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#crowley circling aziraphale
fuckyeahgoodomens · 2 years
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gleafer · 2 months
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Reposting because GOOD LORT I just love them.
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twilightcitysky · 9 months
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Hypothesis: Aziraphale HATES that Crowley is living in his car.
Supporting evidence:
The very first thing we see him do in the present is stop Maggie from moving out and making sure she feels welcome to stay as long as she likes.
He clearly knows Crowley’s unhappy before anything happens in the plot: “Does it calm you down?”. And also clearly feels helpless about it. Enter the conspicuous Eccles cakes: Aziraphale’s offer, which is rejected.
Crowley’s obviously, for all his hedging, spending a lot of time at the bookshop— so much that he has his own glasses perch and feels immediately comfortable removing them. See also: “Technically my bookshop but we both get plenty of use out of it”, “Why don’t you wait inside? You like waiting inside”.
It’s Crowley who immediately shoves the box of plants into Aziraphale’s arms after Aziraphale returns from Scotland.
Speaking of Scotland, why wouldn’t Aziraphale take the train? Why insist on driving the Bentley? Is it perhaps because he wants to get Crowley and his plants into the shop, and thinks if he creates a situation where Crowley has to stay there, maybe he won’t immediately leave again?
He’s got an empty bedroom and an apparently pathological need to make the person staying there very comfortable, creating cute little customized souvenirs like he’s an Air B&B host (displacement!).
He immediately jumps to having Gabriel stay with him— he didn’t have to. Arguably, both Gabriel and Aziraphale would be safer if Gabe stayed elsewhere.
That’s what I’ve got for now but I’m sure there’s more. Throughout the show, watch what Aziraphale gives to others and does for others, and it’ll tell you what he wants to do for Crowley. He’s living so deeply in displacement in makes him come across as manic and brittle.
(What probably happened is Aziraphale offered the spare bedroom and Crowley, who unconsciously didn’t want to be his roommate or sleep in a single bed with Aziraphale right downstairs because how could the poor lovesick boy cope with that, told him he wasn’t a “good deed” for Aziraphale to do and stormed off.)
Conclusion: Aziraphale asked Crowley to stay at his place, immediately and probably repeatedly. They had a row about it, and Crowley refused, and to this day Aziraphale doesn’t understand why.
And it hurts him.
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stainedglassthreads · 9 months
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Saw someone mention something about 'of course Gabriel would get along with a demon, he's an awful person--' and no no no you're missing the point. Like yeah, he does suck and has been awful to Aziraphale, but he's not Uniquely Awful, nor is that the reason he gets along with Beelzebub. He gets along with Beelzebub because they are fundamentally the same, because there is no difference between angels and demons in Good Omens.
One of the things reiterated again and again in the book Good Omens is how Heaven and Hell is fundamentally the same. It's noted that demon wings are not black, but white, and during what while the showdown between Adam and Satan in the series, all the angels and demons actually appear on earth and square off against each other--and the narration specifically says that you couldn't tell the angels apart from the demons. That's why Gabriel and Beelzebub get the same complaints from both Heaven and Hell about how hard it is to get the angels and demons to back down from a war, that's why Crowley says at the end of season 1 that the real Armageddon will be the combined hosts of Heaven and Hell versus humanity. It's why it was mentioned, when talking about season 1, that Heaven and Hell were envisioned as being the upper floors and basement of the same basement--is why the methods to get to both places are always in the same location! The escalators and the elevator!
And that's why Gabriel and Beelzebub got along. Because they were in the exact same position experiencing the exact same difficulties and complaints, and because they the exact same amount of actual care for Heaven and Hell--precisely zero. They fell in love because they're similar, but at the end of the day, all the angels and demons are 'similar', because the demons used to be angels too! Which we are reminded, when Crowley correctly analyzes angels like Muriel, Heaven as a structure, and guesses that they STILL haven't changed the passwords. Crowley recognizes that Heaven and Hell are the same, and are plagued by effectively the same problems, and so he rejects both. He rejects Beelzebub's offer to become a Duke of Hell, even if it would protect Aziraphale. He rejects Aziraphale's offer to become an angel again. Crowley knows that both sides are rife with systematic problems, and so he goes all-in on our side. And on humanity's side.
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komodokai · 1 year
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ngk!
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mister-a-z-fell · 4 months
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No echoes tonight but the ones I choose for myself.
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crawley-fell · 1 month
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So if you loved me so much Why'd you go?
