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#either I'm not original in my characters
shokujin-art · 2 months
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Getting on FFXIV after more than one year of hiatus to discover that... My character is like a an alternate universe of Lyra. Catgirl Lyra being a thing now 😂
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front-facing-pokemon · 10 months
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#spinda#AAAHHHH YES!!! our belovèd spinda. from their café!!! probably one of my favorite minor characters from pmd sky#whom i don't even think was in the original explorers games. i think spinda's café was exclusive to sky. if i'm remembering correct#ly. or maybe that was shaymin village. i know shaymin village was for sure but maybe it was just that and not both of them. either way#have a delicious drink and allow the flower of conversation to bloom! i could quote spinda all day. he had “hopes and dreams” before toby#ever did. THAT'S ALSO like i had no idea what spinda's pronouns were. i kept trying to figure it out because i talked about him quite a lot‚#but no one in game ever talked about him. to mention his pronouns? turns out. there's ONE line of dialogue where the post office fucker in#shaymin village mentions him and calls him a he. i think that's the only time spinda is referred to in the third person with a pronoun#i believe it's when they're talking about like. how you can send gifts or whatever and pick up the characters' responses at spinda's café#which is still a really fucking good feature. of any video game. SEE WHAT I MEAN spinda and their café is just an incredibly good      Thing#it's to the point where my home wifi network is named “Spinda's Café Wi-Fi” because i love it so much. so if you're ever runnin around#and you see a wifi network by that name… it might be me! you never know! or… it could be the real deal. the real spinda's café is somewhere#nearby…! ugh. i wish. i would go there immediately#not even to mention all the other shit about this pokémon that's really good. like that they never walk in straight lines or whatever#their little dance. it's just.  huUGHKLJKAHJVDHJHDAJSVGD i love spinda. a nice pick-me-up after the underwhelmingness that was grumpig#shake it this way… shake it that way… and stir it all around… and it's done!
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dazzelmethat · 2 months
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A very rough Sesshomaru in a woman's kimono. Well he was always wearing a furisode so I just threw in an obi on it. I may fix this up or not.
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somnefarious · 10 months
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I talked about elevated seats already, but I'm also a very big fan of someone hypnotized being moved around like a rag doll at the whims of the hypnotist/hypnotic creature - very good
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paellegere · 1 month
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ok well since tumblr deleted my whole tag essay on this post which i'm going to be sad about forever, i'll try to recreate it in its own post.
so the op of the post made a great point which really touched on why i've been saying that i had a fundamentally different takeaway of season 9 compared to the rest of the fandom. i have a lot to say in response to this (i mean it), not in argument but in support and synthesis of it.
fair warning: this is essentially a thesis on seasons 8-10 and how they function as a unit, through the focal lens of season 9. the length is appropriate for this argument.
i'll start with dean at the beginning of season 9: he has a great struggle in 901 regarding gadreel possessing sam, more so than any other struggle he's faced when saving sam's life, which points to me as him being aware of and conflicted about sam's history of possession. he understands this is crossing a line because it's similar to lucifer and meg, and so accepting gadreel's deal is violating sam to a length dean hasn't gone to before. dean by and large is the one who has this particular ethical problem (shown throughout the first half of season 9), not sam. hell, dean is the one who leaves sam once gadreel's out, without even waiting for input because his self-loathing is that strong.
sam, on the other hand, is more textually concerned in his 912/913 arguments with the lack of trust ("i can't trust you, not the way i thought i could") and dean's selfishness ("you did it for you"). this is an ongoing conflict sam has with dean, since the beginning of the show. dean doesn't trust sam to make his own decisions and therefore makes them for him, without sam's consent or knowledge. sam wants to be trusted to stand on his own, and he wants dean to put the same faith in him that he puts in dean. this is the core of sam's needs; the violation of autonomy is just an externalization of these needs and this conflict.
and i don't entirely disagree with the connection between going behind sam's back to keep him alive against his will and a rape narrative. both involve a lack of consent and a violation of agency. however, it really doesn't stop there, and it's a lot more complex than that.
and that's what rubs me wrong about more common interpretations of season 9 that i've seen. because this isn't really what the season is about. this violation on its own isn't the point. or if it is on the surface, it's equally about sam lying to himself about what it's actually about. he's consistently left out of major decisions regarding his own life and then lied to about it "for his own good," and he wants the right to choose his own path.
except, as we learn, that's not true. he lied about it. because the point of the whole season is that sam and dean are the same. they will make the same decisions to save each other over and over again. the point of the whole season is that sam has been lying to himself.
