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#drawing in general helps for the most part
egophiliac · 1 day
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Hi there! I really love your comics and how expressive they are. How do you go about making the characters in your comic so expressive?
thank you! 💚💜💚 I am REALLY bad at explaining things, so my apologies if this doesn't make a lot of sense, but maybe there's something helpful in here somewhere. :')
1. warm up! drawing is a physical activity, after all! so if I'm planning on sitting down and drawing for a while, I usually start off by taking a couple of minutes to doodle a bunch of circles and lines and random shapes, just to get my drawing arm goin' again and get back into the physical groove. just stuff like this:
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and just do that for however long you feel like! you can kind of feel when your arm starts to loosen up and your strokes get more confident. it makes it a lot easier to get those swoopy big lines and gestures!
2. play around with how you use your lines! paying attention to the shapes that they're making will change a lot about how much force and life your drawing feels like it has. (no way is better than another, it just depends on what effect you're going for and how it looks as part of the larger whole.)
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and you can also use lines against each other to get different vibes:
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it's not really a matter of "you need to make sure all your lines are always doing this all the time", it's more like...being aware of it, and getting that into the general thrust of a pose, if that makes sense? like a lot of smaller lines of action, beyond the big one that goes through the spine.
(just gonna use my own art as examples, apologies)
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if you have a good foundation of tension, then all of the little bumps and contours of a character's details won't get in the way of it, and it'll still come through.
and don't forget about negative space either! the spaces between things have their own interesting shapes too!
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I don't mean this to come off as, like, all these extra things that you need to be constantly thinking about and stressing over. more like...just try different stuff and then see how it works and how it changes the feeling! if you find a good shape, see if you can exaggerate it and make it more interesting, and how that affects things! angles and shapes are a LOT of fun to experiment and mess around with, especially when you're going more cartoony. :D
3. acting!
just...spending a little time to think about what the characters are actually doing! (aka the "figuring out what everyone is doing with their hands" bit.) this is more a personal preference, but especially in multi-panel comics, I like to have them be in the middle of doing stuff. not just big actions, but smaller things -- like even just how they're sitting or standing -- so that it feels like we're looking in on the middle of a scene, instead of a couple of characters just standing around neutrally and staring straight ahead while talking at each other.
this probably sounds really obvious, but it is one of the most fun parts for me! I love trying to find some little action or something that they can be involved in, especially if it's relevant to their character or adds an extra joke. (for some reason this usually involves me being mean to Sebek) (I'm sorry)
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it doesn't need to be everyone Always! Doing! Something! all the time, especially if starts becoming distracting (sometimes they do actually need to just be standing around neutrally and staring straight ahead, especially if there's a bigger action going on that you want the audience to focus on instead). but even just figuring out some kind of non-neutral pose for them to be in can add a lot and make it feel less generic!
3. thumbnailing!
this is, again, very much a personal preference; unfortunately, every artist really is different, and we all have different processes that work better for us. so I can only speak to my personal experience! but I find what helps is to start REALLY rough -- not so much as in messy, as in not trying to start right into actually drawing everything out. like, literally just starting with stick figures and :O faces.
it probably doesn't sound relevant when talking about Drawing Expressively, but I find it's really, really helpful to have already figured out what everyone should be doing (acting!) and what the overall general layout and flow of things should be, before getting into the actual meat of drawing the characters. like having a sketch for the sketch!
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(good compositional flow is something I struggle with, and text layout especially, so this stage also helps a LOT with making sure things are fitting where I want them and staying consistent/not breaking screen direction/etc.)
then after that, I can go ahead and focus on getting those Shapes and Lines and Angles and all that, without having to think too much about the layout or where things should go!
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(of course, the downside of that is that my thumbnails are usually way better than my actual drawings, alas alas.)
