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blindmagdalena · 4 months

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Guilty Pleasures ( chapter two )

18+ 3.8k homelander x plus size f!reader. workplace harassment, stalking, voyeurism, masturbation, lite humiliation kink, lite somnophilia, breaking & entering, petty theft, sublander flavored. nebulously takes place post s1. part 2/4. AO3 link. | CH I | CH 3 | CH 4

Homelander is the most powerful man in the world, and all he wants is to be yours.

After spending the majority of your evening and the following morning anticipating being fired, walking into work the next day feels like traversing a thinly frozen lake, each step webbing out in precarious cracks.

Clearly you’re not the only one who thinks so: you clock a handful of surprised looks from coworkers who’d attended the meeting and took note of the tension between you and Vought’s golden boy.

Maybe they’d taken bets on whether or not you’d be coming in this morning.

There’s no sign of Homelander on your way in. Not that you were expecting him–yesterday was the first time you actually saw him in person–but you still find yourself on the lookout. It’s hard to say whether you’re anticipating or dreading him. Part of you is still expecting to open your door and find a letter on your desk politely informing you that they’ve determined you aren’t a good “culture fit” for the company, and that your probation has been terminated.

After all, who in their right mind would take your side over Homelander’s?

You push open your office door, and sure enough, there is a letter waiting for you, but not in the way you expected. You stand in the doorway, staring in quiet incomprehension. The envelope, crisp and bright white, is propped up in a bed of rich red roses sitting in a pretty vase upon your desk. You glance behind you before you step inside, closing the door behind you, and approach the desk cautiously. You pluck the paper out of the bouquet, taking a moment to smell the flowers–they smell as good as they look–before you carefully rip open the envelope, tearing the small american flag sticker that sealed it.

Inside, there’s only one word on the folded piece of paper, scrawled in surprisingly elegant handwriting.

Truce?

You can’t help the incredulous little bark of laughter you give at that. It’s not even an apology. It’s a demand that he expects a gratuitous bundle of flowers will help you swallow, like taking medicine with a spoonful of sugar.

“You’re ridiculous,” you say quietly to the letter, setting it down on your desk. You give the roses one last sniff, testing one of the soft petals between your fingers. You wonder if what you said actually got through to him.

Homelander has no real reason to smooth things over with you: you’re no one. He’s posed no risk to himself by coming after you. He could no doubt have you fired by complaining that your marketing tactics don’t align with his brand. It’s hard to imagine Vought denies him much.

Yet he is apparently negotiating peace. It’s not nearly enough, but it is a start.

Or maybe it’s just more than you expected.

You sit, idly tapping the letter against your desk. You’d be lying to yourself if you said you didn’t still think him handsome. Homelander wasn’t the first man to ogle your tits while you gave a presentation, but he was certainly the first to fluster you like that when he did. His sly smile had made you want to slap him, but there was a questionable little part of you that thought about kissing it better afterwards.

Taking in a steadying breath, you slip the letter into your desk drawer and adjust the flowers to the side, admiring them a moment before you pull out your laptop.

If Homelander can behave himself enough to let you do your job without public humiliation, you can afford a truce. You don’t need to forgive or condone him to be civil, or even to continue having your own private fantasies. A little guilty pleasure now and again never hurt anyone.

You can’t know that Homelander is observing you throughout this internal conversation, watching through several layers of steel and concrete, his parted lips curving into a slow smile as you accept his offering. You can’t know that you haven’t just acknowledged a truce, but an invitation.

No, you can’t possibly know what’s to come.

Two days later, you diligently change the water that the roses in your office sit in. They’re doing well, the crimson buds having unfurled into a splay of velvety petals. You pinch one between your thumb and forefinger and stroke it absently. Homelander has continued to be a scarcity, but that doesn’t mean you haven’t seen him. Quite the opposite: you spend most of your working hours either looking at or thinking about his face to the point where it’s starting to follow you home each day.

That’s what you tell yourself when you think of him outside of work hours, anyways.

It’s been long enough now that you wonder if the flowers were the end of it. He was simply covering his ass with a half hearted gesture that slightly resembled an apology so that you could both comfortably drop the subject. That was entirely fine by you so long as he actually did improve his behavior.

A familiarly brisk knock at your door catapults your heart up against the cage of your ribs like a spooked hare. It’s the exact same beat, you’re sure of it. You stay quiet, half expecting to be barged in upon, but when nothing happens, you move from your desk and open the door yourself, intentionally blocking it with your body.

Sure enough, Homelander stands tall on the other side. He flashes his signature smile while your eyes narrow suspiciously. “Can I help you?”

“I think I’m the one who can help you,” he says brightly, that spread of teeth downright wolfish. He lifts a handful of papers that have been stapled at the corner, gesturing for you to take it.

Still wary, you take them from him and shift, wedging your foot to keep the door firmly in place while you flip through the pages. Your brows furrow as you recognize chunks of your own presentation. Understanding dawns when you realize that he’s annotated them.

“You read my presentation,” you say, unable to mask your surprise.

“Obviously. It’s my image on the line, right? Got some notes for you, but I have to say: y’mostly nailed it,” he says, reaching out to rest a gloved hand on the doorway.

“Mostly?” You echo, quirking an eyebrow at him as you look up from the pages.

“Yeah, mostly. Again, I have some minor notes,” he says, wiggling his other hand in a vague gesture. “But I figure I owe you praise on a job mostly well done.”

You’ve got to be kidding me.

Crossing your arms, you abandon your stern foothold on the door in order to shift your weight, your incredulity showing in every inch of your body language. “What you owe me is an apology.”

Homelander’s grin softens into a smile that’s no less challenging. “Looks to me like you’ve already been enjoying my apology,” he says, leaning slightly to gaze past you, to the bundle of roses sitting prettily on your desk.

You briefly glance over your shoulder, but your expression remains impassive. Unimpressed. “That? That isn’t an apology. An apology would include the words I’m sorry.”

He scoffs a dismissive laugh, swaying back to look away, but you persist.

“I’m serious,” you say, luring his ocean blue gaze back to yours. “I want you to say to me ‘I’m sorry for the way I behaved during your presentation. It won’t happen again.’ “

The two of you hold each other’s gaze with all the magnitude of two gunmen in a duel, hands steady over your proverbial pistols.

To your surprise, Homelander does not fire back. He raises a dainty white flag.

“I’m sorry for the way I behaved during your presentation,” he says, words slow and measured. You watch his tongue flash over his bottom lip, wetting it attractively. You fight to not let your eyes linger on it. “It won’t happen again.”

You swallow, suddenly finding thought and speech an impossible task. You weren’t prepared for such raw, ready obedience from him, nor the intensity in his gaze that follows it. He reminds you of a charmed snake–docile so long as he is transfixed.

“Good,” you say, the word half a sigh. Homelander’s lips part and he breathes in like he’s caught wind of something particularly delicious smelling. “I accept your apology, and I appreciate that you took the time to do this,” you say, gesturing with the documents in your hand. “I’ll go over them and get back to you.”

He reaches out, bracing his hand on your office door. You half expect him to push it open, but he merely holds it there. “We could go over them together,” he suggests slyly.

“No,” you say, clearly disarming him. He looks as though he’s forgotten the meaning of the word. “I’m in the middle of another project at the moment.”

The leather of his gloves creaks faintly in your ear as he flexes his grip on the edge of the door. While what you’ve said is true, it’s also serving as a test. Words and flowers are pretty things, but only actions always speak the truth.

