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#and flaws and I love when we get to see her be ‘ complex ‘
reggies-eyeliner · 16 hours
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OKAY AN EXTREMELY SELF-INDULGENT SENSELESS RAMBLE ABOUT JWCT REGARDING GRIEF AND EMOTIONS AND FOUND FAMILY AND COMPLEX CHARACTERS COMING UP AHEAD WOOP WOOP !!!
i cannot stress to you enough. how much i love the way they write processing trauma. like yeah trauma is all silly and angst and whatever but it's a real thing like genuinely and it's exhausting to see shows just dismiss it over and over again but THIS SHOW I SWEAR IT'S JUST. EVERYTHING IS DONE SO SO WELL AND I AM ETERNALLY GRATEFUL LIKE
and not to mention that the animation SERIOUSLY DOES IT JUSTICE like the expressions are SO GOOD OH MY GOSH LIKE IT'S I'M THEY'RE YEAH THE EXPRESSIONS. ARE INCREDIBLE. that looks darius got in his eyes when he KNEW the password to brooklyn's phone and kenji didn't??? so good SO GOOD and just the way their eyes all shine before they start crying is actually done so well that if you listen carefully you can feel my heart breaking
also i love how like emotional processing is also written so much. all of them aren't afraid to cry and i feel like that's just. yeah it's beautiful. they cry soft they cry loud whatever it is they're comfortable enough to do so and if they're not they at least know they won't be judged for it ARE YOU KIDDING ME I'M GOING TO BITE A TABLE?????
the characters have flaws. i love that so much. the characters are not perfect but they're still likable and it's executed so well. darius' grief is PALPABLE and kenji's anger, albeit sometimes annoying, is so understandable that you can't actually be angry or annoyed with him because the story writing makes you understand. that's incredible. yasmina struggles with anxiety and ptsd and she gets frustrated and that is !! okay !! sammy ignores her emotions and struggles with toxic positivity but we understand *why* she talks to yasmina that way (because she's worried and scared and concerned for her girlfriend, but she's also just as worried of truly addressing what she's been through) so it's so hard to get mad at her. ben is THANJ GOODNESS not mischaracterized as a cinnamon roll and is actually a complex character with complex emotions and i can't get enough of it. he's like a pain he's so annoying sometimes but it's endearing because he reminds you of that one classmate from elementary that makes you go ohhh yeah no it's him that's fine
okay paragraph was getting long but I do have more to say about kenji. the relationships in this show are executed SO WELL and I'm beyond relieved that Kenji and Daniel's relationship was written INCREDIBLY WELL
like. okay first off the asian rep YEAHGHH IT EAS GOOD !!! WOOP WOOP YRAHAHDH HONK HONK the part about kenji saying he should get his violin after daniel was like telling his sob story was SO FUNNY OH MH GOSH
and just. kenji and daniel kon. im. like his dad was never perfect. far from it and yet kenji just he loves him so much and wants to make him proud and it makes me sick because the writing helps you UNDERSTAND why
daniel keeps giving kenji ultimatums and kenji standing up to him for once just. yeah. that was done incredibly well. and then not even ten minutes after daniel started to change and gave his son something without expecting anything in return other than his presence daniel gets eaten alive in front of him.
okay now this show holy moly i was NOT expecting daniel to just. get ripped apart but um YEAH THAT HAPPENED and the grief was written so well I cannot stress this enough. I loathe in movies and shows when they skim past traumatic deaths and just act like the grief is just non existent and this show does an incredible job at showing that it is VERY MUCH STILL THERE and it makes people out there who are struggling feel a little less crazy and that's so beautiful
i've been a benrius enthusiast since day one and honestly at this point i just hope everything goes well for them moving on. brooklyn's death and Darius coping with her grief was done SO SO WELL and honestly okay as much as i love sibling-type dinostar i think rewatching scenes with the lens that he was in love with her just makes it hurt so much and it's just. yeah. it's written well.
I will say that I think the story could have gone on without Darius confessing his love to Brooklyn, and the scene where Kenji asked Darius about the voicemails could have been used solely as a chance to highlight grief. another way the scene could have gone was if kenji sifted through the voicemails and just heard Darius's voice shatter in a way he's never quite heard it or listened to darius blame himself and that could have been a moment for kenji to realize that grief isn't something people should deal with alone, that *he* shouldn't deal with grief alone
regardless i really do think the idea that Darius was in love with Brooklyn was done really well. I don't know a better way for kenji to have figured out the truth, and for that I am grateful :D!! I hope the hardcore shippers don't get too mad though 😭
also I absolutely loved the lady with the whistle. she's cool. her character design is terrifying and the way she treats the dinosaurs reminds me a of a queen that is very fond of her workers like 😭 she's cool but also i would never want her within a 100 mile radius of me
the found family in this show is actually. yeah. it makes me cry because it's just done so well because it doesn't idealize perfect relationships. there are awkward moments, there are sad moments, characters still feel broken and alone despite having people who've actively said that they'd go to the moon and back for them. it's realistic and it's written beautifully
I think Darius might actually be the character with The Writing ever. his grief and his nostalgia, his awkwardness and fascination with learning and his kindness are all things that exist together and I am so so grateful for that. he's allowed to laugh and make jokes while feeling constant, looming guilt. he is fascinated with learning while also struggling to feel like he deserves to be happy, he enjoys learning about dinosaurs while also being terrified of them on the worst days. he feels guilty and feels like a bad person. but he's loved and he's cared for. can you tell he's my favorite now because
enamored with yasmina and sammy as always. they are just the girlfriends ever and i love so much how openly they communicate with each other. sammy apologizes when she makes mistakes, yasmina doesn't hold it against her. they're always at each other's sides and their love isn't conditional. i love them SO MUCH
okay sorry im making this about darius again but this guy actually is The character ever. I don't think I've ever felt so seen in a character and i just yeah the writers are incredible because all of the characters are written to feel relatable, and if not that, to feel real. it was just a huge comfort to me to know that okay im not crazy for feeling this way because of a character, who was written and animated by dozens and dozens of creators was allowed to be written this way, i'm not messed up in the head, im just processing emotions and it's okay that I need help for that
THIS SOUNDS SO CRINGE I AM SO SORRY
but yeah i. i love this show.
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yaltghoul · 3 days
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This is not written with any hatred nor criticism, which I will get into more in a bit, but I feel like, among the three daughters, Penelope is the most like Portia.
Prudence and Phillipa are dense. There is no kind way to word that. They lack both emotional and intellectual quotients. There is no street nor book smarts. On top of that, they both are, especially this season, intentionally cruel to Penelope.
Portia tends to also say cruel things to Pen, but they seem to be based on a jaded perspective rather than being malicious. Like saying she shouldn’t expect to find a marriage in her third year on the Mart and that True Love is fictitious, or even scolding her for reading. Those statements were not said to hurt Penelope’s feelings, rather to advise her based on her own experiences not only as a past debutante, who we all know did not marry for love, but also as a mother who has now had to shepherd three daughters simultaneously through the Mart and hear the gossip that is said against all the girls. She always speaks with good intention, but we all know that those pave the path to Hell.
No, Portia isn’t deliberately mean. She is a huge gossip, cunning, steadfast in her convictions, a great liar and schemer, witty, and truly devoted to those she cares about. Every action throughout the series has been to assure the comfort and security of her daughters. Again, good intentions and all that.
Who else have we seen in this series who is witty, cunning, a great schemer, a huge gossip, and truly devoted to those she cares about?
Penelope.
Penelope, who is cunning and scheming enough, not only to have her own business, but to keep it a secret. A business that relies on her using her wit to spread gossip. When she opens up to someone, when she begins to care about them, that wit and cunning come out in such a force that it is only matched by her devotion to them.
Like Portia, she has good intentions when she schemes. Such as revealing Marina’s pregnancy or divulging Eloise’s unchaperoned trips to the printer. She doesn’t do both of those to be cruel or malicious. She does it to ensure the Bridgertons, namely Colin and Eloise, are safe. Safe from entrapment, in the case with Colin, and safe from the Queen’s unjustified wrath, as was the case with Eloise.
You see a lot once Penelope comes out of her shell in S3 pt1 that she matches her mom’s sharp tongue in their interactions. Squares off to her. The apple truly didn’t fall far from the tree.
But despite her cunning and scheming, she is also naturally more kind and soft than her family, which is where the Bridgertons come in. The Bridgertons are the Featherington’s Foil. Without them, Penelope would no doubt turn into Portia; unhappy, unkind, and ruthless. But her relationship with Eloise and Colin steer her toward a life of love and happiness.
Portia never cried after stabbing the young Lord Featherington in the back. She never wracked her hands over the forgery of George’s note to Marina. We never see the guilt. But Penelope… We see her sob and run to Eloise after writing about Marina. We see her break her quill after writing about Eloise. We see the grief, the shame, the guilt that she is wracked with, feelings which are only made possible by her relationships with The Bridgertons. With the love and kindness that they all exude.
