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#everyone is different!! and has different experiences!!
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— travel sickness | cookie monster saga
pairings: steph catley x reader
summary: reader experiences her first flight and unforuntately, the travel sickness that comes with it.
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"Look, Mama. Look!" You excitedly point out the window, wriggling around in your seat which makes it incredibely difficult to buckle you into your seat, ahead of the plane taking off, "I can see everyone else gettin' on the plane!"
Your mama, Steph, chuckled at your own brimming excitement over seeing other people get on the plane, "I can see that sweetie, but sit still a minute, so I can buckle you in, okay?" She told you, gently.
"I'm excited, Mama!" You still continued to giggle uncontrolably, but allow your Mama to safely buckle you into your seat as you try and look out of the window, "We see the 'roos soon?" You questioned, excitedly.
"We will soon enough when we're in Australia," Steph laughed, settling back in her seat once she made sure you were content with your iPad set up to watch the latest episodes of Bluey, "Are you excited to see your aunties? I know they're all lookin' forward to seeing you," She wondered.
"Yeah, I want to see Kyra and Charli!" You squealed in excitement, you couldn't wait to see the two of them, and of course the rest of the Matildas' that you had previously met.
"Of course you want to see them pair," Steph rolled her eyes in amusement and shook her head, "I'm sure that they'll be looking forward to seeing you as well. Are you ready for the plane to take off soon?" She questioned.
"Yeah! Will it be bumpy though, Mama?" You asked, worriedly as your not sure what to expect on your first time flying.
"It will be when we take off, but it won't last that long," Steph told you honestly, "And don't worry, I'll hold your hand the whole time," She added, gently taking hold of your hand.
"Promise?" You questioned, wearily.
"When have I ever broke a promise to you," Steph joked as she brushed the hair out of your eyes, "I promise that Mama will be here the whole time," She told you.
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"Mama, I feel scared!" You quivered in fear as you felt scared when you feel the sudden turbulence of the plane taking off the runway. 
"Hey, its' okay, sweetie. Remember what I said? Mamas' right here," Steph replied, pulling you into her arms the best she can do with the restriction of the seatbelt as she ran her hand gently through your hair.
"M... Mama," You continued to whimper when you feel the plane begin to pick up the speed.
"It's alright, I'm here. Just keep holding on Mama's hand, okay?" Steph told you, trying to keep you calm even though she could see the clear panic in your eyes.
"I... I'm scared! Wan' off!" You cried out, thrashing around in her arms as you feel the plane tilting in a different direction, "I don' like it, Mama! I don' like it!" You cried even harder.
Steph's heart ached seeing you distressed when she couldn't do much to help, "I know sweetie, I know. It won't be longer," She reassured you, feeling more than grateful when you were up high enough in the sky and the seatbelt sun finally disappeared, "Come here sweetie," She was quick to pull you onto her lap and rock you to calm you down.
You buried your face in your Mamas' chest as your sobs slowly subsided, "M... Mama, that were scary!" You sniffled with your voice muffled against her shirt.
"I know sweetie," Steph replied, kissing the top of your head, "Look, can you see the clouds now?" She changed the topic, motioning to out of the plane window to try and take your mind of your initial fear.
Your hesistantly lifted your head and peered out of the window, "Whoa, clouds-- They look like fluffy marsh 'ellows!" You exlciamed, shifting of your Mamas' lap to press your face up against the glass and stare at them in amazement.
"They do, don't they?" Steph chuckled, grateful that your attention has been turned away from your fear of turbulence.
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Fortunately for your Mama, the flight to Singapore wasn't completely terrible and you were able to settle in your seat, occupied with much promised cookies & several episodes of Bluey to keep you entertained.
However, the same can't be said for the connected flight to Australia, with the tears spilling down your cheeks in fear once more when the flight took off the ground once again, but it was only intesified with a feeling of nausea shaking your body as well.
"Mama, I... I don' feel good," You whimpered, clutching a hold of your stomach while your face paled and your eyes widened in discomfort.
Steph turned to look at you in concern, "It's alright, sweetie. Lets' try and take in some deep breaths, hm?" She suggested, trying to keep you calm and hope that you don't get sick, "Can you follow what Mamas' doing? Just copy me, okay?" She told you, gently.
You nodded weakily and attempt to follow her advice, but the movement of the plane made it impossible for you to feel better, "Mama... It's bumpy, I... I don' like it!" You cried out, the fear of the plane partnered with the nausea overwhelming you.
Without any further warning for your Mama, you can't hold back the nausea any longer before you end up being sick, "M... Mama," You whimpered, upset about it.
"Oh sweetie," Steph gasped in shock and was quick to grab the nearest sick bag before she held it out in front of you in case you needed it again, "It's okay, just let it all out. Yeah? You're okay," She reassured you.
"Mama," You repeated quietly, the tears streamed down your face as you feel upset about it.
"You're okay, its' alright. Things like this happen," Steph told you, keeping the bag out in front of you as her other hand rubbed your back comfortingly as she looked to find the nearest member of staff on the plane, "Hi, would it possible to get some water, please?" She questioned, kindly.
"Of course," A nearby member of staff agreed and went to get the water as needed.
"It's okay sweetie, the nice ladys' just gone to grab us a bottle of water and then we'll get you cleaned up afterwards," Steph told you gently, continuing to rub your back in comfort.
"I feel icky, Mama," You trembled in fear, not liking the feeling of sick being on you at all.
"Here's your water," The member of cabin crew brought the water back and handed it over to Steph before asking if there was anything else that she could help you with.
"Thank you. Would you mind pointing me in the direction of the bathroom?" Steph wondered, wanting to get you cleaned up quickly as possible.
"Of course, its' right over there," The lady motioned in the direction of where the bathroom before Steph thanked her and she made her way in the other opposite way of the plane.
"Come on sweetie, lets' go and get you changed out of them clothes, hm?" Steph lifted you into her arms and carried you to the bathroom, making feeling grateful that she thought ahead to pack a spare pair of clothes for you just in case, "I know you feel icky right now, but it won't last too long and you'll feel better soon," She reassured you, gently.
"Don' like it Mama," You whined in protest, although your Mama was quick to help your face and change your clothes, placing the old clothes in a plastic bag and putting them in the bottom of the backpack to be washed when she next had the chance.
"There we go, is that better?" Steph questioned, carrying you back to the seats where she cracked open the bottle of water and poured it into the sippy cup that she'd also brought along in the backpack, "Take some small sips, sweetie," She encouraged, hopeful that the water may help.
"Better, Mama," You let a yawn slip out of your mouth as the overall exhaustion takes over your small body, "I'm tired now, Mama. How much longer until we 'dere?" You mumbled, snuggling your face against your Mamas' chest.
"Not for a while yet," Steph chuckled, wrapping your blanket around you to keep you cosy as you lounge against her chest, "Why don't you have a little nap? By the time that you wake up, we'll be in Australia," She suggested.
"Otay then, Mama, and we can see Kyra too? And Charli?" Your eyelids were heavy with exhaustion, but you are still excited to see the two of them.
"Yes, we will see them in a few hours," Steph answered amusedly, brushing a strand of hair out of your eyes, "Close your eyes and try sleep for a bit. I'll wake you up when we're there,"
You nodded tiredly, not having much energy to speak as your eyelids' begin to flutter shut, "Kay' Mama, night night," You murmered, allowing sleep take over your body.