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astrhae · 9 months
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it's the way the season started out with crowley leaving the bookshop after a fight and the season ended with crowley leaving the bookshop after a kiss. it's the way it started out with crowley being offered to be a duke of hell and it ended with aziraphale being offered to be the supreme archangel.
it's the way the second episode started with crowley saying: "well i am a demon. maybe i'm lying", and it ended with crowley telling aziraphale: "well i am a demon. i lied."
it's the way the third episode started with crowley perching beside aziraphale on the armchair and across from an angel who was new to earth, and it ended with crowley telling gabriel: "it's always too late." it's the way the fourth episode started with the demon sent to take crowley's place getting aziraphale's help and it ended with aziraphale helping crowley move the plants back into the bentley
it's the way the fifth episode started with crowley being reluctant about the shopkeeper's association meeting and it ended with crowley rescuing everyone there. it's the way the sixth episode started out with crowley wandering around heaven and it ended with crowley refusing to go to heaven with aziraphale
it's the way they've moved in circles for the past thousands of years around each other, and the episodes move in circles too but not quite a perfect circle because they're still trying to figure out where they are between the lines but it's also the way aziraphale told crowley to look him in the eye and tell him that crowley wanted to kill job's children, and crowley lied to aziraphale about it because he wanted to see how far aziraphale would go along with a demon as forsaken as him, and it's the way crowley said no to god then
it's the way the season ends with crowley telling aziraphale to tell me you said no. and aziraphale couldn't. it's the way they both want to be with each other. it's the way aziraphale was the one who came to crowley first. it's the way the season starts with aziraphale dropping down to greet crowley who was standing there in the dark, and the season ends with aziraphale standing there going up and crowley driving away
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margotmignard-blog · 8 months
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Crowley circling Aziraphale.
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BONUS
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biceratops7 · 11 months
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… let’s talk about “Arrival”
So I was fully intending on making a more general but thorough peruse through the new Good Omens title sequence, because my FUCK aren’t those always a gold mine. But then I thought to myself, “hey wait a minute, I can be even more unhinged and on brand.”
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Something I’ve seen nobody talk about yet is that the movie that the procession is marching into is The Arrival, which is a 90’s movie that draws a pretty straightforward parallel. But I think if it doubles as a reference to 2016’s Arrival, THAT has some much more interesting implications. Either way this reference is doing some heavy lifting.
For those who haven’t seen the movie (or that one philosophy tube video about it lol), the basic plot is that a group of aliens later named heptopods arrive on earth scattered across the world, and just kind of invite humanity to check them out. Each country hires a team of linguists who are all tasked with figuring out what the visitors are here for. But the thing is, it’s only about aliens on the surface level. This is really about communicating, cooperation, and how language holds the power to alter your very fabric of reality.
Spoilers for the movie:
Two major revelations occur towards the end of the movie. The first is that an element of fluid time is revealed. Throughout the movie, the main American linguist has been having flashbacks to a daughter that passed away of an illness. But since the heptopod language has no regard for chronological order, we learn that these are actually flash-forwards when she becomes nearly fluent. In other words, learning heptopod, having a genuine curiosity and even compassion for these vastly different beings. has given her the ability to perceive reality in ways thought previously impossible.
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Even before noticing the Arrival reference, I’ve been side eyeing these “flashbacks”, but this and the image above confirmed it for me. Any instance of the word “becoming” when talking about the past indicates some sort of fluid time nonsense. The past is fixed unless something ✨happens✨. I don’t think these are simply memories, I think something rather cosmic instead is afoot.
But it’s more than just “there’s probably time travel in this” though. Simply having Aziraphale as a companion has changed Crowley. It’s given him an ability that he’s not meant to be capable of as a demon. He already had it in him to be good and have mutual relationships based in trust and kindness, I’m sure all demons can if given the right nurture… but Crowley is experiencing love. In the show, something tangible to the senses and distinctly angelic. I’m very much hoping that that whole element of things is going to somehow be a driving factor in what’s occurring over all, and possibly involved in time going screwy.
The other element of Arrival’s ending that’s of import, is the heavy emphasis on the importance of cooperation. First of all, we learn at some point that not every country has the same message to decipher, they each have one piece of a whole. Some of the countries begin using games to communicate with their heptopods, and this poses a problem because it causes messages to be more easily interpreted as hostile. For example, the phrase “we brought a tool” can be easily misconstrued as “we have a weapon.” Eventually, the world gets impatient and scared, and a war is imminent. What finally leads to everyone putting down arms and cooperating, is the American linguist sending a message to the Chinese linguist saying “in war, there are no victors, only widows.”