This is what makes Penelope such a rich, dynamic, complex character that I love. She is flawed. She is diverse. She makes mistakes, lies, schemes, and loves with all her heart. She pines and frets. The complexity of her character is what makes her relationship with her mother feel real; makes it feel tangible, like I could grab it with my hands. It makes her relationship with the Bridgertons all the more sweet.
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showmey0urfangs · 10 hours
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Do you think Louis in Dubai already knows about Armand's role in what happens to Claudia? It would explain why he doesn't correct Armand when he says he never harmed him. I've seen so many contradictory theories about that but I believe their relationship is real, it's just not fully honest.
Hi Anon! That's the million dollar question, isn't it? We don't really have a definitive answer but for my part, I think Louis already knows. I'd much prefer if the show stuck to that bit of book canon.
IMO it makes for more interesting storytelling than to have some cheap dramatic reveal at the end where *gasp, [cue young & the restless music ♫] Louis ✨uncovers a treacherous betrayal✨ after living with the ♥︎love of his life™ for nearly 80 years. Shock and horror!!! What will Louis do next? Tune in on Sunday to find out...
I know Armand is one of, if not the, most powerful mind gift wielder but even he couldn't possibly maintain such a massive lie for that long. Especially not when he and Louis regularly exchange blood.
And as I've said so many times before, Interview With The Vampire is Louis' story and it's about him trying to come to terms with his own mistakes and how they contribute to the tragedies he suffers. Like almost all the books in the chronicles, It's more about internal conflict than about some external evil that the 'hero' must defeat to save the day and get the girl. Jacob sums it up perfectly in his recent Newsweek interview where he says;
❝ I think this season is quite a confronting at what happens when you really dig into your own culpability to things that that you felt you were the victim in or ways that you felt were wronged. And how much did you play a part in both fronts and responsibility you're really willing to take for your own actions and the way that you manifested your thoughts and feelings?Louis is way more powerful than he would ever admit, he is way more responsible for the tragedy of his own life than he would ever admit. ❞ 
I've seen some hints here and there about the angle the show might approach it from. For example, Armand and Santiago's official character bios which I find very interesting;
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This suggests they will initially paint Santiago as the sole villain and Armand as a helpless spectator (I could not prevent it and all that)
But ultimately, I think it's crucial to the story that Louis knows the truth AND chooses to stay with Armand anyway. In the same way he says yes to Lestat's marriage proposal in the church, after witnessing him go on a murder rampage. In the same way he invites Lestat back into their home after Lestat beats him to a pulp and nearly kills him in episode 5, and then tells Claudia to "do better" when she's less than thrilled about it. In the same way, he can't bring himself to burn Lestat in episode 7, even while knowing it puts Claudia in potential future danger if Lestat were to come after them—which btw, he does and his testimony is ultimately what seals her fate.
I could go on and on but the point is that Louis is a complex and flawed character, whose desires and self-imposed morality are completely at odds. I think this season will be all about revealing just how flawed Louis is and I for one cannot wait to see all of it.
And no, unlike 'some people', it's not because I need Louis to be revealed as an evil liar because then it 'puts him on an equal level with Lestat and so Lestat's not so bad. 🤡 It's because just like Jacob says, I believe we need to allow space for black and brown characters to also be complex, flawed and even problematic at times. Let's be monsters and enjoy it! That's what makes for good representation and that's what makes for interesting storytelling. And don't worry Jacob, I'll still love Louis at the end no matter what he does! ♥︎
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vagabondjourney · 2 months
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quick doodle of one of my fav parts in the moomin stories
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glindyupland · 1 month
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I just think it’s silly that so many people complain about Villain Amaya as “wasted potential” and that “we were robbed” like-
My pals, post canon fan fiction is right there. The desire to free her husband is right there. Either by touching an evil book while being too eager to remember the obsidian oil, or being possessed by contact (ie what she believes is true loves kiss) when trying to reason with him in the dungeon.
We don’t need a rewrite, we can have a continuation. Both can be true. Amaya is a complex character, she can handle it.
#Wish#Queen Amaya#I assume I'm going to get hate for this but like#I know it's not store bought and you have to still make it yourself but also#I'm kind of just tired of seeing a lot of people sh*tting on Wish because it's not the concept art#And I'm kind of over here like how about we love it recognize it has flaws and THEN try to make something new without bashing the OG?#I just love Amaya and she definitely deserves more#but her good character is so interesting and complex#she still knows how to have fun. She still can be sassy or bite.#Like she's still Magnifico's perfect partner you know? and Magnifico isn't perfect?#A truly pure person wouldn't click with Magnifico the way Amaya does...?#I would rather build on Amaya's character than say she can only be good and boring or a villain?#Amaya is so smart yall. I know you can't see it all just on the movie but like she's read every magic book in Magnifico's library#THOUSANDS OF BOOKS.#And knows basic protection spells#She's a devoted leader.#Like.#Idk#She both loves her husband and recognizes that she has to go against him.#She doesn't /turn/ on him. She addresses his flaws and tells him that it's not okay?#She still jokes with him even though she has to put him in time out. She's complex and strong and wise and kind.#And I just hate seeing so many people so quick to just say 'the concept art was better' when like... the idea might be more appealing to yo#But I hate the level of cynicism and pretentiousness I see of people saying their personal ideas of what Wish should be-#-Is better than the piece of media they claim to care about?#Like their personal vision of Wish based exclusively off the concept art is somehow intellectually superior?#And I'm not saying stop doing your rewrites or AU's or anything! Like there's definitely beautiful creativity happening!#I just hate seeing people so negative and like honestly mean. It hurts my heart to see everyone calling Wish garbage?#It's not great but I really really dont think it's as bad as everyone is saying. Like its no like Oppenheimer but it's a children's movie..#Like I personally love the Teens and Amaya#And everyone saying they stink makes me sad... Because they're just great characters?
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judyalvqrez · 1 year
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the way people are once again removing all the nuance and moral greyness and complexity out of the last of us, but especially joel miller’s character is kinda concerning lol
#i told myself i wasn't gonna get into the discourse but i was reading through some of the posts and comments in the tlou tag and... oof#like i get it i could write whole essays about my feelings on this story and its characters and the ending ect.#but a lot of people are already getting annoyingly defensive of every single one of joel’s actions#literally stripping him of all of the flaws and complexities and moral greyness that make him such a great character#why are yall turning him into a clean cut selfless hero that did everything right like that's so boring#what’s most frustrating is how people are completely ignoring ellie’s perspective in all of this#some even just pushing her entire character aside in favor of joel#only bringing her or her trauma up when they’re trying to justify something joel did#and treating her like an accessory to his character when you should be reflecting how his actions are gonna affect HER#i hate to break it to yall but if you bring this highly romanticized version of joel into the next season#yall are NOT gonna have a good time#it happened once and it will happen again and i know the inevitable backlash is gonna be twice as bad this time that’s why im concerned#anyway those are just my two cents that no one asked for if you see me posting any type of discourse again pls shoot me lol#and please don't think i'm a joel hater either those people are just as annoying they're just in the minority i think especially on tumblr#why can't we just enjoy joel for the morally grey complex and honestly fucked up and tragic man that he is#it's like joel defender this joel hater that let's just be joel enjoyers#or joel lovers that'd be me because i love him with all my heart 🥺#especially hbo joel like his characterization was so good he just hits different and honestly i prefer him over game joel#and i do enjoy the occasional ''joel is innocent/did nothing wrong' memes/jokes i think they're hilarious and ultimately harmless#(also the joel/abby memes but that's another story sjafhksaf)#this was more about the people writing almost whole ass dissertations or actively starting arguments in their fervent need to defend joel#okay im done lol#lucy rants#i tried to keep this little rant as spoiler free as possible because there's no way in hell im tagging this asjfknsa this was more for me#if you read this whole thing through the end: hi i hope your day was good and if it wasn't i hope it's great tomorrow :)
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It's actually so important to me how flawed Penelope is you don't get it. She's complex and she's kind and sweet and caring and loving and bitter and manipulative and insecure and she's young and hurt and fucking up and making mistakes and hurting people and loving people and handling things in the worst way possible with the resources she has on hand and she's allowed to.
So often for a fat (and I say that within the context of the show, Pen is a fat/pus sized character within the narrative even if Nicola isn't) character to have any storyline outside of mother or joke they have to be the perfect victim. To be fat is to be victimised by society to some degree, it is to be told you are unloved and unwanted and unworthy without anyone saying those exact words, we all know this even if we don't want to except it. It's why almost every fat character is bullied in some way even if it's passed off as a joke, and they are just expected to take it because to actually acknowledge the pain and hurt and damage that causes is to acknowledge their humanity.