"Night night sweetie. Have a good nap," Steph whispered, pressing a tender kiss to the top of your head as she leaned back in her seat while she kept a protective arm around you while you slept in her arms.
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© scribblesofagoonerr
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nereidprinc3ss · 19 hours
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Do u think spencer would be like. a stronggg hater of pda? bc in my head it makes total sense
thinking of BAU reader here hehehe
i think early seasons yes, later seasons not so much. he’d always want to be touching you or at least have you near, so at work he’s always standing close enough for your arms to be brushing or sitting with his chair right next to yours in the round table room. even in police precincts and stuff he wants to keep you close but he keeps things really professional (most of the time)
i think AT the BAU is a different story there, like he’s rlly comfortable there so i can imagine him coming over to your desk in the bullpen and sitting on the edge of it and holding ur hand while you talk or at lunch he rolls his chair over to you and you put your feet over his lap as a joke but then he just has his hand on your leg the whole time and the team would give you shit for it sometimes but it’d be a joke
on rare occasions when everyone is having a day where they’re just kinda fucking off and doing nothing (you know that episode where reid is doing the science experiment and hotch walks in lmao) i could see you going over to his desk to see whatever fuckery he’s up to and sitting across his lap, not in like a super intimate way just out of convenience LOL and hotch wouldn’t approve and he’d tell you to move (he’d find a way to blame reid instead of you) but secretly he’d think it’s cute
and on the jet on the way home from a case nobody cares and everyone is tired so if you guys fall asleep together on the couch with a blanket jj just takes pictures to send you later and emily makes a fake gagging noise and it’s just cute
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esamastation · 9 hours
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Some Magnus Archives fanfic ideas....
1, The Archivist was never a Beholding adjacent position - there's nothing about the Eye that demands it's servants to record their knowledge. Instead, the Archivist was an ancient, general purpose collector of fears, always meant to gather and immortalise them in stories. Jonah Magnus (like many avatars of many different Powers before him) just hijacked the concept for his own uses and now everyone assumes it's how things are supposed to be.
1.2, All Leitners are written by Archivists. After consuming enough stories about specific Fears, an Archivist has to get them out, expelling all the gathered fear and coagulating it into single point - traditionally, in books. Aka, unbeknownst to him, Jon's recordings work a little like Leitners.
1.3, Simon Fairchild is the only one old enough to remember a time when an Archivist had no special connecting to the Beholding.
1.4, A time travelling Jon resorts to drastic measures to make sure he can't be used for the Watcher's Crown again, and permanently mutes himself - and gains for his troubles an obsessive compulsion to write eldritch books.
2, Post ep. 200 Jon and Martin end up somewhere else - back in time, alternate reality, in another fandom, whatever. Jon is still the Archivist and he still has the urge to archive, to listen and to record. But knowing what they do now, both are of the opinion that using tape recorders is a Big No. Aka, Jon ends up using vinyl records instead (and thus courting the Spiral instead of the Web??)
3, Jon asks a very important question I really wished he had: why does Gerry, with all the experience and knowledge he has, get eye tattoos on all his joints? Do they do something? What do they do?? Which then leads Jon down a very different sort of path of Being Marked By Horrors. Aka, Jon starts getting magical tattoos to balance and counteract the various Dread Influences on his life. Aka, Tattooed Jon Being A Distraction To Everyone and Also Mucking Up Elias' Plans By Having A Closed Eye Tattooed On His Forehead Maybe???
3.2 Better yet, this becomes a Trend in the Archives and everyone outside the Archives comes to the conclusion that the place is ran by some sort of delinquent gang of tattooed hooligans. Tattooed Martin for the soul, anyone?
4, Jonah/Elias Sees everything there is to see and figures it all out long before Jon and Martin make it back to London. Total extinction of human race looms not in unfathomable distance but less than hundred years in the future, and it turns out that in absence of human free will, the Fears grow... quite boring and repetitive, really. Jonah wanted Immortality to See It All, and this... isn't it. So, time for a retry. Aka, Jonah time travel.
4.2, Jon, Martin and Jonah all end up back in time after episode 200, and immediately Jon and Martin scramble to stop Jonah - not realising that he's already changed his mind about the Watcher's Crown, and is, in his own way, on their side.
5, Mr. Spider's door is flung open and the Archivist stumbles out, right in front of traumatised little Jon Sims. Aka, Eldritch Eye Monster tries to raise his own younger self to make better decisions than he did and probably only makes things worse.
6. All the above.
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fictionadventurer · 9 hours
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I don't know why this feels like such a revelation, but after watching the latest Moffat episode of Doctor Who, it clicked for me that the core difference between RTD and Moffat Who is that to RTD, the Doctor is God (or a metaphorical substitute for God), while Moffat's Doctor is a man in need of God.
Like, it's obvious RTD deifies the Doctor. The imagery is not subtle. And Moffat's Doctor is obviously a much more fallible man. But I hadn't fully considered how this affects the kinds of stories they tell.
In RTD's Who, the Doctor is someone who comes into a mundane human existence and gives it meaning. An encounter with the Doctor changes your life forever. You would follow him to the end of the universe if he asked, because life with him is infinitely better than life without him. Humans who try to reach the Doctor's level are struck down, because mere mortals cannot rise to the level of godhood. From a Christian perspective, this offers valid storytelling possibilities ("Human Nature/The Family of Blood", with its musings upon the Incarnation, fits perfectly in this era), but it does have the Doctor standing in the place of God, which suggests that the universe of RTD's worldview doesn't have one and needs the Doctor to fill that gap.
In Moffat's Who, on the other hand, the Doctor is a wondrous, impossible, legendary being--but still just a man. He can guide you through some of the best or most terrifying moments of your life--but your life has meaning outside of him. His companions learn over and over again the perils of relying on him too completely. Ordinary people can be just as good--or better--than him, because the Doctor is just another man, growing and changing and trying to find his place in the universe.
Moffat's Doctor is extremely aware that he's in a story--and he is not the author. In "The Doctor Dances" he is aware of how death-filled his stories usually are, and is ecstatically grateful when he is permitted a story where everybody lives. In "Blink", he and Sally are both following a script--but neither one of them wrote it; though they have free will, this story came from outside of them. Of course, these are examples of Moffat's meta exploration of storytelling--but the fact remains that his Doctor exists in a world where there is a greater force that runs everything.
And the Doctor resists this. He remains skeptical, arrogant, independent--but he is always searching for something more.
All this crystallized when watching "Boom". There, the Doctor is facing soldiers in a religious war, and he sneers that they didn't notice anything fishy because they "had faith, which keeps you from ever having to think for yourself." Those are the brutal words of every hackneyed internet atheist, and since the soldiers were wrong to have faith in this war, it seems like the story's saying the Doctor's right, and religion's just the "opiate of the masses".
And yet.
The episode ends with the Doctor telling a little girl to hold onto faith, and when the religious character points out that the Doctor was stridently against faith, the Doctor replies, "Just because I don't like it doesn't mean I don't need it."
Isn't that the Christian experience in a nutshell? How many of us are tempted to think that life would be so much easier if we didn't follow God? And yet we can't leave it aside because we need God. We need meaning outside ourselves, and life with God is better than life without him.