“At the moment,” he repeats, gears visibly turning in his eyes. “So… Later?” He extrapolates, displaying an uncharacteristic tentativeness alongside his obvious displeasure at the taste of rejection. You even see a glimmer of hope in the mess of his expression..

He did pass the test. You suppose you can reward him for that.

“Another time,” you say, giving your door an exploratory push. He relents, his hands sliding down the length of it before falling away as he takes a half-step back. “How about tomorrow on my lunch break? 1:00 o'clock sharp.”

He splits into a smile that looks more genuine than any of his you’ve seen before. “Aaalrighty-roo. Sounds gooood to meeeee,” he says, drawing out his vowels more the closer he gets to actually having to leave. At your silent, amused stare, he claps his gloved hands together with a muffled thump! and takes a few more steps backwards. “Yooooou’ll see me… tomorrow.”

Your smile pinches along with your brows. What a strange way to phrase it. “See you then,” you say, watching as his face is eclipsed by your closing door. You wait a beat and then let out a thin thread of breath from your pursed lips, resting your weight on the door.

Looking down at the papers in your hand, you push off from the door and head to your desk, flipping through them.

Such a strange man, you think, carrying the notes to your desk. You set them down next to the vase of roses and try not to think too much about the unconscious smile your lips keep settling into for the rest of the day.

Homelander’s got you hook, line and sinker. He’s certain of it. He lingers on the other side of your door just long enough to watch you through it while you settle, a charmed smile set on your lips. He can already imagine how those lips would feel against his own, how they’d taste. He swallows thickly and looks around before he departs, already plotting his next move.

The two of you have a date tomorrow, and in order to be at the top of his game, he’s going to have to do a little additional research. Knowing your work was a good first step. The next one will be learning about you.

Following you home is the easy part. It ultimately feels chivalrous to do so once he realizes you walk home even at this time of year, when the sun sets long before the work day ends. He drifts above you, cocking his head curiously. No wonder you walk. The streets are packed as tightly as sardine cans, and your apartment garage isn’t much better. The claustrophobia of it all serves as a stark contrast to the openness of Vought tower.

The interior of your apartment provides an even sharper juxtaposition to his penthouse. It’s tidy, but the comparatively low ceilings and minimal floor space still make it look cramped. Somehow, you simultaneously have too much and yet not much at all, the confinement of a downtown apartment making what minimal affects you do own seem crowded together.

That only becomes more apparent once he’s inside, slipped in through your balcony after sleep has taken you. Why would you bother to lock your balcony when you live on the 8th floor? It works out perfectly for him.

In all fairness, your living room feels cozier once he’s standing in the center of it. Your walls are lined with an assortment of art pieces and photographs, and the shelves are well stocked with books and knick-knacks. You have a decent film collection displayed on your media console, and he can’t help but snoop through it, bending at the waist, examining through the rows. He cocks his head.

Odd. You’d think an employee of Vought would have at least a few VCU films. He runs his index finger along the spines, slightly adjusting them flush as he goes. Pursing his lips, he straightens up and looks at the closed cabinets on either side. The left one yields an untidy assortment of electronic odds and ends, cords and the like. Nothing of much interest other than an indication that while you like to keep up appearances, you aren’t quite as together as you’d like people to think.

It’s on the right side, however, he finds what he’s really looking for.

“Bingo,” he whispers, smiling to himself as he scopes out your little hidden collection of Vought hero flicks. Specifically, his films. He’s less interested in the handful of others you own (Queen Maeve: Her Majesty, Black Noir: Insurrection, Lamplighter: The Bright World, etc) and more so in the fact that you have nearly his entire catalog tucked away.

Nearly. You’re missing his eighteen part miniseries, Homelander: Brightest Night.

At least that gives him something to gift you.

Closing the cabinet, he meanders about the rest of your apartment. You have some plants in varying states of decay, with only a few cacti looking to be in decent shape. Either your work keeps you too busy to properly mind them, or you just like the idea of them more than the reality. It tells him that you’re looking–and failing–to fill a void in your life. You want to feel less alone in your home, you want to nurture something. You just haven’t found the right something yet.

Striding into your kitchen, arms folded behind his back, he peers through the cheap wood veneer of your fiberboard cupboards, unveiling an unusually broad assortment of mugs. There doesn’t seem to be any particular theme: holidays, locales, characters, and a menagerie of patterns.

He hums softly, pivoting out of the kitchen and down the hall, his steps preternaturally light. He listens for the beat of your heart as he draws near, tunes it in alongside the shallow cadence of your breath. Deep asleep. Good.

The walls are lined with pictures of you and others. Friends or family, he can’t say, but you look to have an abundance of both. He rarely sees himself in photos that aren’t promotional material. He pauses to straighten a picture frame, and finds himself so viciously jealous of the man sharing the frame with you–his lips pressed to your cheek, your laughing smile so genuine he can nearly hear it–that he almost knocks it to the ground.

Running his tongue along his teeth, he continues on.

Your bedroom door is open. He slips in silently, pausing just through the doorway. Your bed's a queen, too big for just you. You’re sprawled comfortably amidst pillows, limbs splayed in just such a way that he can easily imagine fitting himself in the empty spaces between them. He can smell the lingering burn of the candle you’d lit when you got home. He picks it up off your dresser, reading the label: Cup ‘o Joe.

Eugh. He never cared for coffee, and the artificial sweetness surrounding the note is cloying. Your perfume, on the other hand, he doesn’t mind. He notices the bottle alongside a few other of your things and puts the candle down in favor of that, popping the cap off. The smell hits him before he sprays it: vanilla first, then amber and something more woodsy. It’s less impressive by itself than it had been on you.

Still, it’s yours. You chose it for yourself.

Slipping off one of his gloves, he lightly sprays into the inside of it before he sets the bottle back down, recapping it. It won’t be the same, but he’s driven by the compulsion to spirit away any little pieces of you that he can. Just enough to satiate himself until he can have you properly.

That’s when he sees your blouse from today in a careless heap at the top of your laundry basket next to your dresser. Licking his lips, he tests the feel of the garment between his bare fingers. He’s always been sensitive to fabrics, and while the blend of this one is fairly cheap, it’s been worn and washed enough that it’s soft against his skin. He grabs a handful of it and lifts it to his mouth, brushing it along his lips, under his nose, and he deeply inhales your lingering scent mixing with the fresh pump of perfume.

He bites back a moan, screwing his eyes shut. His cock gives a dull little throb. Fuck, the spell you’ve cast on him makes him ache just for the smell of you, makes him salivate. He swallows it back, letting out a rough little breath as he reluctantly puts the shirt back down. Under it, he spies a little flash of something black and lacy. His stomach clenches, and he’s reaching for it before he can stop himself, fishing the black panties out of the heap and twisting the fabric between his fingers.

Fuck, fuck, fuck.

He can’t afford to overindulge. He won’t be able to control himself if he does, but he also can’t bring himself to put the little slip of fabric back down. He imagines he can almost taste where your sweet cunt had been pressed to it. Christ, he’s practically drooling. Out of sheer impulse, he yanks down the zipper of his pants with a quiet hiss of metal against metal and hastily pushes your underwear into his cup, biting down hard on his lip. He grinds once against his hand, savoring the feel of the fabric against his cock.

He’ll enjoy them far more than you’ll miss them.

Zipping himself back up, he carefully pulls open your top dresser drawer. He curiously pushes the contents around, mindful not to overly disturb, and his knuckles bump something solid. He shifts one of your bras–another near painful pang of arousal at the reminder of your breasts–aside and finds, to his delight, what any good marketing department would describe as “a large purple massage wand.”

