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#about how Aziraphale loves angel!Crowley and demon!Crowley suffers
tenok · 16 days
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#another thing that drives me crazy us that some parts of fandom made ut hard for ne to enjoy things I like#for example when series 2 only came out I was invested into all edits with sad songs#about how Aziraphale loves angel!Crowley and demon!Crowley suffers#and than you came into tegs and apparently some people will argue that it's canon and not angsty au#*tags#and now it leaves bad taste in my mouth#or like. brainwashed Aziraphale ir Aziraphale that scared and under treat can be tasty concepts#while it's treated as 'what if' and not as 'it's clearly canon and we will build all our understanding of his character on it'#or Aziraphale's black and white thinking or him still believing that angels are (should be) inherently good and heavens are better than hel#I think it is canon! it did played it's part in final fifteen! but I can't say it because I think it's neutral or even lovable part of#Aziraphale as character (sure real life person would be insufferable with thanking like this. but also I would kill someone real who drives#like Crowley! who cares!) and you can't put it in tags without treating this either as flaw he will and *should* overcome#or proof of him being bad/stupid/abusive#like I don't care!! I want to say 'look at him my baby thinks he's the smartest and most holy being in this room' and boop his little nose#I can't even enjoy angsty headcanons about Crowley being miserable without Aziraphale#because one they treat this as being Aziraphale's fault and two it's again treated as canon#like I can take only so much fucs where Crowley lays face down into pool of his tears thinking that he's the poores lost puppy ever being#while not giving two fucks about Aziraphale being in danger him own being asshole to him in final fifteen and oh yes SECOND COMING AROUND#anyway yes I'm a weak link and should be eliminated yes yes#yrs I block and try to not engage and after some weeks I tentatively ready to enjoy *some* of this things again#but yes I still want to complain!!#no people doesn't do anything wrong bu engaging with canon the way they find enjoyable#I can't stress enough that it's a me problem#but of course my hatred turned onto imaginary enemy
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sing-you-fools · 8 months
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thinking about Good Omens 2. and stories, and the shape of them, and Terry Pratchett and his themes. and something clicked.
Aziraphale is cackling.
it's not just the ball. he spends the entire season trying to force the story into a shape it's not, and everyone suffers for it.
i've seen some less than charitable takes on Crowley's actions and they all ignore how much Crowley did try to talk to Aziraphale, did try to ask Aziraphale questions, did try to help, only to be ignored or brushed off. because his questions, his offers, they didn’t fit with the story Aziraphale was telling himself.
quiet, gentle, and romantic. it was, if you're our favorite Angel - right up until the end, at least. because he decided that's the story he was in. from the very beginning, he's off in la-la land, living out this romcom with a cute little mystery wrapped up in it, completely ignoring what's actually going on around him. i'll set Nina and Maggie up! (completely ignoring that Nina tells him she has a partner, and at that point, he has no reason to think she's anything less than happy.) i'll take ~our~ car to go do investigate this silly little mystery (he's not taking it even a little bit seriously!) while you stay here and run the bookshop and it will be so quaint and domestic! soon we'll dance and confess our feelings that we obviously share because we're already so clearly a couple we just need to finally say it!
Crowley knows the entire time that they're in a horror story but Aziraphale ignores every attempt he makes to point that out because it doesn't fit the story he decided he's in the middle of.
he brushes off Crowley's concerns and questions - his QUESTIONS! - like they're nothing. he doesn't want to see it, so he doesn't. and Crowley should have told him more?
why would he?
when you are CLEARLY in distress and it's being BLATANTLY AND WILLFULLY IGNORED, what the fuck are you supposed to do? "Crowley didn't comminicate" well okay if I were having a panic attack about something and my husband completely ignored it, chattering on about our dinner plans or whatever, that wouldn’t exactly make me want to open up about what was wrong! that would send the very fucking clear signal that he didn't want to know!
words aren't the only way we communicate and Crowley's body language, the entire season, is that of someone who is living in a horror story, knows he's living in a horror story, and is fucking terrified. if Aziraphale were paying any attention to Crowley instead of focusing all his energy trying to set things up just so for the big climax of his love story, he would know something major was wrong.
why would Crowley have told him how cruel Gabriel was about the execution when Aziraphale's already so thoroughly convinced that heaven is pure and good and has shown over and over through the millennia that he's not really open to considering that it can be cruel!
just look at them at the dance. Crowley freaking out because there's a horde of demons out there and Aziraphale giggling as they go to dance. that's the whole season!
you know who Crowley reminds me of this season?
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he's watching helplessly and with increasing levels of distress as Aziraphale shoves every plot point into the romcom hole even though it's obviously not remotely romcom shaped! and i'm sick of people saying he was abusive because he raises his voice about it a few times!
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fellthemarvelous · 2 months
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Do you ever really think about what happened in The Resurrectionists?
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Aziraphale spent that entire time trying to save Elspeth's soul from being damned to Hell.
Every questionable choice he made was done so because he was trying to help Elspeth and also trying to find new ways to decrease human suffering.
He was working really fucking hard to do his job, but he made mistakes along the way because he is constantly struggling with the knowledge that the rules become a lot more convoluted as life becomes more complicated.
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Digging up bodies is wrong, but Elspeth was poor and acting in desperation to take care of herself and Wee Morag so they wouldn't have to continue living on the streets.
He is the one who encouraged her to dig up another body because he realized that Mister Dalrymple was trying to help teach those learning to become doctors so they could do better to decrease human suffering when it was their turn to help others.
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He wasn't able to save Wee Morag after she was shot by a grave gun, and watched in dismay as Elspeth sold her body to Mister Dalrymple so she could get off the streets.
And when that didn't work the way she'd hoped, she decided that her life meant nothing anymore and decided she was better off dead.
Aziraphale had been spending that entire minisode trying to save Elspeth's soul from Hell, but he ultimately realizes that he made things worse even though he was trying so hard to do the right thing.
Heaven didn't care that he failed. Heaven has already said "we're the good guys, we're just not doing anything to stop the bad guys". Aziraphale was doing the job given to him by God. He made a mistake, but he thought he was doing the right thing because he cares about human souls. He still wants to protect humanity from Hell. That's literally his job.
Crowley saw someone digging up a body in the graveyard and immediately realized he didn't need to do anything.
Instead he watches.
He listens to Elspeth and finds it easier to sympathize with her plight because he's in the same boat in many ways. It doesn't matter what he does because he won't be able to climb his way out of Hell.
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He listens to Aziraphale and he challenges the angel when he disagrees with some of the things he's saying.
He doesn't interfere with Elspeth or Aziraphale though.
The discussion that he and Aziraphale have with Mister Dalrymple teaches Crowley something just as much as it teaches Aziraphale.
Before he learns the reason that Mister Dalrymple cuts open dead bodies in the first place, he's cheering to the idea of more murder.
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That tumor that Aziraphale hugs to his chest is just as much of a learning moment for Crowley. He hadn't considered why someone might have a good reason to cut up dead bodies, but Crowley and Aziraphale both love children and they both just learned that a child died with a tumor inside of him.
Crowley didn't realize anymore than Aziraphale did just how much danger Wee Morag and Elspeth were in from digging up bodies of rich people.
It was when Crowley saw that Elspeth was about to kill herself that he realized he could no longer sit back and do nothing.
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As a demon, it should have been easier for Crowley to accept that Hell was winning another soul, but the truth is that the entire time Aziraphale was working so hard to save Elspeth's soul, Crowley was able to act as a spectator because she was already headed down the path towards Hell.
Crowley had just watched Aziraphale work so hard to save this human soul, this soul who had just lost the woman she loved who was wanting to end her own life so she could see Wee Morag again, and he realized he couldn't sit back and watch anymore. He knew Elspeth wouldn't see Wee Morag again if she killed herself because Hell cares just as little about how complicated human life is as Heaven does.
He used Aziraphale's money to bribe Elspeth into being properly good so she could go to Heaven. He saved her knowing that he was offering the win to Heaven just so she could see Wee Morag again.
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It's important to remember that neither Heaven nor Hell give a single solitary fuck about humanity or the complications that arise as life becomes more problematic. Humanity exists within all shades of grey.
Heaven does nothing to stop Hell. Hell spends eternity torturing humans and other demons. Neither side is good. Neither side is ideal.
And in the end, Crowley did what he did because Aziraphale was doing the right thing by trying to save Elspeth's soul from eternal torment, something she doesn't deserve because she was simply trying to survive in a system that has always put poor people at a disadvantage. Aziraphale learned this too. He learned that there is no inherent virtue behind poverty.
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To shades of grey.
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shiplessoceans · 8 months
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Good Omens S2 Episode 6 confession scene speculation:
Aziraphale didn't respond to the love confession from Crowley because he didn't realise it was one until Crowley mentioned the Nightingale and kissed him.
Allow me to explain.
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Aziraphale interrupted Crowley to give him the news from Metatron, so when Crowley starts his spiel:
"We've been together a long time, I could always rely on you...we're a group....we've spent our existence pretending we aren't...if Gabriel and Beelzebub can go off together then we can...we don't need heaven/hell they're toxic...you and me whatya say?"
Aziraphale interprets everything Crowley is saying as his rebuttal to the 'good news', not a separate declaration of his feelings.
What Aziraphale just told him shaped Crowley's confession, instead of finally telling Aziraphale how he feels about him, he's now backed into a corner and trying to change Aziraphales mind. Offering to run off with him as the alternative to the Metatron's offer.
