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michaeljclarke · 4 months
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Think it's going to snow much this year? This scene was a beauty from the farmlands of Concord, MA a few years back.
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Sophia Narrett
Sophia Narrett is an American artist known for her intricate and narrative-based textile artworks that blur the boundaries between painting, embroidery, and storytelling. She was born in Concord, Massachusetts, and her work explores themes of intimacy, desire, identity, and relationships.
Narrett completed her Bachelor of Fine Arts degree at the Rhode Island School of Design in 2012 and later earned her Master of Fine Arts degree from the Yale School of Art in 2014. During her time at Yale, she began experimenting with embroidery as a medium to convey complex narratives and emotional depth.
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An Origin of Dolls, 2013-14 Sophia Narrett Embroidery Thread and Fabric
Narrett's works often feature densely stitched scenes that resemble paintings or tapestries. She uses a vibrant and diverse color palette to create intricate, highly detailed compositions that draw viewers into her storytelling. Her art is characterized by a sense of intimacy, vulnerability, and an exploration of personal narratives and fictional narratives alike.
Narrett's process involves creating detailed sketches that serve as the foundation for her embroidered works. She meticulously stitches together layers of thread to form richly textured images that depict various scenarios and emotions. Her works often incorporate figures, landscapes, and symbolic elements, interwoven with intricate patterns and imagery.
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Afternoon Nap, 2018 Sophia Narratt Embroidery thread, fabric, 6 x 7 in
Through her art, Narrett invites viewers to delve into the complexities of human relationships and emotions. Her works are both deeply personal and universally relatable, exploring themes of love, longing, vulnerability, and the human desire for connection.
Narrett's art has received significant recognition and has been exhibited in galleries and museums around the United States. Her unique approach to embroidery has garnered critical acclaim, earning her a place in the contemporary art scene.
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Before First Sight, 2020 Sophia Narratt Embroidery thread, fabric, aluminum, acrylic, 33.5 x 17 inch
Sophia Narrett's innovative use of embroidery as a storytelling medium has expanded the possibilities of textile art. Her intricate and narrative-driven works create a dialogue between traditional craft practices and contemporary artistic expression, captivating viewers with their detailed beauty and emotional resonance.
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I have chosen Sophia Narrett because of her narrative embroidery works. The individual stories within the composition, and the sheer level of detail she is able to execute within each piece, is astounding. She is pushing the limits of textile art within the contemporary scene and is contextually worth mentioning as I develop my own embroidery works.
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keywestlou · 2 years
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THE SHOOTING GALLERY CALLED AMERICA
THE SHOOTING GALLERY CALLED AMERICA - https://keywestlou.com/the-shooting-gallery-called-america-2/Originally posted August 2019   America has become a shooting gallery. Citizens shooting citizens. Who would have believed 50 years ago it could happen. I am motivated to write re the gun issue this morning because of the El Paso and Dayton shootings which occurred in the past 24 hours. Why has the U.S. become a maniacal society when it comes to citizens killing each other? The reasons many. Cause and effect unending. I share my thoughts. Gun manufacturers. The NRA. The Republican Party. Elected and party officials having neither the desire nor guts to stand up to gun manufacturers and the NRA. They have been bought body and soul. Lobbyists. Those hired by gun manufacturers and the NRA. Powerful. Loaded with money. Threaten Republican legislators easily with…..If you don’t cooperate/dance to our tune, you will be primaried in the next election. A conservative Supreme Court for many years. Even worse in coming years. Two bad decisions. The right to bear arms and corporations having the right to give unlimited amounts of money to political campaigns. An NRA that has bought “experts” to tell the American people that the gun problem is primarily caused by persons having mental difficulties. Repeated so much over the years that many believe the lie today. The rise of nationalism. A President who stands with those who want to bear arms in a manner and degree not before seen in any President. All contributing to the carnage. When a person plays with dynamite, such person should be careful. Could blow up in one’s face. I refer now to the tariff wars being experienced. The brain child of Donald Trump. A game that could quickly end in a world war. One of China’s largest companies is Huawei. Employs 320,000 people. Huawei big in i-phones and electronic equipment world wide. Huawei needs Android updates for its phones. Out of business without. One of the tariff war’s fallouts is that Google is prohibited by the U.S. from doing business with China. Trump and China President Xi discussed the matter several months ago while negotiating the tariff situation as a whole. To evidence the cooperative spirit of the U.S., Trump granted a temporary ban on the no Google sales to Huawei. A reprieve. The reprieve expires later this month. Could literally put Huawei out of business. At the very least hurt it dramatically, along with China’s economy. I read this morning a comment by Trump to the effect he does not care. What will China’s next step be? Could very well be the start of World War III. Turn things around. Suppose China took steps to hurt Amazon big time. Place Amazon in a position where it might have to go out of business. Note that Amazon employs 556.000. The U.S. could not, would not, stand for it. So it may be with China. Time is of the essence. The end of the month is around the corner. Going to be interesting how this works out, if it does. Henry David Thoreau. His time at Walden Pond. Most Americans read Walden in high school or college. It was on this day in 1854 that Thoreau published Walden. The book was a recounting of Thoreau’s time at Walden Pond in Concord, Massachusetts. He lived there 2 years and 2 months. Simply. In a home 10′ x 15′ which he built himself. He grew his food in his