#like. my entire blog could just be summed up by this post

[comradekatara]

i think about their relationship so often.

the chiastic parallels between kanna risking her life to travel to the other side of the world during a war, only for katara to make the same perilous yet inverse journey north two generations later. how the shot with kanna looking on with tears in her eyes as hama is taken by the fire nation, the ship's hull closing as she looks out at her decimated tribe, her best friend with tears in her eyes, is a beat for beat exact callback to katara looking on at aang, the only difference being that aang attempts to smile hopefully for katara before his face, too, ultimately clouds over with despair. the fact that kanna is constantly nagging katara to do her chores, to stop messing around, to follow the rules, to stay put, to listen to her brother. she knows katara, knows her intimately, because she once was her. that brave, daring, hopeful, adventurous girl who wanted nothing more than to escape the confines of her of her monotonous existence, who wanted to travel and find freedom and hope elsewhere.

but katara is now her responsibility, and she knows all too well that a girl like that can be trouble, can be a danger to herself and others. especially if she's a waterbender. kanna saw her people massacred, her best friend taken by the fire nation, her daughter killed sacrificing herself for katara, the girl who carries the hope of her entire people on her shoulders. and she loves katara, she loves her so much, sees so much of herself in her, but it is also her job to rein her in, to keep her indoors, doing domestic busywork like sewing and laundry so she doesn't try to run off, try to run all the way to the other side of the world, so her antics, through her bending mishaps or otherwise, don't cause her to accidentally alert the fire nation and have their entire fragile existence come crumbling down after she and sokka have done so much to maintain it, to protect katara, even when katara feels like she is being smothered and overdisciplined and robbed of a childhood.

katara wants the opportunity to train with a master. of course she does. she considers her waterbending the most important part of her identity, the part of her that brought hope to her tribe and killed her mother in equal measure. she's the only person left who holds the key to their cultural artform, this crucial piece of their heritage. and of course kanna would love it if katara could hone her craft, but her first priority is always keeping katara alive, and if that means she can't become a bending master, then so be it.

raising a teenager is hard, really hard. they don't like being told that ordering them around and telling them to stay in the borders you've drawn for them is "for their own good." the only reason kanna doesn't have the same problem with sokka is because he doesn't actually consider himself a teenager (although he very much is), and he not only follows her rules but enforces them. they are on the same page; safety is the priority, katara is the priority. but katara hates how restrictive their rules are, hates how sullen and strict and serious they are. how hopeless they are, how resigned they are to leading lives of misery in the fraught safety they've created for themselves. she wants to see the world, to have fun, to have friends, to help others instead of being the one constantly being protected and sheltered.

of course, kanna and sokka are not hopeless and depressed and numb by nature; they have been hollowed out into shells of themselves by the war, by the promises they've made to keep katara safe. sokka grows so much by traveling the world, absorbs so much new knowledge so quickly, makes new friends and lovers, gains new perspectives, reaches his full, incredible potential by being dragged out of the comfort zone he clings to in the pilot. and kanna has already undergone her bildungsroman, lifetimes ago. she knows what it is like, what it means to experience the adventure katara desires. but she never told her. she never once mentioned to katara that the south pole is not all she knows, that she too once longed to leave the place that was stifling her, suppressing her freedom. she is afraid to tempt katara, to be anything other than the strict authority from which she once left everything she ever knew behind to escape.

until the avatar returns. until the legend she used to tell katara before their world became too hopeless, of the old days when the avatar kept balance and the world was not at war, is made real again. when katara, who found aang, who believed in him from the beginning, brings the avatar back, through her desperation and her rage and her indomitable hope for a life that can be bigger and better than kanna and sokka's dour little pocket of resignation and grief.

kanna has always believed in katara, has always known that there would come a time when katara was to bring back hope to their tribe. so now, trusting sokka, katara's sworn protector, to stay by her side and do right by her, she ushers them on their journey. katara, her little waterbender, hero of the southern water tribe, and spitting image of kanna.

#this is probably the most important post ive ever made #like. my entire blog could just be summed up by this post #id in alt text #analysis #katara #kanna #sokka #kanna&katara #kanna&sokka #aang&katara #hama&kanna #there were more screenshots i wanted to include here but tumblr has a 30 img limit >:( #like the fact that kanna is the one who tells katara stories about the avatar (!!). etc. #hey girls. did you know. that uhm... the bond between a grandmother and her granddaughter is the most important thing in the world???? #this is also another point in favor of chief katara btw #bc hakoda was chief but he was overseas & traveling the world #whereas kanna was chief of the village. their home. #and sokka is trying to follow in hakodas footsteps but he can’t because he’s never left home #whereas katara WANTS to leave home (like kanna did) but kanna is forcing her to stay by her side #until she gives katara her blessing to grow into herself just like she did as a teenager #and kataras homecoming thus means following in kanna’s footsteps to lead their people #which isn’t to say that sokka doesn’t either #but that they do lead like kanna always wanted them to: together #combining the worldly & the traditional. the globe & their home. hakoda and kanna. kya and hama. #their destinies intertwined; their legacies fulfilled #and katara!!!! is kannas!!!! spitting image!!!!!!! #ok im done now. sry

[adarkrainbow]

A reaction to reactions - about Pierre Dubois

I made a long time ago (at least considering the short life of my blog) a post about Pierre Dubois, an introduction post about the man so that my other posts about various content of his made sense. You can find it here. Recently this post got a lot of reactions, which I'm glad of course! But there's too many, through reblog-texts or flowing texts, for me to anser all of them at once easily. So I'll make this post to answer everyone in an easy way (or rather "react" and talk further, since I'm not here to "answer per se").

First, @a-book-of-creatures had this to say which I have to agree with but expand upon:

I have so many strong feelings on Dubois. When I started doing research on folklore I used him as a reference because his books were the only thing I had available, but as I found actual research I realized just how unreliable he is.

Probably the best thing would be to regard the books as folklore fanfiction and use them as stepping stones to find better things.

And this sums up why people get Dubois' books and work by the wrong end. You are absolutely right - Pierre Dubois' works are not reliable as resources about folklore and legends and myths. But that's because they do not have to, and they do not have the purpose to be. And here is why I say people take Dubois by the "wrong end" - too many people consider Dubois as a folklorist in the scientific, profesionnal sense of the term. Which Dubois is not. There is a reason why Dubois and those that promote it all insist on his job being "un elficologue", "an elficologist" - a clearly made up and fanciful word with no degree or diploma needed. This is not to pretend Dubois is a new type of folklorist - this is to clearly point out that he is rather someone extremely passionate and informed about elves, fairies, lutins and the like, and who spends his entire work writing about them. But he isn't part of any serious or scientific study of folklore, and that's where people get very confused.

Dubois is an author and a collector, a folklorist and a hobbyist, but he is no researcher as in "archeologist". This is why looking at not only his life and interviews but also the prefaces and introductions and postfaces on his various books - where he talks of his life, how it interweaves with his work and his opinions on several other names - is much needed to understand his approach and angle (but unfortunately too many jump out of those para-texts to just read about the fairies and elves).

Dubois did not went to university, did not have diplomas - to my knowledge. He keeps repeating everyhere all about his childhood among manual workers - his father worked in a factory and he was part of those poor factory-towns. I mentionned it before, about how his father reproved and dislike his interest in things like reading or literature. So he did not find out about mythology and folklore by a scholarly or professional mean - he rather had to make himself up, and stayed with an approach through any and all kinds of books he could find about. And the problem is that back in the 20th century, most of the professional study books we have access to today where no disponible in libraries and bookshops like that - they were niche things for university-people and high-ups of the thinking world. Dubois devoured the content of numerous libraries - but this meant he read literature, and poets, and fairytale collections, and outdated books about folklore and legends, and this was his approach to the fairy-world and this is the kind of feeling and ambiance he tried to give back through his books.

In fact, Dubois does not hide his lack of interest for any actual scientific, literary or current folkloric study. In general he is not a man of science - the same way he seems to have gotten a disdain for all too modern technology thanks to his own life in a community dominated by the 20th industries in the shape of the crushing factories, and thus always preferred the countryside, the forests, the ruins, he also has no interest in making books that could be used by universities or for reading expert's books on fairy-folklore and their evolution. Because he has the approach of a storyteller, of an author, of a poet, in the line of all those that either collected all the pieces of fairytales and folklore they could find without questionning or doubting them ; or that either knew of folklore and wrote fairytales, but still wrote them in a slightly edited and reshaped way. I mean for example one of his favorite books is Les contes d'un buveur de bière, which is a compendium of fairytales inspired by the folktales of Northern France - a folklore the author was very intimate with - but is still not traditionally listed among fairytale collections like the Grimm's because they were slightly rewritten in a more literary and modern style, with a few modifications and meta-references in the text. A bit like Andersen's fairytales if you want - they are still folkloric tales with folkloric background and inspirations, but they are a bit too literary to be considered fully "folkloric" tales. And this is the same approach Dubois has to it all.

Through his books, Dubois wanted (and managed) to translate and convey his own experience and feeling of going around France, checking everything about fairies in every library he could have, asking countryside folks from all regions what they knew about folklore or fairytales - an effusion, a boiling confusion, a sprawling chaos of so many things all at once, side-by-side, so different and varied, and yet all tied by these common links, these similar motifs, these evocations and cousin-ship. This shows for example in his various invented genealogies and "species evolution" in his books - fanciful pseudo-scientific inventions, they are not meant to be reflective of actual historical evolution of legendary figures, but rather convey the relationships and echoes he himself perceived when putting all the books and references side-by-side. His view on myths and folklore as a whole isn't the one of a scientist who tracked down a genealogical tree ; but of an everyman who read and saw everything and points out the links and references he perceived just as a reader.

Of course, this makes his work absolutely non-professional and useless in any serious folklore research (or almost as we'll see later)... But it is also the reason why it made his work so successful, and why he is an unavoidable name today. Still in a recent compendium about the evolution of the fantasy genre, he was evoked as one of the great names of fictional fantasy in France, but put on the same way as Tolkien - not because he was a scholar like him, but because his reinvention of traditional folklore and legends will be as impactful and inspiring as Tolkien's own reinvention of elves and orcs and dwarves. Dubois's books are educated entertainment and scholarly fun - but not a scholarly study, if the nuance makes sense. Imagine this as a bit more extreme version of Neil Gaiman's own fairy-books, like Sandman or Stardust or Coraline. And one has to put themselves back into the context of 80s and 90s France and imagine this situation.

