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#europahaus
eminenz · 1 year
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Lumagic Elefphant #lumagica #europahaus #penzing #hütteldorf #park #lichterpark #walzerdertiere #lichtobjekt #lightdesign #schlossmilleraichholz #schloss #parklife #pfad #lichterpfad #animals #animalsofinstagram #elefant #elephant #elephantlove #elephantsofinstagram #wien #vienna #igersvienna #wienliebe #wienstagram #viennablogger #event https://www.instagram.com/p/CnJpijyshbd/?igshid=NGJjMDIxMWI=
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dashalbrundezimmer · 9 months
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europahaus // essen innenstadt
former amerikahaus ruhr
architect: herman gehrig
completion: 1952
relief by herbert lungwitz
the former amerikahaus ruhr, which is now called europahaus and houses a cabaret, was built as an information centre to bring democratic culture and political education to the population of post-war germany. the building is in a very good state of preservation and continues to be the focal point of the square in the centre of essen.
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floriankoschat · 10 months
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„Vom Unternehmer zum Investor“ war der Titel meines Vortrages im Europahaus in Klagenfurt.
Danke an den Alpen Adria Business Club für die Einladung.
Der volle Saal und die spannende Diskussion haben zu einer ausgezeichneten Stimmung beigetragen.
#vortrag #unternehmer
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sollte eine Überraschungsparty sein
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mikuteit · 3 years
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Three Squares, 2021. Student Housing “Europahaus”. Bulit 1993 by Blomeier-Müller-Achatz. Constanze, Germany. Foto: © Wolfram Mikuteit 
Shot with Contax IIIa (make: 1957), 35 mm viewfinder camera with interchangeable film magazine, light meter, additional revolving viewfinder for 21, 35, 50, 85 and 135 lenses.
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ukdamo · 4 years
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KZ Sachsenhausen
One of mine... 
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KZ Sachsenhausen ; there and then, here and now
In the summer of 1936 the posters on the underground in Berlin declaimed to every traveller, “Escape the big smoke. Come and enjoy the forests and lakes of Oranienburg". A forty-five minute train journey from S-Bahn Friedrichstrasse (1), in the heart of the city, brought sun seekers into the pleasant countryside to the north.
And why not? The dappled forest paths and clear lakes offered welcome relief from the thronged streets of the capital, streets filled with thousands of visitors who had come for the Olympiad being held in the new stadium, built to the west of the city.
People from all over the world had flown in to Flughafen Tempelhof, the airport whose buildings were a stone testament to the vitality of the l000 Year Reich. From there, visitors jostled along Swastika-hung streets to view the city sights: the Brandenburg Gate, the treasures of the Pergamon Museum, Schloss Charlottenburg; to climb to the top of the Siegessäule (2) not yet moved, on Hitler's order, from its home in front of the Reichstag; to stroll down the Unter den Linden  - although the crowds were no longer shaded by its eponymous trees since they had been felled so as not to obscure the vista of Nazi (3)  parades.
Few visitors, admiring the State Opera house, recalled the newsreels of 1933  which showed this building lit by the flickering light of a great bonfire - a bonfire of burning books heaped on the adjacent square.
Impressionable tourists lunched in the Café Schottenham, by the Anhalter Bahnhof (4), and then walked admiringly past the Bauhaus designed Europahaus en route to the splendid new Air Ministry building. Only a few years earlier the sightseers might have taken their coffee and cake in the Hotel Prinz Albrecht but this was now the HQ of Reichsfűhrer SS (5), Heinrich Himmler.
With every pavement, café and square teeming with tourists it was no wonder Berliners escaped to the relative calm of Oranienburg, to take a boat out on the lake, or to walk through the woods.
There were some city-dwellers, however, who travelled there under duress and for a more sinister purpose. To prevent the possibility of any embarrassing incidents in Berlin during the period of the Games, to disguise its anti-Semitism, and to forestall any negative publicity, some of the measures taken against the Jews by the regime were suspended.
Behind this façade (quietly, unobtrusively, diligently), the Gestapo (6) intensified its labours rounding up the enemies of the Reich - Communists, Social Democrats, trade unionists, liberals, Christians, Jews, Sinti and Romany peoples, pacifists,
Jehovah' s Witnesses, homosexuals, those designated 'anti­-socials' or criminals - and took them to the purpose built camp on the outskirts of Oranienburg. It was known as KZ Sachsenhausen. (7)
On a wintry day in February l996, I followed in their footsteps.
---------------
I was part way through my week in the city when I made my ‘pilgrimage’. After breakfasting, showering, and dressing in my most colourful clothes and dangliest earring,
I picked up the remembrance (8), quitted my Berlin lodgings and set out for Oranienburg. The journey that had brought me to this time and place had begun years before in quite another location. As a younger man, studying Modern History at the University of Liverpool, I had focussed my enthusiasm on nineteenth and twentieth century European history: Berlin was a pivotal place in the scheme of things. My perspective, particularly on twentieth century German history, was informed by the lived experience of being a gay man. There and then reached a spectral hand into the here and now.
The cold February sky was downcast; grey, lowering. pedestrians turned up their coat collars to insulate themselves and hastened to their destinations. Sometimes I drew startled looks - my appearance being somewhat conspicuous - opposing the bleakness of the morning as it did. It was the fluttering ribbons which attracted most interest though.
(Like the compelling image of the red coat in the film "Schindler's List"?)
      The train journey to Oranienburg was a journey in time as much as through a landscape. The train trundled across the city, heading northwards. Tenements gave way to light-industrial enterprises, these, in their turn, to detached houses with steeply-raked roofs. The houses thinned out and were separated by fields, wooded areas, little ponds and watercourses. As we clanked onwards, the landscape became more open. I could see now that the ground was waterlogged; crusty, muddy and frosted with snow. Even the larger lakes were frozen. Denuded trees pointed bony fingers to the sky. Somehow I had drifted into the winter of l944/45. The train reached its terminus and we few passengers reluctantly turned out of the warm carriages to brave the wind-scoured platform.