garden. The home was located on a 62 acre pond. Thoreau’s closest neighbor was Ralph Waldo Emerson who lived one mile away. Thoreau’s intent was to explore mentally his views on nature, politics and philosophy. The book’s first publishing was 5,000 volumes. Sold only 300 the first year. Took 5 years to sell the whole 5,000. Today continues as it has for many years as a best seller. One reason being it is required reading in many American class rooms today. We all know the story of Custer and the Sioux Indians when Custer and his 200 plus men were wiped out by Sitting Bull and Crazy Horse led Sioux. The time the Indians won. There was a time 3 years earlier when Custer defeated the Sioux, however. At a time when the Sioux were led by Sitting Bull and Crazy Horse. It was August 4, 1873. Custer and the 7th Army were protecting a railroad survey party. A relatively easy task. No one bothered anyone. Neither soldiers nor Indians. Custer was taking an afternoon nap. Sitting Bull and Crazy Horse for whatever reason attacked Custer’s camp. Custer woke and mounted an effective defense. The skirmish was brief. The Indians withdrew. Only 1 soldier and 1 Indian killed. Three years later, the Battle of Little Big Horn. Sitting Bull and Crazy Horse on one side. Custer on the other. We have learned several variations as to why Custer lost the battle. The true one little known. Custer’s greatest fear was the Indians would turn and run before he could attack and defeat them as had occurred 3 years earlier. Custer wanted a victory over the Indians. So he rushed into the battle without proper reconnaissance. One item knowing the size of the Indian force. Thousands. Custer and his 200 plus men were annihilated. Key West loves dogs! Seems like every other household has a pet dog. Dogs permitted everywhere in Key West. All bars and most restaurants. Even super markets and retail stores. There is a national organization called Better Citizens for Pets. Made up of the U.S. Conference of Mayors and Marc Pet Care. Recently, Key West received the group’s “Small City” award. A $10,000 grant. The purpose of the grant “to keep furrys off the streets and out of shelters by offering pet wellness services for free or at a reduced cost for income-qualified pet owners.” Key West dog owners be proud! Enjoy your Sunday!  
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To Love Another- Prologue
Jo March x Fem! Laurence
A/N: Feedback is appreciated!! Look back to previous post about summer writings for more info on this. But basically, your Laurie’s (Theodore’s) twin sister, practically his best friend. Instead of falling in love with Laurie (which she doesn’t) she falls in love with you, another woman; this type of relationship was shunned/frowned upon at the time. Enjoy! (Spanish Translations by me, I’m fluent) (Also, i don’t know what month little women starts off in, so I’m making this up)
Reading below the cut!
Barcelona, Spain. August 2nd, 1868.
“Fernando!” you called for your assistant Fernando, a older teenage boy who also interned at your art gallery who came through the door just as you set your paintbrush down in a mug of dirty water.
“Sí, señora, que pasó?” (Yes ma’am, what happened?) he said, catching his breath from running up the steps to the tiny apartments where you lived above the gallery. 
“Hay Correo?” (Is there any mail?) you said, untying your apron and  placing it on a hook on the wall. 
He took several letters out of the front pocket of his apron and counted them. “Tres de ellas, señora. Tome usted.” (Three of them, ma’am. Here you go.)
You gave him a smile and tossed him a sack of coins. “Aquí está tu pago por la semana, Fernando. Vete a casa. Ten un buen fin de semana. Te veo el Lunes!” (Here is your pay for the week. Go home. Have a nice weekend. See you Monday!)
Fernando gave you a smile and ran his hands through his hair and left you alone.
You go downstairs with the keys to the gallery and a gas lamp, locking up the doors to the gallery. 
You go back up to your apartment and glance at the three letter you had placed on your night stand. You smiled as you recognized all three of the letters. The first one you saw was from your brother, Theodore- or “Laurie”- as everyone would call him.
You opened it with care, and a paper and a  golden locket slipped out. He was always so thoughtful. 
July 20th, 1868
Dearest Sister,
I’m already having enough with the formalities. I miss you, Y/N. You must come visit me in Paris sometime. I know I know, you’re married to your work. But you’d like it here. The art is never ending, there are galleries upon galleries filled with artwork I just know you would love.You who you would also love? the ladies. Oh hush, i don’t mind to know that you love another. If James had ever taught me anything in our days of schooling, it was to be open-minded to new ideas of the universe. Maybe i should buy a of  art piece and send it to you? From the bets museum, of course. Or would that be to much? Even as a gift? Speaking of which, Happy Birthday to us! I was so happy to receive your letter with the tiny drawing of the Eiffel Tower. Do you really think that’s what it looks like? You’d have to come see it for yourself! Enclosed I send you a locket which I bought from a street vendor selling his jewelry near the River Seine. Inside is a photograph of us, with grandfather, of course. Think of us when you see it. I hope to see you soon. Please write back as soon as you can. I long to hear how Fernando’s doing. Ha-Ha, hilarious, miss him too, funny boy. Well not boy, almost 18! But I also miss you. Write back soon.
       I’m obviously sending you that painting.
                   Your Brother, Theodore “Laurie” Laurence.
You smiled as you ran your fingers delicately over the locket and then clasped it around your neck. You reached for the next letter. You smiled as a small, pocket sized sketch of a park fell out. 
July 24th, 1868
Dearest Friend,
I long to see you! You have no idea how much I long to talk about you about Art and Literature. When we next see each other i already know we could sit and talk for hours and hours on end to talk about the great literary works of Charlotte Bronte, or even Jane Austen! How I admire them! We could also attempt to recreate the great works of Monet, but I’m sure we couldn’t as nobody- not even you nor me- could be as great as a painter as him. In here I include a sketch I made while sitting on a park bench the other day. Why, you ask? for your birthday, of course! I had also encountered Laurie the other day, and he talks so animatedly about your latest works. I wish women in France didn’t feel such a duty to their husbands and fight for their own careers. I must see your gallery when i come visit.