The repetition of the phrase: "go off together" from the bandstand fight in season one feels very intentional here. It would be easy for Aziraphale to think 'this is just Crowley's response when the divine plan interferes, he always wants to run away'.
Aziraphale believes that he just needs to make Crowley understand the situation and opportunity that this is and everything will be alright:
"Come with me! To heaven, I can run it, you can be my second in command. We can make a difference!"
Crowley is looking defeated already, in his mind he's bared his soul and Aziraphale is a brick wall. So if he can't tempt the angel into staying with the love he has for him (which Crowley thinks he's declared but he really hasn't), he'll get him to change his mind by evoking something else he loves:
"You can't leave this bookshop."
Aziraphale scoffs fondly. 'Silly demon, you were just suggesting we run off together and abandon it only a moment ago!' He thinks Crowley is trying to 'work' him here and the old serpent might even be selflessly trying to spare the angel the loss of his beloved bookshop in order to restore Crowley and help the world, which would be just like him to be so covertly protective. So Aziraphale reassures him, a bookshop doesn't matter to him as much as Crowley and the world. It's just a collection of objects really. Humanity is more important. Crowley is far more important.
"Oh Crowley, nothing lasts forever."
Crowley is crushed. Nothing lasts forever. Not even the two of them. So he covers his sadness with his glasses, walls back up, and he tries to leave.
Aziraphale is baffled. He just reassured Crowley that he was alright with change if it means things could be better. Why is Crowley leaving? Is he worried that they won't spend time together anymore? That he won't have time for his friend as a supreme archangel?
"Crowley come back!....we can be together, angels!...I need you!"
Crowley can't even look at him in that moment. Why would Aziraphale say that? The two of them together only if he accepts heaven again? Conditional love? That's not fair. It hurts.
Aziraphale meanwhile is hurt by Crowley's turning away, his silence and a bit incensed at what he perceives as ingratitude. Aziraphale didn't really want to go back to heaven, but he'd do it if it meant Crowley could be happy and safe and Crowley doesn't seem to appreciate that:
"I don't think you understand what I'm offering you."
Crowley went through the fall. He asked the questions. Did his best to protect humanity and it has brought him nothing but suffering. He's well aware what's on offer. He's seen heavens cruelty and capriciousness firsthand and been burned by it repeatedly. How can Aziraphale choose them over him and still think everything will work out?
"I understand. I think I understand a whole lot better than you do."
Crowley loves Aziraphale's big foolish optimism and kind heart and he thinks it's the very thing taking the angel away from him. This isn't how it was supposed to go. It's all slipping away from him.
"Listen. You hear that?"
Aziraphale can't even keep up at this point.
This is what comes of thousands of years of 'not talking about it' and living under threat of holy retribution if they are discovered. They're talking past each other, having two different conversations. Obfuscation and code has become their communication medium by necessity and it's failing them.
It's frustrating Aziraphale that he can't get a grip on this conversation:
"I don't hear anything!"
And Crowley drops the bomb.
"That's the point. No Nightingale's."
Oh. Suddenly we're on the same page. You can see from Aziraphale's face that he understands to what Crowley's referring. The Nightingale in Berkely square. Angels dining at the Ritz...
"You idiot! We could have been... us."
Crowley's talking about the big unspoken thing between them. Their relationship, thousands of years of dancing around each other like binary stars gravitationally and inexorably drawn together over and over. The thing Aziraphale was beginning to be bold about, (dancing notwithstanding) before Metatron came along and distracted him.
And it seems to Aziraphale that gut-wrenchingly, Crowley is finally acknowledging their mutual love only to point out that it's gone. Lost. They could have finally been together, an us, but Aziraphale ruined it because he's an 'idiot'.
After being quietly in love with Crowley for years, for Aziraphale to have his offer to return to heaven together and his unspoken love rejected in one fell swoop is devastating.
Overcome, he begins to cry and turns away, not wanting Crowley to see how hurt he is.
Crowley for his part is desperate. He has to do something. Maybe Aziraphale doesn't understand what Crowley is offering him! One fabulous kiss and va-voom right?
In a final desperate act, he kisses Aziraphale. Tries for passionate. Tries to show him that he loves him and show him what they could be because his words clearly aren't working.
Aziraphale is shocked and angry. He wants to kiss Crowley of course. But not like this. Not as a taunt. Crowley just told him their chance is over so what else could this be but a final insult. A kiss to punish the angel. It's a cruelty he didn't believe Crowley capable of.
And despite how mean it is. It's also what Aziraphale has wanted for so long he can't help but melt into it for a brief moment. Allow himself to feel what it would have been like to be that close before losing it forever.
Then Crowley lets go and Aziraphale breaks away on a sob, feeling wounded. Hurt beyond words that Crowley would use his feelings against him like this, gutted to be losing the man he loves and not understanding why.
The worst part is that Aziraphale doesn't have it in him to hate Crowley, even if he thinks the kiss was a cruel gesture. He still loves him. So he gathers himself and does what Aziraphale does when someone hurts him.
He forgives.
"I forgive you."
I forgive you for rejecting my attempt to restore you and make you happy, I forgive you for rejecting God and heaven yet again, I forgive you for acknowledging our love and then rejecting it. I forgive you for kissing me, giving me a fleeting glimpse of what we could have been to each other. I love you and I forgive you all that.
Crowley is done. Breath knocked out of him on a last sigh. He tried. And the Angel forgave him yet again for something he never asked or wanted forgiveness for. He doesn't want to be penitent for loving Aziraphale. Shouldn't have to apologise or regret wanting them to be together.
"Don't bother."
Aziraphale looks surprised Crowley is leaving because he genuinely is. He can't understand how it's all gone so horribly wrong. He gasps, shocked and can't even call out to him to stop, come back.
He cries, touches his lips where Crowley had kissed him. Tries to gather himself and barely has 10 seconds before Metatron is back.
At the end of that scene:
Crowley thinks he confessed his love and Aziraphale chose heaven over him because he didn't want to stop being a demon.
Aziraphale thinks Crowley rejected heaven, then rejected Aziraphale and threw their love back in his face as a final unkindness.
Aziraphale leaves and goes to heaven anyway because in his mind he's already lost Crowley and there is nothing left to stay for. If he doesn't have Crowley he needs a new purpose and it's going to be saving the world. He'll convince himself of it. And he'll push that broken heart down and the pain will fade if he just smiles through it. It will be enough, to make heaven better. It has to be. Maybe if he proves that he can make a difference Crowley might see the error of his ways and speak to him again? Surely. Hopefully.
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Both of them are hurt and confused and lost and oh dear hell I really feel for them.
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dalliancekay · 2 months
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The 'Aziraphale Still Believes in Heaven' Take
Is one that I see so often. Too often. The way many fans (still) say Aziraphale is so naïve, he's never learned anything, he never changes, Metatron just offered him a promotion and he happily jumped on it. Happy to go back to Heaven. Still in their clutches. Leaving Crowley behind. Cos nothing lasts forever. Amirite? Poor long-suffering Crowley. So patient. Goes through so much. Aww. Takes that say that because Crowley never told Aziraphale about the venom in Gabriel's "Shut your stupid mouth and die already", Aziraphale has no idea that Heaven is not the good guys, that he still believes they are on the side of truth and light.
Takes that claim Aziraphale wants Crowley to come to Heaven and be an angel again so they can be happy like in the good old times. Takes that basically say that Aziraphale is stupid. And blind. LISTEN Do you mean this Aziraphale:
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Who knew before Crowley did that something is rotten in the state of Denmark, that things are wrong and one can get in a lot of trouble for a thing as minor as a suggestion to improve things. Is this the Aziraphale that would seriously suggest to Crowley, who he was immediately deeply anxious over, to go back to 'good old times'? What good old times? How is Heaven a place of light when:
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A bunch of angels comes down to Earth to bully and PUNCH ONE OF THEIR OWN?
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Why would he think they are the light when they shame him for being who he is?
Yes, I HC is that ultimately, Aziraphale still believes in God, in Her inherent goodness, even if Her tasks were often odd... and not lining up with what he thought was right. He thinks (remember my own HC) something somewhere went wrong with the what She wanted and the how it was understood and executed. And yes, Aziraphale wants to do good. But that's not tied to him being an angel. And it's not a bad thing ffs! Crowley does good as well. Aziraphale might be the only one who knows, but he knows. Maybe getting humans out of the Garden to seek knowledge was always a (certainty) possibility, and maybe not, but it was Aziraphale's decision to arm them.
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And She didn't make him Fall for it. And do you remember when:
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Aziraphale first openly questioned that Heaven was actually doing what God actually wanted? He had a think after the Flood, didn't he. He did what he thought was right. He trusted Crowley over his fellow angels, with his own sense of rightness. He and Crowley saved the kids that Aziraphale triple checked the Archangels saw no problem in letting die to make things easier. And She didn't make him Fall for it. In Edinburgh:
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Az re-evaluated the thinking he was taught and did a full 180 degree turn, trying in few hours to save the grave-robbing girl AND the possible future lives of children that could be helped via more learning. And when we come to Metatron and his threats, we don't see the full conversation, but don't we see enough? Aziraphale says that he's not interested. Metatron keeps nagging at him. Pushing the symbolic coffee from Coffee or Death at him. Flattering him with obvious untruths. After all, Aziraphale knows what Heaven thinks of him. He tried to reason with Metatron before. Metatron tells him they know how deep his disobedience lies:
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Aziraphale is not a fool. He knows this is an offer of come quietly or we will find a way to destroy you and your demon this time. Aziraphale didn't have to hear Metatron's quip of: "For one prince of Heaven to be cast into the outer darkness makes a good story. For it to happen twice, makes it look like there is some kind of institutional problem." He knows the system is rotten. He knows for a LONG time. Did you see his face when he met Muriel and realised what a lonely sad existence they lead.
