#and I only have Montero from Lil has x on my playlist | Explore Tumblr Posts and Blogs

thepaininurneck · 3 years

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Okay, wow, never in my life did I think a music video involving giving Satan a lap dance would delve into a conversation about gay rights ( and how gay men are portrayed in media ), but Lil Nas X broke the world with MONTERO, so here I am. We’ve got three things here that I think are important - Internet culture, religion, sexuality. These are the things that I think people are getting too uptight over/not upset enough over, and I wanna rant for a bit, so bear with me on this one.

First, I LOVED MONTERO. I’m a whore for religious imagery/theming/etc. being used in media, and as a former Christian and an openly gay woman, it makes me very happy to see it used in a spiteful manner. MONTERO was gorgeous - sexual, unapologetic, and so clearly pulling straight from Biblical stories. The religion used commonly against us ( here in the US, at least, because I know other religions can be just as oppressive, if not worse, and Christianity isn’t the dominant religion everywhere ) being used in a way that’s expressive of our lives is beautiful. The very clear message of “Oh, I’m going to hell? That’s okay,” is perfect - for so many LGBT people in this country, we’ve been told that we’re condemned to eternal punishment because of something we can’t help. LNX took that in stride and made it art, with MONTERO and the video. I am in full support of it and will be throwing it on my horny playlist.

But here’s why I think this is so important - MONTERO’s release has exposed, in my opinion, where the real issues lie in Western culture. WAP did this too, a little - both of these songs, and their accompanying videos, were criticized using children. “Children watch you”, “how could you expose kids to this”, etc. were complaints hurled at Cardi B and LNX over their music. And in LNX’s case, people used his previous success with Old Town Road - I saw one tweet saying Old Town Road is “every kid’s anthem”, and that their children love Old Town Road. Which is problematic - how can you complain about MONTERO, but allow your child to listen to a song with lyrics such as “Lean all in my bladder”, “Cheated on my baby, you can go and ask her”, “Bull riding and boobies” - Old Town Road is not a child-friendly song by any means, but LNX didn’t include naked breasts, or ( as far as I’m aware ) market the song in a way that showcased those lyrics. So parents let their children enjoy their funny horse song, never looking into the words their kids were hearing daily. But with MONTERO, because they saw at a glance that it was an issue, they assumed this meant the previously “child-friendly” artist LNX, the man behind the funny horse song, was suddenly trying to indoctrinate their children. When in reality, LNX has never catered to kids. He’s always been open about his music and himself, and it’s entirely the parents’ faults for not better monitoring what media their children take in. It is never the responsibility of the creator to change their content for an audience they didn’t want. MONTERO, and WAP, both exposed just how internet culture has allowed parents an excuse to be lazy, hands-off pieces of shit, and demonize creators further.

MONTERO also exposed how homophobia continues to follow us, in how many comments there were calling LNX predatory, claiming he was indoctrinating children and pushing agendas - and, with Kaitlin Bennet’s actual racist comments, now he’s being slandered. ( if you didn’t see that beef, TLDR: Kaitlin asked “do you still see your dad?” w/ blatant intent to hurt, LNX replied with “yeah and I’ll fuck yours”, to which Kaitlin accused him of threatening to rape her father and several small, conservative ‘journalists’ ran with it ). I don’t like throwing around the word homophobia, but this isn’t new - gay men have been called predatory for a long time and demonized for even small gestures like holding hands. And now, an openly gay man made a video celebrating his sexuality ( which isn’t a new topic: look at any music video from the early 2000s for more examples of people expressing sexuality ) and given fuel to these idiots to continue pushing their narrative of “gay man predator, gay man bad”. Fortunately, it’s a lot less than it would’ve been thirty years ago. But the fact that it still happens on this scale, enough that journalists pick it up as a story, and governors, Candace Owens and other prominent homophobic conservative figures jump on the bandwagon....it’s sad. A man celebrating his sexuality shouldn’t be demonized the way it is, and MONTERO is doing an amazing job at spitting in people’s faces.

Cutting myself short here, I think MONTERO was a gift. It’s a work of art in many ways, but the social response it generated is also a blessing in that it shows what we need to prioritize - which is self responsibility. No one is forcing you to watch the gay man give Satan a lap dance, nor are they forcing you to buy his shoes. No one will ever force you into that - you, a consenting adult/teenager, willingly watched it. You’re reading this now of your own choice. If your child is watching MONTERO, you should blame yourself if you’re mad - why didn’t you monitor them better? Teach them to avoid things they don’t recognize online? You failed as a parent to protect your child from what you deem harmful. That isn’t anyone’s fault except your own as their active guardian.

Sex, talking about sex, grinding, lap dances....those aren’t new to music videos. They’ve been happening for decades, actually - early 90’s and 2000’s videos had a lot, and I think some 80’s had them. MONTERO didn’t invent NSFW music videos, the only difference is it’s gay and dared to use religious imagery ( which also isn’t new, but that’s another rant I don’t want to get into ). For once, I actually agree with the masses - this outrage was mostly fueled by homophobia and dumb Christians. And to any Christians reading this ( that didn’t get offended, because if you got genuinely upset by this drama, fuck you ); you’re cool.

Anyways, yeah. I think MONTERO was awesome, LNX killed it as always, and I hate conservatives. Goodnight.

#lil nas x #lnx #I sound like an sjw #but in a good way #might burn down a church later idk #Davey sleepy rants

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thesunshinebunny · 3 years

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Hello! I've seen two asks with the first reaction of a Fem!Reader dancing in an erotic/sexy way. (One with the dorm heads and one with the vice dorm heads-)

So I thought I could ask the same thing, but with Cater, Jack, Floyd, Epel, Sebek and Silver. It's okay if it's breaking the rules or you're not comfortable with writing it! But thanks in advance anyways! Stay peachy!! ^^

I never thought I'd end up making a whole series of requests for this style, and to think that the dorm heads was my first order for Twst, what a great start.

Dorm Leaders reaction

Vice Dorm Leaders reaction

As always, all characters are +18 Enjoyyyyyy

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Cater

Montero – Lil Nas X

I imagine Cater as a person who follows trends and is aware of the new music that comes out every single day, so I don't think it is weird to find him listening to the new of Lil Nas x (hiding it from Riddle obviously, knowing him that kind of songs would be strictly prohibited in the halls of Heartslabyul)

But as smart as Cater could get with social media and internet fashions, he didn't notice how you had gotten into music so much that you were mentally creating a choreography.

One specifically for him.

So, when you asked him to spend some private time in the comfort of his bedroom, he didn't expect at all that you would sit him in the middle of his bed just passing the threshold.

For a moment he thought you were going to give him a massage or a handjob, but when you told him to wait patiently, that you were going to change, his impure thoughts were dispelled, thinking that you were going to get more comfortable to snuggle with him.

How wrong he was. It was seeing you come out of the bathroom with a hoodie (that warm and purposeful had nothing), which barely covered your sports bra and shorts, half covering your butt, when all unseemly thoughts returned to his mind.

He stretched out his hands to pull you to him, but you stayed in place, saying you had another surprise.

Cater automatically took out his cell phone to record and take some occasionals photos.

Watching you dance so freely, doing a private show and personally for him made his heart race to a thousand an hour. Even his pants were starting to tighten.

It was seeing your ass and automatically biting his lips. In his mind he was wanting to place each palm on each of your cheeks and squeeze them as he held you against him, preventing you from moving, and his cock buried well deep inside you.

"Are you happy to see me?" your question brought him out of his reverie, realizing that your choreography was over.

He put the cell phone aside and pounced on you, wrapping his arms around you, capturing your lips and throwing you on the bed. Perhaps, among all the ruffle, he put his phone in recording mode and captured ... the entire subsequent session.

