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#five nights at Freddy’s film spoilers
bs-fangirl · 6 months
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Of course the other animatronics killed people but between mauling the guy directly in the face, hamstringing Mike, and setting off Afton’s spring-locks, the Cupcake had the most blood on its teeth.
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Vicious little thing! 🧁
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ghostofchaos-past · 6 months
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so the fnaf movie huh
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staff · 6 months
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Tumblr Tuesday: HOW many nights??
Well, the Five Nights at Freddy's movie has been out for two and a half weeks, and you're all showing no signs of calming down about it. And why should you? Whether you've seen the film already or you're still psyching yourself up for it, please enjoy this (to longtime fans of the game at least) largely spoiler-free FNAF art. Thank you, as always, to all Artists on Tumblr whom we're so lucky to witness creating art for each and every one of our blorbos. Even the purple ones. 
@antlergrave:
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@wr0wn:
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@lepitorus:
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@ladylylla:
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@avolan-istair:
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@ashiiuou:
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@chipistrate:
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@shippaiikaeru:
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@aresonist:
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@doodledorky:
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miwtual · 6 months
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MATTHEW LILLARD as STU MACHER & WILLIAM AFTON SCREAM (1996) dir. Wes Craven FIVE NIGHTS AT FREDDY’S (2023) dir. Emma Tammi
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fyrerainy · 6 months
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horang-07 · 6 months
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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ghostgirl101 · 6 months
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writing for william afton?? Yeah sure I'll get craaaazy ヘ⁠(⁠ ̄⁠ω⁠ ̄⁠ヘ⁠) you can write headcanons of anything, really, I just want to hold this man and be extremely and overly affectionate with him (⁠灬⁠º⁠‿⁠º⁠灬⁠) (and and jealousy trope is so aaaaaa you can write something with that, right??? :33)
William Afton/Steve Raglan Being Obsessed With You Would Include...
A/N: Yeap, let's start with obsessive relationship stuff, and then I'll work on a request for jealous headcanons. Hope this is in character, I tried to make it as accurate as I could with what I could work with from the movie. Requests for the FNAF movie are still open if you want me to work on a scenario; just make sure its no smut and platonic or childhood sweethearts for any of the animatronics/missing children 🙃
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🐰• Well, good luck getting out of whatever craziness you've somehow gotten yourself into. That's the first thing I'm gonna say ._.
🐰• You probably meet William as "Steve," the careers counsellor who asks a little too many personal questions for it to be strictly business-related, but then, he's got to know who you are to find a job that fits in with your life and personality. He seems normal enough, though there is a slight intensity in the way his eyes linger on you for a beat too long, and his questions become more specific and a bit non-contextual.
🐰• By the end of the interview, he offers you the place of a nightguard at Freddy's, giving you his card with a casual half-smile and going out of his way to show you the ropes. Then you start the job, as oddly unsettling and dark the environment seems, and you think that it's the last time you'll hear from him.
🐰• It's not 😏
🐰• Steve knows a lot about you from your files that he went through before, and from what you told him, and he's got a good memory. He copied all the information down, storing it safely at home, going through pictures and any sources he can find about you in some unplaced interest. William's very calm and calculated, and there's no way he'd be found out unless he let it happen or wanted you to find out for yourself.
🐰• So until he's ready to reveal his dark side completely, which will slip out in little actions and hints when you spend time with him, he's simply Steve Raglan, the relatively normal careers counsellor who keeps checking in on you to see how you're getting on with the job, often going out for a coffee to give you "advice" in his breaks. Anything to pry out more information from you, for him to understand what exactly it is about you that intrigues him.
🐰• Is it because you're unusually pretty? Clever? Quirky? To William, you're just a bit different, maybe a bit childish, or mature and deep, dark-humoured? Whatever it is, it caught his attention, which is a good thing, if you want it... and if it's not, well, you're stuck with it anyway.
🐰• You'll notice quite early on that he's a bit odd himself, maybe a bit invasive, possessive, especially for someone you haven't known for that long. If someone looks over at you for a second too long while you're having coffee with Steve, having a conversation that's veered off of references and employee skills to some personal aspect or interest in your life that he's cracked open. You'll see a shot of something dark pass through his blueish gaze before it passes almost as soon as it comes, and you'll know nothing more about it except never seeing that person again. Just another missing person to add to a list.
