OTD in Music History: Historically important composer, pedagogue, theorist, essayist, and concert pianist Ferruccio Busoni (1866 - 1924) dies in Berlin.
From an early age, Busoni was an outstanding, if sometimes controversial, pianist. He studied at the Vienna Conservatory, and thereafter devoted himself to composing, teaching, and touring as a virtuoso concert pianist all across Europe and the United States.
Busoni's academic and theoretical writings on music were highly influential in their day, and in them he covered not only aesthetic considerations but also explorations of microtonal harmony and other innovative technical topics.
Busoni began composing early on (in a typical "late Romantic" style), but after 1907 -- when he published his "Sketch of a New Aesthetic of Music" -- he developed a much more distinctive and progressive approach, which often flirted with atonality. His visits to America also led to a growing interest in North American indigenous tribal melodies, which was reflected in some of his later works.
Although none of Busoni's original music has really remained in the core performance repertoire, it is a fascinating body of work which is well deserving of exploration by pianists who possess strong techniques.
The "Ferruccio Busoni International Piano Competition" was founded in Busoni's honor in 1949, in order to commemorate the 25th anniversary of his death. It remains one of the most important international piano competitions in the world today.
In addition -- and fittingly, given that today is also the anniversary of the death of J.S. Bach (1685 - 1750) -- Busoni's virtuoso piano transcriptions of Bach's works continue to hold the concert stage.
PICTURED: At atmospheric cabinet photograph of the middle-aged Busoni, shown looking up from a score in his library and casting a penetrating stare into the camera, which he has signed and inscribed to a female admirer in Vienna in 1908. (That admirer, Berta Flatau nee Engel [1889 - 1943], would later tragically perish in a Nazi concentration camp in Poland.)
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My talented, beautiful wife playing a Bach Busoni Paritia and my mother's memorial service.
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SWR Symphonieorchester 2023/24 - John Storgårds e Kirill Gerstein
Foto ©swr.de
Per il settimo concerto della stagione in abbonamento alla Liederhalle, la SWR Symphonieorchester ha presentato
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My talented, beautiful wife playing a Bach Busoni Partita at my mother's memorial service.
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Concert review, ★★★★½, Alexander Lonquich @ KZO, Wetzikon ZH, 2023-02-22 (Klavierissimo Festival 2023 / Top Klassik Zürcher Oberland) — CPE Bach: Free Fantasy in F♯ minor, Wq.67, H.300; Schumann: Arabesque in C major, op.18; Liszt: Bagatelle sans tonalité, S.216a; Schönberg: Klavierstück op.11/2; Liszt: Années de Pèlerinage, 1ère Année, S.160 — 6.Vallée d'Obermann; Busoni: Adaptation of Klavierstück op.11/2 by Arnold Schönberg, BV B 97; Schumann: Davidsbündlertänze op.6; Chopin: Impromptu No.2 (encore)
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A Trick of the Light - Love is Illusion
Artist : Marco Busoni
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Ferruccio Busoni, Sketch Of A New Esthetic of Music, 1907
“Music was born free, & to win freedom is its destiny”
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Felt like watching some Busoni Faust for once, medici is really laggy today, fortunately the same video is on YouTube too. Watching an unfamiliar German language opera with French subtitles is quite the brain exercise.
I do like this opera, I think it would be cool to see live. Unsurprisingly I'm a big fan of tenor Mephisto.
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On May 11, 1917, the world premiere of the opera “Turandot” took place in the Zurich City Theater, today's Zurich Opera House.
The composer Ferruccio Busoni conducted his work himself. His second work “Arlecchino” was premiered on the same evening.
The postcard shows the City Theater in 1917.
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Ferruccio Busoni (1866-1924) - Suite for Clarinet & String Quartet: I. Andantino ·
Consortium Classicum
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Hélène Grimaud a Stuttgart
Foto ©PRO MUSICA/Sören L. Schirmer
Era da diverso tempo che non ascoltavo in concerto Hélène Grimaud. La cinquantaquattrenne pianista
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Earth & sky by Marco Busoni
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Concert review, ★★★★, Can Çakmur @ Druckerei Baden (Piano District), Baden AG, 2022-11-19 — Mozart: Sonata No.13 in B♭ major, K.333; Schubert: Sonata in A minor, D.845; Liszt: Fantasy and Fugue on the Theme B-A-C-H, S.529/2; Mitropoulos: Passacaglia, Preludio e Fuga; Busoni: Transcription of Bach's Chorale Prelude for Organ "Ich ruf' zu dir, Herr Jesu Christ", BWV 639 / BV B 27/5
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Et là-dessus, l’abbé salua l’étranger en homme qui désire faire comprendre qu’il ne serait pas fâché de se remettre au travail interrompu. (p. 845)
i'm pretty sure this is the energy i'm giving off at almost every moment but it never would have occurred to me to put it in these terms. "i wouldn't be mad to see the back of you fyi. anytime you want to get the fuck out of my hair i would not hold it against you. btw."
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Johann Sebastian Bach, Adagio in A minor, BWV 564. Transcripción de Ferruccio Busoni.
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