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#Touhou Music
noctiilio · 6 months
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SWEETEST SCARE A Gensokyo 199x Halloween Original: "The Centennial Festival for Magical Girls" + "U.N. Owen Was Her?" Source: Touhou 6: Embodiment of Scarlet Devil Happy halloween everyone this is the proof that outside of the mainline releases I can rearrange Touhou themes in that end of the last century goodness as many times as I want Also it was my birthday just a few days ago so this is like my little gift for you all and ESPECIALLY for little miss flandre herself who's been my best friend for exactly half of my current lifetime now Here's the Youtube version Here's the bandcamp link And here's the cover which I painstakingly painted like those semi realistic painted posters from the time period which my whole gimmick as a multimedia creator is to emulate
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crimium · 12 days
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A ted talk on why Neo-Traditionalism of Japan is underrated
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The album announcement has put me in a hifuu mood which made me fall in love with NToJ. At first, I never really cared for the album. In fact, I used to think it was the worst one out of ZUN's Music Collection. But after listening to it thoroughly, I think this album rocks actually. And I'm gonna tell you why.
the remixes
The songs that ZUN chose to remaster for this album are great picks imho, i mean, Unkown X? Fate of Sixty Years??? The new versions of these tracks are all fantastic, because they update the instrumentation to sound more akin to that of TD and DDC, while not straying too far from the original versions, making for an awesome listening experience. The best remix in this album hands down is Let's Live in a Lovely Cemetery, which adds a nice blend of traditional Japanese instruments. I'd go as far to say it's an upgrade from the original from Ten Desires.
2. The originals
Now even though the remixes are great, that doesn't stop the original tracks from being just as fantastic. They al have this really calming, soothing vibe to them, that really makes the album nice to listen to when relaxing. The instrumentation is also fantastic, blending traditional instruments with electronic ones, perfectly fitting the "Neo-traditionalism" aspect of the album. All of the tracks were great, but there are two that really stuck with me. First, Izanagi Object. It starts mysterious and slowly builds it's way up to a relaxing but up-beat melody for the climax of the song. This one in particular leans more to the futuristic side of things. On the other hand, Led On By a Cow to Visit Zenoku Temple leans more to the traditional side of things, with a serene, almost nature-esque vibe. I also love how the Theme of Eastern Story leitmotif is handled here, it sort of starts off like a title theme, and ends up sounding like a stage theme towards the end. Love it.
3. The story
The story (and the entire album to an extent) is a sequel to Trojan Green Asteroid, where Merry is done recovering from her otherworldly sickness. After Renko and Merry reunite, they start exploring Shinshuu. There's a lot of neat lore in here! It mentions how there's no real vegetation left on earth, and that it's all artificial, which is a nice reminder that hifuu takes place in the future, and it also states that Merry has no family living in Japan, suggesting she's from another country. It also shows that Merry's power getting stronger caused Renko to worry, showing that they do care about each other. It's a good read.
In conclusion, go give NToJ a listen! It's a great album, and also a nice recap for the upcoming new hifuu album.
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cinnabutcringy · 1 month
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Hey! Looking for a Touhou server that's openly LGBT friendly?!
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If you or anyone you know's looking for an LGBT-friendly space for Touhou fans, you're in luck! Grassroots Youkai Network is the place to be if you wanna talk to fans of Touhou in a space you can be comfortable to be yourselves in.
LGBT allies are also welcome!
You can interact with a diverse range of content creators from different parts of the world, including:
Cosplayers
Fanartists
Game devs
and more!
And, hey, maybe you can talk about other common interests as well, or just come in to hang out! It's an all-ages server but, we also have a corner for some adults who want to mingle with adult content as well (you will need to provide your age) if that's more your speed.
Regardless of what you come in here for, we want this server to be open to those who have a hard time finding a fandom space they can be comfortable in.
PluralKit is also available for system usage! More info can be found in the server rules and info threads!