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4. this is more philosophical, but...give yourself some slack. the stress of Making Things Look Good is, ironically, often the biggest problem. (see: thumbnails looking better than the actual drawings.) so...let yourself draw shittier and without regards to accuracy. make things just for yourself without thinking about posting or showing them to anyone else. draw stupid faces and wrong proportions because they feel better that way. focus on what's fun and not on getting a perfect end result. "draw expressively, not well", as they say -- you can always tighten up things like proportions and details later, if you really want to.
that's all WAY easier said than done -- god knows I haven't really managed it -- but even just aiming for that attitude really, REALLY helps. if your lines are confident, they'll look a lot more alive and expressive than lines that are exactly technically precise but have no rhythm in them. (this is why tracing photographs tends to look so weirdly stiff and unrealistic, by the way -- even if you're drawing realistically, you usually need to exaggerate and stylize a little bit so it doesn't look lifeless.) it's a balance between caring about what you draw, but also being willing to let things go a little bit.
↑ I hope some of this helps! I don't know if any of this was actually what you had in mind, let alone much of it actually made sense outside of my head. :') but hopefully you (or other people) will be able to get something out of it!
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batsplat · 1 day
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hi batsplat this is marquezian.. as our resident casey scholar i was wondering if you have casey race recs !!
boy do I ever have recs! here's a (hopefully) fairly comprehensive list, drawing from more or less all the stages of his grand prix career and featuring races notable for a bunch of different reasons
casey is quite defensive of the 'boring' racing of the alien era (in particular the 2010-12 years)... but it is a shame his time in motogp overlapped so heavily with the 800cc era, which did lead to some tough watches for fans of 'overtakes' and 'close racing' and 'unpredictability'. so a lot of these race picks aren't necessarily reflective of how casey racked up the majority of his wins, plus presumably don't always match up with what his own picks would be. but well, whatever! I threw in a few of the ones I know casey likes
warning: the race descriptions generally spoil the results of the races. since this list is pretty long, I've put an asterisk next to the races I'd particularly recommend, and double asterisk next to my personal faves
my tldr spoiler-free top five faves list is catalunya 2007, donington park 2007, laguna seca 2008, sachsenring 2010, and laguna seca 2011. my five next-off most notable/fun races are assen 2004, turkey 2006, qatar 2007, phillip island 2009 and silverstone 2011
and here's the actual list, in chronological order:
sachsenring 2003: first podium in grand prix racing! big disclaimer: the recordings of the 2003 125cc races you can find on the videopass are poor quality and don't feature any commentary, so not the easiest to watch. this race is also not great to follow on the colour front: the three main protagonists are *squints at notes* casey (yellow bike, number 27), perugini (mostly black and white but with a few greenish highlights, 7) and de angelis (mostly green, 15). but well it's a really tight fight that goes until the last corner, good fun... casey's talked about how nervous the track made him so he wasn't racing his opponents hard enough at the end. which is kinda sweet and revealing
brazil 2003: another tight battle, this time with jorge (green/red, 48) and de angelis, another time he doesn't QUITE make it. jorge's first ever victory! y'know the one where he overtakes everyone on the outside and starts the whole x-fuera thing
valencia 2003: first win! 125cc/moto3 racing being reliably good fun is a time-honoured tradition and it can even make that middling karting track exciting to watch. it's a good fight - quite helpfully, casey's nicely visible yellow bike contrasts well with the blue bike (hector barbera, number 80) and the red bike (sic, 58) (at some point steve jenker, 17, shows up on a black and white bike). that being said... the bloody video on the motogp website cuts off around two and a half laps to the end, which is a shame because those laps were (apparently) filled with drama. very close finish, not helped by the spark plug of casey's bike breaking RIGHT before the end, which is a very casey thing to happen to him. he thought he was screwed but ended up being saved by barbera running wide trying to overtake him in the last corner. here's a cute lil feature with casey discussing the race that you can probably just watch instead of the race. also ofc him saying how good it felt to beat the spanish at their home circuit (clip here), king of spite
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^look at him in evil gross luminous yellow
**assen 2004: I'll admit, this race is one of my faves in large part because of the terrorism jorge does on casey on the last lap, which casey was NOT happy about. (in a funny coincidence, the same event features jorge's future teammate doing some last lap terrorism on gibernau that gibernau is also decidedly not thrilled about.) featured in the autobiography - he really wasn't a fan of jorge at the time - and when he's being sulky in the interview they have in the post-race broadcast. but another great fight and, with my apologies to casey, the last lap is fantastic. excitingly includes commentary!!