For a long time, all encyclopedias of supernatural creatures and folklore were just these dry, scientific, university-like books not meant for regular audiences - and if there were books for your random Joe, they were oversimplified, childish things. And then comes Dubois's "Encyclopedias", which on top of having this extensive enormous collection of so many tidbits of folklore and lore nobody heard about, makes it a fun and entertaining read by bizarre illustrations, by mixing factual descriptions with folktales, by talking about the weird little habits of these creatures like what baked goods they like to cook or what underwears they wear or how they participated in said historical event... This was a revolution because it was a fun, entertaining and poetic read, a book that went beyond simply dryly listing endless variations, but rather used the encyclopedic knowledge to build an entire sprawling world of inter-connected entities, with a full epic history and all sorts of strange civilizations hidden right behind the garden's wall... This was and always has been Dubois' intention and he is clear about it in his text - revitalize the passion and interest in fairytales, make people interested in folklore and legends again, make people consider that maybe there is something interesting in the old-storytellers knowledge... Again, Dubois came from this very industrialized and modern side of France, marked by the World Wars, not caring about literature or magic or folklore, and where all good fairy-related books were pushed back in the dusty and moldy cellars of libraries. Dubois' prime interest was always to make this whole thing revive, in one way or another - and just like so many previous folklorists (even the Grimm themselves) who rewrote, and reshaped fairytales and folktales and invented things to make folklore live on, so did Dubois, in a more extreme way than his predecessors...

That's his own advice for how to become an elficologist - and he keeps insisting upon it when he talks about what people have to do if, like them, they want to become a searcher of fairies or elves. Go outside, walk among natural landscape, go into remote villages, search in old books and grimoires, do not reject anything (except too scientific and materialistic approaches and non-believers), mingle among those that live the folklore, and yourself get lost in the wonders of the overlooked countryside. This sums up very well what was his angle, and why he is located at this strange edge where he can't exactly be pin-pointed. When, in his books about seasons, he keeps referring to the embodiment of winter as "La Vieille", The Old Hag of Winter, the Elderly Witch of the Dead Season, the Queen of Cold and Darkness - he is establishing a fact that comes from looking and comparing European traditions. There is an habit and tradition of depicting the winter as a hag, as a divine crone, under a witch-like figure or monstrous woman. This is attested, and as such Dubois does what he does best, bring the essence of a comparative tradition (Dubois is much more comparative mythology than anything else). But on the bad side, it comes at costs of confusing and fusing together all the various female "winter hags" together ignoring their individual traits. That's always the win and lose of Dubois.

I already evoked it before, but in terms of fairytales for example, while Dubois is a massive fan and praises the brothers Grimm, and traditional French fairytale collectors, and other "folkloric collectors" like them, he strongly disdains and rejects the literary 17th-18th century fairytale writers a la madame d'Aulnoy, and also Perrault (though he does admit his work as part of France's national culture, though still heavily criticizing it). That's because on one side, Dubois had contact with folklore through actual village-people and countryside-folks and other fairytale collectors who like him did a tour of France's remote areas ; meaning he of course disdains those that rewrote fairytales in a too "distant" and "far-away" and "folklore-killing approach" - Dubois rewrites too fairytales heavily, but he rewrites them with the intention of staying faithful to the folklore and bringing out its "essence", which might seem paradoxal, but makes sense when you take this angle. He is the kind of guy who will hate on Perrault for cutting off the part of Little Red Riding Hood where the wolf makes her eat the grandmother's flesh and blood ; and will for example not mind at all expanding on this detail by describing a lush feast of the grandmother's corpse turned into various dishes while evoking all sorts of vampires and ghouls when describing the consumption of the meal... On the other side, this also shows something very true and clear about Dubois - he is filled, imbued with and a carrier of the strong 19th and 20th century fairytale and folklore theories that are now recognized as wrong and outdated. He is clearly a "product of his generation" - and I evoked it with the Sleeping Beauty theory. He is the first contact I had with the theory that Sleeping Beauty, Cinderella, Little Red Riding Hood and Donkeyskin were all embodiments of an old literary solar-myth and all symbolized the sun or summer threatened or devoured by night/winter before returning to life. I thought he had made it up in his usual "poetic comparative mythology" kind of way, but then I discovered it was an ACTUAL theory that had been claimed and held by numerous folklore and mythology experts and was accepted during most of the 20th century - when Dubois made his own research - before being debunked at the dawn of the 21st century. Dubois doesn't want to actively misinform people, he just shares what he received, what he knows and what shaped him, and as such he is a most important testimony of how folklore was received and perceived up until the mid 20th century.

In many ways he is the Robert Graves of folklore - interesting, poetic, influential and inspiring in his treatment of mythology/folklore, but highly unreliable, misinformed, biased, and ultimately not a serious source for modern research. In fact, it was thanks to Dubois' works that a new wave of (more reliable and serious) fairy encyclopedias, monster encyclopedia and other folkloric compendium started to be released in the early 2000s - aimed for regular people, while still being well-informed like a university work. Dubois clearly launched a new wave of interest and fashion for fairytales - and all the reblogs' affirmations that Dubois' books had shaped them or fashioned their care in one way or another is proof of that (@it-is-phlump oerfectly translates my own perception and reception of Dubois' books, which shaped my childhood, and even though you are mad at him for being so unclear and confusing and unscholarly, you can't be mad because he brings you a whole fascinating poetic and truly "fae" world). Dubois has the same aesthetic credits as for example what Del Toro did with Pan's Labyrinth and the Hellboy movies and more - make people rediscover the magic, eerie, eldritchness, monstrousness, marvels and oddity of what fairies and elves are about. Creature an aesthetic and a world that would produce later works such as for example the excellent Changeling the Lost. But the same way Guillermo del Toro's movies or Changeling the Lost cannot be taken as serious folkloric sources...

With one nuance.

Still going on from @a-book-of-creatures comment, but also @feyariel reblog - about the sources and inventions of Dubois. Dubois has one STRONG interesting thing which makes him a fascinating resource of folklore study - or literature study. His own sources. Dubois invents a lot of things but he does not invent everything - if he presents one specific creature, it means he read or saw about it. He doesn't invent the creatures, he invents the lore about them or fills in the gap of his own sources. I am pretty sure he did not invent the Pillywiggins, because again he doesn't like inventing things - but if you can't find anything about them, it means that either his sources are lost, either his sources might have been literary more than folkloric. And here's my point.

Have you looked at the HUGE bibliographies at the end of each of his volumes? Dubois does NOT want people to stay in the blind about folklore or to be unable to find the same things he did, and he has THOUSANDS of books listed at the end of most of his books about fairies or ghosts or seasonal folklore. But here's the problem - his bibliographies are a confusing treasure.

Dubois, as I said before, did an extensive and complete tour of all the libraries he could find during his travels through the French countryside (so not university-only, higher-up libraries, but the bulk of village and small towns or province towns libraries of the mid-to-second-half 20th century). He collected all sorts of books from bookshops, and as such he read so many books he used for his own works... Many books which today are actually rare or lost books. Sometimes there are books in his bibliographies with clearly no research result when you try to find them today, and you might be led to think "Oh he made it up". But then you see by their side some books who, as it turns out, also lead to no research result, but because they are rare old books, out of print and that you can't find anywhere except by extreme chance... This already puts in perspective some things - he explored the depths of old libraries and private collections, but this means he also likely came among some very rare or old books that are unreachable today or completely lost. Or that are overlooked by people today...

It doesn't help however that in his research, he didn't split things at all. I mean he clearly got better with time at bibliographies - his most recent ones are much clearer than his older ones - but he still mingles and mixes things together, and especially literary and truly folkloric things. You will find Poe's work alongside the Grimm in his bibliographies, and among true beings of folklore in his Encyclopedias he places the literary inventions of Jean Ray or Andersen... Dubois is again, a "random Joe" in this aspect because his bibliographies were literaly him just noting every reference he had, every book title he saw, every author he read about, and putting it together in a list, but without a scholarly rigorism or without questioning his sources. This led for example to another problem of his sources - referential mistakes. A very prominent case happened with the story he collected of the "Ogress Queens" that I talked about here. He collected the tale right in his collections of witches and ogresses - but he made a mistake when giving the name of the source. He wrote the "abbot of the chapel of Apchier" - when in fact, the author full name was "Alix de La Chapelle d'Apchier". Very clearly, when he took his note down, he miswrote the author's name, or he misremembered it, and so confused "Alix" with "abbé" (abbot) and misunderstood "la chapelle" as an actual title instead of a family name... A typical error showing that, once again, it is important to stress out Dubois does not have a scholarly training or treatment or his sources. He is just a guy who reads a lot of everything, and tries to collect everything, and share all he finds, but with a carelessness typical of someone in a non-scientific approach. It is just like how when you write down a reference you spot on a piece of paper, later you type it down but since you carelessly wrote it down, you confuse an "a" for a "o" or "e" and thus mispell the name.

But this carelessness is balanced by, once again, the fact he gave a great care and love for many authors and books overlooked or forgotten, either in his time or by today's time. Again, I evoked the case of the Ogress Queens - this tale, even though wrongly credited, allowed me to discover the works of Alix de La Chapell d'Apchier". Take again Alix de la Chapelle d'Apchier - if it wasn't for Dubois I would have NEVER heard of her work or book of fairytales, because again as located halfway between folkloric and literary tales, she is overlooked and forgotten by both sides. Another example would be Jean Ray. Very recently, a few years ago, Jean Ray was rediscovered by the French book-industry and reprints of his clasic tales appeared on the shelves of every library (around the same time French edition re-discovered Ursula LeGuin's Earthsea series) - but before that, Jean Ray was completely ignored, talked about by nobody, forgotten by everyone... At most people remembered "Malpertuis" but couldn't tell anything else done by him. And yet Pierre Dubois kept referencing him and claiming his love for him and putting tales of his in his own compilation of stories. In fact maybe it was him pushing forard so much the Belgian author that led to the French printing industry "rediscovering" him... Who knows?

In conclusion... Yes, there are many reasons we can be angry at Dubois and reject his books - but there is just as many reasons for us to adore him and buy and reference his works. Ambiguous, polarizing, unperfect but still proving great efforts, a deep passion and having marked cultural and literary history, Dubois is one of those men who are not be taken as a serious source and should not appear in actual fairytale studies (except as a passing reference - for example I evoked him briefly in my paper about ogres) - but who should not be forgotten or ignored due to the importance and impact he had on the reception of fairy folklore, elves legends and other dwarves myths. Again, a bit like Robert Graves with mythology - it can be read as an entertaining side-read, and it has to be considered due to all the movements, theories and groups it spawned, and it was part of the reception of mythology for a time, and it highlighted all sorts of important points - but we still gleefully point out the innacuracies and use it as a source of inspiration and comparison more than any serious reference or resource.

Or rather... A better comparison would be the Dictionnaire Infernal by Collin de Plancy. His compendium of demons and devils is a load of bullshit, with so many invented, excentric, unserious things, and that is no serious resource of information... And yet it marked the history of literature and art, and yet it is still invoked and used today, and yet people keep referring it as a source of demonology.