We hope you enjoy GYN and what it has to offer!
Click this link to join!
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touhoutunes · 2 months
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Title: GEMINISM
Arrangement: GCHM
Vocals: みぃ & 小峠 舞
Album: Art Exhibition
Circle: GET IN THE RING
Original: Flowering Night
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7grandmel · 2 months
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Todays rip: 13/02/2024
NIGHTMARESCAPE 〜Unrestrained HyperCam 2〜 (Final Boss Phase 2)
Season 4 Episode 1 Featured on: FINAL BOUT ~ SiIvaGunner: King for Another Day Tournament Original Soundtrack VOL. 3
Ripped by Princess Sylvysprit Visuals by 813N
youtube
I covered KFAD just two posts ago with Unhealed, and a big point I wanted to drive home in that post was just how much effort each and every ripper and contributor put into the event, in a way that still feels unbelievably impressive to this day. It's no secret that the King for Another Day Tournament absolutely ballooned in scope from its initial proposal, with tons of things added and changed last-minute to keep raising the bar even higher. And that scope is, again, the main reason why I cover the event so prominently when discussing Season 4 Episode 1, as its unprecedented scale and quality throughout eclipsed anything the channel had done up until that point (and, arguably, since!). Yet for as troubled as production reportedly was, as unchecked as that ambition might have been, its incredible to think that...most all of it still managed to stick the landing? And there's no better example of this in action, I find, than NIGHTMARESCAPE 〜Unrestrained HyperCam 2〜 (Final Boss Phase 2).
I think it came as a surprise to most of us, especially those who had followed the original King for a Day tournament just a year earlier, that the second contest slowly began to grow itself a sort of storyline. It wasn't much, and it wasn't in the forefront - but ones who remembered to check the King for Another Day MOJO website would get to see in universe "interviews" with the event's contestants, small little side stories in their time between matches, and full-on emotional beats of character development. As I mentioned way back in mines.ogg (unused) (and of course in Unhealed), a contestant like MissingNo wound up actually becoming a fleshed-out, fully-rounded character, more than just a vague concept attached to a source list. I truly salute the team who worked on the MOJO writing, being able to effectively improvise such an effective narrative and writing wholly unique dynamics and developments based on the per-match outcomes of the tournament. All of this all-around development, this investment into the entire cast of the event, and the excitement for the final match, made the surprise reveal to come so much more exciting - the reveal that the King for Another Day Tournament had a final boss to defeat.
Winner of the prior year's King for a Day Tournament and the in-universe host of the entire second tournament, Unregistered Hypercam 2 fell victim to possession by the mysterious "crown", set to be awarded to the Tournament's winner. Controlled by a still-unexplained sentient life found within the crown's ruby, the final match between DJ Professor K and Mariya Takeuchi wound up suspended - as this new monstrous force threatened to keep the Tournament running forever, eternally suspended with no resolution, yet another timeloop right alongside the one the Christmas Comeback Crisis already presents in the channel's main story. The Tournament calls for the help of both finalists, every other contestant - and the power of us, the viewers, to use the "MF LIKE BUTTON" from all the way back in Season 1's lore - to fight against and destroy the concept of eternal safety, the concept of maintaining stagnation for the sake of not losing those temporary moments of joy.