i said this in another post, but i think a big reason sam was able to lie to himself about this fact is because he's had the opportunity to let dean go on several occasions. he's been unable to save dean the way dean has saved sam. he fails where dean succeeds. sam has been forced to endure a grief that dean has never had to experience because dean always brings sam back. and so because sam has endured these experiences maybe he's more comfortable letting dean choose death in the abstract—the hypothetical. but in reality when it comes to that point, sam can't actually follow through, because he's just as dependent on dean being there for him as dean is dependent on sam.
and that's what season 9 is about. sam has been lying to himself about this reality from the start. this is why 1019 parallels 311 regarding how insane sam is about dean. it's reiterating the facts we've known but with a new perspective, now that sam is done deluding himself. he needs to accept that he was lying to himself and to dean, and this is what allows season 9 to close and for season 10 to begin, because season 10 is a response to sam's realization. he chooses dean over everything else in a monumental display of hypocrisy and genuine understanding of himself and who dean is to him.
seasons 8-10 should be taken as a single, cohesive unit, and the show goes to great lengths to enforce this. season 9 mirrors season 8, and season 10 acts as a response to and therefore a continuation of season 9. you can see this in the way charlie's death mirrors kevin's (one brother's lies and deceptions leads to increasing stakes that could have been avoided through honesty and openness, which culminates in the death of their beloved ally, and the deceptive brother blames himself for that death because his own unethical actions led to it), or how both of them undergo a change in their physiology as a result of godlike power entering their bodies which mutilate them from the inside and have fatal consequences (sam with the trials, dean with the mark of cain) which can only reasonably be resolved with their deaths (and they both even enter the final stages of this conflict by going to confession). also the plot structures of seasons 8 and 9 on their own mirror each other very closely.
this is all very important because it outlines the purpose of each of these two seasons. it's about them being fundamentally betrayed by their brother, causing that brother to become desperate and feel rejected and unloved, only for them to get what they need out of each other to reaffirm their love. they have to function as a unit, because otherwise both season's primary conflicts (as in, the conflicts established in the first half of each season) are left unresolved. instead, sam gets what he needs from dean in 823, which means that in return dean gets what he needs from sam in 923, thus closing the circle that was opened in 801.
dean reaffirmed that sam is the most important person in the world to him in sacrifice, that he would choose sam over every single other person on earth—this is what sam needed to hear, because it's the foundation of the conflict in season 8, since sam thinks dean chose benny over him and this sent him spiraling into a suicidal depression and self-loathing. so season 9, consequentially, is about dean getting what he needs from sam: he needs to know that sam will do anything in his power to save dean, which is a conflict that began in season 8 (with sam not searching for dean in purgatory) and is reasserted in 913 when sam tells him that he wouldn't violate his agency if the situations were reversed.
and this is exactly what dean gets in 923, when sam says he lied about all of that. dean gets the affirmation that sam's love for dean goes beyond petty ethics, which translates to "dean is more important to sam than anything else in the world" where the "anything else" includes sam's own moral boundaries. this is important to dean because dean eschews his own moral boundaries for sam's sake and safety over and over again throughout the series, and this is a major source of his own character development (see: 122, 203, 214, 222, et cetera et cetera). sam repeatedly denies that he's the same way, and has proven at least once that he wouldn't do the same, so this is an important affirmation for sam to give and it's why dean had spiraled into a suicidal depression and self-loathing (look, another parallel).
so season 8-9 are mirrors of each other, and they have to be mirrors of each other in order to work structurally and for any of the conflicts presented to be resolved. season 10 then is a response to this which shows the consequences of those dual resolutions: aka, sam acts just as unethically as dean does in the rest of the show, except this time knowingly and intentionally instead of subconsciously as he has been doing up to now (see: 1001, 1003, 1004, 1018, 1020, et cetera et cetera).
in order for all of this to work, the conflicts in season 8 and season 9 have to be equal. i.e. dean has to violate sam and his ethics as badly as sam violated dean and his ethics. it also has to be suitably Bad because it's revisiting a conflict that's existed in various iterations across the entire show. this is why it's also deeply important that 923 dean's death also parallels 222 sam's death, because it highlights how this conflict has always existed and how sam and dean are similar to each other. they both make the same choices under pressure and go to equally unethical lengths. which is why season 9 couldn't end until crowley told the audience that sam was trying to make a deal with him to bring dean back to life, specifically after dean begged sam to let him die. the point, then, was never about the violation itself: sam disregards dean's right to choose death just as much as dean disregards it. the season is about how sam and dean are at their cores the same, and it's about sam becoming aware of that reality and then actively, consciously choosing it. which is what sam reiterates across season 10, as a response to his choice in 923.
