#but i guess that's what i get for making a character whose motivation is a god's instructions | Explore Tumblr Posts and Blogs

longroadstonowhere · 1 year

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i’m playing a knowledge cleric in my dnd campaign, and the religion we’re using is a really loose structure, half teacher half librarian kinda vibe (and yes i decided to play this character before the library school thing happened), but clerics are something a little extra than just a follower of a religion, right? like, you get your magic powers from your god, so i figure there’s something more happening there for whatever cleric you play

but me, i’m not one for pages and pages of backstory, i’ll figure things out while i’m playing but i mostly just give myself sketches and outlines to work off of, so i present my dm with ‘i had a dream that god told me to look for something, but i don’t remember what i’m supposed to be looking for, and i’m not even entirely sure it was god’

and that’s where we start the campaign, dude in his early forties with a fair amount of knowledge and a not-insubstantial understanding of people finally striking out into the world, and the first major event he runs into involves someone he trusted turning out to be a blood cultist, and he doesn’t really learn from that because surely that was just a one-off weird thing, like not every person you run into will be lying to you, that can’t happen

and it’s happened again and again and again - he finds someone who is scholarly, or helpful, or even of his faith, and he trusts that they’re genuine, or at least that they won’t harm him, and then he is betrayed and it’s getting worse and worse (bodies are starting to pile up around him and some of them are those he created, when he barely took the martial training offered at his temple, only accepting because any knowledge is knowledge worth having, but now death is at his fingertips), and he still wants to believe

the worst of it is that he’s been getting visions, and at first he believed they were from his god, because why wouldn’t he? who else could get inside his head this way? but he’s found that these visions (at minimum, some of them) are coming from a former brother of the cloth, someone who believes their god is lying to everyone and is willing to destroy the entire faith because of it, and he’s recruited so many people of my character’s faith that they can no longer be implicitly trusted, and they’re even being forced to attack and die for this man’s beliefs

so my character is finding that he can’t trust anything implicitly - his siblings of the cloth, the world they live in, even the thoughts in his head - and he still wants, so much, to believe in the inherent power of information, of knowledge, in knowing that even if it’s the worst pain you’ve ever known, knowing is still better than not knowing

and it’s so rewarding to play through faith in this way, to be presented again and again and again with the same choice, the same burden - do you trust this person? do you believe they are who they say they are? how many lies can you hear before you stop believing anything at all?

but lies can tell you the shape of the truth, and that’s all that my character can hold onto sometimes

#i've had a lot of feelings welling up in me about my little knowledge cleric dude #so it was about time i put them out there for other people i guess #just man faith is one of the most fascinating things to me and i love that i'm getting to play a character who's getting challenged #so many times and in so many ways in that regard #i mean it also feels weird because my character's dilemma is definitely the biggest one in terms of world-shattering events #so i'm kinda the driving force of the campaign most nights #and i'm not used to that? i'm very much a support character in real life hahaha #so it feels weird to be the center of attention so often #but i guess that's what i get for making a character whose motivation is a god's instructions #whereas my party members' roleplaying spurs are mostly family related things #trying to hunt down family heirlooms or confront an absent father #my character knows exactly where his family is and has a good guess what they're up to #he just.... doesn't fit in with them well #he expects to be told when someone gets married but doesn't expect an invitation to the wedding #that's the vibe i'm going for with his relationship to his family #anyway we had a session last night where my character was talking with a high-ranking member of his own faith #and he rolled a nat twenty on an insight check to see if this person was following the asshole that's plaguing him right now #and she was the most genuine person he could ever imagine meeting #so you know i'm feeling a little emotional about the whole thing #(happily we are in a spot where the god thing should hopefully be on the backburner for a couple of sessions)#(love getting to explore my stuff but again i'm ill-fitted to being the center of attention for a majority of our time hahaha)

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tobiasdrake · 2 months

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*deep breath* Okay. Here we go.

I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.

But the way it handles its female cast is troublesome.

Katara

So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.

They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.

And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.

Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.

This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."

"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.

Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.

In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.

But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?

No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.

And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.

In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.

Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.

Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.

The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.

Suki

Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.

They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.

Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.

Yue

Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.

"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."

Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.

They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.

Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?

June

June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.

Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.

She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.

Kyoshi

And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"

She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.

Azula

Awkwardly, they do not seem to want you to despise Azula.

There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.

This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.

They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.

This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.

Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.

Conclusion

The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.

Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.

But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.

The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.

"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."

The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.

#avatar the last airbender #drake watches netflix last airbender #kyoshi #katara #azula #suki #yue #june

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katasstrophy · 1 year

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Bruh Nagi being buff as hell after Manshine's training 🥰🥰🥰

sammy you deadass bout to make me objectify this man on main SO BAD this has been running something of a small marathon in my head so 😵‍💫😵‍💫 pls accept my humble word vomit

cw. [n]sfw. mdni. pro player! nagi + aged-up characters. bit of body worship(?) you ride his abs. nipple play (m. receiving). subby nagi (but he's actually a switch >:) + some fluff bc he's so baby :(

note. a bit rambly oop soz it’s bc i went insane. i describe how he looks like to ME (re: hot as fuck) but i guess y'all can read it too hehe<3

1.4k words -> how could you ever hope to keep your hands to yourself when nagi's body looks like that.

i feel like unless you have prior knowledge of the fact that nagi is a pro athlete, from a cursory glance, your first thought upon seeing him wouldn’t be “hmm i bet that dude is built like a brick house.” it doesn’t help that nagi’s basically the unofficial king of athleisure — his closet’s chockfull of loose-fitting hoodies and sweats. he barely owns anything else besides those monochrome hooded tracksuits (and sportswear for practice, i guess he’d need some of that too lol) because he claims it’s the only outfit that gives him unlimited access to just lounge about basically anywhere he pleases. it’s what he genuinely finds to be the most comfortable style for him as well. but if you’re fortunate enough to get a peak underneath the layers of baggy clothes? dear god nagi’s built like a fever dream. amen you’ll eat so good then he’s a whole ass feast.

i’m gonna brazenly speak my truth here so don’t come for me >:( but! from what you’d consider to be “a typical footballer’s physique”, purely from that perspective, nagi’s legs are… not that impressive. his stagnant motivation has much improved ever since he committed to making a career out of soccer, but that doesn’t mean his slacker tendencies haven’t followed suit. don’t get me wrong, he still puts his all into every game so his legs are still very much capable of making your mouth water, but you won’t catch him sprinting up and down the field at full speed if he can help it. packed with lean muscle, his thighs are thick, calves well-defined with a few bold veins thinly zigzagging down the taut skin like a lightning strike on the occasion you happen to catch him after a particularly gruelling conditioning session. but compared to some of his teammates whose legs seem to be carved from iron, he’s a bit.. overshadowed.

it’s a fairly similar story with his arms. (i promise i’m not just talking shit lol i could NEVER my poor meow meow it’s gonna get so hot in a second i swear just bear with me!!!) again, it’s most definitely a drool-worthy sight. the stretch of his arms is long and sinewy, rolling with a set of generous biceps that flutter under the gentle scrap of your fingerpads and nails when he (totally intentionally) flexes the swell of muscle there. in his profession, he mostly uses his arms for balance and to create distance between himself and his opponents. buried in his private nook back home, he has a tendency to hold his phone above his head while playing mobile games — that blissfully only rarely come crashing down on his face — but his unrivalled favourite will, of course, always be enveloping you in his arms <3

nagi’s not the most expressive person, but his subtle social cues become much easier to pick up on whenever he’s sleepy, which let’s be honest is almost always. he’s in dire need of a snuggle in those moments and not only loves, but craves being close to you physically, his face a canvas of huffy evidence of what a Big Deal this is to him if you learn to read the hidden hints (it’s a pursed, pouty frown nine times out of ten he ain’t slick lmfao). he kind of regards your presence as his “recharging station” what a cringe fail soggy loser man i adore him with my whole heart 🥹 his lanky limbs will snake around you with the security of a vine until you’re all cosy and wrapped up in each other, his hold bearing enough strength to not budge against any playful escape tactics you might attempt — at least not until he decides he’s had his fair share of quality snuggle time with you.

nagi’s a practical man, however — the world doesn’t call him a lazy genius for nothing. for these, albeit lovely, purposes, he determined there’s absolutely no need to overexert himself by lifting weights to buff up his arms. he can get by just fine! there are definitely more jacked arms out there i’m sorry :(

but here’s the kicker. nagi’s tall. you could even say he’s huge — he’d tower over most people if he actually straightened his posture for once. so his muscle mass kind of stretches out a bit… unevenly throughout his body. he does have muscle mass though, plenty of it, actually, and he needs only to do one tiny little thing to remind you of it: lift his shirt up.