             Only the very best, Amy March.
You smile as you looked at her sketch, and placed it on your bedside table, where you had another sketch of hers, a sketch of the Seine River, which from all you had heard, you longed to see how beautiful it was.
There was one last letter that you would’ve missed if it hadn’t just fallen to the floor. You picked it up and opened it. It was the shortest out of the three, and it clearly got straight to the point.
July 14, 1868
Hello, Y/N
I hope this letter finds you in good health and prosperity. How is Spain? I’ve heard all about your blossoming art career. I hope i get to see your gallery one day. From what Amy’s told me, it is quite the talk of the town; a beautiful sight to see. Nonetheless, I write you this letter in an urgent fashion, less than orderly manner; dearest friend, Beth’s health is compromised. Her illness has come back; it has come back tenfold, she is suffering everyday and can hardly get up to have a walk outside. We all weep for her. Y/N, her time is running out. We pray and we pray, and she pulls through, put it may not be enough. I know this is a rash question, and i ask you to think about it before you make a final decision. I am asking you to come stay with us for a while, Y/N. Please. You were always the best at comforting us all. Jo needs you.i hear her call out your name in her sleep; as she thrashes around, completely unable to sleep. She is desperately in need for comfort. Someone who loves her romantically; she needs her - what was her nickname for you?- “Poppy Flower?” Yes, i believe that was it. You had one for her too, right? - “Sunflower”-.I know what happened between you two. Don’t worry, your secret is safe with me. I’m pleading you to think rationally, i don’t want to pressure you to do anything. But please, we need you. Jo needs her Poppy Flower. 
             Love, Meg March
Your tears were already dripping down to the paper, making the ink run. You held a hand over your mouth to cover your sobs. Not Beth, not sweet sweet Beth who loved music and loved her sisters and loved going to the beach and loved the sunshine and loved drawing. 
You packed a suitcase with as many clothes as you could fit, and a rucksack to carry on your back with books, money and other stuff you might need. You laid some shoes and clothes out. You were leaving the next morning on a steamboat for the March house in Concord, Massachusetts. 
You quickly wrote down a note for Fernando, leaving it on your door, along with the keys.
August 2nd, 1868
Fernando, Te pido un favor bien grade. Tu esres el encargado de la galeria por las proximas semanas. No te preocupes, los trabajadores tambien te podran ayudar, asi que no estaras solo. Nesecito ir a ver a alguien muy importante - alguien que tiene un sitio muy especial en mi corazon. No te preocupes por tu pago, te lo dejo en este sobre. Se que lo nesecitas para cuidar a tu mama. Mandale mis saludos.
(Fernando, I am asking you a big favor. I am putting you in charge of the art gallery for the next couple of weeks. Don’t worry, the rest of the workers will help you, so you won’t be alone. I need to go see someone very important- someone near and dear to my heart- don’t worry about your pay. I know you need it to take care of your mom. Tell her I said hi.)
You said as you turned off the gas lamp and the moonlight shone through the window. 
You were going to see her again.
You fell asleep with a smile on your face.
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A/N: waaaaaaaaaaaaay longer than i expected. but enjoy this series! feedback is appreciated and requests are open!
Happy reading!
Love,
Talya
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the-other-art-blog · 3 years
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Fanfiction link: https://www.fanfiction.net/s/13777126/1/Serendipity
The discovery of something beautiful without even looking for it.
Youngest CEO Laurie Laurence has been going all over the best galleries on the East Coast, only to find the perfect pieces in a modest gallery in South Boston...and something more.
For @peebleoddle
Boston, Massachusetts
“Sir, we’re here,” the chauffeur announced.
“Thank you, Arthur,” Laurie said. He quickly checked his hair on the rear-view mirror and stepped out of the car. He greeted the door attendant politely and went straight to the elevator. His apartment was the penthouse, of course, so it took a while. He checked his messages.
His art consultant was already waiting for him. Laurie had been trying to acquire new pieces for his collection, but everything felt variations of the same. The more contemporary art he saw, the more he hated it. He grew up in his grandfather's house, where it was full of antiquities and traditional art, but that was obsolete now, at least for the Bostonian high society. He didn't want to hang a Rembrandt either, but something in between would be nice
“Taylor!” He called the man waiting in his minimalist living room.
“Laurie,” The other man, not older than him, walked to him, hugged him, and tapped his back twice as men do.
“Please, tell me you find something,” Laurie pleaded.
“Actually, I think I did,” he answered, showing Laurie pictures of the paintings he just visited. Laurie sat next to him on the sofa. He grabbed the photos and studied them. This is it. These are the paintings he had been looking for. They were perfect, just the right combination of tradition and modernity. They were full of movement, color, and… sensuality. Nevertheless, what attracted him the most was the theme. Most of the paintings represented musicians and dancers. Although there were also couples and very intimate scenes, family scenes.
“Where did you find these?”
“A gallery in South Boston. You told me to look everywhere and here it is.”
“This is great.”
“I agree.”
“So how many of these can we buy?”
****************
“He bought them all?! No way.”
“Just finished talking to him. He’s going to send someone to pick them up.”
“I... I can’t believe it. Who was it?”
“His art consultant is the one who closed the deal, but let’s see… Theodore Laurence...” Sam looked at Amy who was thoughtful. “Do you know him?”
“Oh my God, yes. We went to school together. His grandfather owned this huge company...”
