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puhpandas · 6 months

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Rabbit Burrow

(3,785 words) Part 1 (part 2 found here)

Tony Becker, one year after surviving the attack from GGY, tracks down Gregory post-SB. But he has to get through Vanessa before he can get to Gregory.

Tony likes to think his detective skills are pretty good. So when he swings a leg over the seat of his bike and wheels it near the entrance, he hopes it's the right place.

He'd tracked down Gregory to this apartment complex somewhere in Gale county. It's still in Hurricane, and Tony had been able to reach it with just a bus ride. The apartment is somewhat run-down, but clean enough to where you can tell it's well kept, just old. The air conditioning units he passes on the way to the front door are brand new.

He'd taken the closest bus to Gale county right after school let out. He'd been restless all day up until finally acting on his findings. Tony has been searching for Gregory for a year. Finally finding something and having to wait for his middle school day to end was agonizing. He just hopes his Mom and Grandma wont be too mad at him.

He'd wrestled his bike he'd ridden to school that day discreetly onto the bus and wedged it in-between his legs and the seat in front of him. The air had been humid and thick all day with the signs of a storm, and Tony had seen the dark clouds and heard the thunder peeking over the treeline outside the bus window on the way here. He ducks inside the front door and beats the rain by seconds.

"Can I help you?" The receptionist asks him, giving him a weird look when he steps inside. Shes a lady with long, styled black hair and covered in jewelry. Tony tries not to look too suspicious as he sends her a polite smile, heading to the elevator on the wall to the left. He would also be wary if someone he'd never seen walked into a resident building.

"Just seeing an old friend." He tells her. He presses the button to the third floor and tries to break her gaze by stepping behind the closing doors. The elevator shakes a bit before moving up.

He tries to take a deep breath. Theres some kind of excitement floating around in his chest at the fact that he's done it, but he pushes it down, lowering his expectations.

Despite his theories, he really has no clue what to expect. Theres some sort of worry mixing with the excitement, and all he decides is that if he escaped once, he can do it again.

It both took too long and not fast enough when he finally reaches the third floor. He double checks his crumpled sheet of notebook paper in his hand once, then a second time, something nervous but anticipating thrumming in his veins.

He steps onto the beige carpet of the long hallway, fresh vacuum marks in it, and follows the number plates by each door before coming to a stop near the middle of the hall.

3-05 The plate reads back to him. He quadruple checks his paper again. Its right.

He sighs out deeply, not even realizing he was holding his breath. Despite himself, his brows crease ever so slightly.

He shakes it away, pushing past it. Maybe digging too deep is what got him into trouble before, but its different now. Tony... Tony's learned things during his search for Gregorys location. If there was any point during his investigation that he would call digging too deep, it would have been months earlier from now.

Besides. Tony has always been bad at staving off his curiosity.

He thunks his knuckles on the white wood of the door quickly after that, three times in succession. He kind of bluescreens for a second when he realizes what he just did, then shakes it off. Waiting with wide eyes at the door, watching for a rattling of a doorknob or listening for incoming footsteps.

Nothing. He waits a few more minutes before knocking again, this time a little louder and harder.

Tony perks up when footsteps finally near the door, and his lips part prematurely when the doorknob rattles, not even put-together words yet on his tongue. They fall away immediately when a woman with blonde hair pulled back in a ponytail opens the door, one of those chain locks keeping it open maximum of three inches. "Hello?"

He stutters for a moment, words lost on his tongue, before he clears his throat, putting on a polite smile. "Hi, there." He says. "Um. Who are you?"

"I should be asking you that, kid." The woman raises a brow at him, never opening the door more than the chain lock allows it. She peers at him through the gap, and Tony tries as discreetly as possible to look past her head and shoulder into the apartment itself. "What are you doing here?"

When he looks back, shes still looking at him in a way Tony can only describe as cautious. The light in the hallway on the ceiling is flickering, and it casts split second shadows on the womans face that makes the bags under her eyes that much more prominent and her face that much more intimidating. "Well?"

