It's Danny's first time doing his taxes, and he's reaching out to an online friend to help him.
This is how he discovers that as far as the rest of the world is concerned, Amity Park is a barely contained zombie outbreak.
He'd made an online friend, Bart, and they played video games a lot.
Danny's fulltime job is inventing alongside his parents, and as that makes him self-employed (he doesn't work for his parents just next to them), this makes his taxes a little...scary. And it's his first tax season.
He reaches out to Bart, and asks if he knows anyone who files as self employed and if they'd be able to give him some guidance.
He can't ask his parents because, apparently, they've just been throwing random numbers on the papers and have no interest in actually doing them. Danny would like to do this properly.
Also he would like to know how his parents haven't been arrested? Questions for later.
So he shoots a message to Bart, who's apparently in the middle of some sort of sleepover with all of his old friends. Bart assures him that it's fine, and they'll all pitch in to help.
They just need to know his city and state so that the nerd of the group, some guy named Tim, can look up local state and city tax law.
When he tells them he's from Amity Park, there's no response for a good ten minutes.
What follows is a barely legible request for a phone number to call, and a group of people on the other side shouting and asking how he's avoided dying in the hellscape zombie apocalypse that is Amity Park.
Danny has no idea what the other shit means, but he's not about to dodge a chance to make a dead joke when he has one.
"I mean. If you wanna get technical, I didn't. Is...that something that'll effect my taxes?"
OR: The GIW has been lying to keep the Justice League and Justice League Dark out of Amity Park by declaring it a Disaster Zone, stating that not only is there massive pollutants in the air and soil, but that the undead run rampant and are barely contained.
The wording they use, however, is a little weird upon closer inspection.
It never specifies zombie, and it never says what pollutants.
Danny's not super interested about that, though; he just wants to pay his taxes so that the IRS doesn't kill him in his sleep.
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Dead on main au where
1. Danny wears a 1/2 face mask as a ghost to make sure his parents don’t find out who he is
2. The decision to start wearing the mask was a spontaneous thing that happened at school and he stole the mask from his high school’s theater department
3. Danny moves to Gotham as soon as he turns 18 on a scholarship but it doesn’t include dorm fees.
4. Danny hides out in an abandoned theater (the attic is surprisingly well insulated!!!!) and spends most of his time there as a ghost because he can’t anywhere else in Gotham.
5. An injured Red hood limps his way into one of his favorite old hideouts (the theater obviously), and promptly passes out from blood loss with the hazy image of a masked glowing spector as the last thing he sees.
6. He wakes up enough to hear soft reassurances of safety and feel cool hands carry him with no noticeable strain.
7. Jason comes to in a giant nest of blankets with his wound neatly stitched up, a killer headache, and a sticky note wishing him well/ promising the writer didn’t leak under the helmet (a fact Jason is well aware of considering his head is very much unexploded)
8. Jason tries to leave but he passes out again and is honestly too tired to try again when he comes back around. So he just…falls asleep.
9. Jason wakes up again to warm food on an old silver tray and an empty room, not knowing Danny is watching him from the corner to make sure he doesn’t fall again. Not that Danny wouldn’t catch him again, but he’d prefer it didn’t happen at all.
In short, Danny plays elusive nurse to the dangerous red hood while Jason sees a literal ghost that lives in an abandoned theater wearing a phantom of the opera mask and decides he’s found a keeper. Clearly he appreciates the drama.
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I can’t explain what blue eye samurai makes me feel…….its a typical revenge story, a man sets out on his hero’s journey to kill the four men who have wronged him. A lone ronin, wide brimmed hat and sword in hand, roaming Edo Japan on his vendetta. But he’s not a man. He’s a woman. And how has he been wronged? What’s she getting revenge on?
On the fact that she exists. She wants revenge on the four white men that could possibly have conceived her. Who got her Japanese mother pregnant with a blue-eyed child. And not just any blue-eyed child, but a girl child. How is she possibly supposed to live in the world like that? For the wrong of being conceived, for the wrong of being born, for the wrong of being birthed into a world that will never love or accept her, she will kill her father.