it’s a subconscious, everyday thing for nagi to toy with the hem of his cotton tees. his fingers often grow restless if they’re just lying about, so playing with the material of his clothes is not only stupidly ready at hand but also helps to soothe the itch brimming along his fingers to do something with them. in the process, you’re rewarded with glimpses of his stomach often when he involuntarily ends up exposing the skin clinging to those hard planes. but what’s objectively worse for your sanity is when nagi comes trudging into the kitchen to ease his thirst. he never bothers with a glass from the cupboard, just swoops down to drink from the open tap, his adam’s apple bopping rhythmically as he swallows. there’s water coating his lips when he rises, a few droplets still running down his chin that he tugs on the ends of his t-shirt to lazily wipe away. it’s an innocent endeavour to him, but a sinful display for you, as it essentially shows off his entire, deliciously shaped midriff. nagi might slack off in other areas, but his core strength is insane. his torso is like a gift from the heavens, chiselled after the image of their gods and heroes. don’t even get me started on his abs.

because i cannot stress enough how perfect nagi’s abs are for grinding your sweet, drooling little cunny on :( the ridges of muscle packed together at his abdomen are firm, but twitch almost uncontrollably when you slowly drag your cunt up and down the sculpted slabs of his stomach that bump against your poor, swollen clit in a way that makes you delirious. your thighs bracket his waist as you move, his waist that is so trim and almost tiny compared to the broad stretch of his shoulders. you can feel the coarse, light hair of his happy trail graze against your bare ass, leading to his heavy, stirring cock still confined in his sweats for now as you continue to leisurely rut your pussy down his abs, leaving a slick mess behind. the hard cut of his v-line is so prominent a thin contour of shadow clings to the underside of it.

nagi wishes desperately that he could help you, that he could sink his fingers into the plush of your skin and push you down along his abdomen to accelerate your high, dictate a more intense pace for you by his hands and make you take it, but he’s too busy being a moaning, blubbering mess underneath you to take initiative. his large palm lies dormant at your waist, the other tangled in his snowy, sweaty bangs so he doesn’t miss even a blink of the intoxicating vision you present above him. he’s drunk on every salacious sound that comes tumbling from your lips, every wanton contortion of your gorgeous face as the lewd squelching of your pussy fills his ears. his defined chest is flushed red from arousal, shuddering with shaky exhales as he all but devours the sight of you — he thinks you using him for your own pleasure is so fucking hot.

if you want to turn him into an utter wreck, whining like a bitch in heat, please please play with his nipples :( paw at his pecs all needy first, ‘n don’t be afraid to grip the flesh with the blunt of your nails. he’ll mewl about it, but you only need to shush and praise him, tell him how good he looks like this for you and he’ll behave. pinch at the pretty pink of his pebbled nipples, gently circle his areola with your tongue, sucking on the bud and nagi will lose his mind, might even cum untouched :( but that’s okay because he’s so turned on his refractory period is barely an issue, he’ll sink into your tight, sloppy walls in one go and fuck you absolutely senseless on his cock. it’s all you can do to scramble for purchase with your trembling fingers, marking up the milky expanse of his broad back and mouthing at his collarbones to stifle your near pornographic keens and cries as he mercilessly splits you open.

in conclusion nagi seishiro is built like a wet dream and i want him carnally </3

#i rewrote this like three times so i’m just releasing it into wild now bc i’m sick of it lol!! i retain my right for this to be sucky hehe #haven’t written anything in a hot minute but if this causes at least one (1) person to short circuit my job here is done #nagi smut #nagi x reader #nagi seishiro x reader #nagi seishiro smut #blue lock x reader #blue lock smut #bllk x reader #bllk smut #—bllk.thirsts!#—riv.fic!

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vigilskeep · 9 days

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i have never thought of the bg3 paths as railroaded before but oh my god... i see your vision. i think that, for all that can be picked apart in the writing of dragon age, the worldbuilding in that series is so so interested in complicating all factions that you can envision a character who /makes sense/ while bouncing through various ideologies. and the sort of fantasy writing in (most of) the forgotten realms doesn't really allow for that.

dao is particularly the light of my life because the origins mechanic is specifically intended to let you create a character who has a distinctive perspective on the world that’s grounded in the worldbuilding. one of my favourite aspects of this is several origins having completely different codex entries on their own culture as opposed to those an outsider would get. it’s really good! it’s also a reasonably grounded world (while obviously silly) because, like, the basic fundamental premise of thedas, from which they ikea flatpack built almost every feature, is “how would people react to magical and fantastical diversity? the same way they react to human diversity.” you’re meant to feel like, aside from i guess the darkspawn, people are normal and have real motivations. sure it has to fulfil certain roles in a story, and dragon age was manufactured too quickly and purposefully for everything to land feeling authentic, but evil in dragon age should feel recognisable. and in most of the origins they give you a chance to do something that is bad, but also totally makes sense, because of the context of your character belonging to this world where these things happen

in dnd/the forgotten realms it’s a bit different because capital e Evil exists, so there are people and deities and devils (and, to open another can of worms, races) whose entire goal is to Do Evil. it’s also harder to produce grounded evil because in a world where i’m being given basically no context and just told to make whatever i want, i don’t have an inch of the kind of social information i get from for example a dao origin: what my character has been taught to believe they should do to survive, who they are willing to sacrifice, whatever. bg3 also happens to have a main plot goal that is, at least for the first part of the game, broadly selfish (“i am sick, and i need a cure”) which works really well for getting a bunch of people with vastly differing moral standards to band together for the same goal, and not so good for any kind of “greater good” type blurred morality, so that’s out too

however much the worldbuilding factors into this, bg3 specifically went for quite a clear distinction between the good path and the capital e Evil Path, and i find it pretty hard to vary up the good path. when i say railroaded i mean you either do the specific thing that gets you a quest down the line or not. i was really disappointed actually in my playthrough where i totally fucked up in the druids’ grove and caused a fight to break out, because it immediately instakilled tons of characters i knew i would need down the line. the few it spared needed some of the dead ones to stay alive in later quests, so it’s like... oh. that’s just... over. for both factions. bg3 arguably lets you do basically anything you want but they are able to do that because if you fuck around it just breaks the entire quest line from coming up again, which means playing a character who fucks up is not even really going to get me consequences it’s just going to cut content from the game. does that make sense? and then the Evil Path is just straight up evil, like... there’s no way for me to complicate and empathise, here, especially playing a blank canvas character whose motivations i would have to make up from nothing, and who faces basically no consequences for not doing this. the only neutral/cowardly/self-interested option in act 1 is to do neither path, which gets me the least content because i literally don’t get to play the fucking game

i don’t know, i’m not saying it’s necessarily bad just that it’s hard for me, personally, and how i like to create characters. especially when you have my constant restart disease and you have to do this all over again a dozen times just for a handful of different dialogue. does any of that make sense

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harmonysanreads · 1 month

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HARMONYYY i just finished the penacony quest and OH MY GOD. the emotional damage wtf... and the murderer 😕 i honestly don’t think anyone could’ve foreseen that

on another note, sunday really does have huge yandere potential !!! (i was swooning the entire time he was on screen im sorry.) he literally isn’t beating the allegations at all. even the other characters comment on how weird it is for him to casually keep a model of the golden hour, because what in the control freak 😭

he seems like he’d play dollhouse with darling. after all, in a place like that, every single aspect of it is under his thumb — literally. having that much control over your circumstances is a reassurance. oh, are the placeholder models crashing? don’t worry dear, he can fix the malfunctions. he can even make them speak more realistically for you. he can give anything to you, even change the layout of the place entirely if you’re bored of it. you want to get back to normal size? well, he can’t quite do that just yet, please understand..

or if he pulls that weird interrogation magic thing on them. darling who just lies through the entire thing, and he uses this to scare them about the death countdown while not mentioning the part that he has the power to really just cancel it in the end. though, the same trick won’t work on them twice. at least the process gets darling to become part of the family in the end.

not to mention the spies he has everywhere. stupid birds watching you in every corner…

idk i just want to hold him and shake him aggressively. out of love, of course.

- 🕯️

When I tell you I've lost sleep over the thought of just how much more Sunday is probably capable of doing, nonnie.

If he has access to technology and power like this, which are all unrestricted for his personal use moreover, imagine the things he's hiding. And imagine farther the things he had to do to get to where he is today, another dash of spice to the mix. I went back to his scenes and did some thinking. The me-slandering-Sunday is obviously a joke but I really, really hope people just don't focus on the morally-gray and questionable aspects of him and completely disregard his other characteristics now.