There is no space for complexity when you do not recognise the humanity of a character, there is no room for mistakes or grace or forgiveness in a narrative when the character is presented as lucky to simply be there. This goes doubly so for romance, as rare as it is to even see plus sized girls as a romantic lead, when they are there is no room for mistakes, the standards they are held to are so vastly different because they can't fuck it all up, they have no room to make mistakes when people question why they're even there in the first place.
But not Penelope. She fucks up so many times over, she creates half her own problems trying to fix things or make herself feel better. It dose not shy away from the damage and underlining issues and insecurities the life she has lead has left her with, and it's sympathetic to be sure, but what she dose with it isn't. Because fat people do not have to be the perfect victim and honestly most of the time are not. Because when you tell someone how little they are worth and how out of place and undesirable they are at every turn and expect them to internalise that, especially a young girl with very little power at her immediate despoil, it doesn't always come out in a very nice palatable way. It doesn't always create nice sweet uncomplicated people who cry a little when insulted but otherwise brush it off. It creates people like Penelope, it creates anger and resentment and bitterness and a need for control.
Whistledown is so many things, not all of them negative, but it is the cause of so many problems in her life after she made it as an attempt at a solution. It has caused her to hurt people and betray people and lose some of the very few genuine connections she actually has. She manipulates people and misleads them to keep her secret, because keeping a secret like that will always result in that. Her motives are sympathetic, she rarely dose anything to bad without reasoning, she has all the excuses in the world and still at the end of the day she fucked up. Her and Eloise are the second love story of the season for a reason. She adores that girl so much and she is absolutely miserable without her, as Eloise is without her. They love each other so much and there is so much pain between them now, they're practically crying every time they look at each other. And even tho the situation was complicated an messy and not completely her fault, she did in a way cause it. She's hurt people and she's hurt herself. And I love that.
Because she's a main character. We know her and Eloise will make up even if it isn't the way it was before (arguably a good thing but that's a different post.) Because she's a romantic lead, because we know, even if we don't know how they get there yet, that she will get her happy ending with the man she absolutely adores and who loves her just as much. It will not be easy I don't want it to be easy, Colin has every right to be angry and hurt and betrayed and he deserves to have the space to say whatever it is he's feeling and to have a negative reaction, but he will forgive her. Part of that is just because of who he is and the relationship he has to her (mandatory Colin appreciation moment) but it's also because the narrative has given her room and grace to be flawed.
There is so much to love about Penelope. She's so intelligent, and she's funny, she's a good listener, she makes people feel heard and important, she's kind, she's attentive, she's romantic, she's creative, she's beautiful. She is a victim and people and society do hurt her, but that's not all she is. She's given the space to be more and still be forgiven and loved just like anyone else. Because her actions is what she's apologising for not her existence. She dose not need to earn her place in a love story just because she's fat, it's her actually flaws and mistakes that exist in abundance no matter how sympathetic some of them might be, that she has to make up for. And I adore that and her.
You take away so much of her character and her agency and her complexity when you say she did nothing wrong or that she's the absolute devil. Let her be flawed, let her be someone trying their best and failing at it, let her make mistakes. But give her some grace, for once the narrative is. Her happy ending will come Bridgerton is a romance show, but she'll have to work for it. Colin and her will work for and earn their happy ending together, because they love each other and because of who they are and what they mean to each other they will find a way to make it work, but also because the writers let them and her find it.
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yooooo!!! you’re my favorite ethan winters artist i just wanna say that first and foremost, thank you for the wholesome content of my comfort character and father figure 🥹🫶
i’m really curious bc i feel like i see a lot of people against mithan (not me personally, i’m p neutral on them!) but i’m curious to know all your thoughts on them! thoughts on their canon relationship, their fanon portrayal, the backlash against them/mia accusations, and your headcanons? i’m just really interested!!! hopefully that’s not weird :”)
have a good day!! sparkle on!!! ✨💖
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i heart mithan... i think that they can be so cute...
i personally hc them t4t and i like to think that the dated in highschool before they both had fully transitioned
mia likes to bake and ethan likes to scrap book and he always likes to take pictures of mias cakes/ baked goods and has a album for them 😭
i am a multishipper so i draw a lot of ethan ships so my girl is left out sometimes and im sorry mia 😔
i actually really like their relationship, its a really complex dynamic that i like to talk about with my friends
i think the issue is that when talking about mithan or mia in general, theres just SO MUCH misinformation that its honestly a pain the butt to talk about
people still think that she was responsible for the creation of eveline, people still think that she experimented on eveline, people still use examples of her attacking ethan as if she did it on her own will instead of being mind controlled
in reality she was just someone who oversaw the transportation of evie. im not excusing her or anything because obviously she knew what she was doing, but people really try to accuse her of doing something she didnt and it bothers me alot lol
the problem with the fandom is that people either try to water her down to girlboss who did nothing wrong and fail to acknowledge the complexity/ moral grayness of her character and the other side is misogynists 😭😭😭😭
its hard to talk about her without people either going "stop trying to villainize her and make her look bad!" or people ACTUALLY villainizing her and acting like heisenberg would have treated him better 😭😭
mithan is such a sad relationship because they loved each other so much and that ended up being the reason their relationship fell apart (sort of... its not like the broke up... ethan kinda just straight up died)
i get a lot a trouble for saying this, but mia is a selfish person.
its not a bad thing! well i mean it is but it doesnt make her some evil witch who is somehow worse than the guy how made a werewolf american ninja warrior. its just a major character flaw she has! which is good! mia being a flawed person who makes mistakes and morally gray decisions make her a more interesting person!
she is selfish in the way that she wants to keep her family with her no matter the cost. even if it means lying to ethan about her job so that he wont think different of her. here is a interrogation from the re7 DLC, which is easy to miss!
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she isnt necessarily trying to apologize for the things she has done, she is more of a, "u wont need to forgive me in the first place if we just forget it all and move on"
she doesn't try to redeem herself for what she has done, she tries to move on and return to the normal life that she wants so bad. which is fine! everyone copes a different way and she has to right to move on from her trauma. the problem that lies in this is that she has a shared trauma with ethan who still has no idea what went on in dulvey and still effects him till the present (he is mold! this is a important thing to know! most people would want to know if they were a walking corpse)
she played a direct part in what happened in dulvey, and im not referring to the email, she did not send that. she never wanted ethan to come in the first place. she tried her best to send a video to him, begging him to forget about her because she wanted to protect him, BUT it didnt send.
he got involved because she was involved. its honestly a series of really really unfortunate events.
THOUGH! she did know what she was getting into. im tired of seeing the narrative that mia was innocent and didnt know what was going on or was simply a bystander. she knew what she was doing, she knew eveline was a bioweapon, she knew eveline was a child. she used a MACHINE GUN! she knows how to use weapons and was obviously trained for it.
she tried her best to keep everybody out of the mess, ex: warning the bakers not to take them in, warning ethan not to find her, sacrificing herself for ethan in the later half of re7
but again, those are the consequences of HER actions
her consequences just happen to get really big and end up hitting ethan on the head like a metal sheet 😭
their relationship is really so interesting, it makes me really sad to think about sometimes 😭they both went through something that nobody else would ever understand, in the end they really only have each other. they get moved to an entire different country and the dulvey incident gets covered up with a "gas leak"
its really tragic because their marriage definitely had some flaws and bumps. and i know im repeating myself but its because people always take this in the worst way possible but just because i say their relationship was rocky doesnt mean im saying they dont love each other!!! thats the entire basis of mias character!! saying she doesnt love ethan would destroy her entire character!
you can see in the re8 DLC how fondly ethan talks about mia! he loves her so much, though im not sure if his comments in the DLC are him narrating current (post re8) or his thoughts before everything went down and he died (pre re8)
everything mia did was because she LOVED ethan. she would never do anything to intentionally hurt him, she is not a cruel person. she hides the truth of her job from ethan pre re7 because she loves him and doesnt want her job to drive them apart. she CONTINUES to refuse to tell ethan the truth post re7 because she wants to move on a live a happy normal life with him and knows something like her being directly associated with the connections would probably cause (more) problems. she refuses to tell ethan that he is mold because again, hard to live a happy marriage with your husband after you tell him hes a bioweapon.
obviously i dont think it was right that she did this, thats what makes her selfish! she did it for herself! she did it for her family! she thought it would work out, she thought that they could move on and be happy together.
the issue is that ethan didnt want to forget. he wanted to know what happened, he wanted to know the part mia played, he wanted answers! which is reasonable! he knows to some extent that mia was partially responsible for his involvement and he was always suspcious that mia was lying to him about her job which is implied when mia says "you were right, i did lie to you"
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she doesnt learn, she doesnt stop lying, her lies get bigger and worse and it sucks yeah but it makes her so interesting!!! she keeps doing stupid things under the idea that this is whats best for her and her family, that if she hides this everything will work out and it will be for the better but its not!