he only realizes that this is a Bad Thing in 1101 (i.e. after the response has run its course) when he says they both have to change. and the "both" is important because they are the same, fundamentally. sam isn't innocent of this violation of agency and obsessive deception of his brother, and he needs to understand that before actionable change can be made, which is what season 10 is all about.
and there's something poignant that can be said about 1023 being titled "brother's keeper," because this episode is about sam playing the role of brother's keeper, only for it to blow up so spectacularly in their faces that it causes the apocalypse 2.0. it forces sam to recognize that his original conclusion (that dean was right, and that he was lying) was not actually the correct and moral way to continue living. the significance of 1101 only reveals itself in the foundation laid by seasons 8-10, because these are the seasons about sam discovering just how down bad he is for his brother and accepting it wholeheartedly. season 11 then seeks to fix what seasons 8-10 broke, which is of course the entire fucking planet.
and this is the problem: the first apocalypse was caused by the absence of love, and the second was caused by too much love. their love is a destructive force that has world-ending consequences. that's the point of these seasons, what it all comes back to. in receiving the exact type and strength of love they needed from each other, they ended the world. and this is the conflict they need to resolve in season 11, or at least try to. because their love for each other can, has, and will destroy the world, over and over and over again. this theme can't exist unless seasons 8 and 9 mirror each other, unless season 9 is about sam's hypocrisy.
without that world-ending love, they couldn't have started the second apocalypse. if sam weren't a liar, he would have respected dean's choices, and he would have let dean die. if sam truly cared about bodily autonomy, dean would have died in 923 when he begged sam to let him. but he doesn't; that's not the point of the narrative. of course the violation of autonomy is important, because it provides the foundation for the conflict. but the violation is itself a metaphor, a triple whammy of symbolism: the possession is a metaphor for violation, and the violation is a metaphor for betrayal (as seen through the lens of deception).
the point of season 9 is not that dean metaphorically raped his helpless little brother; rather it's that the violation of agency goes both ways, and sam is a hypocrite for trying to maintain his autonomy while stripping it from dean. it's a continuation of season 8, which thus compacts his guilt over "abandoning" dean in purgatory and his self-loathing and fears of not being good enough or worthy enough of dean's love, which thus causes him to act recklessly and injuriously toward himself and dean. it's not a positive conclusion by any means; like i said, this is what causes the second apocalypse, and it's only after they've ended the world twice that sam finally sits down and says maybe they were wrong about this whole thing. maybe their love is too destructive.
in 912, sam says: "something's broken here [...] we don't see things the same way anymore."
in 1101, sam says: "this isn't on you. it's on us. we have to change."
sam goes from blaming dean to blaming both of them, because he realizes that they're both equal partners in their toxic, fucked up love. season 8 and season 9 allowed them to become equals by giving each other the affirmations they desperately needed to achieve true enmeshment, and season 10 is the consequence of that unhealthy relationship.
the point was never that dean violated sam. he does that over and over again throughout the series without destroying their relationship. the point is that sam is willing to violate dean all the same, and he had to face that reality head-on and accept it to resolve the conflict between them and give dean the affirmation he needed, just like dean gave sam the affirmation he needed in 823. the violation was simply a vehicle through which the conflict could come to a head, and the most provocative symbol this show could possibly use was the metaphor of sexual assault and rape, given sam's history with it via meg and especially via lucifer.
i've probably written enough now. the tl;dr is that season 9 invokes what can be interpreted as a rape metaphor not to vilify dean or even really to continue sam's ongoing rape narrative (though the violation that occurs in season 9 uses this as a foundation for the conflict and that's important to understanding the gravity of the situation), but rather to give appropriate stakes to mirror the primary conflict of season 8 and provide grounds for dean to get resolution for the conflict that began in 801 and continued through 923. god i hope this makes sense because now i've written this essay twice and i'm so miserable because of it.
my apologies if any of this is repetitive or meandering or lacking in any way; i tried really really hard to recreate my original essay and also provide more evidence and groundwork for my argument but obviously i'm sure i've missed some details and overlooked structure in many places. not that i even really expect anyone to have read this far. if you did, i love you and please talk to me about seasons 8-10. i'm losing my mind
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mishkakagehishka · 2 months
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I just . Repeating "characters are tools" you end up erasing so much about arashi's character and motivations and interactions with other characters if you avoid using her pronouns aka avoid showing she's transgender. It's on the same level of frustration with the translators i had when i saw they had Mika speaking standard English, there's a LOT that gets lost if you don't show those little things.
