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#but never hakoda
comradekatara · 2 months
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kyaaaaaa
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chiptrillino · 1 year
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ID: Katara and sokka in swimgear. in the first image, sokka is searching for something in the water. his hair getting wet. katara leans over to him saying "don't you think, its time for a haircut?" in the second image sokka rose form the water, a dog-shark creature in hand, swinging his hair in Katara face splashing her. smugly he says "no <3". End ID
i know its winter! i know it likley snowed by now on the northern hemilsphere! but... on the southern side is summer time right??? so... its fine.... this is fine!!!
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!!! please do not use or repost this artwork without permission!!!
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mugentakeda · 6 months
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more low effort avatar doodles (spoilers its mostly katara)
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muffinlance · 1 year
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Prompt: Azula joins Zuko on his Avatar hunt instead of Iroh. I don't know why, I don't know how, but I'm certain to be entertained by whatever follows.
Ozai and Ursa were already dead by the time Iroh arrived home. He stepped from his ship into the palanquin, and rode past the places of their execution, holding the urn of his son’s ashes. 
He had no time to entrust them to the Fire Sages before his father summoned him. He brought them along, because this was an easier thing than setting them down. And perhaps Lu Ten’s grandfather would like to see him once more, outside of the family shrine. Iroh would have given anything—
He placed the urn on the floor next to him. It did not kneel when he did. Fire Lord Azulon surveyed him from behind the flames.
“Rise, my son. It is good to have you home.”
They did not speak of Lu Ten. His father had always been a man to look to the flames of the future, rather than the ashes of the past.
* * *
They hanged Ursa, as befitted her attempted crime, and her past station.
They burned Ozai, as befitted his. A child of Agni should always return to the flames.
The children of the traitors had been stricken from the family line. Had been placed in the capital prison; bait for the trap. Azulon was keeping close eye on those who expressed concern for the offspring of regicides. Ozai had expected support for his position; it would be Iroh’s second task to sift through the court, and discard the chaff. 
His first task was a more practical resowing. Azulon had already selected a handful of candidates: women of suitable birth and known loyalties. The wedding date had been set, pending selection of the bride.
“Thank you, father,” Iroh said. 
Lu Ten held his silence.
* * * 
Azula had never liked the servants who’d fussed at her hair and clothes, who’d pulled and tugged until she was perfect, like perfect was a thing outside of her for others to bestow. She only had to look at Zuko to know how far tailored robes and well-oiled hair could take one.
She couldn’t see Zuzu from her cell. Her robes were too cold against the stone and every tug to wrap them tighter just made them worse, she could see it in the guards’ faces, the way they’d stared when she’d first arrived and looked a few days after and now they barely even saw. No one would talk to her, no matter her demands. They didn’t even stop their own conversations anymore; just slid in her food and kept walking and batted away her fires and it was cold here.
There were things crawling in her hair that her nails couldn’t dig out. Sometimes she thought she heard Zuzu yelling, but she couldn’t be sure. And it would have been undignified to yell back. She was a princess. She was fifth in line for the dragon throne. 
Fourth, now that Lu Ten was dead.
Third, because father was, too. 
He’d yelled and then he’d screamed and it hadn’t done anything but make the crowd jeer. Fire Lord Azulon had been silent. Poised. In control. She was his namesake and she would be too. 
She was nine.
* * *
Zuko yelled until his throat burned. The guards didn’t care, they didn’t listen to him, which was nothing new. He shouted and shouted and his own ears hurt. Maybe that’s why he never heard Azula calling back.
Grandfather had made them watch when he’d killed father and, and—
If grandfather had Azula killed, he would have made Zuko watch that, too. Azula was probably just better at being a prisoner than he was. Maybe the guards even talked to her.
He was eleven.