         Almost immediately, a gentle dusting of snow began to fall. (I am surprised to find that 1 feel glad it is snowing. It seems appropriate). I am possessed by the unshakeable conviction that no-one should visit at a pretty time of year. It would be  sacrilegious.
There is a mixture of buildings in the town, old and new, the streets are cobbled not asphalted. It requires no effort of imagination to see columns marching along this road. Straggly columns, sore-footed, threadbare.
        Oranienburg is a smallish town, similar to my own home town in NE Lancashire. There is some road traffic thudding over the cobbles; Trabbies and Wartburgs as well as VWs and Opels. Some kids look at me with unrestrained interest, older people with more reserve. Some of them even have a reproachful aspect.This is no longer Berlin, where people of unusual aspect arouse little notice and less comment. This is not even Manchester, where gays can be visible with a modicum of safety. This is the familiar, narrow, inhospitable ‘small-town’ Bronski Beat sang about with such eloquence.
I recognise it from my own lived experience.
I become conscious of many thoughts; "This building would have been there then"
"What must it be like to live here now, with such a legacy?"
"What do these little kids make of it?"
Practical considerations imposed themselves and I looked for a signpost. There was one. How sobering, how chilling, to see it written. No longer a name from the past but a place here and now: Gedenkstätte Sachsenhausen (9).
Following the directions indicated, I walked towards the camp. As I neared it, the monument became visible above the rooftops. It stands uncompromisingly  - a concrete grey monolith with pinkish triangles on the upper section. You could easily imagine that it was physically holding up the clouded sky, like Atlas.
At the corner of the Strasse der Nationen (10), which leads to the entrance, there is a small display board that remembers those who were killed on the 'Death March'. In the spring of l945, when it became obvious that all was lost, the authorities decided to march the camp inmates to the Baltic, intending to put them on ships and sink them.
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Six thousand died before the column was liberated - they were shot, beaten to death, or killed by cold and exhaustion. It was a sombre marker for what lay ahead.
Before going into the camp proper visitors walk through an entrance gate and along a wooded way that leads past the information centre. Through the trees to the left (sparse, wintry and naked) glimpses of the perimeter wall can be had. I went in to the office and collected an English guide map. The room was dominated by a big, green-tiled stove that radiated masses of heat. It made the cold outside seem that much more intense.
"What must it be like to work in such a place?" I wondered,
"Do you grow used to the horror of it all? Can you afford to forget?" I quitted the building and felt very alone. There was just me, the remembrance, and the reality of Sachsenhausen. There and then, here and now. I feel strongly that Sachsenhausen is not history: history has no life in it. Sachsenhausen can never be mere history as long as there is someone who knows, who remembers, who lives in the light of that remembrance.
The first place that presents itself to the visitor is a modern exhibition centre (1961) which houses photographs, archive material, and an allegorical stained glass memorial window. The building dates from the original opening of the camp as a centre for national remembrance, in what was then the GDR (11). It focuses on the wartime history of Sachsenhausen. It stands in what was the SS barrack area, just in front of the gatehouse. Inside, I noted the brief descriptions of the photos in English. Many needed no explanation: the horrors were all-to-evident. Among the most harrowing were the pictures of those murdered on the march to the Baltic.
    Corpses were scattered along the route - in fields, in ditches, in the woods, by the roadside - killed by a single pistol shot to the head. From under makeshift coverings (which those who found the bodies had used to try and afford them the dignity denied them by their tormentors) poked emaciated limbs, bruised and disfigured faces, unshod feet. Other photographs detailed those who were left behind, the three thousand in the 'hospital', found when the Russians entered the camp on April 22nd 1945.
On that April day, some few miles to the south, Hitler was in the bunker beneath the Reich Chancellery. He had celebrated his last birthday two days previously. The sounds of the strife above ground were muffled and did not disturb the delusions of ultimate victory he cherished. In the cold reality of day, Flughafen Tempelhof was about to fall to the advancing Russians.
Within a week Hitler would be dead.
Some of the prisoners in Sachsenhausen made slow recoveries and joined the sea of 'Displaced Persons' trying to get home in post-war Europe. For others, death's grip was too tight for liberation to make a difference.
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Leaving the photograph collection, I turned toward the entrance to the camp proper and walked through. Arbeit Macht Frei (l2) said the mocking inscription on the gate. By the end of 1944, over 204,000 people had read that sentence as they passed under the lintel and in to the Appellplatz (13). Once inside, more than 100,000 of them were systematically put to death. Others met death in camps they were transferred to. It would be invidious to try to describe the sufferings endured by camp inmates in a purely statistical way; in any case, the destruction of records means that an accurate total can never be known. The information in Sachsenhausen suggests that some 30,000 gay men were sent to the camps under the Nazis. Estimates vary. A figure of 60,000 or more may not be unduly high. Perhaps as many as 2/3rds of these men did not survive.
Standing there, 1 felt as if I had ought to remove my boots and go barefoot. A stupid idea but an almost overpowering feeling. I gazed across the open courtyard, at the monument towering beyond, and was filled with unutterable sadness.
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The camp is laid out like a gigantic triangle, with the gatehouse in the centre of the baseline. Emotionally, I felt this to be an obscene joke. Apparently, it was simply the result of Nazi thoroughness and the exigencies of security - a shorter perimeter, fewer watchtowers, fewer unobserved corners, better sightlines. All so easily calculated.