But this isn't the Whedon-ish universe where it doesn't matter if it's true so long as believing does something good for you. There is objective truth, and the Doctor is aware of it. He is aware that love is the most powerful force in the universe. (God is love). He is aware that everyone and everything dies, yet knows that something lingers on. (God is stronger than death). The Doctor is in a world where God exists, and even if he (or his writer) doesn't know it, he needs him, is searching for him, and to some extent, believes in him, because he can't deny these truths that he's seen. And I cannot get over how many different ways Moffat has been exploring these themes all these years.
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rainbow-nerdss · 2 days
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ok hear me out hear me OUT i want eddie to have a near death experience in s8 and i want it to happen in episode ONE and i want it to be serious enough that nobody knows whether he's gonna pull through and yeah, that's gonna be Buck's "oh" moment but MORE IMPORTANTLY I want eddie to come back and just be... different. not in a way anyone can really identify, but it's clear, there's just something that has changed.
all the while buck is pining, and he's worried about eddie and conflicted about feeling the way he does when eddie is CLEARLY going through something.
and i want Eddie to be unbothered by it all. he's alive, and he's actually happy to be, and what's changed is that he had a moment of clarity in the moment his heart stopped and he got it, he understood what he'd been searching for all these years.
and it's scary, but not as scary as dying, as leaving chris and buck and everyone else he loves behind.
and he's got another chance-not a second, or a third, or even a fourth chance, because he's had all of those already. no, he's been given a fifth chance, and that's enough to make ANYONE believe in the universe or something like it.
He's got a FIFTH chance, and he's not going to waste it.
and the rest of the season is eddie pretty confidently knowing how he feels about buck but waiting until the time is right and buck absolutely losing his mind because he's feeling so many things he was NOT expecting to feel until they finally get together in the finale
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secretinasecret · 3 days
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In defence of Bridgerton Season 3:
"It feels different."
Many people HATED the second season at first because it didn't have Simon and wasn't "according to the books," but they ended up loving it by the end.
Y'all need to give this one time to marinate fully and see the rest of the season before coming to a conclusion.
It might feel odd, but that is because it has been two years since we saw these actors and these sets. We are bound to be unfamiliar with it at first.
Season three has the exact formula as the last two seasons: Colorful, bright and two leads that look great together on camera.
"It doesn't have any tension."
I assure you that splitting the season into two parts ruined the experience.
"Colin didn't suffer enough."
He did, actually. To some extent. He RAN to catch up to Penelope's carriage in the middle of the night! Not to mention his little angsty scene when he returns from a night out with his "friends," and he simply throws himself onto his bed without bothering to take off the rest of his clothes.
But I hope Colin will truly LOSE his mind when he learns that Penelope is Lady Whistledown. If he doesn't, then yeah, the writers of this show officially failed ME.
We DESERVE to see this man go absolutely batshit crazy and show that he can express emotions other than confusion, longing and boredom.
"Polin had no chemistry."
Polin had EXCELLENT chemistry; y'all just wanted to see a slow burn, enemies-to-lovers like Kathony, but I am afraid every season has a different trope, and it's okay if friends-to-lovers aren't for you.
Luke and Nicola are very good friends on and off set, and you can literally FEEL their chemistry in press interviews.
If you simply didn't feel ANYTHING at all this season, that may be because you do not feel a connection to Colin or Penelope as characters.
I do want to say, though, that these four episodes could have fleshed out Colin's character a bit more.
Book readers and Polin fans know Colin, but new viewers don't. He needed flashbacks to make the rest root for him. How did he become a people pleaser? What is his relationship like with his family? His father? What made him want to decide to travel almost every single year?
Although people finally like him after the carriage scene, they should have liked him from episode one because he is the LEAD.
"Colin gave me the ick."
To each of their own, but Colin acted EXACTLY as he was supposed to in the first two episodes.
He is a PEOPLE PLEASER, so he tries hard to fit into the mould men like Anthony and Simon made for themselves: A rake. He is supposed to make you think, "Oh, this is too much," because it IS.
Even Eloise and Violet point it out to him, and he finally lets go of that disturbing persona when he asks Penelope to marry him.
Look, the man simply wants EVERYONE to like him because he clearly has some issues that the show is failing to dive deep into, but you get the point.
"Too many sub-plots."
Y'all might be onto something with this one, tbh. But I will say that after a few watches, some sub-plots lowkey start to make sense to me, except the Mondrich one.
I have no idea why the Mondrich family are in this season; why do we need to care about their club or their newfound wealth? I will never know.
But Francesca's plotline makes sense; we needed another diamond, therefore, another Bridgerton to debut. Colin also uses Francesca to ultimately ask Violet about how to confess his feelings to Penelope: "What do you wish for Francesca?" is code for, "What do you wish for me, exactly, in the love department?"
The Featherington plotline was also really funny. We needed a comedic relief.
Benedict's plotline HAS to have some sort of importance because Lady Tilly looks like a very powerful woman. She might play a role in Lady Whisteldown's reveal or have a connection to Sophie. If she is simply there to make Benedict look like an aimless man with no goals in life (AGAIN), I will lose it.
Eloise and Cressida's friendship plotline directly affects Penelope, so that makes sense as well.
The Queen's plotline also makes sense, the woman has been trying to unmask Whisteldown for three years now.
At some point, every single plotline starts to look orderly and chronological, at least to me.
So, was part one of this season absolutely amazing?
No.
Was it enjoyable?
Depends; it might be in the 'Hall of Fame' if they can wrap up part two satisfactorily.
And I'll leave it at that.
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garkgatiss · 22 hours
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{{esquivalience}}, The Auteur, and Doctor Who the TV Show
alright so this novella.
First, its provenance: I was googling the Twist at the End song last week because it's catchy as hell. I ended up on the Tardis wiki and realized that there was a song by the exact same name that appeared in a licensed DWU novella that was published April 9th. As in, last month. Which is weird. It's hard to say how weird, but given the timing, it either has to be a) pure coincidence (lol), b) someone who worked on the show abusing their advance knowledge of plot details for personal gain, or c) intentional coordination between showrunner and novella-writer, a la Joe Lidster writing John Watson’s blog for BBC Sherlock.
The likelihood of (a) is decreasing by the week. I feel like I have to entertain the idea of (b) happening, but it's hard to square why a DWU-writing supernerd who is also involved somehow with the production of the show would risk a lifetime of blackballing from DW for a bit of cheap promotion for their extended-universe tie-in novella. I am so sorry to be saying this, but I think (c) might actually have legs.
The novella's title is {{esquivalience}}, which is a fake word invented in real life by editors of the New Oxford American Dictionary. The invented word means "deliberate shirking of one's official duties", and it was added to the dictionary to protect the copyright of the electronic version. In S9, Face the Raven showed us a “trap street", i.e. a fake street drawn on a map by a mapmaker to identify any copyright infringement of said map -- a dictionary entry for a word made up by the dictionary editors operates similarly as a copy-trap. The definition is apt for a copy-trap as well, because anyone illicitly copying a dictionary is themselves shirking a job they ought to be doing themselves... it's clever, it's very fun, we're off to a great start.
{{a crash course in esquivalience below the cut}}
THE STORY:
The unnamed protagonist applies for a custodial job at this library that serves basically as a databank for the history of everything in the universe. If a book about something is thrown away, that something ceases to have ever existed. Exhibit A: Protagonist works in the Dead & Dying Language Department. They throw away The Book of Belgian Dutch, and a) a couple coworkers with Belgian Dutch heritage either disappear or get completely different names/family trees, and also b) everyone quickly forgets that Belgian Dutch was ever a thing to begin with.