A vibrator. He chews his bottom lip briefly, turning it over in his grip. An exciting find on all fronts. It’s smooth and decently hefty, good quality. You deserve even better. You might be capable of indulging yourself with this, but he could make you scream. You’ll never need a silly little toy again. Not when you have him.

Homelander moves to put it back in the drawer, but–

“Fuck!” He hisses when the button catches on his finger, and suddenly the damn thing is buzzing.

Shut up, shut up, shut up, he chants mentally, jabbing at the buttons in an attempt to silence it, but pressing the same ones only makes the accursed device louder. In a frantic move, he grips the neck and squeezes. There’s a soft crunch beneath the silicone, and as abruptly as it had begun, the buzzing ends. His heart is thudding heavily in his chest. He listens to the silence, to you.

He looks over his shoulder. No movement. Your breaths remain shallow.

Christ.

So much for leaving no trace. He slips the busted toy back amidst your underthings and snatches his glove off of your dresser, tucking it under his arm. He hones his attention on you as he approaches your bed, assuring himself that you really are still asleep. He stands there for a while, admiring the part of your lips and the haphazard splay of your pajamas and where they cling to your body.

No bra.

His bare hand flexes. Being so close is too much of a temptation. He wets his lips with a quick slide of his tongue and bends down. He ghosts his fingers just over your cheek, not quite daring to touch. He can smell the faint remnants of your toothpaste on your breath, your shampoo, and beneath it all, you. It's intoxicating, it's…

Your brows furrow slightly in your sleep and you make a soft noise, interrupting his thoughts. He wonders if you’re dreaming–dreaming of him, perhaps. He’d like to think so. He’d like to think that you’re just as affected by him wanting you as he is, and that’s the real reason you invited him to lunch. He saw it in your eyes when he echoed your words, the thrill that went through you. He could have gone to his knees for you in that moment and had you in giving himself to you.

Desperate for just a taste, he kisses ever so gently between your brows, his own breaths matching the cadence of yours. Divine. You're divine. So effortlessly perfect and so aware of your own power. How could he not want every part of you?

He means to leave it there, to walk away with nothing but the slight salt of your brow on his lips, but the pull is too great. He's greedy, drunk on the smell and the taste of you, on the feel of your panties pressed up against his cock, and he can't stop himself from sampling your lips against his.

It’s the barest hint of touch, and yet the contact lances electricity through him like he’s been struck by a bolt of lightning. Your lips are soft, soft, soft. He knew they would be. Everything about you is so fucking soft. It takes everything in him to pull away, standing back to his full height.

He's aching, yearning so intensely he could rip the covers away and take you just like this, shake you awake, declare himself and have you. Would you scream, or would you have that same look of affronted understanding of him? You see him in a way few are ever brave–or stupid–enough to dare.

Not yet.

He won’t spoil the game. He agreed to play by your terms. As far as you’re concerned, he’ll do precisely that. You’ll be none the wiser in regards to his little reconnaissance mission–anything could have happened to your vibrator–and the two of you can play your little game as if you stand on equal footing.

Sucking in a silent breath, Homelander leaves alone, but not empty handed.

He’ll make very good use of his little trophy tonight.

( chapter three )

#i have no self control ENJOYYYYY #praise me it's shocking i finished this so quickly #although it's not really finished bc i'm stretching it into 3 parts but #couldn't help myself i needed him to be a little weirdo #next chapter is already started tho and shouldn't take long!#ALSO I MADE THIS GIF #i'm so happy lol #my writing #homelander x reader #homelander x you #homelander fanfiction #homelander #plus size reader

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b4kuch1n · 7 months

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red lion wizard !

#pokemon #swsh #champion leon #wizard leon! one of em!#chose to color this one foolhardy style lmao. well it is done. I did Minimum cleaning up #this set is. well Im gonna draw the design sketch like with the toy doctor #but yeah the Other name for this one is 'wizard of performance'#which. uh. yeah there u go #Im actually flipfloppin between thinking this looks fine and feeling like I fucked up big time.... idk why. probably bc I put a h #uge splash of almond flavoring into this tea instead of like. two drops. like I wanted to #its literally like drinking perfume. why is vanilla fine when you add more than a few drops in but almond extract poisons you in real time #like why does a food flavoring smell exactly like something you Shouldn't eat. why is it made like that #well. I will sleep now. and maybe I'll dream. and then I'll know #have a good night lads! we are not immune to propaganda.

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starflungwaddledee · 3 months

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Oooo starstruck dee has little stars at the bottom of her feet! Are they just aesthetic or would they make imprints into the ground? (like pawprints)

exactly like that! though she's not the only one...

edit: might need to add some additional dialogue to this to make it more clear, but a clarification in the interim; he knows about his own footprints. he's just surprised to see something similar already there when he knows he's only just landed. he lifts his own shoe to confirm that they're not identical (and also to reveal this to the viewer). seems his stoicism beat off the clarity in this one, sorry 😭

#meta knight #starstruck dee #have had this one sitting around for *months* while i bit my nails on posting it #and then i thought maybe i *shouldn't* during the shipaganza bc it's not a direct prompt; though i do think you can read it that way #and for ~Reasons~ i needed to post this one sooner rather than later so i had to bite the bullet.#though meta knight has understandably been the second most prompted. they do indeed have the Funnest Possible Dynamic for it #stoic guy and the bug eyed little Creature he doesn't really trust as far as he could throw her (long long way)#so just to clarify this one is NOT for the shipaganza but you can read it that way if you want to #this is just a canon scene between them from her storyline. this is just something they canonically share. starry eyed idiots.#also fwiw i think i probably picked up the shoe-patterns for the knights from postitnotes7 #been a headcanon in the back of my mind for a long while but i'm pretty sure i osmosis'd it from their work #especially after drawing post's designs so much for the hnkss. i temporarily forgot how i used to draw their armour ngl #and also btw starstruck deetectives psspsps #i'm planning a much better post about this later (probably in march) but i'm going to start using this tag for Important Posts for y'all #🎀🔍#<- for the starstruck deetectives when there's something significant in the post.#i worry about making it 'too easy' but also want stuff to be accessible. it's just for fun? the OC lore game! ARG but it's just my oc.#that would be fun right? maybe? is that too indulgent? i could probably pull it off if folks were actually interested enough to participate #anyway!! go to bed starflung #also if you read this far: anon is open again! still open for shipaganza prompts but i'm not gonna be finished them in february 😂

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mamawasatesttube · 2 months

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timcassie is so compelling to me. they were not into each other even a little bit. it was such a messy coping mechanism fuelled entirely by grief. they were making out with each other because they were both substituting each other for kon. cassie was far more aware she was doing this than tim was. unironically, dating a girl here is one of the gayest things tim has done

#rimi talks #it is SO messy and its so fun. i don't think geoff even realized the implications but they sure are there when you read it #god... you know its BAD when modern comics have me missing tt03 of all Fucking comics #but like. todays ''tell don't show'' writers would N E V E R do something this interesting #tom taylor would be all. oh! tim we shouldn't kiss. i'm just substituting you for kon because i miss him and you were his best friend!#and then he'd have tim go oh wow cassie you're right i didn't realize that! my bad. all forgiven? yay!!! :)#GOD YOU KNOW ITS BAD OUT HERE WHEN I THINK *GEOFF* DID SOMETHING RIGHT. GOD. GOD #GEOFF MY MORTAL ENEMY GEOFF. grits teeth yeah geoffrey i have to give you this one............#its just such a deliciously unhealthy coping mechanism. theyre a MESS. theyre using each other. theyre only able to go on bc of each other #its not a romance but it IS a codependency #bart isn't even dead yet when this happens. like. he's just off being the flash.#bart (extremely depressed bc he couldnt stop sbp and hold him in the speed force forever): :| ok #not his circus. not his monkeys.#well it is his monkeys even if he left the circus. but he's too depressed to deal with it #but its so fun. this relationship is haunted. there's a ghost in the middle. they both want to kiss him instead of each other.#tim #cassie #timcassie