Overall it reminds me of this question and subject that is sometimes brought up... What is the best way to make folklore live on? For some, it is collecting all folklore and folktales we have, and printing them, keeping them exactly as they were, with no edition, but just side-commentary and explanations, and keep these bits as immobile and frozen as they were before. And for others, like Dubois and the like, the best way to maintain folklore is rather to make it alive again, collect it yes, but also allow ourselves to twist it a bit, to retell it, to link various folktales and unify the various legends and myths in one whole show, and extend it into new stories and new tales. Of course there is no right or wrong answer here, both approaches are needed - we need true folklorists who will collect folklore as it is and bring it in its original truth, as much as we need author, artists and poets who will make pieces of fiction out of this folklore and spin new tales out of these old ones. But it is still a strong debate, and people that keep blurring the lines between the two are often not very well-received - for good or bad, right and wrong... And Dubois is clearly one of those very polarizing figure, with as much blame as praise. However it cannot be denied that he did a bit what Walt Disney did in America - revitalize and bring under a new and fresh form a fairy-world to an audience that was massively uninterested and unknowledgeable about folktales and folklore. Starting once again a love for fairies.

#pierre dubois #fairy folklore #fairy lore #folklore #fairytales #french things #discussion #elves #elf lore

[rafeandonlyrafe]

Depending on who’s account you go on I think people have proof that she’s a Zionist but also I’m not positive on that

assuming this is about odessa so i decided to dig into this a bit because i am very much an anti zionist and support the liberation of palestine and the IMMEDIATE ceasefire and end to the genocide

it seems like the main reason people are saying she is a zionist is because she attended a party (carter gregorys friendsgiving party on nov 9th) that had other celebrities there that are zionists. i don't think the person who hosted the party is a zionist (from what i can tell) but obviously if you still choose to hang out with zionists it's pretty telling. odessa may have been unaware who all was attending, it's impossible to tell.

odessa reposted the below pics (i got them off twitter) which clearly and openly says free palestine but please note i could NOT find this post when searching the profile

so if it was just this i could probably overlook the party, but i found another thing on twitter that she follows and liked amy schumers post

i did my own search of this and she definitely still follows amy schumer but i couldn't see that she liked the post (i followed her to make sure i could see because it appears that instagram isn't letting you search the likes) so either instagram isn't showing it or she unliked

then to continue she posted this (again taken from twitter) from an israeli whose entire account is dedicated to zionism. they even called free palestine protests a call for violence against jews which is obviously bullshit. again, i couldn't find this specific post but i also couldn't spend too much time on the page, it started to make me feel literally sick

that is all i could find in terms of her being a zionist but i dont think reposting one free palestine post from what seems to be a mostly meme account with no real direct help (such as ways to donate or more information on what is happening) reverses all the other things she has done

i also found other things about odessa but it's nothing i can confirm without another deep dive and honestly im tired of this 😭 but for full transparency she is said to support people who have committed sa (which i do believe because she follows amy schumer who has openly admitted to assaulting her younger sister), that she is a drunk driver and that she is xenophobic

also one last thing:

do not look up to any celebrity. to go off on a little tangent i used to write fanfiction for footballers, and then a whole slew of them came out and supported a rapist. i was so disappointed but it really taught me a lot about supporting celebrities. im not saying you can't be a fan of someone but just remember that they definitely have viewpoints you disagree with and are bound to disappoint you.

it's the main reason why this is a rafe blog and not a drew blog. rafe is fictional. when drew does something wrong i can very easily separate myself from that. i couldn't with my football blog because it was directly about the real people.

im not sure what to say to sum this all up so i will leave you with this:

free palestine ❤️

#answered #anonymous #odessa a'zion

[sgiandubh]

I don't even understand what there is to gloat over? (antis) Why does him saying he had Covid serve the narrative? (shippers) Lots of people got Covid (including Cait), it shouldn't be a surprise. Honest to god, both sides of this fandom do the absolute most! He could have had Covid and quarantined, he could have spent it with Cait, he could have blah blah blah. It was 2 years ago. SO WHAT? He was going to be in New Zealand over Christmas away from family and friends regardless. It's just a story, there is no need to take everything so personally. That last sentence isn't directed at anyone in particular, but sometimes this fandom gets deep in their feelings and it's just not necessary.

Dear Both Sides Anon,

I have no idea if you are new or not in here and to be honest, I don't think it's relevant. The reason I am answering your ask, while I currently send a good 75% of them to the bin, is because it sums up very well the puzzled look on the face of a complete stranger who stumbled by chance on our blogs.

This is an adversarial, even gladiatorial fandom. Kindness (🙄) abounds, as you can see. No one in here is probably never very far away from it (🤬😡🤢🤮👺💀☠👻👽👾��). Irony aside, I don't think I have ever seen, in my entire life and in any other social context., such a consuming passion for the tiniest detail and such a nuclear spending of energy, on a daily basis. And mind you, everything is usually taken on a very personal level and how could it be otherwise, given the rich bullying and harassment history of this damn place?

Upon entering, it's not exactly lasciate ogni speranza, but rather - place your bets intelligently. Speak to the right people, which means 'speak to the people you personally feel the most comfortable sharing things with'. Never assume you are away from a faux-pas. Think twice before posting and always try to imagine you're talking to people, not sheep or aliens or robots or pawns. And by Jove, never imagine everybody will like you: this is not a popularity contest, this is sometimes Beirut.

Last, but not least (and I think you've noticed it, by now), this fandom just loves drama. Justified or unjustified - it doesn't really matter. That makes the good fortunes of 💩👻, who zip between the combat lines faster than the Venetian commute vaporetti. Carelessly light a match and the whole gunpowder warehouse goes 💥 in a matter of seconds. So yes, Anon - I understand what you mean. But I also know very well the equanimity you vouch for is never to be found here.

So, we should be grateful for small graces: someone who asks you if you are ok or about your #silly day at the office. Or someone who drops two lines just to say your posts made her smile, while riding an overcrowded bus on the other side of the world. That is the real beauty of this strange place, Anon. The rest is Byzantine politics and the Mighty Circus that keeps us all in here, riveted.

#Anon

[anonymoushouseplantfan]

Two Losers Update

I don't even want to post about these two, but apparently Harry is attending the coronation alone and leaving right away and Meghan is going to stay in LA. She signed up with WME and they are doing a little "we totally are big Hollywood players" pr drive with a dinner at a private club, a Lakers suite, and hints about upcoming projects (fake awards!, rom coms! African HGTV! Tig 2.0!, Archetypes 2.0!, talk show!, etc...). It's all smoke and mirrors with these two. Archie is apparently having a secret celebrity birthday party...just like all his other secret celebrity birthday parties.

None of those projects will materialize. The only marketable narrative they have is the family drama and that isn't really working for them anymore, as the letter drama illustrated. )Of course they leaked it. Why would anyone else leak it?)

This Page Six leak read like extracts from a publicist's memo. "They had to make a decision that was genuine and authentic." "The words that Harry and Meghan have said about the importance of their family are lining up their actions." "For all the people who say they want to be half in and half out of the royal family, this proves just the opposite."

That last quote made me laugh, because they are literally trying to half-in (Harry's going) and half-out (Meghan's not). But the article does get to the heart of their problem--they are seen as fake and as long as they keep leaning into fake family drama (*cough*leaking letters*cough*) they will be seen as fake.

But, of course, they can't help themselves. Even a court case can be turned into family drama, if you're as obsessed as these two are.

That lasted for a hot minute and then everyone forgot about it. And now poor Omid is also desperately trying to create some drama and it's just not getting any traction.

And that's an "ask not for whom the bell tolls" for the Sussex brand. They've spent the last five or so years feeding off the family drama and have built nothing of substance. Now that the drama is fading, it's time to take stock. That's why Meghan is now looking to build her "rich mom" brand. If I were building a "rich mom energy" brand, I'd iron my clothes and show up at the coronation, but maybe that's just me.

When they left I argued that they should go for a lifestyle brand. I think I wrote an entire business plan for them with a new blog and Instagram, some Tik Tok videos, and lots of brand partnerships. I argued Meghan could guest host The View and then go on to have her own show with some political word salad and guest stars.

However, I don't think that's an option for them anymore. They are now too closely associated with royal family drama. That's their brand now, whether they like it or not.

I guess skipping the coronation is an attempt to move on from that, but I don't think it will work.

I did love the return of the diaper shorts. Hopefully Meghan will now return to the "California street style" (diaper shorts, ripped jeans, and tinfoil minidresses) she favored before her sudden 2017 Princess Makeover and we'll stop hearing nonsense about how Kate is copying her. An "un-Princess Makeover" so to speak.

I think that's what they are aiming for with the relaunch of The Tig (who starts a lifestyle site nowadays???). It's less about the business angle and more about "re-winding" her brand. The problem, of course, is that Meghan's pre-royal brand was bland and unsuccessful. Not sure how they are going to deal with that. Gwyneth Paltrow, Jennifer Aniston, and Drew Barrymore are all doing the "California Hollywood Player" lifestyle with more personality, talent and pedigree than Meghan. It's a crowded field. The only thing that sets Meghan apart is the "Duchess" title and that title is both incongruous and hypocritical.

Can't wait to see what WME does with this mess.

Moving on, I did love the "Moment Harry Went Woke" anecdotes. Apparently, the article has been taken down, lol. The granola story was fantastic. That could be part of Meghan's new brand, "the granola that turned the prince woke."

[skepticalarrie]

Why are you so convinced Freddie isn’t his kid? I’m not sending hate in just new and curious. Like is it all the weird stuff surrounding the mum or is it more because of Larry

Hey there, anon! Larry is definitely not one of the main reasons. Although, of course, it could be the cause of babygate and it really justifies a lot when put things in perspective. But yeah, it's definitely the weird stuff. Freddie wouldn't be his kid regardless of larry or Louis' sexuality. I have *a lot* of stuff about it on my blog, and the best way for you to understand it is to really dig up on these posts. I think it's impossible to try to sum things up in just one post, but here are the main reasons for me:

FORESHADOWING AND TIMELINES: It never made sense from day one, from the "conception day" being completely covered by The Sun, to the announcement happening too early in the pregnancy, her family registering DOMAINS the minute the pregnancy was announced, her mother following baby stuff even before she was supposed to be pregnant, etc etc etc

FAKE PREGNANCY: Bump changing sizes constantly, sometimes disappearing completely, using pregnant pictures from another woman, acting like she was never pregnant days after giving birth - flat belly, wearing leggings, heels, skirts, lifting heavy objects, drinking alcohol....

REAL PARENTHOOD: The kid looks just like Brett Clark and his entire side of the family. They're not supposed to be blood-related.

PHOTOSHOPPED: Louis' pictures were literally photoshopped on top of Freddie's pictures for years.

NO PATERNITY TEST: A multimillionaire boybander knocked this non-famous girl pregnant, which he was not dating, and never asked for a paternity test. He just knows the kid is his. No one advised him to get it either, everyone just trusts her. It's absurd.

NO CUSTODY: Up until 2020, it was crystal clear Louis didn't have custody of Freddie. No full custody, no joint custody, no overnights, he didn't even have a house in California and he was certainly never there, F was in the UK only twice (the first one when he was a baby and the second one on Christmas last year).

And I would add the tags LOUIS X BABYGATE and RBBSBB X BABYGATE in there as well. Although this gets into Larry a little bit. But Louis' behaviour about it always spoke volumes, before he decided to play along for whatever reason.

Plus, I suggest you go through my BABYGATE MASTERPOSTS and BABYGATE RESOURCES tags for everything else. Good luck!