Don't worry, Cater would never divulge a video like that and if you want it delete it, he will do it immediately. If not, he will keep it in a folder with a password.

Jack

Solo – Demi Lovato

Jack tried multiple times to convince you to go train with him around the Savannaclaw arena, but each time you refused, stating that you liked being more in the comfort of the bed, covered up to your head, rather than get up at five in the morning to run.

He didn’t take it the wrong way, the way he trained was not for everyone, but he did advise you not to stay still and fall into a sedentary lifestyle, claiming that it would be harmful to your health.

Therefore, you decided to start training on your own, with your own time and doing a little of what you liked most; because remember: to be able to dance like divine goddesses, you need to train ... and a lot.

While he went out for a run, you stayed asleep, when classes ended it was your turn to train.

One day classes ended quite early in your case, allowing you to go to Jack's room to rest and wait for him; But the minutes grew long and what seemed like an hour of waiting turned into two.

So… loud music, more comfortable clothes and practice.

And what does Jack like more than training? See you give your best while doing what you like.

Finding you in his room dancing in sportswear was an image that he would like to print and keep in his mind.

He didn’t care that you were sweating or that the clothes weren’t the tightest to mark your figure, just seeing you move your hips was what he needed to have a smile from ear to ear.

Finish your dance calmly, that your gray wolf will be waiting for you at the door, smiling at you and with open arms to give you a big hug for the effort.

He would eat you with kisses and bites to show you how happy he was to see you happy. If this leads to more… spicy things, that's up to you.

What if I recommend you not to dance this same choreography in the training field in broad daylight, where everyone can see you. The results could be a bit possessive.

But, if you're brave enough, don't complain later if you end up with bites and marks all over your body.

Floyd

My oh My – Camilla Cabello

You walked into the gym expecting to find the basketball team training as usual, but there was no one in their place. Absolute silence.

You took the opportunity to place your backpack next to the roadways, change into comfortable sportswear and put on some music to improve the atmosphere.

When this song started to play, you elatedly stood in the middle of the gym, a sly smile on your face, completely ignoring the sound of rumbling footsteps and slowly approaching the gym.

You were in the middle of the choreography when you felt two arms gripping you tightly, leaving you gasping for air. You screeched as Floyd began to squeeze you more and more, making it impossible for you to move.

"My my, nobody taught you to pay attention to your surroundings when you're alone, koebi-chan?" that sceared the shit out of you.

"Can I dance with you?"

He pulled you closer to him, pressing your back against his torso and your hips against his, lifting you off the floor, and began to spin and sway to the rhythm of the music.

The situation made you laugh until you felt his hand pass over your chest and touch your breast. He settled you against the wall, now your pussy positioned on his erect dick, grinding it thanks to his arms that held you in the air.

At no point did either of you stop the music, letting the playlist roll on and cover the sweet moans coming out of your mouth.

Some freshman ventured into the gym when they heard faint groans creep through the large metal doors.

They got the scare of their lives when they saw Floyd pounding from behind you, staring straight at the entrance and throwing death threats with just his eyes.

Epel

Do it like a dude – Jessie J

Listen to me... you can't tell the only woman at NRC that she can't participate in a dance competition because "it's only for guys"

Uhhhhhhhhh, if I was in that situation how would break their teeth.

Buuuut, you were able to defend yourself in a better way… going to the middle of the training ground where the competition (led by Professor Vargas) was taking place.

I have to say that you left all the participants with icy skin? Other than making them feel like they have a small dick. Straight to the ego.

And Epel was no different. He wasn’t embarrassed by the fact that a girl had beaten him in steps that were recognized later is another matter not ashamed at all, not at all.

Which did bring his ego to the ground and his self-esteem was to see you give your all to overthrow sexism, while he could barely stand in the same line as those of Savannaclaw.

Either way, he enjoyed watching you dance, you seemed re-empowered and that gave you an aura of a strong and powerful woman.

If those who refused to let you participate didn’t give you the prize, rest assured that Epel will leave them in their place, perhaps with the help of Deuce.

He asked you how you could have so much confidence in yourself and that may have caused a butterfly effect ... he wanted to know, well you will teach him in bed.

Two or three tricks may have taken effect and in the next competition (or anything) Epel will give his best, even if he has you as an opponent.

Victory sex for whoever wins? Victory sex.

Sebek

Play with Fire – Sam Tinnesz

You were calm in the comfort of your bedroom, going over some class assignments, some background music, Grimm sleeping next to the bed. A normal day.

But quite boring.

You decided to go down to do a little stretching, so much time hunched over in bed looking at the notes it makes your back very bad. You took your cell phone and left the little cat sleeping comfortably.

Between those stretches you got the idea of practicing a little choreography, nothing too complicated or time consuming; maybe half an hour, forty minutes and that's it.

Well, it ended up being a two hour workout, doing one choreography more complicated than the other. Night had fallen and you were supposed to have a little "date" with Sebek right in your bedroom.

There were knocks on the door, but with the volume of the music you couldn't hear them, nor did you hear the creak of the door opening and closing.

Sebek found you in the middle of the living room, moving your arms around your body. He’s not stupid, he knew you were doing a choreography and he would have enough patience to let you finish it and show up.

What he didn’t expect was to see your figure fall to the floor and move in those ... eccentric movements

Indecent thoughts get out of this mind.

You finished dancing and Sebek was still standing in the middle of the hall, not knowing what to do, where to look, and if he was allowed to speak.

"Sebek are you ok? When did you came in?"

Completely taken out of his reverie, ready to continue the evening as if nothing had happened.

Inwardly he was dying of excitement.

Without telling you anything, with the "date" half finished, having a good and sweet dinner, he just ... slamed you against the wall and took you right there and there.

You both ended up scaring poor Grimm. He just wanted to come down to eat his tuna.

Silver

Maria - 화사 (Hwasa)

It wasn’t unusual to hear multiple and different songs in the corridors of Diasomnia, especially with Lilia as a member of the light music club; it was normal to hear all kinds of rhythms, even different languages.

Therefore, Silver didn’t find it unusual to hear Korean lyrics as he walked through the lounge of his dorm.

What he did think was strange was hearing footsteps and blows, which had a very peculiar resemblance to the rhythm of music.

In a corridor somewhat away from the common area, which led to a small meeting room and greater tranquility, you were there with the music blasting and dancing as if you were the owner of the place.

Don't get me wrong, Silver was 1000% okay with you dancing in his dorm, even if you wanted to do it on a table in the middle of the lounge room… be his guest.

What he couldn’t allow was his roommates seeing you so… free, sure of yourself, indisputably if you were wearing sports clothes or little clothes, leaving nothing to the imagination.

And if Malleus was among those people… ufff, a big no from our silver boy.

He would go to where you were and lift you by the legs, placing you on his shoulder and commenting that you could continue your dance in a more private place.

That place was his room.

"The way you dance is ... intoxicating"

If at any time the brilliant idea of approaching Silver occurs to you while you dance, take it for granted that he will grab you in his arms and throw you on the bed.

Nope, he's not going to let you finish the choreography. He has another type of choreography in mind.

Lilia put up a do not disturb sign on the other side of the door, proud to see his son a grown-up… apart from the fact that he would have a little “chat” with him immediately after the deed it doesn't matter if you’re still naked and pathetically covered with sheet, he would just *pufff*

#twisted wonderland #twisted wonderland x reader #twst #twst x reader #cater diamond #cater x reader #jack howl #jack howl x reader #jack x reader #floyd leech #floyd x reader #epel felmier #epel x reader #sebek zigvolt #sebek x reader #silver #silver x reader #silver twst

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bitchassbucky · 3 years

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Highway 63 (Almost-there 2K writing challenge)

On a dusty stretch of highway that connects two cities, a few aged establishments have made themselves part of the land. They say that some days you wouldn’t find anything but boarded-up buildings and old “Do Not Trespass” signs but there will be nights where people find themselves mingling with the patrons. You have to visit on a warm summer night, though. When the moon is shining and the air is light.