jerez 2006: casey's first motogp race! you don't reallyyyy see enough of him on the broadcast for it to be completely worth it, but it's still a proper good ride. he starts in fifteenth, makes a great start and then gets a lil lucky at the first corner when toni elias attempts to murder barrels into valentino and opens up a gap for casey. gets all the way up to fourth and finishes sixth!! also ofc a starring performance by dani at the front of the race
qatar 2006: second race of the season. after the first race, casey had been ill with a bad fever, plus there'd been a fuck up with the flights that meant he only got to the lusail circuit ten minutes before the first session. he topped the first practise session and qualified on pole, even though he was still recovering from illness and was massively sleep-deprived. his first battle with valentino, eventually drops a few places but still <3 also features some fun vale/nicky hayden battles
*turkey 2006: the third race of the season (look he front-loaded his good races that year) and my girl's first premier class podium!! but... bit of a heartbreaker as he did come VERY very very close to winning. also he said apparently he was pleased with his podium but when he got to parc fermé his team was acting disappointed he didn't win :( still a fantastic race, the highlight of casey's troubled rookie campaign. (casey was fast from the get-go in the premier class, but was dealing with major tyre issues that the team around him didn't do a good job at helping him with. by the end of the season, he ended up acquiring a somewhat unfair reputation for being a crasher, with the lovely nickname 'rolling stoner'. still, for young talent it's generally the peaks that matter most and you could really see his ability shine through here)
*qatar 2007: obviously of Great Narrative Significance, casey's first race with ducati and when he announced his arrival at the top of the sport by getting his first premier class win. good solid fun casey/vale fight, though it does feature the classic 'ducati blasts past everyone down that very long lusail straight' syndrome. people were kinda mean about that - which in turn made casey very irritable, arguing that if your bike is a nightmare to ride everywhere else then it's an accomplishment to be close enough to blast past down the straight. unfortunately I do agree a lil bit with the naysayers in terms of the actual racing, but still a pretty good fight
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^the last year it was a day race
**catalunya 2007: probably my personal favourite? (of the ones casey won, anyway.) just something about a great battle at that track - obviously valentino had about a million, but this was really the only race-long one that he lost. important in the context of the 2007 title campaign - even though it was only a ten-point swing - because it showed casey wasn't just about horsepower dominance. fantastic riding from both of them
**donington park 2007: my fave of his wet weather performances because he actually has to work his way through the field. he started fifth but was outside of the top ten early on after an uncharacteristically poor start. fun race with plenty of good shake-ups of the order
(he sealed the title in motegi and won his home race for the first time that year, but since he finished sixth in the former and won the latter by a few lightyears, they don't make the cut)
*qatar 2008: more fun than qatar 2007!! imo!! obviously it's also jorge's first race and he's on pole and dani's a bit injured and those two have their whole thing™️ going on... and vale has just switched tyre suppliers and is trying to prove he's not washed and casey is starting his title defence... so a big significant race for all four of them, and unlike many races in that era has a fair few twists and turns and almost all of them actually get to fight each other a bit. okay eventually it settles down and gets dull but until then it's fun (and there's also some very late excitement involving dovi/vale)
**laguna seca 2008: I feel a wee bit bad for including this one and casey would throw something at me, but well it obviously belongs on here. ignoring casey's complaints for a minute about vale's aggression, it really is a fantastic battle - and vale only goes as far as he does because casey's so good! (also unsure whether casey would appreciate this line of reasoning.) probably the one everyone's most likely to have already watched, and for good reason since it slaps. sorry casey
estoril 2009: only for sentimental reasons, after the first few laps it gets boring fast. still, it's casey's first race back after the mystery illness-induced break, he immediately has a cute lil battle with vale (which he wins, slay) and... okay then it's basically a procession but it's also nice and sweet when it's over and he's on the podium and he's shown everyone he's still got it. maybe skip like. 20 laps