#ask #i have a very similar post #but almost all the links are broken or are from wayback machine #so i thought it was time for an update on that #babygate masterpost #babygate #babygate resources #for beginners

[reviewinghiccup]

RIDERS OF BERK | HTTYD SERIES | BREAKING DOWN HICCUP

Blog Post Series : Breaking Down Hiccup

Title : Thawfest

Ep/Season : Episode 12, Season 1 (Riders of Berk)

Premise :

It is the annual Thawfest Games, but with a welcomed twist! This year will feature 3 new obstacle courses for dragons and w that, maybe even a new winner.

COMPARI-SONS

Let’s talk about the show the way the creators designed it. So, in the beginning we are introduced to the Thawfest games. We know that Snotlout & his family are reigning champions. As far as we are told, no one has ever beaten a Jorgenson.

I found that hard to believe considering Astrid’s skills. I reckon if anyone was going to win it would’ve been her, or someone in her family previously. I mean, the girl got her fight from somewhere yannow?

And it was even harder to believe that Stoick would’ve lost to Spitelout back then. Like what even? Then I realised that the games have no hard and fast rules. Fishlegs accidentally kicks Astrid off one of the courses, Snotlout shoved Hiccup aside during a race and there were no disqualifications or referees. So, the games are held just for fun. Sport.

I say that because if it actually meant something, a person as competitive as Astrid, would not be so cool about letting Snotlout win.

SNOTLOUT GARY JORGENSON V HICCUP HORRENDOUS HADDOCK III

The episode begins comparing the two of them and their attempt uprooting small to medium sized trees. Something Snotlout could do but Hiccup couldn’t. We are also introduced to Spitelout, which I have to say, is my least favourite David Tennant character, based on the shows I’ve seen him in and (keep in mind) I love David Tennant.

The story will continue to contrast their personalities. One is physically weaker, the other stronger. One is cleverer, the other not so quick. One is a better friend, the other not entirely there yet. Etc.

THE JERK PARADIGM

Snotlout is a jerk. The equivalent of a dumb quarter back struggling w his studies and bullying the nerd tutoring him. Maybe if this was a high school setting, he might be the popular kid, and many would look up to him out of fear. He could even have his own posse.

However, he doesn’t get very far w the other teens on the island because he’s nothing but a big bully to everyone. The other riders do not like him for what he’s said, acted or done to them. Among all the recipients of his bad temper, Hiccup bears the brunt of it. I’m thinking this comes from a place of jealousy.

In Snotlout’s mind, he deserves reverence. Yet, he knows that Hiccup commands the most respect, with the people in the village and the dragons. He can’t fathom how someone so small and skinny could lead him and he, someone so large and brutish be made to follow.

The Thawfest games is a test of strength, endurance and courage. Winning the game (to Snotlout) means possessing all the above qualities. And that’s why winning it means more to Snotlout than the others. That and another thing.

CHASING THE FATHER’S APPROVAL

At first I thought both Hiccup and Snotlout chased their own fathers approval. But, as it turns out, Hiccup was just trying to make his dad proud, but Snotlout HAD to win for his dad to accept him. And that’s wild.

You can see how the relationship between Spitelout and Snotlout drastically changed each time he lost. And the scene before the final round set the tone of two types of father-son relationships pitted against each other.

Stoick didn’t push Hiccup to win. All he did was broach the subject, but was only keen on the idea after Hiccup tells him of his plans to beat Snotlout. Then, at the final battle, Stoick’s awkward “NO PRESSURE” pep-talk was perfect in summing up their relationship. It wasn’t that Stoick didn’t believe Hiccup will lose or disappoint, I’d like to think that Stoick gave room to Hiccup to forfeit in order to do the right thing.

Spitelout has no such courtesy. His “pep-talk” was passive aggressive and that’s where you finally get why Snotlout is built the way he is. He pushes his son around, who in turn bullies everyone else.

HICCUP’S RESPONSE

With dragons involved, the playing field is levelled for Hiccup. And with Snotlout’s lousy attitude towards him, it felt right for Hiccup to fight back. However, when Hiccup won his first challenge, he gloated.

Should we excuse it? I mean, this boy has been getting it from Snotlout for years. It only felt right, right?

But the message doesn’t stop there. Hiccup starts to realise why Snotlout is the way he is. And in a battle to be the “Better Viking,” Hiccup learns that winning isn’t everything. And that must’ve been hard to give up. Hiccup trained and worked hard to beat Snotlout. Even Toothless judge him. His ego was also at play.

Maybe, the real test of strength, endurance and courage is the power to do the right thing. In throwing the race, Hiccup demonstrated that he was the better Viking, and an even better friend. And those around him, his father, Astrid could tell what he did to keep Snotlout’s relationship with his father.

THEME & MESSAGE

THE STORY OF SNOTLOUT

Those who have been following the show will know that Snotlout has major daddy issues and well, nothing explains it better than this episode. And if you see this post by @rosiethedragongeek , she explains thoroughly the many reasons why she hates Spitelout. This is also the many reasons contributing to Snotlout’s trauma.

The gang knows this. Which might be the reason why they tolerate him. That, and also because Snotlout will end up being a core member of the team and friend. He’s not completely useless. His crude remarks sometimes spark ideas for Hiccup. And when push comes to shove, he does care for his friends and will do the right thing. Hopefully, he will be better than his father.

HICCUP’S COMPASSION

Winning wouldn’t have been everything to Hiccup. In fact, it might have caused a fracture in his relationship w Snotlout, to even losing a rider. And maybe even causing a bigger fracture in Snotlout’s relationship w his father. This, to me is an example, of losing the battle to win the war.

Hiccup also earned Snotlout’s respect. We know Snotlout realises that Hiccup threw the race. And this is exactly how Hiccup becomes someone Snotlout learns to respect. Of course, in the coming episodes, this notion is challenged, but Snotlout doesn’t try to take over Hiccup’s position as heir or as chief later on. In fact, as we journey into RTTE, he is resolved in playing second fiddle. Even third, after Astrid, because Snotlout has been put in his place in ROB.

A LITTLE HICCSTRID MOMENT

I enjoyed this episode. Probably one of my favourites as well. I like to see character growth, and here is where we find a different, competitive, even childish side of Hiccup. And Astrid chiming in as his conscious.

I didn’t mind that little Hiccstrid moment thrown in at the end either. Like a reward, for doing the right thing.

Also, the part where Stoick validates Hiccup’s loss was pretty wholesome too.

STORYLINE

This was a really interesting episode. Particularly because of the psychology play, and the riveting race towards the end of the show. When I first watched it, I didn’t quiet know what to expect, and though we could end up telling what Hiccup would do, I’m glad that his growth is showed in a different angle and aspect this time round.

You also get to learn more about their Viking culture and the friendship / family dynamic at play. I was pretty excited to share this post with you guys, because this is one of my favourite episodes as well.

Thanks once more for all the positive reviews/feedback. Hope to continue providing more of the same in the days to come.

PERSONAL TAKE-A-WAY

And just as a final note, you don’t have to continue reading if you don’t want to, but I had to take some time to evaluate this show on a personal level.

I interned in a small company a few years ago. It was something I had to do for extra credit in high school. There was this girl there. We were the only two of the same age. At first, she seemed really nice, but towards the 3rd week of our internship, I realise that she was pretty mean.

We ended up liking the work culture, and the supervisor offered us a spot to work over the summer provided we met targets. However, the moment that happened, she started saying things to me like “Oh, I’m sure you will be able to find other spots” or “I heard that you should do your work this way, because the supervisor said you’re sloppy. Just watching your back, no hard feelings.”

The thing is, she sounded like she was helping, but she really wasn’t. And it caused a lot of self-doubt to creep in. Every time I was commended for a job well done, she would make some passive-aggressive remark. And when I confronted her about it, she gaslighted me.

I started to think I wasn’t good, that maybe I wasn’t as nice as I thought I was, especially when I confronted her and she said that it was mostly my fault why things turned out the way it did.

When another intern joined us, they ganged up on me. Wouldn’t eat w me at lunch. Invited other colleagues to dinners in front of me, without extending an invite. And towards the end of the programme, I was given the spot first and she was given the spot later (nearly towards the end of the programme). That just made it all the worse.

Anyways, how she reacted reminded me so much of Snotlout. A little bit more of Spitelout. And it took me awhile to forgive her, but I started wondering maybe she was just behaving that way because so much of her life rides on out-doing others. She was a high achiever. So, maybe there was a push from her parents to be like-so. I was a high achiever too, but my parents never pushed me that hard, which could probably be the reason why it never occurred me to bully others. I mean, who works this bitterly over a high school internship programme?

Well, talk about full circle. A year back, I worked as a supervisor in a management company. I was the youngest person to get the role. And the junior under me, heard I knew this passive-aggressive girl. I explained that we interned together. The junior was so surprised that I was nice, and appreciative of her work. And I wondered what she meant by that.

The junior said, that this girl was really mean and vindictive towards her. And when she confronted her, the girl explained that she had it rough w seniors before, and so she is just returning the favour. “That’s how the world works,” she claimed.

The junior was surprised to find that I held no vendetta. I do remember going through my fair share of senior-junior berating, but it never occurred to me to pay it back to anyone.

Snotlout is such a real character. But so is Hiccup. I felt encourage when I saw their personalities play out, because it helped me understand that there is always more than meets the surface. I actually even feel sorry for that girl. I hope she will wake up one day and see what she’s done wrong. And even if she doesn’t, I’m glad that I grew up well enough to tell the difference. Because Snotlouts can only go so far.

#httyd #hiccup haddock #vikings #astrid hofferson #toothless the dragon #histrid #riders of berk #dreamworks dragons #breaking down hiccup #hiccup x astrid #hiccstrid #httyd Snotlout #david tennant #fuck spitelout #httyd spitelout #spitelout Jorgenson #Snotlout study #hiccup character study #hiccup horrendous haddock lll #httyd hiccup #father-son relationship #passive agreesive relationships

[firstyok]

Reasons to Love First Kanaphan : A Prodigy in Thai BL Industry [ Part 2 ]

First Kanaphan Puitrakul is gradually becoming one of the best thailand actors right now, who is still emerging to fame, with his exceptional acting skills, charismatic presence, and heart-winning smile.

As an absolute fan of his works, today my mission is to encourage everyone to discover him, to feel the strongest emotions through his acting, and witness another fascinating actor rise up in the industry through his hard works, relentless dedication, and talent.

I've already talked about the first reason in my previous post, so this time - let's talk about the next reason for loving our beloved big baby boy; First!

Check Out: The Previous Reason Here.

Stay tuned for I'll be posting each reason once in a while. Otherwise it would be a pretty lengthy blog, and I honestly I cannot just squeeze everything about him in one place. So, here we go!

Reason 2:

First is a Man of Details

Okay we get it, He's a Virgo. No wonder he's such a perfectionist when it comes to acting out his assigned roles. When I watched the Eclipse, I was completely thrown off by his attention to the minor acting details. The way he works out his face muscles, the way he moves his eyes, or the way he reacts in such a natural, realistic way - it's really tough for anybody to realize that he is simply acting. Because it never seems like it. He never lets anyone feel that they are watching a series. He immerses himself into the character entirely that he becomes that.