Tony realizes he hasnt answered, and coughs slighty. "Oh. Sorry." He says, reluctant to continue. "I'm... I'm looking for Gregory."

Tony watches intensely to see if the name rings a bell or catches her attention. Just as he expects, her face twists ever so slightly in recognition. Tony catches something adjacent to panic or fear in her eyes until it's gone not half a second later.

"Who's asking?" She asks eventually, voice carefully even after a what appeared to Tony to be a mini conundrum in her head.

"His friend." He answers honestly. He ducks his head when the woman scrutinizes him, looking almost angry, but restrained enough to not show it. "I mean it," He says earnestly. "he and I... we were best friends. Last year. I came here to look for him."

Her eyes widen ever so slightly at that, and she studies him, eyes flicking back and forth over his face and his clothes and his hair. Tony doesnt miss the way her eyes linger for a millisecond on his scars. Its silent in the hall save for the two looking at eachother, and the buzzing of the flickering light on the ceiling is enough to save him from hearing his own heartbeat.

"Okay." She says eventually, and Tony subconsciously feels himself sag a bit at the relief that he won't turned away right as he was this close. She shuts the door without a word, and all Tony can do is stare at the peeling landlord white paint on the door as the sounds of the woman unlatching the multiple locks on the other side reach his ears. He waits patiently, until she cracks the door open not much wider than it had been with the lock, but just enough to fit his body in. "Come in. But no word to anyone. Got it?"

About what? Tony's about to ask, but then he steps through the door and the words die on his tongue.

"Oh." He says outwardly when Glamrock Freddy Fazbear sits on the couch. His body is adjacent to the patchwork quilt Tony has on his bed that his Grandma made him, and any of the makeup he had been painted with has long since scratched off.

His eyes are shut, and theres two jump cables attached to his ears that are plugged into a portable something. He doesn't so much as twitch when Tony enters the room.

The woman gives him a look after she re-locks only the deadbolt behind him and passes him into the apartment. "Oh." He repeats. "Not a word."

She nods at him, and it's only now that Tony can see the rest of her that isnt just her face. Shes in her twenties, if he had to guess, and she has a white tank top on with some sort of stain near the collar along with Hello Kitty fleece pajama pants. Her socks are mismatched and her nails are painted a purple color that could rival the deep bags under her eyes.

She collapses into an armchair (which hes pretty sure has a mismatched leg attached to it half-hazardously) and only looks at him silently as he steps further into the house, not so discreetly angling his body to get a peek past walls and open doors across the house.

Shes about to speak when Tony does first, "Wheres Greg?" He asks straight up. "Can I see him?"

Her lips twitch, and she just leans further back into the chair. The TV is playing some sort of Spring baking show, and the droning of the host mixes with the pattering of the rain on the window on the wall by the TV.

Anticipation and impatient-ness buzzes under his skin at being right here, and this woman undoubtedly knowing Gregory certainly doesnt help.

She only hesitates for a moment, but Tony can see the influx of thoughts that undoubtedly ran through her mind. She opens her mouth, taking a slow breath, before, "At school."

"He goes to school?" Tony gasps slightly, eyes widening. He moves to the couch, toeing past Freddy Fazbear as to not touch him even with just a brush of his jeans before sitting down, facing her. "What school?"

"He goes to Raindrop." The woman tells him, seemingly not hesitating this time.

It doesn't ring a bell, but it must be a middle school in Gale county. "...I go to Hailstorm." Tony says. "We both did. Or used to."

She stares at him after that, fingers drumming on the arm of her chair. She says nothing, just scrutinizing him, before, "You sure have a lot of cryptic ways of telling me how you used to know Gregory."

He wants to apologize, because it seems like what to do in response to that statement, but for some reason, that feeling in his gut he's learned to trust as his Detective sense tells him that he shouldn't.