**phillip island 2009: casey's first win in only his second race back!!! warning that it's a little light on actual overtaking but it's still tense and close most of the way through and casey's so great to watch on this circuit. (he's literally too good at it for most of his races there to be all that interesting, this is probably the best one.) plus it's another one included partly for sentimental reasons. here's my pitch:
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sepang 2009: so he's been slandered for months, he's been written off, ducati have been fucking him over, he comes back and immediately gets a podium finish and wins the next race... what does he do after that? win again obviously! another neat little wet performance (partly helped by vale having a bit of a shocker off the line lmao, though he seals the title that day with a p3 finish)
valencia 2009: if you want to see the pole sitter crash on the warm up lap and dani almost miss the start in confusion
**sachsenring 2010: vale's first race back after the broken leg. usually that's the time when everyone would pretend to be nice to each other... but all three of vale, jorge and casey had gone to efforts during vale's absence to make things worse <3 anyway cracking race including a good fun spite-fuelled battle between casey and vale for the last podium spot, one of their better scraps with a dramatic ending - after which both of them are charmingly bitchy about each other to the media (see below). shame it was basically their last notable battle in the dry (I didn't include either jerez 2011 or le mans 2012 on this list because I wouldn't really recommend them as good casey races, but they do more or less conclude casey and vale's on-track story. and the latter is also the last podium they share, plus it's the race right after casey announced his retirement. fave presser moment)
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^😭😭😭😭😭 you guys are AWFUL oh my god. people always talk about laguna 2008 but the vibes got way more rancid post-2009 when their actual on-track rivalry was basically over
motegi 2010: this one's kinda marginal on whether it qualifies for this list. casey was really proud of this win and felt his 2010 wins were particularly impressive given how much he had to override a bike that was objectively shit by this point.... BUT in practise once he shakes off dovi, it's quite a dominant win and the real fun is watching valentino experiment with whether he can make jorge lorenzo the first person ever to die of rage alone while riding a motorcycle
*silverstone 2011: one of the truly great wet weather performances. this is a personal taste thing - I don't mind dominance as much in the wet because it's just cool sometimes seeing somebody drop a masterclass on the field in those conditions. but obviously not necessarily the most exciting victory fight once he hits the front after like. a lap. still, good battles going on behind him
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^a fan of british tracks, not a fan of the british
*sachsenring 2011: great three-way battle with jorge and dani, with the lead exchanged several times - also plenty of other good battles down the order. not one casey emerges victorious from, but definitely one of the best races that season
**laguna seca 2011: okay look corkscrew this corkscrew that but there's an argument to be made that casey makes a pass in this that's better than anything marc and vale can DREAM of. well no I won't go that far - but it's still an incredible overtake, insane thing to do at a blind corner, and casey just looks fantastic riding on that circuit. in his autobiography he says something along the lines of 'oh it looked scary on tv but I knew I'd make it'. which. okay casey!! not gonna say more than that, one of those where you'll know it when you see it. one of the best races of his career and also a key race in that year's title fight
phillip island 2011: marginal inclusion, but it's sweet he sealed the title on his 26th birthday by winning his home race (even though he mainly sealed it there because jorge lost half a finger and couldn't start the race). conditions got treacherous when the rain showed up but well casey stayed on the bike, just about
*jerez 2012: casey's first and last win at jerez! this is the one that casey called his greatest career win at the time and... sure, fair enough, especially given he had a weirdly bad record at the track. he didn't enjoy the experience much because of his arm pump issues, which makes the performance all the more impressive. fun first few laps in particular, after that it's maybe a bit more tension than actual action. still a proper good race
estoril 2012: another win he's very proud of... another one that's maybe even more skewed towards tension than actual action, but still an unmistakably impressive performance given jorge's strong record there and casey's physical issues. that and jerez completed his set as they'd been the races he hadn't won yet, which made him feel more certain of his choice to retire