The librarians cover for this accidental deletion of reality by copying/fudging a new book on "Belgian Gerench", their name for what they replace Belgian Dutch with. They try to catch most of the people who were deleted, bring them back, and fit them into that new language/culture/ethnicity bucket they just made up.
(The narration explains that because both Belgian and Dutch still exist separately as concepts, there aren't too many knock-on effects in terms of loanwords in other languages that needed to be modified/recovered. It also explains that time-traveling back to make an exact copy of The Book of Belgian Dutch wouldn't work because of the universe's copyright laws or something.)
Protag then comes after the head of their department, the Head Dictionary Contributor, or Head DC. They find him in a hidden room called the Internal Reference Room. Instead of languages, the books here hold the life stories of every employee, which auto-update as the person lives their life, but can also be edited or destroyed to alter that person's reality. Protag sits down with the Head DC's lifebook and starts adding and erasing things.
It turns out that Head DC knows how wrong editing these books can go from personal experience. Years ago, wanting to leave his mark on the universe, the Head DC chose to add his own copy-trap into The Book of Dutch -- the fake word "esquivalience". This action seemingly created the concept of cutting corners at your job, leading to the insufficient vetting of Protag for this job and therefore their subsequent hiring, which results in Head DC's eventual death.
Head DC pleads with Protag for his life, but Protag is undeterred. They finally tear out the final page in Head DC's book, which kills him. Protag then writes themselves in as Head DC. Settling into their new role, they turn their attention to The Book of English (8th to 25th Century). They first look up the dictionary entry for “esquivalience”, which says it came to English from Dutch, and then flips to the entries for “ravel" and “unravel”, described as contranyms from Dutch roots, both “meaning variably to tangle or to fray”.
This is the central story of the novella. There is also a Prelude and Postlude that describe the lives of two young men, first in a reality in which they never meet, and then in a reality in which they do meet and fall in love (their meeting is enabled by one of them skivving off work in time to make it to see the movie where they first meet -- esquivalience!)
Just before the Postlude, there is also printed the lyrics to a song (see below), and an excerpt from The Book of English, this volume covering the 4th to 5th billionth centuries of history. This excerpt again gives the definition of “unravel”, but refers the reader to an appendix for the full list of definition, and notes they are “largely in usage as reference to Unravel, The” and “N.B. to be used with extreme care and caution”.
NOVELLA-SHOW CONNECTIONS:
Mavity [Wild Blue Yonder]: Mavity happened all the way back in Wild Blue Yonder, so it's not necessarily surprising to see it in a novella published in April 9, 2024, but there's a whole scene establishing that the M has seemingly replaced the G in all Romance languages, while Domhantarraingt in Irish-Gaelic is unaffected.
Rope [The Church on Ruby Road]: We're all learning the vocabulary of rope now! The Unravel is what the novella calls the meta-historical revisions caused by making edits to the books. There are also rope/weaving metaphors everywhere. Again, the rope themes of the TV show predate the April 9 novella just far enough that in theory it would have been possible for the novella to have taken inspiration from the 2023 Christmas Special. Except. The wiki page for The Unravel credits ownership of the concept to Jamie H. Cowan, the author of the novella. Not just that, but The Unravel was used – with credit to Jamie – in a DWU short story collection published December 26, 2023 – the day after The Church on Ruby Road aired.
Dot and Bubble [Dot and Bubble] : At this point, “Dot and Bubble” is a contextless episode title to me, first announced on March 31. In the novella, we get this:
The Twist At The End [The Devil’s Chord] : Just before the novella's Postlude, there are the lyrics to a song called “The Twist At The End”. Just listed there, no context, like an azlyrics.com entry. They are not the same lyrics as the song in The Devil's Chord, but then, meta-historical revision would kind of be the point, wouldn't it? There's just this sentence to connect it to anything happening in the narration: "Somewhere, in the far distance, as ______ continued to erase, an old 1960s Earth tune began to play."
EDITED TO ADD: @corallapis has pointed out to me that not only did the existence of the song "Twist at the End" by John Smith and the Common Men leak, but the novella's author tweeted about it in December 2023.
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The Chumerian languages of the planet B’llauit, for instance, needed much consideration. Particularly Krulvan. There was still a great deal of work to be done in compiling the post-technoweb aspects of Krulvan. Like how most emotional words and phrases contracted more and more, until finally, they were little more than abbreviations. The old dot-and-bubble effect.
A parent’s love was no longer expressed post-technoweb as “Kal-at lur amoi”, but instead as merely “KLA”. Which needed to be carefully distinguished in the relevant encyclopedia from another abbreviated Krulvan phrase “Kal’ati Lepr’en Acrumpsal” – which was something rather equivalent to the expletives of other languages like “D’Arvit”, or “Bleno”.
It's only a brief mention in the book, so it's possible in theory that it was added after the episode titles were released, or even after the novella’s publication (Amazon allows post-publication changes up to 10% of the text, and it’s not possible to track those changes). I’ve included the second paragraph because it’s interesting that the example they’ve given is the word for a parent’s love, which we can see as a running theme in this season of DW (though Moffat has said before that the only thing he writes about is a parent’s love, so who knows).
Not the strongest evidence of two-way coordination, but we may learn more when the episode airs.
Dutch [Space Babies, Boom]: Yeah, as in, the Dutch language. The words “spoor” & “smelt” both get a "oo, good word!" callout, spoor in Space Babies and smelt in Boom. These words both have Dutch roots. Splice, the daughter's name in Boom, is not only from a Dutch root, but also means the joining two pieces of rope. I read this novella just before Boom dropped on Disney+, so I can personally confirm that this is not a post-hoc addition to the novella. It hardly could have been anyway, this element is much more integral to the novella’s narrative than any of the other pieces.
The Auteur
This is where this all becomes relevant to the “Doctor Who is a TV Show” theory.
While the Protag is shredding the Head DC’s book, the Head DC is in the room, and what follows is an extremely meta narrative-aware pre-death monologue from the Head DC. He's pleading with Protag to stop changing things in his book, but he also refers to an "It" whose power surpasses them both.
He held eye contact with them as they looked up, “You didn’t pick up Belgian Dutch by chance. It’s how it plays. In weaving coincidences.”
“Just stop reading. Stop changing things. Stop, and we can be spared. Be free! If you keep going, then it will get what it wants. It is a happening [sic]. Out there, and in here in the basement. Everywhere. It will win if you keep going.”
“One day, you’ll make the same mistakes. Goddamn, you will. Because it’s all already written. It has already written it all. The paths, the choices. Rewrites, erasures, and even the contradictions. If you don't just... stop... it will... Unravel us all."
The "It" in question is presumably the author. Like an author writing a story, "It" plays by weaving coincidences, "It" gets what it wants when we keep reading, "It" has already written everything.
The Head DC mentions a special disposal chute, which had recently appeared as if by magic, which enabled Protag’s destruction of Belgian Dutch. Head DC’s references to this “It” suggest that his decision to create a word meaning cutting corners caused his eventual death, not by inventing the concept of cutting corners, but by creating a set-up that the Auteur, a godlike being that cares only for the rules of narrative, was compelled to write a satisfying follow-through for. The Auteur changed reality in order to weave a narratively-satisfying coincidence.