The courtyard presented a large semicircle - the placement of the first row of huts being indicated by a latticed wall. Behind me, to my left and right was the neutral zone (actually a killing field); a wire boundary marker, a few yards of bare earth, then an electric fence.  Finally, and almost superfluously, there was the perimeter wall with its barbed wire crown. To step over the marker invited being shot without warning. Photographic evidence shows that some prisoners chose this. Still others crossed the death strip and embraced the electrified wire.
I looked down at the map in my hand. It was difficult to use it nimbly because of the cutting wind and my chilled muscles. My eyes were watering, too, but I could not blame the wind for that. The ribbons on the remembrance fluttered; the only colour in the landscape.
Immediately in front of me was a great concrete roller that weighed three metric tonnes. The Häftlinge (14) were forced to run pulling this and were beaten if they moved too slowly. A semicircle just in front of the first row of huts was identified as the Schuhprűfstrecke (15), Here, in a broad arc, were nine sections - each of a different surface - gravel, flint, broken stone, sand etc… Prisoners had to walk over these for ten hours each day (about 25 miles, carrying 35lb in weight) to test the durability of shoe/boot soles. I looked down. The frost-frozen ground cracked beneath my own booted feet and I sank into the mush. Scattered snowflakes flitted by. A few rooks called, screechingly.
A party of British teenagers came in through the gatehouse. They were chatty, boisterous, as kids are. But their voices grated on my ears even more than the shrill rooks. Some places in the world must only ever be silent places. Not because noise is a bad thing.
No, Act Up is right when it says that Silence = Death. But in Sachsenhausen the silence is needful. It is what makes it permissible to be noisy elsewhere. If the potent and clamorous silence of that place is ever trodden underfoot, then the laughter, songs, protests, whistles and dancing that enliven and affirm us wherever we are will be themselves in danger of being silenced forever.
There are those who wish it so.
In September of 1992, a number of individuals broke into the camp and burned down two of the huts (known as the Jewish Barracks). It is thought that this act was a deliberate desecration of the memorial and was an indication of the resurgence of xenophobia and anti-Semitism in the recently re-unified Germany. In Berlin itself, on Oranienburger Strasse, stands the recently restored Neue Synagoge (16). It is guarded by three armed policemen and is protected by stringent security measures. Inside is an exhibition that focuses on the history of the Jewish people in Berlin, even so, it acknowledges that racism and prejudice have deep roots are widely prevalent.                      
Closer to home, there is a latent racism abroad on the streets of my own town. The National Front has contested, and continues to be active, in local elections. Dispersed asylum seekers meet with thinly veiled hostility. In 1994 an NF candidate was successfully elected in local council elections on the Isle of Dogs, London. Jewish cemeteries are regularly vandalized. Violence directed at lesbians and gay men, is, sadly, an unremarkable occurrence.
My train of thought had been interrupted by the noise of the school kids, so I allowed them to go their own way and then turned my attention back to the map. Over to the right was a temporary exhibition that told the story of the Jewish Barracks and their inmates. The future of these two barrack blocks (38 and 39), destroyed in the arson attack, remains to be decided.  
Further on was the special detention camp set up for prominent political, and other, prisoners. A number of the cells are still there. Prisoners were often held in solitary confinement for long periods, tortured, denied food and drink, kept in darkened cells for months or even longer. Martin Niemőller (17) was a prisoner here. To walk along and look into the tiny cells (some with memorials inside) was a humbling experience. It was not hard to imagine the clang of steel doors, the turn of keys, the sounds of brutal interrogation echoing down the narrow corridor.
What was the date again?
At the far end, the building opened on to an exercise yard, separated from the rest of the camp by a high wall. I stepped out again into the bleak, dismal light. To the left was the Erdbunker (18), a burial cell or pit where prisoners were virtually entombed, exposed to bitter cold and oozing wet walls with only a small, steel barred hatch above.
What would you see from inside? A cross hatched patch of blue? A slate grey torrent?
On the February day I was there, the ground was waterlogged. I could hear the drip of icy melt water as it fell into that dark maw. A great puddle surrounded the hatch, frozen on top, squelchy underneath.
Just beyond the bunker, on the wall, was the memorial plaque that I had come to see; journey’s end for the beribboned remembrance, journey’s beginning for my living remembrance. The plaque is a stark in its simplicity: a black rectangle with the letters punched out by stencil, exposing the wall behind. On the ground below, a few tiles, and, scattered on them, a few carnations. Had they once been pink? The wording of the memorial was as stark in its simplicity as the plaque itself. How else could it be? How can you dress it up in fine language?
TOTGESHLAGEN
TOTGESCHWIEGEN
DEN
HOMOSEXUELLEN
OPFERN
DES
NATIONALSOZIALISMUS
Taking hold of the remembrance, I drove the pole in to the ground as far as it would go and then banked up the mushed, sandy, ice-filled soil around it to hold it steady. Not caring whether I was observed or not, I knelt down in the waterlogged yard,
sank back onto my haunches and waited quietly for about the length of time it takes a man to walk a mile slowly. Everything was hushed. The ribbons flapped and the poem waved about as  the wind caught it. For a moment or two, there was a dancing rainbow
When the time was right, I stood up to continue my journey. (I returned to the remembrance before I finally left the camp, the hard frost meant that the banked earth at the base of the pole was already beginning to freeze. Almost as if to ward off the chill, the freedom ribbons fluttered gaily. This optimism made the leave-taking that much easier).
I moved on item the exercise yard to the exhibition mounted in the former prisoners’ kitchen.  The route took me past the sites of the gallows where prisoners deemed to have committed offences were hung,. Other grisly punishments were also meted out here during roll call "pour encourager les autres". Away to the right, by the perimeter wall stood a monument to those who died in the camp during the period 1945-50. For Sachsenhausen's infamy did not end with the war's end. The Soviets operated the site, under the name of ‘Special Camp No. 7’, and imprisoned former members of the Nazi Party, members of the SS, and the Wehrmacht (20), as well as prisoners of war released by the Western Allies, and others. Later on, inmates included people who were victims of denunciations, people who were arbitrarily arrested, growing numbers of Social Democrats, Christian Democrats and Liberals, opponents of the Soviet occupying power, and of the emerging East German Communist regime. It is estimated that 20,000 people died as a result of the conditions in the camp..