phillip island 2012: listen it's his last win and it sealed the title (for jorge), so was at least somewhat exciting. but also according to his autobiography, casey deliberately rode slower for a bit before expanding the gap again just to keep his focus up, which I think gives you a sense of how easy he found winning there
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^his penultimate race and sixth consecutive victory at phillip island. he also finished on the podium in his last ever race at valencia
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kajinovaa · 3 months
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you ever just decide in wanting to constantly have work so you don't have to feel for interalized sorrows?? boutta be me with these commissions boiiiiiiiiii
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oreegaanoo · 2 months
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Character reference sheets and two frames from the animatic! :3
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fairmerthefarmer · 2 months
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Dryads
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kathy-rah · 2 years
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5 months ago: Now:
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The first one was drawn on my phone while now I draw on pc, so surely this helped me a lot already, but it's still nice to see the general improvement.
Keep exercising and trying out new things and styles! This the best way to improve and to create your own style.
Fun fact: I have only recently decided on my official nickname for signing the drawings
(눈_눈)
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flickerbit · 6 months
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My adhd really is the source of everything huh
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mell0bee · 1 year
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perhaps i shouldnt say anything bc im not caught up but that imogen design..... hmmmm.
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devotedlystrangewizard · 10 months
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me?? juggling two hyperfixations and two special interests?? its more likely than you think
#trying to remind myself that i dont actually have to rewatch tfp for the 3rd time in 2 weeks because. i dont know#and then ultkl as the other hyperfix#and xiv & zelda are special interests#and im trying to navigate life. with 4 separate interests. drawing my attention#zelda is on hold bc im afraid of doing the final boss and i dont have anything else to do BUT#im helping my stepbrother almost daily. so its still part of it all#also having a mild dishonored resurgence but not on the same level as everything else i just. missed corvo#aaaand also tw3 bc of twn reminding me of how much i miss regis despite me not even watching the show#the only reason. i havent reinstalled borderlands 3. is because that game is sickeningly large#and i dont have the space for it on my laptop if i want to keep ffxiv & dh2#can you tell im going through it#something something back to simpler times when everything gets too much#god i need to get back to the witcher books. but id have to unpack for that. man#so much to do so little time#if dh2 ran at 60fps on ps5 i wouldve gotten it on ps5 so i can play it in my room instead of downstairs#which i shouldnt be allowed to complain about steady 30 because. ahaha. my laptop has frame drops!#it manages 60 generally (with most of the settings on low) but some areas drop to 40 & lower and. yeah#had the same with bl3#my dad said i can get his laptop in a couple of months which is a little stronger and by god i will be inserting extra storage#because holy fuck this isnt working
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chisatowo · 2 years
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Now that I've gotten a few more designs under my belt I have begun more fully developing the plot! Here's a lovely lady I got today that'll be fairly relevant to the plot :>
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arolesbianism · 3 months
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I am pausing my comical neglect of Kii for a second to flesh out their backstory more and I finally have a decent image for their general character arc, besties who are in a constant state of "I can fix him" when the ppl they're trying to help unionize against their attempts to help (it's because Kii is like 90% using helping ppl to avoid confronting their own issues and the gang are desperately trying to get them to see that)
