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fiberfantasies · 2 months
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Fiber arts is just Math in sheep's clothing
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dcfairwi · 7 months
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In case you missed it: FIRST WIN OF THE IRA SEASON: Thiel Wins at Dodge County Fairgrounds http://dlvr.it/SxhTGK
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sybeez · 4 months
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OUT OF YOUR FRIENDS WICH ARE YOU
+ version with my agents bcs i can
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ominashii · 7 months
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"kill them with kindness" correct. 12 billion hearts attack
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nevver · 7 months
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Your turn to fill the ice bucket
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sleepingsims · 5 months
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basil braids.
ya'll think i could put this on my linkedin? the braids in a claw clip some of you have been "foaming at the mouth" for 😼
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24 ea + 7 modmax swatches
bgc, lods, hat compatible, proper maps, etc
claw clip accessory in L lip ring, 16 swatches
pretty proud of the morphs on this one!
download | alt
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v1 polycount: 12.1k / 7.3k / 3.6k / 1.8k
v2 polycount: 16.9k / 10.1k / 5.1k / 2.5k
credits: depthofpixels’ gradient, qwertysims’ actions, simandy’s gradients, aveirasims’ gradients, aharris00britney’s gradients
does clip with bulky clothing, dramatic head turns & the masc frame, but those are all expected of longer hairs 😝
december 14, 2023 update
corrected a specular map issue on v2 causing white spots around the hairline
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quibbs · 5 months
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i love whatever is so wrong with her
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beatriceportinari · 16 days
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Toad origami, one square sheet of paper
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Volkswagen Type 2 Splitscreen Articulated Camper, 1963 (2023). A restomod VW created from two Type 2 models is for sale in the UK. The front "truck" is powered by an Audi S3 5-cylinder turbocharged engine. The rear camper section has a double bed and a period Westfalia-style elevating roof and roof rack. Bidding is currently at £23,500 but the reserve has not been met, the auction has 3 plus days to run.
sales listing
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humans-are-tasty · 4 months
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Can’t believe we’re getting another season with Kristen Applebees’ absolutely atrocious dex score
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hughmanbean · 4 months
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You're Grounded
So we all know of Dan's whole planetary annihilation in the past leading to heroes from the future showing up to stop him, right?
Well I'm gonna take that and tweak it a bit.
Time Traveling Hero goes back in time, sees Dan talking to a ghost informing him that the High Queen has finally allowed him back into the Royal Castle and he says "Can't wait." With a nasty smile.
Dan had lost his temper a few months ago, and mom the twerp had told him he had to go outside and think about what he did. But now, he was finally being let back in. And he had a few ideas on how to mess with him in retaliation for being reverse-grounded.
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dcfairwi · 7 months
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In case you missed it: 900 Horsepower IRA Sprint Cars storm into Dodge County http://dlvr.it/SxbHMy
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Jane Austen: so, you go to Mr Collins' house and Elizabeth is there alone. She welcomes you politely, but she looks---troubled.
Colonel Fitzwilliam: and of course she does, after everything I said to her-
Fitzwilliam Darcy: do I sense if she is mad at me specifically or it is just her headache?
Jane Austen: roll an Investigation Check.
Fitzwilliam Darcy: *grimacing* it's a three.
Jane Austen: just her headache.
Caroline Bingley: *derisively* she only looks like she wants to stab you, Darcy.
Fitzwilliam Darcy: *shrugs* I guess I am too nervous to really give her a proper look.
Jane Austen: what do you do next?
Fitzwilliam Darcy: well, I-I tell her, "In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you."
Jane Austen: Elizabeth blushes. She is absolutely stunned.
Georgiana Darcy: that is good, right? Right?
Fitzwilliam Darcy: I tell her that even if her family is--not ideal-
Charles Bingley: *making a face*
Caroline Bingley: *playfully disgusted frown* and I made my character romance you?
Fitzwilliam Darcy: -and I might be acting impulsively, I just have to let her know that I love her. That's it.
**Silence**
Jane Austen: *smacks her lips* okay-
Charles Bingley: *histerical laughter* I don't like the way you said it-
Colonel Fitzwilliam: it's an immediate natural one, yes? Please tell me it's immediate.
Georgiana Darcy: shhhh!
Jane Austen: give me a Persuasion Check-let me tell you, you have to roll very high.
Fitzwilliam Darcy: figures-very well-
Fitzwilliam Darcy: *beat*
Fitzwilliam Darcy: *flatly* natural one.
Colonel Fitzwilliam: JUSTICE!
Jane Austen: *claps her hands* you make your grand love confession, but Elizabeth stops you and immediately rejects you.
Fitzwilliam Darcy: ouch.
Jane Austen: she tells you that she could never marry the person that hurt her sister and destroyed Wickham's future-
Fitzwilliam Darcy: *dawning horror* I had forgotten they had talked, fuck-
Jane Austen: and, finally-
Charles Bingley: there is more? He is already dead-
Jane Austen: Elizabeth looks at you dead in the eye and says: "From the very beginning—from the first moment, I may almost say—of my acquaintance with you, your manners, impressing me with the fullest belief of your arrogance, your conceit, and your selfish disdain of the feelings of others, were such as to form the groundwork of disapprobation on which succeeding events have built so immovable a dislike; and I had not known you a month before I felt that you were the last man in the world whom I could ever be prevailed on to marry."
Fitzwilliam Darcy: damn.
Caroline Bingley: *dying of laughter under the table*
Charles Bingley: I do not know if I can resurrect you after that.
Georgiana Darcy: I knew it, I should have given you Bardic Inspiration-
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communistkenobi · 1 year
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something I don’t see people bring up a lot when talking about worldbuilding, especially when you’re creating cities, is wind. prevailing winds in many places in the northern hemisphere blow from west -> east, and because industrial production tended to take place in the centre of cities, workers would live downwind of factories while the wealthier classes would live on the other side, away from air pollutants, which is why a lot of cities have a poor east-end and a rich west-end, a spatial configuration that persists in many places that are now post-industrial
and in general the built environment has a durability to it that persists far past the historical moments that produce those configurations. this means that the stated aims of a city via a vis city planning are frequently at odds with the physical layout of the city itself. so if you want to create a city that feels like it has a long history to it, working through its earlier stages of production can help with decisions you make about its layout, and also allow for weird spatial contradictions in a city that has to constantly fight against its own physical history
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nevver · 8 months
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Let the serpent sleep, Min Ding
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