The sights that met the eye once inside the former cook-house were stinging. Further calculated horrors, to which the prisoners were subject, were held up for unwelcome yet necessary inspection.. There were artefacts from the wartime history of the camp – Zyklon B canisters (21). Human hair, gathered for use as war materiel. Fillings from teeth.
Striped uniforms, with their triangles of various colours (22). Plates and cutlery, stamped with prisoners’ numbers. The ‘height measurer’ from Station Z (23). This building was a place I wanted to run through quickly and escape from. Instead, I walked slowly and deliberately through it all, step by step, case by case, from one information board to the next. It was like the Stations of the Cross. Is it realistic to hope for a Resurrection? ‘Can there be lyric poetry after the Holocaust?’ someone asked.
Can there be?
I do not feel able to answer that question. But I can witness to this: the even in Sachsenhausen it proved impossible to crush the creativity and aspirations of the human spirit. Prisoners crafted necessarily small but beautiful things from the most basic materials and contraband. They made chess sets, inlaid cigarette cases, even a crude radio receiver. Furthermore, there is at least one recorded instance of resistance, carried out by the ‘Jewish 18’. In the autumn of 1942, in protest at their inhuman treatment, eighteen Jews staged a protest in the Appellplatz. Their act of resistance, though brutally suppressed, did result in some amelioration of camp conditions for the Jewish inmates. It did not save the 18 from Auschwitz-Birkenau.
When I had reached the end of the exhibition I paused for a long time by the visitors’ book because   had to frame carefully what I wanted to write there. What response can on make to such horrors?
"Whereof one cannot speak, thereof must one remain silent", noted Wittgenstein in his philosophical investigation of language. He must have been thinking of the situations that test the boundaries of human experience when he formulated that precept. And here was I in such an extremity. Just how do you write down a howl of anguish in the soul?
When I left the block I saw the great monument towering before me. I went up close and looked at its huge bronze figures and its concrete vastness. The scale was so big as to be scarcely human. In a way, this is perversely fitting since the dreadful events to which it testifies are equally vast in scope and inhuman in character. The sculpted group of figures at the base of the tower is entitled "Liberation". (A secular version of Resurrection?)
Feeling tiny, I turned and walked the short distance to the site of Station Z.
If Dante's Inferno is taken as a metaphor for Sachsenhausen, then Station Z may be thought of as the deepest and most damned region of that place. Perhaps it is fitting that this was the last place I visited and the place where I most nearly lost what measure of self-control was left to me.
The area is shielded from the elements by a canopy. The suffering and the loss are recalled in an affecting monument; bronze figures two adults with a dead child. More affecting still are the remains of the building that stood on this spot. It was built in l942 and was staffed by the SS. Here thousands upon thousands were gassed, or shot. Their bodies were profaned (treated as the source of raw materials for the war effort) then burned. Any remains were crammed into a subterranean bunker close by.
Given what preceded death, this can be no real surprise. Often, camp inmates were used as a slave work force for various SS-run enterprises. Prisoners from Sachsenhausen were compelled to build the canteen and recreational facilities, used by the Gestapo and SS, on the Prinz Albrecht Terrain (24). In the 'hospital' prisoners were used in experiments to test drugs, chemical weapons, and 'treatments'.
The foundations only remain.
No access is allowed: visitors look through a wire fence on to the features that rising up from the earth. Clearly discernible are the rooms that comprised the gas-chamber (disguised as a shower room) the ante-room where prisoners stripped before going in to the 'shower', and the ramp where the dead, having been thrown on to carts, were pulled the few yards to the crematorium.
          Also evident were rooms used for interrogations and a killing room made to appear like a clinic. Prisoners were stood against a height measurer attached to a wall. (A wooden finger that ran between two slats, marked off in centimetres). Unknown to the inmate, there was a hidden room behind the wall. Once the wooden finger was upon his or her head, someone in that room would shoot them in the back of the neck. Bodies were dragged across the floor and through a door that opened on to the crematorium.
           All so convenient, so duplicitous, shielded from the eyes of the other inmates.
But there could be no secrecy; the smoke, the smell, the miasma, the point of no return.
It must have been evident for miles.
The wind whipped up again. Steam rising from the boiler house in the old laundry block caught my eye and was transformed into the smoke from this charnel house. It was suddenly 1944 again. The camp was filled beyond capacity with the enemies of the Reich, 90% of them non-German. There were representative groups from virtually all of Nazi occupied Europe.
Russian prisoners were being systematically exterminated. Food was scarce, warm clothes scarcer still. Prisoners were beaten, worked to death, tortured, subject to crazed experiments.
The rooks sent up a cacophony of cries that brought me to myself again. Here I was, in 1996, looking& back at what had been. Statistics in Sachsenhausen indicate that there were more than 2000 concentration camps, sub-camps and detention centres in Germany alone.
I blinked back tears as I looked through the fence and reconstructed these terrors in my mind's eye. Walking round the site, moving clockwise past the sculpture in the near left hand corner, I caught site of a feature that I did not immediately recognise and so moved closer. Suddenly, even through eyes misted over, it became all-to-evident.
The few courses of bricks, the metal doors and the flues, resolved themselves into ovens. There were four in a row. I was absolutely stricken. My legs buckled and I let out an involuntary cry as I stumbled and reached out for the wire to support myself.
From then on, I was in a daze. I tottered across the frozen earth and picked my way gingerly down the trench that led down to the bunker where the bones had been dumped. Signs on the sides of the wooden ramparts indicated where prisoners of war had been shot. Others who met their death at this entrance to Hades included those sent to Sachsenhausen by Reichssicherheitshauptampt of the SS and the Gestapo (25).