The Auteur is a character from the DW-spinoff series Faction Paradox. The creator of the Faction Paradox universe describes it as “on the surface an SF universe, but it works on the same principles as traditional folklore.”
I am but a humble Moffat scholar, so explaining the character of The Auteur is immediately getting into lore that I cannot even begin to decipher.
But it seems plausible that in the show we’re dealing with a godlike being, someone along the lines of Maestro or the Toymaker, but instead of caring only for the rules of play, cares only for the rules of narrative.
And this being, The Auteur, is altering reality and creating the narratively-satisfying coincidences in 14’s and 15’s timelines, possibly starting all the way back with the coincidence of 14 regenerating as David Tennant and immediately bumping into Donna Noble.
And it seems plausible that this season was created in cooperation with these DWU authors to whom concepts like The Auteur and The Unravel are licenced, and the novella is a tie-in text full of references to the current season to lead savvy superfans on a merry chase that foreshadows the season’s big bad.
Because I... don't really have another explanation for the existence of this novella at this point.
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mdoesitmatter · 6 hours
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No, I cannot handle it anymore. Let’s talk about Neil Josten and his fluency in three languages.
Like, l get it, in the case with Andrew’s memory is possible but how did Neil manage to learn this? Yeah, but he lived in Germany and Austria and also went to school there-
Stop right there, languages do not work this way. He was past adaptive age at this point and he also didn’t communicate with other children. He would need like couple years of active learning in those countries to get like confident B2 (and he has at LEAST C1 in the trilogy). And don’t even get me started with French. French?? Where did he learned it??? Switzerland??? THAN HE WOULDN’T HAD ENOUGH TIME TO ACHIEVE FLUENCY IN GERMAN.
(Okay, I actually found out he spent like 18 months in France but like?? 18 MONTH :)
And you know, l would like get it, if it was German and Dutch, for example. They have at least similar grammar structure. But German and French are not the same.
Oh, and did we mention dude can speak decent Spanish? I quit.
The boy is linguistic genius I guess?
«Neil Josten is fluent in 3 languages»
— is a prove that aftg isn’t sport romance but a freaking FANTASY .
redacted:
Posted on my way to college, forgot about it, only to found out a couple hours later that kind people on internet fervently disagree. I love this place so much. Also I absolutely love the comments implying that I am not from Europe (can I take it as a compliment to my English? dunno).
I am from Europe and I am also fluent in 3 languages. I am currently living in German speaking country and learning German, so I must admit my own struggles with this language affected my perception of a character. It might be only my case, because when I moved I was past adaptive age and whole experience was combined with heavy trauma — I got opposite reaction to Neil’s and first year of living in this country denied existence of German (even though I was under ungodly amount of pressure to learn it). By the time the shock was gone I already had strong negative about the language because of how people around treated me. It works really different for everyone.
Anyway, it was cool to see the reaction even if it wasn’t positive😅
But it was really interesting to read different stories from polyglots in the comments and I would love to read more so be free to disagree and share your experiences :)
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bamjammy · 11 hours
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Wander Over Yonder Reanimated
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Hi everyone! I haven’t logged into Tumblr in a while for my own personal reasons, but I’m excited to announce a very impulsive project I’ve begun, Wander Over Yonder reanimated! Specifically the episode My Fair Hatey (the episode with the iconic and beloved I’m The Bad Guy song!) this is seriously my all time favorite WOY episode and rewatching the show seriously made me realize how underrated the whole show is. But I know I can’t be the only one out there who still has so much love in their heart for this amazing series. This reanimate project has almost 400 different parts with absolutely NO skill or experience requirements! Yes, that includes those of you who can’t animate, you’re welcome to join and get creative! If you’re interested in signing up, you can join through the form link below!
And be sure to share around as much as possible! (Please, my account has been dying and I’m desperate to make this a reality)
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reimeichan · 21 hours
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A look into my experiences as a person with DID:
I don't experience myself as being different people sharing a body. When I switch, it's more like... who I am in that moment, the things I believe and feel and think then, are true, and anything I may have believed or felt or thought before then is no longer true.
In one moment, I am angry and distrustful of everyone around me. I believe that even the person closest to me to has ulterior motives for being with me and is constantly hiding their true thoughts and feelings. I want nothing to do with them, I want to leave and never see them again-
And in the next moment, I'm crying by myself in my room. I'm not angry, I'm sad and upset and lonely. I wish I had people with me, why doesn't anyone understand what I'm going through? I'd never want to leave the people I love behind, I can't imagine living a life without them. I want to hug them and cuddle them and let them know how important they are to me-
And now I'm cuddling them and hugging them and I feel happy and safe and secure. I've always had such lovely people in my life, I've never felt dejected or rejcted by them and I can trust them implicitly. Aren't I so lucky and blessed to have so many people who love and support me? It's why I'm so happy and stable, I probably don't even need to go to therapy anymore-
Except I do, how could I have forgotten all the horrible things that have happened to me? I'm nervous around others and try so hard to please them so that they don't get angry with me. They may look nice now, but I know that one wrong move and they'll be screaming and yelling at me, because I'm a bad person, and I don't deserve love, but I don't want to live like this forever so of course I need therapy-
And objectively, that makes sense, doesn't it? Of course I act differently under different circumstances. And I know that due to my trauma I have a lot of maladaptive behaviors and maladaptive coping skills. So I'd like to learn some more, calmly and patiently, because I love learning and I know how to separate my thoughts and feelings out from each other. Because I'm a rational person, not an emotional one.
Do you see? How I have all these different versions of me, who all have their own experiences? How each of them are so sure their reality is the real one and the only one that exists in that moment? That's what my life has been like with DID. I'm a disjointed mess of thoughts and feelings and memories that struggle to connect to each other. That's why I call myself as having different versions of me. Because I'm just me- but which me am I?
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olderthannetfic · 2 days
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https://www.tumblr.com/olderthannetfic/750610823574061056/httpswwwtumblrcomfandomsandfeminism750274420?source=share
TL/DR: Needing something to function normally isn't automatically an addiction. If you weren't functioning normally before and/or the item in question isn't consuming your life, you're probably fine. But, don't be afraid to speak to an actual specialist if you're concerned.
For the record, what I'm about to say is not directed at the anon, they just sparked the thought in my head.
I think a lot of people don't understand the difference between needing something because it helps and needing something because of an addiction.
For example, nobody who is normal tells someone using a guide dog or prosthetic limb that they're "addicted" to them. Nobody. If they do say it, they have issues. People can look and see "Oh, this person needs this to function, it's not something people generally get for pleasure, so it is not an addiction". (They do acuse people of faking and harass them, but I'm talking about the "It's an addiction" claim specifically for the sake of this.)
People don't look at medication or anything else that's helping an "invisible" problem the same way. It's the "I can't see it, I haven't experienced it, therefore it doesn't exist" mindset that many people seem to naturally have. They assume bad faith of people immediately, and are rude about it.
I've dealt with addiction, and I avoided going on stimulant medication for my ADHD because of it. To keep a long story short, after complications from the non-stimulant medication put me in the ER, I ended up switching to stimulant medication.
It has been the best change in my life. And the "I need this" of a medication that fixes my brain is so different than the "I need this" I dealt with when addicted to things.