There, you would find a Bar that attracts all kinds of people—city folks, locals, people who wanted to disappear amongst the crowd of faces. The building reeks of cigarette smoke and cheap liquor and yet they see groups of people coming in and out, trying to grab a fix of their favorite sin.

Weary travelers often find themselves checking into the Motel, just a few hundred steps away from the infamous Bar. Some rooms are occupied, some things go bump in the night. It makes a decent stopover rather than sleeping in your car.

Patrons love to rave about the Diner near the Motel. The food tastes like home! they say. The booths are aged and yellow, the buzzing overhead lights are dusty and yet it feels familiar—even if it was your first time here.

Venturing further down the road, you’ll find a dilapidated barn. Nature is on its way reclaiming rotten wood posts and rickety doors. Rumors of ghost and unfriendly souls keeps the walls intact; the rusted tractor sits idle on the side.

If you’re lucky, you’ll find yourself driving down the stretch—catching glimpse of faces you’d never see again. The Motel would’ve had its no vacancy sign up, the Bar would be full of people dancing, the beats spilling onto the street. The Diner would’ve been serving pancakes, chicken, and waffles. Pass by the Barn, maybe you’ll see the vines crawling and waving onto the posts.

If you’re luckier, a postcard would be stuck on your windshield, “Welcome to Highway 63!” it would say. Would you take it as an invitation?

—

Welcome to Bitchassbucky’s almost-there 2K writing challenge! With my blog turning 3 years old this June, I just want to say thank you to everyone who has been there since day one. I made lots of friends throughout the years, I even found a bunch of people that I would call my family too.

I’ve decided to take a little break from writing, just until I can find my traction again. Don’t worry, I will be coming back! Hopefully, a better writer.

Anyway, I just really want to thank you for the laughs, for the ugly cries, for the rage, for the keysmashes, and everything in between. You’re always in my heart.

Enough sentiments, let’s get down to business.

Guidelines:

🟪 MINORS DO NOT INTERACT. You are responsible for your own media consumption. We don’t exist to babysit you.

🟪 Send me an ask (with your @ if you’re on anon) with the prompt you’d like to take.

🟪 All stories should take place in the Bar, the Motel, the Diner, the Barn, or along the road. Welcome to Highway 63.

🟪 No minimum word count! If your entry goes beyond 500 words, please use the read more tool. All forms of content is welcome: moodboards, playlists, drabbles, one-shots, series, headcanons, etc. are counted as a valid entry.

🟪 To send an entry, mention me @bitchassbucky and @bitchassbucky-afterdark and use the Welcome to Highway 63 tag.

🟪 Marvel/MCU characters are very much preferred. Let me know if you want to write for another character.

🟪 Maximum of two people can take a prompt.

🟪 Warnings, warnings, warnings. Tag your fics appropriately. Dark (noncon, dubcon, etc.) fics are very much welcomed, just tag it. No cross-tagging too.

🟪 NO DEADLINE, we all hate deadlines. KEEP IT COMIN’, FOLKS.

🟪 Hard no-no’s: bathroom play, blood-incest, underage pairings.

🟪 No RPFs (Real Person Fics). Reader inserts or character/character only. OCs are welcomed!

🟪 Let’s keep all entries inclusive, please!

🟪 DO NOT REPOST WORKS OF OTHER PEOPLE.

Prompts under the cut!

Song prompts

You're Gonna Go Far, Kid by The Offspring

Bad To The Bone by George Thorogood

Don't Stop Me Now by Queen

Girls on Film by Duran Duran ( @belladonnabarnes )

Highway to Hell by AC/DC

Precious Love by James Morrison

Sugar for the Pill by Slowdive

Everybody Talks by Neon Trees ( @blackberrybucky for Bucky)

The Boy from NYC by The Ad Libs

Knock On Wood by Amii Stewart

How Sweet It Is (To Be Loved By You) by Marvin Gaye ( @buckyblues for Bucky)

MONTERO (Call Me By My Name) by Lil Nas X

Streets by Doja Cat (@luxeavenger)

Tokyo Love Hotel by Rina Sawayama

Lover Boy by Phum Viphurit

Nobody by Mitski

Take Me To Church by MILCK

Curious by Hayley Kiyoko

Line prompts

"Are you sure we're supposed to be here?" // "Are we even allowed in here?" ( @vibraniumqueen for Bucky)

"The GPS fucked up, didn't it?" ( @phant0m-queen for Bucky) ( @uncensored-steve-the-platypus for Steve)

"Drive slower!"

"Not bad [name], not bad."

"Can you shut the fuck up for just one second?!" ( @whoth3hellisbucky for Bucky)

"What did you do?"

"You don't deserve to know me like this."

"Oh, fuck."

"Do you want any advice?" / "If it's from you, then no."

"If you're reading this, I'm dead." ( @buckycuddlebuddy for Bucky)

"Close your eyes, I wanna surprise you." ( @lokiscollar for Bucky) (@drysdale-barnes for Bucky)

"What are you doing here?" / "What are YOU doing HERE?"

"Are you following me?"

"I'm gonna need a drink." (@fuckandfluff for Bucky)

"Keep walking. Just keep walking."

"Hey, I think I saw something back there."

"Come with me!"

"Hand me the car jack."

"We're in Bumfuck, Middle of Nowhere, what do you think?!"

Trope and AU prompts

Biker AU (very on-the-nose, eh?) ( @mxsamwilson for Bucky) ( @thefallenbibliophilequote for a series)

Rom-com AU

College AU ( @babyboibucky for College!Bucky)

Vacation/road trip AU

Band AU ( @hey-its-grey )

Mob/Gang/Criminals AU ( @buckycuddlebuddy for Bucky) ( @xbuchananbarnes for Sam)

Spies AU

Stalker AU

Dystopian AU

Fuck buddies/friends-with-benefits trope ( @whoth3hellisbucky for Bucky)

Found family trope

Mutual pining trope

Idiot x Dumbass trope ( @vibraniumqueen for Bucky)

Amnesia trope

Unreciprocated feelings trope ( @buckyblues for Bucky)

Lovers-to-friends trope

Friends-to-lovers trope

Enjoy yourself and I’ll see you around.

#bitchassbucky's almost there 2k writing challenge #welcome to highway 63 #writing challenge #writing prompts

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amazingphanisnotonfire-imagines · 3 years

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Interests Tag

Thank you for tagging me @thornyrose463

Music

Favourite genre?

Pop! Maybe a little bit of indie, but like indie pop!

Fave artist?

Oh God, I have too many to chose from. I’m usually really good with having just one favourite thing but with stuff like this I’m useless. Right now I’d say it was Orla Gartland

Fave song?

Again, I’m terrible at this. I would say right now it’s a tie Zombie! by Orla Gartland, Games by Tessa Violet and Psycho by Maisie Peters

Most listened to song?

Ever? Who knows, probably something by Taylor Swift.

Song currently stuck in your head:

Montero by Lil Nas X

5 fave lyrics:

1: every time she mentions your name, she says it like a prayer (more like you: orla gartland)

2: the millisecond that you're away i get the loneliest feeling (give me a try: the wombats)

3: the darkest night never felt so bright with you by my side (outer space/carry on: 5sos)

4: and i'll be okay, admiring from afar, cause even when she's next to me, we could not be more far apart (she: dodie)

5: it's you, you're the one that makes me feel right (me & you together song: the 1975)

Radio or your own playlist?

Own Playlist, who still listens to the radio nowadays?

Solo artists or bands?

Solo Artists, only because I think I like more solo artists than bands.

Pop or indie?

Pop!

Louder or silenter volume?

