail
"Center of the World" by Safiya Sinclair
"[i like my body when it is with your]" by e.e. cummings
"[your little voice]" by e.e. cummings
"Frida Kahlo to Marty McConnell" by Marty McConnell
"Complaint of Achilles' Heel" by Charles Jensen
"What a Cyborg Wants" by Franny Choi
"A Moment" by Saadi Youssef
"And After That" by Lorca
"Harlem" by Langston Hughes
"Lamenting Widow" by Ho Xuan Hong
"The Unicorn" by Angela Carter
"Dulzura" by Sandra Cisneros
"The Story of Madame Chevalier" by Ciarán Carson
"The Witch Has Told You a Story" by Ava Leavell Haymon
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“Getting Ready to Say I Love You to My Dad, It Rains,” Citizen Illegal - José Olivarez / Postcolonial Love Poem - Natalie Diaz / Dog Days - Ethel Cain / Song of Songs - Sylvie Baumgartel / The Horse and His Boy - CS Lewis / Girls Can’t Play Guitar - BONES UK / Medea - Euripides / Shame Reactions - Pom Pom Squad / Bones and All / The Fruits - Paris Paloma / Gunshot - Lykke Li / Angela Carter / on love arriving unannounced / Desire - Meg Myers / Georges Bataille / Lady Lamb / Prozac Nation / Return of the Living Dead III / The Waves - Virginia Woolf / Soft Targets  - Deborah Landau / No Good Bloodsuckers - Emma Rebholz / x / Trouble Every Day / Lie - Halsey / Colourless Musings - Tathève Simonyan / Brothers - Elizabeth Robinson / Lighthead - Terrance Hayes / The Love of the Wolf - Hélène Cixous / Body of Water - Florence Welch / Blood Roses - Tori Amos / Medea - Euripides / Girls Can’t Play Guitar - BONES UK / Smells Like Sex - Sizzy Rocket / Where The Wild Things Are / Maison Margiela ‘Kiss’ - Hannibal / Angel May Chen / Breezeblocks - alt J / Zura.hell / Blythe Baird / unknown x2 / Boyish - Japanese Breakfast / The Agonist - Shastra Deo / Dumplings / Possession / x / You Are The Apple - Lady Lamb / The Best American Poetry (2014) - Marty McConnell / tbd / The Body - Stephen King / Hearts/Wires - Deftones / People Eater, Misery Meat - Sodikken / Sick Like Me - In This Moment / Kokoro - Natsume Sōseki (trans. Edwin McClellan)
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glennk56 · 7 months
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Gailard Sartain in Uphill All The Way in 1986. I've said before he is my favorite and I can post 30 photos so I will use all 30. This film starred Roy Clark (of Hee Haw TV Show (that, of course Gailard was a member of the cast)) and Mel Tillis, a Country Singer known for stuttering when he talked. This movie also featured other fat actors, Burl Ives and Richard Paul of Carter Country TV Show. Photos include Roy Clark, Mel Tillis, Burton Gilliam (you may know him from Blazing Saddles and Gator) and Jack DeLeon (you may know him as Marty from Barney Miller TV Show)
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krispyweiss · 1 year
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Album Review: Jason Carter - Lowdown Hoedown
Twenty-five years after On the Move, Jason Carter is back with Lowdown Hoedown.
The Del McCoury Band and Travelin’ McCourys fiddler and in-demand session man called in a bunch of friends and favors to make the LP, which is not a fiddle record.
Carter does play, of course, but it’s his sonorous baritone that carries bluegrass covers of Bruce Hornsby’s “King of the Hill,” John Hartford’s “The Six O’Clock Train and a Girl with Green Eyes,” the Eagles’ “Midnight Flyer,” the Grateful Dead’s “Bird Song” and nine additional tracks.
The McCoury family all play and sing along, as do friends including Sam Bush, Jerry Douglas, Billy Strings, Marty Stuart, Bronwyn Keith-Hynes, Vince Gill, Tim O’Brien, Aoife O’Donovan and Sarah Jarosz among others.
Such large collaborations often become too busy and wind up unfocused on wax. Carter is too adept to let that happen and Lowdown Hoedown makes the case for another solo record before the next 25 years slip away.
Grade card: Jason Carter - Lowdown Hoedown - B
1-5-23
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