Shes still looking at him intensely, and the rain outside pattering on the window somehow feels louder. There's some thunder outside that rumbles the floor, and the lighting casts a shadow on the living room. A few white lines across the coffee table caused by the blinds covering the window.

Her face doesnt so much as twitch, he notices, and she doesn't blink when she looks at him. Her green eyes bore into him, almost glowing in the shadow cast beneath her bangs. It reminds him of how he'd done to her not minutes ago. What he does to people he wants to analyze. To see how they react to something.

That's what shes waiting for, he realizes. He has a feeling that if he doesnt match her cryptic bluntness and instead apologizes and caves that easily, that it will somehow result in her turning him away.

Theres a glint in her eye when he becomes aware of reality again enough to look, and he thinks she somehow just came to the conclusion that Tony figured it out.

Then, he tries to sit up a bit straighter, and muster up that same glint mirroring back at him. "You sure have a cryptic way of letting me know you dont trust me."

Her mouth twitches slightly, but its all Tony needs to know he'd guessed correctly.

Its silent for a moment, and the woman grabs the remote on the next arm over and pauses the baking show she'd been watching. She shifts in the red velvet seat, as if getting comfortable, before, "Tell me how you know Gregory, and I'll tell you how I know him."

He has a feeling he isnt getting to Gregory unless he gets through this woman first, so he clears his throat, leaning his forearms on his knees.

"Me and Gregory met early last year at the beginning of the school year." He begins. "Right after summer ended in August. He was the new kid, and he sat at our table at lunch since it was mostly empty. Me and my friend arent the most popular, so there was room to spare."

She waves a hand, signaling him to stop. "Your friend?" She asks. He nods. "How many of there were you?"

"...Just me and E-- my friend." He says. "There were two of us, and when Greg sat at our table, we remembered how he looked a little lost earlier in class and we introduced ourselves. Then we just... clicked, I guess. He would partner with us in creative writing."

"Writing, huh?" She smiles slightly.

"Yeah." He replies. "Then, it was just business as usual for the months afterwards." He pauses, fidgeting with the hem of his jacket he loves so much that reminds him of the trenchcoats big city investigators wear. "Then... I had gotten wrapped up in this mystery."

She shifts, crossing a leg over the over and holding her hands together. "A mystery?"

Tony nods, remembering it like it was yesterday. He thumbs the part of arm where a scar is on his arm that his jacket covers. "The three of us would always go to the arcade in the Pizzaplex." He tells her. "And one day, I noticed high scores that seemed impossible to reach, and I became obsessed with solving who it was who had gotten there."

Tony thinks hes very good at reading people. So he doesn't think it's just his imagination when the woman in front of him goes a little rigid in her seat.

Theres some sort of creases under her eyes, Tony notices, that weren't there before.

"What did you do?" She asks.

Tony has a feeling that she somehow knows already. So he doesnt beat around the bush.

"I solved the mystery, eventually." Tony says. "Because GGY had been Gregory, and he'd invited me to the Pizzaplex and tried to kill me."

She sags a bit, looking somehow infinitely more tired, but no surprise detected. "But you survived."

"Not..." He shakes his head, picking at the skin by his fingernails. "I wouldn't have. If not for Greg saving me."

"Huh?"

"He--" Tony searches for the words, looking at the carpet between his knees and remembering that afternoon in every vivid detail he'd looked over countless times before. "He'd tried to kill me, yeah, but... he was almost fighting himself as he did it. He was like having a fistfight with himself."

He doesn't look up at her, he just keeps remembering how Gregory had gone rigid right before plunging the knife into Tony's gut a second time and stopped himself. How it had looked like somebody yanked Gregory backwards, but it had been his own self throwing his body. Just so he didnt hurt Tony again.

"He looked like he was a malfunctioning robot." He recalls. "He was like, hitting himself, and was making noises like he was fighting something. I was too frozen to move at the time, but then he threw me a really high security pass for the Pizzaplex and told me to run."

Then he had collapsed in front of him, like he was holding himself down. He doesn't tell the woman, though.