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AND Crowley doesn't love Aziraphale despite the fact that he's being used to get out of trouble, being made to listen about random things the angel enjoys from symphonies to food and plays, and who continues to believe in goodness and kindness. CROWLEY LOVES AZIRAPAHLE BECAUSE OF THOSE THINGS AND because he sees Aziraphale for what he is, an angel who thinks for himself, changes his mind, learns, angel who is brave, who stands for the right thing, who sacrifices his own happiness for the safety of others, especially the demon he loves. They are the same. They are lonely. They are one of a kind. And they love each other.
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Aziraphale wants to stay at home. In the home he built for himself and Crowley. On Earth where he's found so much to love. But he knows it is impossible. As Crowley confesses his love, Aziraphale struggles to stay on his plan to push him away, to make him stay. He'll miss Crowley terribly. He wants them to be together. For him, they were an 'us' the whole S2. However tenuously. Fragile existence and all that.
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But even this was ripped away from him. And whatever he's planning, he knows he needs to do the first steps on his own. He can't submit Crowley to the torture that being in Heaven is going to be for him, an unwanted, despised angel. And that would be even worse for an unwanted demon. He had to push him away.
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So he leaves. Furious. And determined. Whether it is to burn the place down or find God and ask Her all the questions to Her face I don't know. But his love will push him through.
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And if I see one more simplistic take of the snarky demon is really good isn't he, so that means the stuffy angel is bad (and needs to change to be worthy of the demon) I will curse their dreams with lines about shades of grey. AZIRAPHALE AND CROWLEY ALREADY LOVE EACH OTHER
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vidavalor · 23 days
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Crowley and Plosives
@kimberleyjean asked in my recent post on rings and apostrophes why it is that I think Crowley pops the consonants of words at times, as in "BooK. shoP", and if there is a technical term for what he is doing. There is.
Let's talk about Crowley's exaggerated plosive sounds--as well as his little "mmm" thing-- and what this all probably has to do with his hiss.
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In order to talk about why it likely is that Crowley pops specific consonants when he speaks-- with it being more pronounced at certain times than at other times-- we first actually have to talk about his hiss.
Crowley's hiss is less of a separate sound and more of a slur of what's known as a sibilant sound in phonology-- it's the sound of the letter s or the letters sh. If you say the word "sash" aloud, you're using sibilant sounds twice over-- once at the start and once at the end of the word. While Crowley could probably just hiss like a snake when he's in human form, we never actually hear him do that. We hear a hissing sound manifest in his sibilant sound when he is speaking-- which is to say when he's being a human over a snake. The same is true of Lord Beezlebub, whose fly buzz sound affects their speech. In their case, their sibilant sounds turn into the letter z to mimic a fly (as in, "It izzzzz written" on the tarmac in Tadfield in S1).
Sibilant sounds are part of a group of sounds known as fricatives, which are all softer in sound. They are grouped together based on how your mouth and throat move in forming the sounds and how much air is needed to move through them and in what way to say them. The letters k, p, t-- and sometimes d, b and g, depending on the word and the position of the letter in the word-- are "hard" sounds and are known as plosives. These are the sounds that Crowley tends to pop or to which he gives exaggerated emphasis in his speech. My theory as to why is basically that David Tennant decided that Crowley would feel the hiss is weak and react to it by popping his plosives to seem more intimidating, which really does go along with Crowley's psychology well.
Crowley's hiss is a feature of what of him is a snake and, as a result, will show up in the times that a snake would hiss. That means the slurred sibilant sounds show up primarily in situations in which he feels a sense of vulnerability. Snakes hiss when they're stressed or under duress and they hiss if you try to interact with them while they are digesting a big meal. In demon snake terms lol, it means Crowley is most likely to hiss in exactly the moment he does not want to (when he's anxious or afraid, which is usually when around other demons or angels). He probably cares a bit less about slurring sibilant sounds around Aziraphale after a big meal--or a "big meal"-- and Aziraphale actually probably likes it a bit as it's his life goal to keep that snake blissssssed out but the hissing around other people thing?
Crowley hates it. He haaaaaaates it. There is evidence of Crowley hating the slurred sibilants in a few scenes.
One is that when he shapeshifts into a monstrous snake to scare the guy at Tadfield Manor in S1, Crowley doesn't hiss at him-- he roars. Like a lion. (Lions are also on the arms and legs of his reason-for-therapy-alone throne chair in S1.) And this is his reaction when he makes the guy faint from fright:
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He loves it. Ah, control...
Because Crowley is a lot of things, really-- he's a snake, yeah, but he's a big cat, he's a crow, he's a nightingale, he's a black swan, he's a horse... we could go on. To control the hiss when he wants to is to feel in control of himself.
We all know how much Crowley seeks as maximum control over how he's perceived by others as he's capable of generating. It's a normal response to all the trauma he's suffered. It's probably worth considering as well that Satan's attacks on Crowley render him incapable of controlling his own mind and body for the duration of the assault. He doesn't have the option to speak or, if he does, the words aren't his own. These are bodily autonomy violation issues and the result is that Crowley hates anything that makes him feel weak and the fact that he has in the hiss what amounts to a nervous tic that is a symptom of his anxiety disorder makes him feel out of control of himself.
Another example of him hating the hiss is when he intentionally slurs the sibilant s sound while mocking Heaven:
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Crowley is not just talking about composers in this scene in general but using first-class composers as innuendo for sexual partners and mocking Aziraphale's potential choices if he gets stuck in Heaven for all of eternity. He does so by combining soft fricatives and his slurred sibilant hiss, showing how he equates the hiss with a sense of what he considers weak and unattractive.
The other scene that suggests this-- and shows how Crowley pops his plosives as a counter to the hiss-- is actually the end of the apology dance, when Crowley pops a t so hard, it's almost its own word: "You were righTTTTTT."
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The apology dance scene and its hard T as the final note of the mock-submissive dance also makes it clear that, unsurprisingly, Aziraphale knows what the popped plosives are all about. Plosives are, well, explosive. They have harder, louder, more dramatic sounds. It seems like Crowley pops them both as a measure to counter his hiss and as a measure to try to control it. He's taught himself to respond verbally with intensive plosive popping instead of hissing, which is also why we don't actually hear him hiss all that often.
One of the only times is almost immediately after this:
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Because saints and demons preserve us, it's Master Crowley, right? But then Satanic Nun!Nina interrupts them and Crowley starts slurring his sibilant sounds in sarcastic response to Aziraphale telling him that he didn't need to put the woman in a trance.
"Oh, oh, 'xcccussse me, ma'am, we're two supernatural entities looking for the notorioussss SSSSSon of SSSSSatan. Wonder if you might help us with our inquiries?'" How he controls the sentence, though, is really interesting. The extra-exaggerated sarcasm of the last sentence helps him regain control enough that the final 's' in 'inquiries' isn't hissed and he's back in control of it. He's also almost amping up the sibilant sounds he does slur sarcastically as well. Part of why it comes out here is that he allows himself to be less guarded with his speech in front of Aziraphale.
We've actually only heard him hiss his sibilant sounds about three times, if memory serves me correctly, and two of them are related to Heaven and Hell-- the two moments I mentioned above. They're examples of him trying to control-- and then sarcastically wield-- the hiss. (Particularly "celestial harmonies", which he did entirely intentionally.)
There's also one more positive instance of a sibilant slur though and that's this: "Yessssss, the 'Reign of Terror.'"
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The long hiss of a "yesssss" in this scene is not one that bothers him because drawing out a sibilant sound during a sexy conversation with Aziraphale is a very different situation than one about or involving Heaven or Hell.
If you look back on the series, there are probably no more popped plosives than in Crowley trying to ascertain just wtf Gabriel is doing in the bookshop wearing nothing but their tartan bedsheet.
"WHaT. Arrre. You. DO. ING. In. THis. BooK. ShhhOP?" 😂
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Crowley was literally terrified (and also losing it internally because he just jumped and basically screamed at the sight of Gabriel) and there's a very brief "shhhh" in "bookshop" that starts to slur and has him practically shouting the "OP" to finish the word without full-on hissing. It's a scene built around the plosives, really.
Gabriel probably understands Crowley's manner of speaking more than "Jim" did in this moment as Gabriel has his own affected way of speaking. His defensive speech has the same need for a sense of maintaining an appearance of control and dominance but is usually less about emphasizing plosives and more about conveying a sense of power through a perceived sense of "manliness" in a smug, corporate sort of way. The way he says "but as The Almighty likes to say: 'Climb Every Mountain'" in that 'CEO saying the bullshit company slogan to a junior employee at the company retreat' sort of way.
Gabriel usually uses intimidation through lower, more frighteningly measured tones that carry the sense that if you pissed him off, he would explode and it would not be pretty for you. It's what makes the moment when he does actually a bit shocking and that's when you hear the force come out in his speech a bit.
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He pops plosives in the curse and owns the 'fucking' in that sentence as a result. That is top shelf use of a curse word, in that it's selective enough and pronounced in such a way as to give it real power. You know he's going to lose this round because he can't win it but you're still kind of afraid of him-- maybe for the first time.
But Jim? Jim has none of this.