just because telling your husband hes dead and a bioweapon is a hard subject to bring up doesnt mean you DONT bring it up. people shouldnt use that as a reason to excuse mia 😭, its a very bad excuse and honestly highlights how horrible their communication skills were. you cant just not tell your husband that he is actually infected with the mold and not tell him for the tree years between post re7 and pre re8.
im not saying these things to put mia down, or try and villanize her. these are all just actual things her character does! she isnt evil, but she isnt a knight in shining armor either. we need to be able to have talks about complex characters without crying everytime someone points out a flaw. characters have flaws! and mia just happens to have a lot of them!
im not mad at her, i dont dislike her because i think this way of her. shes a fictional character! you can like characters that are morally gray, or villains that drink blood and make corpse soldiers. they are fictional! pointing out the flaws of a character does not mean i dont like them.
i wouldnt call her "the real villain of re8" but i wouldnt treat her like a damsel in distress either. she is a competent person, she knows what shes doing, she has her reasons for doing them. she made bad descions with good intentions behind them! they can coexist and we should let them!
i like mithan! its a complex relationship because they both love each other so much but hurt each other in the process
talking about them is just a pain in the butt because talking about mia is a pain in the butt lol
i really hate how she keeps getting sidelined, its super frustrating to see mia get put in a cage in every game 😭
its even more frustrating that mia straight up just disappears???? in the shadows of rose DLC... like she just stops taking care of rose and theres nothing said about it. no reason or explanation. i dont think mia would ever ditch rosemary because she didnt care about her, but we probably will never know because capcom sucks at writing and they probably forgot the mia ever even existed.
all in all, i think the fandom is really just full of misinformation which make people either think mia is some horrible evil person, or its full of people who think that saying mia messed up is the equivalent of comparing her to wesker lol.
i really love mia, shes a incredibly fun and complex character, its just hard to enjoy her sometimes with the people in the fandom haha.
also ive got no idea what u meant by "the backlash against them/mia accusations" so sorry if i didnt answer that!
thank u for the ask! sorry for the long response!
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pollyanna-nana · 5 months
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“I can’t help anyone…”
An analysis of Kieran and how it relates to his most controversial scene.
Warning for Indigo Disk DLC spoilers ahead
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Greetings! I’ve made it no secret that, despite what some people think of him, I am very fond of Kieran Pokémon’s little emo ass. As a result, when perusing the tags I’ve been bombarded with a lot of very… questionable takes regarding his personality and character, which I simply do not agree with. In particular, I’ve seen a lot of interpretations of a specific scene that I don’t think get at the heart of the story and have some fundamental misunderstandings of the subtextual clues we’re given about how Kieran and Carmine were raised, and I wanted to take the opportunity to present my own interpretations and how I have come to understand this young boy’s complex journey to self acceptance.
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This scene, right here, has been the source of many specific complaints I’ve seen regarding Kieran’s character. I’ve seen people saying that his actions here make him a bully, that he’s shaming a fellow student for having troubles at home, and generally is an unpleasant, entitled person. And while I think there’s definitely some truth to those points (and they make him all the more interesting…) I don’t think a lot of these people are thinking about what this scene is really trying to tell us.
Yes, it’s showing the player that Kieran has changed since we last saw him. That his shy, kind demeanor has been supplanted by a stark cruelty that was hinted at in the end of Teal Mask, and that we have reason to fear and fear for him. However. I would argue that it also serves to tell us more about what Kieran himself has dealt with as a student at Blueberry academy. Specifically...
Kieran’s struggle with identity and self worth.
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From the earliest segments of Teal Mask, we get strong indications that Kieran has quite the inferiority complex. Worse still, said feelings are reinforced by the people around him, knowingly or not. Here, when Carmine tells us that Kieran's "nearly as strong as she is", we know she simply means to compliment us in her own Carmine-ish way. However, purposefully or not, it reinforces Kieran's idea as someone who is always, at best, almost good enough. Almost as strong as his sister. Never as or more.
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He tells the player that he'll hang back, not wanting to get in our way. With no prior prompting, either. How many times has he been made to feel that he was a burden? I adore Carmine, but one of her most pressing flaws is her struggle to make Kieran feel loved and wanted. Which, is actually pretty normal between siblings as she herself is a child. But still, given how much Kieran clearly loves and respects her, her words hold a lot of weight. And it's only Carmine who we get to see treat Kieran this way. While it's possible it's coming almost entirely from her, I'll discuss later why I think it may be more complicated than that. For now, though, it's clear that Kieran himself thinks very lowly of his abilities and would rather stay out of people's way, lest they berate him for perceived inadequacies.
He's had problematic behavior modeled for him by Carmine.
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Here, too, we see how Carmine's treatment of him reinforced some very negative ideas of interpersonal conflict and resolution. All throughout Teal Mask, Carmine is telling him to shut up and be quiet, and does what she thinks is best for him without consideration for how it may make him feel. No physical violence, but emotional abuse is abuse all the same. While we know that she was ultimately trying to do what was best for him, and had very good reasons for keeping secrets, its undeniable that the words she used only further reinforced the idea that the strong will push around the weak, and that they have no need for anyone who falls behind in some way.
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This scene in particular is fascinating, as we get to see first hand the kind of dynamic that pushed his feelings of inadequacy towards the breaking point. Here, after the player and Carmine run into Ogerpon for the first time, he thinks her weird behavior is because they were making fun of him. It's already sad that he would jump to that conclusion, but then Carmine smiles through his entire dialogue and says nothing. No reassurance, no denial, nothing. Kieran walked away from this conversation thinking that his sister and his new friend were talking about how much they dislike him. Speaking from personal experience, constantly feeling like people are talking about you behind your back at a young age can lead to you becoming brutally honest in a maladaptive way, and it can lead to people thinking you're cruel and unkind because you refuse to keep your thoughts to yourself.
Generational trauma, neurodivergence and cycles of abuse.
Here is where we leave screenshot land for a bit and I talk more about things that I suspect to be true, but cannot ultimately prove. However, I ask that you bear with me here and consider what may be going on above the heads of the child protagonists in a children's video game. (After all, if some people can write whole essays comparing Kieran's behavior to some very serious real-world events... I think I am within my right here!)
Kieran and Carmine, to me, match very strongly with the idea that they came from a bad home life. I don't necessarily mean their grandparents, as they seem nice enough (though flawed), but instead that their parents, whoever they were, contributed substantially to their strained relationship and problematic behavior. This post may seem very Carmine-negative, but I actually do not blame her for what she's done, not really. I do think that she has the agency and experience to take responsibility for how she's treated her brother, but I also think that it is something that was modeled for her by her parents, caretakers and teachers. I think it's very important to keep in mind in all conversations about these two that negative behaviors like these rarely manifest out of the ether. When I see child characters acting this way, I think less "wow, what horrible people!" and more "who in your life is modeling this kind of behavior for you?"
Full disclosure: I am an older sister myself, and my younger sister is very close to me in age in the same way that I see Carmine and Kieran as being. I see a lot of myself in her, which is why I deeply understand her frame of mind in everything here. Being expected to be the emotionally mature one in a sibling dynamic is difficult when you're so close in age, and it can lead to a lot of frustration as you feel like you're made to grow up too fast while your younger sibling is shielded from responsibility. It also doesn't help if the adults in your life model a lot of negative behavior, especially power dynamics, and if you have any sort of neurodivergency.
Speaking of... I wholeheartedly agree with the interpretations of the siblings having some combination of autism, ADHD, BPD or several other potential conditions. I won't go into depth, but without question there's something going on with them that's both untreated and misunderstood by those around them. Which, makes a lot of sense considering where they come from. Kitakami is a small nation, mostly agriculture based, and Carmine in particular is very resistant to the idea of it becoming a tourist destination for wealthier countries. They may not have the resources and infrastructure, along with cultural awareness, to properly diagnose and treat certain mental health conditions. Kieran doesn't even have a phone!
Something I don't see mentioned often is how Kieran and Carmine being at Blueberry is more than likely a very isolating experience for both. Being at a prestigious school in Poke-America, when coming from rural Poke-Japan, must've been a very difficult transition. Given that it doesn't seem like ANY of the adults in their lives are interested in their mental and physical well-being, I can only imagine that exacerbated their already existing issues. Not to mention that the culture of BB seems to be overly concerned with strength in battles, it's no wonder that both children's worst traits were made to fester over time.
Entitlement and disenfranchisement
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Okay, enough of that. Back to screenshots. Here I want to talk about how some people interpret Kieran as being bratty and entitled, and while I don't necessarily disagree, I think with the context of everything previously laid out in this post that it's a lot deeper than simple entitlement. We know, from his own words, that all he wants is acceptance, independence, and meaningful human connections. To him, that comes in the form of strong pokemon (acceptance at the academy), going anywhere he wants (feeling empowered and self-confident), and being able to make friends with "anyone". Any friends at all, really.