* * *
Iroh’s new wife was a third his age. A flower just coming to bloom. She looked like his first wife; Azulon knew his preferences. She was young enough to be Lu Ten’s sister. She smiled and laughed each day with the other court wives, and came to his room with lists of possible dissenters to discuss in their marital bed. It was not the pillow talk he was used to, but it was charming, in its way. She liked to lay on her stomach and kick her feet above her as they traced the web of treachery with his dead brother at its center. She was here to have his children—a task at which she worked with admirable diligence—and to be the acting Fire Lady. She had not had to struggle and flaunt herself for his affections; she had been picked from a line-up, her expectations realistic, her motives aligned with his. It was the least romantic relationship Iroh had ever been part of. It was… refreshing.
On the day the palace doctor confirmed their newly budded line of succession, the Fire Lord called them both in for congratulations. And for pruning.
* * *
Zuko had turned twelve, but had not realized it. Azula had turned ten. She’d counted the days.
Iroh had not been able to visit them in prison; only to inquire as to their treatment. Individual cells, regular meals of reasonable quality, no abuses. He’d moved his own people into position to ensure the last. 
Azulon had moved them back, after a delay for his soft-hearted son’s conscience. They could not waste loyal men on cuckoo-vipers. And Iroh could not waste his father’s good will. Not when it would be needed in the future, for the most important request.
* * * 
“And your wife agrees to this?” asked the Fire Lord, behind his flames. 
Iroh’s wife had not been directly addressed, and so did not reply. She sat in polite and perfect seiza, her head raised, as befitted the woman currently running her half of the court. Azulon had never seen fit to replace his own wife, after all.
“She does,” Iroh spoke for her. “We have spoken on the issue at length, and believe it best. Our family is small, and cannot afford to be smaller. The children are young; too young to have been in their parents’ confidences. With proper guidance—”
“And how would they place in the line of succession?” Azulon asked. “How would they chafe, how would they plot, with a decade’s experience over your eldest?”
Lu Ten’s own connections at court had been built while his cousins were still in diapers. But he was no longer Iroh’s eldest.
“We believe—”
“No,” his father interrupted again. “I will not allow their adoption. Not by you, where they could smother your own babe in the cradle, and certainly not by someone I trust less.”
Which was everyone, since the night his daughter-in-law had served him tea sent by his son.
“Father,” Iroh began, and his wife shifted her elbow just so, the only indication that she wished to dig it into his ribcage. “They are young, and innocent. They are my beloved nephew and niece. Your grandchildren. We cannot in good conscience—”
‘Good conscience’ had never factored into his father’s policies. Iroh had… begun to realize that, of late. His wife let out a small sigh, deliberately audible only to the man next to her. She had cautioned very strongly against a—how had she put it?—a feelings-based approach to this situation. Feelings rarely factored into her own decisions. She had been hand-selected by his father, after all. 
His wife went into a half-bow, her head lowered. “May I speak, my lord?” 
The flames crackled. The shadow of his father inclined its head, just slightly. 
“To kill the children is wise, and I admit, would set my mind at ease for my own child’s sake. But my husband feels strongly on this matter, and so I support him, for his happiness is my own. May I suggest a compromise? To place them outside the court, where they cannot build influence, nor harm your son’s heirs. A position from which you can judge their characters and value to the nation as they grow.”
“You suggest banishment,” the Fire Lord said.
“Not unstructured, of course. To leave them roaming freely would invite those that would take them in. Perhaps a military commission? As they are commoners, they should begin from a rank befitting their station, of course. Let them prove their worth on their own merit.”
Iroh could not see through the flames, but he knew his wife’s small smile was reflected on his father’s face. 
“A naval position,” the Fire Lord said. “On a ship that does not frequently make port. The frontlines would be the best place for them to prove themselves, wouldn’t you agree?”
Iroh closed his eyes.
“Father,” he said. “Please,” and he could feel his wife willing him to stop talking. The Fire Lord had already agreed to spare their lives. A banishment could be undone, so long as he and the children both outlived the man before them. “I… thank you for your wisdom in this ruling. But perhaps, if they complete some feat worthy of our line, they could be allowed to return?”