If you think about things from his perspective, he really is just trying his best to keep the image of The Family. But the loss of probably the only person he trusted with his heart and the disregard to bring justice to that case from The Family's side, compelled him to put his agenda first (as he himself mentions that he allowed Aventurine to pull that stunt so that it'd lure Gallagher out). What we get from this is, while Sunday is an extremely dedicated member of their faction, he had to learn to be selfish in certain situations to save his and Robin's backs.

The desire to control usually comes from a feeling of helplessness. We can make some speculations based on the current information of why Sunday has these tendencies, I've also seen some people say he has OCD (Obsessive Compulsive Disorder) but, we can't be sure until his full lore drops. Another thing to note about Sunday is how lonely he probably is, especially at present. The Family is in chaos, the situation of Robin, external forces' traps, the Charmony festival's deadline and he doesn't even have one person he can sit down with and not question their motives. He really must want to rest just as much as the characters around him are suggesting.

So basically, Sunday is a multi-layered character, just like Aventurine. He's definitely a politician, is what I'll say. Even though he is a control freak whose motives are hard to guess, he's still that little boy fighting for his and Robin's shared dream inside.

#but he still deserves to be aggressively shaken for that move on aven #and then sent to a three month vacation #do you guys catch my drift my here like you can still manipulate him to do your bidding :)#opps... didn't mean to drop that #sunday brainrot #──⚝🕯️anon #yandere sunday #yandere sunday x reader #sunday x reader #yandere hsr #yandere hsr x reader

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frenchgremlim1808 · 3 months

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Why Midori is such a breath of fresh air or how to actually write a Villain.

So the awaited essay, the winner of the FrenchGremlin polls of laziness finally has come! It took some time but it’s finally over. If your choice didn’t get chosen that’s okay! I’ll repost a new poll with old and newer options. Please reblog this one i put a lot of time in it, it's like, five pages long over a silly goose. Also sorry for the grammar i sucks and i'm not native. So let’s begin:

(also here is the link to the video format)

So first let’s make things clear, What IS a villain?

“A villain is a character whose evil actions or motives are important to the plot.” That is why I do want to make a difference between a villain and an antagonist, an antagonist is a character who are a plot devices that creates obstruction to the protagonist. That means that a villain is forced to be an antagonist while an antagonist is not forced to be a villain. For example shin is an antagonist but not a villain, he is driven by selfish desires which are themselves fueled by fear anger and loss, he is the protagonist of his own story and is a sympathetic character despite it all, and Midori is just a bitch. Midori falls under multiple stereotypes of villains. Such as “the mastermind”, “evil incarnate” (lmao),”related to the protagonist” etc. Midori is evil, there is no denying in this, he is purely evil, and he doesn’t have a sad weepy backstory, he doesn’t feel empathy towards other, he is a despicable piece of shit who ruined so many lives. I won’t list everything but here is a list of his crimes, murder, assault, domestic abuse, grooming, verbal abuse, and torture, crimes against humanity lmao, stalking, violent crimes, and participation in a cult. And his worst crime is being a pussy bitch of course. So now that we have put the bases up let’s really begin.

Hollywood has a hate boner against villains and I hate them for that.

Recently Hollywood decided that pure evil bad guys is actually a bad thing, so now they decided to do stupid side story with them, to give them ”””depth””” since I guess how could we like those villains since they are bad. A great example of this is the Disney remakes which I loathe so much oh god I hate them. So first they did a maleficient it was okay honestly, then they did a freaking cruella movie where her mom gets killed by Dalmatians, that’s not a joke, in the peter and wendy movie that nobody saw they decided to have made the captain hook be a lost boy who was abandoned by the lost boys and peter, oh also they decided that PETER CUT HIS HANDS OFF AND LEFT HIM TO DIE BECAUSE HOOK WANTED TO SEE HIS FAMILY. They are going to do a freaking mufasa movie, in no time I can’t wait to have a Ursula movie where it’s discovered that ariel killed all of her family in cold blood or something’s. So you might say what’s the problem? I mean isn’t that supposed to make the story more interesting. No, no it doesn’t, because first they take all of the character personality traits and throw them in the bin, second they are supposed to be the vilain in a musical animated movies, I am not against complex villain, I love them, but by doing this, the original character doesn’t exist anymore. Just create original content with new interesting characters instead of doing stuff like this. Also it’s kind of funny than in all of those interpretation they take all the fun and sucks it out, what do I mean by fun, the gayness, Disney vilain are fun because they are camp, they are fabulous extravagant extra in all the ways possible, and that’s the reason we liked them. Not every character needs something super deep, like “my family was burned down at the stake and my dog was eaten by my ex”, sometimes we just like bad fun people, they are the story, and Hollywood hating them so bad just bothers me a lot. Also now the new thing is to not have a villain at all which can works in some narrative but not all of them, it gets boring after a while. In the past people were angry that villains are bland, but now I kind of miss it. While I will critique villains who have no purpose outside of being evil that’s dumb, like for example Voldemort is bland like white bread because his only motivation is being evil, but evil people do exist compared to what some Hollywood writers think, they should know. So that’s why I will put a difference between evil villains and villains whose only purpose is being evil; we loved Disney villains but they still had motivations, goals, reasons that to them a least were worth everything. World domination isn’t enough, why do you want world domination, what is the true reason deep in your heart, is it an inferiority complex, is it a savior complex fuelled by xenophobic beliefs.

That is how to write a pure evil villain, evil people exist all over the world, but I have never seen one who doesn’t have they own reasons to be so bad, it doesn’t excuse their actions nor really explains them. We do not want justifications we want explanations. If you are justifying evil behavior then do it, but don’t claim that it is a pure evil character. A pure evil character can be fun, can be interesting, he can be deep, it’s all about balancing all of their traits to truly make them greats. Which is why midori succeeds while current villains fail. Current stupid remake/spin off try to justify the behavior because they feel like this is what the audience wants, but it’s not what we need. So I will defend to the grave evil villains.

Creating an evil villain doesn’t make them boring guys.

Why the heck does big budget movies have either the blandest protagonist or the blandest villains sometimes both, like I said evil people do exist but comically evil character only works in satire not in a serious multiple millions of dollar movie. Example that boring ass avatar movie, the one with blue people, none of the characters are interesting the villain is one note. The lords of the rings also suffers from that, but I don’t care because the protagonist are so awesome that sauron being personality less doesn’t matter. Also sauron is more of a force of nature villains so it’s not the same. The recent kingsman movie has a bland one note villain, there is nothing entertaining, funny, about him he’s just evil, borrrrring. Every Disney remakes depiction of the characters are boring. I just feel bored out of my mind. Atla one of my favorite shows of all time has a main villain that’s kinda one note, Ozai, but he is actually intimidating guy, azula is the superior character, but I wouldn’t consider her a villain she is an antagonist though. I honestly don’t get why Hollywood thinks that just creating a character with no personality and whose only goals is to be evil is good.

So back to midori for a second, here is my question, when midori was on screen did you ever feel bored? Never right! Because despite midori being an evil character he has an actual personality, he’s fun, you want to punch him in the balls. Because midori has other personality traits than evil, midori is petty, childish, extremely intelligent, controlling, a natural manipulator, he is a trickster, he doesn’t seem to get some social norms, he is narcissistic, easily angry, and fears death etc See how I counted a lot of traits, traits that in other character would works, midori has positive traits, and I think that is the best thing nankidai could have ever done, midori has traits that a regular person could have. Which is why if I put midori in any settings his character would work.

Example, instead of a death game the cast is under the sea to discover the insane wildlife and supernatural stuff happening, what would midori do in this situation? Well he would very passionate about finding all of what’s happening, he’ll do anything to find out, even sometime sacrificing others, not only will he try to find what’s happening, but he is also going to try to find a way to make this discovery favour him in the end. Or let’s imagine it’s a vampire situation, where a vampire attacks the city, midori would try to stop it, not because he cares, but to experiment on them to get their biology and finds the real secret of immortality since he fears death.

Here is my second advice, after creating your character try to imagine them in another completely different situation, like normal life, or a fantasy world, ask yourself the question what would they do in that environment? If you can find a real complete explanation of their actions then yes your character has multiples dimensions if not try thinking about it again. Some example of questions I do want to point out are some like “if my character had all the power in the world what would they do first or”, “if my character had only a day left to live what would they do”

Why is Current media incapable of creating good threats like bruhhhh.

Okay so first of all let’s talk about stakes in a story, let’s say you are watching a slasher movie, slowly the cast gets slimmed down and people die in horrible ways, that should set stakes right ? Well if the villain is an absolute buffoon who makes the stupidest actions and decisions in the world, you wouldn’t feel intimidated at all because despite what the filmmaker might try to say the plot armor will NEVER make a character intimidating. It’s just like a detective character who just seems to know everything without a thought, well you won’t really fear the character failing. Worse is the the final girl, who is for some reason always escaping the slasher guy by pure luck every time, she is shown as incompetent but still she survives, which make the villain seem completely incapable so now you feel nothing.