#and sure maybe some things wouldn't matter bc - i don't read many knights stories so beyond what's mentioned ab arashi in stories i've read#like those featuring mika and such#so i can't say for her but i can say for mika - because a lot of it is touched upon in ! which isn't getting translated#mika talks about his accent and dialect and such the most in ! HOWEVER#you still have idol story 3 where he talks with Tsumugi about how people perceive him because of his accent and#about how he feels like he's letting people down by not conforming to the positive stereotypes associated with his speech#and if you make him speak the standard language you completely lose that layer#if you erase the fact that Arashi is transgender you completely lose that layer of her characterisation and motivations#she literally has a story in !! where she talks about how much it hurts her to always be cast as the male character#in princess-knight themed shoots when all she wants to be is the princess#but how are you gonna get the full context of that if the story refuses to give you the context you had in the original#ie. that Arashi uses the (hyper)feminine ''atashi'' pronoun and that her speech pattern is one associated with young women#in ! she has a line where she asks i believe koga to not use the slur used for effeminate/gay men for her#because her name is arashi narukami and if anything she wants to be called arashi-chan or naruko#which is also additional context lost if you don't translate it right - the -ko suffix in a name is traditionally feminine#i'm no expert either but i'm a writer and i plan on working as a translator#and these are things that - if lost in translation - will impact your understanding of the entire story and/or character#whether it will have you completely misunderstanding it or just being confused is irrelevant but it's like#in my opinion as a translator it's your duty to translate even the subtext#if you need to show that arashi is transgender you don't need to say it (even tho#she did once say ''i will never be the woman i want to be'' iirc and#i do have recollection of mika telling her ''i don't really get it but you're a girl right?'')#but you should give us the same chance to come to the same conclusions which is to say. translate naruko to the best of your abilities.#idfk Nary maybe ? i feel like the -y ending is usually diminutive rather than feminine but.#something to that tune. and give her a girly speech pattern. it exists in english too.#slang can be associated with gender too#like you guys get it right.
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aq2003 · 13 days
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the background piano music ends abruptly on a discordant note when hamlet says his father had died in the past two hours, which is when the idea gets put forward that his own perception of time/events might not be totally reliable
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bastart13 · 10 months
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Some headshots for a fantasy story I'm working with about winged humans. It's been a lot of fun taking inspiration from different birds and trying to make thee designs distinct from each other
Left to right, top to bottom order:
Elin - The main character and member of the royal guard. She's throwing herself into this new stable job to avoid having to confront her complete absense of a personal life, having lost it all.
Caderyn - Usurper king who established his reign through shockingly quick bloodshed and is currently reworking things to stablisise his throne.
Llewellyn - Head of the royal guard and the former heir of a noble house, working dilligently under the king.
Angharad - Llewellyn's sister and current manager of their properties. A shrewd and calculating woman, but not unkind.
Dafydd (aka Dai Gwefl) - A member of the royal guard next to Elin. Always paired with Dai Gwyn to keep him in some sort of check.
Dafydd (aka Dai Gwyn) - A member of the royal guard next to Elin with the opposite of her work ethic.
Dafydd - A member of the royal guard with seniority, having worked to help establish King Caderyn's rule. As such, he gets to keep the name "Dafydd"
Doctor - A royal doctor moonlighting in a back-alley clinic. She's always where she's needed, even when not asked for.
I haven't sketched fullbody designs for them, but I have sketched out their wings
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grimgummies · 5 months
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zecoritheweirdone · 4 months
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first art post of the new year!!! granted, i don't share my art here that much anyway, but– shhh.
hehehehhhooo,, here's something i've been working on for 'bout a month,, albeit not consecutively– took a few,, very very long breaks in between working on this,, but i managed to finish it in the end! am i satisfied with it? .......ehhhh? not completely, but if this took any longer, it might not have seen the light of day, so like. ¯\_(ツ)_/¯.
anyway,, made a little poster for my favorite fic, tommyinnit's services for villains, vigilantes, and various other vagabonds, by @scorpionoesit!!! it's really really good,,, and i've always wanted to make more art for it,, so i decided– poster! at least,, that's what it's mean to resemble,,, dkdmkdmdkd.