Jim is a guileless lovebug who doesn't understand why Crowley would feel the need to speak-shout at him and pause dramatically so his "I. AM. DUSTING." response is priceless. Jim over-emphasizes all of the sounds because he doesn't know why Crowley only emphasizes the plosives and he pauses dramatically between the words more out of confused repetition of Crowley's speech pattern to try to relate to Crowley than out of understanding that it was meant to intimidate him. He uses the same sense of theatre that Crowley uses without any context as to why Crowley feels like he has to and, as a result, it guts Crowley's whole attempt to intimidate him to compensate for his own feelings of vulnerability.
Crowley and Aziraphale both are fascinated by words and the evolution of language and they speak every language in the world. This means that they both have the ability, in theory, to correctly speak in any accent in the world, which is necessary to be able to pronounce the words in every language. Between that and his self-conscious, trauma-adjacent, plosive/fricative issues, as well as just being interested in how things like pronunciation informs the evolution of language, Crowley is more aware than most of how he sounds when he speaks.
But there's also that his unique way of speaking-- when combined with his low, rumbly voice-- can be very sexy and he's aware of it, namely because it's clear that Aziraphale thinks his sounds-- all his sounds, along the full spectrum of them-- are hot. As a result, we also have scenes in the series wherein Crowley will sometimes heavily emphasize plosives-- and fricatives-- around Aziraphale just for fun because to do so has become a part of how he speaks and because the angel likes it. An example: the "lotsss of GooD DeeDsssss" bit of this:
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That Aziraphale likes the full range of Crowley sounds is symbolic of the fact that Aziraphale likes the full range of Crowley, full stop. As a result, Crowley plays around with how he enunciates words, often drawing out parts of them in ways he knows Aziraphale will enjoy. His "oo" and "ou" sounds are often elongated into an "oooh"; he softens fricatives to a breath at times when speaking more gently. At other times, he amps up his RP accent and emphasizes certain words in a sentence with pauses and heavier enunciation ("canopy", "astonish") to maximize their appeal and to draw Aziraphale's attention to them, usually also for wordplay-related reasons ("did you smite them with your wrath?" in Lockdown, for example.)
Then, there is that part of their language thing also appears to be an interest in onomatopoeia, which are words that have derived in language not from a connection to other, previously-existing words but from the sounds of Earth. Crowley, in particular, loves onomatopoeia, and likes to weave words that are that into his conversation-- "frou frou", "whoop", etc.. The word "hiss" is onomatopoeia. Unlike other etymology posts I have written or will write, there is no "derived from the Old French x" or "from the Latin x" or the like for the history of "hiss"-- it's just literally that people heard a snake hissing and said that sounds like "hssss" and so we're going to call it a "hiss."
While Crowley has issues with his anxious snake hiss, though, he actively likes to make the pleasurable sound the humans (and angels and demons) can make-- the ultimate in onomatopoeia. The word that is actually more his anti-hiss than his popped plosives:
"Mmm."
"Mmm" is derived from nothing more than the human sound of contentment. It's an often almost involuntarily hum of pleasure-- the human sound of satiation. There is no other history to the word but that and there has not been since beings began to exist.
Crowley makes the sound unconsciously but he also makes it consciously at times when speaking with Aziraphale because he knows Aziraphale likes the sound of it. Case in point: the very obviously intentional "mmm" in the Edinburgh phone call (and the heavy, exaggerated plosives emphasis on what followed it):
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"Mmm" is also something of an etymology joke as well because, at last count, I think I had at least twenty-five instances in a note file here about intentional wordplay between Crowley and Aziraphale that focuses on frequently confused words and phrases (to founder vs. to flounder; whoop vs. whoomp; wittering vs. withering; to get a wriggle on vs. to get a wiggle on, etc..) which I bring up mainly because, especially when written, "mmm" is frequently confused with "hmm", and the etymology of "hmm" is pretty funny from a Good Omens perspective.
While "mmm" is a sound of pleasure, "hmm" is a sound made of consideration, a kind of pause in a sentence to acknowledge something that was spoken and to either suggest you're giving it thought or to show hesitation over what was said-- or, possibly, both. While "mmm" is a contented sound derived from the human body, "hmm" is onomatopoeia because it is imitative of a different, very specific sound in nature...
...it comes from the droning sound of buzzing bees.
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To Crowley and Aziraphale, "hmm"-- the sound of hesitation and reflective contemplation-- is a sound of the insects that are symbolically the angels and that's amusing to them since the humans frequently swap it out with their signature sound of pleasure while Crowley and Aziraphale do not find much about Heaven very arousing.
Crowley's new favorite hobby in S2 is making dirty jokes that are going over Muriel's head-- some of which, like his handcuff innuendo while getting Muriel to take him to (literal) Heaven, are a bit on the surface. Others, though, like the frequently confused words wordplay of using "mmm" in protest of Heaven instead of "hmm" in the "mmm, bees" moment after successfully getting one over on the angels-- are examples of just wordplay jokes that Aziraphale would have found funny that Crowley was amusing himself with in the moment.
Crowley is definitely not the only one of the two of them amping up those mmms though. The only bee who has his attention is playing right back...
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...and the mmm thing is not exactly new, either...
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...like for him to mmm his way through an entire barbecued ox five minutes after this...
Original post that prompted this response:
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venus-light · 9 months
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Good Omens S2’s ending is so agonising, but I do think it’s going to make Aziraphale’s development significantly more impactful in S3! As a second act this has every painful, fascinating ingredient that made Zuko’s arc in ATLA so outstanding, and Aziraphale’s core conflict/fatal flaw draws from the heart of his character!
He loves Crowley deeply but he’s still clinging to Heaven’s brainwashing, and he’s never actually treated Crowley as an equal or sought to understand Crowley’s perspective yet.
Aziraphale still seems to believe Crowley is just a ‘lost, confused angel’, rather than recognising what Crowley is actually doing: rejecting the system entirely and trying to do good on his own terms. Aziraphale still believes the desire to be Angelic and the desire to be good to others are the same thing, therefore if Crowley is good (as he’s shown himself to be) he must be secretly want to be an Angel and is betraying that whenever he argues against Heaven.
Aziraphale still hasn’t listened when Crowley explains over and over again that he DOESN’T WANT TO BE AN ANGEL. He’s still desperate for Heaven’s validation, even after he chose to leave, and there’s a deep void in his identity! He wants so desperately to be seen as “Good” (regardless of the actual morality of his actions) that it’s used over and over again to coerce and manipulate him! He also wants desperately for Crowley to be “Good” too, because at this point Aziraphale couldn’t ever let himself trust or accept Crowley if he wasn’t.
Aziraphale’s ‘angelic superiority’ is still constantly used to prop up his own identity, and he still considers deviance from Heaven (both in himself and others) as something shameful, embarrassing and in need of being ‘Corrected’. He also still believes Crowley needs/wants to be “Forgiven” by Heaven and that angels are inherently superior to everyone else!
Aziraphale’s default response to suffering being to make it about Heavenly purity rather than empathising with others also makes him extremely blind/self-centred in some situations. He’s proven that he’s willing to adopt empathy - the force that drives Crowley to compassion and forgiveness - if it helps to do good for others, but it’s still a very undeveloped skill in him.
At the start of this season Aziraphale lets Crowley sleep in his car for God’s sake, and apparently only calls Crowley when he wants something! He takes Crowley’s devotion to him for granted, and dismisses Crowley’s feelings and perspective on Gabriel instantly! Whenever they disagree on anything Aziraphale just assumes that he is Good and Crowley is Evil, therefore Crowley’s perspective isn’t worth taking seriously. And Crowley loves Aziraphale so much and is so afraid of losing him that he just… concedes. Over and over again. And keeps on forgiving him without Aziraphale ever realising how deep he’s cutting Crowley. Even now, Aziraphale still sees everything as a dichotomy between “Good” and “Evil”, “Angelic” and “Demonic”, with no middle ground or space outside of it. A worldview that fundamentally misunderstands Crowley’s entire life, moral compass and identity.
Aziraphale does love Crowley, but he still hasn’t reckoned with Heaven’s brainwashing. He still won’t ever be able to understand Crowley’s perspective until he gets the outcome he thought would fix everything, and realises that it won’t.
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lenaellsi · 8 months
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I'm wondering how much of the fandom reaction of "Aziraphale doesn't ACTUALLY want Crowley to be an angel, he just wants to keep him safe/happy!" is because we spent four years between seasons assuming that Aziraphale had already accepted that Heaven and Hell aren't all that different, and that demons and angels aren't inherently good or bad. And it's difficult to let go of that idea in the same way that it's difficult to let go of the idea that they talked their shit out That Night At Crowley's Flat and have been happy ever since. But to actually understand Aziraphale's choice without hiding it behind coffee or lies or secret plans or body swaps or magic tricks or purely romantic intentions, we have to to understand that Aziraphale is still working under an incorrect framework of the world as divided into Cosmic Good and Cosmic Evil.
Because the thing is. Aziraphale does not like that Crowley is a demon. He just doesn't. We can talk about his reasons, but I really don't think that it's a disputable fact at this point. Aziraphale CONSTANTLY talks down to Crowley about the differences between them, and disparages demons in general and Crowley in particular over and over again. I mean, he's obviously just spewing the party line at this point, but he even describes the ultimate triumph of Heaven over Hell as "rather lovely." To Crowley. Where does he think Crowley fits, in that scenario? Is he thinking about it? (He is, surely, given how distressed he is over the danger Crowley is in due to the Arrangement?)