He looks back up to see her staring, eyes wide in suprise. She looks deep in thought for all but a few moments before shaking herself out of it. "So what did you do?"

"I ran." Tony says. "He had got me already. He stabbed me in the back, the first time. That was how I knew he was attacking me in the first place. But I ran away with the pass, and I went to a room with a ton of monitors and erased the security footage."

Her eyes blow wide as saucers, that time. "You got stabbed," she begins. "and instead of getting help, you erase the security footage?"

"Yeah." Tony nods. "Greg would have gotten in trouble if I didnt."

She's silent, after that. Tony just keeps picking at the skin on his fingers. "I somehow knew that Gregory didnt deserve to be. He just..." Tony trails off. "He didnt seem..."

"Seem like himself?" She suddenly cuts in, and Tony's eyes widen.

He nods, a small tilt of his head, and the woman sighs. "That's what being mind controlled will do to you."

A year ago, probably longer by now, Tony would have never believed that. He would have never thought something so outlandish that is only ever shown in fiction could be a possibility.

Not that he was wrong, to. Really, anyone in their right mind wouldnt think so. But things have changed since then.

And Tony has seen a lot of things during his search that probably nobody else has. Plus, This woman has been so cryptic up to this point. If she told him this straight up, and it's clear that she knows Gregory...

Suddenly, everything that day seems to make perfect sense. And everything he'd found that he'd filed away into his little mental Gregory crazy wall.

(He'd used to call it evidence wall, like normal people do. But, well, at some point, maybe Tony had thought the things he'd been finding were a bit too crazy to deem as normal.)

Theres been a stretch of silence while Tony had been taking that in, and he only breaks it to say, "Is mind control a topic you're familiar with in this house?"

Her eye twitches, a bit. And now that Tony is looking for it, he notices that same strange sheen on her eyes that Gregory had during their friendship. That weird red tinted film that makes their eyes turn a completely different color when the light hits them right.

Tony doesnt yet understand how the mind control Gregory had been under works, but all he can hope is that there are some side effects.

She stares at him, eyes narrow, and theres another roar of thunder outside the window.

"Who are you?"

"Tony." He answers. "Tony Becker. Ring a bell?"

She hums, and she looks at him in a way where he feels like he's being dissected.

"He didnt remember anything for a while." She says eventually. "But hes been having dreams, lately. Sometimes he talks about two kids he used to be friends with."

"Me and Ellis." Tony's eyes widen. It doesn't even occur to him that he shouldn't share Ellis's name.

"He worries about you." She says. "I've heard him say he hopes you're okay. You and that other kid. You must have been close if he remembers being that good of friends with the two of you."

"We were." Tony replies. Memories of him, Ellis, and Greg going to the Pizzaplex and trying to get the most dunks in the basketball hoops flash in his mind. He thinks about when Gregory would come over to Tony's little run down house that he shares with his Grandma, and they write graphic novels together for the fun of it.

Gregory liked to call them comics before he'd suddenly decided that stuff wasnt cool anymore and stopped coming over. It had been like everything Tony saw him enjoy that wasnt painfully average for a child suddenly didn't mean anything to him anymore.

And then Gregory tried to kill him in a dusty back room.

Everything hed given up seems to make more sense now. It wasnt willingly at all.

"He doesn't remember your names." She speaks up suddenly, ripping Tony out of his thoughts. "But he remembers more and more every time he has a dream. Something reminded him of you one day, I guess. That must have been when it started."

Tony opens his mouth, but the beeping of a digital clock interrupts him. He follows the womans arm as it reaches across the seat to turn it off.

The time reads 5:00pm.

He watches as she looks over at him, and nods to the door. "After school activity." She informs him, getting up out of the seat. His eyes follow her as she moves towards the front door. "I'm his ride."