To avoid this filmmaker often use techniques such has unpredictability, I mean good I mean good ones, for example instead of immediately seeing whose going to survive because the black guys always dies first and the virgin white woman is the last survivor, change the status quo, make us think that this character is obviously safe while they actually aren’t at all. Or actually make them menacing by SHOWING to the audience how horrible dangerous they can be. Which is why SHOW DON’T TELL is so important, telling us how dangerous someone can be only to see them get beaten to death at the end of the movie makes us feel nothing.

Midori felt like a impossible person to beat, he is smart, had twenty plans in advance, even in situation where the cast felt like they might have a chance he was always armed, just like the gun he promised to use or the rocket punch. When they felt like they were finally advancing, he put obstacle in their ways, such as the collar game or the moment he put the collar on explode mode for ranmaru. The entire point in the murder game was to make time pass, it took a long time for the cast top realize that this whole time they were losing precious time not realizing that the dummies were the real problem. The characters that made you feel the most hopeless were the dummies, if you won by killing midori they would die, but if you lost you might lose people you love (keiji or gin). It felt hopeless because they were no solutions in the end. That creates tension so that creates stakes. If we were told how dangerous unpredictable sou was then it wouldn’t hit the same, we are shown that he is that terrible. There is a scene ingame where bbg shin ai tells us that midori tortured and like to destroy people. That’s exposition so TELL, but do you why it works, because we are SHOWN before his behavior. Midori felt unbeatable, so the fact that we were shown his weakness such has his petty behavior, hatred of minors, and fear of death, for the first time it feels like there is a chance that we might survive this. And still after he isn’t shown has an incompetent buffoon, he is one, but the narrative doesn’t show us that he is.

What is also consider is good to make the audience feel actual stakes is to first really develop well the main characters, how can we feel worry for a character if we don’t know them, the audience need to feels emotional connection to the main cast to actually care. You can use things such has moments where there is nothing special happening just character talking getting to know them. Make us feel why we need to care about them possibly losing, instead of being indifferent. Or I don’t know maybe make an entire spin off game where we get to have the cast talk to each other and seeing dynamics between character that died early to get them a chance to shine and make their death even more tragic, or even make mini episodes of characters who only got a single chapter to show off their characteristic, to get us to know them better? But that’s just a silly idea of course, wink, and wink.

My favorite thing about Midori is that he is actually pathetic, like really pathetic, but weirdly realistic?

Midori is the most pathetic character in the cast, yes more than shin, shin is leagues less pathetic. No I’m not saying that midori is not intimidating or scary, I would piss myself if I saw him. He’s a scary guy. But if you look at him more closely you can see that he is a baby brat in a big boy suit.

So let’s start by something clear, Sou Hiyori clearly displays antisocial behavior, or in common terms he is a psychopath/sociopath, this illness is very badly seen in medias, I am not saying that people who lacks empathy like him are inherently bad, he is, a lot of people with antisocial behavior actually suffers a lot and have a difficult life. Sou real issues is not his antisocial behavior, it’s his narcissism and god complex. Sou feels the need to HAVE CONTROL over others, he like the feeling of being in power, he sees the rest of the world has beneath him, toys for his pleasure. He says that he “really like humans” because despite it all he seems to put himself in a different categories than regular people, they are beneath him. When he loses control his calm and cool behavior disappears and we see his true face, a grown man who has throws a tantrum like a baby. One of the best representation of this is midori views on the cast:

Midori hates kanna, like no jokes he has beef with her, a fourteen years old, actually he has beef with a lot of people in the cast. Midori views emotional people has weak, people who are loving optimistic as beneath him and useless. He preferred when sara was cruel and horrible, that’s what he loved about her, he liked seeing her scary emotionless side. But Kanna, kanna is everything he hates. A crybaby who not only puts the group in harmony, is a source of hope in general, is the reason he near got to have closure with shin (killing him), he views kanna as “not fun shin”. We have many proofs for this, if you type the word kanna kizuchi he says this: “Poor Kanna'd weep! I think a more worthless name would be better for someone like me” He mocks her, but also himself (I’lll come back on this later), he calls her worthless. Also in the electric charge minigame, when he can choose who to shocks he chooses two people in particular, kanna who he hates and hinako who ruined his fun by giving the cast a chance in saving ranmaru. But he does also says mean spirited stuff to other people, qtaro and gin. He also says some sarcastic comments about nao and joe, saying that it’s such a shame that they died so young. But you might say why kanna especially? Because he is a petty baby who is jealous of kanna, Yes jealous, of kanna, a fourteen years old. Because he feels like she stole his hubby wubby shin away from him…. God I hate him. And you know what that make him a pathetic idiot, after the scene where kanna beats his ass, he’s all mad and like “uhh I’m going to pout I wanted you to cry like a lot, now I’m gonna cry”. An that’s actually god, because it humanize him, he wants need thoughts, he isn’t one note, and that’s the most important!

Sou is a villain but before that he is a character, a fully developed character, and THAT’S WHAT MAKE HIM GREAT, Sou works because he works realistically, I mean if you forget the robot part, it’s easy to imagine a narcissist man child who needs to feel in power towards other, so his main prey are young vulnerable people.Which leads me to my next point:

Sou is a failure like really, and we aren’t sad for him.

Sou failed everything he worked on, he failed to get the paper from alice, he failed whith shin since he had to leave earlier than he thought he would leave, because of his mistake he lost his position in the death game, then he failed to kill gin or keiji, and then he died like an idiot losing his cool and acting like a toddler. And he knows it that why he is a bit self-hating (he should be). And yet none of us feel any sympathy towards him, why? Because sou is one of the most despicable guy in existence. He is a disgusting pervert, sadistic asshole, and abusive narcissistic cunt who thinks he is better than everyone. From the bottom of my heart I hate him sooooo much he is literally the character I hate the most in existence. He abused shin, ruined keiji’s life, traumatized the entire cast, literally assaulted sara like he physically assaulted her. He mocked nao and joe and kugie life as useless. He is an obsessive jerk AND I HATE HIM. And you know what…… It’s good. Like I actually feel a lot of emotions when I think about him, he fuels me with anger and disgust, and if your characters can make me feel that much rage then you did it, you created an actual perfect character. Hiyori is such a shit person that I think about him a lot, writers shouldn’t be scared to make a character such hittable assholes, example bojack horseman in bojack horseman is the vilest man on earth and I love it, because I genuinely hate him. Just like I genuinely love kanna, like really I really love her, I in the same time despise midori so bad. We hate him because he is horrible to good people that WE KNOW AND CARE ABOUT, not random npcs. There is a lot of… disgusting implications in his story with shin that I will not talk about it makes me really uncomfortable right now. SO HERE IS A VERY TACKY TRANSITION TO TALK ABOUT WHY I HATE JUNKO FROM DANGANRONPA.

Junko is boring, that’s it, she is boring, not funny not interesting, she is a fetish, she is the biggest Mary sue on earth, she is a gross character made to make fun of people with disabilities and queer people. Her only traits is being crazy, that’s it. I wouldn’t call midori that crazy actually, he’s methodical calculated, and precise. Crazyness is a term for people who aren’t in control of their actions and delusional about reality, sou is not crazy, he knows what he is doing, he is in full control, while characters like shin should actually be consider crazy, like shin is actually crazy but sou isn’t.

Conclusion:

Sou is a breath of fresh air, because nankidai had the balls to write an actually interesting deep and threatening character AND make him a villain. He didn’t fall into the trap of making him have a sad backstory or good motives, sou is just selfish, that’s all he is. He make him a fun entertaining guy who you absolutely hates, he made him threatening and at the same time a complete doofus. He made him humane and pathetic.

But the thing that make me love nankidai the most is this

The fact that he actually killed him that takes courage as a writer to just end a character THAT WAY, which is why midori will never come back alive he is forever dead. And that take a lot of talents as a writer to just take one of the most important characters and just get him drilled to death in the anus, like dammn nankidai you are a savage. That fact alone makes him one of the best characters in game, I hate him as a person, but has a character he is a masterpiece.

Though Kanna could solo him

this was posted as a video on my blog this is mainly so people who don't want to stay there reading a 24 minute video of my stuttering can have a bit of quiet

#yttd #your turn to die #kimi ga shine #shin tsukimi #kanna kizuchi #sou hiyori #midori yttd #cna you tell i have no life #i spend a part of my short existence writing about fucking midori #yttd analysis #frenchgremlim polls of laziness

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flicklikesstuff · 3 months

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Hazbin Hotel Ep 8 Ramble and Theory

⚠️ SPOILERS!! ⚠️

Surprisingly, the show’s first season really got me hooked with its storyline and I can’t wait what’s in store for the upcoming season 2.