Crowley, to be fair, often says similar things about himself, and hates when Aziraphale calls him things like 'nice.' But as I've mentioned in another post, I think 2.03 makes it all but canon that a lot of that is self-preservation. Hell can't know that he's running around saving children and rescuing people from suicide and poverty, or he'll get dragged down there for decades. Crowley doesn't really think of himself as evil--he's visibly upset during their argument when Aziraphale hits him with "you're the bad guys!" because he thinks Aziraphale knows him better than that.
But instead, Aziraphale makes knee-jerk assumptions about Crowley and his intentions over and over again, including that he's behind the Reign of Terror in Paris and, about two minutes before realizing he's in love with him, that he's working with Nazis. Crowley seems annoyed and hurt both times, and denies it. There's no demonic posturing from him then.
Which makes the Job ep really interesting, right? Because Crowley actively lies and says that he is doing the properly demonic thing, but Aziraphale doesn't buy it. And why doesn't he buy it?
"I know the angel you were."
To Aziraphale, Crowley's kindness stems from the traces of that angel he knew. He thinks Crowley does good in spite of his nature, and not because of who he is as a person, life experiences as a demon very much included. This is because to Aziraphale, Heaven is Good, and all goodness must stem from it.
I've seen people get accused, when making this point, of attacking Aziraphale, or saying that he doesn't love Crowley, which is a ridiculous takeaway from S2. I've never seen a person more obviously in love, or a person more obviously trying to do good in the world. But so much of Aziraphale is tied up in his ability to believe multiple contradictory things at once. (See: the 80 years between "maybe there is something to be said for shades of gray" and "Heaven is the side of truth, of light, of good.") That doesn't make him stupid or ill-intentioned (in fact, he wouldn't need to do the kind of mental gymnastics we see from him if he wasn't clever enough to see through at least some of the bullshit) but it does mean that he's fully capable of loving Crowley while at the same time believing that demons are 'the bad guys.' Solution? Make Crowley an angel. Fix him, fix the bad apples in Heaven, be happy together, eliminate human suffering. Vavoom. Sorted.
Idk man. I'm constantly seeing takes that just...completely discount that Aziraphale really, genuinely, has misunderstood Crowley and the way the world works in his choice to return to Heaven. We can't blame it all on miscommunication. The most honest conversation in the world wouldn't fix this. Aziraphale has to go up there, without Crowley, and learn for the last time that Heaven is not Good, and will never be Good, because there is no Good. Good doesn't come from Heaven, or God, or even Crowley (and I see y'all, putting Crowley on a pedestal, saying Aziraphale wants to remake Heaven in his image--stop it.) Good comes from making the choice, in a very complicated world, to help as best you can, and it comes from love. And that's what Aziraphale will learn in season 3.
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whatthedamnhelldude · 2 months
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This maybe has been said and I missed it but in s2e6, I’m pretty sure Aziraphale thinks Crowley has been sucked back into Hell after escorting the humans out of the bookshop. From Aziraphale’s perspective, Crowley has left with the humans into the street and is surrounded by demons. He doesn’t return, and Aziraphale becomes desperate to stop the attacking demons - “desperate measures must be taken.” In 1941, Aziraphale says “I knew you’d come through for me - you always do.” Crowley tries to run from his problems, but he always comes through for Aziraphale. Aziraphale knows Crowley wouldn’t just leave him, unless something happened. In Scotland, we saw Crowley helping the humans and being sucked back into Hell as a result. When Crowley comes back from Heaven, Aziraphale says “you came back” and you can hear the relief in his voice. His expression and tone of voice when he says he “did the thing with the halo” reads as “I got desperate because you didn’t come rescue me and I assumed you were gone.” Aziraphale knows Crowley will always come through for him, so since he didn’t this time, something must have happened to him and the most logical in this instance would be that Hell took him. They never get to talk about how Crowley was actually in Heaven, so this assumption never gets addressed.
Why does this matter? The Final 15. Throughout the series, Aziraphale says, out loud to Crowley, that he is worried Hell is going to destroy Crowley. And it appears that that fear has come true at least a little bit, and at least one time, in Scotland. So if Aziraphale thinks that Crowley has been captured and tortured by Hell again, and someone told him “if you come work for me, I’ll make it so Crowley is never under Hell’s power ever again by reinstating him as an angel,” I have a hard time believing that Aziraphale would say no. The love of your eternal existence has been in danger for millions of years, and someone offers you a way to keep them safe? Right after you think they’ve suffered from that very danger? I would take that offer, too.
To be clear, I don’t think Crowley should have taken the offer. He’s been abused by both Heaven AND Hell, and they are both better off without them. I also think that, just like Crowley doesn’t quite say what’s on his mind - he doesn’t tell Aziraphale what he saw of Gabriel’s trial or that what he really wants isn’t to run away but to love Aziraphale openly as a couple - Aziraphale doesn’t quite say what’s on his mind either - he doesn’t care about either of them being angels but he does care about keeping them safe. I also want to be clear that I don’t think Aziraphale wants to be angels together in Heaven. I really think this boils down to keeping both of them safe and, bonus, they get to stay together.
Yes, they need to talk to each other and yes, some of Aziraphale’s comments were shitty (“you’re the bad guys.”). But I think the show is too well-written for all of Aziraphale’s character development to be thrown away and their long, long history completely forgotten in the last 15 minutes of episode 6. I think the world of Good Omens is too rich and deeply layered for that.
Let me know what you think!
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nightgoodomens · 8 months
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Imagine Crowley and Aziraphale talking in secret about how to save the world, in a dark alley away from everyone, as currently in public they pretend to be enemies to keep Metatron at distance - but Metatron isn’t stupid and he finds them.
Aziraphale is panicking how to make this look like a meeting between enemies, but Crowley is thinking faster.
“Oh, you think you can fool me?” Crowley sneers at Aziraphale, backing away. “Pretending you want to see me when all this is is a trap?!”
It’s a fantastic idea, really - Crowley thinks Aziraphale will arrest him in front of Metatron, prove himself an enemy to demons and embarrass Metatron that he screwed up his plan of fooling a demon with love to get information out of him.
But Aziraphale, for a second, shows sadness on his face. Wounds too fresh after they’ve just barely made up after he betrayed Crowley for Heaven. And Crowley didn’t expect that this would trigger him, nor the idea of taking him to Heaven against his will.
But of course it would.
Unfortunately, it’s enough for Metatron to notice the game.
“You’re arrested, demon.” Aziraphale sneers, believably, really, even if Crowley can see him panicking deep inside.
He wishes his eyes could say Calm down, I will find a way out of Heaven.
“No need, Aziraphale.” Metatron says calmly.
Aziraphale and Crowley look at him surprised.
“I will deal with him.”
And Aziraphale freezes. Crowley tenses ready for the attack. He was not going down without a fight. And then Metatron lifts his hand and there was a thunderstorm.
Crowley does not take his eyes off Metatron, trying not to show confusion on his face. But he feels his lungs tightening, as if breathing in poisonous fumes. He coughs painfully.
“NO!”
Aziraphale screams and the second Crowley hears the rain coming, he’s suddenly pulled to the ground and a white wing is shielding him, bright in the darkness. He doesn’t realise what’s going on until a drop of rain manages to drop on his hand and it burns as he snatches it away, hissing painfully.
It was raining holy water. The smell of it was suffocating him and if not Aziraphale he’d have died on the spot.
“Aziraphale, you traitor!” Metatron knew exactly what he was doing.
He knew Aziraphale wouldn’t let the demon burn. He knew he still loved him.
But he didn’t expect Aziraphale to look at him with hatred in his eyes, hatred that he’d never expect from any angel, especially not Aziraphale.
And before he can snap his fingers and make both Aziraphale and Crowley suffer, Aziraphale uses his powers to make Crowley and him disappear.
He might have bought a certain cottage some time ago to keep him and Crowley safe from everyone.
Just in case.
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drord3r · 9 months
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I think what I love most about Crowley’s character is how poetic and cyclical his story and struggle is.
It starts with him in heaven, an angel with a deep love and reverence for God and her creations, a love that he then pours into his work to bring Her vision of the stars to life. But just as he begun his work, he is given a message from God through Aziraphale that can be effectively summed up to “nothing lasts forever”. The physical manifestations of Crowley’s passion and love will be erased in, what is to an angel, a blink of the eye. For forever God has always been the designer and Crowley, as an angel, has always been there to simply carry out Her plans. But it is here that Crowley begins to question and strain this unspoken relationship, desiring change.
So despite being warned, Crowley dares to test his relationship with God and questions the unspoken, only to be rejected and abandoned by her in the most visceral way imaginable. It was here that Crowley began his fall.
As a demon, Crowley comes to love Aziraphale and, just as he did with God, he expresses this intense love through acts of service. He takes him out to eat, he saves him, he bends at every whim to keep him happy and safe, and yet nothing is ever explicitly said. Instead they dance around each other and communicate in code, and so Crowley is left to assume.
But then just as with God, Crowley pushes his luck and says too much, asks for too much. He questions the comfortable unspoken dance they’ve been doing for centuries and asks for something more. In response, Aziraphale parrots what he had said in the very beginning, except this time it’s his own words: “nothing lasts forever”. Not the stars, not the bookshop, not love.
So despite being warned, Crowley kisses Aziraphale, posing his most desperate question. In return, he is rejected and abandoned by Aziraphale in the most visceral way imaginable.
Aziraphale’s “I forgive you” is a very loaded response, and while it rings as an attempt to call back to his and Crowley’s old unspoken routine, it also reminds me a lot of God. Crowley falls in act of sin, and while God punished Crowley, She also forgives him for being a sinner because God forgives all sin. So Aziraphale forgives Crowley because again he has sinned. Again he has fallen.