Tony's eyes widen at the implications. "So I just--"

"Stay here." She tells him. She grabs a flannel off of the small coat rack by the front door and slips it on, sliding some Adidas sandals on top of her socks and reaching in the pocket of the coat to grab car keys. She pulls them out, and Tony notices that theres a keychain of a white rabbit dangling from the key ring.

The breath is suddenly stolen from his lungs, and he bolts off of the couch, a buzzing under his skin. "You're bringing him?"

She nods to Freddy Fazbear. "If you can wait." She smiles at him, and it's the first time Tony has seen her smile, instead of the carefully kept nonchalant-ness. "He'll wake up pretty soon once he's done charging. So you won't be completely alone."

Tony doesnt know what to say to that. Thousands of words spawned from the thousands of thoughts hes had about finding and tracking down Gregory are on the tip of his tongue, but he only gets any out when the woman begins to leave the house.

"Wait!" Tony reaches out a hand. She turns around, a brow raised. The door is still slightly ajar, and the sound of heavy rain reaches his ears. "What's your name?"

She smiles a bit at the question. "Vanessa."

"Vanessa," He asks, oddly desperate. "Dont tell him I'm here." He swallows. "I want to see him remember me."

Vanessa tilts her head, but nods after a moment. "Sure, kid."

She smiles one last time on her way out, and says, "Tony Becker."

The sound of the rain outside disperses when the door shuts and locks, and Tony doesnt move for a long while. He just stares at the landlord white door, electricity under his skin and something floaty in his stomach.

Greg. He thinks in his mind when he finally rips himself away and looks around some more, seeing a door propped slightly open down the hall with a bed and a desk with pencils and paper strewn all about. He doesn't dare go in, but stares at what he can see. Its been a while.

The silence is numbing, when he can only hear the faint whirring of Freddy Fazbear on the couch next to him and the rain on the window, he plants himself on the couch cushion next to the animatronic, grabbing the remote and resuming the baking show Vanessa had been watching.

He doesn't listen to a word. He just trembles with anticipation and bobs his leg up and down as he stares at a random corner of the screen.

ao3 link

#i had a lot of fun with this one. if you need help understanding the strange interactions between tony and vanessa #its supposed to be a right of passage i guess. vanessa doesnt want anybody else to get involved #or to drag back any of the vanny & ggy stuff.#not if theyre not serious. so if tony had apologized #it would have shown vanessa that she shouldnt humor him and to just turn him away so he doesnt get involved #because he'd just be a scared kid looking for his friend.#but tony matching her and showing that he understood the test and is still serious about it #& he also matches with gregorys descriptions #shes like alright you can know.#theres meant to be a part 2 to this little oneshot thing where gregory and tony actually reunite #but i still need to plan it out. ive been obsessed with detective rabbit reuniting for a bit now and wanting to write it so #it shouldnt take too long. but no promises lol #just wanted to write tony and experiment with something new and this happened :) it was fun #my fics #pandas writes #tony becker #fnaf gregory #detective rabbit #ggy #tales from the pizzaplex #twoshot #gregory #tony #ellis #vanessa #3 star fam #freddy #also rabbit burrow is a reference to the saying rabbit hole #but i made it burrow because like tony said #he crossed the line a long time ago

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ikemenomegas · 1 year

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Gave my love

Portgas D Ace x Reader || Shooting Stars

a/n: Make a Wish prompt fill for panda-anon. I am crying because my first draft spun off into the void of my own technological mishaps, so I hope the second version is satisfactory. I'm sorry it took so long (it took forever for me to do the rewrite these last few weeks have been a bit hectic) I hope that you enjoy it! I apologize if Ace seems at all ooc, it's been a long time since I last took a deep dive into his character. He reads to me as someone who would be kind of a tsundere about romantic feelings but able to be happy if he told himself it was "just friends" so he could pretend to be normal about it. The boy has so many excuses: Butterflies? he's happy to see you, feeling hot? he's made of fire, jealous of your attention? you were his friend first... (also the linked song aged remarkably well, it's fun and noisy and is where the title came from) Thank you so much to my friend who braved an omegaverse fic to edit for me. I hate editing my own stuff and she did such a good job making sure that things weren't too obtuse. cw: omegaverse, alpha!reader, Ace's canon compliant self worth issues

The trouble with narcolepsy isn't the daytime hours. He'd learned to manage those when he was a kid. The trouble comes at night, when his body is visited with the opposite impulse.