Louder!!

Slow or fast songs?

Fast!!!

Music video or lyrics video?

Music Videos! I have been obsessed with music videos since I was a kid, the only think I used to watch when I was younger was the music video channels!

Speakers or headset?

Headsets, I like to listen to music when I’m bored, and when I’m bored it’s because there’s something rubbish on the TV that somebody else is watching.

Riding a bus in silence or while listening to music?

Always while listening to music!

Driving in silence or with the radio on?

With the radio on, driving in silence is boringgggggg

Books

Fave book genre?

YA Fiction, or anything gay

Fave writer?

I don’t think I have one tbh

Fave book series?

I don’t really have a favourite book series, maybe the Tracy Beaker series because they are great.

Perfect book to ready on a rainy day?

Looking For Alaska by John Green

Fave book characters?

I can’t think of any right now so I’m gonna say Tracy Beaker because she is a queen

5 quotes you know by heart

I honestly don’t read enough to have any quotes memorised

Hardcover or paperback?

Paperback

Buy or rent?

Buy

Standalone novels or book series?

Standalone, I don’t have the concentration for a series

Ebook or physical copy?

Physical Copy

Reading at night or during the day?

At night/evening time

Reading at home or in nature?

At home, there’s bugs in nature and not the nice kind.

Listening to music while reading or reading in silence?

Honestly, it depends on how I’m feeling. Sometimes I can read while listening to music and others I can’t.

Reading in order or reading the ending first?

In order, who reads the end first?

Reliable or unreliable narrator?

Reliable

Realism or fantasy?

Realism, I’m not really a big fan of fantasy books

One or multiple POVS?

One, I don’t have the braincells to keep up with more than one POV

Judging by the covers or by the summary?

By the covers! If a book has a pretty cover you can bet I’m gonna pick it up, but then I’ll read the back and decide on whether I like it.

Re-reading or reading just once?

I usually read books just once unless I really, really like it

TV and Movies

Fave TV/movie genre?

Sitcom/Comedy

Fave movie?

Mamma Mia/The Goonies

Movie you watch every year?

I always watch the Cornetto Trilogy at least once a year, and on Christmas Eve I watch The Greatest Department Store In The World

Comfort movie?

Mamma Mia

Fave TV show?

Stranger Things

Comfort TV show?

How I Met Your Mother/Brooklyn Nine Nine

Most rewatched TV show?

How I Met Your Mother/Brooklyn Nine Nine

5 fave characters?

1. Steve Harrington

2. Robin Buckley

3. Villanelle

4. Malcolm Bright

5. Joyce Byers

TV shows or movies?

TV Shows!

Short seasons (8-13 episodes) or full seasons (22 episodes or more)?

Full seasons, duh

One episode a week or binging?

Binging

One season or multiple seasons?

Multiple Seasons

One part or saga?

One Part

Half hour or one hour long episodes?

I know this is unpopular but I prefer half hour episodes

Subtitles on or off?

Off

Rewatching or watching just once?

Rewatching. I rewatch more shows than I watch new ones

Downloads or watches online?

Watching Online

Tagging: @statticscribbles and @wayward-river because again, I’m nosy! And anybody else that wants to do it!

#tag game #thanks for the tag!

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friendly-jester · 3 years

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Playlist Tag Game:

Tagged by @the-restisconfetti

rules: we’re snooping in your playlist. put your entire music library on shuffle and list the first ten songs (including music only stuff like OSTs as well as songs) and then choose 10 victims.

1) MONTERO (Call Me By Your Name) - Lil Nas X

2) Me Without You (All I Ever Wanted) - All Time Low

3) I’ve Been Waiting - Lil Peep, ILOVEAKONNEN, and Fall Out Boy

4) Istanbul (Not Constantinople) - They Might Be Giants

5) Nothing Breaks Like a Heart - Miley Cyrus and Mark Ronson

6) Feel Good Inc. - Gorillaz

7) Wannabe - Spice Girls

8) Strawberry Blond - Mitski

9) ICHIDAIJI - POLKADOT STINGRAY

10) dorothea - Taylor Swift

why did you choose your url?

Because I think I’m friendly and love Jester from Critical Role lol

any side-blogs? If you have them, name them and why you have them.

brandhoekyo - I love Fruits Basket. That’s it.

past-the-stars - I just wanted a place to post solely pastel things at first and it has evolved to being a pastel, positivity, and pokemon blog over the years lol

umbrellas-and-raincoats - I like rain

hats-and-mittens - I like snow

candy-coated-apples - I like Halloween

how long have you been on tumblr?

WAY TOO LONG. Since 2011.

do you have a queue tag?

abracafuck queue ! It’s based on the quote from The Adventure Zone that made me start listening to it!

why did you start your blog in the first place?

My Harry Potter roleplay friends wanted to try out Tumblr roleplay and I thought “okay why not?” and made this blog and barely used it for the first year or so lol

why did you choose your icon/pfp?

I just... love Kermit the frog SO much

why did you choose your header?

SamBucky is my current emotional support superhero couple duo

what’s your post with the most notes?

I think it’s a Critical Role shitpost lol

How many people do you follow?

978 !

have you ever made a shitpost?

Every post I make basically

how often do you use tumblr?

Way more then I should lmao

did you have a fight/argument with a blog once? who won?

Someone was transphobic to me when I first came out as nb but I don’t think of it was a fight because I blocked them right away. I really try to avoid drama. The block feature is there for a reason!

how do you feel about ‘you need to reblog this post’?

I don’t think you NEED to reblog anything and think of them as mostly chain posts. If it’s important information I’ll try to reblog them but I mostly ignore them tbh

do you like tag games?

I LOVE THEM!!! Feel free to always tag me in tag games. I get so excited when I get tagged in them!!

do you like ask games?

AGAIN!!! I LOVE THEM!!! Always down for a good ask game!

which of your mutuals do you think is tumblr famous?

ummm.... no idea

do you have a crush on a mutual?

nah! but i do think of y’all as my friends even if we’ve never actually talked lol

Phone Photo Meme Game.

rules: choose one picture from ur camera roll without downloading to sum up your personality

gonna tag @momsthetic @bizabert @theparanoidpachyderm @cosplayspacepirate @blackcherrybucky @checkyourhead1992 @metalqueersolidiv @stoic-rose @onthepageoftears @megan-gale and anyone else who wants to join in!! 💕

#i was tagged #shouting into the void*

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gerrymike · 3 years

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OK. commentary on my satg playlist. For reasons

lol it wont let me hyperlink but. https://open.spotify.com/playlist/0w9pMZtOvP0plqdxT665q7?si=wEFnvdh3Rjaa0p2UX251mQ&dl_branch=1 Plug

1. PIEDMONT (DESTROY BOYS)

Looks like I'm late for the party Everyone knows the attire but me Glass walls separate us Catch a glimpse into different books On different shelves

i.e. teen crisis where u want desperately to live the same life as ppl on the street but also can’t imagine anything worse

2. SWEET ADELINE (ELLIOTT SMITH)

It's a picture-perfect evening and I'm staring down the sun Fully loaded, deaf and dumb and done Waiting for sedation to disconnect my head Or any situation where I'm better off than dead

i.e. she’s alive! is that worse or better. also jfc, you fucking hate hospitals

3. ALAMEDA (ELLIOTT SMITH)

You walk down Alameda Shuffling your deck of trick cards over everyone Like some precious only son Face down, bow to the champion

also

Walk down Alameda Brushing off the nightmares you wish Could plague me when I'm awake And now you see your first mistake Was thinking that you could relate For one or two minutes she liked you But the fix is in

i.e. oops it’s two elliotts in a row, sorry. just. about the connection you can form with someone given just a short period of time, and how sometimes it gets ruined by, like, a werewolf. pretty similar to sweet adeline. mx weisglass gets two songs. plus “precious only son” 😬 “shuffling your deck of trick cards” 😬