I've tried multiple times to watch his works, and see him as First, the actor. But, everytime I failed, because as I watched every episode, I forgot that it's First Kanaphan. That is something not many actors can do. Gun Atthaphan is another ideal example of this. In the crying scenes of the Eclipse, I wanted to hug him tight to desperately comfort him, because I felt so bad. You cannot just sit around and watch him cry without doing anything - he's just so natural.

I can hardly describe his acting in the Eclipse because it is beyond my vocabulary. I just can't appreciate enough with these words. In every love scene, in every sad scene or in every dialogue, you could feel the depth of his character - Akk, and how he conveyed the plot's message so vividly and clearly.

I've paid too much attention to his works, and there's no series where he acted, and I haven't noticed his small, minor garnishes in his acting. He sums up the entire character in his own way, merging it with himself. As a college student with a hopeless dream to become an actor, I find him extremely inspirational. He's my Idol - because when I saw him acting so phenomenally, with such fine precision and raw emotions, I felt the urge to be an actor like HIM, one day.

That's it for today!

See you next time with the next reason!

#first kanaphan #bl drama #not me the series #not me yok #not me's yok #the eclipse #bl actors #firstkhao #khaotung thanawat #reasons to love first kanaphan #firstyok #versatile actor first Kanaphan

[im-totally-not-an-alien-2]

I posted 541 times in 2022

That's 541 more posts than 2021!

317 posts created (59%)

224 posts reblogged (41%)

Blogs I reblogged the most:

@mikami1992

@im-totally-not-an-alien-2

@stealingyourbones

@ashoutinthedarkness

@maribatshipper

I tagged 443 of my posts in 2022

Only 18% of my posts had no tags

#danny phantom - 224 posts

#dp x dc - 209 posts

#fanfiction prompts - 197 posts

#prompts - 193 posts

#danny fenton - 190 posts

#batman - 104 posts

#the alien answers - 102 posts

#robin - 74 posts

#tim drake - 65 posts

#damian wayne - 65 posts

Longest Tag: 134 characters

#tim does not get coffee though and hes mad about it but he also really likes how the water in his tiny bird bath feels on his feathers

My Top Posts in 2022:

#5

Au where Danny somehow managed to wipe any proof of his existence from the face of the planet, including the memories people had of him. He tells himself this was fine. Better than fine actually.

This just means that his loved ones were less likely to get hurt in the crossfire. Also Vlad is now clueless as to why he's in Amity in the first place and as Mayor no less. He resigns within a week to go back to Wisconsin after three days of nonstop blathering from Jack.

Danny basically starts living in a lake in the woods, its not like he needs to breath and he finds the water calming. Also the fish are friendly. Plus there's a cave nearby if he needed to stay in human form for whatever reason.

He had water and shelter, down now he just needed access to food unless he wanted to eat his new fish friends.

This is when Danny learned he could use the weird magical girl ring to shape-shift into other people.

So he got into the habit of transforming into one of the residents of a house and raiding the pantries.

This turned out to be a pretty open secret amongst the people of Amity Park. They knew it was Phantom, primarily because he's a terrible liar but also because people have cell phones and communicate.

This is never really an issue since no one tells the Fentons or the Feds. At least, it wasn't an issue until the Justice League came sniffing around. The people of Amity have only become more untrusting of the government as years passed and became equally as protective over thier local ghostboy. So everytime they came around no one but the Fentons would say anything to them other than, "Leave." Or "You're not wanted here." Before walking away.

It was a day like any other for Phantom. Some teens had rented out a house in town, likely to experience the most haunted town in America. Whatever. Teens always bring the best snacks.

So he transformed into the cute redheaded guy right after they left and walked past the living room towards the kitchen like he's done a dozen times before.

"Uh, Wally?" Dannys head whipped around to see the black haired teen sitting on the couch, his blue eyes wide with shock and worry. The one with a Superman t-shirt on. "Are you ok? Your heartbeat is really slow."

Danny could only think of one word to sum up this situation. Fuuuuuckk

3,268 notes - Posted June 13, 2022

#4

Au where all the ghosts hide thier real names on instinct, not only because knowing a ghosts name gives you power over them but because you could use thier name to potentially find thier grave through magic or Google.

Once you find thier bones there's no shortage of what you could do.

Due to the nature of Embers obsession she isn't able to hide her name and during a fight she reveals to Phantom she lives in a constant state of anxiety fearing someone might find her body and use it against her

Phantom knocks on her door a week later with not only her body but her entire casket floating behind him. She's oddly touched. This is probably the nicest thing anyone has ever done for her. Word, of course, spreads of this and other spirits ask him to do the same for them and are willing to make deals

Another week later Batman is investigating all the robbed graves and trying to figure out wtf is going on

Edit: Yes the removal of the caskets cause the graves to sink in and thats how Batman is alerted to the issue. I had left this as an implication but felt the need to clarify due to people talking about it in the notes.

Edit 2: You could also have a grave keeper see Phantom stealing caskets and alert authorities. Whats more this is likely happening in more than just Gotham. You could also have another ghost/ a magic user see this super powerful spirit robbing graves and being like, "Well that seems ominous. I should tell someone about that."

Please forgive me for adding more, I have no control over myself

3,286 notes - Posted June 29, 2022

#3

Au where Danny ends up in Gotham and gets saved by the birds while in human form. He starts pseudo haunting them before returning to Amity Park.

He frequently pops back in to Gotham to invisibility give gifts to the batfam.

Dick gets circus themed things that seem to move around the manor when no one is looking.

Stephanie and Tim both get comics, manga and movies from different dimensions and its only once they start looking up fandoms/ going on Twitter do they realize that these manga/movies apparently don't exist.

The same thing happens with Jason and books. The weird part is that after he finishes reading one of the books for the nth time, (the ones that he and Duke swears glow) and finally retires it to the shelf they disappear. This only happens with the glowey books though. He gets to keep the others

Damian keeps getting new swords, which everyone but him has a problem with.

Duke keeps getting things that activate his powers and he can't really make heads or tails from most of it.

Cass gets lots of soft things like stuffed animals that are nice for hugs and other sensory reasons and dance stuff. Her favorite so far is a gigantic bat in a tutu.

Barbara and Tim (he gets double i guess) both get tech stuff that they've never seen before and make a hobby of reverse engineering the new product of the week.

Alfred gets all sorts of gag gifts like an apron that says "I'm the real boss here" and a mug that has a fancy mustache on the bottom that matches his real one

Bruce gets almost exclusively much bat themed gifts.

No one is sure where the stuff is coming from (and in Jason's case where its going) but they all assume its someone else in the family doing it because its themed around both thier hero and thier personal interests. It finally comes to a head when the batfam are all out together when they come home to find a beautiful and ornate sword laying on the kitchen table for Damian and they all simultaneously realize no one had been home to put it there.

Alfred gets the shotgun while everyone else enters detectives mode.

Danny himself doesn't even realize the extent in which he's been messing with them and doesn't really think past the, "I hope they like their gifts" thing.

3,345 notes - Posted July 15, 2022

#2

Au where Danny gets deaged by a magical artifact in the GZ and gets lost in a different dimension with Cujo. While exploring Gotham as Phantom he decides to play up the little kid routine and use his puppy friend to do it.

At this point Danny had finally trained the pup and he actually listened to him. Needless to say there's a certain flock of bats and birds who keep pestering him at night. All he's trying to do is explore the city and play with his dog. Is that so bad?

Danny doesnt usually bother hiding from them. Not much point considering he shines like a spotlight in Gothams gloom anytime he's in his phantom form. Plus Cujo is glowy and green, so that doesn't help matters.

Danny usually runs them on a wild goose chase in the name of "Tag" before disappearing. He stole Batmans cape by phasing it off of him and he now uses it as a blanket at night (its surprisingly warm), he stole another one at Red Hoods request and gave it to him, he's set up play dates between Cujo and Harleys hyenas, he's pied Joker in the face, he's pet Penguins pet penguins right in front of him, he's been trapped in an elevator with Brucie Wayne for two hours, he's had a tea party with Catwomans cats and may have broken into her apartment to do it, he's kidnapped Red Robin and made him go to the park and play on the swings with him, he's gotten into actual fights with Robin and last but not least, he came up with the Puppy Paw of Approval.

---

Nightwing stared at the kid they had been chasing every other night for the last three months now, confused. "Whats the Puppy Paw of Approval?"

The kid moved the puppy, Cujo (which Jason finds hilarious) up in front of his face, holding him there by his armpits.

The dog was making the "no thoughts head empty" face with his tongue sticking out just a smidge. Dick was tempted to coo. "The Puppy Paw of Approval is an award! Arf!" The kid said in a higher pitched pretend voice.

"Its awarded to people we really really like! Arf!"

Nightwing gasped dramatically, playing along with the boy, "You really like me that much?"

"Of course!" The boy floated over to Dick and places one of the dogs paws on the man's chest. "Da da da daaa!" The kid sang, "You now have the Puppy Paw of Approval!"

The vigilante sniffled, "I will always cherish this! Thank you!"

The kid giggled and Cujo barked at him. The little green rottweiler panted up at him with a giants smile and his little nub tail wagging a mile and minute.

God, Nightwing couldn't wait for his newest little brother to join the family.

Dick was dismayed to learn he was actually the second person to get the PPA. The first being Tim, the third being Harley and the forth being Catwoman. Ivy was apparently salty about not getting one but the kid was scared of her for some reason.

Danny makes friends with lots of people throughout the city. Scarecrow learns of the bats recruitment attempts on this boy and decides to use the fear toxin on him. This has the unexpected outcome of making the child cry.

And then the whole city was out for his head.

3,508 notes - Posted August 11, 2022

My #1 post of 2022

Theres a new mom and pop coffee shop in Gotham that's doing pretty well. The place has a casual playful vibe but it only ever has one employee, which has lead to it having a bit of a urban myth status.

He's there through all the opening hours and no one ever sees him come or go, only the lights switching off and the teen disappearing.

It probably doesn't help that the shop has a ghost themed name.

His name tag reads, "Nightingale" and he always has a polite smile, but the few who dare to act out in his shop notice his eyes flash a particular shade of green and are suddenly overcome with the feeling that they're being stared down by a large apex predator and a sickening sense of dread.

Needless to say people behave in his shop.

Whats more is that his store shows up on county records just fine, but if you try to look into anything your computer glitches out and you can't find anything. Obviously "Nightingale" can't be the owner, he looks only 15. Some say he's a vampire, others say he's a zombie like Red Hood.

Tim doesn't care what he is because the first time he entered at night as Red Robin the guy immediately started making a coffee were he could see, made it exactly how he liked it and gave it to him before he even had the chance to order. Then he refused his money, saying it was on the house.

None of the people waiting in line argued or were upset and Tim was unsure if that was because he was a well known Gotham vigilante or it Nightingales reputation protected him.

Either way the coffee was delicious.