...look, I could over-analyze and dissect this finale as much as I want, about how pitch-perfectly each storybeat fell into place to truly connect the King for Another Day Tournament to the theming and narrative that the prior three Seasons had been so rigorously following, but...we're here to cover the theme of the battle itself. But I felt that all this context did need to be conveyed in some way - becuase NIGHTMARESCAPE 〜Unrestrained HyperCam 2〜 (Final Boss Phase 2) reflects the tone and energy of the entire event so pitch-perfectly, it amazed me to learn just how last-minute its production truly was. Princess Sylvysprit employs her expertise and familiarity with the Touhou series to arrange Dreamscape, anthem of the old internet that Hypercam represents, into a rhythmic, hectic, exciting melody, with a sense of dread overlaid on top of it all from the heavy synth covering it (see, there WAS a point in covering Nostalgic Blood of the Gregg ~ Old Source right before this!). It becomes a full-on back and fourth, triumphant higher-key brass responding to the droning eternity of Hypercam's synth melody - made even clearer as the melody and instrumentation occasioally changes to reflect the two finalists' own sourcelists. The amount of layers present in this theme are absolutely incredible, from the choir adding a sense of dread to the track's Hypercam-led sections, to the lone piano sounding as if the original Hypercam is trying to break free from the eternal spell he's been cast under, to the incorporation of the King for Another Day Tournament's main theme for the chorus - we may not see the battle play out, yet the music all on its own conveys a battle in such an engrossing, layered way.
The visual of the Unrestrained Hypercam 2's looming figure just adds the final touch upon it all, wielding the same spinning buzz-saw that was seen severing the thread of hope for all contestants way back in the "opening" to the tournament as a whole. The finality of the story was conveyed so expertly on every front, and the excitement back then was palpable - I still have my contribution to the MF LIKE BUTTON's power left on the video from all the way back in 2019, alongside 14 thousand other viewers (19 thousand on the video announcing the battle!). A duel with the Hypercam, and NIGHTMARESCAPE 〜Unrestrained HyperCam 2〜 (Final Boss Phase 2) by extension, may not have been part of the initial plan for the event - but I am so, so happy that it wound up happening. Because the sense of community and excitement that I, and so many others, felt at this very moment of the channel's life, is one I'll forever cherish.
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funbil · 8 months
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i'm sure others have done this before but this one's mine
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lilystargazerwhite · 6 months
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One of my touhou ocs and one of my favorites design wise
Name: Angelinia Glandeco (アンジェリーニア・グランデコ)
Species: Blengigomenean (Blengian for short)
Ability: to protect children (子供たちを守る程度の能力)
Location: the Unreal Realm
Theme: I’m still working on it but “guardian angel~world divorced from earth (守護天使~地球から切り離された世界)
Other info: she’s kinda dumb, thinking everyone always means well. She’s very sweet and hard to anger. The realm she’s from is extremely bright and colorful and she finds the world of humans dull by contrast.
Is kinda like a Shepard for children, most trust her, adults often find her Naïve or nonsensical
Heavily based off of Henry Dargers realms of the unreal.
Her theme is heavily modeled off this song which is also based on his works so it comes full circle lol
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emathyst9 · 2 months
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Guhhhh why does Chimata's theme have to be so darn goooooood
Like this is a fricking masterpiece because the power she has as a god and the potential of what she can do and her involvement in the incident despite not directly causing it is perfectly orchestrated through the music
And then you get the mix of her desperation to stay alive, the feeling of a deity who you don't know will be there the next day, as if she could disappear at any moment
It's just absolutely beautiful
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touhou song title "明日の端にぶら下がっている ~ Live and Learn"
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thegreatgoxy · 6 months
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I really love this edit of "if the sky clears" from the cafe de touhou album that Sastra Moment (touhou phonky ver) made so I did a thing with RxkNephew's "I Forgot The Beat" and made this.
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kurenai-works · 2 months
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The Lamentations Known Only by Jizo
Here's another commission I had finished last year, for tannenboom @ Discord.
It's an EoSD-style arrange of the Stage 1 theme from Wily Beast and Weakest Creature. Not much to say about that, really.