I’ve had my suspicions with Alastor since the pilot, and it just keeps growing with every episode. Even then, his real motivations are just hard to really see and it’s what makes his character intriguing. One moment, he’s lurking in the shadows like some sort of villain, and then the next, we see him maaaybe caring for his friends?? If he even considers them that. Idk 🤷

I’ve always thought that maybe he’s sticking around and playing nice to get Charlie’s guard down in the long run. Waiting for her to get desperate so he can strike a deal with her. So he could ask her for any favour in the future. And guess what? That’s what he exactly does in Ep 7.

And if I’m recalling correctly, Alastor helped Charlie with the war, but Charlie is yet to grant her own end of the deal. Alastor STILL is owed a favour from her.

(Where am I going with this theory and analysis? I’m getting there-)

At one point, maybe he did genuinely care for the hotel and the people in it. Regardless what his motives were. He even admits it’s a “surprising thrill” to watch them form connections. But the word choices he uses in this scene are just sooo…weird?

“Almost??” “Could get accustomed??”

It sounds like he admits feeling attached to the other characters but at the same time, doesn’t want to commit to it. Does he have far more nefarious intentions in mind for them and that’s why he’s so distant?

Alastor probably noticed this in the ending of Ep 8 too. His altruistic self almost got control of him. He almost risked his life to help his “friends.” And he didn’t like that one bit. Perhaps, he sees this trait as a weakness.

It really sounds like the verse“Great Alastor Altruist died” is equal to him stating that “there’s no more Mr. Nice Guy” from now on. He’s disconnecting and staying firm to whatever his highly vague motives are. And it’s highly likely that whatever’s holding him back from his full power is the deal he made itself. And he’s going to try anything to get out of it. Maybe that’s the reason why he approached Charlie in the first place.

And I’m going back to Charlie’s deal with him here. The only condition she has is that she won’t harm anyone for him. But knowing Alastor, he’s going to twist the words a bit there. Maybe he won’t harm them physically. But maybe in some other way. Indirectly. One that Charlie won’t see in the long run. Maybe he uses this one favour to help him break free of this deal or loosen it in some way.

And Charlie already has so much trust in him after the battle, she most likely won’t see it coming. It’s perfect.

(Not exactly sure how these soul contracts work buuut, she’s the princess right? Maybe she’s powerful enough to do smth about it? Maybe that’s why Alastor was so interested to gain her trust and potentially free himself?)

…….

But anyway! Onto the second part of my theory!

Alastor’s probably going to optimise his one chance of freedom through Charlie’s owed favour. But I have a feeling he’s not only going to use just Charlie.

Who else is at the hotel that the other main cast members trust? Who he could freely command under his control? To show up at his will? Answer his beck and call? Whose souls that Alastor owns?

I swear. It is NO ACCIDENT that these two were standing side by side. NEXT TO ALASTOR. In the ending. (Or maybe I’m overanalysing, but whatever. This is MY ramble)

When Alastor comes back from the “dead”, everyone was happy to see him. Especially Charlie. And surprisingly Vaggie? I guess she’s warming up to him. Idk if that’s good or not.

Everyone except Lucifer and Husk. Lucifer’s still bitter on the whole ‘dad’ thing. But I just really felt sooo bad for Husk here. 😂 My guy had maybe a few happy hours of what he thought was freedom. Then he sees this guy come back and he’s just: “Ahhhh… SHT-!”

Now I’m just saying, I don’t think Alastor can just casually go up to Charlie and just easily demand that favour. Especially now that Lucifer might be staying around(?) Also, Alastor sounds like someone who would strategically play the long run if it means benefits. Albeit, less truly altruistic than before since that approach almost costed him highly.

He’s maybe going to have to pull some strings to really make Charlie feel like she HAS to do him a favour. To better solidify his chances and so she’s less likely to be hesitant/reluctant/suspicious. After all, Alastor is only owed ONE FAVOUR. Maybe he’ll pull some strings to win over Lucifer’s own trust too so he won’t be stopping Charlie? (I’m not sure, these two are not in good terms.)

(Look me in the eyes and tell me this is the face of someone who’s definitely not going to use this hotel for his own personal gain. Things are going to start getting ugly with Alastor’s new approach. I’m also still like 80% sure these 3 characters are placed together for a reason. It CANNOT be a complete coincidence, right?)

Now I’m really curious how Husk and Niffty would react under this sudden new approach. The angst potential here is smelling strong. It’s obvious that they’re starting to get highly attached to the hotel and really consider the others as friends. Something Alastor didn’t allow himself to.

And it’s not like they have a voice in the matter either. No matter what Alastor tells them to do to secretly manipulate things around the place so he’ll appear like he’s “helping out more.”

Who knows really? What kind of errands he’ll force them to do? “Mr. Nice Guy” is really no longer an option here. That guy is dead. Adam killed him.

And all at the same time, Alastor wouldn’t be breaking Charlie’s condition. He’s not making her hurt anyone at all. Just helping a good old pal, who’s done so much for her, to maybe loosen the constraints his deal has. Or whatever else he wants, I don’t fcking know-

(But Srsly though. The angst??? Niffty and Alastor are fond with each other, but Niffty is also starting to like her new friends too. Will that create some sort of rift? Niffty actually being hesitant??

And don’t even get me STARTED on Huskerdust. Like wtf-? Husk has already stepped out of line before and it left him completely shaken. What else could he do? And a heartbroken Angel finding out he’s behind all this when Husk is the first person to truly reach out to him? Husk not being able to meet his gaze out of guilt?? THE FCK-???)

Yeaaaahhh, can’t wait what Season 2 has for us all….

Remember fellas, this is just a theory. A Hazbin theory! :))

#idk #just spitballing here #hazbin theory #hazbin hotel #hazbin alastor #hazbin charlie #hazbin husk #hazbin niffty #hazbin angel dust #hazbin lucifer #hazbin spoilers #hazbin vaggie #hazbin episode 8 #huskerdust

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fumifooms · 7 months

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Marcille & Chilchuck contrasts & similarities

Yesterday in the Dunmeshi Discord we talked about narrative foils and I ended up writing a lot about my fave duo so. Informal character analysis time. I give some in-depth interpretations on aspects of Chilchuck’s character near the end as well, not just analyzing their characters in how they contrast each other

Marcille and Chil are so foils to me. "Has experienced loss through death and now clings onto the people around her and is overly interested in engaging in social gossip" vs "has experienced loss through rejection and now refuses to open up to anyone until socially starved", like both are responding to their experience with loss in fully different ways, socializing and trying to learn all she can for the short time she has with others but trying to keep digestible enough that she’s not too attached if she loses them, vs refusing to socialize so the problem stops before it begins but eventually unable to resist the pull that comes with being a social creature. Like I guess what I’m trying to say is that Marcille engaging with social gossip could be a shallow way for her to vicariously experience social relationships if she feels like forming deep bonds is unsafe. Family is a core motivation and value for them but in different ways. Both want to keep the status quo but in different ways.

Divorcee who avoids love wether it be in the people around him or thinking about his own (past?) romance vs hopeless romantic that idealizes love without herself having been in a relationship or even in love herself as far as we know. Emotional constipation vs emotional intelligence. Streets savvy vs prestigious academic, field experience vs book smarts. Crass vs prim. Overbearingly social vs private to a fault. Never externalizes his feelings and to a degree represses them vs wears her heart on her sleeve and her feelings on her face. They start out underestimating each other in different ways, one by assuming his age and the other by undermining her skills, experience and willpower. Both seeing each other’s motives as somewhat skewed (money and research of shady magic respectively) but growing to respect them.

They also both seek approval and validation from others, unlike Senshi and even Laios who don’t seem to care about outside perception as much, Marcille worries early on that she’s not helpful enough and slowing the party down meanwhile Chilchuck is almost always trying to prove a point early on that he’s capable and mature. Coincidentally enough, Chilchuck’s approval was both the catalyst and the key to resolving her arc about it in the mandrake chapter, meanwhile besides Senshi Marcille is the one whose perception of Chilchuck gets the most changed over the course of the whole manga. Something else notable is how they deal differently with their races being judged, while Chilchuck reaffirms himself as a proud half-foot, Marcille hides her half-elf nature and is embarrassed of it when it’s revealed. Something subtle yet interesting is also how they both are shown to prefer lying in a way that makes them look bad rather than admitting ignorance on something. Chilchuck says that he cheated on his wife and that’s why she left rather than just saying that he doesn’t know why she did. Marcille in the mandrake chapter says that she has used a dog to harvest mandrakes (thus killing it) before while in truth she never has, and everyone including herself is like "That’s horrible… The poor dog!"

