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#Pierre Moreau
lookcaitlin · 3 months
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oleandeers · 10 months
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oh no :(
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diioonysus · 10 months
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aphrodite & venus + art
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gacougnol · 10 months
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Raymond Depardon
Tournage du film "Léon Morin Prêtre"
Jean Pierre Melville 1960
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hockey-and-timbits · 7 months
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Suzette is being educated in a convent school. She’s not often in the presence of young men. Her mind is attuned to higher pursuits.
—Pierre Lapierre, Road to Avonlea, “Hearts and Flowers”
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umass-digiturgy · 3 months
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Photos of cast members at rehearsal's
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You'll find the other polls in my 'sf polls' tag / my pinned post.
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leedee013 · 8 months
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BABY
JEAN
POR
FAVOR
- @jtl-fics
prev
Jean woke up to the sun hitting his face. After a cursory glance at the alarm clock next to his bed, he found out that he'd woken up before his alarm had had the chance to go off and swore under his breath.
He'd thankfully changed into pajamas and brushed his teeth before reading his sisters to sleep, so at least when the same spell had been cast on him he hadn't ended up sleeping in his day clothes. He wondered who had brought him back to his room and tucked him in, his grandmother? A maid? He doubted it had been his grandfather, whose back was only consistent in its inconsistency.
With a grunt Jean rolled over, turning his back to that traitorous sun and deciding that he'd try to get at least thirty more minutes of sleep.
That is, until five minutes had passed and he hadn't been able to resume his slumber.
He sighed and reached up above his head to fumble for his stuffed elephant, dusting his fingers over the small collection gathered on the headrest of his bed until he found the toy with the correctly-textured material. Jean pulled the elephant to him and gave it a squeeze, its limp frame familiar to the motion.
MASTERPOST
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chicinsilk · 1 year
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US Vogue March 1962
Dorothy McGowan wears Pierre Cardin's wool backless dress, sheltered under a pointed shawl that gives it almost the material of a suit. In pale almond beige, with crisp piped handkerchief edges. Cardin folded the shawl to make two points at the back, looped one end into the wide, chunky buckle belt, topped the look with a flared straw hat. No jewelry with that. Moreau wool dress and shawl.
Dorothy McGowan porte la robe dos nu en laine de Pierre Cardin, abritée sous un châle pointu qui lui donne presque la matière d'un tailleur. En beige amande pâle, avec des bords mouchoirs passepoilés croustillants. Cardin a plié le châle pour faire deux pointes à l'arrière, a bouclé une extrémité dans la large ceinture à grosse boucle, a surmonté le look avec un chapeau de paille évasé. Pas de bijoux avec ça. Robe et châle de laine Moreau.
Photo William Klein
vogue archive
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fashionbooksmilano · 2 years
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Pierre Cardin 
Making Fashion Modern
Jean-Pascal Hesse and Pierre Pelegry
Foereword Jean Paul Gaultier
Flammarion, Paris 2022, 256 pages, Hardcover, 20,5 x 27,8 cm,  ISBN  978-2-08-028189-0
euro 52,00
email if you want to buy :[email protected]
On the centenary of Pierre Cardin’s birth, this volume looks back at the designer’s early career to discover the inspirations behind his later iconic work. Pierre Cardin’s designs were worn by an international elite of beautiful women, from Jackie Kennedy to Lauren Bacall and Jeanne Moreau. A close friend of André Courrèges and Paco Rabanne, Cardin revolutionized modern fashion in the mid-1960s, creating iconic designs that continue to resonate today. His many talents and mastery of materials—from fabrics to plastics—extended from haute couture to ready-to-wear, menswear, jewelry, furniture design, perfumes, and accessories, while his business acumen led him to create a business empire that stretched from China to the United States.  In this volume, longtime Cardin collaborator Jean-Pascal Hesse shares his intimate knowledge of the designer’s early career in Paris and analyzes the creative influences and partnerships that inspired Cardin to design some of the most emblematic haute couture creations of the 1950s and 1960s, as well as the space age–inflected Cosmocorps work, which presciently explored gender fluidity. Drawing from a broad range of sources that Hesse has been gathering for more than two decades, this work features personal recollections from Cardin himself, in addition to numerous previously unpublished photographs and documents recounting his early years in Christian Dior’s studio, his success in the United States in the 1950s and 1960s, and his profound interest in Japanese art and design.
16/11/22
orders to:     [email protected]
ordini a:        [email protected]
twitter:         @fashionbooksmi
instagram:   fashionbooksmilano, designbooksmilano tumblr:          fashionbooksmilano, designbooksmilano
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jacquesdemys · 2 years
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Jeanne Moreau in House of Cardin (2019, dir. P. David Ebersole & Todd Hughes)    
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lookcaitlin · 1 year
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oleandeers · 10 months
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my boyfriend and i’s ocs ^_^
i’ve never used tumblr before so apologies for me not knowing a lot about it </3
this is also my first post hi, im going to mainly be posting my OCs here because i’m hyperfixated on them right now O_o !!
feel free to draw any of my ocs if you want! just tag me :3
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ludmilachaibemachado · 9 months
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Jeanne Moreau with Pierre Cardin. Photos by Bert Stern. Vogue 1965🩷
Via @isabelfutre on Instagram🩷
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danielacarryon · 1 year
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It Boy (2013) Directed by David Moreau
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notesonfilm1 · 1 month
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THE BRIDE WORE BLACK/ La Mariée était en noir (François Truffaut, 1968)
Saw Truffaut’s THE BRIDE WORE BLACK yesterday, a clear homage to Hitchcock in many ways but without any of the visual precision or flair one would normally expect of either filmmaker. I’m puzzled by this film. It’s a very enjoyable watch — according to Truffaut, an exercise in plot based on a novel by Cornell Woollrich — and it definitely works on that level. Plus, there’s Jeanne Moreau,…
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