The flames were hot against his face. His new wife was still and silent against his side. His father… his father laughed, a low exhalation, the wheeze of a humorless old man.
“Let them bring me the Avatar,” Fire Lord Azulon said, “and I will welcome them home with honor.”
* * *
Zuko didn’t know why they’d pulled him from his cell or scrubbed him down or taken his old clothes. They’d been dirty but they could have been cleaned. His new clothes were scratchy, and too big, and they looked like a common soldier’s, and… and—
And they’d shaved his hair. 
* * * 
It had gotten rid of the bugs, Azula admitted, in the privacy of her own mind. Still. She memorized the faces of the woman who’d held her down and the man who’d shorn her. For future reference.
They hadn’t bothered sizing her new outfit for a child. Azula noted the quartermaster’s face, as well.
* * *
They were put on a ship. It was the first time they’d seen each other in nearly a year.
Zuzu looked at her head, and wisely said nothing.
She raised an eyebrow at his, and graciously granted him the same.
It was hard to tell them apart. They had their mother’s face. And their father’s.
* * *
Their captain’s name was Zhao. He invited them to dinner in his private quarters, once the Fire Nation was behind them. Zuko fidgeted. Azula didn’t.
The captain spoke on how much potential he saw in them, under a commander who saw their true value. 
Together, they could go far. Very far, indeed.
Azula smiled and said all the things she thought father would have said. Zuko scowled. 
Zhao brushed over their arms with his own while reaching for things. He served them more when they said they were already full. He squeezed their shoulders when he brought them back to their rooms, which were next to his, even though the rest of the lower crewmen slept together in the same big cabin. Zuko scowled harder. 
Azula was invited back. Zuko wasn’t.
* * *
Zhao was… Zhao wasn’t a good person.
“I know that, dum-dum. But do you want to stay banished forever?” 
“Uncle said—”
“Uncle’s going to change his mind, when he has his own heir and a spare. We’re threats, Zuzu. And Zhao knows father’s old friends. He’s one of the smart ones.”
The dumb ones had already been executed. 
“I… I think he wants to—to tie himself to the royal line.”
“Eww,” she said. “I’m ten. If he wants to get engaged, I’ll just break it when we’ve got the throne. It will be too late for him to retract his support, then.”
They’d barely left port before Zhao had made his first move. He didn’t seem like a man who waited. 
Azula was ten, but Zuko was twelve. Being twelve was almost thirteen, which was almost a teenager, which was almost an adult, and adults understood things that ten year olds didn’t.
They had to get off this ship. They had to go home.
Zuko had to find the Avatar.
* * *
(This ficlet is now posted on AO3.)
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yourhighness6 · 24 days
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It's absolutely criminal that we were never given any insight into the dynamics of the Water Tribe sib's family before Kya died beyond simply "katara was a mama's girl and sokka was a daddy's boy". And Kya! We only have one scene of Kya! We don't know basically anything about her personality besides that she was incredibly dedicated to her children. If anyone has any headcanons/ fic recs about the water family I'd 100% love to hear them
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theduckeminence · 4 months
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Hot take: More ATLA old men should be cherished and loved.
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sockfus · 7 months
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hakoda hugging his kids knowing he might never see them again...
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chaotic-tired-bastard · 4 months
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I believe that they were lil shits as teenagers and nothing can convince me as to otherwise
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witchering10123 · 1 month
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is this ooc for kya and hakoda? yes but HEAR ME OUT neglected sokka
sokka seeing katara waterbend for the first time. sokka dragging katara back into their igloo like "mum! dad! look at this look at this!!!" and being so excited because his little sister is a waterbender, that's so cool, and his parents are making a really big deal about it and hurrying katara out to see the elders and sokkas falling a little bit behind but that's ok, because katara's a waterbender and they need to tell the elders
and so they host this celebration - nothing big because they may still get traders but they don't want this to go out to the fire nation - and hakoda and kya are doting over katara and making sure she's had enough to eat and everything and sokka... feels a little weird. he knows its kataras special day but he just feels a little lonely, but when he goes up to his parents they tell him they're busy, so he tells himself that he'll talk to them tomorrow.