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extravagav · 16 days

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Yk I never did truly recover from the sick fic chapter

#one day im gonna make a post overanalyzing every single frame from this chapter bc its just so good #everything from how confused sakura looks at the idea of them coming to visit him when hes sick #to suo suggesting they leave bc he knows them staying here the now will only make him worse/uncomfortable which is the last thing he needs #bc yeah although he shouldn't and doesnt have to hes used to dealing w/ things like this alone #hes convinced he needs to and thats not smth you can just expect to change from one visit #still i need my hurt/comfort sick fic sequel please and thank you #so we can get a full circle of sakuras character development where he actually lets them help/asks for it #and NO im NOT projecting 🙅‍♀️#i DONT just wanna see my son getting comforted through his sickness when hes at his most vulnerable nuh uh 🙅‍♀️🙅‍♀️🙅‍♀️#wind breaker #wind breaker spoilers #sakura haruka #ALSO ALL THIS ^^ WITHOUT EVEN MENTIONING THE REASON HES SICK IN THE FIRST PLACE LIKE????#MY SON WAS SO EMOTIONALY CONFLICTED AND CONFUSED THAT HE GAVE HIMSELF A FEVER 😭😭😭😭#ALSO also i seriously cannot get iver how scared he looks in the last panel like ☹️☹️☹️☹️☹️#ok im going off in these tags rn i need to stop fr

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chirpsythismorning · 20 days

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Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

#byler #stranger things #willel twins #twelvegate #montauk #as you can see #i am out of my mind #and i'm okay with that #i've spent the last couple months trying to make a video going over all the willel twin evidence #and i can't decide if it's even possible to do without going over an hour #like there is just so much shit that fits too perfectly into this family being ripped apart by mind control and time shenanigans #i hope to have it done soon #trying to make it less than 20 minutes #but it's probably going to end up being closer to an hour #especially with this stuff from the montauk pitch being added to the mix now #anyways #willel and byler are the curtain behind the curtain #if you are open to one of them #you are bound to stumble across the other #and they don't want that to happen #stay tuned for the inevitable twin imagery to continue in s5 related to willel leading up to the big reveal #bc it's arguably the most consistent thing about this damn show #and tbh this all just makes the queer-coding for mike in s1 a lot more concrete to me #them exploring will's queerness through his dad's expectations for him to do more 'manly' things like play baseball #and jonathan saying he shouldn't like things just bc people telll him he's supposed to #how they connect that narratively with the boys being at a baseball field when mike's being pressured about his supposed feelings for el #with the bullies showing up and literally being homophobic seconds later #the fact that jennifer hayes did in fact exist in the original pilot and was the girl mike had a crush on #only for them to scrap that and just make it about her having a crush on will...#never once introducing this idea of mike liking her...

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luciquel · 1 year

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they discontinued 1899, but there's most likely going to be a second a third season of wednesday. i'm telling you, if it's not 'editable' for tiktok, it's automatically a flop. people don't want content that makes you think anymore, they want cool scenes they can slap an overplayed song and cheap filter over, so that their brains don't shortcut when it's presented with content not compressed into something easily digestible. god, i hate it here

#i am NOT saying that you shouldn't enjoy wednesday or that it shouldn't be renewed. i rlly don't care #what i AM saying is that from now on that's what we're mostly gonna get. generic series. quantity over quality #i hate it here so muuuuuch!!!!#we really doomed ourselves with fast and easy content huh. like i'm forced to watch stupid things bc stupid ppl refuse to train their #attention span. brb i'm gonna murder something #i have to be a hater about this okay? and i rlly don't care if u take it personally lol #but wednesday - although fun to watch - just does not compare to the mammoth of creativity that 1899 is #anyways.#wednesday #1899 #🥑; raquel talk

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sergle · 7 months

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(re: sssniperwolf and jacksfilms) It's laughable that she escalated it that hard. Don't get me wrong, I'm pretty sure stalking him like that is illegal and it's terrifying regardless, but Jack said in a stream (can't remember which one) that he wasn't about bringing up past controversies of hers or cancelling. And now she shows up outside his house (wtf!!!). Like he was willing to only call her out for stealing and freebooting but she's gone and stalked him and Jack doesn't seem like the type of guy to take that shit. Actual WTF moment from her part. wild

omg long post below bc apparently I have opinions: YES!! THAT'S WHAT'S SO INCREDIBLE ABOUT THIS... Jack has been genuinely diligent about keeping things on-topic in his streams, and hasn't brought up any of her other Stuff, or anything Personal. Despite the fact that she kickstarted the whole thing by making it INCREDIBLY personal and attacking his physical appearance... His goal has been to call out and bring attention to content theft, and he's stuck with it. Dude's also cared about this for years, and she's not the first content thief he's criticized. He just hates the way that freebooting has become so accepted-- to the point where youtube praised her for "coming up with such creative video ideas"? Hey! Ew! Dude wasn't trying to get her cancelled though, there was no smear campaign of her character. He's been rallying to get her to CREDIT the creators that she relies on for all of her content. It would set a precedent for all other "react" channels on the platform for one of the biggest channels on youtube to actually give credit where credit is due. Or, god forbid, get permission first? It's not hard. It's already done the job of making some other people who do "react content" self-analyze whether or not their content is transformative, and to maybe care about crediting the creators they rely on for their genre to work. There is a way to make this kind of video that isn't so slimy. And making fun of her lackluster-at-best reactions is so far from even being a big deal. Bc she literally does just sit there and say nothing. Plus, his goal has a clear End built into it: if she started shouting out the creators she takes content from, and put links directly to their pages in her video descriptions, the job would be done! That's what he's asking her to do. Real bare minimum stuff. It legit would have been easy to steer away from the content theft and to also talk about her history of lying to her audience! her ghosting a dying kid with cancer who was a big fan of hers! the fact that she's been arrested for armed robbery! her history of transphobia! He would also get more clicks that way, which is what she claims is his sole goal- to get more clicks. I'll bring it up though! She's been a terrible person the whole time, and has kept a steady course of manipulating her audience of young children and/or, let's be completely honest, simps- into thinking that she's a Wholesome creator. (And now, into thinking she's an innocent victim.) All of the actual effort put in by her has gone toward optics, not the content she puts out. A carefully constructed online persona, for one, but also literal appearances. Jack totally can't say this, bc she already went off the handle and said the only reason he doesn't like her is bc he Hates To See A Woman Be Successful. But I can! That was a cheap shot for her to use that argument when, for once, it's not applicable! Much the opposite, even! Dudes online wouldn't go to bat for her if she didn't look the way she does. And it weakens any case she'd have against him by making baseless claims like that. She banks hugely on being an attractive woman to get her clicks/following. A massive amount of effort is put into her appearance. The makeup, the lip fillers, putting her hair in little pigtails, the chokers and tube tops, the big non-prescription Nerd Glasses, the thumbnails where she has her mouth open in That Expression?