At this point we realize Crowley did not just fall, that’s past tense. Rather, Crowley is falling. He continues to love, dares to show it, and thus suffers the consequences.
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somehow-a-human · 2 months
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GOOD OMENS SEASON 3 - Speculations/Predictions
DO NOT ASK NEIL ABOUT FAN THEORY
The GO brainrot is well underway, we’re only 7 months out of season 2 and I dont know how I will cope until season 3! But I have been ravenously consuming all of your lovely meta, fanfiction, and fanart and I have finally decided to add my messy ball of thought yarn to this hellsite!
Warning: this is going to be long and wild, I have no real life people to talk to about Good Omens, and I really need an outlet to gush about these ineffable idiots.
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SO! Shall we begin?
S3E1 will open with the great war/the fall. The opening of the previous seasons have been Crowley and Aziraphales earliest meetings, it makes sense season 3 will mirror this. I’m hoping we will get more context of their relationship; had they become closer after S2E1’s ‘before the beginning’ ? Will we see them going to war, will Aziraphale come face to face with Angel!Crowley on the battlefield? Will Aziraphale search for him among the fallen?
Somethings up… with memory. The way I look at it, season 2 was meant to bridge the storyline gap between armageddon and the second coming. It’s there to set us up for another world ending plot and also to give us context for season 3. I think the introduction of the idea that memories can just be manipulated willy-nilly by the big boss, and Gabriels little vacation as Jim serve exactly to show us that this happens. It says: look heaven does this! they were just casually going to do it to the Supreme Archangel, no questions asked. Crowleys memory, in this regard, has been a topic of debate. I think the biggest clue that he indeed has suffered some sort of memory loss is when he’s talking to Jimbriel who says he feels like “an empty house”. Crowley later finishes Jimbriels thought with “I know, looking at where the furniture isn’t.” I think he is downright kind to Jim in the bookshop and chummy with him because they have some sort of kinship, maybe from when they were angels, but more probably because Crowley feels it through the loss of Gabriels memories. Maybe he understands and relates in a way to what he is going through. His not remembering Saraquael or Furfur could just be chalked up to Crowley being an asshole sometimes. I think Crowley has definitely worked on recovering his memory some if this is the case. He remembers Aziraphale though from their time as angels so what specifically might he have forgotten?
Crowley will be a Duke of Hell/Grand Duke of Hell. Not only was Crowley offered the position by Beelzebub, but the blocking in that scene, where Crowley leans across the dual thrones to be in the very center seems to be foreshadowing it. I’ve seen multiple people make this prediction and it makes the most sense to me. What is Crowley gonna do on earth wallow and mope around the bookshop? Look he’s a disaster puppy yes but he’s also in love with the new Supreme Archangel. In the final moments of S2 he is sad, but he also looks determined. He’s angry, but I don’t think he’s angry with Aziraphale. And if there’s one way to keep an eye on Aziraphale and all this second coming nonsense, being a high ranking member of hell seems like a good idea to me.
Is Maggie more than human? Nah I dont think so. Look Maggies got a lot of weird stuff going on sure but I think her most important role in S2 was to be Crowleys mirror (and deliver the gut punch “you never say what you’re really thinking” but we are skipping that). Forget the masonic and biblical imagery associated with her, maybe all the mis-spelling in her note was showing us was that the bubbly blonde is tied to the demon instead of the angel like you might immediately assume? Sure Nina is edgy and closed off, but she’s the one in a toxic relationship, and she doesn’t realize how Maggie feels about her, not until an awning full of water (1941 nazi bomb) is dropped on her head. Maggie is patient and supportive of Nina. She ‘saves the day’ by grabbing her an array of milks from the mini mart in Ep6, and most importantly she says she will wait for Nina. When Crowley goes to get in the bentley after Aziraphale leaves for heaven, he looks first at Nina. She gives him a little ‘goodbye’ wave, then he turns to look at Maggie, she’s asleep at the register, waiting. I don’t think Crowley is angry with Aziraphale, he would’ve driven off if he was. Instead he stands there watching, telling him he’ll be waiting.
1941 Pt. 3 minisode. Okay everybody wants this I know. What happened to the zombies? They definitely listed to ‘A Nightingale Sang in Berkeley Square’ that night right? We know Aziraphale does the apology dance, presumably for 1. nearly getting Crowley shot by nazis, 2. blown up by a bomb, 3. caught “fraternizing” by hell, and 4. nearly making Crowley discorporate him himself with the bullet catch. Maybe they put on some music, and maybe they dance a bit together before Aziraphale remembers himself and says “angels don’t dance” or something to end it. In the Jane Austen ball scene when Aziraphale asks Crowley to dance, barring the subtitles are correct, Crowley replies with “you don’t dance?” not “WE don’t dance”. I think that’s an important distinction, that could point back to this night.
Book of life & Book of Love. Another thing S2 set up as cannon for S3 was the Book of Life. I have no clue what this could mean but I immediately thought of the Doctor Who episode “The Big Bang”. At the end of the episode, The Doctor doesn’t exist because wibbly wobbly timey wimey… stuff. But Amy realizes something isn’t right, that someone is missing. She ends up bringing The Doctor back through her memories, simply because ‘something loved cannot be truly forgotten’. What does this have to do with GO? ¯\_(ツ)_/¯ Just where my head is at, and I could see someone being erased from the book of life (one of our ineffable idiots for example) being undone in a similar vein. Love is the strongest force in existence, stronger than anything angels, demons, or God themself could understand.
Crowley will make a whale. Well, okay maybe that’s too literal of a statement? To be fair God never says to make a whale, Job says that's what he thinks she means. But look, he’s going to get to talk to God right? I think of the questions God asked Job. Did you set the constellations in the sky? Crowley did, S2E1 we watched him do it. Do you know the rules of the heavens? Crowley does, we even see him explain (gr)mavity to Jimbriel. Can you send lightning and get it to report back? Crowley can, we saw it after he got in his little argument with Aziraphale. Did you teach the ostrich to run? Maybe? Is this an allegory for telling Gabriel to go to Alpha Centauri? Or the peacocks to fly? Beez? Miss Sandwich? look its God okay not everything is going to be straightforward. Anyway, I think it’s clear our demon will get to ask his questions, he might not get answers, but he will get to ask the questions.
It begins as it will end, with a garden. Not the garden of Eden this time, but perhaps a garden at a cottage in The South Downs. Or.. maybe the Garden of Eden. If you've not read the short story "In The End" by Mr Neil Gaiman himself, please do, it's only a page long and it's lovely. I bought an extra copy of Fragile Things just so I could cut it out and glue it in the last page of my copy of Good Omens. Anyway, it's a brief but beautiful imagining of the last book of The Bible, in which God gives the Garden of Eden to humanity. I love the idea that human souls might return to Eden after their time on Earth. I also (and I know I'm in the vast minority) love the idea of Crowley and Aziraphale choosing to somehow embrace mortality to fully enjoy life on Earth with each other, and therefore themselves being able to return to the Garden of Eden with each other someday.
WELL! Did anyone actually read this? If you did, you’re insane just like me and I love you for it! Please let me know your ideas!
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cheeekycharchar · 8 months
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"Shame and guilt have followed humanity since Adam and Eve disobeyed God in the Garden of Eden."
Good Omens; a story of an Angel that can't accept love because of shame and a Demon that can't accept forgiveness because of guilt.
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"It'd be funny if we both got it wrong, eh? If I did the good thing and you did the bad one."
An in-depth analysis of an Angel suffering from shame and a Demon wracked with guilt.
Let's dive deeper below the cut!
[Now I'm going to lay down a lot of facts, definitions and minimal psychological babble and I want you, as the reader, to view this through your GO nerd glasses. Also, I want to express that I am not a therapist or religious in any way- this was all done as academic research for the fandom's sake cause I can't shut my brain up. I tried to organize it the best I could. ..sorry it's so long but I swear it's worth the read through! ;)]
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• Shame is the painful emotion you have when you perceive that you are not good enough in some way. Entirely self imposed and only known to you, shame can be an unpleasant self-conscious feeling often associated with negative self-evaluation. When shame is chronic, it makes you believe that you are fundamentally flawed, defective, dishonorable, immoral, or improper.
• Guilt is a negative feeling of worry or unhappiness that you get because you have done something wrong. It's a moral emotion that occurs when a person believes or realizes- accurately or not- that they have compromised their own standards of conduct or have violated universal moral standards and bear significant responsibility for it. When guilt is chronic, it can be a toxic emotion that could cause a person to take on unjust responsibility if things around them go wrong. They are quick to accept that everything is their fault even though it isn't.
While guilt is about wrong actions, shame is about being wrong as a person.
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In academic psychology, shame is associated with avoiding failure and its consequences while guilt is connected with forgiving and improving one's self, along with making amends.
Guilt and Shame are often confused for each other but there’s a big difference between the two. Guilt can help you understand how your actions impact others, but shame is an inward-facing emotion that reflects how you feel about yourself. (And I do realize that Aziraphale may, at times, feel guilt and Crowley can also feel a sense of shame. But the main motivation behind majority of their characterizations and actions throughout the series are both coming from these two different feelings.)
Guilt can help you move forward while shame keeps you stuck in the past. [such as the "We could have been.. us." and "You go too fast for me." scenes] And the only way to rid themselves of these negative emotions is through recovery with unconditional love and forgiveness.