With the medication, I actively function better, I feel better, I don't think about it constantly, but I rarely skip taking it because it does help so much. I need it to function, but not to exist in general.
With addictions? It consumed my life. I couldn't function with or without it, I felt awful if I wasn't partaking, and I did it out of compulsion. It was "I need to do this or I'm going to explode" not "I do this because it makes me feel better/function".
Yes, many addictions can start with "I do this because I feel better doing it", but it is such a different feeling even at that stage. And it gets worse (usually gradually, but it can be a sudden change depending on the person).
People enjoy climaxing, that doesn't make everyone a sex addict. Same with food, porn, video games, etc. Yes, people can get addicted to/dependant on these things, but enjoying it isn't the same. Just as thoughts are not automatically the precursors to action.
And, for anyone who's curious how to tell the difference early on: Could you function normally before you had the item in question? If so, can you function normally now if you miss it for a day, week, etc.? Does it consume your thoughts when you're not partaking in it?
If you were functioning normally before and now you can't without it and/or it consumes your thoughts, see a specialist if you're concerned.
If you were not functioning normally before and it helps you function now, you can function if you miss it, and/or it doesn't consume your thoughts, you're probably fine. However, if you are concerned, speak to a specialist.
Oh, and don't take the word of internet strangers as gospel. Not even mine. I'm one person in a sea of many, and everyone's experiences are their own.
--
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eretzyisrael · 24 hours
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by Bari Weiss
There was not a single conversation that I had in the week I spent in Israel where the person did not say a version of the following: There was an October 6 version of me and an October 7 version of me. I am forever changed. I am a different person. 
And that is another sense in which the story of the ancient Roman requires modification. The binary of war and peace, the pastoral and the military, is a retrospective luxury of powerful nations or empires. A small democracy, whose very existence is contested by populous autocracies, does not have the privilege, as Cincinnatus did, of going from the field of battle to the field to till. Israel’s citizen-soldiers are scientists, artists, and farmers, just as they are mothers and fathers, husbands and wives. Israeli citizens, whether they serve or not, are not—as one Hamas leader said of Gazans—someone else’s problem.
“It’s like after you knock your finger with a hammer, you don’t feel anything for a while,” the journalist Gadi Taub said, describing what Israelis have gone through since Hamas’s invasion. “People haven’t begun to understand the extent of this earthquake and how it will change Israel. The tectonic plates have moved, and nothing in the system has yet absorbed or changed to accommodate what happened.”
The public intellectual and Bible scholar Micah Goodman told me in Jerusalem that the country went through a collective near-death experience. Imagine an entire society that, between sunrise and sunset, peered together into the abyss. “For the first time in our lives, we had a moment where we could imagine that the whole thing was over. That the whole thing ended. You know how when individuals have a near-death experience, they’re transformed. Because they learned that life should not be trivialized. As a country, we had a near-death experience, and now we’re transformed because we know that Jewish sovereignty should not be taken for granted. It can’t be trivialized.”
Israel’s founding fathers and mothers, having known a period when Jews didn’t have a state—a period in which six million Jews were murdered—understood the difference between statelessness and sovereignty in their bones. The paradox of their extraordinary achievement is that modern Israelis, who might appreciate the distinction intellectually, could dismiss the dread alternative even when presented with visible evidence of a fragility they consigned to the past. Or at least they could until October 7. On that day, the thought exercise became real.
If Israel, in other words, is currently fighting a second war of independence—an existential war necessary for the survival of the state, as everyone here believes—then the young men and women of this country are more than soldiers. They are latter-day Ben-Gurions. They are a new generation of founders. Indeed, as Gadi Taub told me in Tel Aviv, one of the slogans of this war is lo noflim midor tachach! Which loosely translates to do not fall short of the ’48 generation.
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wordy-little-witch · 3 days
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Nonbinary Buggy Hours lezzgo
• Fairly early on, Buggy got the whole "I don't fit in" vibe but chalked it up to Being On A Crew Of Monsters. It's only after Oden and later Toki join that things begin piecing together - I'm dropping some cultural blending here but Wano for whatever reason has WILD mixed bag energy as far as folk tales go. Roger has some flavor of UK Energy, Rayleigh has old English vibes, etc etc. Buggy and Shanks got old seamen's tales as bedtime stories, shanties as lullabies, but the crew also would share children's stories and folk tales from THEIR youths as well. Some of them had mystical aspects as well and there were some fun stories with the fair folk or spirits and shape-shifting. Buggy loved those the most.
• Toki joining the crew led to some quick acclimation, but Buggy was hesitant - she was New and Unknown and so a Danger. But Toki was just.... so sweet about it all. Buggy went from I Don't Trust You At All to That's My Auntie within maybe a month. Complete night and day.
• Bugs' First Forray Into Makeup was via Toki. They do silly Self Care Evenings and include the babies and Oden is SO SMITTEN and Roger is DYING for a camera. ((Shanks is dying for other reasons, much to nearly everyone's amusement, poor kid)).
• Buggy's first instance of being Not A Boy was a result of a silly trick/prank done by the crew on Fishman Island. Some really fancy restaurant had a Mermaids Eat Free event going on so they decide to dress the kids up as mermaids - Shanks is down for the funnies, and is laughing and bright eyed and finding humor in it. Buggy is prickly and snarky and sassy the whole time until he saw himself in the mirror. He went... alarmingly quiet.
- Buggy was frankly stunned because the mer-species they went with was a clownfish, something he was absolutely LIVID about, but the orange complemented his skin and hair so beautifully. The orange, white and black hair pin holding his hair was a wonderful pop of color. The black eye liner made his eyes pop, the bronze-peach lip gloss was stunning and....
They felt so wonderful. So beautiful. So Free.
• Buggy wears orange a lot after that.
• when Buggy hesitantly asks Rayleigh and Roger if genders can be different in real life, Rayleigh is confused, Roger cackles- Buggy's scared for a moment until Roger point blank says "oh, it can be whatever you want it to, baby blue! We're pirates - who cares for allowance?" Then the captain gives that smile, the soft one, the one only those deemed His got to see, the one that peeled back layers of a person and saw to their cores, and asks, "Is there something you want to tell us, squirt?"
"I'm... not a boy."
"Okay. Are you a girl, then?"
"I don't think so."
"Alright! Ye' still want to go by Buggy?"
"Mmhmm."
"Alrighty then! You just let me know if anything comes up that you want to tell me, alright, baby bug?"
"Okay. Thanks, Captain!"
• yes, when Buggy leaves, Roger wails. Yes, Rayleigh gives a long suffering sigh and pays his back. And yes, Roger is crying hecausr that happy smile of Buggy's was simply "too cute, my heart! It's melting!! I'm a pirate puddle!!!"
• Buggy, with the room to experiment safely and explore, finally settles on nonbinary, neither gender really all that interesting, but pronouns don't matter either. Presentation is all about Presentation (<MegaMind Voice)
• Shanks calls Buggy his Clown Wife and Buggy refuses to admit to blushing every time it happens. He also drops lines like "I miss my clown wife" while sipping a bottle of rum and staring forlorn at the sea.
• Shanks also has The Range and will unashamedly be like "I don't understand people who say their wife is a bitch and they hate them.... my wife is a bitch and I like him SO MUCH!!!!"