Most sickening was the mechanised gibbet, worked by a winch and pulley, which allowed four people to be hung at one time, with the minimum expenditure of effort or manpower. It was what 1 had come to expect of the Nazis during the course of my visit. That I was no longer shocked by such atrocity was a shock in itself. I stared out of the pit at the vast grey sky, punctured only by the concrete finger of the monument. The sky was heavy under the weight of its own sorrow.
The closing scene from the film Judgment at Nurembergcame to mind. An American (small town) judge visits his leading Nazi counterpart whom he has just sentenced for war crimes. The German judge offers, as mitigating explanation, that he thought the Nazis could be controlled and used, that he never imagined it would come to this. His counterpart dismisses this very cogently and simply: "It came to this the first time you sentenced a person to death whom you knew to be innocent."
If Sachsenhausen indelibly imprinted one idea in me, it is this: that every step down the road which begins with disrespect for another person ends at KZ Sachsenhausen. All the sentences which begin, "I'm not …………… (insert your own favourite prejudice)…… but ......" conclude, ultimately, with the sharp report of a pistol shot, or the creak of rope, or the bolts sliding home on the door to the 'shower'.
Many of the entries in the visitors' book say, "This must not be allowed to happen again". My feeling is that it has never stopped happening. I believe that it may prove truly fatal to think of there and then and exclude here and now. I am convinced that the celebration of life and difference, the promotion of human flourishing, is dependent upon us being ever vigilant, and ever respectful of the dignity of others.
My visit to Berlin showed ample evidence that a significant number of people share this perspective. In the wake of the arson attack on the 'Jewish Barracks' at Sachsenhausen, there was a spontaneous gathering at the memorial to express concern and regret. Subsequently, a demonstration was held which focussed on the theme 'reflecting in Germany - together against xenophobia and anti-Semitism'. 7000 people attended.
When the Berlin city authorities were considering what uses the Prinz Albrecht Terrain might be put to, concerned citizens and organisations took an active interest and even direct action, including a symbolic 'dig' on May 5th., 1985. The discovery of the foundations of the buildings associated with the site, particularly the cells used by the Gestapo, and those parts built by the slave workers from Sachsenhausen, together with the insistent pressure brought to bear by those who saw the necessity of an explicit recognition of the role that the site played during the period of the Third Reich, resulted in the opening of an exhibition pavilion and associated memorials which currently comprise the site. The motto of the groups coordinating the May 5th dig seems very appropriate: "LET NO GRASS GROW OVER IT!"
The city is notable for the number of memorials and plaques that detail the location of many buildings, and chronicle many events, which some would rather forget. Berlin's insistence on facing up to the past and continuing to confront it in the present struck me very forcefully. Less formal but no less striking is the graffiti that can be seen in the city. Particularly in the workers residential areas, like Prenzlauer Berg, graffiti appears to be regarded as necessary.
Graffiti ist kein Verbrechen!
Lesben Pauer
Nazis vertreiben, Auslanderinnen bleiben  
This is a Nazi house
Much graffiti was focussed on current concerns – Kurdish refugees, the confrontation between Neo~Nazis and their Anarchist and Anti-Fascist opponents. Some was witty and creative but most was political in its inspiration. Amongst my favourites was the pointed reminder: "Wer bunker baut, wirft bomben" (27).
Comparing this situation to that nearer to home gives cause for unease. I do not feel that we recognise the dangers of forgetfulness, or apathy. Remember Pastor Niemöller's lament?
       Muted public concern permits our government to play fast and loose with human rights - witness the attempt to expel the Saudi dissident, Mohammed al Mas'ari, to protect lucrative arms deals with the Saudi government. Consider how the Criminal Justice Act is used against travelling people and against those who wish to undertake direct and legitimate protests.
Examine closely those churches who claim to esteem the unique dignity of the human person in absolute terms yet couch their teaching and pastoral documents in such a way that the human dignity of some is completely abrogated. This may be noted particularly when the churches address themselves to women’s issues, lesbian and gay issues, or issues of race and ethnic origin. There is no comfort to be had in looking at the wider situation - the former Yugoslavia, Iraq, Chechnya, or Rwanda.
I wish I were able to claim for lesbians and gay men some innate virtue that renders us impervious to the propaganda of racism and sexism, but I can't. Though we may identify more strongly than some with the women, children and men who were butchered there and then in places like Sachsenhausen, and though we might feel their suffering acutely and recoil in genuine horror, still that does not confer an automatic immunity to the hateful thinking patterns that produced the concentration camps.
If it is true that lesbians and gay men (among others) have a 'privileged' access to the experience of the Häftlinge, then we have a particular responsibility to be vigilant. The danger we face because of that propaganda and its attendant terrors may be more subtle and understated in Britain than it is overseas but it is no less invidious. We must be vigilant not simply to prevent the virulent return of those values that consigned us to the camps (the fear of being inmates in the here and now) but also to prevent us from being seduced by the simplistic slogans and false promises that would make us accomplices in their institution. Without such vigilance we face the awful an almost unimaginable possibility of being deceived into acting as the new guards.
The lesson that Pastor Niemöller learned (too late?) was that if it could be you, it could be me, and if it were me, then it could be any of us. For that reason the same thing is demanded of each of us:
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Vigilance and respect; there and then, here and now
                                                                                              2001 © PD Entwistle
Notes
(1) S-Bahn Friedrichstrasse:
Berlin is served by a variety of train and tram routes. S-Bahn refers to the Schnellbahn - the overland train network, Friedrichstrasse to the station in the centre of the city.
(2) Siegessäule:
Victory Column, built to commemorate the military victory over the French  which led to the founding of the Second Reich in 1871.