Ace rolls over for the nth time. Now, with the same insistence it had put him to sleep, his body pulls him awake.

He follows that pull with heavy, silent steps. He stretches his arms above his head and feels his back pop. He leaves his hat by his bunk, suddenly eager for the sea breeze through his hair.

He hesitates for a moment. Though he no longer gets cold, he considers wrapping something around his shoulders. His pillows and blankets still smell faintly of you. He looks at the bed.

No one is around to accuse him of something so treacherous as longing, but he still jerks his head away and pretends as if he hadn't spent much too long considering such a thing.

When he leaves the covered floors of the ship a bird - he cannot see where it come from - flutters down and nearly clips his head. It's not a seagull. He wonders for a moment, could it be?, but he quickly casts the thought away. Probably not.

A flash of light streaks across the sky, distracting him.

The worn railing is smooth, almost soft, beneath his fingertips when he leans over it. He folds his arms and lays his head in the cradle of his elbow.

He's been dealing with insomnia for the better part of a decade, either waking in the night or not sleeping at all. He'd see Luffy, sprawled out on the floor of the hideout, snot bubbles and not a care in the world. Even though his little brother didn't often notice his midnight absences, even when Ace would show up with prey in the morning, being unnoticed had not left him feeling unwanted.

Knowing someone was waiting staved off the loneliness. Becoming Whitebeard's son had been the best decision of his life. Yet tonight, he has no desire to disturb the sentries or wake a crew member for company.

A glossy black crow lands on the rail within easy reach. It cocks its head at him, warbling low in the back of its throat. Ace narrows his eyes at it, staring until the crow shrinks back, feather ruffling. This was the bird that had almost hit the back of his head, he's sure of it.

It looks almost sheepish at it places a little bag on the rail between them.

When he doesn't pick it up right away, the bird pushes it closer with one delicate claw, bobbing its head.

He picks it up slowly, keeping an eye on the bird. It tilts its head back and forth, clicking in the back of its throat. It takes him a moment to catch it in the dim light: the reflection of your Eye in the black marble of the crow's.

A grin showing teeth makes its way across his face.

"Hey," he said.

"Hi." Sound comes out of the crow's open beak like there is a microphone in its throat, like there's a snail in its belly. It doesn't move in synchrony with the words, but in an unsettling sort of pantomime.

Your voice is made ragged by the crow, but even with one word he knows it is yours. His grin goes lopsided and he weighs the pouch in his hand.

"Fancy seeing you here, pretty bird" he says.

The crow makes a hacking sort of cough he knows to be its version of your scoff coming from its mouth, but the bird rubs its beak against the gleaming wood of the ship, as though to take the sting from the sound.

"I do occasionally have good timing," it says with your voice.

He leans his head on his arms and looks directly at the bird. His gaze cuts through the animal in front of him and to you on the other side. One side of his bangs falls across his eye.

He has some idea of what you do, but not exactly. He knows it's dangerous, for a certain value of dangerous. You go to places he hasn't seen yet.

When he asks you where you are, you tell him about places you've been, never where you recently were. You don't relent even when he pries, whining low in his throat at your typical evasiveness. The crow speaks the rusted over name of some island he's never heard of.

When he asks you how training is going, the bird does some funny little movements that require it to over-correct when it nearly falls off the rail and imitates the sounds of bo staffs colliding.

The sentry peeks down from a higher level. Ace waves them off, feeling suddenly defensive. He wants to keep this moment a secret.