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While his "I worked so hard, and for what?! I STILL lost in the end!" can feel petulant and whiny, it also cuts deep for anyone who has grown up without. I think it's very important to note that Kieran is at precisely the age when systemic inequalities really start to weigh on someone, and before the brain and life experiences are developed enough to handle it in a healthy way. While some cope better than others, for many around this age the weight of knowing that there are people out there who simply have more than you ever will not by any sort of effort or triumph, but rather than the dumb luck of birth into a wealthy, privileged setting... well, it can be crushing.
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It's something most grow out of, but for a kid like Kieran, who was so obsessed with the story of a genuine injustice (Ogerpon vs. the 'loyal' three), is it any wonder that he would react this way? The player is a particularly extreme example, of course, as protagonist powers are some real bullshit. Coming to terms with the fact that the system has failed him, but he can still achieve great things and become a person he can be proud of, is something that will probably only come with time and wisdom as it does for most of us. In the interim, though, petty teenage tantrums are to be more or less expected.
Feeling powerless.
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In case you think I'm extrapolating far too much, I think it's important to note that, after the severe shock that was Terapagos breaking out of its own ball, Kieran reinforces all of these ideas himself. Here, when Carmine is begging him to help you, he refuses not because of hatred of you but rather his own self-doubt and loathing. Which, ultimately, has always been the core of everything Kieran has done up to this point in Indigo Disk's plot. He believed so strongly that if only he could become stronger, then he could prove to everyone, and more importantly himself, that he was worthy of taking up space and achieving his own dreams. But it's here, when everything truly comes crashing down around him, that the facade slips and shows Kieran as he truly is- a little boy who feels helpless in his current circumstances.
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I've seen people say that when he cries after becoming determined to help you defeat Terapagos, it's out of jealousy or anger. However, I couldn't disagree more. The light returning to his eyes shows, in my view, that Kieran feels hope for the first time since he had his dreams crushed back in Teal Mask. That, even though he feels powerless, even though he's hurt people and hurt himself, he's still wanted. That he can do something meaningful, even if it's just cleaning up the mess he helped to make. (Briar don't think I've forgotten about you. You're the most culpable in this situation given you're the only adult- but I digress.)
In conclusion.
He bapy.
No but really, what does all of this even mean? I think going back and reading the conversation at the start of the post, especially if you were initially put off by it, with the context outlined here changes a lot about how one can interpret Kieran's behavior. Note that I am not trying to justify anything he said or did, but rather point out that this fictional child has some serious, unresolved issues that deserve time and thought turned towards them, especially in the way that they reflect real-world individuals and systems. Ultimately, if you want my opinion I think Kieran would be a pretty nasty person to know in real life if I was in school still, but you know what? So was I at his age. And so were most people, if I'm being honest. But that doesn't tarnish a person forever. All of life isn't high school, even though Kieran- or you, reading this right now- may feel like it is. He has a lot of growing up to do, but that's life. And in the meantime, he sure is one hell of an interesting character to follow.
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i've been seeing a lot of falsettos posts recently deconstructing the fandoms beliefs and firstly
holy fuck thank you, i try to steer clear of fandom (and fandom-izing thereof) drama but this is getting a lot more visible recently so here's some little tidbits for you
whizzer brown is not an unflawed character!
okay so i haven't seen enough dissecting this but!!! in the chess game!
the whole point of marvin using that game to determine the ending of their relationship is because he suspects whizzer is constantly deceiving him and wants to prove it.
whizzer LITERALLY proves him right!
he asks marvin to help him along (yes i know he says he doesn't want help, hear me out, it's a little more complex than that) and takes advantage of the fact that marvin is- like- infatuated with him.
he draws him into a sense of false security then starts throwing accusations at him ("since you need a man!" "what?" "who's 'brainy'," "or witty, move.") until hes able to win, which he does with ease because he's been using marvin having this idea that he isn't smart against him.
of course, marvin's side of this isn't the best either but honestly, for once the fandom should focus on a different character when they think 'insane asshole'. typically we should also probably change our perspectives a little to be more unbiased cuz fr guys, this is getting really.. annoying.
i understand he's the most visibly flawed but that doesn't excuse constantly picking the worst parts of this musical (without other context, btw) to use against him.
and this post certainly isn't here to excuse anyone either i've just got a lot of opinions that i wanted to share while falsettos is.. trending? right?
2. marvin's (headcanoned but still somewhat researched) autism
this one isn't brought up as much but when i do see it around, it's kind of a skewed viewpoint.
while rewatching bits of the proshot i realized a lot of different neurodivergent traits that he shows-
he's helpless during I Never Wanted to Love You and is childish and regressive when he's upset (not every autistic person is like this either, i know this is a bit of a touchy subject so i just wanted to add that).
usually when people depict it i see it either toned down or joked about which is fine when all in good fun, and when its done respectfully.
not here to attack anyone, just here to point it out and say that yes :) he most likely is neurodivergent, but despite that his actions aren't condoned. he's still kinda a dick who needs to get his shit together
3. ..the lesbians also have shit going on?
just putting this out there- I DON'T SEE ENOUGH FOR THE LESBIANS! OR TRINA!
the girls in this musical are like thoroughly neglected and i think that's kind of shitty just assuming the fact that william finn put them in to demonstrate how gender roles put people in degrading positions (and he even makes it more prevalent by showing marvin as something like a misogynistic character who forces whizzer into more feminine roles to show the audience what woman have to/had to go through in society).
anyways, the lesbians aren't just there guys. they have a plotline too. in Something Bad is Happening, you derive a lot from charlotte singing about the outbreak of HIV/AIDS and realize how she operates on a daily basis (she's passionate about her work and takes every bad day as a hit to her life and career, explaining in a way that as a black, jewish, lesbian, FEMALE doctor in this time, everything that goes wrong is immediately brought down on her so much more than it would as any straight white male pharmacist-).
cordelia on the other hand has to handle the fact that her girlfriend is so adamant about her work ethic that she can't actually be super present in their relationship at times like that.
but either way she still sticks by her and is constantly trying to be supportive and endearing despite feeling like she's not amounting to her gf who's basically a hero in her eyes.
i kinda just wanted to bring that up because they mean a lot to me and they don't get enough love from the fanbase, thank you for listening to my TED talk <3
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zeldasnotes · 2 years
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Neptune Notes🧜‍♀️
Check out Moon Notes and Venus Notes
♆If you have a prominent Neptune in your chart you might notice that its hard for others to take you seriously when you are angry because you look so innocent? Thats because your power lies in that innocence. You power lies in looking helpless and getting others to rescue you and getting sympathy from others. Not saying you should use it just saying thats it. Just like ppl with prominent Mercury got their power in their sneakiness and their sharp tongue.
♆ A lot of people with Mercury/Neptune aspects grew up being ignored or left alone in their room a lot. So they had to fantasize to survive mentally which leads to them having a hard time with reality as they get older. They learned to view life from rose colored glasses to survive.
♆ People with Neptune in the 1st house probably feeling like they have never met anyone like them before. They give off this angelic otherwordly aura. Like they are more than human.
♆ People with Venus/Neptune had a mother who constantly criticized herself and was obsessed with her appearance. So they learned early that flaws are something to be covered up and fixed. Thats why they become the perfect partners and do everything they can to look their best. Their mother could also have been very submissive to their dad or blindly in love with him while their father ignored their mother.
♆ Neptune in the 2nd house can be way to generous.
♆ Neptune in the 10th house can be known for being a drug addict. You know in every town there is a group of addicts who everybody knows, they probably have Neptune conjunct Midheaven.
♆A lot of Neptune aspects especially squares can make a person very submissive with a inferiority complex.
♆ Moon aspecting Neptune can indicate a mother who suffers with some kind of addiction.
♆Im so sorry but when people with Mercury Square Neptune tells me a story I have to ask somebody else who was there if thats what really happened.
♆ Mars aspecting Neptune can others an impression of being weak or afraid. Men with this aspect probably gets ”tested” by other men a lot and might be unable to go out to pubs and nightclubs because of men wanting to start fights with them.
♆ Ive seen Mars Square Neptune to be a common placement in people who get used for sex. These people are easily taken advantage off and might believe that they are gonna get into a relationship with the people who just wants to sleep with them.
♆ Neptune rules who we overidealize:
Sun/Neptune: You overidealize your father and men. Moon/Neptune: You overidealize your mother and women. Mercury/Neptune: You overidealize siblings and younger people. Venus/Neptune: You overidealize beautiful women in general and your partners/female friends. Mars/Neptune: You overidealize men and sexual partners, and your enemies.