but then the next day, his dad is in meetings all day - that are about katara, he gleans from gilak and bato, who look a little confused as to why sokka's alone - and when he goes to find his mum, she's with katara and she's watching her shakily try to bend on command, instead of by accident. so he goes up to her to say hi but she tells him that she's busy and not to distract her. sokka frowns because it doesn't look like she's doing anything and can't he say hi? but then katara loses concentration to say hi to sokka, and though his mum smiles at katara, she doesn't spare another glance at sokka.
which. is fine. he thinks. obviously life is different now that his little sister is a waterbender and he had sooo many adults tell him as such when their village celebrated it, so... it's fine. maybe it's just because his parents look a little worried, he thinks, as they sit down to eat before bed. they do look worried.
and then katara says that she's tired, and his parents wish her good night and their mum goes to tell her a bedtime story and it's exactly as it should be. except that sokkas still eating and they usually wait til both of them are in their cots before the story happens. so he tells her to wait while he quickly shovels his food into his mouth, and he thinks it's fine but then once he's eaten and moving towards his cot, he hears the end of the story
he pouts, saying that he wanted to hear it too, but his mum tells him not now, sokka. she sounds tired. he doesn't care, he wanted to hear it too. she sounds a little angry when she tells him to be quiet, because kataras sleeping, but he doesn't care, he wanted to hear the story and why didn't she wait? it's his dad that scolds him this time, telling him that katara needs her rest. sokka goes to say that he was only a few extra minutes, but he's shut down. his parents tell him that they won't be speaking to him when he's being so rude, and sokka doesn't understand but hes too tired so he cries in his cot before falling asleep.
the next morning, his dad isn't there and neither are katara and his mum. and he learns. he learns through his parents ignoring him when he asks a question and scolding him when he wants something that he's selfish. what else could he be, trying to put himself above his sister, who could be targeted by the fire nation (which he didn't originally know, he finds that out when his dad yells at him one day and, oh ok maybe he is being a bit selfish) and katara needs her parents more anyway because shes the only waterbender, she needs guidance in connecting to her culture and her history. he wonders whether it's technically his history too, but he doesn't ask. he stopped asking a while ago, stopped talking a while ago.
he thinks he hates katara a little. bato tilts his head and asks him why, when he tentatively tells him after the man prods and prods because "I haven't heard you speak for ages kid, you ok?", and sokka doesn't have an answer for him because he doesn't know why he hates katara but he doesn't want to hate her, it's just that his parents like her more cause she's a waterbender. bato tells him thats silly, of course his parents like him, and he ducks his head and mumbles an apology and doesn't notice the way bato frowns and glances over to gilak, who sports an equally worried frown.
the next day his dad takes him fishing. he's so excited but he's nervous too, he doesn't want to upset his dad and his dad is already looking at him weirdly that morning so he answers the questions his dad awkwardly pushes towards him and doesn't ask for help even when he can't get the bait on his hook, and eventually his dad takes the rod from him and does it for him, and he apologises but his dad looks at him weirdly again and so he doesn't speak again on the trip. but... it's nice. his dad claps him on the back everytime he catches a fish and he proudly displays his three fish to him at the end and gets a laugh for his efforts. so. it's nice.
the following week, there's a raid on their tribe. sokka runs towards their igloo, having lost katara in all the chaos. he pulls to a stop by the entrance, hearing his mum talking to some guy about the waterbender and... what is she doing?
he freezes. the man stomps out of their home, sees sokka and throws him aside. sokka doesn't feel the bruises til the next day, and when he does he doesn't care.