“That he now owns,” Sam said as she looked at the computer and Amy went to see the screen too.
“Yep, that’s him.”
      A few years ago...
“   Everyone ready!?” Professor Brown hurried up the students. “Amy!”  
  “Everything looks good,” sixteen-year-old Amy came up to his side holding a thick file. “The costumes fit, the setting is working. We’re ready for the costume rehearsal.”
  “Great. Let’s do it.” With that said, Amy and the professor/director sat in the middle of the seats expecting to be pleasantly surprised. Instead, their faces reflected complete disappointment. To be fair, most of the cast was doing a pretty decent job. The problem lied in the male lead. Damn it, Amy thought.  
      Laurie finished preparing his drink while he waited for his new collection to arrive. He wanted to put one of them in his apartment.
“Thank you, gentlemen,” he said to the employees bringing the oils.  
“Laurie,” Taylor entered behind them. “There’s someone here who wants to know you, actually she says she already knows you.”
“Hi, Laurie.” Amy entered the apartment. Taylor made a sign and went to follow the employees, leaving the two of them alone. “I'm sorry, I practically ambushed your friend... You probably don’t remember me.”
“Ummm… no. Of course, I do. Amy March, St. Claire High School.”
“That’s right.”
“What brings you here?”
“Well, seeing as you bought all of my paintings. I thought I could thank you in person.”
“You… you painted that… Amelia C.M.”
“That’s me.”
“Wow. I can’t believe I didn’t connect the dots before.”
“It’s alright.”
“Come, let me offer you a drink.”
      “I can’t believe it!” Amy rushed backstage. “Ah, Theodore Laurence. Just the man I was looking for. Seriously?” She asked, seeing as he flirted with a junior. The girl left.  
  “I go by Laurie.”
  “Whatever. What the fuck is wrong with you! You haven’t memorized your lines!”
  “Relax, I will get them,” he dismissed her.
  “When? You should know them already? The play is in a week!” he shrugged. “I mean it, Laurie!”  
  “Alright,”
  “This might be a simple thing for you, but to a lot of us, this is important. And you’re the male lead!”
  “Jesus, you’re so uptight,”
  “Why did you audition if you weren’t going to do it right?”
  “I need the credits, okay! I’m a senior!” He admitted, visibly ashamed. “Director Harrison says that if I don't get them, I won't graduate next summer. My grandfather would kill me. I've already been accepted at Harvard.” Amy rolled her eyes. It didn't impress her at all. Everyone knew rich boys like Laurie were always accepted, they just have to show their last names and it was done.
    “So, you’ve done well… this place is fantastic.”
“Thanks. I… actually have to thank  you  for part of it...”
“I’m sorry?”
“Well, remember when you helped me with the play. You really made me think a lot about my life choices… It took me a while to realize that you were right. I was a low-life and a...”
      “Man-whore?!” Laurie exclaimed.
  “You heard me,” sophomore Amy stuck to her words.  
  “Wait, does everyone describe me like that?”
  “Uhh… some would be nicer, and there are some girls really upset with you, but overall… that’s the main idea. You’ve built quite the reputation.”
  “Huh,” Laurie said. He expected to be called a flirt, lady’s man, womanizer, but man-whore! That was harsh, even for him.  
  “Look, whatever you do with your free time and your… body, is your business. I mean seducing women, drinking, and wasting money wouldn’t be my first choice, but… it’s your life.”  
  “Uh, excuse me? I might not belong to your class, but some from mine do talk about you.”
  “It’s not the same and you know it. I have dates, real relationships."
  “Why do you care so much?”
  “Because you have everything! Laurie, you have more money than I could ever think of, you are such a talented pianist. Honestly, if you're doing this for credits, I think it’s a shame the orchestra wasn’t enough. And...and that face. We could have used that for the drawing class,” they both blushed. “My point is you have everything right in front of you, from the moment you were born. The least you could do is take advantage of it. Not everyone is as fortunate as you are.”
  “Please, doesn’t St. Claire cost a lot? Your family is able to pay for that, you can’t be that poor.”
  “I have a scholarship and an aunt. She likes me and she’s willing to pay my tuition.”
  “Shouldn’t your sister, one of them, be in my grade?”
  “Jo. She’s in public school. She likes it better and she hates Aunt March. Meg is already planning her wedding and Beth prefers being homeschooled. We all are where we want to be.”
“Sounds good.   You think I’m a talented pianist?”
  “Please, you know you are. Not the best, but you hold second place firmly.”
  “The first place being...”
  “My sister Beth. She’s a genius.” She said proudly. “I have to go,” she announced after a message arrived on her phone. “Listen, the story is great. I’m sure if you give it a try, you’ll find it charming and the lines shouldn’t be that hard. You still have a week, make the best out of it. Professor Brown won’t give you the credits if he thinks you didn’t work hard enough. He’s already regretting casting you. It’s up to you to change his mind.”
    “I’m sorry.”
“It’s fine, you were right.”
“I know.” There was a silence for a couple of seconds, only them looking at each other. “So, what became of your life after high school.”
“Harvard. International business, internships. Finally, my grandfather trusted me enough to retire and left me the company to run. You?”
“I went to study art in Florence, I came back and started painting. I was able to afford my own gallery a year ago. And you just help me get the milestone of selling all my paintings. So… thank you for that.”
“My pleasure.”
“If I may ask, what made you do this? I mean… I know you're rich but… what made you think you wanted all?”
“I just saw exactly what I’ve been looking for. You have no idea, I send Taylor to look everywhere. I don’t fancy myself as an art expert, but I’m tired of seeing splashes of paint on a canvas. There’s something very special about your paintings. I love music, you remember that. And they just feel warm. This place could use that. And they have soul.”