The bird freezes, looking up from where it's hunched over in an all too human kind of expression that reminds him of the last time you were a guest of the Whitebeard pirates and you'd raided the kitchens with him, sneaking around with unnecessary stealth, pressing back as if to hide him from every passing shadow until he was giggling into your shoulder, you scents mingling as you sweated under the hot atmosphere of a nearby volcanic island.

He snickers as the bird shakes its feathers flat again, giving an experimental little croak and finally straightening up when the noise doesn't immediately bring the sentry back running, looking out for his crewmate. The bird bumps his hand, as if to draw attention to it, and Ace draws his fingers through the soft, smooth feathers.

When you creakily ask him about his own recent adventures, you offer tidbits from the news to get him started, and it warms him in a very strange way to think you've been keeping an eye on him.

Eventually, the late night catches up and a comfortable quiet settles around the two of you.

Ace listens to the crow's low gargly kkqrk as it moves on its perch. He smirks to himself at the sight of the shining black bird shifting against the star scattered, velvet night.

"Are you going to open it?" you, finally ask. The bird pecks emphatically at the rail by the velvety bag.

All of the bird's expressive hopping and pecking for excited emphasis is so very un-human. It amuses him to imagine you puppetting the creature, instructing it to dip and flap for his benefit, even though he knows it is more akin to the bird itself interpreting your emotions.

Even so when the bird, looks at him, he can almost see the pleading look only you can pull off. Truly and delightfully uncanny.

He sighs as if it is all a chore, bobbing the pouch up and down on the string wound around his fingers. The crow follows with the movement with its beak and then its whole body.

"Should I?" he muses. "Suppose I save it-"

The bird all but stamps its little grey scaled foot in expressing your impatience and he laughs at you, at the odd humanity of the motion, as he finally does open the bag, drawstrings tangled in his fingers.

The contents of the pouch glitters, even in the starlight.

"How nice," he says, opening the mouth of the bag wide to reveal an array of crystals inside. "A good bit of shine."

All pirates of course liked things that gleamed. As did crows. The bird tilts its head between his face and the bits of rock in his hand.

He shifts them around in the bag. There are many colors.

"You should try one," it - you - says, shifting its weight. The bird stayed almost perfectly still, head tilted as it took in his incredulous expression.

"I am not dumb enough to eat rocks."

"I know."

The bird, peers up at him, blankly expectant.

Ace looks back in the bag and eventually plucks one of the crystals out. It's orange bleeding into purple like a storm ridden twilight and edged like the inside of a geode.

He glances once more at the bird, at you, but the creature just shuffles its wings to sit more primly against its body. Ace has never been very good at backing down from a dare.

Still he bites down very very carefully.

The crystal cracks apart under his teeth and spills sweetness on his tongue - plum and passion fruit, tart and bright and dark again, like the last touch of a setting sun. The outside is hard and cool like stone, but falls away to jelly by the time his bite sinks to the center.

He cannot help the way his eyes go slightly wide.

"Where are these from?" he asks.

"I made them," your voice slips from the bird's parted beak, almost shy. "The King of Kettles taught me," you add fondly.

He nibbles on more of the crystal, candy he now knows. Rock candy, he thinks as he grins to himself. He's not sure when the last time someone brought him candy of all things. Sugar is expensive no matter its source, and sometimes hard to find among the islands. Even syrups made from fruit would take a long time to make.

"Make sure to brush your teeth!" The crow interrupts his thoughts with a trumpeting, too loud, cackling sort of caw.

He stuffs a corner of the crystal into the crow's beak, interrupting the sound with a choking, fluttering, sputtering.

One thing about birds is that regardless of interpretation, they are sometimes not very good at managing their volume.

The crow hunches over, sending Ace as dirty a look as it can manage. You consider having it play dead, just to get back at him, but the shuffling attention of the sentries has you, the crow, freezing in his shadow.

You are reminded, somewhat guiltily, that your welcome on Whitebeard's territory does not give you unrestricted access, even for stolen moments like this.

But again, Ace waves off the inquisitive sentries, and they go, because he is the commander of the second division.