4. CAN I PLAY WITH MADNESS (IRON MAIDEN)

Give me the sense to wonder To wonder if I'm free Give me a sense of wonder To know I can be me Give me the strength to hold my head up Spit back in their face

i.e. for Me mostly because i think the whiplash from elliott to maiden is kinda funny. also the gerry VS twisty animosity, in over-the-top wizardy terms. sometimes you are full of hate and that’s OK 😬

5. ICU (PHOEBE BRIDGERS)

If you're a work of art I'm standing too close I can see the brush strokes I hate your mom I hate it when she opens her mouth It's amazing to me How much you can say When you don't know What you're talking about

and

I'll climb through the window again But right now it feels good not to stand Then I'll leave it wide open Let the dystopian morning light pour in

i.e. we’re back in london…and, well, yeah. also, song title! we’re still in sacramento, actually, spiritually, at this point in the story

6. CRY FOR JUDAS (THE MOUNTAIN GOATS)

Feel the storm every night Hope it passes by Hallucinate a shady grove where Judas went to die Unfurl the black velvet altar cloth Draw a white chalk Baphomet Mistreat your altar boys long enough and this is what you get

i.e. crew. i think about him

7. IRIS (THE GOO GOO DOLLS)

And all I can taste is this moment And all I can breathe is your life And sooner or later, it's over I just don't wanna miss you tonight

plus

And I don't want the world to see me 'Cause I don't think that they'd understand When everything's made to be broken I just want you to know who I am

i.e. OK. OK. OK. yeah, OK. damn right all you can taste is this moment…yeah OK. SONGS5

8. KILL ALL YOUR FRIENDS (MY CHEMICAL ROMANCE)

It's been 8 bitter years since I've been seeing your face And you're walking away And I will die in this place

It's been 10 fucking years since I've been seeing your face round here And you're walking away And I will drown in the fear

i.e. ah…the lyrical differences in the chorus…yes…also i love how raucous this song is despite what it’s about. it’s got satg energy!!! “seeing your face”, of course, is not literal 😬

9. ENCHANTING GHOST (SUFJAN STEVENS)

Don't carry on carrying efforts, oh no, oh oh oh oh Somewhere there's a room for each of us to grow And if it pleases you to leave me, just go, oh oh oh oh Stopping you would stifle your enchanting ghost

and

Did you cut your hands on me? Are my edges sharp? Am I a pest to feed?

i.e. 😬😬😬

10. PAUL (BIG THIEF)

In the blossom of the months I was sure that I'd get driven off with thought So I swallowed all of it As I realized there was no one Who could kiss away my shit

and PARTICULARLY

Well Paul, I know you said That you'd take me any way I came or went But I'll push you from my brain See, you're gentle baby I couldn't stay, I'd only bring you pain

i.e. HARROWING TERRITORY!!!

11. PITSELEH (ELLIOTT SMITH)

I'll tell you why I Don't wanna know where you are I gotta joke I've been dying to tell you

i.e. sorry. a lot of elliott smith on this playlist. thems the breaks

12. OPHELIA (THE LUMINEERS)

Oh, Ophelia You've been on my mind girl like a drug Oh, Ophelia Heaven help a fool who falls in love

i.e. callbacks to SONGS5…! and more pain

13. CLOUDS (BORNS)

I forget all my dreams I forget everyones name I meet I forget about time and space But I can't stop thinking 'bout your face

i.e. tfw your memory’s shit and also you just threw yourself into the sky and you’re still not over it. yowch!

14. ARCADE (DUNCAN LAWRENCE)

Oh, oh-oh-oh oh Oh, oh-oh-oh, oh All I know, all I know Loving you is a losing game

i.e. sorry i heard this song first in a c#tradora edit and i have never recovered.

15. WARS (OF MONSTERS AND MEN)

Yeah, I love you on the weekends But I'm careless and I'm wicked Yeah, I love you on the weekends It's a cruel war I still have pieces of you stuck on me Pieces of you stuck on me Yeah, I love you on the weekends It's a cruel war

i.e. PIECES OF YOU STUCK ON ME!!!!!!!!!!!!!!!! this is the only song of the new omam i’ve heard. i never got around to listening to it. but this one slaps

16. MONTERO (LIL NAS X)

Lookin' at the table, all I see is weed and white Baby, you livin' the life, but baby, you ain't livin' right Cocaine and drinkin' with your friends You live in the dark, boy, I cannot pretend

AND

A sign of the times every time that I speak A dime and a nine, it was mine every week What a time, an incline, God was shinin' on me Now I can't leave And now I'm actin' hella elite

AND ESPECIALLY

I want that jet lag from fuckin' and flyin'

i.e. God i love this song. re: avatarhood. YOU CAN’T LEAVE!!! not saying it’s like being a celebrity, but it’s like being a celebrity. dual perspectives here with G + his morality regarding the person he loves being, uh, evil? (you live in the dark / i cannot pretend) and M + debt he owes to his god, erosion of his own morals. also, SHEER F*CKING VIBES

17. GEYSER (MITSKI)

You're my number one You're the one I want And you've turned down Every hand that has beckoned me to come

i.e. love songs that serve double as to your god and to your lover

18. THAT’S WHAT I LIKE (BRUNO MARS)

Jump in the Cadillac (Girl, let's put some miles on it) Anything you want (Just to put a smile on it) You deserve it baby, you deserve it all

i.e. this song is here because i say so. a real “sorry it’s been seven years let me make it up to you” vibe

19. RUN AWAY WITH ME (SUFJAN STEVENS)

And I say, love Come run away with me Sweet, falling remedy Come run away with me

i.e. more grand ridiculous propositions. more to come. but they’re born out of a real frustration with the situation at hand! it sucks! also, “falling remedy”,

20. LET’S GET MARRIED (BLEACHERS)

I'm gonna get right for you, honey I'll take all of my medicine, spend you all my money, yeah I know it's hard enough to love me But I woke up in a safe house singing, "Honey, let's get married"

i.e. bro.

21. I WILL (MITSKI)

And while you sleep I'll be scared So by the time you wake I'll be brave

i.e. a lot of these here are self explanatory..

22. ME & MY DOG (BOYGENIUS)

I had a fever Until I met you Now you make me cool

also

I never said I'd be all right Just thought I could hold myself together But I couldn't breathe, I went outside Don't know why I thought it'd be any better I'm fine now, it doesn't matter

i.e. title is significant. and yeah. just. recovery’s tricky

23. I FOUND (AMBER RUN)

And I've moved further than I thought I could But I missed you more than I thought I would

i.e. this is like a staple song for like. basically. any pairing. but i’m pathetic and it gets me every time. there’s something about it. not sure if i’m going to leave it on this playlist but. hm. yeah

OK that’s a wrap. highly likely i’ll put more songs on this as i go

#talk #i wrote this post instead of working. yay me

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the-apocrypha · 3 years

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8 songs, 8 tags

thanks to @toast-the-unknowing for the tag!

1. your favorite song at the moment

WE AREN'T STARTING EASY ARE WE. I'm so bad at favorite songs. Um. I finally listened to Montero by Lil Nas X about two weeks ago and it is a BOP. I'm probably the last person on earth to discover this. I've also been obsessed with the last Taylor Swift album since its release, particularly coney island because Taylor + The National = *chef's kiss*.

2. a song you associate with a favorite character or ship

Well I have a whole playlist devoted to my last fic, so that's... a lot of Stucky stuff, though largely specific to the themes of the fic. Dust to Dust by The Civil Wars is a big Steve Rogers one for me, though.

3. a song that could be about you

Mmm tough one. No Roots by Alice Merton is probably pretty close, I guess? I've definitely had phases where I was like "Yes, this song is ME", but then those phases passed and so did the songs. Right now I don't really have a personal anthem, so this one is about as close as I get.