• Luffy and Buggy: Enby to enby communication. Autism to autism antagonist.
• Buggy's crew BTW knows that their captain is simply Their Captain, pronouns your/majesty (/j), and nobody cares beyond the mild worry that a femme presenting Buggy will accidentally seduce another high ranked naval officer because somehow that ALWAYS HAPPENS. And the Navy is the MILDER concern. They're so stressed.
• lowkey considered clowncore meets punk bc I feel like Buggy would be. Scrumptious. Like that. Colors and patterns and leather and lace and studs and smiles and just - hhhhhhhh niche interest leave me aloooone-
• speaking of niche, I really love the idea of the Buggy pirates all having a passing knowledge of both circus acts and management, leading to random bouts of.... really smart insight. Like. Some outsider or newcomer is like "damn this right here is a Problem" and some average joe lookin ass in harlequin diamond patterned tights somersaults over, drops a nugget of wisdom and fucking absconds. Let The Circus Bastards Be Weird, I Love Them They Deserve It.
• also the crew drinks Respect Women Juice no I don't make the rules but I DO enforce them. They drink Respect Everyone Juice but women are simply the biggest of the recipients of the regard. Sex, color, religion, abled-ness, gender, sexuality - none of that matters. Everyone us equal. The buggy pirates support equal rights and equals lefts.
• Crocodile and Mihawk did NOT receive the memo at the beginning which led to some very wild miscommunications but it was resolved when it was revealed that Mihawk is just Like That To Everyone and Crocodile didn't even realize Kimi-san from the marketing department was a girl when he went off on her. Mihawk, when asked about his treatment of others, just owl blinked and made a vaguely threatening comment on how women, men, he didn't care, they all get cut the same. Crocodile just took a puff of his cigar with a monumental 'what the fuck' face. "I would say the same things to a man, a person, a woman, both, neither, I literally could not be paid to care about someone's crotch configuration or identity what the hell."
• Buggy wears a dress for the first time in Cross Guild's creation, and Crocodile breaks a fountain pen while Mihawk carefully sets his wine glass down hopes nobody notices the hairline fractures. Buggy is oblivious, as they tend to be.
• after some awkward half assed roundabout questioning, Mihawk and Crocodile just..... casually drop some dresses into Buggy's care or room, wordless and embarrassed but also lowkey threatening. Buggy is terrified until he realizes that some math isn't mathing and just asks. He's pretty decent at reading between the lines (#weaponizing-the-anxiety), and the first conclusion is wayyyyy off but the second conclusion causes clown.exe to crash HARD, to Alvida's delight and Galdino's suffering, but at least the nail polish is dry and the wine is good.
• it becomes a bit of a THING once the polycule is running, a subtle display of possessiveness. Collars don't really Work on Buggy, though he lowkey wishes they did, so this is a very good followup alternative
• Crocodile really likes putting Buggy in coordinated colors with his outfit or crisscross patterns both because Possessive and Claim but also because Buggy looks mouthwatering in it. Mihawk has much the same response for deep jewel tones, black and lace. Buggy adores the attention and the heated gazes, the little minx.
• there's precious little that really irks Buggy all in all, and she really does play the "am I man,am I a woman? No I'm a PYROMANIAC BURN BABY BURNNN-" card very well, good for them.
Incorrect quotes time
Alvida: as the crew's lady-
Buggy: hAH-
Alvida: I said lady, Buggy, ladies have CLASS, smth you LACK-
Buggy: oh okay fair carry on.
<><><><>
Boa: why are you not STONE?!
Buggy: I mean... you're cute but I really don't do girls, miss ma'am.
Boa: what
Buggy: also any aesthetic appreciation is drowned by the gender envy
Boa: wHaT?
<><><><><>
Buggy: I'm gay
Mohji: oh em gee what a shocker
Buggy: >:o0 rude!!!!!
Mohji: how is that rude, it's an astute observation-!!!!
<><><><><>
Rando: what are you
Buggy: I'm captain Buggy
Rano: no, what are you
Buggy: oh uh the flashy fool, genius jester, Buggy the Clown-
Rando: ugh, no, I mean what's in your pants!!
Buggy: Ohhh! Knives.
Rando: wha- OHGOD-!
Buggy, now holding bloodied knives: :3 teehee
<><><><><><>
Mihawk: stop calling me transphobic, I just told you to brush your teeth before I kissed you.
Crocodile, incredibly, blackout, shitfaced drunk: sad reptile sounds
Buggy, across the room, removing her makeup: I dunno, Hawky, sounds pretty transphobic to me~
Mihawk: I'm going to kill everyone in this room and then myself.
<><><><><><>
Buggy: I identify as a THREAT.
Croc, patting his lap without looking up, settling his hook around Buggy's waist when he settles on his lap obediently, smirks: a threat to my peace, absolutely.
<><><><><><>
Buggy: sometimes I wish I was a big tittied goth girlfriend, you know?
Mihawk, holding the remains of his garden sheers that he just crushed bare handed: do you ever think before you speak
Buggy: no why
<><><><><><>
Iva: you want me to what
Buggy: put the gender juice in the jars so I can take em like shots.
Iva:
Buggy:
Iva: genius idea, darling, I like your style
<><><><><><><>
Rouge: Buggy, sweetie, quick question.
Buggy: what's up, mama?
Rouge, hand on her swollen belly: do you wanna be Buggy-nii, Buggy-nee, or something else?
Buggy:
Rouge:
Buggy:
Rouge: oh don't cry-
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kinopio-writes · 3 days
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Hello! I really like the way you write ;) can I see the OCD reader's girlfriend? (she is very paranoid, constantly checking everything, checking the house for hidden cameras, checking things and sometimes throwing tantrums because she thinks she is being watched) characters: Lucifer, Adam
A/N: Thank you. I did a bit of research about OCD, so hopefully I’m not appearing ignorant or anything. I know everyone’s experiences are different, but do tell me if I’m inaccurate.
Also, I know you only specified paranoia, but I added a couple of other things, too. I hope that’s okay. This somehow could all be read platonically.
Warnings: Adam being Adam (he’ll be quite insensitive here and possibly triggering)
———
Lucifer, and Adam w/ a Reader who has OCD
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Lucifer
• I don’t think Lucifer would even know that the word mental health exists
• wait, no, scratch that—he explicitly said he has depression
• actually, y’know what, maybe he heard the term depression through Lilith or something
• because there is just no way he knows what mental health is
• he’s been a hermit ever since the beginning of humanity (after he got banished)—how would he know?
• but, uh, anyway, back to the headcanons—
• he doesn’t know you specifically have OCD
• he just thinks what you’re doing is pretty normal since he’s also neurodivergent himself, so he relates to some of the things you think or do
• he’s very supportive
• he healthily alleviates your worries
• he never pushes them away or make it seem like you’re overreacting
• but, uh, constantly reassuring you would very much drain him
• Lucifer is also a man who requires many reassurance
• one of many habits you picked up is constantly checking up on the guy since you know he also has issues himself
• it gets worse if Lucifer’s depression takes a massive decline
• you’re constantly knocking at his office door, calling out his name to make sure he didn’t…
• uh, Lucifer usually doesn’t have the energy to respond during those times, so your worry doubles further
• this is unfortunately not an uncommon occurrence
• moving on, you two often try to get the other to come back to bed (you both struggle with sleeping)
• be it because of your compulsive behaviors or him hyper-fixating on finishing his rubber duck projects that you both lose track of time
• so what happens if it happens to the both of you at the same time?