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positivefumo · 10 months
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The earlier one wasn't that fire, so I made a new one lol
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abluehappyface · 9 months
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The tenth and final installment to the Alice Day Takeover! Once again, not an Alice theme, but a treat instead! This is the Seaside cover for this takeover, and I'm LOVING it! It feels sorrowful, dramatic, yet just a teeny bit hopeful at the same time. This was the first time I used the "Sonar Ping" instrument, and it's doing a great job! Fun fact I didn't know this theme existed until I decided to make this
@motsimages @magicalgirlpropaganda @mango-frog @mayumijoutouguu @nucg5040 @caniscreamintoanabyss @castanets@lesserbeans @leafboy-the-great @k4ndi-c0spl4y3r @kinokomynx @he-was-beautiful @hecho-a-mano @funkyfrogofficial @fembutchboygirl@semisentient-entity @siegesquirrel42 @soulless-paper-bag @space-frog-boy  @insertusernamethatsnottaken @the-cinnamon-snail @the-kneesbees @that-bastard-with-all-the-bones @reblogging-corner @rude-occurrence @womensrightsstegosaurus @22ndcenturyschizoidman-deactiva @please-put-me-in-the-microwave @hoodie-prince-kid @da-silliest-snek @scarletdestiny @lonelyprinceofthedark @chengoeshonk @oneweekwitch
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touhoutunes · 1 month
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Title: アナタガモトメルモノ (That Which You Are Searching For)
Arrangement: Shibayan
Vocals: 3L
Album: キセキ☆インパルス~emotional feedback
Circle: ShibayanRecords
Original: The Primal Scene of Japan the Girl Saw
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7grandmel · 2 months
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Todays rip: 27/02/2024
Beautiful Dreamer
Season 7 Featured on: The Year of Grand Dad Sound Selection [Side B] Also on: Now That's What I Call Quality! 3
Ripped by minindo
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Over the course of this month, I've been having what's best described as an inner battle with myself over which rip from the One Direction takeover of Season 7 to feature, which was really not something I was expecting when the event first began. The timeframe around 9/11 on SiIvaGunner is typically where some of the channel's most subversive and fun events happen, such as the Metal Gear Rising-themed event of Season 4 Episode 2 as described in SUNGORE, or the Not Funny Didn't Laugh day of the Season prior that gave us Sex - Steve Harvey. To just dedicate a day to One Direction instead? To me, it was a little bit of a letdown.
And then, I heard the rips. Oh LORD, the rips.
A lot of my disappointment really came from without giving it a chance, since I lacked much of any connection to One Direction as a band - like Justin Bieber in BELIEBERDANSEN, like Sean Kingston in Crazy Noisy Beautiful Girls and Take You To The Desert, these pop sensations were names I'd probably heard whispers of now and then, but didn't really have any sort of emotional connection to. But over the years, the SiIva rippers have gotten so EXCEPTIONALLY good at twisting my perception of preexisting music completely on its head through their sheer creativity and proficiency - and it was those factors that, after a LOT of rumination, has led me to pick Beautiful Dreamer as the debut rip for One Direction on the blog. To say that it blew me away would be an understatement.
Let's get the obvious out of the way first: Lucid Dreamer is a track using the 3/4ths time signature, a far less standard rhythm than the 4/4th time signature that most pop music, What Makes You Beautiful included, uses. This difference in time signatures between songs makes the mashup process far more of a challenge, and overcoming that challenge is thus a sort of accomplishment. Hoopache back in Season 1 garnered quite a bit of attention back in the day for this very reason, and time signature manipulation in general is what makes rips like He4rt4che and 4SGOR3 such fascinating listens. This isn't even to mention how Touhou music in general, and Lucid Dreamer not excluded, has a very distinctly hectic, melodically rapid-fire feel to it - one that ripper minindo has shown excellent understanding of prior with rips like Nostalgic Blood of the Gregg ~ Old Source, but now had to take to a whole new level.