4. a song you think is overrated

As a former marching band geek from Ohio, I have a personal vendetta against Hang on Sloopy by The McCoys, and probably only other people from Ohio will understand why. FUCK this song.

5. a good song that reminds you of a specific memory

Us by Regina Spektor - a road trip in the fall, the winding roads of eastern Pennsylvania with currents of autumn leaves skittering over the road

Aimee by Pure Prairie League - playing Bullshit by the light of a lamp in the middle of the desert, dust in every imaginable crevice, coyotes barking in the distance

Hopeless Wanderer by Mumford and Sons - a 3 am trip to Denny's in a blizzard, the zenith of the midwestern living experience

6. the last song you listened to

I'm in the middle of Hadestown (yet again), so How Long?

7. a song that makes you laugh

Most recently, the song I discovered while doing WW2 research for my last fic - Hitler Has Only Got One Ball, released in the late 1930s, which is an exquisitely graphic song about German testicles that rapidly became a popular marching song amongst Allied troops. This led to a rabbit hole on the surprisingly saucy releases of the 1930s, including Shave 'Em Dry by Lucille Bogan and My Girl's Pussy by Harry Roy. These are part of a larger music genre known as the 'dirty blues', and if you're interested in music history I can't recommend a better rabbit hole than the Great Depression experienced through the African American musician's perspective, already at the bottom of society and now forced even lower by economic downtimes. How the blues, scorned by white people and picked over by record labels in a time when they could only afford to promote a few, reliable (white) musicians, developed instead as an underground musical culture solely for and about the Black experience. The brutal honesty with which it chronicled their lives, unconcerned with the outsider's perspective. How the repeal of Prohibition ushered in the age of jazz, when white people decided they liked African American musicians again, and how the popularization of their music necessarily changed the style of it as a result, especially in a transition from rural blues to the urbanized sound of jazz as a result of major record labels forcing musicians to migrate to cities and--

Anyway. Uh. If that interests you, you should do some JSTOR searches and have a look at the history of blues.

8. a song you want your mutuals to listen to

The Sound of Silence, covered by Disturbed. This is my sixty-something year old mother's favorite song. "He has such a lovely voice," she says. "He shouldn't scream so much in his other songs."

As always, I have no real friends on this hellsite, so, I shall tag the last eight people who liked something from my feed. That's what you get for participating! @theonionpicardo, @jazzathebunny, @mklutz, @subtle-skipping, @echosera, @fiveandoh, @devildoll, @puppercut

#about me #hi i'm a slight music nerd #with terrible taste in music

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abcdosaka · 3 years

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a few weeks ago spotify had that error where a bunch of kpop songs were missing and i couldn’t listen to my mamamoo chill playlist anymore (i like listening to it when i’m working) so i made a new playlist on youtube with basically every mamamoo song i like (currently has like over 100 songs). since youtube’s shuffle is busted i found a website that shuffles them better and i can listen to it together with my other youtube playlists (i made one for red velvet, even though i only know like 7 songs by them that i like; same with ariana grande i only know a few of her songs and then the songs from her first album). anyways ive been shuffling those three playlists together and only listening to that for the past month even though spotify fixed its issue already. and you know what ill still never get tired of mamamoo songs. they’re so perfectly produced and the vocals are alllways on point.

the things that suck about this situation is that my ears hurt from always wearing my headphones, and also i haven’t been able to listen to any new/different for a while. like this is my playlist for the past two months:

its only 15 songs and 4 of them are from wheein’s album so i feel like they only count as “1 discovery of new music”. if that makes sense.

kinda think i should stop wearing headphones so often but its hard to change anything about me rn. at least let me have music. (that’s me talking to myself like always).

hmm what else....montero is so catchy. lil nas x songs are always super short but omfg he really knows how to write a catchy hit. even without the controversy i think he still would’ve charted super high bc the song is so good.

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deadcactuswalking · 3 years

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REVIEWING THE CHARTS: 10/04/2021 (Olivia Rodrigo, Demi Lovato)

Well, I guess it’s a pretty slow week – at least more than I had predicted – given that I thought Demi Lovato and Olivia Rodrigo would make a lot more of a genuine impact high up in the chart than they actually did. I can’t really predict the chart accurately at all in those conclusion segments considering I write and release these episodes even before first-day streaming numbers are released, but I at least expected Rodrigo to debut in the top 10. Alas, we have kind of an unexpected filler week, before Taylor Swift impacts the charts next week – I think that prediction’s enough of a safe bet to be right, right? Anyways, Lil Nas X’s “MONTERO (Call Me by Your Name)” stays at #1 for a second week that I didn’t see coming, and let’s just start REVIEWING THE CHARTS.

Rundown

Now I talk about music that is purposefully out of my comfort zone on this series – the music is accessible, sure, because it’s charting music but not all of it is in genres and scenes or by artists I know a hell of a lot about or have listened to repeatedly. Hence, I don’t tend to talk about my own music taste often on here, because of two reasons: one being that I’m unsure it even exists and can be summed up in a sentence, and two being, well... according to Spotify’s “On Repeat” playlist, I’ve been listening to “Paralyzer” by Finger Eleven an obscene amount this past week – if you had to make a Cactus Chart, it would probably debut at #1 15 years after the fact. Now, ignoring the fact that I kind of do want to make that chart, which I probably can with last.fm, I’m sure that will quell any need to talk about my own deeply embarrassing musical habits on this page ever again. Now, moving from the Cactus Single Charts to the UK Top 75, which is what I cover, we can see that there’s been some minimal action on all fronts.

In terms of our drop-outs, we do have a couple notable ones, including both of Fredo’s songs as ACR cuts their streaming numbers and hence, rather unfairly and inaccurately, “Money Talks” with Dave and “Ready” featuring Summer Walker both exit the top 75. I guess they were on their way out eventually, and some ACR-affected songs have indeed survived this week, but it’s still annoying to see for songs that are contemporary and still popular. Otherwise, we have “Wants and Needs” by Drake featuring Lil Baby exiting, as well as some genuinely big hits from this Winter, those being “Good Days” by SZA, “Whoopty” by CJ – finally – and “you broke me first” by Tate McRae after 35 long weeks. Now the charts are no longer addicted to blue cheese, what’s filling in the gaps?

Well, we only have one returning entry, that being “Dreams” by Fleetwood Mac, a song that seemingly cannot stay dead, not that I’m complaining. What’s more interesting is what’s on the chart itself, as we do have some notable climbers and fallers. For the notable losses, we have “Good Without” by Mimi Webb at #23 off of the debut, “Patience” by KSI, YUNGBLUD and Polo G at #24, “Anyone” by Justin Bieber at #31, “6 for 6” by Central Cee at #37, “Blinding Lights” by the Weeknd still here at #38, HVME’s remix of Travis Scott’s “Goosebumps” at #39, “Head & Heart” by Joel Corry and MNEK finally dropping out of the top 40 at #41, “What’s Next” by Drake continuing to collapse at #49, taking “Lemon Pepper Freestyle” with Rick Ross at #51 along with it, “telepatía” by Kali Uchis at #56, “Mood” by 24kGoldn and iann dior at #62, “Sweet Melody” by Little Mix at #66, “Someone You Loved” by Lewis Capaldi finally making way for an exit at #68, “Bringing it Back” by Digga D and AJ Tracey at #69, “Cloud 9” by Beach Bunny sadly at #70 off of the debut and finally, “You’re Mines Still” by Yung Bleu featuring Drake at #72.