I don’t know what level of convoluted self hate that is. Is she a child of rape? Or a child of a whore? Halfway through I realise what she told herself at the start couldn’t possibly be true - it’s not really for her mother. Her mother wasn’t the root of her vendetta, she wasn’t really doing it for her. When she leaves that farm and leaves the chance to live a simple, legitimate life as a woman, she goes right back to hunting down the men. Those men personally wronged her.
And then there’s so much to be discussed surrounding the way she grew up, because as a boy child and a man she can afford so much more than life has dealt her. Her swordfather who took her in out of the love and care in his heart had no shame in teaching a mixed man his art. The face of a ‘demon’ is fine. But not the identity of a woman. Shh. Don’t say it. Don’t confess. He knows and doesn’t want to hear it.
And because she’s lived that way her entire life for safety and security, she’s so completely alienated from being a woman, perhaps she really is he. But not really by choice. Or is it? The thing she does best is the art of killing, the art of men. Gender is a prison and gender is a performance and she has to choose which to perform. The times cannot reconcile hatred and violence with a woman. So she lives as a man.
So she can get revenge on her father, for revenge on herself.
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𝚖𝚒𝚜𝚜𝚒𝚘𝚗𝚊𝚛𝚢, 𝚍𝚘𝚐𝚐𝚢, 𝚌𝚘𝚠𝚐𝚒𝚛𝚕, 𝚌𝚘𝚕𝚕𝚊𝚙𝚜𝚎𝚍 𝚌𝚘𝚠𝚐𝚒𝚛𝚕, 𝚏𝚊𝚌𝚎𝚍𝚘𝚠𝚗 𝚍𝚘𝚐𝚐𝚢, 𝚘𝚙𝚎𝚗 𝚖𝚒𝚜𝚜𝚒𝚘𝚗𝚊𝚛𝚢, 𝚜𝚙𝚘𝚘𝚗, 𝚕𝚢𝚒𝚗𝚐 𝚐𝚛𝚘𝚞𝚗𝚍𝚑𝚘𝚐, 𝚛𝚘𝚍𝚎𝚘, 𝚜𝚝𝚊𝚗𝚍𝚒𝚗𝚐 𝚍𝚘𝚐𝚐𝚢, 𝚐𝚞𝚊𝚛𝚍, 𝚔𝚗𝚎𝚎𝚕𝚒𝚗𝚐 𝚌𝚛𝚊𝚍𝚕𝚎, 𝚜𝚒𝚗𝚗𝚎𝚛, 𝚕𝚘𝚝𝚞𝚜, 𝚏𝚘𝚕𝚍𝚎𝚍 𝚋𝚞𝚝𝚝𝚎𝚛𝚏𝚕𝚢, 𝚋𝚞𝚕𝚕, 𝚍𝚊𝚗𝚌𝚎𝚛, 𝚙𝚞𝚜𝚑𝚒𝚗𝚐 𝚝𝚞𝚜𝚑, 𝚌𝚘𝚞𝚗𝚝𝚎𝚛𝚝𝚘𝚙, 𝚛𝚘𝚌𝚔𝚒𝚗𝚐 𝚑𝚘𝚛𝚜𝚎, 𝚜𝚎𝚊𝚝𝚎𝚍 𝚜𝚌𝚒𝚜𝚜𝚘𝚛𝚜, 𝚜𝚙𝚘𝚘𝚗𝚒𝚗𝚐, 𝚝𝚒𝚕𝚕 𝚒𝚝 𝚋𝚛𝚞𝚒𝚜𝚎𝚜 𝚖𝚢 𝚌𝚎𝚛𝚟𝚒𝚡 𝚊𝚗𝚍 𝚝𝚑𝚛𝚘𝚊𝚝, 𝚘𝚗𝚎 𝚕𝚎𝚐 𝚞𝚙, 𝚋𝚘𝚝𝚑 𝚕𝚎𝚐𝚜 𝚞𝚙, 𝚞𝚙𝚜𝚒𝚍𝚎 𝚍𝚘𝚠𝚗, 𝚘𝚗 𝚝𝚑𝚎 𝚋𝚎𝚍, 𝚘𝚗 𝚝𝚑𝚎 𝚏𝚕𝚘𝚘𝚛, 𝚘𝚗 𝚝𝚑𝚎 𝚌𝚘𝚞𝚗𝚝𝚎𝚛, 𝚘𝚗 𝚝𝚑𝚎 𝚝𝚊𝚋𝚕𝚎, 𝚒𝚗 𝚝𝚑𝚎 𝚐𝚊𝚛𝚍𝚎𝚗, 𝚘𝚗 𝚝𝚑𝚎 𝚋𝚎𝚊𝚌𝚑, 𝚒𝚗 𝚊 𝚝𝚎𝚗𝚝, 𝚋𝚢 𝚝𝚑𝚎 𝚏𝚒𝚛𝚎, 𝚊𝚕𝚕 𝚍𝚊𝚢, 𝚊𝚕𝚕 𝚗𝚒𝚐𝚑𝚝, 𝚝𝚒𝚕𝚕 𝙸 𝚍𝚒𝚎.
