This purple velvet cloak with decorative silver clasps looks slightly different in color depending on the lighting. It appears to have a cooler blueish undertone in outdoor settings, while indoors, it appears to have a warmer undertone.
Müjde Uzman first wore the cloak as Armin Hatun in the second season of Muhteşem Yüzyıl (Magnificent Century). It made two additional appearances in the second season, first on Selma Ergeç as Hatice Sultan in the sixteenth episode and later in the season on Ezgi Eyüboğlu as Aybige Hatun.
The eighth episode of the 2013 fourth season saw the piece make its final appearance when Vahide Perçin wore it as Hürrem Sultan.
Costume Credit: Wardrobeoftime
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Selma Ergeç as Hatice Sultan
Magnificent Century Episode 73
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𝓓𝓲 𝓬𝓱𝓲 𝓽𝓲 𝓪𝓭𝓲𝓻𝓲, 𝓪 𝓬𝓱𝓲 𝓲𝓷𝓿𝓲𝓭𝓲𝓪 𝓱𝓪𝓲, 𝓷𝓪𝓽𝓾𝓻𝓪?
𝓐𝓵 𝓥𝓲𝓷𝓬𝓲 𝓬𝓱𝓮 𝓱𝓪 𝓻𝓲𝓽𝓻𝓪𝓽𝓽𝓸 𝓾𝓷𝓪 𝓽𝓾𝓪 𝓼𝓽𝓮𝓵𝓵𝓪,
𝓒𝓮𝓬𝓲𝓵𝓲𝓪 𝓼ì 𝓫𝓮𝓵𝓵𝓲𝓼𝓼𝓲𝓶𝓪 𝓱𝓸𝓰𝓰𝓲 𝓮 𝓺𝓾𝓮𝓵𝓵𝓪
𝓒𝓱𝓮 𝓪’ 𝓼𝓾𝓸𝓲 𝓫𝓮𝓰𝓵𝓲 𝓸𝓬𝓱𝓲 𝓮𝓵 𝓼𝓸𝓵 𝓹𝓪𝓻𝓪 𝓸𝓶𝓫𝓻𝓪 𝓸𝓼𝓬𝓾𝓻𝓪.
"Cecilia Gallerani was born in Milan in 1473, the daughter of Fazio, a doctor of law, descendant of a family of Sienese origin who had emigrated to Milan for political reasons at the time of the feud between the Guelphs and Ghibellines. After their initial fortunes Fazio came to be referendary to the now widowed duchess Bianca Maria the Gallerani family went through a period of economic difficulties. Therefore Cecilia, unable to afford expensive teachers, was educated by her mother, the highly cultured Margherita de' Busti, who managed to provide her with so much knowledge and inculcate so many interests that she became one of the most cultured, brilliant and refined women.
The beautiful Cecilia, dressed in blue and purple, a long necklace of black pearls around her neck, looked to her left with a sweet and severe expression at the same time, with just the slightest hint of a smile. His hair was styled according to a style that Leonardo himself - a multiform genius, capable of inventing innovations even in the field of cosmetics - had invented: a long plait, embellished with a thin black ribbon wrapped around his forehead, known as a 'coazzone'. The Moor could not take his eyes off what Cecilia had in her arms: an ermine. An ermine that looked in the same direction as its 'mistress', to whom it even vaguely resembled, and which she held with her right hand softly hooked, as if to grasp it."
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