With Beautiful Dreamer, minindo came out fucking swinging, and left several of his fellow SiIvaGunner members/contributors in absolute awe in the comments. "i think this rip just created a new genre", says current channel manager MtH, while the team's very own Touhou expert Princess Sylvyspirit of NIGHTMARESCAPE 〜Unrestrained HyperCam 2〜 (Final Boss Phase 2) fame declares it her favorite Touhou rip on the ENTIRE channel. Her own analysis brings up several excellent points I agree with: compared to the days of Hoopache, the adjustment to 3/4ths time done here feels incredibly seamless, with several small manual tweaks to the instrumentation of What Makes You Beautiful that obscure its 4/4ths origin incredibly well. But the most important part Sylvy points out is of course the the highlight of Beautiful Dreamer; the additions minindo made to make the rip truly go above and beyond.
Sure, the rip already bangs as a mashup on its own terms, One Direction's vocals going from a solo to a quintet with the chorus of both songs, as well as becoming pitch-shifted to Lucid Dreamer's melody at the same portion, creates a fantastic sense of buildup and energetic release, a hype that drives the first chorus - but past that chorus, the song suddenly comes to a slower-paced section. A section COMPLETELY new to Beautiful Dreamer, an addition of flavor done by minindo himself. The section is impressive in its own right, but its utilized here as another form of tension buildup for the second chorus, whereupon it practically SOARS back into the song with an added heaviness to the volume and mixing compared to the first chorus.
Again - all of this, was for an event where the expectation was One Direction mashups and melodyswaps. Beautiful Dreamer not only fulfills that goal on a baseline level, but manages to be a full-on musical journey, almost as a flex on minindo to show just how good he's gotten from his time on the channel. I don't know for sure WHY he chose One Direction Day to be when he revealed his true power to us all, but I'm immensely happy for it - it, along with a few other What Makes You Beautiful Rips that I may cover in the future, have given me a newfound affection for the song that I didn't know the event would bring me until now. Its the second-coming of the Sean Kingston effect, but with SiIva's most cracked rippers of today at the helm.
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sylvysprit · 1 year
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U.N. Owen Was Her? (Undefined Fantastic Object Style) Arranged by Princess Sylvysprit Original composed by ZUN Read more:
First of all, i wish you happy holidays and a happy new year! U.N. Owen Was Her was the song that got me into Touhou in the first place, so i have always loved the song a lot, and it's true that there are a lot of arranges of it already, but i felt like i could bring something new to the table by playing around with what the song could be molded into, just like i did in 2018 for Cirno's theme for Cirno Day, i wanted to experiment with how Flandre's theme could be changed to be new and fresh, yet while still being recogniseable and familiar, so i wanted to aim for a Touhou 12-ish inspired style, focussing on some of my favourite elements from that game's music, such as the jazz elements like the progressive time signatures, abundance of key changes, and a bigger emphasis on instruments like the hybrid saw and reed romance on the SD-90, in a way, the saw waves here serves kind of like a replacement for Flandre's usual square waves, which is a bit of a metaphor for the arrange as a whole; a new and different take on Flandre's theme, but also trying to respect the nostalgia and uniqueness of what made UFO's music feel fun and memorable. There are a lot of references and leitmotifs hidden thorough the arrange, can you find them all? The production of this arrangement was done primarily live on my Twitch channel, if you'd like to see future streams, consider following me there: https://www.twitch.tv/sylvysprit The VOD of this music stream is available to watch, if you are interested in seeing my work process, feel free to watch it on my VOD archive channel: https://www.youtube.com/watch?v=ZBrZE... The art in the thumbnail was drawn by me, if you like my art, consider checking out my Tumblr art account, or my Twitter art account Tumblr art account: https://www.tumblr.com/sylvyspritart Twitter art account: https://twitter.com/sylvyspritart I'm currently composing for a lot of indie games! Some of these developers allow me to share music early, if you are interested in helping me pay the rent and food, and if you'd like to hear some of my music early, consider supporting me on Patreon on the music tier: https://www.patreon.com/sylvysprit If you have read this far, then thank you! Not many people actually read the description, so i'm glad that you do that! Have a very nice day, and the best of luck with everything you may be struggling with, you can do it!
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