🐰• Same with if you happen to be seeing anyone; he's got his own ways to scare people off, and if that doesn't work, he'll be forced to do something a little messier. Again, you won't know a thing about it, and there'll be no proof, no body, no big questions. Suddenly your partner has run off on a job out of the country or broken up with you via text... and Steve will be around to "see how you're doing" and to pick up the pieces when you end up spilling more about what's been going on in your life and exposing more vulnerability. It gives William a rush, in a way, to be needed and ran to and relied on when something goes bad, especially if it's you looking up at him with big pleading eyes. He can only smile and squeeze your hand, not letting go for a long moment as you get yet another drink and finally end up getting somewhere closer to a proper relationship.
🐰• Friends start getting a little distant, past lovers end up disappearing and little conveniences in life become more frequent. Wonder why that is?
🐰• Afton has a great memory, and if you tell him you like something in particular, your favourite show or book, he finds the exact thing by chance in the shop and had to get it for you, just to see your eyes light up and smile thankfully. Or he recorded a new episode of your series for you to watch if you come over on one of the nights you're not working, or he's just finished reading that book, come round to his so you can talk about it some more? He always finds a way to get what he wants, and when it's a person, victim or not, the rule still applies.
🐰• You may not be a victim of violence or murder, but he's got an obsession, an unhealthy desire to watch everything you do, everyone you talk to and in your life. He doesn't name a specific reason for it, doesn't think he needs to, doesn't see the point in it. If you ever catch on to that kind of behaviour, he'll just give you a warm smirk and shrug. "Well, because it's you," is his casual response, though you could swear there's something more behind his eyes. "And I care about you, you know?"
🐰• This is still William Afton though, and for all he can be surprisingly romantic and thoughtful when he thinks to be to see your reaction, he's a sadistic murderer and kidnapper at the end of the day... and it does start to show through. He can be manipulative as we see in the movie, and a bit arrogant, though I don't think he'd outrightly manipulate you. It's more your surroundings and the people you're with. Maybe he'll dig up some dirt on one of your close friends and put it somewhere where you'll find it and cut off the friendship yourself, exactly how he wanted it. And on the occasions when he gets his hands dirty with those types of people, he will get his hands dirty, and enjoys every minute of it. He taunts and mocks them until their dying breath, hating the thought of someone else holding your attention for longer than he can, which only causes more blood to be washed out of clothes and off his skin before you notice.
🐰• I have the idea of William watching you sleep deep in for some reason, since he's affectionate in his own ways, not majorly into PDA or clingy, since he prefers you being the one to run to him. But in the moments when you're not aware that he's around, like when you're sleeping. He'll trace calloused but featherlight fingers across your face, down from your forehead to your cheek and your neck. There's a beat of tensity where you might think he's tempted to do something extreme, something violent, but it passes time and time again. I think the only time William would be tempted to be harsher and forceful is if and when you ever found out about what it is exactly he does, and try betraying him. He wouldn't kill you, nothing like that, but he'd have to lock you away someplace safer...
🐰• But Afton will cross that bridge when he comes to it. For now, it's just an attentive and dependent relationship that William will keep going for as long as he can, accepting any gesture of affection or admiration or any positive attention in general with open arms and a pleased smirk on his face. Life will be pretty easy for you, everything seeming to go your way, and his, he'll make sure of it. And when you finally uncover the truth behind Steve and meet the real William Afton, he'll expect things to stay exactly the same: bloodied hands, spring locks snapping, glowing grey animatronic eyes or not.
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thezangoosler · 6 months
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viewing the fnaf movie as just a movie doesn't work. you're sabotaging yourself and taking away all the enjoyment from it if you don't think of it as the fnaf movie. if i look at it as just a movie, then yeah, i totally get what the critics are saying. it's so far from the lore of the original games (but since when has that not been a problem in the franchise lmao), the killer doesn't really have a clear motivation, and the ending does kind of come out of nowhere. but if i think of it as the fnaf movie i can actually love it. yes, it's far from the original lore. that's just how fnaf goes. yes, it is a glorified two hour lore dump. but could we want anything more from fnaf? it's literally infamous for the lore. sure, springtrap does kind of come out of nowhere. but the joy and whimsy experienced when he does show up is fucking amazing, actually. i don't care if it's a bad movie. it's the best viewing experience i've had in 2023.