I don't even have to say anything. But making a weird facial expression and putting your hair in pigtails aren't moral failings. Showing up at someone's real life home (whose address you shouldn't even have access to), filming the front of their house at night, doxxing them to your audience of millions of people? Because you were mad at them online? That is fully scary! Yeah girl I'm pretty sure that Jack can press charges! There is absolutely no way to take the moral highground now that she's literally stalked him, and doxxed his home. She tried to goad him and Erin (Jack's wife) out of the house, also, which creeps me out even more-- because what was she planning to do? The fact that she's been arrested for violent crime before does pop into my mind! lmao! Jack was streaming a game at the time that she was outside his home, and these clips of him, his friends, and Erin reacting in real time to what is genuinely a scary situation have been taken down in case he needs to use them in legal action. Shit is legitimately serious!

#sergle answers #long post #LONGEST POST ON EARTH I'M SO SORRY #saying all this out loud only takes a few minutes but typing it... girl this is a BOOK #clearly I have thoughts on this Online Drama but also this isn't online!#these are people who exist in real life. and compromising a person's safety bc he criticized you for stealing tiktoks #is a real life thing. this isn't confined to online spaces! you can turn off your computer to get away from An Argument #but someone going to your house?? that's absolutely terrifying #and all of this is just because he's been telling her to credit the creators. it could have been resolved so simply.#I hope he takes legal action against her bc he genuinely has grounds to do so.#and I can't imagine how terrified and upset I would be if someone was outside my door. filming my house for their audience.#also the 'what if the roles were reversed' argument is rarely made in good faith... but she's already brought up the topic.#this would be getting even more coverage and the optics would be Even Creepier if a strange man with millions of followers showed up #at the home of a woman- just bc she criticized his videos- filming her home address for all to see and trying to get her to come outside.#It's just as creepy that sssniperwolf did this as it would be coming from ANYONE else #it's been downplayed bc her being a little skinny woman means that A Man shouldn't be threatened by her #which. even if she wasn't going to Do anything. any one of her rabidly loyal online followers MIGHT. she's not the only one who could go to #his house now! anyone could show up.#sergle.txt #Jacksfilms #Sssniperwolf

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inkskinned · 1 year

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what is considered "beautiful" by society is inevitably sexist, racist, ableist, classist, transphobic, and bigoted. it targets and attacks any perceived difference, and it particularly villainizes women of color while co-opting aesthetics; as if features and cultural norms can be worn as accessories.

and the scary thing! you can see all of these things, know them to be true logically, and also know that you are treated better if you are perceived as beautiful. if you have ever been treated as "ugly", you know exactly how much society reviles you if you don't manage to scamper along and perform to their rules.

and how are you supposed to balance that? do you want a nose job to fix your broken nose, or have you just recently been seeing videos about how many people look better after nose jobs. do you want to lose weight to feel good, or is it that when you lose weight people treat you better. do you want to wear this outfit, or is it just the thing that's least likely to get you harassed. do you want to get lip injections for your reasons or is your whole reason that you don't feel beautiful unless you get those lip injections?

and the definitions shift. the goals get more specific. in the way that you only become aware of your tongue when someone mentions it; parts of your body are introduced as problems. i had never heard the term "hip dip" until about a year ago - and it was in the context of how to get rid of this. i'm 30, i know this shit is invented, and yet! i still find that strange voice saying but do you think someone is going to notice?

how the fuck am i supposed to say "this is my genuine choice i am making for my body" when i also know that years of my life have been spent socializing me to accept this as my inevitable fate? how do i know i'm actually doing this out of love for my body - or am i doing it for how i want others to see me, which will be lovely enough to feel loved? how am i supposed to recover when my unhealthy habits are seen as self-discipline but if i relax i'm openly mocked for "letting time win"? how the fuck am i supposed to say "i'm doing it for me" when i'm also very aware that i'm doing it to stop myself from being teased or demeaned? is it my choice if the other option is being bullied?

we are living in a hostage negotiation - either consent to the demands or spend the rest of your life being treated like you're a despicable person.

#i also have things to say about how gender plays into this #but it became like 1450 pages #so i saved the rest in a draft #btw? hip dips used to be like valued in the 90s & 2000s during the ultra thin craze #which is so fucking wild to me bc i am old enough to REMEMBER that people WANTED them #bc they're literally the shape of your bones. they're your hipbones showing. & you literally CANNOT 'target' that area #that would be like targeting your elbow. it's a fucking JOINT.#it is a place where you either do or do not carry mass. the lower ur bodyfat percent and the higher ur thigh & glute strength #the less that you will carry weight there #which is even MORE fucking cruel bc !!! the type of people who are already trying to improve themselves helplessly #are going to be aware of their body! and ur literally GIVING them an insecurity they LITERALLY do not decide!!!!#“it rounds out ur figure” here's something my guy! maybe people shouldn't have to look uniform and sleek !!!#maybe you just want to fuck a manatee !!!#if we're really at the point that you have to apologize for LITERALLY HAVING BONES.....#like sorry my legs had to connect somewhere in my form :( i will hide that from u. my apologies ur honor #(fashion bloggers gagging bc there's evidence other people have skeletons)

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aeide-thea · 11 months

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Laundry stripping may be popular in certain circles, but it's important to understand the science behind the deep-cleaning practice before you decide to give it a try. Ultimately, stripping some fabrics (like silk and wool) can actually do more damage than good—and utilizing this method too frequently can prematurely age your garments. […] [Cleancult CEO Ryan] Lupberger advises against the practice altogether, especially if you were considering Borax. "It's one of the products people often use to strip laundry, but is also an irritant. It can lead to skin irritation or a rash and respiratory side effects," he says, noting that there are concerns for exposure to humans, as well as pets. […] The shock of laundry stripping is the water—the process results in a dark, seemingly disgusting pool of filth. In reality, this discoloration is largely caused by hot water leeching the dye in your clothes, causing them to run. Stripping can, however, help remove dirt, lingering body oils, detergent residue, and hard water minerals; together these soils do contribute in part to that brown-gray water, says Lupberger. According to Tide scientist Jennifer Ahoni, "Our research and laundry expertise suggests that there are more effective methods to remove build-up on fabrics." Per Tide's findings, continues Ahoni, the stripping process can actually cause issues with many textiles. "The mechanism by which washing soda precipitates out water hardness can actually form new soap scum residues on fabrics," she says. "Additionally, we have learned that low wash pH is an effective method for soap scum removal, and washing soda raises wash pH—which is the opposite direction." Not to mention the fact that washing soda can also deactivate some detergent components, preventing your wash from getting extra clean in the first place.

#so like. in addition to pernicious rhetoric it's just like. a dubious practice!!#(like. hello. is this not the skin sensitivities website.)#but this idea that Traditional Wisdom has been kept from us by Capitalism is REALLY popular #but it's like. hello. actually laundry SUCKED and scientists have worked really hard to improve it!!#obviously the profit motive is real and you shouldn't ignore it but like.#just bc the narrative of Progress is propaganda doesn't mean substituting a narrative of Capitalist Degeneration is an improvement!!#honestly just in general i'd argue that 180° turnarounds are not in fact Good Nuance but reactionary bullshit to be wary of #but anyway. have some specifics on #laundry #and #laundry stripping #as long as i'm subtweeting.