What’s shocking to me is the little impact that both Demi Lovato and Lil Tjay had, showing that people might just not care about these artists past their singles. Sure, we got some tracks from both of them – that are already being pushed as singles – but on Lovato’s side, “What Other People Say” didn’t move an inch and we only got minimal gains for Lil Tjay’s “Headshot” and “Calling My Phone”, which I expected to go back into the top 40 and top 10 respectively. In terms of our actually notable climbers, well, we have “Mr. Brightside” by the Killers going for a fiftieth chart run at #67, “Beautiful Mistakes” by Maroon 5 featuring Megan Thee Stallion at #60, “Don’t You Worry About Me” by Bad Boy Chiller Crew surging up to #53, Tom Zanetti getting his first top 40 hit with the garbage “Didn’t Know” at #40, “Black Hole” by Griff at #33, Majestic’s remix of Boney M.’s “Rasputin” at #29, “Ferrari Horses” by D-Block Europe and RAYE at #22, and that’s about it other than our single notable change in the top 20, that being “Millions” by Russ Millions and Tion Wayne up to #13 off of the debut, despite being an absolutely worthless song. In fact, it’s looking pretty dire in the top 20 in general, I’m starting to hope that my Cactus Charts actually had any impact. Regardless, we still have eight new arrivals to discuss, so let’s start right at the bottom.

NEW ARRIVALS

#73 – “Film out” – BTS

Produced by UTA and back number

Now, BTS occasionally releases songs for the Japanese market, a common practice for K-pop bands – as far as I know – and this one in particular was marketed only in Japan for a Japanese film. Therefore, I think I was pretty reasonable in thinking this wouldn’t even get close to charting, but I should never underestimate the power of BTS fans buying digital singles. After all, that’s what kept “Dynamite” on the chart for as long as it had its run. Now, I’m not well-versed in J-pop at all other than some brief dives into city pop and picopop – both of which I enjoyed thoroughly – so I didn’t really know what to expect but it does make perfect sense to me that the boys are crooning over a cleanly-produced, theatrical piano-lead instrumental. Given that there’s a post-chorus consisting almost entirely of “ooh-ooh, la-la-la-la” about 45 seconds in, I gave up entirely in terms of lyrical content, although reading some of RM’s translated lyrics in particular makes it seem oddly poetic. How does it sound? Well, exactly as I’d described it: the boys are reigning themselves into to a more subtle instrumental and whilst some of the multi-tracking is distracting and each of the parts don’t really flow as well as they wanted it to, especially due to the loud vocal mixing which definitely overshadows the impact of the wonderful string swells in the final chorus and gives you enough audio-wise to completely ignore the trap-adjacent percussion. The song’s fine and I do like the inflections of acoustic guitar especially, but I’m not really impressed by this, not that I was supposed to – it’s a Japanese soundtrack song, it’ll be gone tomorrow and I’m sure the audience there is enjoying it more than I can.

#64 – “Summer 91 (Looking Back)” – Noizu

Produced by Noizu

Now if you don’t know how Noizu is, I can’t blame you as neither did I. I quickly found out he was another house producer and this track that had been released in January had just gained enough steam to debut this week. The guy has been in EDM production for a while and was immediately cosigned by people like Skrillex and Diplo, and he seems to hide behind this cartoon character for branding and anonymity’s sake, which I can’t blame him for when I consider the public images of both Skrillex and Diplo. The song, originally just called “Summer 91”, was remixed for a major-label release on RCA, and it’s about what you’d expect. It’s a deep house track with a driving 90s MIDI piano melody, uncredited female vocals that can’t even get close to the power of those diva house vocals from decades before and a anti-climactic drop with some cheap percussion. The chorus actually sounds a lot like “Body” by Loud Luxury and brando from one or two years ago, so it’s not even that original in its main hook, though I can give it credit for the synth-work being more sci-fi and kind of interesting, and its song structure being increasingly disjointed, even moreso than the typical house-pop track that debuts low on these charts, which means a lot less when the song has so little tricks up its sleeve. And no, the 220 KID remix isn’t any good either, in fact, it’s a lot worse.

#63 – “Run it Up” – Lil Tjay featuring Offset and Moneybagg Yo

Produced by Josh Petruccio

I tried to listen to that Lil Tjay record and within five tracks decided it was absolutely not worth my time, so I’m glad we only have a single song from the album debuting, though I am surprised that it seems to be the borderline posse cut that runs for nearly four minutes and I’m immediately disappointed. I know how all three of these guys can flow and how fast and high-energy all of they can be, as well as how smooth Offset always is, so why is this beat such a dull, piano-lead sludge with gross bass mixing? Why is Lil Tjay wasting my time both content- and delivery-wise, flubbing rhymes to the point where he doesn’t even bother finishing the line, even when he cops Roddy Ricch’s “The Box” flow in the middle of his verse? Why is the chorus just “Run it up” repeated ad infinitum with no energy? Okay, so it’s not all bad – Offset impresses flow-wise as he always does, trying his hardest to inject some energy into this with his ad-libs and constantly changing flow, because at least he has a personality and some charisma, but even he stops trying by the end of his verse. Moneybagg Yo channels 2 Chainz but without anything that makes 2 Chainz a worthwhile presence for a verse that somehow ends up as the best, most consistent here, and, yeah, I now know me skipping the majority of this record was a good choice.

#59 – “Runaway” – AURORA

Produced by Odd Martin and Magnus Skylstad

I know nothing about AURORA, and I was pretty confident I wouldn’t need to past her John Lewis advert success and her part on the Frozen II soundtrack of all places, but alas, she’s charting again with no kind of visual phenomenon attached to it. AURORA is a Norwegian singer-songwriter on the same wavelength as Bjork and hence the eye of a lot of critical success that doesn’t necessarily translate always into album sales. She has seen intermittent success with singles so I assumed this had just been somewhat of a breakout single from her newest record... but no, it’s from her first album and the single was released all the way back in February of 2015. So, naturally, you’ve got to assume TikTok and you would be correct, but is the song good? Well, the vocal loop double-tracked to act as a synth melody and eventually a choir is kind of a cool idea, and AURORA herself has this frail, accented delivery that’s definitely endearing. The song itself is about escapism and running away from confronting your emotions and the writing is good, even if it tends to be a bit messy if more attention is placed onto it, particularly in the verses. That’s not to distract from the fact that this is absolutely a song from 2015 as if you couldn’t tell from the percussion you can tell from the future bass-esque that’s almost cringeworthy in its anti-climactic entrance and doesn’t even really work at all, especially when it just disappears prematurely. I get going for a glitch-pop thing but it just does not make sense in a ballad like this, in fact, I’m finding it hard to find a part that could be used in a TikTok. The second drop works a little better because AURORA has more conviction in her desperate vocal delivery that sounds legitimately great, but I still think there’s such little impact in the percussion that the blend of synths and strings becomes ultimately just a distraction from what could have been a decent piano ballad. It makes it more interesting, for sure, but also more frustrating. Much like Ryn Weaver’s “Pierre”, also a 2015 indie-pop track suddenly charting six years after the fact a couple weeks ago, there’s a good song hidden somewhere in shoddy and awkward production. I really wish I could have liked this more.