“Would you like to make my marketing campaign?” she joked, although it wasn’t a bad idea. They shared a laugh.
“So umm… I don’t remember you playing music, you have a lot of it in your pieces.”
“My sister Beth died a few years ago while I was in Europe and I… I think she would like them. It helps me feel like I have her close to me.” She didn’t know why she was being so open to him, but it felt good.
“The best pianist!” He remembered. She smiled and nodded. “I’m sorry.”
“It’s alright.”
“You don’t sign as Amy March.”
“This might sound a bit strange, but I'm trying to make a name for myself. My family name is known in Concord and now that Jo is a best seller… I just don’t want everyone to see my painting and say ‘oh that’s Jo March’s sister’. She's in New York but her books are semi-biographical so...”
“I understand. Ever since I step in as CEO, I feel like everyone is comparing me to my grandfather.”
“I love my sister!”
“Yeah so do I, my grandfather I mean.”
“I just don’t want to live under her shadow.”
“Right.” Laurie felt the need to move the conversation. He didn't know what this was, but he liked it. Amy was gorgeous, she definitely aged well. She was already beautiful when they met in high school, but now she carried much maturity and that smile... And if she could create such captivating paintings, then she was more talented than he ever imagined. Back in school, she was always in the art class. He remembered her bossing the props team for the theater class. She had good taste, everything looked good. “I want to put one in the living room. Maybe you can help me decide.”
“Sure.” She followed him. Whatever this was, she definitely didn't want it to end.
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new-sandrafilter · 4 years
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socialnews.xyz - Little Women Movie Photo Call At Louisa May Alcott Orchard House HD Gallery, Photo by Paul Marotta
Timothee Chalamet, Saoirse Ronan, Greta Gerwig, Laura Dern, Florence Pugh, Eliza Scanlan and Chris Cooper attend  the ‘Little Women” Orchard House photo call at the Louisa May Alcott Orchard House on December 4, 2019 in Concord, Massachusetts.
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bostontaxicabs · 3 years
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huntingtonlibrary · 4 years
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Beside the Edge of the World
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Opening this Saturday, Nov. 9: exhibition Beside the Edge of the World began with a treasured book in The Huntington’s collections: a first edition of Thomas More’s Utopia, printed in 1516. This 500-year-old text served as a jumping-off point for the fourth year of /five, The Huntington’s contemporary arts initiative, in partnership with Los Angeles arts organization Clockshop. 
Three artists and two writers were invited to consider More’s classic work as they explored The Huntington’s collections. The process of discovery started with ideas of mapping borders and edges, temporarily forgotten histories, peoples whose lives had been carefully recorded—and then forgotten—and utopian experiments in communal living. Many of these places and the people who challenged the dominant narratives of history existed on the periphery. 
Read more about each project below:
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Artist Nina Katchadourian’s work Strange Creature was inspired by The Huntington’s collection of sixteenth- and seventeenth-century maps and books, as well as the ancient Chinese mythological text Shan Hai Jing (Guideways through Mountains and Seas). The myriad of creatures depicted in these ancient texts offered a challenge: How much have we really seen of the world, and how well do we know it? Katchadourian imagined a creature, somewhat familiar but also strange, slowly surfacing from our own Chinese Garden’s Lake of Reflected Fragrance. Her installation suggests that there is more around us than we can see or perceive—literally, and perhaps also in an otherworldly sense. See if you can catch a glimpse of her creation in the Chinese Garden. 
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Writer Robin Coste Lewis was inspired by a particular passage in Henry David Thoreau's canonical Walden; or, Life in the Woods. In a chapter titled “Former Inhabitants; and Winter Visitors,” Thoreau describes the community of free Blacks that had been living around Walden Pond long before Thoreau arrived. For Lewis, this passage contained a hidden call to the rediscovery of African American histories woven into the story of Concord, Massachusetts, and hence, America. In order to extend Thoreau’s experiment, she omitted much of the chapter’s text and rearranged the remaining lines to emphasize, lyrically, the free Black community that had once called the woods home. 
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Artist Beatriz Santiago Muñoz’s film Laurel Sabino y Jagüilla takes its title from a species native to the artist’s birthplace and home on the island of Puerto Rico, a flowering plant now endangered by logging and wood harvesting. Magnolia is an ancient genus, dating back 20 million years; its family, Magnoliaceae, has survived ice ages, mountain formation, and continental drift. Filmed in the rain forest of Puerto Rico and in the gardens of The Huntington, the work imagines the relationship of Magnolia splendens to utopia, photography, soil, vision, and time.
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Writer Dana Johnson’s short story Our Endless Ongoing reimagines the life of Delilah Beasley in early twentieth-century California. Delilah Leontium Beasley (1871–1934), an American historian and columnist for the Oakland Tribune, was one of the first African American women to be published regularly in a major metropolitan newspaper. She also became the first person to document the overlooked but significant history of California’s Black pioneers, in her book The Negro Trail-Blazers of California (1919), published the same year as the founding of The Huntington.
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Artist Rosten Woo created Another World Lies Beyond as a series of interrelated stories told through audio, projection, and artifact, installed in the gallery and in the gardens to invite contemplation and political reflection. The narrative through-line is the life and work of Robert V. Hine (1921–2015), a scholar of California utopian communities whose papers are housed at The Huntington. Each audio story offers a glimpse of an idea of the perfect state and the world just beyond it. Additionally, a short animated film by Woo brings together all the illustrations from John Russell Bartlett’s failed 1857 survey of the U.S.–Mexico border, included in the Report on the United States and Mexican Boundary Survey.
images:
Nina Katchadourian looks at maps from Theatrum Orbis Terrarum (Theatre of the World) by Abraham Ortelius, ca. 1606. Photo by Kate Lain.