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akimojo · 2 months

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i just saw someone call ffxiii overrated like? what?? it's literally one of the most hated games in the franchise wym "overrated" 😭

#they've gotta be butthurt it got 3 games #also saw someone whine about how it shouldn't get a remaster bc ''other ff games deserve a chance'' and i was baffled #xiii and xi are the only mainline ff games that aren't on modern consoles what are you talking about!!!!!!!#i shouldn't be reading random men's comments on ffxiii omg it just makes me peeved lmao #final fantasy xiii #i gotta ramble real quick abt how we don't have a remaster yet actually #it bugs me when people act as if it's because ffxiii was some huge embarrassment for square and that they want to bury it #when it actually sold super well #and lightning became one of the most iconic protags in the whole franchise #not to mention that xiii got TWO SEQUELS that ALSO sold well #AND the combat system has influenced modern ff titles #square doesn't hate xiii omfg get real #but that does make it even more absurd that it doesn't have a remaster yet #some people think it doesn't need one since it still looks so damn good #but it's not really about that lol it's about accessibility and letting it reach a new audience (the pc port is too broken seriously)#something tells me it's because the crystal tools engine was so much of a pain to work with but idk they haven't really explained anything #either way it just annoys me when people claim xiii doesn't deserve a remaster bc ''no one likes it'' when that really isn't true #and calling it overrated is beyond insane

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welcometogrouchland · 3 months

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I love Steph's origin as told in the Secret Origins 80 page giant- I just overall think it strengthens her character by giving her a lot of pathos and adding to her heroism (which isn't something writers were focused on in her actual intro in detective comics #647 since she was just meant to act as a plot device back then) BUT there is one tiny detail in it i will begrudge, and that is the portrayal of her having a minor love at first sight moment for tim

Secret origins 80 page giant, ID in alt

(or well, technically this was their second meeting in that story (the brick was the first) so...love at second sight?)

Mostly because Stephanie showed no interest in her introduction and only showed romantic feelings towards Tim AFTER this moment here:

Robin (1993) #4, ID in alt

Straight up the progression here goes:

The adventure in 'tec where they first meet -> Tim investigating the same crime scene as Steph -> she beats him up not knowing it's him at first, apologizes but says he shouldn't have scared her -> he remembers her/the moniker she goes by -> they talk about plot for a few pages -> Stephanie starts flirting

Robin (1993) #4, ID in alt

Which...is so fascinating to me and says so much about Stephanie. She highlights the fact that Tim "remembered" her. Like. Steph. Girl. This is our bar? It's sweet but kind of speaks to how much Stephanie is ignored at home/how little and sporadically she's shown interacting with her peers (and rarely ever the same kids twice). Her idea of peak romance is just...being on someone's mind even when you're not there.

Kind of also adds layers to Steph's proclivity towards jealousy later on, a manifestation of her insecurity and loneliness (though don't get it twisted, she's not written this way bc Dixon and co think it's an interesting character flaw, they wrote it bc they think it's an inherent character flaw of (particularly young) women/girls, which is very apparent in how he approaches Ariana's character as well from what I've read)

Also the fact that Steph becomes so smitten for Tim almost immediately after this is (a few issues later she aggressively flirts with him during AN ACTIVE HOSTAGE SITUATION. WHERE SHE'S THE HOSTAGE) again is kind of a mixture of kind of funny and sad. One boy is nice to her once and she's fully ready to wife him. Girl you are deranged (affectionate) (concerned)

#ramblings of a lunatic #dc comics #stephanie brown #tim drake #timsteph #meta #< ??? ig #robin 1993 #made this post and forgot to finish. saved it in drafts. saw posts that annoyed me. proceeded to finish it #the subset of fans who think they're doing a righteous feminism by giving steph more flaws than she has in canon...headaches #yes flawed female characters are important representation no i dont think you projecting chuck dixons conservative values onto her-#-is doing her character a great favour. if so you need to commit to the bit and make tim a stone cold nark /j #sorry okay im done vaguing. there's real things going on in the world that matter. the bad take is the mind killer etc etc #anyway the zero to 100 progression of early timsteph is fascinating. on the one hand i know it's mostly a product of its time #both in terms of portrayals of romance (esp teen romance) and partially of women and girls by dixon (not extremely boy obsessed-#-but there's a. dark shadow of the boy crazy trope. a gentle whiff of it in the air. just a little)#but bc this aspect isn't blatantly/egregiously author bias i choose to analyse it #i could also analyse how steph in general is portrayed as liking guys she can't/shouldn't have a little #(her crush on the much older detective in bg2009 and also tim a little bit w/ the secret identity thing)#(but that's a whole other discussion. also that aspect of the romance in bg2009 is. also a little sexistly motivated-#-and also dropped part way through to an extent so like..not exactly ripe for analysis)#ANYWHO i love you Steph <3 you're unwell and yet so adorable and compelling Steph <3

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ghosttotheparty · 1 year

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with every beat of my heart

also on ao3 cw: grief, death of a parent, past child abuse, panic attack

Steve isn't in bed when Eddie wakes up.

That's what wakes him up in the first place. The lack of Steve's warmth, the way the mattress isn't dipping under his weight and dragging Eddie closer to him the way it usually does. It's still dark when Eddie blinks his eyes open, and he slides a hand out over the mattress, feeling the blankets that have been tossed back and set over Eddie's body. It's cold. Eddie pushes himself up, listening closely for the creaky floorboards in the hallway of their apartment, for any indication that Steve just went to the bathroom, went for some water or painkillers, but the apartment is silent.

Eddie sits up, squeezing his eyes shut for a moment. His whole body aches the way it always does when he wakes up, but he pushes himself to his feet anyway, untangling from the blankets in the dark and tossing them back to the bed.

He creeps down the hall, squinting in the dark until he looks around the corner to see the kitchen light shining under the crooked door.

"Stevie?" he says weakly, his voice rough as he pushes the door open.

Steve is sitting at the dining table, his arms crossed on it in front of him. He's staring at the tablecloth like it's speaking to him, and he doesn't look up until Eddie says his name again. He blinks, his eyes raising up to look at Eddie blankly.

"Hey," he says, like it's perfectly normal for him to be here at two in the morning.

"What's going on?" Eddie asks, blinking his eyes in the bright light of the kitchen. "Are you okay?"

"Yeah," Steve breathes. "Fine."

"Steve." He goes to stand next to Steve so Steve is looking up at him, and he pushes a hand through Steve's tangled hair. It's longer now, unkempt and beautiful. Steve blinks up at him, exhaling. "What happened? You have a nightmare?"

"No," Steve says softly. "My mom called."

Eddie blinks, fully awake. She's not supposed to have their number. Steve went zero contact with his parents when they moved out of Hawkins.

"How did she..."

"Joyce gave it to her."

Eddie blinks again. Joyce knows all about Steve's parents. She wouldn't do that without a good fucking reason.

"What did she have to say?" Eddie asks softly, pulling a chair over and sitting down in front of Steve. The chairs are mismatched. All of them are. From garage sales and second-hand stores.

Steve stares at him for another few moments, his eyes almost empty. Absent. A pit grows in Eddie's stomach. Steve isn't even moving. He's usually fidgeting with something, tapping his fingers, bouncing his knee, rubbing the fabric of his shirt, rocking back and forth. Especially when Eddie made it very clear when they moved in together that it was all fine. None of it is annoying, or childish, or weird. Eddie waits while Steve stares at him, wanting to reach out and touch him, to hold his hand or his cheek, but the pit in Eddie's stomach says that's not what Steve needs right now.

"My dad's dead," Steve says finally, blinking. His eyes clear up a little bit, finally looking at Eddie instead of through him.

Eddie blinks, straightening.

"Oh."

He doesn't know what to say.

He doesn't know what there is he could say.

"He had a heart attack last night," Steve continues, possibly picking up on Eddie's speechlessness. "He didn't make it." He cracks an odd smile, tilting his head, but it fades just as quickly as it appeared. "Guess all that anger finally caught up with him."