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Something noteworthy about this particular march is that the procession never splits like it does at the end of the first season’s. Not only are both angelic and demonic figures marching into the light atop a mountain as a United front, but this actually seems to be a theme this season. Heaven and Hell aren’t working together as far as we know, but they are at least working towards the same goal, which for some reason is getting Gabriel’s ass. There is also a heavy emphasis on mending broken relationships, with Crowley and Azirphale trying to fix a (probably) lesbian couple literally being the B plot.
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Now this is where we bring in what’s actually on the movie screen, which is that damn box. So at this point we know basically nothing about it accept for it probably being a Mcguffin. But we DO have the imagery of three feathers, a black one, a white one, and a bluish grey one, falling into it… and it sure as fuck looks like a moving box. So back to arrival, what actually was the message? The heptopods told the linguist that they’re here to help humanity (via giving them a tool or new tech I think?) because in 3,000 years, they will need humanity’s help. So with this and the world eventually being inspired to stand down and share their pieces of the message, it’s this over arching theme of setting aside fear of the other and cooperating indefinitely for the benefit of the whole. The black feather, the white feather… and then something that is somehow both yet entirely unique.
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I think… somehow, someway, this season may culminate in Heaven and Hell reconciling. Whether it be against a common enemy, for a shared goal, or in love, there seems to be many clues both symbolic and literal that show them learning to be one again. Learning to understand eachother’s language and see new ways of being neither before could fathom.
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somedayourocean · 9 months
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its been so long since i looked at a hard copy i forgot about the little illustrations 😭😭😭😭😭😭❤️
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mothsshoes · 10 months
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oh so you’re telling me episode 5 of season 2 is called “The Ball” and neil said that it had the best outfits.. OH IM BEGGING FOR EVERYONE TO HAVE FANCY OUTFITS AND FOR AZIRACROW TO DANCE PLEASE
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outoftimewriting · 8 months
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bildad the shuhite serves big horrible histories energy
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drconstellation · 28 days
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Questioning the Questioner
Blocking in Scenes in S2: No. 1
Since I'm procrastinating a bit on the meta writing for various reasons (its happening, but slowly,) why don't I throw some short pieces on S2 blocking at you. Here's a related parallel pair.
As always, we need to remember that the screen right is the morally right angelic side, and the screen left is the shady demonic side.
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Here we have Aziraphale's initial questioning of Gabriel upon his arrival in the bookshop. Gabriel is on the screen right of Aziraphale, so takes the moral angel side, while Aziraphale sits on the demonic left side of the screen. Aziraphale is asking most of the questions in this scene, so it seems the right place to be. Both of them are in the light, though, there are no shadows here for these two angels.
But notice the balance of the setting - Gabriel is more towards the middle of the shot, and is placed over the centre of the rug. This turns out to be no accident, but a very particular placement.
You might be familiar with the portal under the oculus, which turns out to be part of a Solomon's Magic Circle. But there is a side part to this array, which is placed exactly where the office section of the bookshop is, which can be used to summon and control both angels and demons. It's a place where the truth is demanded. It's just a shame that Gabriel can't seem to remember the answers to the questions that need to be answered.
The second screenshot in this pair is part of the "cupperty" sequence.
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In comparison to the above screenshot, we have Muriel looking at her "cupperty" while conversing with a combined Aziraphale and Crowley team in S2E3. I did a more detailed meta around the tea here, but let us just address Crowley nearly sitting in Aziraphale's lap the dynamics of the moment.
Muriel, an angel, is sitting on the screen right. They are all in heavenly white, and there is even a beam of light focused on her cupperty. They have come to ask questions to verify the 25 lazurii miracle that was performed the other night.
On the other side, the screen left, we have Aziraphale and Crowley sitting together as one. As they sit in the shadows, they act as a team, Crowley asking questions to Muriel with a teasing kind of playfulness while Aziraphale tries to coach her on - both things Crowley the demon is known to do.
And how do we know this a significant shadow? The windows are on the east side of the shop, and its morning, just before Aziraphale heads off to Edinburgh. Also we have also just seen some of the side characters conversing in the coffee shop while ordering their morning coffee.
We have the same two chairs being used as well. Muriel sits on the ladder chair this time, while the more experienced angel/demon pair occupy the more comfortable lounge chair that is still positioned on the Magic Triangle.
We even have hot beverages in play. Gabriel's hot chocolate is more about comfort, while the cups of tea are about establishing a connection to Earth.
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koiranliha · 2 months
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a couple of snakes and some guys who know them
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