♆ Neptune in the 1st house can change the way their voice sound depending on who they are talking to. They can even change body language and the way they walk. The scary part is that it comes naturally for them.
♆ People with Venus Square Neptune are so cute and pretty. Like little dolls.😍
♆Neptune dominance in a chart can make someone very kind with huge ammounts of empathy and compassion.
♆People with a lot of Neptune probably get approached by beggars on the street. They look like they will give you what you need. (As a Neptunian myself I have to say ive always been weak for beggars, I cant just walk past them without giving something. When I was little my mom got mad at me because I always wanted to give them our stuff😂)
♆ Squares to Neptune in the chart reminds me of those ”once you see it you cant unsee it” pictures. When you finally figure that planet out you can use it to your benefit. Venus Square Neptune once you stop trusting everyone you will realize that you got the gift to make people trust you and see YOU as the ideal partner, instead of painting others as some kind of ideal.
♆ And once people with Neptune in the 1st house realize the power they hold its over. Kim Kardashian is a perfect example of this constantly creating scandals and extreme ammounts of money because she know how easy it is to make people think all kinds of crazy things about her.
©2022 Zeldas Notes
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jemdeserveslove · 4 months
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⚠️HOFAS SPOILERS ⚠️
THIS IS ABOUT HOW MUCH I LOVE LIDIA CERVOS AND HER SCENES ✨✨✨
My favorite scenes in hofas, by far, were all of Lidia’s scenes!!
SUCH A GOOD CHARACTER!! Like, literally everything about her is perfect ✨ the layers, the flaws, how we know she actually did some terrible things, but is now trying to be better, HOW SHE’S A MOTHEEER too!! And her being a mother worked so well with character and everything we knew about her. She was already really complex and that added one more layer and it was just *chef’s kiss*
Her scenes with Ruhn (my favorite) were amazing to me! I liked how Ruhn was mad at her at the beginning and how she just expected him to understand her, but he was reluctant … all of that was necessary in my opinion and it just made their whole arc better. They’re my favorite couple in Crescent City and I just want them to happy!!! I could read a whole book about them just living together 😭 (with Lidia’s children too)
NOW LET’S TALK ABOUT LIDIA’S BEST SCENES IN THIS BOOK
- The attack on The Spine and freeing Ruhn, Hunt and Baxian >>>>>>> THIS WAS EVERYTHING!!!!!!! I seriously felt like I was watching a movie. The tension? Amazing. The planning? Excellent. The vibes? Immaculate ✨
Lidia is just so amazing! And seeing her pov on her process to plan the whole thing was everything I needed (and I didn’t know I needed). Her tricking Pollux, making a deal with Queen Irithys, burning the witch, HER TALKING WITH RIGELUS TO GET THE QUEEN!!! HER CARRYING RUHN!!!!!!!! It was awesome. And the way the scene grew to the point she was jumping from that cliff into her death…
THAT’S CINEMA YOU GUYS! CINEMA!!
- My other favorite scene is when she and Ruhn were rescuing her children 🥲 I loved that whole segment! The way it contrasted with the Lidia from the previous scene, who was so scheming and in control of herself and, by consequence, the situation. I loved how she was a huge mess and couldn’t pull herself together, because we don’t expect people to be calm in a situation like that and liked that she wasn’t. She was very human. I mean, how FERAL she got with Ruhn, that was >>>>>
There is a rawness and an ugliness to that. And it’s so human and so filled with different emotions. The fear for her children, the anger towards Pollux, the anger towards herself for not being able to do more. And there were so many things on the line that day, but she was about to throw everything to hell just so she could save her children. I MEAN, WHEN SHE PULLED THE GUN ON RUHN I WAS SCREAMING (in a good way)
AND THE WAY IT ENDED WITH HER BURNING POLLUX???? CINEMAAAA
Thanks Sarah for making Lidia 🤧
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heraldofcrow · 1 year
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Ok, so Crest’s new video on the internal data names for Dark Souls 2 is out and wow. This game. Wtf.
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First off, this name makes perfect sense for Shanalotte, aka the “I’m part dragon because of experiments” girl that is somehow the game’s firekeeper but also…not? She’s really interesting to me when in comparison to the other Souls bonfire maidens, and there’s this odd bit of story separation with her. She seems really independent of us in little ways, and maybe her motives with wanting us to link the fire are tied strictly to her own personal beliefs, not just because it’s her duty. Also, it seems like her name could be more accurately translated to “Dragon Priestess” which is…even more fascinating. Her mystery will never not engage me.
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Pate is Patches. Dark Souls 2 always had Patches and we all knew it. Even if he doesn’t have the same VA, we just know the archetype is there. Even his “mild-mannered” and silver-tongued persuasion is accurate to the general character. Personally, I think it’s pretty funny that they still found a way to insert the conniving bastard into this game.
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He’s apparently just Ornstein….which is obvious, but admittedly it’s confusing as hell. In my eyes, this is Ornstein mid-journey and on his way to find NK. We get to fight him in-game for fun, but in the “time is convoluted” world of Dark Souls, that never actually happened. Ornstein went on his way just fine. Alternative interpretations are always welcome though.
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SEA SOLAIRE!! LUCATIEL IS THE SOLAIRE OF DS2 AND WE ALL KNEW IT!! This honestly makes me emotional, because she really did get us all in the feels the way Solaire did, and the theme of slow decay/hollowing and the desperation to stop it is so poignant for both characters. They’re uniquely written too, which I appreciate because even though it’s the same archetype, Lucatiel and Solaire both stand out as individuals as well. My beautiful and sad blorbos </3
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Ok, so Creighton and Benhart are/were apparently father and son…which is kinda cool? It’s too bad the final game didn’t cement any connection besides their crest sigils, but I’d still accept it as canon, personally.
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She’s just like me fr
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Lucatiel’s older brother! This is the first time I’ve seen him unmasked and it’s kinda sad. He was just a normal lad.
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Agdayne is a Jojo reference, guys. It’s true. Darklurker is his stand 💀
(In all seriousness, I wonder what the actual connection here was? It’s fascinating).
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And finally, to absolutely nobody’s surprise! I hate this so much lmaoooo. I also can’t get it out of my head now that Dark Souls 2 is full of random Star Wars references and that’s what gives it such a unique and alien vibe compared to the other games 💀 (I mean, even the Desert Sorceresses look a bit like Leia’s slave getup in Return of the Jedi skdjdksks).
Anyway, this was bizarre and as usual, I can see the verge, or the vague image of how complex DS2 was originally meant to be. There’s just so much going on here, but it doesn’t seem like they put the time into really finishing it. I still love this game, flaws and all, but I do wish they would have…actually finished it.
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exhuastedpigeon · 11 days
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The only love interest of Buck's since Abby that has been developed enough to have me actually invested in was Taylor, specifically the Taylor of s4.
Now I think I'm in the minority on this, but I've always thought Taylor was an extremely compelling character - even if s5 ruined her and Buck's relationships for me. If they'd kept her on her growth path they set her on in s4 that relationship could have become something.
None of Buck's other love interests were as established as Taylor was. If they have a connection to the other characters, that connection isn't highlighted. His other love interest haven't bought in to Buck's shenanigans the way Taylor did in season 4. His other love interest don't have the depth or development that Taylor did.
Taylor who called Buck asking for a miracle in Breaking Point because there were vaccines that were going to go to waste if they weren't used. She called him after Buck essentially tricked her into a double date with Veronica and Albert. Whose feelings Buck hurt and she still called him back because she knows that isn't who Buck is - she knows he's good and would be there to help when she called.
Taylor who teamed up with Buck to try to find out who ran Sue over in the parking lot. Who was willing to go dumpster diving to get to the truth. Who showed up at Buck's loft after the guy was caught, not to celebrate her career getting a boost, but to celebrate justice.
Taylor who Buck teamed up with during Treasure Hunt. Who was as into the treasure hunt as Buck was. Who didn't mind that Buck invited Eddie along because she knows they're in each other's pockets. Who Buck goofed around with.
Taylor who showed up at the hospital, not as a reporter but as a friend, when she heard a firefighter had been shot. Who helped Buck calm down enough to go talk to Christopher. Who yelled at Buck for being reckless when he climbed up the crane. Who came to Eddie's welcome home party.
In my opinion, Season 4 Taylor is Buck's most interesting love interest. They made her likeable while keeping her complexities and flaws. They made her Buck's friend first and foremost. They made that friendship something that could be the foundation for a relationship.
Season 5 undid most of Taylor's growth and showed the audience that maybe they weren't so compatible after all (Buck kissing Lucy, Taylor not telling Buck about her past until she had no other choice, Buck asking her to move in out of guilt, Taylor reporting on Jonah even after she said she wouldn't), but season 4 Taylor? That was a love interest for Buck that had potential because we saw her growth from s2 to s4 and we saw her and Buck's chemistry transition from just sexual to friendship to more.