Nina Katchadourian (b. 1968), Study for “Strange Creature,” 2019. Watercolor, pencil, gouache on paper. Courtesy of the artist, Catharine Clark Gallery, and Pace Gallery.
Robin Coste Lewis (b. 1964), excerpt from poetry chapbook Inhabitants and Visitors, Los Angeles, Clockshop, 2019. 
Beatriz Santiago Muñoz filming in The Huntington’s gardens. The Huntington. Photo by Kate Lain. 
Beatriz Santiago Muñoz (b. 1972), film still from Laurel Sabino y Jagüilla, 2019. Courtesy of the artist. 
Dana Johnson at The Huntington. Photo by Kate Lain.
Dana Johnson (b. 1967), “Our Endless Ongoing” featured in Trailblazer: Delilah Beasley’s California, Los Angeles, Clockshop, 2019.
Rosten Woo at The Huntington. Photo by Kate Lain.
Rosten Woo (b. 1977), excerpt from Another World Lies Beyond, 2019. 
Support for this exhibition is provided by the Mike Kelley Foundation for the Arts, the Philip and Muriel Berman Foundation, the Pasadena Art Alliance, and WHH Foundation.
Beside the Edge of the World is a Huntington Centennial Exhibition. The Huntington’s Centennial Celebration is made possible by the generous support of Avery and Andrew Barth, Terri and Jerry Kohl, and Lisa and Tim Sloan.
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michaeljclarke · 4 months
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This is a glorious tree in a historic spot and it is a simple print that I am so proud of.
PRINT STORE
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newingtonnow · 4 years
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The Hartford Wits
by Andy Piascik
Poets are sometimes as important in telling the story of a nation as historians. This is especially true of poets and painters who come of age during the revolution that births a nation. Such was the case with the Hartford Wits—a talented group of writers greatly influenced by the struggle of the American colonies for independence from Britain.
The Origins of the Hartford Wits
John Trumbull was the oldest of the Wits. Born in what is now Watertown, Connecticut, in 1750, Trumbull was such an advanced student that he passed an entrance examination to Yale University at the age of seven and enrolled at the school at 13. Two years later, Timothy Dwight, enrolled at Yale. Like Trumbull, Dwight, a Massachusetts native, was a child prodigy who was also just 13 when he matriculated. The two soon befriended Derby native David Humphreys and Dartmouth transfer Joel Barlow, born in Redding in 1754.
Asher Brown Durand engraving of Joel Barlow – Connecticut Historical Society
As the four men who eventually became the Wits graduated, they remained at Yale tutoring, teaching, and expanding their circle of literary aspirants. They had all begun writing poetry by the early 1770s and it was Trumbull who initially gave voice to the themes that defined the group, first in “An Essay on the Use and Advantages of Fine Arts” and then in “The Progress of Dulness,” a long poem that satirized college education. Trumbull wrote his “Essay” five years before the battles of Lexington and Concord, yet he already spoke of the colonies as a great nation embarked on a valiant struggle for freedom characterized by heroic acts. He foresaw the emergence of an American literary tradition capable of rivaling the great civilizations of the past.
“The Progress of Dulness,” meanwhile, established a tone and style that later defined the poetry of the Wits: satire, understated humor, and puncturing the pretenses of the self-important and powerful. Trumbull also exhibited a belief in egalitarianism that eventually became a Wit hallmark in, for example, poems that called for the abolition of slavery and full education rights for women. The latter theme is already on display in “The Progress of Dulness” in the characterization of Harriet Simper, who is told to prioritize clothes, appearance, and finding a husband despite obvious intellectual abilities.
Poetry Tells the Story of the American Revolution
With the onset of the Revolutionary War, the Wits turned their sights on new targets, including the colonial government, King George III, and, most notably, colonial residents with loyalties to the British crown. They were hardly armchair dilettantes content to satirize from the comforts of academia, however, as Humphreys and Barlow joined the Continental army and Dwight, who in addition to writing poetry, became a minister, serving as chaplain to the Connecticut Continental Brigade. Among his contributions, Dwight wrote a number of songs for the soldiers of the Revolution, including “Columbia” (Columbia, Columbia, to glory rise/The queen of the world, and the child of the skies!).
Elkanah Tisdale, John Trumbull Esq., 1801, line engraving – Yale University Art Gallery
Though Trumbull was the only one of the Wit core who did not join the Continental army, he made a contribution with “M’Fingal,” a poem that mocked the British cause through the story of a Loyalist named Squire M’Fingal. Humphreys, meanwhile, rose to the rank of colonel and published “Address to the Armies of the United States of America” and other patriotic poems. After the British suffered their final major defeat of the war, it was Humphreys who presented British General Cornwallis’s flag to the Continental Congress.
After the war’s end, Trumbull, Barlow, and Humphreys settled in the city that bears the group’s name, eventually being joined in Hartford by Lemuel Hopkins, a physician and poet born in Waterbury in 1750, and Richard Alsop, a poet born in Middletown in 1761. Hopkins and Alsop rounded out the Wits, writing poems of their own and collaborating on others, including on “The Anarchiad,” an epic poem that may be the best-known work by the Wits.