(3) Nazi:
NSDAP  Nationalsozialistische Deutsche Arbeiterpartei. The National Socialist German Worker's Party. Elected to power in 1933, the party began to usurp the power of the state, supplanting the rule of law and government by the fiat of the party and the instruments of terror it wielded. Within a few months Hitler had stifled all opposition and abandoned any pretence of democratic rule.
(4) Anhalter Bahnhof:
This was one the chief railway termini for Berlin. Severely damaged in wartime bombing, there now remains only a portion of the facade.
(5) Reichsfűhrer SS:
Himmler’s official title, ‘Reich leader of the SS’. The SS (Schűtzstaffel) was the Protection Squad of the Nazi Party.
(6) Gestapo:
     Geheime Staatspolizei, the secret state police.
(7) KZ Sachsenhausen:
Konzentrationslager, concentration camp. In the earlier years of Nazi Germany  the camps were sometimes referred to as Schutzhäftlager, protective custody camps.
(8) Remembrance:
This had its origin in two distinct items which seemed to belong together as a 'token' that could be taken to Sachsenhausen and left at the memorial there. The remembrance consisted of 6 freedom ribbons, in the rainbow colours, attached to a pole. These ribbons had been part of a larger banner that had been carried on the Lesbian and Gay Pride March (London) in the summer of 1994. Together with the ribbons was a poem (see below).
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                       The Colour of Forget-Me-Nots
                                         rose pink
                                     carnation pink
                                         perky pink
                                            panther
                                    champagne pink
                                         in the pink
                                        lily the pink
                                            lipstick
                                       blushing pink
                                     candy floss pink
                                         baby pink
                                          bootees
                                    marshmallow pink
                                     bubblegum pink
                                        fuchsia pink
                                           Triangle
(9) Gedenkstätte Sachsenhausen:
Many of the former camps have been designated as places of national remembrance and reflection. Sachsenhausen is the one closest to Berlin.
(10) Strasse der Nationen:
      Street of the nations
(11) GDP:
      German Democratic Republic more commonly referred to as East Germany .
       Now, of course, no longer in existence since the reunification of Germany.
(12) Arbeit Macht Frei:
       The motto which was found at the entrance to the concentration camps. Work shall  
        set you free.
(13) Appellplatz:
The place where inmates were assembled for roll-calls, punishments etc…
(14) Häftlinge:
Prisoners of the camp.
(15) Schuhprűfstrecke:
The shoe-testing ground.
(16) Neue Synagoge:
The 'New Synagogue’, completed in 1866. One of two dozen synagogues vandalised and set alight on Kristallnacht (the night of broken glass), November 9th., 1938. Following this pogrom 12,000 Berlin Jews were brought to Sachsenhausen.
(17) Martin Niemöller:
       Pastor Niemöller, U-Boat commander in WWI and a one-time supporter of the      
       Nazis, came to reject Fascism and was incarcerated in Sachsenhausen.
       He is, perhaps, best remembered for the following verse –
First they came for the Jews
And I did not speak out – because I was not a Jew.
Then they came for the Communists
And I did not speak out because I was not a Communist.
Then they came for the trade unionists
And I did not speak out  - because I was not a trade unionist.
Then they came for me
And there was no-one left to speak out for me.
(18) Erdbunker:
       Literally, ‘earth bunker’.
(19) Totgeshlagen…:
       A literal translation is difficult. The inscription may be read as –
                                           BEATEN TO DEATH
                                         SILENCED TO DEATH
                                                       THE
                                              HOMOSEXUAL
                                                   VICTIMS
                                                       OF
                                                   NAZISM
(20) Wehrmacht:
       The German Army.
(21) Zyklon B:
      The cyanide gas pellets used in the gas chambers.
(22) Triangles:
       Prisoners in the camps were made to wear triangles of different colours. The
       respective colours indicated the reason for their incarceration, eg. green = criminal,
       red = political offender, black = anti-social, pink = homosexual.
(23) Station Z:
       The mass extermination facility, built by the SS in 1942, and run by the
        Totenkopfstandarte SS  (Death’s Head battalions of the SS). Here, thousands
        upon thousands were systematically butchered.
(24) Prinz Albrecht Terrain:
       An area of central Berlin that housed the offices and HQ of the Nazi state terror
      apparatus eg. the Gestapo, the SS. Bounded by (what is now) the Wilhelmstrasse,
      Niederkirchnerstrasse, Stresemannstrasse, and Anhalterstrasse.
(25) Reishsicherheitshauptamt:
      An approximate translation would be Head Office of Reich Security.
(26) Graffiti:
Colloquial translations might be –
Graffiti is no crime!
Lesbian Power!