(gif cred: @itspapillonnoir)
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Thinkin about a DCxDP where Danny’s helping ghosts find peace while he’s laying low in Gotham.
Like, he moved away from Amity for whatever reason. Maybe the reveal went badly, maybe he just couldn’t stand staying any longer. For whatever reason, he’s in Gotham, because the rent is cheap and he’s nowhere near the strangest thing there so no one looks at him twice.
However, this city is cursed. Like, cursed beyond cursed. It’s actively alive with how many curses there are, and the ghosts there are extremely unhappy about it.
(Of course, that’s not a problem for Danny. His ghost side filters out the toxic smog and the chemicals in the water, and his human side gives a resistance to the rank ecto and the hexes that are actively trying to devour him.)
He doesn’t really want to do anything about it, to be honest.
He’s sick of playing hero, considering how it went last time, and he’s busy working at Waffle House or Walmart or whatever other store doesn’t bother doing a background check (in Gotham, that’s probably all of them), and maybe trying to find a way to get highschool credits that don’t immediately disqualify him from every college in existence.
Still, the ghosts know he can hear them. They know, and they keep coming for help.
So, hey, why not? He definitely can’t put this as experience in any sort of job application, but he really doesn’t have much else to do.
So, he becomes errand boy for a bunch of ghosts.
Sometimes he’s finding objects that are important to them, sometimes he’s giving evidence they collected together of their murders to the police, sometimes he’s getting them the last meal they never had, sometimes he’s just spending time with them like they’re not dead.
The ghosts don’t always move on, but they’re always more at peace. Occasionally they pay him back in charms and blessings and the locations of valuables that he can keep or pawn for cash.
Eventually, a new ghost shows up.
She looks like a shadow, like all the ghosts of Gotham, but she seems stronger than usual. She asks him for a favor that those who came before him were never able to fulfill.
She asks him to find her engagement ring, and give it to her son.
Easy enough, he thinks. It’s a bit of a pain to buy the ring from the seedy pawn shop it’s in (he would usually just steal it, but he doesn’t want to implicate her kid in anything, which she seems grateful for), but everything’s going mostly alright.
Then, she tells him who her son is, and wow, no wonder no one’s helped her yet.
He’s Red Hood. The guy who is(/was) the crime lord in charge of crime alley. The title sounds a bit stupid to Danny, but he’s still a genuine threat to a living person.
Good thing he’s not one of those.
And so, the next time he sees Red Hood out and about, he goes right up to him. The man seems mostly unbothered, but Danny does notice how his hand slightly drifts towards one of his many weapons.
He tells Red Hood outright that he’s there on behalf of the man’s mother, then just holds out his hand with the ring inside, dropping it into Red Hood’s open palm.
Then he leaves, not waiting for a response.
—
Jason has a mystery on his hands, and he might just cash in some favors from Babs and Tim to figure it out.
He’s got to find the guy who gave him his mother’s ring, and find out everything he knows.
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