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fnaf-movie-countdown · 6 months
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A clip of what seems to be a from filming a deleted scene where we would see the animatronics in their heyday and all fixed up has appeared!
The actors are all dancing like people not animatronics in the video tho lmao
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glindaselphie · 6 months
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I have yet to see the fnaf film but I feel like saying the animatronics acting like kids is silly or unscary or whatever is kind of missing the point.
the main horror of fnaf is not really the jump scares but the fact that these killer animatronics are actually murdered kids.
it makes sense for them to act like children because they are children. they’re not the real monsters of the story, afton is.
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bittwitchy · 6 months
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Matthew Lillard as Steve Raglan / William Afton Five Nights at Freddy's (2023)
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bs-fangirl · 6 months
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Out of the huge cast of characters in the FNAF franchise, fucking Balloon Boy is the one who had the most successful jumpscares in the movie.
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Congratulations on being so terrifying, you delightful little weirdo. You got me every time.
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sugarywishes · 6 months
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About time I made movie fanart
Also Abby is slowly replacing Gregory as my favorite fnaf kid character, perhaps I'll make more art of her soon!!
*DO NOT REPOST WITHOUT PERMISSION*
*NO REPOSTEAR SIN PERMISO*
*НЕ РЕПОСТИ БЕЗ РАЗРЕШЕНИЯ*
(Also I forgot to add the b in my bffr joke IM SO PISSED 💔)
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the-irreverend · 6 months
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fnaf fans when they see cupcake get the highest kill count in the whole movie:
P.S. Yes I am a huge Nimona fan.
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lostcybertronian · 6 months
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On a less morbid note, I just saw FNAF earlier tonight, and I have One Big Thought:
SPOILERS
The kids that Afton murdered were all from the restaurant. Why was he at a random ass campground in Nebraska stealing Mike’s brother????
The movie makes a half hearted attempt at implying that he did that before the restaurant, and gave Vanessa Garrett’s plane. You could make a loose assumption that he started the restaurant in order to gain easier access to children other than rural campgrounds, also implying he did this to other kids if you traveled a little further down this rabbit hole (haha rabbit pun). But beyond this? There’s really no explanation for why Afton was at the campground prowling for children.
I think it would have made for a better story if Mike’s brother Garrett going missing and the kids going missing from the restaurant were unrelated. There’s already some pretty heavy-handed symbolism here, a pretty direct bridge between Garrett and these five kids and, by extension, Abby. Defeating Springtrap would serve as a metaphorical closure for failing to find who took Garrett and choosing Abby over his past would symbolize Mike’s choosing to move on and let go of his grief and guilt.
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I’ve seen so many people complaining about the Springlock scene in the FNAF movie because it’s not like the SFM animations made by fans - he’s not screaming, there’s little to no blood, etc. But it’s actually realistic if we’re being honest with ourselves, the spring locks probably punctured Afton’s lungs and other organs/parts of his body so he wouldn’t have been able to scream; as for blood, the spring locks piercing him keep the blood in (which is why if you’re stabbed you don’t pull the object out as it will cause you to bleed out) and the costume in the film is so thick that it probably would have absorbed any blood that did leak out.
Also I’ve seen people complain about scenes like the ghost children and Abby building a fort, about the lighter or campier scenes etc., and it’s like… that’s kind of the whole point? People are acting disappointed that the animatronics are literal children and have behaviours like little children - plus the scenes of them befriending Abby take on a darker meaning when you realise what their plan was the entire time (killing and trapping her in a suit so she can be with them forever). I don’t know, it made sense to me as a fan of FNAF that the animatronics haunted by ghost children didn’t want to harm a child but attacked adults.
Don’t get me wrong, the FNAF movie wasn’t perfect by any stretch of the imagination but a lot of complaints I’m seeing seem to come from people who didn’t play the games or who didn’t follow the lore over the years, and were expecting a plain old blood bath with evil animatronics.
And that’s not me gatekeeping and saying you HAVE to have played the games: I myself haven’t played much of FNAF (despite the fact I had the first four games on my kindle) because my anxiety shoots up to 100 playing horror games, but I’ve enjoyed watching people like Markiplier play it over the years (for some reason I find it easier watching horror then actively playing horror games if that makes sense). This film was very much made for the fans of the games specifically, but that’s just my opinion.
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