If the show wants us to get invested in a love interest for Buck, they need to take the time to show us why that character is someone we should want for Buck. They can't just tell the audience things and expect us to accept it at face value, that isn't interesting. We need to see that character and Buck function as a couple on screen for more than a few minutes. They need to flesh out a love interest so they aren't just a love interest.
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theygotbitchesinmedia · 2 months
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okay so here is her review: https://arkadymartine.wordpress.com/2015/09/27/the-traitor-baru-cormorant-a-reviewresponse/
admittedly its from 2015- i haven't poked around to see how she may have changed how she feels about it, and i know she did blurb seth's recent scifi novel (Exordia), so there's no bad blood there or anything. it's also a positive review, in general- she ends with this sentence: "I highly, highly recommend this book; I have not thought so much about something I read in a long time."
i am also coming into this as someone who has read all of seth dickinson's work for the game destiny, where he was near-singlehandedly responsible for a good oh… 80% of the interesting women (& overall interesting concepts lol!) in the game, and his writing of one of those characters in particular as a complex and flawed character got him bullied viciously off of all social media. if you've tried to find his social media presence and havent found anything, that's why. so i mayhaps have a little more emotion in the game.
THAT SAID. here are some specific parts from her review i find really fucking annoying! and color the way i feel about Memory & Desolation, despite them being so incredibly targeted at me as a classics person AND someone who fucking loves the specific sub-genre of scifi her novels are.
"[Traitor] asks a question which I find compelling as a student of an empire and as a queer woman. That question is: what do we gain by complicity? What do we – we barbaroi, we women, we queer people, we imperialized – what do we get when we say yes? When we say yes I will hide my true nature? When we say yes I will subsume myself into the beautiful machine? When we say can we speak English? Or the literature I love just happens to be written by straight white men – and mean it, too, mean it with the kind of depthless love that a person can have for a text that speaks to them, which holds up a mirror to them?"
i dont think the use of the greek word for barbarian does anything here (she also keeps coming back to the greek term orthos in her review, which also pisses me off lol), i dont think empire is a "beautiful machine," and i don't think the invocation of identity politics is useful. like. i know she's a byzantine scholar but if your first association with empire is purely a finite Historical Empire instead of, like, modern US imperialism, or British colonialism, you are going into this discussion with a certain set of values and opinions! a set of values and opinions that let you call an empire a "beautiful machine" in all earnestness. this claim probably seems unsubstantiated and nitpicky now just from this excerpt but ill come back to it with more i promise. on the idpol front, she also says immediately after this that she does believe that straight people can and should write queer people, but that they should listen to queer people when they point out those errors. she then continues:
"But then, critique: there are two points on which I think Dickinson’s portrayal of a queer protagonist has faltered, and I think both of these errors arise from the fact that he isn’t part of – as far as I know at the time of writing this review – a queer community. Firstly, I disbelieve Baru’s awareness of her own desires… …For the first portion of the book, her queerness felt more like a character trait assigned to her for reason of plot than a naturally built part of her as a person… Secondly, I wonder where queer people in Falcrest are…"
theres more to these excerpts, but. i personally didnt find the depiction of baru's desire to be unrealistic, and also this was a review of Traitor, specifically, so where on earth would baru have heard about queer people in falcrest? and more importantly, why should we care so much about queer people in the imperial core? moreover i think the way seth does it with svir is very very well done, and illustrates the hypocrisy of empire in a way that does NOT seem like what martine is asking for here!!!
"Why am I invested? I myself am a student of empire. I’m a Byzantinist. My academic work is about empire and its seductions; it is the animating principle of my professional life. And: I am myself someone who loves order over disorder. Who looks for systems in all things. Who is comforted by structures; who is concerned deeply with propriety. But here’s my real criticism of this book: I don’t buy the seduction of the Masquerade. And I think if this book fails, it’s there: in that its empire is too easily read as undesirable. As profane, unethical, fundamentally wrong. It is really overtly evil." … "The Masquerade isn’t civilized. It’s civilization, but I don’t recognize it as civilized, and this is a problem with a constructed empire. An empire relies on itself as the definition of civilization – I would footnote here Ann Leckie’s Imperial Radch as a SFnal example of an empire which is built on this principle, and which, for this reader at least, achieves the facsimile. (But then my ancestors were not enslaved, we were exterminated; not annexed, but exiled. Perhaps I like the Radch better than the Masquerade because I can find a place for myself in it, and cannot imagine a place within the Masquerade someone like me would ever be safe –)"
and THIS. THIS RIGHT HERE IS MY BIGGEST PROBLEM. critiquing the masquerade as not "seductive" enough, calling it too evil to have people join it- how does someone miss the point THIS badly??? like. are you FUCKING serious??? how do you read a book about the immense violence of colonialism and your problem is that it is boohoo too violent for people to join willingly. google literally fucking anything the US has done ever!!! and the invocation of the concept of "civilized" as an objective quality, despite the recognition that the empire constructs what counts as "civilization" is so fucking unserious/simplistic/juvenile! why do you need to imagine yourself a place in the empire? in the imperial core specifically!
and i think this particular approach bleeds into her books. i read them at Least 2 years ago, so this is mostly vibes-based, and i will avoid spoilers.
there is such a focus on the allure of the imperial core, on the "beautiful machine" of the empire as she calls it. there is violence done, but it is abstracted away from the wealth of the imperial core. there are no economics there. the empire sees her independent station as a backwater, and there is some cultural tensions there, but there is no realistic violence and exploitation! it is not clear at all what maintains the empire, besides some abstract idea of trade. i also don't know what her Point is with the naming & language conventions, which are very clearly inspired in part by ancient Mayan- e.g. the empire and core planet are called Teixcalaan. and idk this may be reductive of me but i think if you are going to pull features from civilizations that have been colonized and use them to inspire fictional colonizing forces, you ARE saying something there! idk! and like, the ancient Mayan
and on the ~representation~ front, i also don't think she does a better job than seth tbqh!!! i felt like the characters getting together came out of nowhere and felt anticlimactic- there is also not the tension i think there should be with the main character being an ambassador-ish and the love interest being… idr. junior intelligence officer iirc? idk! and for all her critique of baru's desire for women not feeling "real" or present enough, i do not remember the main character in Memory having any real focus on it!
i enjoyed Memory just fine, but i don't think it says anything interesting or novel or even critical about empire, and i found her review of Traitor extremely shallow and useless, if very revealing about her own outlook on empire lol!!!
this has been at best Minorly proofread and edited but im not like, writing an academic essay on the matter and so i apologize for any inconsistencies.
oh man thanks for this this is really interesting. i went and read the whole thing and i agree a ton with your critique. i'm going to stick my thoughts below the cut because i went on for a bit here, in typical fashion.
i personally didnt find the depiction of baru's desire to be unrealistic, and also this was a review of Traitor, specifically, so where on earth would baru have heard about queer people in falcrest? and more importantly, why should we care so much about queer people in the imperial core?
NO BUT EXACTLY... for starters this is explicitly a novel about colonized people taking place in a colony where none of the major characters are from the empire. where, when, and how would we take the time to explore what queerness looks like for them and more importantly, like you've asked, why the hell should that be a priority for the narrative in this case.
in terms of 'i found this to be an unrealistic depiction of queer desire' 9/10 times i feel like what that means is 'i found this to be an unrelatable depiction' which is an entirely different critique. i know i'm working with two additional books worth of context that martine isn't working with here. but even taking into account just the characterization we have for baru in traitor i think this is suuuuch an unfair complaint. i'm gonna pull the entire quote she says about baru's sexuality here because i have additional specific gripes with it.
Firstly, I disbelieve Baru’s awareness of her own desires. In the first portion of the book, I do not ever feel the weight of Baru’s own awareness of her sexuality; there is an absence of carnality, a kind of intellectual version of lesbian desire which is, to me, inconsistent with the sort of desire I expect. Not until the introduction of Baru’s eventual lover Tain Hu do I get a sense of Baru as a woman who loves women. Further, considering how very much the Empire of Masks and Increastic philosophy criminalizes the sin of queer desire, I wish Baru had struggled more with the nature of her desire. For the first portion of the book, her queerness felt more like a character trait assigned to her for reason of plot than a naturally built part of her as a person. This markedly improved in the second half, where Baru notices women in a way she does not notice men.
For starters, it is insanely hypocritical to me to complain that her desire both isn't carnal enough and she processes it too intellectually, but that she isn't struggling enough with it. Baru intellectually processes things! That's her entire character from the getgo! She also has a difficult time conceptualizing other people as fully realized beings with their own agency. These character traits paired together don't make for a particularly passionate and carnal relationship to her sexuality. She is also, at her absolute oldest in this book, 21! (Or 22? I can't remember. I know she spends 3 years in aurdwynn) and has spent her entire youth being groomed to be a scholar. Of course detached intellectualism is her primary way of navigating all things. Why wouldn't it be?