Their dad dies. Chil is like "Hm. Cool. Anyways he died doing smth he loved right so haha lemme drink myself into an early death bed too yolo 🔥🤟" vs "He died and it shattered my world and I must devote all my life to wiping death out of existence".

"I am going to knowingly shorten my lifestyle through unhealthy habits actually."

Problem solving approaches

One thing I love about them is how they have complete opposite approaches to problem solving. Besides striving for workers’ rights and job stability for halflings with an union, he’s very "laissez-faire". He won’t do the righteous thing just because it’s the right thing if he doesn’t have an incentive or a safety net, like going to save Falin. He doesn’t chase after his wife to talk it out and make amends, he gives her space and either hopes she’ll talk when she’s ready or figures that he shouldn’t try to do anything about it. He doesn’t mention the mimic he noticed to the others to not make a big deal out of it and hopefully it won’t come up again. He’s a "if the glass is half-full that’s fine enough for me, I don’t need things to be as good as they could be" type, a "leave it alone until it figures itself out" type.

Marcille? Marcille is idealistic and in-your-face. If there is an issue you better believe Marcille will address it and try her hardest to fix it, will talk it out and attempt to understand & strive to make things as best possible for everyone involved. She will FORCE you to talk about your FEELINGS wether you like it or NOT. Leaving it alone? Keeping things as just okay when they could be great instead? No no no no no, that’s not right, she’s going to try and fix it now. She will make you stand up and fight for the best that your life could be, to be honest when something bothers you and do something about it, will make you stop suppressing yourself because you’re scared of things getting worse.

Which, you know, both methods certainly have their pros and cons, but they’re very complimentary in that way. He grounds her into a more down to earth mindset and teaches by example that it’s okay if things don’t necessarily work out and moving on is possible and not necessarily miserable, while she encourages him to not give up so fast or stay quiet on things that bother so much. He soothes and she emboldens 🔥 Funny, because you could have thought it would’ve been the contrary, which is not untrue either, but he’s the "has experienced the harshness of life and has settled for something comfortable but modest" while she’s the "wants to make the world better and goes to great lengths to change it while still trying to find herself & uncomfortable with some aspects of life like loss".

One overly focuses on dealing with issues by changing things around her while the other overly focuses on only changing himself.

——

Chilchuck leaves things alone if he thinks they’re best left unaddressed or thinks they’ll work itself out. Like the mimic he didn’t tell the group about but it backfired later. Like how he didn’t chase after his wife or seemingly tried to contact her at all. Like how he prefers not to dig into people’s personal issues in parties and be left alone to deal with his stuff on his own as well.

Meanwhile Marcille is overbearingly in-your-face and loud and "if there’s a problem we’re dishing it out right here right now. Your wife left you?? And you didn’t try to get her back?? I am going to write out a script and a plan for you to apologize and please bring these piles of presents."

She’s secretive about her fair share of things as well but she’s very proactive. While she seeks to research something that’s a core motivation and life goal to her + save someone she deeply cares for Chil is there for his job and to get money and "hey if something happens I’ll have done my part. I took you guys here now you guys figure out the rest and fight the monsters or something". They both like to have a say in the strategy, Chilchuck moreso as time goes on, but Marcille involves herself much more into almost everything.

Espescially early on, they’re always sticking by each other judging Senshi & Laios together and being like "Am I seeing this shit right. They’re crazy right? Tell me I’m not the only one here with common sense" and forming a 🤝 relationship over it and considering that, it sometimes feel… Contradicting? How they also have a lot of conflict together over time about how different they truly are. But it’s interesting and nice to see how even though they do have arguments it always gets resolved pretty promptly, like they’re truly hashing it out as equals and then when that’s done they’re back to being on the same wavelength. The exception would be Marcille taking a long time to come around on Chil being old, but arguments and debates like the one on dark magic and if it’s okay or wrong to use it, which was pretty serious and not just banter? They came to find a middle ground or at least understanding, and it didn’t seem to lower the respect they hold for another afterwards.

Chilchuck’s repressing habit

I do think Chilchuck has a repressed thing where he doesn’t WANT to think about it about his feelings sometimes, like with his wife- and maybe with his father? But the way he was so casual and nonchalant about his father dying has always struck me. I’m not sure if this is a "my feelings on my father were mixed and complicated at best" thing or a "I just don’t want to spend time thinking about it" thing or something else, but it gives food for thought.

When it comes to alcohol there’s this saying where an alcoholic parent will have 2 kids and one will grow to be alcoholic too while the other will never even touch a drop of alcohol and both when asked why will say "I watched my father". Chilchuck is def the first I think. He gives the vibe of "An alcoholic parent puts a strain on familial relationships?? Pshh, my father was and look at me! I turned out great!" Which is something I’ve heard irl lol which always makes you go like 👀 yes indeed you’re perfectly well-adjusted and haven’t been affected by your father’s alcoholism at all it’s clear as day. On that topic, Chilchuck’s family, both currently and when he was a kid, are very interesting topics to theorize about with the hints and cues we have, how his wife truly felt and what happened for her to feel unappreciated enough to leave, how distant is he from his daughters if they haven’t seen each other in the same year either and Flertom was the only one to send him a letter? But that’s a topic for another day

Chilchuck probably has such a complex…. Of like not being… Like allowed to take space I guess? And he does wish to affirm that right, he takes space and asks for it so very overtly, he formed a half-foot guild to demand better working conditions as one of the biggest examples of that. He grew up poor and undermined but he knows that he’s capable and someone worthy of respect and demands it, and takes every opportunity to prove himself. But on the other end, he doesn’t seem to want to keep his hopes up in general, like asking for something to be better is bound to fail, that it’d be too good to be true. He tries to keep out of where his job doesn’t need him, from a sense of efficiency that cuts down on unnecessary stops but also because he just thinks it isn’t his place to do so. It strikes me that it’s hinted that like… He doesn’t even really consider the possibility of going to his wife and trying to mend the relationship. Like it’s either she’ll decide to take him back on her own or he’ll be left out in the cold waiting, never knowing just where he’s truly at with her and if things are over for good. Like… Shooting his shot and making his case doesn’t even register as an option? Like he’s not worth fighting for, like whatever he did wouldn’t change her opinion anyways?

He def has a "life isn’t like a fairytale where everything goes well" philosophy where sometimes it feels like he just gives up on how things maybe could be better, especially interpersonally. Maybe it’s why he focuses on simple joys like alcohol instead of trying to keep up with relationships which can be complex and very fickle, in his own words. Something like alcohol is predictable, always there to fall back on, safe, gives him sensations without other emotional/social risks attached. Ironic for someone whose job is all about risks, but understandable

He contradicts even himself… Bro yes you’re capable, yes you’re great, yes you matter, now maybe speak about your feelings maybe??? Or do you not think your emotional issues deserve to get fixed and have closure???? Are you so used to being dismissed, overlooked and undermined that you think no one will listen even if you speak up?? And this recontextualize his "I’m not even gonna try and talk this issue out because I know (assume) that it won’t solve anything anyways" approach, doesn’t it.

"I must break my party members’ stuff or lie to them because if I just tell them my opinion and my feelings that I don’t want them to die they won’t care anyways and keep going"

In a way everyone is the glue of the party in different ways, Laios giving the group a direction and a plan, Senshi keeping them fed and grounded, Marcille making everyone more social and encouraging bonds to form, and for Chilchuck he’s the one most focused on actually keeping everyone alive I think.

Conclusion

Idk I’m not gonna repeat every point but have this as a parting contrast:

Guy with shortest lifespan possible who doesn’t mind knowingly shortening his own with an unhealthy habit, here for a good time not a long time, VS girl with longest lifespan possible who wants to lengthen everyone’s life, who focuses on how long she can keep something or someone rather than how happy her time with it has made her already. They’re both loud in their own way, and both are still insecure despite appearances. In a way, both of them focus on taking care of others while overlooking their own demons.

#Dungeon meshi #chilchuck tims #marcille donato #character analysis #meta #Marchil #For the discord peeps i mostly streamlined things and yeah added a few things but prob not worth rereading #Sorry for posting less I’m still brainrotting just as much now I just do it more frequently on Discord instead lol #I have so many thoughts written down already I just dunno how to structure and post them. One day. For now I’m working on a marchil fic #Analysis

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dokidokitsuna · 7 months

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BLADE_Princess

…I’m glad this AU idea came along, because I’ve been in WIP hell for so long…I really needed some reward doodles that I could actually feel motivated to draw~

So about 1 in 5 Kirby AU ideas takes shape as a game concept rather than a normal narrative, and this is one of those, the first one that’s JRPG-inspired. ^^ The main protagonists are a 5-member party of villains, but these two are the central characters, whose choices can affect the outcome of the story.