Deport the Nazis, let the immigrant women stay
(27) Wer Bunker…:
     Whoever builds bunkers, drops bombs
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matthiaslechner · 5 years
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#SelfieFun with @andreas.ablinger, @mariakoefler, Stefanie Thurner and the one & only @stefansagmeister just before he took the Europahaus stage on the 22nd of August to talk about his "Happy Project" 😅😅😅 … #Joy #HappinessLevel1 #MindsAlike #Thankful #StefanSagmeister #HappyProject #HappyFilm #HappyShow #Talk #Presentation #Europahaus #Mayrhofen #Zillertal #Tirol #Austria #tb #Throwback #SaturdayEveningFun (hier: Europahaus Mayrhofen) https://www.instagram.com/p/B2H7Q0do5IJ/?igshid=bhgic3q3hccu
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moreturov-blog1 · 7 years
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🎿🎿🎿ГОРНОЛЫЖКА! #АВСТРИЯ! Отель расположен в спокойной части курорта, в центре #Майрхофена, напротив конгресс-центра #Europahaus. Железнодорожный вокзал Майрхофена, супермаркеты и общественный крытый #бассейн находятся в пределах 5 минут ходьбы. Отель построен в 1783 году, полная реконструкция отеля проведена в 2013 году. Отличный выбор для любителей #спорта. Расположение #Горнолыжный автобус останавливается непосредственно перед отелем и за 2 минуты довозит гостей до #подъёмника #Penkenbahn (800 м от отеля) или подъёмника #Ahornbahn (1000 м от отеля). ОТЕЛЬ Der Siegelerhof Hotel 3* Майрхофен Economy, DBL Питание BB Вылет 10 фев, Сб по 17 фев, Сб (7 ночей) 1 405 € за 2их взрослых (at Туристическое агенство Море Туров)
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lmhde · 7 years
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#europahaus #berlin #germany #europe #european #architecture #twenties (hier: Europahaus)
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edwardiansnow · 5 years
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at Europahaus https://www.instagram.com/p/BsgEmhaBsF8/?utm_source=ig_tumblr_share&igshid=162airyk1dc2j
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floriankoschat · 10 months
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„Vom Unternehmer zum Investor“ war der Titel meines Vortrages im Europahaus in Klagenfurt.
Danke an den Alpen Adria Business Club für die Einladung.
Der volle Saal und die spannende Diskussion haben zu einer ausgezeichneten Stimmung beigetragen.
#vortrag #unternehmer
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scoutlive · 3 years
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Internationales Märchenpicknick
Das Europahaus Nordthüringen, Europe Direct Informationszentrum, lud heute von 14-18 Uhr alle interessierten Nordhäuser zu einem Internationalen Märchenpicknick ein. Das Picknick wurde auf dem Gelände des Park Hohenrode aufgebaut.Das Team des Europahauses hat gemeinsam mit den Gästen über die Bedeutung der Freizügigkeit innerhalb Europas aufgeklärt. Eine mit Europäischen Freiwilligen einstudierte…
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View On WordPress
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Guten Tag! ich lade Euch herzlich ein zu
ALL DARK – Die Friedrichstadt
Jazztour zum Nationalsozialismus
Swing in Berlin – ein Stadtrundgang durch Mitte zu historischen Veranstaltungsorten des Jazz, vorbei an Anhalter Bahnhof und Potsdamer Bahnhof
. Kontakt: 0171/5483492 oder [email protected]
vor dem Europahaus, Stresemannstraße 92–94, 10963 Berlin; endet ca 120 Minuten später an der U-Bahn Stadtmitte, €15, Ermäßigung möglich
Oktober 2 @ 16:00 - 18:00
Wir müssen weiterhin umsichtig bleiben. Dass die kulturhistorischen Stadt-Spaziergänge im Freien stattfinden, ist von Vorteil. Um die Größe der Gruppen auf ein vernünftiges Maß zu beschränken, bitte ich Euch, vorher mit mir zu
kommunizieren!
Swing in Berlin – ein historischer Stadtrundgang von 1933 bis 1945: Der Nationalsozialismus ist das Symbol für systematische Menschenfeindlichkeit. Allerdings durfte die Unterhaltung in Berlin auch unter derartigen Umständen nicht fehlen, sondern nur „verändert“ werden!
Jazzgeschichten vor diesem Hintergrund? Und in unmittelbarer Umgebung von Gebäuden, in denen Schrecken geplant und Terror ausgeübt wurde!? Der Stadtrundgang durch die Friedrichstadt geht dem nach.
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michaeldemanega · 4 years
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Schloss Miller-Aichholz. (hier: Schloss Miller-Aichholz, Europahaus Wien) https://www.instagram.com/p/CForYiageck/?igshid=vj7lalj7a0kk
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europahaus-blog · 6 years
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EUROPA-HAUS BIBERACH – eine Idee für das Pestalozzi-Haus
Vom braunen Haus übers blaue Haus zum EUROPA-HAUS IN ERKENNTNIS DER VERGANGENHEIT AN DER ZUKUNFT BAUEN Die derzeitigen Entwicklungen in Deutschland, Europa und im transatlantischen Verhältnis stimmen nachdenklich und fordern zum Handeln auf. Förderung von Demokratie, Toleranz, Verständnis und europäischem Denken sind wichtiger denn je, um dem um sich greifenden aggressiven Gedankengut der Neuen Rechten und der Deutschlandhasser entgegenzutreten. Bürgerschaftliches Engagement für diese Werte braucht einen Kristallisationsort von dem aus gehandelt werden kann. Hier bietet sich das blaue Haus mit seiner Geschichte als Ort der Förderung demokratischer Kultur und demokratischen Miteinanders in kultureller Vielfalt an. Ein Haus mit beispielhafter Geschichte für Entwicklung aus braunem Sumpf in demokratische Strukturen auf Basis von kultureller, musischer und demokratischer Bildung von jungen Menschen in Biberach. Das Haus wurde von der französischen Militärverwaltung bewusst jungen Menschen zur Volksbildung überlassen. So wie einige ehemalige Nazivillen in Deutschland Jugendbildungsstätten wurden, wie z.B. in Gauting in Bayern, die immer noch bestehen. Der 1947 gegründete Jugendausschuss im Landkreis und dessen städtische Vertreter veranstalteten im Pestalozzi-Haus Diskussions- und Informationsabende zu jugendrelevanten Themen und Musikveranstaltungen in Kooperation mit dem Amerikahaus Tübingen und richteten eine Leihbücherei ein. 1952 gründete sich der Stadtjugendring und begann im Folgenden im blauen Haus die Jugendmusikschule und initiierte partnerschaftlichen Austausch mit dem ehemaligen Kriegsgegner England. Biberacher Jugendliche und junge Erwachsene trafen sich mit Gleichaltrigen aus Wales. Auch das Volksbildungswerk fand im blauen Haus seinen Platz. Aus Leihbücherei wurde die Stadtbücherei, die Jugendmusikschule ging von der Trägerschaft des Stadtjugendrings 1967 in die Trägerschaft der Stadt über, das Volksbildungswerk wurde zur Volkshochschule. Das blaue Haus also eine Keimzelle für Bildung junger Menschen als Basis für ein demokratisches und weltoffenesMiteinander. Und diese Geschichte darf nicht verloren gehen. Das Haus ist die Gelegenheit ein Ort zu werden, der an das, was im 3. Reich auch in Biberach geschah (sehr deutlich am Notausstieg aus dem Luftschutzkeller am Gehweg Mondstraße mit Aufschrift „Mannesmann Luftschutz“) und was darauf folgte bewußt erinnert und an dem die Zukunft in einem europäischen Deutschland mitgestaltet wird. Und dies könnte konkret so aussehen: Trägerschaft: Für das Haus gründet sich zuerst eine INITIATIVE EUROPAHAUS, später ein Trägerverein oder ein Biberacher Verein übernimmt die Trägerschaft des Hauses. Dieser könnte Mittel aus Berlin/Stuttgart/Brüssel (wie z.B. Förderung von Kulturinitiativen und soziokulturellen Zentren) und Stiftungen für Renovierung und Betrieb beantragen. So würden sich die Kosten für die Stadt reduzieren. In diesem Trägerverein können Personen und Institutionen vertreten sein, die den europäischen Gedanken und die Förderung demokratischer Kultur im Sinne der freiheitlich demokratischen Grundordnung fördern wollen.