The Wits went on to distinguish themselves in other fields. Barlow became a diplomat, Humphreys a historian and politician, and Dwight became a teacher while continuing his work as a minister. Through these endeavors and their poems, they created a lasting impression of colonial America and the American Revolution.
Bridgeport native Andy Piascik is an award-winning author who has written form many publications and websites over the last four decades. He is also the author of two books.
from Connecticut History | a CTHumanities Project https://connecticuthistory.org/the-hartford-wits/
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keywestlou · 5 years
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THE SHOOTING GALLERY CALLED AMERICA
America has become a shooting gallery. Citizens shooting citizens. Who would have believed 50 years ago it could happen.
I am motivated to write re the gun issue this morning because of the El Paso and Dayton shootings which occurred in the past 24 hours.
Why has the U.S. become a maniacal society when it comes to citizens killing each other? The reasons many. Cause and effect unending.
I share my thoughts.
Gun manufacturers.
The NRA.
The Republican Party. Elected and party officials having neither the desire nor guts to stand up to gun manufacturers and the NRA. They have been bought body and soul.
Lobbyists. Those hired by gun manufacturers and the NRA. Powerful. Loaded with money. Threaten Republican legislators easily with…..If you don’t cooperate/dance to our tune, you will be primaried in the next election.
A conservative Supreme Court for many years. Even worse in coming years. Two bad decisions. The right to bear arms and corporations having the right to give unlimited amounts of money to political campaigns.
An NRA that has bought “experts” to tell the American people that the gun problem is primarily caused by persons having mental difficulties. Repeated so much over the years that many believe the lie today.
The rise of nationalism.
A President who stands with those who want to bear arms in a manner and degree not before seen in any President.
All contributing to the carnage.
When a person plays with dynamite, such person should be careful. Could blow up in one’s face.
I refer now to the tariff wars being experienced. The brain child of Donald Trump. A game that could quickly end in a world war.
One of China’s largest companies is Huawei. Employs 320,000 people.
Huawei big in i-phones and electronic equipment world wide.
Huawei needs Android updates for its phones. Out of business without. One of the tariff war’s fallouts is that Google is prohibited by the U.S. from doing business with China.
Trump and China President Xi discussed the matter several months ago while negotiating the tariff situation as a whole. To evidence the cooperative spirit of the U.S., Trump granted a temporary ban on the no Google sales to Huawei. A reprieve. The reprieve expires later this month.
Could literally put Huawei out of business. At the very least hurt it dramatically, along with China’s economy.
I read this morning a comment by Trump to the effect he does not care.
What will China’s next step be? Could very well be the start of World War III.
Turn things around. Suppose China took steps to hurt Amazon big time. Place Amazon in a position where it might have to go out of business. Note that Amazon employs 556.000.
The U.S. could not, would not, stand for it. So it may be with China.
Time is of the essence. The end of the month is around the corner.
Going to be interesting how this works out, if it does.
Henry David Thoreau. His time at Walden Pond. Most Americans read Walden in high school or college.
It was on this day in 1854 that Thoreau published Walden.
The book was a recounting of Thoreau’s time at Walden Pond in Concord, Massachusetts. He lived there 2 years and 2 months. Simply. In a home 10′ x 15′ which he built himself. He grew his food in his garden.
The home was located on a 62 acre pond.
Thoreau’s closest neighbor was Ralph Waldo Emerson who lived one mile away.
Thoreau’s intent was to explore mentally his views on nature, politics and philosophy.
The book’s first publishing was 5,000 volumes. Sold only 300 the first year. Took 5 years to sell the whole 5,000.
Today continues as it has for many years as a best seller. One reason being it is required reading in many American class rooms today.
We all know the story of Custer and the Sioux Indians when Custer and his 200 plus men were wiped out by Sitting Bull and Crazy Horse led Sioux. The time the Indians won. There was a time 3 years earlier when Custer defeated the Sioux, however. At a time when the Sioux were led by Sitting Bull and Crazy Horse.
It was August 4, 1873. Custer and the 7th Army were protecting a railroad survey party. A relatively easy task. No one bothered anyone. Neither soldiers nor Indians.
Custer was taking an afternoon nap. Sitting Bull and Crazy Horse for whatever reason attacked Custer’s camp. Custer woke and mounted an effective defense. The skirmish was brief. The Indians withdrew. Only 1 soldier and 1 Indian killed.
Three years later, the Battle of Little Big Horn. Sitting Bull and Crazy Horse on one side. Custer on the other.
We have learned several variations as to why Custer lost the battle. The true one little known.
Custer’s greatest fear was the Indians would turn and run before he could attack and defeat them as had occurred 3 years earlier. Custer wanted a victory over the Indians. So he rushed into the battle without proper reconnaissance. One item knowing the size of the Indian force. Thousands.
Custer and his 200 plus men were annihilated.
Key West loves dogs! Seems like every other household has a pet dog. Dogs permitted everywhere in Key West. All bars and most restaurants. Even super markets and retail stores.
There is a national organization called Better Citizens for Pets. Made up of the U.S. Conference of Mayors and Marc Pet Care.
Recently, Key West received the group’s “Small City” award. A $10,000 grant. The purpose of the grant “to keep furrys off the streets and out of shelters by offering pet wellness services for free or at a reduced cost for income-qualified pet owners.”
Key West dog owners be proud!
Enjoy your Sunday!