Baru primary motivation is to save taranoke, she wants to save the taranoki way of life, and part of that way of life includes an acceptance of nonhetero nonmonogamous relationships. Sure, a different character arc may have involved baru actually internalizing and then having to break free of the trappings of race, gender, and sexuality that the empire tries to impose upon its citizens. but that's not baru and acting like this is a writing flaw rather than a character choice is insane to me.
There's absolutely no reason for Baru to lie awake at night pontificating about how wrong and dirty of her it is to want to have sex with women because we are never lead to believe even for a minute that Baru puts any emotional weight in incrasticism. She doesn't conceptualize it as sinful she conceptualizes it as illegal!
And "Not until the introduction of Baru’s eventual lover Tain Hu do I get a sense of Baru as a woman who loves women. " is killing me in particular because like. Yeah. Tain Hu is baru's first love. thats the point. But beyond that this is just not being able to see anything other than what she's looking for because i think the chapters covering baru's childhood make it pretty clear that her feelings for aminata and cousin lao (im not double checking the name but im pretty sure it was this) are deep and strong. the fact that they're not as explicitly and straightforwardly romantic and sexual as her relationship with tain hu doesn't change that, and in fact, points to baru's struggle with/development of her sexuality that she claims was somehow missing in this book.
like i just simply can't see anything here but someone who is seeing an emotional landscape they can't relate to and assuming that means it's flawed writing. skill issue frankly.
She's also fucking insane for acting like the masquerade is too cartoonishly evil to be appealing. once again im going to post her full quote here because i think its important to see
its empire is too easily read as undesirable. As profane, unethical, fundamentally wrong. It is really overtly evil. It punishes sexual “deviants” with mutilation and death. It murders children callously. It inflicts plague and withholds vaccines. It lobotomizes its own emperors for the sake of convincing its populace that the emperor is just. Most of all, the Masquerade is a eugenicist empire: it is explicitly founded on not purity of bloodline but on purification of bloodline, on making people useful to it. It makes people: it breeds them carefully, it indoctrinates them through schools, it uses drugs and operant conditioning to transform their minds and make them into automata tools. It commits every atrocity that a modern Western reader recognizes as abhorrent. This is a problem. It is a problem because we are asked, as readers, to believe that there are reasons besides blackmail that a person would willingly become an agent of the Masquerade. We are asked to imagine that the Masquerade is a beautiful machine.
for starters. "It commits every atrocity that a modern Western reader recognizes as abhorrent." MODERN WESTERN EMPIRES DID, AND OCCASIONALLY STILL DO, MOST OF THESE THINGS!!! THIS IS US! WHAT ARE YOU TALKING ABOUT!!! I FEEL INSANE!!!!
I think the book makes it more than explicitly clear why the empire is appealing??? it has all of the capital???? its building schools and sewage systems and importing food and goods and teaching reading and writing??? baru's own internal narrative often shows her own strife at the fact that the empire has made genuinely incredible scientific advancements that offer significant improvements in quality of life to many, many people. martine actually acknowledges this in the next paragraph of her review, and then brushes it away as not being good enough. why? what about that doesn't convince you?
she is seeming to hugely ignore the fact that in the case of aurdwynn specifically, the bureaucracy of the empire is coming in to unseat feudal aristocracy! what the masquerade offers may not be particularly tempting to most of that ruling class, but its economic opportunities are more then believably appealing to the common people. i think this is made pretty clear when baru's ploy to use the fiat bank to make loans to the aurdwynni people and basically lessen the massive tax burdens from the duchies wins her huge favor with the public.
and frankly even for the ruling class the potential economic benefits are massive too if you're willing to participate in the empire properly. yes the empire doesn't have Moral appeal. it doesn't fucking have to. it owns pretty much every economy outside of the oriati mbo. the fact that that's not enough for her is as you've pointed out really really showing her biases and blind spots. 'no reason besides blackmail' MONEY!!!! MONEY! IT'S MONEY! THIS IS A BOOK ABOUT ACCOUNTING! HOW DID YOU MISS THAT!!!
and the invocation of the concept of "civilized" as an objective quality, despite the recognition that the empire constructs what counts as "civilization" is so fucking unserious/simplistic/juvenile! why do you need to imagine yourself a place in the empire? in the imperial core specifically!
And this is really it for me too, yeah. It's gross. It's absolutely gross. "An empire isn't believably appealing unless I, personally, find it appealing" there are people alive who are eugenicists, who love community policing, who believe in race science. the masquerade is an empire for them. the thing about empires is that they are only actually empowering for an incredibly small subset of people, and the fact that You, Specifically, Arkady Martine can't imagine being one of those people in this instance doesn't make it not believable. This is a shatteringly individualist way of engaging with a work.
As for your points about the way she handles empire in her own book obviously i can't have anything to say there because i haven't read it yet, but i do absolutely agree with you on this bit:
and idk this may be reductive of me but i think if you are going to pull features from civilizations that have been colonized and use them to inspire fictional colonizing forces, you ARE saying something there! idk! and like, the ancient Mayan
1000% i don't think this is reductive of you. whether or not you're consciously saying anything is one question but it's a choice that absolutely doesn't exist in a vacuum. out of curiosity i googled her to see if she was of mayan descent or anything and maybe she chose that due to some personal ties to the subject matter but she doesn't seem to be. which of course i don't think means she can't or shouldn't draw any inspiration from there but i do think all of these sorts of choices are meaningful
i don't really have much to say here to round off a conclusion but. wow. deeply deeply telling review that does not particularly make me want to read anything she has written beyond this.
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redriotinggg · 5 months
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I need anyone who genuinely dislikes Usopp to take a long look in the mirror because yeah, he can be a bit annoying at times but he is honestly a good and interesting character!!
He is just as loyal as any other member of the crew and fights the strongest when he’s fighting on someone else’s behalf. (See: him fighting for Sanji in Skypeia, fighting for Robin at Eneis Lobby, fighting for Luffy in Dressrosa, fighting for Tama and Nami in Wano.) He is a major player in so many of the battles in the series that it baffles me that people can think of him as an unimportant member of the crew.
And Usopp is a fucking genius??? Hello???? He’s able to make weapons powerful enough to create storms and tornadoes. He is canonically a jack-of-all trades that supports the crew in their daily lives and in battle. The Going Merry only lasted as long as she did because Usopp was around to care for her. He was the only one to see her Klabauterman!! Usopp is not only creative and fun but is able to bring those creations to life, whether it be his drawings or his gadgets, and I think that’s so beautiful. I miss pre-TS because of all his inventions we got to see.
Let’s not forget that Usopp is so, so kind!! He made friends with the kids in his village and told stories to Kaya to help her feel better when she was ill. He fought to protect her and Syrup Village from Kuro. Personally, I will never get over filler ep on Fireworks Island (ep. 134) where he cheered up Kodoma and encouraged her to continue her pyrotechnics, assuring that her parents were proud of her. Knowing he also lost his parents at a young age makes the scene hit that much harder. (And again, he showed his genius by figuring out a way to launch the firework that killed Kodoma’s parents!!) It may not be canon to the manga but but I think that episode is super accurate to his character.
What I think makes him the most interesting is that we see his flaws and mistakes more than any of the other Straw Hats. We see his insecurities in Water 7 and his fear in Dressrosa. But we also see him growing and learning and being encouraged by his crewmates. Aside from Robin, I think Usopp has changed and grown the most out of the Straw Hats. With his goal to become a brave warrior of the sea he has so much potential for even more growth!!
Like I said earlier, some people think Usopp is annoying which he can be sometimes, but that’s also because he’s literally comic relief. And he does so well at it bc he’s actually so damn funny?? He makes me laugh out loud all the time. One Piece wouldn’t be even half as funny without Usopp.
I also appreciate that as an individual he has so many moments with the other Straw Hats. There are a lot of relationships that don’t get explored as much as we’d like, but I think we get to see Usopp’s friendships with the crew pretty often. He fights for Luffy, plays around with Chopper, teases Zoro, is teased by Robin, gossips with Nami, hangs around Sanji, and his whole relationship with Franky has so many layers to it.
Aaahh, I have so many hopes for Usopp in the series that I pray will be fulfilled!! I want him to have a badass arc in Elbaf full of character growth. I want to see him develop and continue to use his Haki (which he gained when trying to save Luffy are you KIDDING me). I want his reunion with Yasopp to be emotional and bittersweet. If he could personally beat Yasopp in a fight I would ascend to the heavens.
Usopp is such an important, complex, and interesting character and I absolutely hate to see him reduced to being a gag character or the weakest member of the Straw Hats. He may not be a monster but he is amazing and I love him.
TLDR; if you disrespect Usopp I wish you a very Die.
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