#rat rambles#oc posting#kii generally considers themself a kind and patient person and they are for the most part but they also have some pretty bad anger issues#its smth that theyre extremely self conscious abt but they kind of just tell themself that their anger is justified to try to ignore it#and like. some of the things they get angry abt are justified. but like being angry abt specific things and not being able to stop yourself#from lashing out are different things#they were actually pretty shitty to miko when they first met especially since they felt justified doing it#it wasnt until miko cracked under the pressure being put on him to solve everything that kii started to feel guilty enough to stop actively#snapping at her#after they started traveling together kii began to warm up to miko especially when they found out miko has mad mommy issues#they actually did help miko quite a bit but the character development that they helped miko have put them in a stable enough place to#realize that kii wasnt in a much better place mentally and this was amplified after mar and mip became friends#kii took it Really badly since mip had been working with midas and lashed out hard#which made miko and kickz finally draw the line since they were yknow screaming at a child#kii had no idea how to handle the ppl closest to them being genuinely mad at them and as such they initially lashed out more#but after their outburst they quickly fell into an anxious guilty yet still angry spiral as they desperately tried to feel justified still#but then mar ran away and they freaked out since while they were angry they still care abt mar deeply and they didnt want her gone#and the others were all like you sure dont show that conpassion very well when you fucking scream at them for being friends with the first#person their age theyve ever met#and we get fun kii character arc stuff as they slowly start to grapple with these issues theyve been actively trying to avoid for years
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maikaartwork · 9 months
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Artists, let’s talk about Instagram commission scammers
There’s been a huge rise in commission scammers recently, mostly on Instagram. A lot of new artists don’t know what to look out for, so I figured this might help people.
How they begin
Usually the scammer will write to you asking about a commission. Something deceptively cute - mostly I encounter asks about pet portraits, with one or two photos sent. They’ll probably try to sell you a sweet little story, like “It’s for my son’s birthday”. They will insist that they love your artwork and style, even though they don’t follow you or never liked a single piece of your art.
What to look out for:
Their profiles will either be private, empty, or filled with very generic stuff, dating at most a few years back.
Their language will be very simple, rushed or downright bad. They might use weird emojis that nobody ever uses. They will probably send impatient “??” when you don’t answer immediately. They’re in a crunch - lots of people to scam, you know. 
They’ll give you absolutely no guidelines. No hints on style, contents aside from (usually) the pet and often a name written on the artwork, no theme. Anything you draw will be perfect. Full artistic freedom. In reality they don’t really care for this part.
They’ll offer you a ridiculous amount of money. Usually 100 or 300 USD (EDIT: I know it might not be a lot for some work. What I mean here - way higher than your asking price, 100 and 300 are standard rates they give). They’ll often put in a phrase like “I am willing to compensate you financially” and “I want the best you can draw”, peppered with vague praise. It will most likely sound way too good to be true. That’s because it is.
Where the scam actually happens
If you agree, they will ask you for a payment method. They’ll try to get to this part as soon as possible. 
Usually, they’ll insist on PayPal. And not just any PayPal. They’ll always insist on sending you a transfer immediately. None of that PayPal Invoice stuff (although some do have methods for that, too). They’ll really, REALLY want to get your PayPal email address and name for the transfer - that’s what they’re after. If you insist on any other method, they’ll just circle back to the transfer “for easiest method”. If you do provide them with the info, most likely you’ll soon get a scam email. It most likely be a message with a link that will ultimately lead to bleeding you dry. Never, and I mean NEVER click on any emails or links you get from them. It’s like with any other scam emails you can ever get.
A few things can happen here:
They overpay you and ask for the difference to be wired back. Usually it will go to a different account and you’ll never see that money again. 
They’ll overpay you “for shipping costs” and ask you to forward the difference to their shipping company. Just like before, you’ll never see that money again.
The actual owner of the account (yes, they most likely use stolen accounts to wire from) will realize there’s been something sketchy going on and request a refund via official channels. Your account will be charged with fees and/or you get in trouble for fraudulent transactions. 
You will transfer the money from your PayPal credit to your bank account and they will make a shitstorm when they want their money back, making your life a living hell. They will call you a scammer, a thief, make wild claims, wearing you down and forcing you into wiring money “back” - aka to their final destination account. 