Tim didn't know how to feel when he found out his family was investigating the "possible runaway" who worked at the coffee shop.

3,554 notes - Posted November 10, 2022

Get your Tumblr 2022 Year in Review →

#tumblr2022 #year in review #my 2022 tumblr year in review #your tumblr year in review

[duckprintspress]

How to Write a Great Query Letter

Part 2 of a 2-part series of guest posts by Alec J. Marsh. Part 1, “Why Query Letters are Good, Actually,” came out last week; you can read it here!

Alec is also the author of Duck Prints Press’s forthcoming novella To Drive the Hundred Miles, about a young man coming home for the holidays and finding more than he expected. It’s coming out December 21st, 2022. They know what they’re talking about, as an author and about a writer-writing-about-writing, so read on and learn!

Now that you’ve read the first post in this series, and had a week to reflect on it… are you convinced yet? Are you ready to acquire the most important marketing skill of your career? Great! 

If you’re primarily interested in how to pitch to Duck Prints Press specifically, there will be a full post about that coming out in the near future. But I promise, these skills will help you whatever your writing aspirations are. 

1. The Really Boring Part

Most queries open with a paragraph called “metadata.” This is all the marketing stuff that you need to get out of the way so your agent/editor knows what kind of book it is. This includes 

Title: Self-explanatory 

Length: This is vitally important for traditional publishing. If you are a debut author and your story isn’t within the accepted range, you’ll get automatically rejected by most agents. There are very good industry reasons for that, but discussing that’s a different article. If you want to look at the averages, check out this link.

Genre and age range: This is practical for marketing and readership purposes, and it also puts the summary in context. 

Comparative (or Comp) Titles: This is a tricky one, and a full discussion on selecting appropriate comparative titles could easily be its own separate blog post, but the short version is that you should pick titles that your book can be compared to. That can be descriptive—"Supernatural but set in Eastern Europe"—or genre—"For fans of Tamora Pierce"—or even trope based—"Sunshine/Grumpy romance set in a world of danger and magic." There are a ton of options, but the main point is to position your story in the market and make it easy to pick up quickly. 

Logline: This serves a similar purpose as the comp titles do and is meant to sum up one cool part of your story. It doesn’t have to sum up the entire story. For example, Gideon the Ninth sounds wild if you try to summarize the plot, but I’ve been able to convince all my friends to read it by saying simply, “it’s about lesbian necromancers in space.” That’s all you need! In casual conversation, this is often called your “elevator pitch.” Imagine you’re at a convention and you get into the elevator with your dream agent, and you have only the length of the elevator ride to sell them your novel. What do you say? That’s your logline.

***Both comp titles and logline are technically optional, and you don’t need both of them. It’s better to write something unique than to waste the space putting something in just because you think you need it. 

2. The Biography

This usually goes at the end of the query. Don’t overthink it. If you have any credentials, put those in; relevant credentials can include past publications, editing jobs, or a creative writing degree. Then write one to two sentences that make you sound interesting. For example, I say that I like long walks in the fog (because I write moody fantasy) and have a history degree (because it inspires my fantasy world building). 

3. The Body

I left this until the last because it’s the hardest and most important part. A killer summary will make up for dull metadata and a lackluster bio. But if the body of your query letter is weak, no MFA in the world will save you. This section should be 300 words maximum.  

Your simplest formula for including what needs to be in this paragraph is four sentences: LEAD, OBJECTIVE, CONFLICT, TWIST. It’s simpler than you think to write the first draft. I promise. Let it be terrible, get it down, then edit it to a fine shine (much like you’ve already done with that novel!). 

Lead: This is your main character. Name them and describe them by including their profession, skills, or other plot-relevant details. 

Objective: What does your main character want? Try to make this as specific as possible. “Longs for  acceptance” is vague and generic. “Wants to be accepted into the Book Guild” is specific and gives a reader clues about their personality and the setting. You can put in some information about motivation here too. Maybe her father was also a bookbinder and she needs to redeem the family name. 

Conflict: Now we’re getting to the meat of it! Why can’t your main character get what they want? Again, try to be specific and don’t leave it to platitudes. If the bookbinders just don’t like her, that’s generic. If they don’t like her because they think she’s as corrupt as her father was and will bring ruin to them, that’s something a reader can really dig into. We have themes implied now! We understand this is a story about family ties, redemption, and preconceived notions, and you didn’t even need to spell that out. 

Twist: This is the most nebulous part of the query. The twist can be a real plot twist, like her discovering that the bookbinding guild also sells occult books. It can be a cool thing about the setting, like the bookstore being on an airship. It can be the romantic subplot, if she falls in love with her rival apprentice. It can be the historical inspiration, if the book is set in a fantasy world reminiscent of Renaissance Italy. In short, what makes your book special? What’s going to prompt people to shove it in their friend’s faces? It’s similar to the logline in that way. 

You can also put the twist at the beginning of the body paragraph, if it’s really cool. You can weave it throughout. You can put it at the end in a mic drop moment. Just make your book sound cool. That’s literally all this is! 

And those three sections…are basically it! Doesn’t sound so scary now, right? Oh wait, it still does? Okay, then, here’s some more tips to help you!

Write down everything you need in a query in whatever order works for you. I do it like a sad, clunky mad libs just so it’s all on the page. It’s a lot of pressure to include all this important information AND make it pretty in one go. 

Ask your beta readers to help! It’s hard to summarize your own stories when you’ve been living inside them for months. I’ve helped so many friends with their queries because they wrote something perfectly serviceable and technically correct that somehow still made their story sound frightfully boring. (This is not a condemnation of their skill as writers. The skills needed to write queries are completely different.) 

Don’t use rhetorical questions. This is mostly personal taste, but I think they’re a waste of space. “Will she follow her heart?” is sort of useless when 99% of stories are about people following their heart. “She must choose between her ambition and the chance at true love” is so much more clear and includes more conflict. 

The body of your query letter actually only needs to include the first 30-50% of the story in most cases—enough to leave the reader/agent/editor eager to know what happens next, and no more. This isn’t true if the twist is necessary to understanding why the story is exciting. Can you imagine trying to sell Gone Girl without including the twist that it was all a set up? That twist took the story from generic true crime to something truly original. So to some extent, you’ll need to use your judgment, but there’s rarely any need to try to fit the whole plot into that 300-word paragraph.

Above all, be specific. 

Do not shy away from giving spoilers (again: BE SPECIFIC). “She finds information that may change everything,” are seven words that tell you nothing. If you say what the information is (“she finds a note from her father that makes it clear he was framed”), you’ll leave the reader desperate to know what the outcome will be, begging for the rest of the story. 

Get the query competent and coherent, and then leave it for at least a week. This is good editing advice for any story, but it’s absolutely vital for a query. Because they’re so short and so much rides on them, every single word you write in the query has to be useful, and every sentence has to be clear, concise, and intriguing. Don’t rush this; it’s better to go slow and get it right then hurry along and face a pile of rejections. 

Have a query beta reader who hasn’t read your story. Make sure it makes sense with no context. Revise it again. Leave it for another week. (I’m sorry. But I’m not really.)

I know this sounds like a lot. Query letters are hard, and the pressure makes it harder. Writing culture loves to hate on them, for good reason. But you learned to write a novel, something that takes years to master! You can learn to write a query letter too. I won’t pretend it’s easy, but it is a skill you can learn, and it’s worth it! With a single page, you can convince people to buy your book, and that’s magical! 

-

You can learn more about Alec here; you can learn more about To Drive the Hundred Miles here, and read a teaser here. And, you can check out Alec’s two already-published erotica works Heart’s Scaffolding and Study Hall.

Who we are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fanfiction authors navigate the complex process of bringing their original works from first draft to print, culminating in publishing their work under our imprint. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum.

Love what we do? Sign up for our monthly newsletter and get previews, behind-the-scenes information, coupons, and more!

Want to support the Press and get lots of our stories? Consider backing our Patreon or ko-fi monthly at a level that includes free stories, and read your fill!

#duck prints press #guest blogger #alec j. marsh #writing advice #publishing #query letters

[arotechno]

hey so i saw your post about the concept of soul mates being an inherently bad one and i wanted to ask if like... what if a version of it existed but could be about friends?

not qprs, not friends you live with, just friends?

normally i don't answer these questions anymore (which you seemed to realize, so genuinely thank you for that!), but since you asked nicely and i haven't talked about it in a while i think i will, briefly! this topic hasn't shown up on my blog in a long time so it might be worth rehashing a little.

so my issues with the idea of soulmates are partly about the inherent arophobia and amatonormativity embedded within it (which is the aspect i refuse to argue about), and partly about my own philosophical beliefs and the implications of that.

i'll start with the latter, since it's mostly my own opinion: i don't believe in the idea of fate and i don't like the idea of people's place in our lives being predetermined. i do believe that human connection is a very powerful force, but i also believe that those connections are more meaningful when you consider them to be something you chose for yourself, often almost on accident, and deliberately decided to maintain. for other people things like fate and destiny are an important part of their belief system, and while i don't agree, more power to them, so long as they don't force that belief onto me. so on this front, your mileage may vary.

the other side of this is the amatonormativity and arophobia. i don't really like repeating myself on this anymore lol so i will start by pointing you toward this post that i feel sums up my feelings most strongly (i want to note that my tone in that post is kind of terse and exasperated, but i'm not directing that at you. when i wrote that post at the time i was being harassed constantly by people willfully misinterpreting my posts and making me repeat the same points over and over, and then saying i was mean when i inevitably grew tired of it and snapped).

i think the conversation gets muddied when it's unclear whether people are talking about the portrayal of soulmates as a fictional device vs whether they believe soulmates exist in real life. obviously those are different conversations, but i also believe that the prevalence of soulmates as a fictional trope that many people swoon over and fantasize about reflects cultural ideas of amatonormativity that are harmful to everyone. i'm not sure which you're asking about here, so i'll answer in both ways.

in the fictional sense. i don't think there's anything inherently "bad" or evil about portraying friends as soulmates. i especially don't mind aro people doing it in a reclamatory or exploratory way (hello i have done it! on this blog!). the context of the portrayal really matters and i think the reason me and so many other aros have just decided to blanket-statement disavow the concept entirely is because most people don't know how to portray soulmates in a way that doesn't throw some flavor of aro person under the bus. i would really encourage you to seek out aplatonic and/or loveless perspectives on this, as while i think we reach similar conclusions, they are approaching this issue from a different angle than i am.

in the real life sense... well i've already made clear how i feel about soulmates in general lol. if people want to think of their real life friends or whoever as soulmates i don't really mind that, people are entitled to call their relationships whatever they would like. i just don't want that concept pushed onto me, and i think everyone could do with a little healthy examination of the idea of soulmates and ask themselves whether they are holding some ideal of a perfect person or people that will drop into their life by miracle. because that person does not exist. you have to put in the work.

in a broader sense, and this is something i discuss in the post i linked, constantly broadening the definition of soulmates just muddies the waters. like, if you have to stretch the concept so far that it's barely even recognizable as the same idea that you see in like, plato's symposium, then maybe it's because the concept is bad. people are always like "soulmates are bad? what if [fifteen qualifiers and stipulations]?" and it's just like... just relinquish the word! just get over the need to call everything soulmates! you know? like, you may be saying, "what if friends as soulmates aren't predestined, but chosen?" to which i would say "then that's not soulmates." that's not what the word has, historically and literarily, meant. you can just call it something else. or call your friends your soulmates if you really want to, it doesn't matter to me how you live your life. but what aro people mean when we say it's bad is that it's bad to suggest that everyone has or needs some other person or people who completes them in some way or who is a predetermined part of their life. it throws aros on the bus in general, and nonpartnering/nonamorous, aplatonic, and loveless aros especially so in various ways. and a fictional portrayal of soulmates that defines not having a soulmate as a tragedy on par with death (yes i have seen this with my own eyes) or not reciprocating the feelings of one's soulmate as evil is deeply arophobic and i shouldn't have to explain why.

maybe we don't have to keep changing what "soulmate" means. maybe we can just acknowledge that it's an inherently amatonormative concept. maybe aro people are just allowed to be right about this one!