#50 – “Dancing with the Devil” – Demi Lovato

Produced by Mitch Allan

Okay, so our next two songs are both from Demi Lovato’s comeback album, Dancing with the Devil...the Art of Starting Over, an album that if anything I am glad exists as it is a catharsis for Demi Lovato that needed to be released as it discusses her overdose, rehab, last relationship and everything both leading up to those events and the aftermath of them. The album isn’t perfect but feels open, revealing and most importantly an honest release for Demi Lovato and I think that’s worthy of praise in itself. As a 19-track album, it is bloated but does have enough sonic experimentation in the pop sphere for it not to grow stale, and I think there are great songs in there – it’s a good album – but you can already tell it’ll be dated soon enough, not that that’s really a problem now in 2021, but might hurt future revisits, especially with some of the production that already sounds awkward. Thankfully, we get two pretty down-beat and dark tracks from the record, which is where it usually shines, the first being the (half-)title track, released just a week before, and it’s pretty excellent. This soulful track builds itself on echoed percussion, subtle piano and Demi stumbling purposefully through verses detailing her mindset when she drinks alcohol and soon enough ends up “dancing with the Devil” and taking harder drugs like cocaine and heroin in the second verse. Musically, the chorus does struggle with some awkward mixing that makes the strings and instrumentation kind of pile up in a blend that sounds a lot louder than it should be, especially when everything is layered up to make each instrument indistinguishable and unrecognisable, pushing Demi’s vocals to the middle and forcing each multi-tracked ad-lib and vocal run to barely fit in the mix. I love this song from a songwriting standpoint even if it tends to be a bit blunt, but it definitely suffers from this production, which is mostly fixed in...

#44 – “Met Him Last Night” – Demi Lovato featuring Ariana Grande

Produced by Xavi and TBHits

This is my favourite song on the record by a fairly big margin, as everything seems to work here, in a way that doesn’t happen across the rest of the album. The song goes for a similar metaphor with the Devil being illicit substances, something that’s been done before and will continue to be done for eons, but Demi and the songwriters do go for a more unique take on it, picturing both Demi and Ariana in a bar or some kind of late-night hang-out as they “see the Devil” – really, seeing themselves at a low point partaking in substance abuse, which is a really interesting and potentially heart-wrenching perspective, especially if we’re going to get the duality of the chorus being self-aware of these vices but ultimately indulging in them anyway, compared to the verses and bridge where Ariana acts as Demi’s consciousness, vowing and pleading with her never to let drugs “take advantage of her innocence” again. The bridge is just wonderful in how the interplay between Ariana and Demi leads to Demi confronting these vices and promising that she won’t ever end up this bad again, before the truth is revealed by Ariana twisting the pre-chorus. Originally, it’s a threat to “the Devil” – that she can see right through the initial appeal of taking hard drugs and will try her hardest to dismiss them – but with the added context of that bridge, becomes a pretty telling response to Demi’s confidence, shutting her down by saying she sees through this facade of willpower and that she’ll still resort to substance abuse once again... which is sadly reinforced by that final, striking chorus that doesn’t change at all from the first, constructing a narrative that ends up going full-circle as Demi is back to where she started. It helps that this instrumental is downright demonic as well, with those menacing 80s synths sliding over some gorgeous violins in the intro, before all of that cuts out for the pre-chorus as that leering melody is whispered by both singers, and the chorus continues to rise with the strings, synthesised brass and the sparse percussion, which drops in Ariana’s verse to become a booming, drill-adjacent beat not afraid to cut out for Ariana’s multi-tracked humming. In fact, I love how organically this beat moves despite it being so obviously programmed, with the swelling of those strings before every impact and the intricate vocal sequencing making sure every gorgeous vocal run and ad-lib is heard. I’m almost glad I’m confident in this not becoming a hit because I would have already talked it to death here before it gets a chance to top my best list, as this is one of the most brilliantly-constructed pop songs I’ve ever heard and absolutely deserves your attention.

#43 – “Nice to Meet Ya” – Wes Nelson featuring Yxng Bane

Produced by Ayo Beatz

And now for some guy featuring some other guy produced by another guy. To give full credit, this beat is actually very well-produced, especially with that gorgeous piano lead in before the reggaeton-esque drum rhythm kicks in alongside those squeaky horns. It’s everywhere else where this song collapses in on itself, as Wes Nelson’s voice is drenched in so much Auto-Tune and reverb that it just sounds grossly cheap, with some comical ad-libs and some comically bad lyrics in this chorus, which I’ll repeat to you now. In a rather Shakespearean tone, our lead artist plays poetic word association with the hedonistic lifestyle of one Wes Nelson, excitedly greeting the listener with a “Nice to meet you”, before striking our deserved attention with his simplistic albeit bitingly effective rhymes. “Stepped in froze, freezer. Christian Dior, huh? Christian Dior, Jesus.” I don’t expect Nas from this guy but I at least expect bars that makes some kind of sense and don’t sound like juvenile attempts at early 2010s Drake-esque hashtag-rap. The song continues to waste the potential of its pretty great production as Wes Nelson strains his voice and somehow still ends up mumbling in his off-beat flow and janky cadence. Yxng Bane is, I hate to say it, probably the best part of this track, as at least he can convincingly sing and his detailed description of him messing around with a vegan girl (which has no relation to what he says, but he still says it) is at least more interesting lyrically than whatever Wes Nelson’s saying. “I met her in Victoria’s Secret then she let me into her Victoria’s secrets” is about as awful as a line when sang as it is read, and I mean, Wes Nelson’s falsetto doesn’t do him much justice in the unnecessary third verse either, so, yeah, this is a pretty crap attempt at riding a great beat. Give this to Rema or Burna Boy and something could have been done with this.

#27 – “deja vu” – Olivia Rodrigo

Produced by Dan Nigro

Finally, we have the follow-up single to Olivia Rodrigo’s “drivers license”, a song I liked, and I’m glad I did because so did Olivia herself and her producer Dan Nigro, as here we have essentially a sequel if not a reboot to that song. Here, Rodrigo starts to question the authenticity of Joshua Bassett’s new Disney-ordered relationship with Sarah Carpenter—I mean, her unnamed ex-boyfriend’s new fling with another woman. It’s an interesting take to have Rodrigo in a place where somewhat sympathises and pities the new girlfriend, as she’s not getting anything unique or new from her ex-boyfriend anymore. In fact, a lot of this song is really confrontational as she demands the boyfriend to tell his new girlfriend that all the stuff he’s doing with her is what he did with Rodrigo. That’s all fine and good but how does the song sound? Well, it’s got a bell-based instrumental, almost one that’s childish and intimidating, which is perfect for the petty selfishness of the content. In fact, the song as a whole seems to attempt to go for that, with the hilariously multi-tracked and echoed fake laughter in the first verse, as well as all of the extra inflections and backing vocals throughout. The song builds in a very similar way to “drivers license”, but drops earlier into a killer indie-rock groove with a squealing guitar and incredibly distorted drum pattern, almost reminding me of a Flaming Lips song if that’s not too far-fetched of a comparison. This song ultimately does enough to derive and distinguish itself from “drivers license” and whilst it’s not as smooth of a powerful pop track as that one was, and the mixing here is definitely more awkward, we get a different side to Olivia Rodrigo that we’re not to have as much sympathy for. Sure, we know how tough the feeling of being replaced is, but she’s noticeably pettier and arguably kind of unlikeable especially in that bridge, which is a lot more fast-paced than the rest of the song and also has somewhat gratuitous swearing because this is still a formula. Overall, I think this is a pretty great song and I might ultimately prefer it to “drivers license” just out of how it sounds and I’m always happy to see more genuine rock on the chart, so I’m glad we end on a good note.

Conclusion

And on said note, Olivia Rodrigo cops the Honourable Mention for “deja vu” – not that there was much competition – with the Best of the Week going to “Met Him Last Night” by Demi Lovato featuring Ariana Grande. For Worst of the Week, it’s really not that easy as I thought it would be as not much here is that bad at all. I guess I’ll give it to Lil Tjay once again as “Run it Up” featuring Offset and Moneybagg Yo is just joyless, with a Dishonourable Mention for Wes Nelson and Yxng Bane for just crapping all over a great instrumental on “Nice to Meet Ya”. Anyway, here’s this week’s top 10:

I’m not sure if I can make any confident predictions for tomorrow, other than the impact of Taylor Swift, Twenty One Pilots and, if I’m getting my hopes up, BROCKHAMPTON? Regardless, thank you for reading and I’ll see you next week!

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