Never, EVER wire money to anyone. This is not how it’s supposed to go. Use PayPal Invoice for secure exchanges where the client needs to provide you with their email, not the other way around.
You can find more info on that method HERE.
What to do when you encounter a scammer:
Ask the right questions: inquire about the style, which artwork of yours they like, as much details as you can. They won’t supply you with any good answers.
Don’t let the rush of the exchange, their praise and the promise of insanely good money to get to you. That’s how they operate, that’s how they make you lose vigilance. 
Don’t engage them. As soon as you realize it might be a scam, block them. The sense of urgency they create with their rushed exchange, and pressure they put on you will sooner or later get to you and you might do something that you’ll regret later.
Never wire money to anyone. Never give out your personal data. Never provide your email, name, address or credit card info. 
Don’t be deceived by receiving a payment, if you somehow agree to go along with it. Just because it’s there now doesn’t mean it can’t be withdrawn. 
Here is a very standard example of such an exchange. I realized it’s a scam pretty fast and went along with it, because I wanted good screenshots for you guys, so I tried going very “by the book” with it. 
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Please share this post, make it reach as many artists as possible. Let young or inexperienced artists know that this is going on. So many people have no idea that this is a thing. Let’s help each other out. If you think I missed any relevant info, do add it as an rb!
Also, if you know other scam methods that you think should be shared, consider rb-ing this post with them below. Having a master post of scam protection would AWESOME to have in the art community.
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heritageposts · 3 months
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Ask an older generation of white South Africans when they first felt the bite of anti-apartheid sanctions, and some point to the moment in 1968 when their prime minister, BJ Vorster, banned a tour by the England cricket team because it included a mixed-race player, Basil D’Oliveira. After that, South Africa was excluded from international cricket until Nelson Mandela walked free from prison 22 years later. The D’Oliveira affair, as it became known, proved a watershed in drumming up popular support for the sporting boycott that eventually saw the country excluded from most international competition including rugby, the great passion of the white Afrikaners who were the base of the ruling Nationalist party and who bitterly resented being cast out. For others, the moment of reckoning came years later, in 1985 when foreign banks called in South Africa’s loans. It was a clear sign that the country’s economy was going to pay an ever higher price for apartheid. Neither of those events was decisive in bringing down South Africa’s regime. Far more credit lies with the black schoolchildren who took to the streets of Soweto in 1976 and kicked off years of unrest and civil disobedience that made the country increasingly ungovernable until changing global politics, and the collapse of communism, played its part. But the rise of the popular anti-apartheid boycott over nearly 30 years made its mark on South Africans who were increasingly confronted by a repudiation of their system. Ordinary Europeans pressured supermarkets to stop selling South African products. British students forced Barclays Bank to pull out of the apartheid state. The refusal of a Dublin shop worker to ring up a Cape grapefruit led to a strike and then a total ban on South African imports by the Irish government. By the mid-1980s, one in four Britons said they were boycotting South African goods – a testament to the reach of the anti-apartheid campaign. . . . The musicians union blocked South African artists from playing on the BBC, and the cultural boycott saw most performers refusing to play in the apartheid state, although some, including Elton John and Queen, infamously put on concerts at Sun City in the Bophuthatswana homeland. The US didn’t have the same sporting or cultural ties, and imported far fewer South African products, but the mobilisation against apartheid in universities, churches and through local coalitions in the 1980s was instrumental in forcing the hand of American politicians and big business in favour of financial sanctions and divestment. By the time President FW de Klerk was ready to release Mandela and negotiate an end to apartheid, a big selling point for part of the white population was an end to boycotts and isolation. Twenty-seven years after the end of white rule, some see the boycott campaign against South Africa as a guide to mobilising popular support against what is increasingly condemned as Israel’s own brand of apartheid.
. . . continues at the guardian (21 May, 2021)
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yamujiburo · 28 days
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Why I Love Hanamusa
I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:
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First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.
I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!
Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!
It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.
Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.
Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.
All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 
Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.
Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.
There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.
I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.
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