there's no point. he's got to take care of katara. that's his job now
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gwydionae · 2 months
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SAY IT WITH ME:
FEMALE CHARACTERS CAN BE WARRIORS AND FEMININE
MALE CHARACTERS CAN BE SMART AND MASCULINE
BEING BOTH IS NOT A "FLAW" WHERE ONE NEEDS TO BE REMOVED
IT'S CALLED "COMPLEXITY"
#i won't tag it#but#HECK if i wanted to chuck episode 5 out my window and then run it over with a car#i mean these issues have definitely been hinted at before ep 5 but that one just went ALL IN#i knew from 3 and 4 what they would probably do with hakoda but GOSH am i bitter about it#i swear if they don't walk this back somehow and make hakoda a bad overbearing dad or whatever i'm gonna riot#and katara's whole 'you know i'm not good at this [womanly] type of stuff' NO SCREW YOU WHOEVER INCLUDED THAT#WHY#if you want a female character that rejects the stereotypes of femininity you'll get one in season 2 gosh DANG IT#you don't need to try and force katara into that role#sokka wanting to use his brain AND fight well is not a flaw#katara wanting to use her waterbending to fight AND knowing how to sew is not a flaw#OH i hate this#i hate this so much#i can understand the need to change story elements to work better in a different format#i don't think they're always doing that WELL but i can understand the need for it#but i will never understand why they felt the need to butcher characters' personalities#again some things won't transfer well i get it i really REALLY do#it's like with sanji in opla how he had to be toned down - that makes sense for a live action adaptation#just removing things simply for the sake of removing them? no just no#'updated for modern audiences' has become a curse to my ears i swear because it always means the same thing#'we're going to remove all complexity and make it as one note as possible so we don't offend anyone'#there was nothing wrong with katara or sokka or aang or anyone else that they needed 'updating' yall are just close-minded#ok rant over just REALLY needed to get that out...
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stubz · 2 months
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This has probably been done before but whatever!
Avatar The Last Airbender but Hama managed to get back to the Southern Water Tribe.
It took some time to perfect bloodbending enough to escape but better late than never. After a couple of days she stumbled across a small town. The people were kind. Fed her, gave her clothes and even had a job ready for when she regained her strength.
Disgusting. Their spices and seasoning made her throat burn much like the air in her recent prison. Shades of red all over her body just the lashes they gave her and her people. A job...HA, they'll work her until she sweats blood...
She hates that she can't look any of them in the eye. Hates how the mere yellow of the flowers reminds her of the gleeful expression the guards had when punishing her. She hates how her body flinches and quivers when a child uses her bending to light a candle.
Disgusting.
It takes 2 weeks until she's healthy enough. It takes another until the moon is full. She certainly won't be going hungry for quite some time on her journey home.
After years of travelling she's built up a reputation for herself. The Puppeteer. Most places think of her as a spirit or vengeful ghost. But the places she lingered at know better, even after all these years some of those towns still have curfews.
After years of travelling she's gotten even better at her craft. She hopes that by the time she get's back home there'll be few little benders running around for her to teach.
Finally she's back. The tribe is joyous when she returns. A miracle they proclaim. She's dressed in her missed furs and blues, fed meals she dreamed of and tried recreating but alas it could never beat the real thing. It's wonderful to see old and new faces but sadly there are no more benders...the good news is that Kanna has a son now!
Decades go by and finally a bender is born! Kanna's granddaughter. Finally she has someone to carry on her work, and so eagerly too! Little Katara simply can't wait to train with Auntie Hama.