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i will freely admit,, i'm... not the biggest fan of the fan-made logo i tried to design for it,, feels a bit boring, and could definitely have used a bit more pizazz, something to make feel more like the fic itself(what does that mean? you figure that out),,,, but– again, steam was running low,, dkdnksjs. graphic design is my passion. i do also have other complaints, but i'm afraid i already punched my one-use self-critique card,, oh well,,, dkdnkxjdkd.
regardless,, even with the flaws only i can really see,, this still turned out pretty okay!! hope you enjoy it, mx. scorpio and mx. alibi!!! and i hope everyone else has a wonderful new year!!!!
#my art#dream smp#tommyinnit fanart#tommyinnit#i don't wanna try tagging the rest of them so i'm just not gonna <3#anyway wrow i wonder who the skull guy and mysterious shadowy figure are....... could be anyone.#i was gonna try and fit in some sort of hero so i could check all the dots of everyone tommy's help#specifically either dr**m (derogatory) or phil#(was mostly leaning towards phil)#but 1) couldn't figure out a way to make it look good with the current set up#my first thought was to try moving the current characters around a bit; but then it would feel too crowded#my second thought was to have them appear from the smoke; somehow? a smoky figure?#but that only really looked good in sketch form and i didn't have the patience to figure that out properly#and 2) no clue what their designs look like. don't even know what their powers are; yet!#was also wanting to fit fundy in but it didn't work for the first reason#fun rapid fire character design facts: niki has a littol sharp tooth 'cause of the joker stuff!#i originally gave tubbo green eyes;; but i decided blue-green looked cooler#tech– [cough] i mean;; *orion's* cloak has a faint lil orion pattern on can barely see it but it's there i assure you !!!#(i tried my best for his design but i am. not the greatest at outfits;; especially hero/villain ones)#tommy has long hair bc it's *MY* art and *I* say he gets long hair. this definitely isn't canon to vagabonds i just like to do this#<- also why michael and tommy have freckles#tommy has a bit of green in his design(through the patch) due to a theory of mine :D#might have over-rendered the hair a bit but. fuck you i like it#anyway i think that's all i have to say about it? if you've actually read all these tags;;; have a cookie -> 🍪#pretend it's a peanut butter cookie#actually. no pretend it's both. you get two cookies. as a treat.#anyway have a good rest-of-your-day !!!!!!
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thesmokinpossum · 3 months
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I can't believe y'all almost made me pay to go watch po*r th*ngs in theater without telling me that the whole thing revolves around a hardcore born sexy yesterday trope with a side dish of pseudo necrophilia where a woman with the brain of a litteral foetus who don't have periods or body hair (but do have boobs!) find joy and freedom by having a lot of sex with a bunch of men, shoving a apple up her vagina for some reason and joining a brothel (but it's a cool socialist brothel and all the girls looove being there, don't worry guys), all of that written and directed by two men, I'm never gonna trust you guys after this one lmao
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shimmerluna · 27 days
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WAIT Elle has box braids in s3??? I could cry
I don't think she had bad hair in s1 or s2, but I'm excited that they're actually giving the Black girls Black hairstyles instead of having them wear it out.
Before, it felt like the (all-white, for context) hair department was just ignorant about Black hair, so they put wigs on the Black actresses and only did styles that also work on nonblack hair for their own sake/convenience. This theory was especially supported by the fact that Tara, whose 4c hair couldn't really be styled the same as nonblack hair, wore a twistout that would take literal hours to do every day, but she had box braids in s2! and Elle has box braids now!! I'm so excited!!!
I also feel like this fits her bold, fashion-loving personality so much better than leaving her hair out. Our hair is basically its own accessory, and the long box braids are very feminine. Again, I'm not saying not having a protective style isn't feminine or fashionable (I myself am a fashion girlie with an Afro), but having one is another outlet for her creativity, and I'm glad they're recognizing that now.
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ramenwithbroccoli · 7 months
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hey girl did it hurt? when he loved you so much he gave you immortality, but not enough to ask if you actually want it?