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• How Aziraphale represents the concept of shame •
Shame tricks you into believing that you aren't good. That you are worthless. Not that you've done something bad, but that you are bad. Ever since Aziraphale gave away his flaming sword, he started to question himself. But it wasn't until he outright lies to his fellow Angel's about the true fate of Job's children that he truly believes he has fallen- that he violated God's word and lied (again). He believes there must be something truly wrong with who he is as an Angel. He's a flawed creation of God and he feels a dreaded sense of deep shame from this.
Feelings of shame can also present itself in different types such as, Chronic Shame (negative emotions all the time that you aren't good enough), Performance Shame (feeling as though you are inferior compared to others) and Shame from Unrequited Love (this is a feeling of not being good enough for another person T^T).
Shame is a harmful, negative emotion that when internalized enough can result in an overly harsh evaluation of oneself.
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Next, let's take a closer look at what defines shame and how it operates through Aziraphale:
• Being Defensive is a way to avoid taking responsibility for our behavior.
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"I don't need you." "And the feeling is mutual!"
• Perfectionism is the unrealistic desire to be perfect and is often a defense against shame. If we’re perfect, no one can criticize us; no one can shame us. We keep up a front that looks good to the world. We may spend a lot of time attending to our dress and looks.
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"I do have standards."
• Apologizing constantly. Shame can prompt us to be overly apologetic and compliant.
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"I did the 'I was wrong' dance in…"
• Procrastination can occur from a deep hidden shame. If we consider pursuing something and it doesn’t turn out well, we might be paralyzed by that feeling. If we never try, then we don’t have to face possible failure and subsequent shame.
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"You go too fast for me, Crowley.."
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Next are the four category behaviors resulting from shame:
• The Hot Response These are things you do when you feel ashamed and defensive, such as lashing out in anger or attacking the other person to deflect attention from yourself.
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"I don't even like you!" [always resorts to being defensive in any argument]
• Behaviors to Cope With or Conceal the Shame These behaviors include doing things to make yourself feel small, trying to avoid being the center of attention, or not sharing your thoughts or feelings. Concealing yourself is a method of self-protection.
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[always awkward and can't speak openly around other Angels]
• Safety Behaviors to Avoid Shame or Being Discovered This category of shame behaviors might be things like apologizing, crying, or avoiding conflict. People who have a tendency toward being emotional or avoiding conflict may be more likely to engage in safety behaviors.
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"Why? What's wrong? I mean.. if there is something wrong.."
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The Impact of Feeling Shame:
• Makes you feel like you are flawed or there is something wrong with you
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"I'm like you now. A demon. I'm a fallen angel.." • Can lead to social withdrawal
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[spends most of his time in the bookshop alone] • May cause you to become defensive and shame others in return "I'm an angel! And you're a demon!" • May cause you to inflate your ego to hide the belief that you don’t have value
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"Well, I am a great deal holier than thou. That's the whole point." • May leave you feeling empty, lonely, or worn out
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"But I thought you said it wasn't [lonely]?" • May lead to lowered self-esteem
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"I'm.. soft." • May make it harder for you to trust other people
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"Obviously, you're lying. You're a demon. That's what you do." • May lead to perfectionism or overachievement to try and counteract your feelings of shame
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"If I can just reach the right people and resolve all of this-" "That's not going to happen! How could somebody as clever as you be so stupid!?" • May cause you to engage in people pleasing
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"Doing good again, Angel? "Oh, hardly counts. Purely for selfish reasons." • May cause you to avoid talking because you are afraid to say the wrong thing
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[trying to explain to Metatron in S1 without revealing too much] • May cause compulsive or excessive behaviors like overworking, excessive cleaning, or having too high of standards in general
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[non stop research all day and night to look for the antichrist by himself]
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• How Crowley represents the concept of guilt •
Guilt is what you feel after committing a specified or perceived offence/crime/bad action.  It's typically attached to a feeling you experience when you do something wrong on purpose or accidentally and can regret that action. Guilt can be morally ambiguous.
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"Well, maybe there is something to be said for.. shades of grey?" "..Shades of dark grey."
Signs of guilt are unique but these are the most common (again there are many but these I thought related to Crowley the best):
• Low self-esteem
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*sighs* "Don't bother..."
• Excessive attempts at reparation [Crowley always trying to secretly help humanity when he can]
• Being unable to meet someone’s gaze
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[Covering his eyes not only hides his snake eyes but also his guilty feelings]
• Anxiety "We are fucked!" [and we all know TV!Crowley is 100% more anxiety ridden than Book!Crowley is lol]
• Trouble sleeping [Sleeps too long (100 year nap from book). Or can't get comfortable sleeping (from S1 deleted scene)]
• Depressed mood
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"What's even the point.. everything seems.. pointless.."
• Avoidance of people, places, or events linked to the cause of guilt "I'm not going to be joining their team and neither should you!" [doesn't want to return to Heaven or Hell and is "on his own side" to avoid them further] • Shifts in energy levels [can be giddy/jumpy one second to morose/moody the next, etc]
• Emotional outbursts
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"I'm just so angry!"
• Appetite changes
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[took up drinking alcohol even though its unnatural to]
• Making amends [spends every moment since Eden trying to secretly do good despite the hellish consequences]
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Defense mechanisms against feeling guilty can become an overriding aspect of one's personality. (These are also related to trauma response.)
• Displacement is a defensive tool that may take the form of blaming the victim or taking your feelings out on others.
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"You know what you've done. You've disappointed me."
• Projection is sharing the unacceptable feelings/qualities onto others, thereby being less alone with it.
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"But that sounds.." "Lonely?"
• Self-harm may be used as an alternative to compensating from one's past transgression. Not just physical self-harm but not allowing yourself to enjoy opportunities or benefits as a result of uncompensated guilty feelings.
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[always holding himself back for 6k years from saying what he truly feels and won't allow himself to be with Aziraphale the way he really wants]
• Repression is subconsciously blocking or forgetting harmful/traumatic memories. "Right.. looking at where the furniture isn't.." [doesn't remember his time in Heaven in detail- whether from trauma response or just had his memory wiped]
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Behavioral responses to guilt can be associated with the moral of their character. Feelings of guilt can prompt virtuous behavior.
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"You shouldn't test them to destruction.."
People who feel guilty may be more likely to: • Exercise restraint [holds his true feelings back for Aziraphale for centuries]
• Avoid self-indulgence [only really has his car and plants in the end]
• Exhibit less prejudice [is more open and accepting of other's sins - such as helping during the Scottish bodysnatching scenes]
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Guilt can prompt reparatory behaviors (actions to make amends) to help alleviate these negative emotions. People tend to engage in these reparatory behaviors toward the persons they wronged. Some religions theorize that forgiveness of sin (even those committed by accident or ignorance) is exclusively through repentance.
Crowley, being the wily serpent that tempted Eve to eat the forbidden apple of knowledge and subsequently getting her and Adam kicked out of paradise on Earth- and thusly creating the first sin of humanity. Right away, Crowley feels guilt from this.
After all, he was just told to stir up some trouble and had no idea the consequences of his first temptation on the future generations of human existence. Ignorantly doing something considered wrong and getting exiled.. this mistake would forever haunt him. He knows the pain and trauma from unwittingly doing something insignificant and being punished severely for it (such as asking questions or eating an apple) yet he accidentally made the first of God's new creatures "fall" in their own way from Eden. It's because of this guilt that Crowley spends the next 6000 years secretly rebelling against Hell to help humanity in any way he can to redeem himself.
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That's why their first conversation (post Fall from Heaven) on the wall of Eden was SO important to their relationship with each other and themselves.
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"Oh, I do hope I didn't do the wrong thing." "It'd be funny if we both got it wrong. If I did the good thing and you did the bad one." "No. No! It wouldn't be funny at all!"
I think the reason Crowley always seems to be one step ahead of Aziraphale (in more ways than one) is because, in a sense, guilt is easier to resolve from than shame.
If you acknowledge your mistake and the person chooses to take the steps to improve and change for the better, then they can recover from those negative feelings. They can work through the guilt by repairing the transgression or learning from it.
Whereas shame can only intensify inwardly and be harder to face because your mind is telling you that you are the bad thing, that you are the mistake. This makes it harder to overcome. And the only way to truly recover from shame is unconditional love and forgiveness- for yourself.
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“Instead of your shame, you shall have double honor, and instead of confusion, they shall rejoice in their portion. Therefore in their land, they shall possess double; everlasting joy shall be theirs.” (Isaiah 61:7)
And in S2.. we can see they both hold regret for their actions at the end of episode 6. If you look at every choice, ever misstep, every argument and their occasional confusion in understanding one another, you can see how Aziraphale was written with shame as a main part of his personality and Crowley written with guilt.
Two feelings that are often confused for one another but differ slightly in their own ways. The motivation behind every word they utter and every action they make throughout the series is built on the foundation of these two fundamentally negative and often traumatizing feelings.
There is a possibility to recover from shame and guilt and I have a feeling that S3's plot line will be all about recovery.
And that's what the concept of that Second Coming storyline might be all about. The New Testament says, "In Jesus Christ, God took upon Himself the sins of the world and died on the cross to pay mankind's debt" (Rom 6:23). "Those who repent and accept Christ's sacrifice for their sins, will be redeemed by God and thus not guilty before Him. They will be granted eternal life which will take effect after the Second Coming of Christ" (1 Thess 4:13–18).
A second chance. Forgiveness and Recovery from Sin.
And what is the story of Adam and Eve if not about humanity's Original Sin?
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Remember, after all is said and done, the antidote for shame is love, and guilt is cured through forgiveness.