#aro #aromantic #soulmates #ah lads not again dot png #ask the aro #long post #op

[squaloropera]

alright, I was originally gonna make this as a comic but I’m really busy so I can’t manage that. I swear, this is my last anti-fujoshi post and then we’ll be back to our regularly scheduled inane nonsense.

firstly, I’ve seen a lot of people saying that they dislike the term ‘fujoshi’ to describe these people because of its misogynistic origins. I find this to be reasonable, so I will be referring to them as maiali pervertiti instead. It’s Italian! Hope y’all like it xx That out of the way, let’s begin.

I have put real, genuine, actual research into this. I scoured maiali pervertiti blogs to find their arguments, their mindsets, their justifications. As far as I could find, there are four main arguments. These being the following: ‘It’s just fiction, not reality’, ‘Hating us is misogynistic’ ‘hating us is transphobic/homophobic’ and ‘hating us is racist’. I will be unpacking each of these, looking at them from both perspectives, and explaining why exactly they’re flawed perspectives. Hopefully, a properly researched and informed take on this will help to clear the waters.

Let’s start with the first take. The ever-quoted ‘it’s just fiction, not reality’. This is an argument you’ll find in a lot of places, mostly in any place which is in support of questionable things being treated as erotic. Pro ships and pro-shippers also love to tote this. Now, on its surface this argument seems logical. However it starts to fall apart when you think about it critically. When we consider how the brain works, you’ll see what I mean. To be concise, the human mind slowly accepts things the more it’s exposed to justifications for them, regardless of how reasonable those justifications are. It associates a bad thing with ‘but nevermind, it’s fine’ and you stop feeling shame or regret over time. This is why you’ll often see lolicons say downright atrocious things about child characters- they’ve justified it for so long that they don’t see a problem with it.

Now, on the ‘it doesn’t affect reality’ claim, let’s look at other groups for this. Think about how many studies have been done saying that men who watch rape porn are more likely to become rapists. Think of all the people raised on the ‘I can fix him’ mentality on tv growing up to get in bad relationships or romanticise abuse under the idea that they can make an abuser better by loving him. It’s no secret of society that, actually, fiction does affect reality. The most concise, albeit silly way I’ve heard it put was ‘But you’re still jacking off to it. It’s affecting your dick and balls’. And I think that sums it up.

Next, let’s look at the ‘If you hate us you’re misogynistic’ claim. The mentality behind this claim is that women in Japan were referred to as ‘rotten girl’ for liking yaoi and bl, and to continue that rhetoric of not liking them is the continuation of misogyny. Again, this is a take that seems logical right up until you pick it apart. First we have to understand that the reason these men were calling these women rotten was because they disapproved of them exploring their sexuality and reading erotic content at all. They don’t hate women for reading gay porn, they hate women for reading porn period. The gay people criticising maiali pervertiti on tumblr aren’t hating them for the same reason. We don’t hate you for reading porn, read all the porn you’d like, we just want you to stop fetishising us. The difference is in the context; the men who were shaming Japanese women were shaming them for exploring their sexualities, were shaming you for treating an entire minority of people like they’re a porn category and for spreading gross, abusive content of mlm because you think it’s hot. It’s also important to note that Japanese women mostly started reading yaoi and bl because of the culture toward female sexuality in Japan. They couldn’t read erotica of straight couples, or they’d be seen as perverts. They couldn’t read wlw erotica, or they’d be seen as lesbians and shamed. Their only option for exploring their sexuality became mlm erotica. You, Lindsey from California, do not share this same issue.

Next we have the ever-irritating ‘If you hate us, you’re a transphobe’ argument.

*deep, deep sigh*

stay with me, fellow trans achillians. We can get through this. This argument is based in the idea that transmascs, specifically mlm transmascs, might read yaoi to explore their genders through sexual content. Unfortunately, exploring your gender through erotica and having a fetish are two different things. I personally did explore my gender through gay sexual content. Mostly fanfiction and mental fantasy, but with the odd fanart or comic sprinkled in there for flavour. The difference is that I never had a fetish for it. Most maiali pervertiti seem to argue with a very subtle straw man by implying that reading mlm content is the same as reading the gross rape porn yaoi that ‘fujoshi’ spaces are steeped in. This is not the case- there is a clear divide. I personally consumed actual, healthy content of gay sex. To go further with this argument, I actually think it’s actively harmful to perpetuate the idea that young trans people struggling with their gender should be exploring it through the things that are spread in fujoshi spaces. I’ve read some pf this stuff mostly by accident or against my will and that shit should not be associated in a young trans person’s mind with their gender. It isn’t safe.

Next we have ‘it’s homophobic to hate us’ which is definitely. A take. The rhetoric here is that by hating on the fetishisation consumption of yaoi, you’re really just hating gay men.

this is just… can I drop the nuance voice here? It’s bullshit. It’s gross bullshit. Gross, steaming, cowpat bullshit. Okay, nuance voice back up, let’s explore. maiali pervertiti, please understand that it’s mostly gay people who don’t like you. This is, again, a straw man argument. They’re trying to yell homophobia so they can ignore the real criticisms. The problem isn’t the homosexuality, my dear sweet perverted little fucking weirdos, it’s the rape porn and incest and abuse. Just read normal fucking mlm content I’m begging you.

Finally, we have the ‘it’s racist to hate us’ argument. This is an example of what I like to call ‘the firemen diversion’. This name comes from an example where a person might take the statistic of their being higher fatality risk the more firemen walk into a burning building, and then using it as an argument to suggest that it’s dangerous to call the fire brigade if there’s a fire. There’s a tiny nugget of reasonable argument in there, but it’s backing up a complete and utter bullshit lie.

This is basically what this argument is. The idea here is that the term ‘fujoshi’ was originally a reclaimed slur, and that westerners are changing it to degrade women again and are therefore misunderstanding the actual language behind it.

Now, this is based in a little bit of truth. Westerners do, in all fairness, misunderstand the term. I can’t speak for the reclamation of the slur, considering how I don’t know if that’s true, but I do know that the way it’s used has been quite incorrect a lot of the time. That’s the true bit. The rest of the argument, however, is nonsensical. While yes, some people misunderstand the word ‘fujoshi’, it doesn’t mean that the criticism of the culture (especially the culture in the western world) is racist. Please, don’t cry racism when you see people asking not to be fetishised. You will end up making the actual movement against anti-Asian hate crimes (which have increased in recent years, need I remind you) look less credible. Once again, I am asking allies to shut the fuck up talking for the minorities they claim to represent while being batshit insane x

TL;DR: no, it is not misogynistic, racist, transphobic or homophobic when gay people tell you to stop fetishising us. Stop arguing straw men and just take accountability.

Also, maiali pervertiti are the female equivalent of straight men who watch lesbian porn. But somehow worse. That’s all, have a good day.

#mlm #achillian #nblm #anti fujoshi #fujoshi negativity #fujoshi discourse #fujoshi hate #tw queerphobia #racism mention #homophobia mention #transphobia mention #misogyny mention #misuse of left-wing politics

[mizukagami-takamagahara]

I 100% agree with your tags about what could have made EE look a little better. I really didn't mind RR as much as EE probably because it at least retained the Blazblue aesthetic and style. RR felt like a weird knockoff Blazblue game, BBDW was an actual Blazblue VN dressed up as a gatcha game (my possibly unpopular opinion is that if BBTAG can be considered a legitimate part of the series so can BBDW), EE doesn't even feel like a knockoff it just feels like Blazblue characters in a completely unrelated game. And from what has been revealed about EE's story this may literally be the case as in that is the whole plot. That I feel is what specifically gives off the "parading around the corpse of the Blazblue franchise" feel to me.

A quick salt warning; I aim to fall somewhere in the range of neutrality on this blog, particularly when dealing with Entropy Effect. I want people to be able to enjoy the game fairly and to feel safe sharing that excitement here! I'm willing to try to meet the game on fair, even ground. That said, when it comes down to my own biased feelings, I would've married BBDW if I could've, and I already have some pretty strongly negative feelings about the studio behind Entropy Effect. So I have a bad taste in my mouth about this upcoming game. I don't plan on being particularly harsh in this post, but I will be sharing my uncensored opinions here. No disrespect meant.

Now. Carl. Oh my god, Carl. I'm dying, Carl.

I played Revolution Reburning while waiting for BBDW to launch, trying to scratch the "upcoming game hype" itch, and the gameplay was super fun! But damn did it leave me with a serious hatred for the game itself and the studio behind it. The game has a story mode that is poorly translated, horribly bastardized/watered down, and just... just really bad. I'd respect it as a fan game, but the fact that it's a legitimate thing just pushes my buttons too damn much. Call it a pet peeve.

Again, the game is fun! It's cool! I really enjoyed playing it! There is not an ounce of doubt in my mind that Entropy Effect will be fun as hell, because this studio knows how to make a fun game.

But I really, really wish they weren't involved in BlazBlue. As I mentioned elsewhere, a lot of my rage comes from this sense that what I personally love about the BlazBlue series [the story, the setting, the world Mori has crafted since his youth] has been placed in a zero-sum game against another totally enjoyable aspect of the series [gameplay, and if I'm feeling bitter, the whims of ArcSys's marketing team.] It's not like these two facets actually need to be opposed to one another. Hell, they should be flourishing in tandem. But after everything that happened with BBDW and Mori leaving the studio, I can't let go of the idea that projects that focus more on gameplay and consumer appeal [such as EE] are being pursued "instead of" or "at the cost of" the parts of the series I love the most. So. I get salty. I do, genuinely, hope that time proves me wrong on this.

You, Carl, mentioned EE's story. Like you said, everything we've seen of it so far suggests this isn't even a real "spinoff" title for BlazBlue, in the sense that spinoffs like RR and CrossTag told their stories using the same building blocks as BlazBlue's setting. I personally don't interpret them as existing within the same canon, but they're undoubtedly using the same material.