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sysig · 2 months
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Really digging out the old OCs now; Pan-na, Pilok, Azalea, squirrel boys Will and Damien, and Cupid and Venus <3 (Patreon)
#Doodles#Original#The Original Onslaught has begun >:) *stock maniacal laughter*#Lots of old faces! Lots of unfamiliar faces haha#You might actually recognize the last two individual boys as Blind Willie and Big Boy - those two I've Actually posted over here lol#The rest not so! Goshdang! I actually don't think I post Azalea much of anywhere lol like Maybe once on DA? Possibly? Heck#Same with Pan-na now that I think of it actually she's a Tomodachi Life-specific character haha#I had a few that despite not being fandom-tied I just can't get rid of to make room <3 They're residents! I'd miss them!#I really spoiled Pan-na - lots of cute clothes and a pretty room - so she gets special treatment in doodles too haha#Pilok was made while I was really into making original species on DA - anyone else here fill out the long development sheet? Fun stuff haha#I wish I'd finished a few more memes that got popular on DA back then ♪ Like the OC Remix! Very fun I made a rough of one years ago#Looking at Pilok now she kinda reminds me of the aliens from the DBZ special where Bardock gets sent to the past lol#Azalea was another random design that got a few doodles 'cause I thought she was edgy and cool haha#A more animalistic take on a stomachmouth - I don't think she can talk even she's just shaped like a humanoid maybe to blend in? Dunno#Oh looking back at my notes she was only supposed to have three fingers lol oh well#I don't think I ever drew her with her stomach open either but I'm pretty? sure I always imagined it being teeth-lined haha#Chomp#Squirrel boys! If you remember a few years ago I tried to draw Will again and was like ''>:?your face'' lol - I think I got it better now!#Still not 100% but better! He has very Shaped features haha#Big Boy turned out silly haha very one-large-anime-eyed - he deserves it lol#His hair falling over itself looked cool in my early doodles :0 Careful lines! Not so careful now lol#And Buzz is just missing haha#And finally Cupid and Venus <3 <3 I don't remember now but those two and their third girlfriend Spider might've been my first polycule? :0#These two were a couple before inviting her in tho haha - there's a whole big backstory of how they met and all that#Venus was one of the main characters in Other Side of the Gun and then split off into her own side story with Cupid- It's a whole Thing#They're very sweet tho <3 I love them ♥#Kinda seasonal for Cupid haha I didn't plan that! Her favourite holiday is Valentine's Day of course
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muffindaydream · 9 months
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way back when, sometime after I finished my first playthrough of pokemon scarlet, I brought back some of my old OCs and completely re-made them because the brainrot reached critical mass...
didn’t wanna take the student route so I made my OCs academy faculty members instead (librarians)!
Their names are Raine and Fatima. Raine is a Contest Coordinator hopeful and Fatima is a Dark-type specialist who wants to become a trainer again after previously retiring.
Raine is one of my oldest OCs ever, so I really wish I could have done her justice and made more art for her, especially by completing her full-body ref. My chronic pain won yet again..
You can read an even more detailed description of my Pokemon OCs here on a carrd I made just for them! bask in my self-indulgence.
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citrinide · 3 months
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Saying this in the nicest way possible.
Some people really need to shut up.
#cecil.fm#DESPERATELY begging some of you to stop ignoring huge parts of a character JUST because you like them#He's an asshole. He's CONSISTENTLY an asshole. He makes slights and unnecessary judgements toward EVERYONE. PLEASE IT'S NOT JUST THE CHASSIS#yes this is about Wheatley obviously I'm going to be pissed over people misinterpreting characters from my special interest AGAIN#I was there when people UwU-ified him and treated him like a precious baby while demonising GLaDOS at the same time I'm bashing heads in rn#they're. fucking. FOILS!!!#THEY'RE BOTH BAD PEOPLE OH MY GOD THEY BOTH MAKE UNNECESSARILY RUDE REMARKS YOU NEED TO ACCEPT THIS OH MY GOD#I am begging oh my fucking god#there's moments where I see this behaviour and like desperately want to block people because oh my god what ELSE are you blatantly ignoring#like I'm not innocent either here I'll be the FIRST to admit my f/o is a shitty person too! He's a pathetic little suck up#he's annoying and so fucking rude but I'm not ignoring any of that!#The portal fandom has such an issue with this I swear to god. nothings changed we're going in circles. character analysis is dead.#I think thats what made me cancel LaaC originally too. fuck.#this is why I stay in my little Aperture Tag corner. Because at LEAST we aren't operating under the false pretense that Nigel is some saint#forcing you all (non-specific) to play the game again and TRY to explain away the blatant instances of him being all types of awful#just a general sentiment I've seen again recently that I REALLY despise. stop declawing characters im going to MAUL you#anyway sorry for the tag rant im just very passionate about this game and people misinterpreting characters WILDLY off is. Yeah :))#extra note: blaming the chassis for his actions as if he wasn't predisposed to that behaviour is a stupid ass take and always has been <3#i could go on for hours but I'd hit the note limit so <3#one of my biggest pet peeves in fandom honestly.
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