  THE SHOOTING GALLERY CALLED AMERICA was originally published on Key West Lou
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marklbrock · 5 years
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GREGORY GILLESPIE (1936-2000) Goldie’s Dream, 1999 20 1/8 x 19 5/8 inches Signed verso: Gillespie Original frame . . #gregorygillespie #rosellepark #newjersey #cooperunion #manhattan #nyc #sanfrancisco #sanfranciscoartinstitute #fulbright #grant #florence #italy #forum #gallery #forumgallery #rome #whitneybiennial #hirshhornmuseum #georgiamuseumofart #artist #painter #oilpainting #fantasy #expressionism #available #forsale #brockandco #concord #massachusetts . . www.brockandco.com (at BROCK & CO.) https://www.instagram.com/brockcompany/p/BxPVJknFPRN/?utm_source=ig_tumblr_share&igshid=fx7fl322y8ao
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new-sandrafilter · 4 years
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Writer-director Greta Gerwig has crafted a LITTLE WOMEN that draws on both the classic novel and the writings of Louisa May Alcott... In Gerwig’s take, the beloved story of the March sisters—four young women each determined to live life on her own terms—is both timeless and timely.   With its fluid approach to time, the film immerses the audience in the memories, moments, accidents of fate and acts of will that form the March sisters—ink-stained, defiantly independent writer Jo [Saoirse Ronan]; nurturing, principled, would-be actor Meg [Emma Watson]; fragile, open-hearted musician Beth [Eliza Scanlen]; clever, aspirational painter Amy [Florence Pugh]—into their full, complicated adult selves, each so different but united in an unswerving sisterhood. It is a world where the dailiness of women’s lives—their discoveries, sacrifices and anger, their financial, artistic and domestic concerns—deeply matters.   Director Greta Gerwig brings to the fore a visually ravishing film with a look inspired by the bold artists who were changing the way people saw the world in Alcott’s time.”                 —Columbia Pictures “From the start, Greta always knew she wanted to bring audiences directly into the lived-in world of the March sisters in all its chaotic beauty," Producer Amy Pascal reveals. "It was vital to her that their private home life crackle with kinetic energy.” “She envisioned a look for the film that draws from paintings from the era—from the European Impressionists to American master Winslow Homer—but then those paintings burst open into the raw, textured and unpredictable feelings of everyday life.” “Greta surrounded herself with great department heads...She wanted to work with people who were going to elevate and challenge her, and then she also elevated and challenged them.”   Thus, the dream team of Director of Photography Yorick Le Saux, Production Designer Jess Gonchor, Set Decorator Claire Kaufman SDSA, Costume Designer Jacqueline Durran and their incredibly talented crews. See the gallery above for the delightful immersive experience of LITTLE WOMEN... In truth, we only touch upon some of the wonderfully encompassing sets...those that visually bring us into to the story and define the passage of time as it flits back and forth...but there are ever so many more, including: ...Jo’s intermediate life as a writer in the New York City of 1868, re-created in Lawrence, Massachusetts, a former textile center and home of Robert Frost... ...Aunt March’s home before & after her unexpected bequeathment... ...the threadbare home of the impoverished Hummel family... ...and the streets, shops & byways of 1860’s Concord. All of the filming was done in the environs of author Louise May Alcott’s experience...she was taught by Thoreau, had Emerson as a neighbor...and the teams strove for authenticity throughout, both historic and philosophical, while ensuring a modern audience could relate. Claire gives us details in the photo gallery captions above, and notes... “I am so proud to be a part of such an amazing film with such a strong female cast and, of course, the wonderful director Greta Gerwig. I can never thank Jess Gonchor enough for having me decorate this film and my team for all of the creative efforts and joy throughout. It was a profoundly fulfilling and meaningful experience for all of us.”
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bostontaxicabs · 4 years
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The Old Manse in Historic Concord has been in a severely compromised state in recent times. The removal of its artifacts is just the icing on the cake. One can see clearly on the left hand photos the artifacts mentioned. The standing desk, belonging to Ezra Ripley has been moved from its home after 200 years to be part of a museum it has barely any connection to under the name of a literary exhibit at Fruitlands museum in Havard, Massachusetts. Seen also are the portraits Nathaniel Hawthorne referred to as " The Bad Angels" as well as a portrait of Theodora Thayer; a suspected and notable queer artist and member of the Ripley family. The plan to dismantle the Manse has been ongoing and aspects of it approach in different ways. The swifting away of impertenant artifacts to a location that has no connection besides the shared organization is one. The idea from a business standpoint is to forsake the history of one location to gain revenue in a floundering one. In terms of the famous Old Manse itself, the debauchery is endless. An inside source spoke of dumbing down the tours to gear them to millenials. Because in corporate eyes; millenials are vapid creatures who cannot be bothered with scholarly activities. Instead of being invited to discuss the depth of Ralph Waldo Emerson's essay "Nature", one can instead be subjected to an array of invasive personal questions and activities suited for kindergarteners. Even more so, Hawthorne himself will be reduced to a jealous recluse- the reason for his ratchet desk being built against the wall is to suit his imagined shame. Neither will his wonderful wife, Sophia, be recognized for her pioneering in the art world but instead her carvings on the window will be the support for further fluff to fill the space for the sake of an experience. The remaining artifacts appear be deemed boring and not worth the mention within the National Landmark. The Emerson and Ripley families worked diligently to preserve these original artifacts and it seems to be all for not. As for the barn foundation beside this famous site, the plan to recreate it is desperately moving forward. The location will be built into a visitors shop where one can by strictly the organizations merchandise. The organization claims it is to enhance the visitors experience. But what is the true cost of revenue gain? Is it worth the sacrifice of historical accuracy within a cornerstone of American History? Is it something that Ralph Waldo Emerson, the father of Trancendentalism himself, would approve of?
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