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comradekatara · 1 year
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i think about their relationship so often.
the chiastic parallels between kanna risking her life to travel to the other side of the world during a war, only for katara to make the same perilous yet inverse journey north two generations later. how the shot with kanna looking on with tears in her eyes as hama is taken by the fire nation, the ship's hull closing as she looks out at her decimated tribe, her best friend with tears in her eyes, is a beat for beat exact callback to katara looking on at aang, the only difference being that aang attempts to smile hopefully for katara before his face, too, ultimately clouds over with despair. the fact that kanna is constantly nagging katara to do her chores, to stop messing around, to follow the rules, to stay put, to listen to her brother. she knows katara, knows her intimately, because she once was her. that brave, daring, hopeful, adventurous girl who wanted nothing more than to escape the confines of her of her monotonous existence, who wanted to travel and find freedom and hope elsewhere.
but katara is now her responsibility, and she knows all too well that a girl like that can be trouble, can be a danger to herself and others. especially if she's a waterbender. kanna saw her people massacred, her best friend taken by the fire nation, her daughter killed sacrificing herself for katara, the girl who carries the hope of her entire people on her shoulders. and she loves katara, she loves her so much, sees so much of herself in her, but it is also her job to rein her in, to keep her indoors, doing domestic busywork like sewing and laundry so she doesn't try to run off, try to run all the way to the other side of the world, so her antics, through her bending mishaps or otherwise, don't cause her to accidentally alert the fire nation and have their entire fragile existence come crumbling down after she and sokka have done so much to maintain it, to protect katara, even when katara feels like she is being smothered and overdisciplined and robbed of a childhood.
katara wants the opportunity to train with a master. of course she does. she considers her waterbending the most important part of her identity, the part of her that brought hope to her tribe and killed her mother in equal measure. she's the only person left who holds the key to their cultural artform, this crucial piece of their heritage. and of course kanna would love it if katara could hone her craft, but her first priority is always keeping katara alive, and if that means she can't become a bending master, then so be it.
raising a teenager is hard, really hard. they don't like being told that ordering them around and telling them to stay in the borders you've drawn for them is "for their own good." the only reason kanna doesn't have the same problem with sokka is because he doesn't actually consider himself a teenager (although he very much is), and he not only follows her rules but enforces them. they are on the same page; safety is the priority, katara is the priority. but katara hates how restrictive their rules are, hates how sullen and strict and serious they are. how hopeless they are, how resigned they are to leading lives of misery in the fraught safety they've created for themselves. she wants to see the world, to have fun, to have friends, to help others instead of being the one constantly being protected and sheltered.
of course, kanna and sokka are not hopeless and depressed and numb by nature; they have been hollowed out into shells of themselves by the war, by the promises they've made to keep katara safe. sokka grows so much by traveling the world, absorbs so much new knowledge so quickly, makes new friends and lovers, gains new perspectives, reaches his full, incredible potential by being dragged out of the comfort zone he clings to in the pilot. and kanna has already undergone her bildungsroman, lifetimes ago. she knows what it is like, what it means to experience the adventure katara desires. but she never told her. she never once mentioned to katara that the south pole is not all she knows, that she too once longed to leave the place that was stifling her, suppressing her freedom. she is afraid to tempt katara, to be anything other than the strict authority from which she once left everything she ever knew behind to escape.
until the avatar returns. until the legend she used to tell katara before their world became too hopeless, of the old days when the avatar kept balance and the world was not at war, is made real again. when katara, who found aang, who believed in him from the beginning, brings the avatar back, through her desperation and her rage and her indomitable hope for a life that can be bigger and better than kanna and sokka's dour little pocket of resignation and grief.
kanna has always believed in katara, has always known that there would come a time when katara was to bring back hope to their tribe. so now, trusting sokka, katara's sworn protector, to stay by her side and do right by her, she ushers them on their journey. katara, her little waterbender, hero of the southern water tribe, and spitting image of kanna.