Eddie feels sick. Like he has a fever. Too hot, almost shivering.

"How do you feel?" he asks softly.

"Mom's having a hard time," Steve says, like he's ignoring the question, but Eddie knows it just didn't register. He's not really hearing Eddie right now. "She was crying on the phone, I-- I didn't really know what to say? I said he's in a better place, but that feels so shallow, I mean--"

"Baby," Eddie interrupts. Steve shuts up, looking at him with wide eyes like he's in trouble, so Eddie finally reaches a hand out, holding it open and waiting. Steve looks at his hand like it's foreign for a moment before he slides his hand into it. He's shaking. "How do you feel?" Eddie asks again, slower.

"I..." Steve takes a deep breath, blinking at their hands, at the bands around their ring fingers they bought the day they left Hawkins. Not legal wedding rings, but neither of them has ever really cared about the law. "I don't know."

"Do you wanna go through it or around it?" Eddie asks gently. It's the same question they ask each other whenever they have nightmares or flashbacks or just generally hard days. Always a quicker way to other questions.Do you wanna tell me about it or go back to sleep? Do you wanna describe what happened or watch a movie? Do you wanna talk about it or have sex? Do you wanna cry for a while or go for a drive? But they always go through it eventually, even if they go around it first.

"I don't know," Steve breathes, his eyes suddenly glistening as he stares through the floor. "I don't know, I don't-- I don't know."

"You want me to decide?"

Steve looks into his eyes, looking scared and small and desperate. He nods. Eddie squeezes his hand and takes a deep breath.

"Let's go through it," he says softly, listening to the way Steve's voice stutters in his throat. Eddie nods encouragingly, squeezing again. "'S okay, I'm right here," he murmurs. "We'll go through it together, okay?"

"Okay," Steve says.

"Tell me what you're feeling."

Steve takes another breath.

"...Confused."

"Why?"

Steve licks his lips, looking at their hands, and his face hardens after a moment as he bites his lip, and his lip quivers, and Eddie can tell that he's aching to go around it instead. But Steve looks up into Eddie's eyes, and Eddie gives him a nod. You got it. Whatever it is you're feeling, it's okay. And Steve goes through it.

"That man," he says slowly. "Was a piece... of fucking shit."

Eddie almost smiles. He nods.

"He..." Steve takes a deep breath. Eddie squeezes his hand. "He made me fucking miserable. Every fucking day." His voice is firm, unwavering. "He made my life a living hell. And I don't..." He shakes his head like he's speechless, like he's in disbelief, and then his eyebrows furrow as his eyes fill with tears, but he squeezes them shut so the tears all fall down his cheeks, and he steadies himself. "I used to--" His voice breaks, and he chokes on it, pausing to swallow. "I used to lay in bed at night," he says, his voice softer. "And... And wish he'd fucking die. I would wish he'd have a heart attack, or-- or get in a car accident, or be at the wrong place at the wrong time, and it's so fucking shitty, but I--" He cuts off with a scoff, his expression lightening. "Every birthday wish, every eleven-eleven, every goddamn ladybug that landed on me in the summertime. I wished he'd die. I wished he'd be one of those shitty dads that just up and left his family for no good reason."

Eddie listens intently, his eyes burning, holding Steve's hand tightly.

"The only time I ever prayed," Steve says quietly, "to a god I never even believed in, it was to ask God to make my dad fuck off the face of the earth." He laughs again, dryly, weakly, shaking his head. "And now..." He swallows again. "Now, fucking what?" He looks up again, at Eddie, but he's looking through him again. Eddie nods anyway, listening. "Now I turn twenty-four, and I'm long fucking gone and he just... Now he dies." His lip is quivering, his eyes gleaming with tears. "That's not fair," he whispers.

Eddie shakes his head in agreement, because it's not fucking fair. It's not fucking fair that Steve lived in that goddamn house in fear for his whole life, his whole childhood, surviving instead of living, and only now, when he has a home, is it safe to go back.

"And that's--" Steve chokes. "That's cruel, and shitty of me to say, but I-- I don't care."

"'S not shitty, Steve," Eddie says, squeezing his hand.

"It is," Steve argues weakly. "But I don't care. He... He hurt me. For years," he says, and he's crying now, tears falling down his face that Eddie wipes away with every ounce of care he can. "And now he's dead, and I never got to tell him to his face how much he hurt me. Or how much he scared me, and I never got to tell him that I'm not scared of him anymore. Because he--" He swallows, blinking tears out of his eyes, emphasizing with a movement of the hand that Eddie isn't holding, like he doesn't want to let go of Eddie's. "Because he was nothing," Steve chokes, "but a fucking coward that put his hands on a child, and that really wasn't fair."

Eddie nods, pride glowing in his chest because Steve is getting it. He's getting everything that Eddie's tried to tell him for years, every time he's woken up from nightmares about coming home late to find his father waiting to interrogate him, about breaking a glass dish as a child because the counters were too high.

"But he-- I'm so angry," Steve says, the last word breaking on its way out, too breathy and soft. "Because why now?" A tear falls from Eddie's eye, and even in his anger and confusion, Steve wipes it away gently, almost mindlessly. "I'm twenty fucking four, and he-- he dies now. Why not-- Why not when I was eight? Or-- Or twelve? Or fifteen? Why not when I needed it to happen? Why not when I prayed for it to happen? It's not fucking fair."

"No," Eddie chokes. "'S not fair, Stevie."

"I'm so angry," Steve says, crying, gasping for breath, his hand trembling as it grips Eddie's. "I'm so angry, Eddie, I don't-- It's like there's no space in me for anything else."

Eddie lifts his hand and kisses it softly, because he can't find any words right now.

"Is this grief?" Steve wonders out loud, his eyes wandering to the floor, tracing the tiles desperately like they'll lead to an answer. "Do you have to love someone to grieve them?"

Eddie's chest aches. He wants to go around it. He doesn't want to go through it anymore.

"Because I have never loved him," Steve says almost thoughtfully, passionately. "But I..." He's still looking at the floor, and a part of Eddie wonders if Steve remembers that he's even here. If he's even still speaking to Eddie, or if he's just thinking out loud. "But if something happened to you," Steve says, answering Eddie's silent question, "or-- or Robbie, or Dustin, or..." He shakes his head, shrugging weakly. "I would be... on the floor. Screaming-- I-- I don't think I could handle it, I would be so... so angry." He looks up into Eddie's eyes. "At the fucking universe, at God, at everything that could possibly be responsible for it, but with him," Steve says. His head tilts forward, and his eyes widen. "I'm angry at him. It's like he died out of fucking spite. Like he knew, like he fucking waited. And that's not fair."

He's quiet for a moment before,

"Is it my fault?"

Eddie blinks a tear out of his eye, squeezing his hand tightly.

"Did he die because I left?" Steve asks. "Was it too much for him? Did he..."

"Steve," Eddie says firmly, prompting Steve to look into his eyes, and Eddie leans forward, speaking slowly, deliberately, firmly, leaving no room for argument. "This is not your fault. Nothing he ever did to you was your fault. You understand me?"

Steve's lip quivers, and tears spill from his eyes.

"I'm so angry, Eddie," he whispers brokenly, and Eddie nods.

"I know, honey," he says, and he stands, pulling at Steve's shoulders until Steve wraps his arms around Eddie's hips tightly, burying his face in Eddie's belly. Eddie pushes his fingers into his hair, tugging it firmly the way he likes, and he looks up at the cracked paint on the ceiling when Steve's shoulders shake as he cries. "You haven't done anything wrong," he says gently, his voice wavering. "There's nothing wrong with you."