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Two things a certain Angel and Demon struggle with accepting from each other but are more than willing to give to one another.
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[…There! I made myself sad again, lol. Thank you for reading this far! Sorry it was crazy long but I really enjoyed putting this all together into semi-comprehensible words (though stupid tumblr made me delete a bunch of pictures I had as examples…). Also, on a final side note- if you are ever experiencing overwhelming shame or guilt in anyway (which can result in depression or worse if not dealt with) please make sure you reach out to someone or seek professional help in some way. Take care, everyone! ^-^]
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I reckon it is widely accepted that Crowley and Freddie Mercury were, at the very least, besties, sometimes lovers, sometimes had a fling or dated. But I have feelings and headcanons nobody asked for that I have to share.
They met while Freddie was still in college. Freddie saw Crowley, drew a quick sketch of him and got up and gave it to Crowley. "I promise I will draw you a better one, dear." He never did, but Crowley still keeps the drawing and miracled it to always look like just made.
Crowley never really liked Mary Austin. He didn't like her when she was Freddie's girlfriend and always found a way to inconvenience her. He still doesn't like her, especially after she put Freddie's belongings up for auction. He liked Jim Hutton, however.
Freddie kissed Crowley first. It was after a rehearsal of one of Freddie's early bands, Crowley was giving him his feedback. Freddie just leaned in and kissed him. He avoided the demon for the following two weeks as he was confused (he still hadn't realised he liked boys) and felt embarrassed.
Even though they were both adamant that there were no feelings involved, they both deeply cared for each other. Neither would admit it, saying they were only friends who (more than) occasionally hooked up, but they both knew there was more. However, Freddie fell a bit harder even though he knew Crowley wasn't in love with him. It did hurt a bit, but he was eventually fine with it.
Freddie actually knew about Crowley and Aziraphale being a demon and an angel. Crowley told him one night while they were both drunk and then Freddie remembered and asked him. Crowley tried to deny it, but Freddie insisted so much that in the end, he decided to tell him everything as he knew Freddie wouldn't tell anybody. And he never did, he treated this like his own secret.
The first time Freddie saw Crowley's eyes, Crowley thought he would be scared. But Freddie just said: "I know they're snake eyes, but they remind me of my cats. And what a lovely colour, darling. Yellow's my favourite, you know?".
Crowley ranted A LOT about Aziraphale to Freddie. He was always going on about how much he hated his being a goody-two-shoes, how infuriating his constant reminding him that he was actually a good person and how the fuck can 6000 years be too fast? Freddie just smiled because he knew. He could see how much Crowley loved that angel. It broke his own heart, because he knew he could never be loved that much, but never said a word.
Freddie did write a lot of songs about Crowley and Aziraphale. Obviously Good Old Fashioned Lover Boy, but also Crazy Little Thing Called Love, Somebody to Love and many more. Spread Your Wings is specifically about Crowley and he knew. But what Freddie would never tell anyone, a secret that he brought to the tomb with him, is that he wrote Love of My Life and You Take my Breath Away for him. (told you that Freddie was in love, my poor baby suffered too much in his life).
Freddie taught Crowley how to play the piano.
Crowley auctioned for some of Freddie's belongings. He got some kimonos, some handwritten sheets and his piano. He couldn't let anyone else have it.
Crowley never really left Freddie's side. He was always that mysterious, dark and handsome man showing up especially when Freddie needed someone. People eventually accepted it as part of Freddie's charm as he was always so secretive about his personal life.
Freddie let himself be vulnerable only around Crowley. Just as Crowley took off his glasses with him, Freddie allowed himself to cry only those times in which they were alone. He cried in Crowley's arms so much when his illness was worsening, when he was scared of how much he would have suffered. One night it got so bad that Freddie was basically begging Crowley to end his suffering and Crowley had to perform a miracle so that he could sleep. Neither brought it up ever again.
When Freddie died, Crowley was there with him. He gave Freddie just enough life to allow him to say some words. "You promised me you wouldn't come," Freddie told him. "I'm a demon, I lied" replied Crowley with a broken voice. He then sat on the bed and stayed with him until the very last moment. Aziraphale was there too. He followed Crowley without telling him because he felt he needed him. Aziraphale took away Freddie's suffering so that he could go without pain.
That same night, Aziraphale tried to persuade Crowley to stay at his library because he thought Crowley needed a friend. Crowley refused, hopped on his Bentley and drove away. He parked in front of his apartment building and found a used packet of cigarettes and an old pair of sunglasses that belonged to Freddie in his car. As the radio passed Love of my life, he couldn't hold it anymore and burst into tears. He cried hard, really hard. He felt a familiar hand on his back but didn't look and didn't ask. Aziraphale never said anything either and didn't leave until Crowley stopped crying but before he could be seen. He remembered how much it hurt and didn't want Crowley to grieve alone.
Master post: here
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BEST LONG-TIME PINING SHIPS: ROUND 3 MATCH 3
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(The spirk + madohomu art was made by @uss-genderprise!!)
Reasons to vote for each ship underneath the cut!
Ineffable Husbands: They spent several thousand years pining. Hell's most angelic demon and Heaven's most devilish angel. Aziraphale was the angel that guarded Eden and Crowley was the snake, and Crowley fell in love the moment Aziraphale told him that he gave Adam and Eve the flaming sword for protection when they were kicked out. They've stuck together for thousands of years, two immortals in a world populated by short mortal lifespans, the only constants in each others lives. Also they lost the antichrist and spent ten years raising a mundane human child together. The Spirk + Madohomu team:
Madohomu: homura had literally doomed herself into an eternity of trying her damnest to save madoka from her fate. the one thing she wanted the most, enough to wish it to become a magical girl, was to get a chance to save madoka from death. she LOVES this girl so much that she's subjected herself to eternally repeating the same month (months? i forget) over and over that the amount of time that she's been repeating this for has accumulated to over 50 years (i think was confirmed) just for a CHANCE that she can save her from sacrificing herself. AND. AND. WHEN MADOKA FINDS THIS OUT. SHE SACRIFICES HERSELF AND USES HER WISH TO LITERALLY BECOMES *GOD* AND REWRITE THE WORLD SO THAT HOMURA WOULDN'T HAVE TO SUFFER ANYMORE. Spirk: I said they're fanon but they're as close to canon as a fanon ship can be. Spock is half vulcan and is therefore a touch telepath. this makes touching a vulcan, a very intimate gesture. especially their hands, which is considered the equivalent to human kissing. I wish I could send you every picture I have of them touching in some capacity, ESPECIALLY HOLDING/TOUCHING HANDS. its... it's literally insane how much they touch, and flirt in every fuckin episode. and thats just the TV SHOW. I could talk for hours about the movies and books because OH BOY ARE THESE TWO IDIOTS VERY HOMOSEXUAL. the creator of the series invented a new word to describe Kirk and Spock's relationship. "T'hy'la". Friend, Bother, Lover. L O V E R.
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eviebane · 6 months
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Good Omens Brainrot: Starter Park
I will be updating this the more I find! Please feel free to suggest things~
Have you recently watched Good Omens and would like to go down the ineffable rabbit hole? Are you a Crowley/Aziraphale shipper? Do you want to find your way inside Neil Gaiman's walls?
Look no further! This post will get you up to speed on what's happening in the Good Omens fandom and is guaranteed to increase your brain rot by 6000%!
Post-Season 2 Theories
The Good Omens soundtrack is lying to you
Crowley's angel identity
The Clock Theory
Double meanings
Maggie is a Nephilim and my meta masterpost
The Coffee Theory
Matchbox foreshadowing
Good Omens Extras
The Deleted Bookshop Scene Animatic (from the Good Omens script book)
David Tennant reads the bookshop scene from Good Omens
Deleted scene from episode 1
Deleted scene Surrender the Angle
Deleted scene Mr and Ms Cheng
Deleted scene Rob encounters a demon
Deleted scene Justine's peanut allergy
Bloopers Crowley ordering drinks
Bloopers Mrs Henderson
BTS Bookshop Tour
BTS Burning Azi's bookshop
BTS Before & After VFX Breakdown
BTS Season 1
The 1992 movie script (link to Neil's post discouraging viewing due to copyright issues)
Analysis & Meta
ineffable-suffering's meta masterpost - NEW Crackpotting Theory Tracker
If you want to watch the kiss in Analysis Mode
Jane Austin in Good Omens
Va Va Voom yellow
How tied crowley is to gay (british) culture
The Bentley handle easter egg and how to tell the Bentley's apart
Silliness and why it's important
Beelzebub's thrones
Crowley's star making book
Mr Brown is in love with Aziraphale
People To Follow
Neil Gaimon's blog
Aziraphale's Library - huge catalogue of GO fics
The Good Omens Heritage Blog
Blogs to follow
ALCHEMY's YouTube channel - GO fan edits
Sendarya's YouTube channel - Azi's jewelry, the visual poetry of left and right, what does the smile mean?, Staged comparisons, and more)
Good Omens Book
The different Good Omens books explained
Things show only fans might not know and that upsets me
Other
The best Crowley playlist
Good Omens timeline in chronological order and a GIF edit
Where the South Downs thing comes from
Why Douglas leaving doesn't mean we will see a drop in quality
Popular Good Omens Headcanons That I Think Are Neat
David loves being set on fire
Crowley's eyes
What does Neil say about characters' genders?
Crowley is genderfluid
Crowley & Azi's relationship is queer
Every tape in the Bentley eventually turns into The Best of Queen
The Kiss - it's not to show they're in love, it was done in 3 takes, do it again please
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