Blade The title character, who eventually becomes the most powerful in the group…due to a debilitating sickness that slowly destroys her mind and body. After losing her home, family, and entire civilization to similar strains of bio-magical warfare, she alone is resurrected by a strange wizard and his evil allies, and agrees to take part in their plans. During the story, Blade is continually confronted with memories of her past, and the destruction wrought by her happy family on the rest of the universe. She starts to wonder whether they all deserved to be exterminated, as her illness progresses and the idea that she should rejoin them consumes her thoughts. Meanwhile, she gradually loses control over her actions in the present, and in the end is torn between begging her adoptive father for help, or using the last of her self-awareness to take him down with her, for dragging her into this hell in the first place. +++ In this AU I really tried to break away from my usual depictions of the characters, and I think going from my usual portrayal of Dark Matter Swordsman as a classic “crouching moron hidden badass” to this more somber, sensitive character is probably the most dramatic example here. ^^; A little of that old characterization remains, however, as she’s not much of a deep thinker…she only joins the adventure because war is all she understands, and because Magolor really does remind her of her own father. Whether she remains fully loyal to him, or tries to choose a different path before the end, is up to the player, I guess. ^^;

Magolor The secondary protagonist, and the leader of the group. After his previous attempt at world domination centuries earlier, he’s back for a second try, and this time he’s assembled a whole team of formerly-defeated villains to help him out…including a strange alien girl that, until now, he had written off as a failed experiment. During the story, he comes to realize that the universe has changed a lot since his younger days, and that maybe his ultimate goal of taking it all for himself might not satisfy him as much as he’d hoped. Whether this shifts his priorities or makes him more hungry for destruction, desperate to feel something, is up to the player. And whether he decides to show concern for Blade’s suffering, or purposely take advantage of it to accelerate his plans…is also up to the player. ^^ +++ Since I’ve written so many Magolors over the years (I think I’ve done at least 10…I do have a problem, yes) I’ve formulated a basic breakdown of the essential aspects of his character: Charisma, Deception, Sweetness, Fury, and Bloodthirst. So every time I make a new Magolor, I try to emphasize different ones. For example, for Dream Alliance Magolor I downplayed Fury and removed Bloodthirst entirely, creating a very heroic and likeable version of him to serve as the main protagonist. This time, I’m going to downplay Charisma and remove Sweetness…so I’m sure you can guess what this version of Magolor is like. ^^; By default, he doesn’t really care about Blade, and reciprocates her concern for him only as far as it helps him manipulate her. I don’t think seeing her in pain would actually affect him emotionally (he’d probably just be wondering how much longer she’ll be useful…); what would get to him is her flipping the script and lashing out at him, even if she ends up backing down. Y’know, some tangible proof that his influence is having an effect on her, and that, in a strange way…she might be the only person left in the universe who still cares enough about him to truly be hurt by him.

#anyway we'll return to this on my next break #kirby #gijinka #au #BLADE_Princess #dark matter swordsman #magolor #tw vomit

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ill-say-anything-i-hafta · 4 months

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People are starting to recognize that disabled characters should be played by actors who are actually disabled themselves. But I've noticed a new trend -- actors whose disabilities are less severe than the characters they play. What do we think about that?

I was watching Bodies on Netflix last night. There is a character who is a cop in 2053 and she has a disease that causes paralysis, but uses a sci fi device to walk. Her half-brother, a wheelchair user who has the same disease, calls her a sellout and says the work she does for the shady future government to earn the device isn't worth it. Two disabled characters talking to each other! An interesting scene! The sister is played by an abled actor, but I was curious about the brother character. I looked him up and learned that Edwin Thomas is disabled; he has CP. I also learned that his disability is invisible/he has played abled roles in the past.

And that reminds me of Matthew Duckett, who recently played Crutchie in the West End Newsies, a character who (you guessed it) uses a crutch. For what it's worth, I love him in the role and he has been widely praised for bringing authenticity. Duckett also played Claude Chatterly on the Netflix Lady Chatterly's lover, who is paralyzed and uses a wheelchair. Duckett has CP and does not use a mobility aid.

Here's one that's personal to me. I am visually impaired. One time I looked up my own condition and I learned about an actor who also has it -- his name is Ben Mehl -- who played a totally blind person on a show called You. (I have not seen this show and have nothing to say about his performance.) I read an interview with him and he talked about practicing doing things blindfolded, observing blind people outside their homes (!!!) and being taught by a trainer to use a white cane.

Living with vision loss can be hard; it really sucks sometimes. I feel a sense of solidarity with other disabled people as well as curiosity and (as you can see from this long-ass post) a sense that I have a vested interest in how disabled people are represented in media. But I DON'T know what it's like to be totally blind, and clearly Mehl doesn't either. Reading his interview reminded me so much of reading interviews with sighted/nondisabled actors who take on disabled roles.

I have heard it said that it's not anyone's business how an actor's disability affects them offstage, and I can sympathize with that perspective. But it shuts down the conversation. The studio is allowed to make a big deal about how authentic their casting is for promotional purposes, but no one can ask questions or talk about it?

Let's zoom out for a second: why do we care if disabled roles are played by actual disabled people? I would say for two reasons. 1. Authenticity. These actors can play the roles with greater sensitivity and accuracy, showing audiences what disabled bodies and disabled movement really look like and even potentially correcting mistakes that nondisabled scriptwriters and directors have made. And 2. Equity. People with disabilities should get to be on screen and on stage more often, they should have more opportunities.

But if the actor's disability is not the same as the character's, will the portrayal really be accurate?

And if someone with an invisible disability or lower level of impairment takes these roles, what roles will be available for actors with more severe impairment?

Note that I am not criticizing the choices or the performances of these particular disabled actors! (Except maybe Ben Mehl for creeping around outside people's apartments...) Instead, I'm questioning the motives of the people who hired them.

ALSO, is it just me or wouldn't it be cool to see people with different kinds of disabilities depicted in media? It seems to me like 90% of the disabled people on TV are paraplegics or quadriplegics. What about, like, everyone else? What if we cast more people with CP as ... people with CP? What if there was a person in a movie who couldn't recognize faces or drive, but could see a little, like most blind people can in real life. Sadly, I have never seen that in media (except for Butchie on The Wire, played by S. Robert Morgan, a VI actor, love that guy.)

Did anyone read this far? I would honestly be shocked. But let me know what you think.

#disability #disability in media #disability rep #edwin thomas #bodies #bodies netflix #matthew duckett #crutchie morris #newsies #uksies #ben mehl #you #visually impaired #s. robert morgan #the wire #lady chatterley's lover

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flower-boi16 · 1 month

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Given how underdeveloped Vaggie (Why was she named that), Charlie, Millie, and the majority of the female characters are, I won’t be suprised if Lilith turns out to be a one dimensional bitch who only exists to make Lucifer more sympathetic (I like Lucifer’s character but still)

....I disagree, Lilith could actually be a good, or even great antagonist for the show, possibly being one of, if not THE best villain in all of Hellaverse...

...if she's not being written by Viv. I've already talked about Velvette and why she's on of Viv's best antagonists before but she's relevant to my main point; Velvette is a character with an actually cunning, entertaining and well-developed personality that stands out from other antagonists in Hellaverse, making her feel like a breath of fresh air compared to all of Viv's one-dimensional assholes, being an actually good villain...she's also a female character whose episode she got a major focus on...wasn't written by Viv.

We all know Viv is incapable of writing antagonists let alone female antagonists, so, the reason why Velvette ended up being so great compared to Viv's other antagonists is BECAUSE she wasn't being written by Viv or Adam. Viv can't write antagonists or women, so when one of her female antagonists ends up being so great, it's because she's not being written by Viv, but rather, someone who knows how to write female characters.

In episode 2, the episode that IS written by Viv, and where Velvette makes her first appearance, she has a more typical fashionista personality compared to episode 3 (though tbf that's still more of a personality than 99% of Viv's other antagonists), and episode 3, the episode not written by Viv, she has a fully fleshed out personality that makes her a fun antagonist. I really don't think that's just a coincidence.

An guess what? This same thing happened AGAIN in episode 6 with Sera. Sera is the head seraphim and leader of Heaven, she greenlit the exterminations in order to protect Heaven but you get the feeling that she doesn't WANT to do this, that she doesn't feel great about letting Adam and his army murder people bellow. But she feels like she HAS TO in order to protect Heaven...and her sister, Emily.

Initially, in my post about Emily, I said she has no purpose or point as a character, and removing her changes nothing. I was wrong. Emily DOES have a purpose within the show; it's to be a main motivator for Sera, and Emily's existence adds depth to her character. Sera lets the exterminations happen because she also wants to protect Emily and deeply cares about her, she holds her sister close to her and wants to keep her safe.