• uh, it’s just not good
• you two will regret it the next morning
• you two are basically barely functioning together, but are trying to be better for each other
• and for Charlie, too
———
Adam
• I don’t think Adam would notice anything at first
• but if you two see each other quite often (maybe living together), he would pick up on some of your quirks
• he would hate how particular you are about many things
• like, what do you mean it needs to be like this? What do you mean this needs to be exactly like that? And what do you mean that has to be like this? Why can’t it just be the way it already is?
• your anxiousness also irks him
• like, why are you like this? You live in Heaven, for fuck’s sake! Why are you so worried?
• he, uh, “reassures” your paranoia not very healthily
• “Oh, that? Pshh, you’re fineee.” “Don’t worry ’bout it.” “Stop being so paranoid.” “Jeez, you’re overreacting.”
• it’s even worse if you’re bothered with things such as messes since Adam definitely does not have cleanliness as a trait
• his home is usually cluttered unless he uses his powers or gets someone to do it for him
• if you have trouble with time management, don’t worry about accidentally waking Adam up late at night ’cause he has a shitty sleep schedule
• you also don’t have to worry about that since he’s probably a heavy sleeper
• actually, he probably either sleeps in until the afternoon or takes afternoon naps after a sleepless night
• those times when he’s awake at ungodly hours are when he notices your habits
• if you don’t want any of the behavior I’ve mentioned, please educate him because he will most definitely not do it himself
• don’t be afraid to speak your mind because he obviously can’t read it
• but he won’t exactly make things easier for you
• unless it’s convenient for him
• he’ll just tone himself down a bit (his words, I mean)
• but he’ll slip up from time to time because he’s just very used to not being mindful of the things he says
• overall, just know that he’ll get annoyed and frustrated with you at times
• ...uh, yeah
• maybe you just shouldn’t be around him
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beetheweezarddd · 1 day
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On a more serious note, I genuinely wanted to say.. it's okay to miss Flying Bark. Flying Bark brought us something truly special that I don't think could ever be replicated to a T, and that is okay. LEGO Monkie Kid was one of those shows that caught my attention the moment I saw it; the visuals, the voice acting, the story, the music, ALL of it sparked something in me. It brought forth a newfound passion for animation that I had never felt before. to the point where I created a Lego character as a muse for animation projects l'd make for my Personal Exploration class.
I would constantly look back at the amazing shots and scenes, and supported every single animator. Of course, like a lot of people, I was one of the people who came for the animation, but ultimately stayed for the story. But, I understand that the impact FlyingBark had was HUGE on many people who watched it. But, my only wish is that this loss doesn't become resentment. I want LEGO Monkie Kid to thrive with Wild Brain now working on it more than anything, and I think, as a community, we should give them all the support they can get!
Wild Brain could give us a new experience unlike any other, and I want us all to be there for the ride, and show our love to everyone on the team. We gotta understand that while the visuals will be different, Wild Brain is doing everything they can to give us an experience we will never forget, and will enjoy just the same, to keep this show we love alive and stronger.
I think we should look back on one of the very first quotes of the show, in the pilot:
"The thing you need to understand about the old legends is that the story is never finished. There maybe no pages left to turn, but there is always more to the journey."
While specific, this quote has been given a new meaning to me; While Flying Bark may no longer be working on the show, they are not gone. The impact that FlyingBark has had on all of us, on the show, is and will always be felt. FlyingBark introduced us to something special; LEGO Monkie Kid would probably not be as popular as it is now, if it weren't for the soul it was given with a type of animation many have not seen for a long time, and that will never die. The writers, the VAs, the music production, and the new team Wild Brain, is here to continue and give life to a new adventure; a new era of LEGO Monkie Kid, and I want all of us to support them so we can watch this show succeed.
With that, I have but one thing to say to Wild Brain:
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Welcome aboard, buds. 💛
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nalyra-dreaming · 3 days
Note
https://www.tumblr.com/nalyra-dreaming/750916431920676864/hi-nalyra-i-may-be-reading-you-wrong-so-clarify
Regarding my last ask I have a rough idea but you can go ahead and explain
Sure!
So, buckle up ;)
So I just checked but the only true Loumand post I tagged “lol“ on was this one (if I saw that correctly):
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Note that "I can SMELL the discourse that will happen already" there.
That is something I anticipate - because, well. Armand... is Armand.
I'll elaborate the (book) canon on that below the cut:
Armand has been a coven master for centuries, in the Children of Satan/Darkness and later as the master at the theater. He was literally tasked to uphold the laws of the vampires and did so as he saw fit. I have talked about them here, note also the difference these laws go through in the books:
Armand does what he sees is best, which does not always align with what others think is best. For example he usually hunts down rogue vampires, "cleaning up" so to speak, which is something that Lestat for example is loathe to do in the later books.
And he canonically influences Louis several time with the mind/spell gift, to make him do something - even after he promised Louis not to do so (here an ask with quotes):
Armand originally is interested in Louis because he is Lestat's ... he literally "imprinted" on Lestat when showed up after his turning, because Lestat reminded him so much of Marius.
Lestat goes to him to plead for Louis' and Claudia's life after Claudia tried to kill him, and Armand, though he did promise he would help Lestat if he asked him to, throws him into a dungeon instead, starves him, and then uses him at the trial against Louis and Claudia.
The trial itself happens because Louis - even deeply infatuated with Armand - decides to leave with Claudia and Madeleine after all. (And of course the coven knows, and insists on the rules.)
Armand uses the spell gift on him as they are taken by the coven to be tried.
Louis is sentenced to be entombed, something the original cult Armand was the leader of did to young vampires - until they're mad or manage to dig themselves out.
Claudia is sentenced to death. Madeleine as well. Later on it is revealed that Armand has a little surgical theater there as well, where he conducts the experiment of chopping off Claudia's head to sew it onto a grown woman's body. But he is unsatisfied with the result and puts Claudia and Madeleine into the sun after.
Armand digs Louis out after a while, and Louis feeds (a lot) and destroys the coven.
He thinks Lestat died there, but actually it is later revealed that Armand throws Lestat off a tower instead, and tells Lestat Louis and Claudia are dead.
Louis goes on, numb, and Armand... tags along, keeping a "veil" between Louis and the world.
Louis stays with Armand, because he has nowhere else to go - and despite knowing that Armand killed Claudia.
He stays until the veil is lifted and Armand finally tells him Lestat did not die.
Armand... is Armand.
We will see the horrific things he can do wrt the Devil's Minion arc with Daniel as well, because Armand hunted Daniel. And the beginning of their relationship was far from cute. I think that will be episode 5.
Also, Armand is not too big on consent. He does what he thinks best.
I reblogged something earlier wrt this as well:
So where does that leave us with the show and wrt my tag? :)
When Armand says he never hurt Louis then he is not lying. But look at their faces after:
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That's history, baby.
Because no, Armand does not physically hurt Louis.
But he literally hurts everyone Louis loves in an effort to keep Louis for himself.
He experiments and then kills Claudia (and Madeleine). He hurts Lestat and tells him Louis is dead. He tells Louis Lestat is dead and keeps him under the "veil".
And it will be far from pretty.
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