Entropy Effect's story and setting seem to be entirely original. They look interesting, but I'm stuck with this feeling of "why the hell did they make this a BlazBlue title, and not just an original one?" Maybe when the game releases it will surprise me and I'll understand, but at the moment, with my current levels of saltiness, it feels like a heartless cash grab.

We know there's some level of turbulence behind the scenes at ArcSys around the BlazBlue IP, since BBDW's failure and Mori's suspicious departure. We also know that in the current media landscape, a lot of executive heads are rampantly refusing original projects and insisting on pumping out installments of franchises that already have a name and a following. I don't have any information on whether or not ArcSys is struggling with this, but it's been a growing problem in the gaming industry for years now.

The worst case of this in my memory is the Dead Rising franchise, another one of my all-time favorite games. Differing visions for the franchise and an unwillingness to support new properties let to an absolute mess on the development side of things, and ultimately the death of the series.

Note; If you're interested in what happened to Dead Rising, Did You Know Gaming has a wonderful video on it.

With that experience in my memory, I'm worried about the future of BlazBlue. I wonder if it was always the plan to make Entropy Effect a BlazBlue title, or if it was originally pitched as its own IP, but rejected unless it could be tied in to an established franchise.

#ao no kokagami #I also suffer from the fact that I am not a roguelite or roguelike fan or a real scifi fan #so even if this game was its own ip I'm just not primed to be invested in it #personally I hate crosstag because though it takes its story from established bb elements #I feel that it massively dropped the ball on every character in its roster #minus the UNIB or additional DLC casts whom I am unfamiliar with and therefore can't have an opinion on #and I feel like the BB elements it did use were poorly written and watered down #I was also really excited for the potential of such an hyped crossover that I feel the game failed to deliver on #tldr my opinion on crosstag is that it's a Smash Bros to Fire Emblem situation #I would have preferred it didn't carry the BlazBlue title so heavily and instead marketed itself as the ArcSys crossover game I feel it was

[wormytoast]

charts for 2.2! chart for 2.1 here

this post is leak free! (although i do talk about leaks on this blog, all tagged)

Trailblazer will not be considered in these stats because they are essentially a null character.

TYPES

Fire: 6

Ice: 8

Lightning: 7

Wind: 6

Physical: 8

Quantum: 7

Imaginary: 6 (it looks like tumblr has changed its text colors so imaginary is orange for now 😭)

Physical is now tied for first place with ice thanks to the introduction of Robin and Boothill. Neither units fulfilled any new type-path combinations.

PATHS

Destruction: 8

Erudition: 6

The Hunt: 7

Harmony: 8

Nihility: 9

Preservation: 4

Abundance: 6

Harmony is now inching closer to the top, tying for second place with Destruction (8 units each) and just one unit less than the top path of Nihility (9 units). We finally got a new Hunt unit with Boothill! I also made a post about the current state of the Hunt unit archetype here (disclaimer this was before leaks released). It's not great but I think it sums up my feelings on the path and how I think it should progress.

RARITY

Limited 5-Star: 21

Standard 5-Star: 7; Overall 5-Star: 28

4-Star: 21

Because we did not receive a new 4-star, the amount of limited 5-stars has reached the same number of units in this patch (2.2) rather than 2.3, which is when the amount of limited 5-stars would've overtaken the amount of 4-stars if Hoyo had stuck to their pattern of 2 limited 5-stars and 1 4-star per patch.

OVERLAP

There are now 7 overlaps of unit path/type combinations. Neither Robin nor Boothill are new type/path combinations.

Physical/Harmony- Hanya & Robin

Physical/The Hunt- Sushang & Boothill

Ice/Preservation- March 7th & Gepard

Ice/Destruction- Jingliu & Misha

Lightning/Erudition- Serval & Jing Yuan

Lightning/Nihility- Kafka & Acheron

Wind/Nihility- Sampo & Black Swan

Unfulfilled combinations:

Erudition- Wind & Imaginary

The Hunt- Lightning

Preservation- Fire, Wind, Lightning, & Physical

Abundance- Ice

MODELS

F child: 2

F short: 9

F med: 10

F tall: 10

M short: 3

M med: 4

M tall: 10

No surprise here. F med is now tied with F tall for most populous F model while M tall has gained another member of their legion. Our poor short kings... (and still no F child since launch but what's new)

Going to try to not repeat myself, but notable statistics: the Harmony path and the Quantum type are completely comprised of only women. The Imaginary type is comprised entirely of men except for Yukong. As of right now, male Abundance units are offensive sustains (scale on atk%, Break%, and have AoE ults) compared to the female Abundance units who all scale off hp%. I think these observations actually provide a pretty interesting look into Hoyo's view of their female characters versus their male ones but that would become a pretty large tangent I think.

OVERALL + OTHER THOUGHTS

tbh this seems like a pretty straightforward patch. there isn't a lot to talk about that I haven't already said in previous posts

we're due for an Erudition unit since there hasn't been a new Erudition unit since 1.5 (Argenti). not sure which type since we've gotten pretty decent type coverage the past few patches. Wind and Imaginary are the obvious choices, but Fire, Ice, and Quantum are all type-path combos from launch so I wouldn't put it past the devs to use those as well. The only ones we can be sure WON'T be used are Lightning and Physical since those are the only two types that have been used for limited 5-stars.

The units for 2.3 could be anything, really. I wouldn't put it past them to introduce another Nihility or Destruction unit since they seem very keen on doing so. I also wouldn't completely rule out two dps limited 5-star units in a single patch since, while not common, has happened before.

thanks for reading til this far! its completely free labor lol

#hsr #honkai star rail

[faithdeans]

hi you can post this or not ! whatever you’re comfortable with. tw for talk of sa and internalized aphobia

so i was taken advantage of when i was in middle school by another middle schooler (someone who was convinced he was my boyfriend) and suffice it to say, it was not a good experience. i havent really dated since and i definitely havent had romantic or sexual feelings since. i think i had a crush on a kid before when i was in fifth grade, but it was so long ago i don’t remember.

sometimes i wonder if i’m really acearo or if i’m just so put off by relationships and so sex averse because of that. i do like smut but i panic whenever anyone references anything sexual in person in anything but a serious and calm tone. i’m nearly twenty and i still request my friends don’t make overly sexual jokes around me because of how averse i am to it all.

i’ve never understood romance, but i do enjoy romance books and fics. often reading fics i find that the romantic relationship is just a different type of relationship, and that there’s also deeply platonic roots in it. that makes me feel okay about maybe trying romance one day, but i really have no desire other than having a roommate to take care of a dog or cat with.

so yeah, sometimes i wonder if i’m really acearo or if i just need to work through trauma. the sa happened before i even hit puberty, so i really have no idea if i would have still been ace had it not happened, you know?

i don’t mean anything offensive by this, i’m just self conscious and wanted to talk about it with someone who might understand. if you’re not comfortable with this message, please don’t feel pressured to respond in any way. if you’d like to give me a response but not post all of this, i’ll sign it with an anon name to refer to me as :) if you want to post all of this and answer directly, that’s cool too. i’m very okay with having my story out there if you think it could help someone else out.

i know you’re mainly a supernatural blog, so before i go: sickly dean for life <3

-> confused ace anon

first of all hiii! thank you so much for feeling like you could talk to me about this, it means a lot and i will try my best to help. if you ever want to dm me, they're open (if they're not shoot me an ask and i'll turn them on), even if we're not mutuals or anything, i want you to know you can talk to me without any judgement <3

reply under the cut to save space

first of all i am so sorry that happened to you, you did not deserve that, and although it's a valid reason to, i'm sorry it's making you doubt your indentity too.

i want you to know, that even if your aroace identity was cased by your sa, it is still 100% valid. there is actually an entire ace microlabel for this, called Caedsexual, which is for aces who thought they may have been allosexual until the events of their trauma. it might be worth looking into that?

with that in mind, it is also entirely possible for your identity to change over time, and to fluctuate too. for example, i definitely think i was alloromantic for most of my life, but something changed along the way. i can't pinpoint it but i know it did. this is normal and doesn't make the way you currently identify any less real.

what you enjoy when it comes to fiction can be a good indicator of what you want yourself, but i personally disregard it. listen, i'm also sex-averse but i love reading smut. it's so fun. i don't even get off on it, it's just light reading to me. do i want any of that to happen to me?? absolutley fucking not. i don't even like being kissed that much. sometimes enjoying stories can be just what it is: a story. and sometimes it's fun to see characters do things you absolutley wouldn't. kind of the same reason people read horror you know?

so, to sum it all up: if you feel like you are aroace right now and you are comfortable identifying that way, then that's awesome, that's what you are. it can change, and that's perfectly okay too. remember it's a spectrum too, for example i find myself fluctuating between being greyaro and aro. this is all normal and fine.

what you read and enjoy in fiction doesn't always represent what you want. this is also fine!

it doesn't matter how old you are, if people talking about sex makes you uncomfortable, it's completely valid to ask them not to do so in front of you. this does not make you immature and anyone who makes you feel like it does deserves a punch in the face tbh.

all this being said, i 100% recommend you getting help for your trauma, just because you deserve to feel better in yourself. if along the way you discover that you're not actually aroace then ?? that's fine my friend! or maybe you will discover nope yep definitely aroace, and that will also be fine!

it's your life, and your identity, and as long and you're being honest with yourself in the moment, in this very moment in time, you really don't need to stress about it too much my sweet.

sending you so much love, and again, if you ever need to talk about it i'm here! i hoped this helped somewhat <3

#ace anon #tw sa mention

[centrally-unplanned]

Since we have been discussing the Buffy it reminded me of this old review blog I read that did episode-by-episode analysis of the show - Critically Touched. This is old-school blogging: entirely bespoke website, tons of text (the idea of a "consumer-optimized length" does not exist), intricate metrics for the episodes. The first review was posted in 2005; the show only finished airing in 2003!

My favourite part about it is that not only is everything given a letter grade, but they sum up to a bar chart for each season:

With a season grade and write-up to boot. You can look at the charts and see the 'arcs' of the show, how they paced filler versus arc-plot episodes, what decisions paid off and didn't, etc.

Those season write-ups have character specific sections, something I really like. I think Buffy is one of the first shows I 'analyzed' as opposed to simply watched, and these reviews were very helpful for realizing like "oh, I see, the way Buffy is built is that each character gets an arc per season, episodes are structured around these episodic vs arc plot threads, etc".

Weirdly, I have to link a WebArchive version of the site - it works just fine as it was intentionally archived, but the author, MikeJer, requested in 2017 that his reviews be taken down so he could 'move on' with his life. Fair enough I guess! What is also funny is that the main site is still updating! Well the last update was in February of 2023, so maybe I showed up right for the end, but still, the co-author is out there updating his project reviewing other shows. Absolutely amazing respect to that, not many online writers have been doing it that long and that independently. You can tell the 'otaku spirit' is alive in this one - its about instantiating this person's relationship with media as comprehensively as possible.

Anyway if you were watching Buffy in like 2009 like I was, and you went online, this was "the place" everyone referred to as a benchmark for how good or bad episodes were. It is a site dear to me.

#buffy #the old internet that was