Sera is a character with real nuances to her actions, she's not just a one-dimensional villain, she's not exactly good either, she's...an actually nuanced and morally grey character that can't be put in either good or evil? In a VIVZIEPOP show???? Like, not saying that Sera is a super deep or compelling character or anything, but like, she's an actually nuanced antagonist with real depth to her...

...and that's because the episode she's in was not written by Viv, just like with Velvette. The reason why Sera is an actually nuanced character is because she's not in an episode written by Viv.

The fact that this happened twice does not seem like a coincidence to me. The reason why Velvette and Sera can be actually decent or even good characters is because they are in episodes that aren't written by Viv or Adam, both of which in all of the episodes they write show the many problems with HH and HB's antagonists. And, ultimately, Velvette and Sera ended up being two of the BEST antagonists in all of Hellaverse because they weren't being written by Viv or Adam.

So, there COULD be a possibility that Lilith can be a good or at least decent antagonist if the episodes she gets a significant spotlight in aren't written by Viv or Adam. If they are...then well, ya, Lilith will probably just be Stella 2.0 or something.

But if she's being written by either of the two guys who did episodes 3 & 6, then she could end up being a good or even great character. The bare is very low for antagonists in these shows, but when they aren't being written by Viv or Adam...they can be kinda good.

#vivziepop critical #hazbin hotel critical #hazbin hotel criticism #vivziepop criticism

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tobiasdrake · 5 months

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Rating Rain Code Characters on the Fight Me Bruh Scale

Here we go. We're ranking all of the major characters in Rain Code based on how confident I am that I can beat them in a fight.

Swank Catsonell

I want you all to know that despite what the rumors may suggest, I absolutely did not pay him to take a dive. This was a fight I won fair and square, because I am very principled and masculine.

<.< >.>

Seth Burroughs

For all his bluster, Seth is the least threatening man in Kanai Ward. The only thing threatening about him is his control over the Peacekeepers. He does nothing for himself, even needing one of his men to carry a megaphone around for him.

Seth feels like he'd go down so fast, I'd almost feel bad for him. But then I'd remind myself that he's a fucking fascist and hit him harder.

Yakou Furio

Despite his name, Yakou's not very tough. He gets routinely floored in every fight he's in. He did manage to shank Huesca with the element of incredible surprise, but that was more a product of crafty premeditation than formidable brawling. Even when he jumped his wife's would-be assassin, we next see him beaten to hell so clearly that fight took a turn after she (and we) bailed on it.

His file says he weighs 165 lbs but I have no idea where he puts it because his body type is skeletal. A stiff breeze would knock him over.

Yomi Hellsmile

Yomi reeks of paper tiger to me. As much as he loves throwing his weight around, he's too chickenshit to throw down himself. Even with guns in both hands and people he wanted dead right in front of him, he inexplicably returned the guns to his soldiers and ordered them to shoot everyone instead.

Yomi's fighting style is to run for his life and try to find someone else to fight in his place. But those other people who would fight for him, would already be fighting instead if a fight was happening. By definition, if I'm fighting Yomi, then there's nobody around to stop me from fighting Yomi. If this fight takes place then I win it. There is no version of the fight where Yomi fights and doesn't lose.

Desuhiko Thunderbolt

When he was faking the Master Detectives' deaths, Makoto figured that Desuhiko would barely even make it out of the starting gate. He judged correctly. Desuhiko is not a fighter. He's scared of blood and sticks to undercover intelligence.

His best shot at victory would be to show up to the fight Disguised as someone tougher than him. But it's not super clear whether that would actually help him.

Vivia Twilight

From what little we see of him in action, Vivia's incredibly quick on his feet and holds his own next to Halara. He moves blindingly fast and shitstomps cops with the best of him. But that's when people he cares about are in danger.

If we're just duking it out in the street, there's a strong chance Vivia goes down with the first punch and then mutters something to the effect of, "Oh well, you got me. Guess I'll just lay here now. Maybe the small bruise from your fist will kill me. Wouldn't that be nice?"

I only win this fight if Vivia isn't motivated enough to snap my neck before I know what hit me. But I don't plan to do anything that would motivate him to do that, so this is the most likely scenario when Vivia and I throw down. I'm not proud of it but I'll take the win.

Yuma Kokohead

With a Truth Sword in hand, Yuma is incredibly formidable. He's outfought countless Mystery Phantoms and even outmatched Makoto in a swordfight. However, it's not super clear how transferrable those skills are outside of the Labyrinth setting. Most of the time when Yuma's cornered, he's powerless; However, most of the time when Yuma's cornered, guns are involved, so that's not a fair comparison.

What it amounts to is that Yuma's ability to hold his own in a street brawl is difficult to gauge. That said, his stature is intimidating in and of itself. I'm always leery of fighting someone whose height easily allows for a full-body haymaker to the junk. Short people have no chill.

Kurumi Wendy

Kurumi doesn't get many opportunities for action but given what we know of her, I don't envy my chances. She's had to evade pursuing Peacekeepers in the past, which implies she's pretty scrappy and quick on her feet. She also managed to get in and out of Dohya District while it was under a counter-terrorist lockdown, skirting through Guillaume and Dominic's police state with so little effort that it put Yuma and Fubuki's attempt to do the same to shame.

So even though she never gets to throw a punch in the entire story, she fucking scares me. I start shit, she is going to sucker-punch me in ways I couldn't possibly see coming. There is a feral beast inside of her waiting for an excuse, and I'm not talking about her homunculus biology.

Martina Electro

This woman scares me. She's Yomi's right-hand, which means she does all the physically-intensive things that he doesn't. She's in the field leading from the front and, unlike Seth, we see that she's entirely willing to take matters into her own hands.

I have no basis for saying she could probably fold me in half and feed me my own spine, and has likely done exactly that to people in the past. But I believe it.

Dominic Fulltank

Are you joking? This man is 500 lbs of solid murder.

Let me paint you a word picture. I throw a punch. I break my fist on his rock-hard abs. Then he picks me up and rips me in half with his bare hands.

Guillaume Hall

Are you joking? This girl is 150 lbs sopping wet.

Let me paint you a word picture. I throw a punch. I hit her right in the fucking face because she's not a fighter. Then goddamn Dominic appears out of nowhere, picks me up, and rips me in half with his bare hands. But with extreme prejudice this time; Before, he was just defending himself, but now he's defending his boss.

Makoto Kagutsuchi

If I could define Makoto in one word, it would be cunning. Makoto has no reservations about doing whatever it takes to win, and his ultra-genius intellect is constantly plotting and scheming. He's so physically unimpressive that he looks like he'll collapse with a rough shove, but by the time fists start flying, he's already figured out 11 different ways to kill me.

Even if he might seem to be on the backfoot at the moment, Makoto is always in control of every situation he's in. He chose the place, he chose how we fight, he chose what happens to be on hand to use in the fight, and he chose who wins. He merely let me think that I chose those things.

Fubuki Clockford

We see precious little of what Fubuki's capable of in a fight. But she's no stranger to it. When Yuma first asked her to clear out the coffee shop patrons, her kneejerk go-to was to try violence. He had to talk her into a distraction instead. So she's clearly been in fights before.

Her biggest asset is her ability to save scum, though that has its limitations. It takes a lot out of her every time she turns back time, often leaving her winded and gasping for breath by the second reset. The stamina cost offsets the advantage of temporal prescience, especially in a street brawl.

But that advantage is powerful nonetheless. Do I feel confident that I could take Fubuki in a fight? Sure. Do I feel confident I could take her in five out of five fights? That's much more intimidating. Fubuki only has to win once. She decides which match "counts".

Halara Nightmare

Halara can take Fubuki in five out of five fights. Halara can take anyone in five out of five fights. Consecutively. Simultaneously. However you want to go, you'll regret it fast. We see them in action plenty and it's always the same: Halara Nightmare is violence incarnate.

Some fighters hit like a sledgehammer. Some hit like a truck. Halara hits like hospital anaesthetic; You blink and then wake up seven hours later with your kidney removed and no idea where the time went. They put me down so fast that I spend the rest of the day trying to figure out what even happened. Like a Hangover movie but instead of being drunk I got my ass kicked.

They are, and shall remain, the reigning champion of violence in Kanai Ward.

Real Yuma

I want you all to know that despite what the rumors may suggest, he absolutely did not offer me free ramen in exchange for taking a dive. This was a fight I lost fair and square, because we are both very principled and masculine.

<.< >.>

*slurp*

#master detective archives: rain code #drake plays rain code #fight me bruh #yuma kokohead #halara nightmare #yakou furio #desuhiko thunderbolt #vivia twilight #fubuki clockford #yomi hellsmile #guillaume hall #dominic fulltank #makoto kagutsuchi #seth burroughs #swank catsonell #kurumi wendy #martina electro

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