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momos-servants · 7 months
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I love how majority of the Atla fandom does acknowledge Malina’s existence and we mainly agreed that Bato and Hakoda have something going on 😭
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hella1975 · 7 months
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your sokka is SO sokka and i say this as someone who holds him so dear ur writing of him is amazing. tbh im sooo fussy with his portrayal but its pretty nailed. like so many fics (esp zukka and zuko centric and ESPECIALLY ones where hakoda like adopts zuko) he's constantly pushed to the side in favour of zukos issues and zukos problems when in reality sokka is very hurt himself and has suffered a lot. man i GET taob sokka i really do bc people seem to think he was a lil mean but nobody seems to realise when you're in sokkas position it would've read like everyone was against you. all the swt men, including his dad who snapped at him, and even katara and aang and suki tell him to give zuko a chance and the fact that they were trusting someone who had hurt all of them so much- because yes WE know zuko wouldn't have killed them, but the gaang didn't. not when they were being chased and terrorised, and when sokka had his trust betrayed in the prison, he had absolutely every right to hate zuko, esp when it felt like everyone who he thought would understand his feelings, including his own dad who had been hiding his relationship with zuko from him, seems against him. his conversation with hakoda was probably my favourite scene in taob just bc he was allowed to feel like that without being treated by the narrative as someone just being mean to poor little zuko. he gets to be a sourpuss and angry and jealous at zuko for feeling like hed been replaced by his own dad. all of the water tribe men get this treatment like they're not written as bad people for being wary or disliking zuko initially (even chena despite being enemy no.1 at the start). his convo with hakoda was so important bc it stressed the detail that yes zuko has suffered and deserves to be cared for but SOKKA is his son, his actual child who is so hard on himself for things out of his control and who has hurt so much and deserves just as much as zuko does. sokka is just a baby my boy. he's not the main character but he's just as complex and intricate as zuko, not just in taob but also for the times we have seen him in tams there's been keen detail to his emotion and how he's feeling pointed out
me rn
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#BESTIEEEEEEEEE YOU GET IT <333#like ik the atla fandom including unfortunately some taob locals are generally AWFUL with sokka when zuko is involved#but it really was only a handful of taob readers esp in the grand scheme and i do want to clarify that#but now we're on the same page. OH MY GOD WHEN I SAY I WANTED TO PHYSICALLY FIGHT SOME PEOPLE#JUST THE SHAMELESS FAVOURITISM??? THE EXPECTATION THAT I TREAT A CHARACTER AS SOMETHING NOT-HUMAN BC THEY HAPPEN TO BE MEAN TO THEIR FAVE??#like idc if zuko means a lot to you!! idc if it's sad seeing people be mean to him bc you relate to him so much!!#id be a terrible writer if i treated the other characters as planets in zuko's orbit. THEY dont know they're in his story#and sokka is a fucking sixteen year old. like come on i get mad when people do the same with chena being a dick to zuko#but at least he's a grown man. sokka is a TEENAGER. even if he was being irrational that would be completely fair#bc teenagers ARE FAMOUSLOY IRRATIONAL!?!?!?! GO OUTSIDE??!?!?!!?#anyway. im so normal about this topic and hold noooo grudges not any haha#remembering when someone commeted saying me personally as a real life person i was insidious and evil for insinuating#that adopted children arent worth as much as biological children and i should NEVER adopt bc im clearly the Worst#when that is not only an insane thing to say to a stranger on the internet but also. not what happened#hakoda never adopted zuko. that's a joke made in fandom. jokes are when people say untrue things for comedic affect#adoption is an actual official process of willingly and actively bringing a child into your family#NOT taking some teenage symbol of your culture's oppression as a prisoner and unwillingly growing attached#and now he's someone you're fond of and feel protective over as is natural of an adult towards a hurting child#but your actual son feels replaced and it's especially cutting bc of aforementioned symbol of your culture's oppression#and also this specific kid was a dick to him. like as a pretty notable part of his character he was a dick to him#so you reassure him bc that is your actual real life son. yeah?#are we on the same page? are we good? please i dont know how much more i can take-#taob asks#ask
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muffinlance · 9 months
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The isopuppy rolls! Very happy with how the segment overlap turned out.
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My toddler is excitedly playing fetch in the hallway. So: child-approved!
Leg and antenna design are complete, just need to finish making them all and attach them, then see about final adjustments. The pattern is almost complete!
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swan2swan · 2 months
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heh gaaaaaaaaay
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