Erinnerungskultur: Im Haus wird eine Dauerausstellung zur Geschichte des Hauses installiert, die ausgewählte Teile der Ausstellung zum Nationalsozialismus in Biberach, die im Museum zu sehen war, Erinnerungsstücke des Kreis- und Stadtjugendrings und der Jugendmusikschule enthält. Der ehemalige Luftschutzkeller der Kreisleitung unter dem Haus und die wohl noch vorhandenen Möbel sind wichtige Zeugnisse dieser Zeit, die entsprechend kommentiert zum Nachdenken und zum „Nie wieder“ auffordern. Erste Gespräche (z.B. mit dem Museum) und Recherchen hierzu im Stadtarchiv sind erfolgt. Und es ist eine große Bereitschaft vorhanden, diese Ausstellung zu unterstützen. Neben der Ausstellung kann mit Musik-, Lieder-, Kino- und Literaturabenden an kritisches und ehemals „Entartetes“ erinnert werden, jeweils in Kontext gesetzt zu dem, was in demokratischen Gesellschaften möglich ist. Gesprächsabende mit Verfolgten bzw. deren Nachkommen könnten stattfinden, Treffen von Biberachern und Guernseyern etc. Auch hier sind schon Gespräche geführt worden. So wäre zum Beispiel der Sänger Markus Raab gerne bereit entsprechendes Liedgut vorzutragen. Demokratische und europäische Kultur und Zukunft leben und gestalten Das Haus könnte Ort der Begegnung unterschiedlicher Kulturen, Generationen, Religionen und Milieus werden, von Politik und Bürgern. Ein Ort demokratischer Streitkultur und bürgerschaftlichen Engagements für Beteiligung und soziales und tolerantes Miteinander. Zum Beispiel mit Jamsessions in Biberach lebender Musiker unterschiedlicher Kulturen oder Diskussionen zu aktuellen Themen in der Stadt. Mit Ausstellungen von kritischer Kunst damals und heute, vielleicht mit einem freien Atelier, in Räumen in denen schon die JUKS kreativ wirkte. Ein Ort der Kreativität und Aufklärung über antidemokratische Entwicklungen und Verfänglichkeit von Populismus und Nationalismus. Durch Veranstaltungen wie Kabarettabende, Infoveranstaltungen zu rechter Musik, zu verbindenden Elementen rechter und linker Gewalt, zu Weltmusik etc. (Hier gibt es schon sehr gute Kontakte des Stadtjugendrings mit dem Demokratiezentrum Baden-Württemberg und anderen Landesorganisationen.) Eventuell könnte auch das Bündnis für Demokratie und Toleranz hier seinen Platz und Wirkungsort finden, der IFF sein Büro haben, sich die Ausschüsse des Städte Partner Biberach e. V. treffen, Vereine, die keinen Versammlungsraum haben ihr Jahreshauptversammlungen abhalten, Agenda Gruppen tagen. Kurz gesagt: im EUROPA HAUS treffen sich alle, die bürgerschaftliches Engagement im Sinne der freiheitlich demokratischen Grundordnung und des europäischen Gedankens verkörpern. Konkrete Schritte zur Umsetzung: nach der Nutzung durch die Pflugschule soll laut Gemeinderatsbeschluss vom 26.10.2017 die Restnutzungsdauer zur Befriedigung akuter Raumbedarfe der Flüchtlingsarbeit und der Integrationskurse der VHS ausgenutzt werden. Zu diesen Nutzungen könnten weitere wie oben beschriebene Nutzungen im Sinne eines Testbetriebs hinzukommen. Um diese Nutzungen zu organisieren bildet sich eine INITIATIVE EUROPAHAUS BIBERACH. In diese bringen sich alle an einer Nutzung und dem Gedanken des EUROPAHAUSES verbundenen Gruppierungen und Bürger ein. Ziel dieser Initiative ist es, neben dem Ausprobieren von Veranstaltungsformaten und Nutzungsmöglichkeiten, bis Mitte 2020 ein zukunftsfähiges Nutzungs-, Betreiber- und Finanzierungskonzept für das Gebäude mit Saal zu entwickeln und dies dem Gemeinderat zur weiteren Beschlussfassung vorzulegen.
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scavengedluxury · 7 years
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Europahaus, Leipzig. May 2017.
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