Someone come scream at me in ask box about the avatar live action series. As someone who ADORES the original, I have thoughts (mostly negative lol)
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one thing i noticed (form personal experience and by observing other artists) is that the longer you draw and create, the more boring it gets to simply replicate references, especially when it comes to characers' fashion choices.
with bnha, i keep mine pretty simple and basic because teens ARE very trend-loyal, but mainly im just lazy lol, but when i AM motivated, i love to think about characters' personal style, what could influence them, but also more trivial things such as budget into account, which is why i love to draw Deku in basic tees or clothes provided by his school (while bakugo gets to wear ed hardy and shoto wears arcteryx). i also love to limit the items like its just more realistic to me when someone as ordinary as deku wears the same 5 crewnecks all the time
which brings me to my actual point, namely that the more frequently you draw, the more you learn to do research andto combine your findings into sth new rather than staying faithful to one reference, and i think that's what makes good art so good, being able to draw inspiratioin from all kinds of niches and creating something that feels very authentic and suspends the spectator's disbelief. sometimes i see art and i know exactly which fashion editorial or which kpop idol was referenced, and I'm not insinuating these are bad things i do that too (less frequently now but i sure did!), my point is it's kind of nice to see how ALL artist start out with rather derivative art but eventually move on to create more authentic art that is less about drawing beautiful and perfect people and more about trying to individualize them and that ALSO means giving them weird clothes, scars, asymmetric eyes, a receding hairline etc. like drawing the same beautiful character 200 times gets so boring and it's just more fun to try and make them a bit more human
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rewatching the leverage pilot, again, and noticed another fun detail. doubt it was intentional but i think it works for endgame regardless.
they show parker jumping off the roof before the count ends which is a great way of illustration that this pilot episode "i only work alone" Parker is a loose cannon, completely unreliable. "five pounds of crazy in a ten pound bag." but Nate restarted the count
Nate starts a count down and restarts it because Hardison and Eliot were arguing over top of him on the coms. the show routinely shows that Parker is most likely to follow her first given direction and sometimes fixates on it to the point of answering a question minutes after it's been asked. (her figuring out the math of how far the car would have gone in the runway job, for example)
so parker hears the count start, keeps the tempo of it in her own head, while she gets more and more excited about her jump. the jump is parker's favorite part, she loves jumping off of buildings almost more than she likes stealing. of course she misses the count start over, i guarantee she stopped listening the second the boys started arguing over nothing.
like parker is amazing at timing when she wants to be, that's why she's the new mastermind (or she's who season 5 sets up as the mastermind anyway). parker is the best among them at figuring out all the moving pieces and keeping track of the time ticking down. she jumps when the original count would have hit one. intentional or not, it's a great character detail
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I wanted to give the live action atla a fair shot but good god it’s such a slog to get through and I’ve only watched the first 2 episodes. The characters feel like set pieces and not living breathing people, they talk in sweeping general statements and platitudes. It feels like there is no heart which is such a bummer. They are trying to speed rush the connections which just doesn’t work there is a reason you need 18-22 episodes to tell a character driven story, 8 is simply not enough.
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im possibly thinking about parallels between the stepmother and the blue fairy with regards to the concept of narrative.... the blue fairy demands obedience, she promises conditional humanity and safety - a rigid definition of what a "real boy" is (someone who doesnt lie, someone who doesnt cuss). and ultimately who will callously and cruelly take away that humanity when those arbitrary rules are broken. - i think the stepmother might serve as the twisted inverse to this... like the extension of the core ideology of pinocchio's fairytale beyond his happily ever after. like the blue fairy, she promises to make pinocchio a real boy in exchange for his obedience and servitude. and when he fails, he is coldly, cruelly and unjustly punished....
i think it all links back to the meta ideas of control and narrative!! like: who is writing your story, who controls what is good and bad and what deserves to be punished. do you have autonomy in your own story? its so fitting for pinocchio to be a marionette, manipulated exploited and puppeteered as he is by these two fairies that dangle his own personhood just out of reach.
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how do you write a story where the protagonist dies?
not one where the protagonist is fighting you every step of the way- not one where she is begging you to spare her life. I feel like that's easier, because you just set fate in motion, and hey, for the story you want, you can't interfere. it was always going to end like this. like yes I'm mourning you, but the laws of this world I've built dictate that your death is inevitable. Sorry. It will be over soon. Then we can rest.
but what do you do when your protagonist wants to die?
not because of suicidal ideation, because that, too, would be easier to deal with. you show her that life is still worth living. you show her kindness, and love, and even if she still constantly wants to die at least she can see that she might need to work on that, and you can at least promise her that things will be okay. it got better for me, so it's really just common decency to make sure it gets better for you.
but what if your protagonist has lived too long? What if there isn't any getting better because this is better, this is as good as it's going to get, and to live is to repeat a thousand years of illness and stasis?
The win state's long since been reached. She's loved and lost and longs only to go home to the place her mother and her mother's mother and her grandmother's mother has died.
how cruel am I, then, that my first instinct is to deny her?
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Did a study of a panel i like for a manga with absolutely my favorite female character i've seen yet and thought i'd post it here too in the hopes of eventually finding fans of this series when they inevitably, like me, look for more content of this story :'D
I could gush about this funny, lovestarved, absolutely downright sympathetic and villainous lady who absolutely deserves to be family with the protag for so many hours if you let me she is literally so perfect and everything I have ever wanted from female characters before.
I've gone from going "ooooo she's such a cool antagonist who is such a funny little mystery i LOVE her" to "yeah she's kind of on the insane spectrum but tbf who wouldn't be fucked up in her situation TwT" to "i WILL cry over her and she is completely in the right for doing what she's doing and i can't believe i ever believed she wasn't the heroine she's supposed to be :'D"
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Either the 2003 live action was originally a Disney property, or those guys were BOLD...As part of ongoing "I'm going to watch/read/listen to every adaptation ever written to be sure everything I'm doing is either new or taken right from Barrie," I'm watching all the behind the scenes details from the 1953 one....and the 2003 parrot was a cut character from the animated one. Some of the props are identical: the skull-headed vial of poison stood out in particular.
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something else i have been doing behind the scenes is more generic story planning, leaving most details up in the air but just getting basic "team goes here does this these things happen" etc written down for the chapters so it can stop being a vague mush of different separate events that need connecting and only exist inside my head. and i have the first two and a half chapters planned! chapter 3 is nearly done but i need to make adjustments to it still
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