"I'm so angry," Steve sobs into his shirt, and Eddie can barely understand him. He nods even though Steve can't see him, pulling his hair again, sliding a hand down to his upper back firmly. "I'm so angry."

"You can be angry," Eddie says softly.

The sun is rising by the time Steve stops crying. Eddie is tired from standing, but he'd stay here for days for him. Steve leaves his face buried in Eddie's belly for a little while as he catches his breath, and Eddie combs through his hair softly, holding him, loving him. When Steve finally pulls away, his eyes are wide.

"My heart," he says breathlessly. Eddie's stomach falls, and he lowers himself to kneel on the floor in front of Steve. "'S beating too-- 'S beating too fast."

"You're okay," Eddie says softly, taking Steve's hand. It's shaking almost violently, and Eddie holds it tightly. "You're okay."

"Heart attack," Steve says, his chest rising and falling quickly, his eyes flicking back and forth between Eddie's. "I'm--"

"You're not having a heart attack," Eddie says calmly, leaning close to look into his eyes, squeezing his hand before he holds it to his own chest. "You're having a panic attack. You're okay."

"Eddie, I'm-- I'm gonna die," Steve chokes, his voice slurred with panic, his words muddled together. Eddie blinks tears back, staying calm for him, and he shakes his head.

"You're not dying, my love," he says slowly. He reaches a hand up and pushes his fingers into Steve's hair, pulling it gently. "Take a deep breath for me."

Steve tries, but he's hyperventilating, his eyes wide and crying, looking desperately at Eddie, who nods, taking a deep breath himself, exaggerating the rise and fall of his chest, holding Steve's hand to it.

"You're okay," Eddie says. "Your heart is okay."

"'M angry," Steve says weakly, breathlessly.

"You can be angry," Eddie says calmly. "Your heart is okay, even if you're angry." He takes another breath, and Steve follows along, even though his breath catches and stutters and he gasps as Eddie is still exhaling. "You're not your father, Steve," Eddie says softly. "You're nothing like him."

"Eddie," Steve whimpers, squeezing his eyes shut, pressing his hand against Eddie's chest harder, his other hand gripping Eddie's forearm. "Please."

"I'm right here, baby," Eddie murmurs. "Take a deep breath for me."

Steve tries again.

"There you go," Eddie whispers. "You're okay."

"'M okay," Steve mumbles weakly.

"That's right, Stevie, you're okay. Deep breath, all the way in, all the way out."

Steve tries again.

And again.

Steve falls against Eddie when he finally gets a clear breath, like the exhale deflates him, and Eddie wraps his arms around him tightly. He's trembling, like he's freezing.

"I love you so much," Eddie murmurs in his ear. "You did so good, baby."

Steve whimpers. He's crying again. Eddie combs through his hair and keeps murmuring to him softly.

When he stops crying, Eddie carefully shifts to hold his head between his hands, and he presses kisses across his face, even though his skin is covered with tears, and his nose is running. He kisses over his forehead, and the bridge of his nose, and his cheeks, and his eyelids, and his lips, and his chin, and across his jaw and down his neck, all the while whispering to him.

I love you so much, Stevie. You did such a good job. You're okay, sweetheart.

When Steve opens his eyes, there's a soft sort of absence in them that only gets there after particularly bad nightmares. (The ones where Eddie doesn't make it.) Eddie lowers back to the floor, looking up into his eyes, and he runs his thumbs over his cheeks softly. Steve squeezes his wrist weakly, exhausted.

Eddie gets him a glass of water and stands next to him as he sips it slowly, running his hands through his hair, closing his eyes when Steve leans against him. It takes a while for Steve to finish it, but Eddie waits patiently, knowing the glass is heavy in his hand, knowing Steve wants to disappear right now. When he finishes the water, Eddie sits back in the chair in front of him, holding both his hands tightly. Steve is slouching over, looking at their hands. Eddie squeezes.

"Stevie," he whispers.

"Yeah," Steve breathes.

"Look at me for a minute."

Steve's eyes raise to his. They're glassy, shining brightly, and Eddie's chest hurts.

"It's okay to be angry," he says softly, intentionally and carefully. "And it's okay to cry. And there's nothing wrong with anything you're feeling. You understand me?"

"I don't wanna be angry," Steve says weakly, his voice small. "'M tired of being angry. I don't wanna turn into him."

"Steve," Eddie whispers. "You are nothing like him." He reaches a hand to Steve's chest and holds it there. "You have... the purest heart out of anyone I know," he says gently. "You would never do any of the things he did to you."

"I know," Steve breathes, but he doesn't seem to believe him.

"Do you trust me?" Eddie asks. Steve nods without hesitation. "Will you believe what I tell you?"

Steve stares into his eyes, now clutching Eddie's hand in both of his.

"...Okay."

"You have a beautiful soul," Eddie whispers. "And I trust you," he adds, raising his eyebrows, watching Steve's lips curve into the smallest smile Eddie's ever seen. The morning sunlight is shining on him now. He looks like an angel, his messy hair glowing in a golden halo. "You are a good, good man," Eddie says softly. "And I will remind you as many times as you need, I will remind you with every fucking beat of my heart, that you are a good man."

Steve's lip quivers again, and he closes his eyes like he's absorbing the words. A tear slides down his cheek. Eddie wipes it away tenderly.

"I love you so fucking much, Stevie."

"I love you too," Steve gasps, taking a hiccuping breath, but he exhales smoothly, blowing the air out so it blows Eddie's hair.

"Let's go to bed," Eddie murmurs.

"Okay."

Eddie leads him down the creaky hallway, holding his hand, after pouring him more water to drink. Steve gets in bed while Eddie pulls the curtains together more to block the sunlight, and then he crawls into bed too, already holding his arms out for Steve to lie in. He closes his eyes, pressing his face into Steve's hair, running his fingers through it when he feels him crying again.

He doesn't drift off until he knows Steve is asleep, when Steve is heavy against him, relaxed and breathing evenly, slowly.

Instead of going to the funeral, which his mother calls about the next week, Steve stays home with Eddie and watches a movie. Steve starts to cry halfway through it, wracked by guilt and fear and anger, and Eddie just wraps an arm around him silently, pulling him close and pressing a kiss to his cheek. Steve smiles the next day, light on his feet and bright in a way Eddie's never seen, and through all the years Eddie's known Steve, he's known about his father, but he realises after the funeral is done with that he never really knew the extent of it. Because after the funeral is done, Steve never has to worry about anything to do with his father again. And his eyes shine brightly, and Eddie thinks there might be a whole galaxy behind him that Eddie still hasn't explored.

Steve still gets angry sometimes, but that's okay. Because his father's face is fading from his memory, and his mother never calls him again. And Eddie reminds him as often as he can that he loves him, that he trusts him, that he's pure and beautiful and has a heart of gold. That he's okay, that he's good.

After his father dies, Steve never dreams about him again.

#me: i can finish part 14 of love me softly tonight it shouldn't take too long #my brain: no youre going to write a grief fic that'll make you cry at five in the morning #okay i am going to go to bed and hope i can maybe be productive in a few hours bc its almost six am #or at least that ill be so tired and out of it i can finish my tasks without think ing #i have so much laundry to do #wish me luck #steddie #steddie fanfic #steddie oneshot #steddie ficlet #steve harrington #steve harrington fanfic #eddie munson #eddie munson fanfic #stranger things #stranger things fanfic

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