Ace can tell that they're curious, but this is for him, for now. In the morning if they or anyone asks, he will tell and laugh and tease. And it will be real.

This is real too. He feels protective of this moment, even if it is only a crow with your Eye as a glossy, curved reflection. It's his little secret.

It's not in his nature to keep secrets. Not for long. But for a while, he wants to keep this one. Not out of shame, not like the other, but because this one is warm like a glowing coal.

It is his, to follow the direction of a falling star and have a bird deliver him a gift and a conversation. You can't tell him where you are or where you're going, but you have frequent, funny little names that are familiar enough that you can tell him stories and he knows of whom you speak. The King of Kettles, Catfish, the Forlorn Maiden - all of them people he has never and likely will never meet.

Do you have a secret name for him, do you tell people about him? Something meant to safeguard him from the world?

Will there ever be a time when he isn't the secret? When that secret doesn't drag a darkness along behind it to cover those who know?

Another flash of light goes across the sky - blink and you'll miss it.

He sees it, you don't, going in the same direction as before. It flies away into the night.

Slowly, through the odd technicolor vision of the crow, you see a closed off, thoughtful expression take the place of the easy smile from before.

"What are you thinking of?"

The crow's hissed approximation of a whisper should be unsettling but it isn't.

Ace leans his arm on the railing and looks over at you, at the crow. The corner of his mouth lifts up, but he can't put enough of his heart into it to cover the melancholy.

He finds himself wishing for your scent. Sending a bird is one thing, but if he had not seen the Eye, he wouldn't have even been able to tell you it was you there, and not some well trained pet.

"I wish you were here," he sighs, reaching out to run a finger over the bird's smooth head feathers.

The bird ruffles its wings and says nothing. There is a long moment of nothing, long enough that Ace thinks of going back to bed. Sleep is finally reaching for him, he can feel the chill of it on his skin.

It's through the quiet of the dark that it finds him, a dull sound, almost at the edge of hearing.

He reaches out with his awareness, scanning the sea for any creature stupid enough to attack one of Whitebeard's fleet. A Sea King would be a bit of bedtime fun. Or it might be the distant sound of canons, although intuition tells him that isn't it.

The sound gets closer. It is not canons or the writhing movements of a deep water monster. It is more like someone shaking out sheets, but as regular as a sleeper's heart - the flap of wings.

He sees a shape, black on black, in the distance. It vanishes between one blink and the other, melting into the night. Another shimmer of light falls overhead while the wingbeats suddenly disappear.

Ace remembers owls and the way they hunt, swooping silently down upon their prey. He looks up to see if the watch is at all disturbed, and then to his left. The crow is gone.

The wingbeats return, now soft and so close. Right below him. He looks over the rail and a familiar face rises up to meet him.

This crow upon which you sit is longer than him if he were to lay down, feet and fingers pointed as far as they would go. It drifts upon the shallow eddy stirred up by the ship, drifting alongside.

"Hello," you say. You're smiling. Teasing snatches of scent get caught in the sea breeze.

From behind, the crow that had been your mouthpiece swoops down upon your shoulder.

"Willful thing," you say to it.

It croaks, head bobbing cheekily.

"Hi," he says. His heart feels like it's soaring, light alongside you, every whoosh of blood a wingbeat.

"I heard you," you say, nudging the crow's chest with your finger.

"You do occasionally have good timing," he says, grinning wide.

The enormous bird flaps a few times, slowly, up to the level of the rail.

He catches you when you slide over the side of the ship and step onto the deck. He never feels the flames when they come from him, but your palm sliding over his makes him feel like he's burning.

"I think I'm going to be in trouble with your Father," you say, shrugging a shoulder, "for the bird."

It croaks again, and then caws, as if to prove a point. The both of you wince.

"I'll tell him you came for me," Ace replies. He doesn't bother to keep quiet now, but that's alright. The bag of sweets you brought him dangles around his wrist like a charm.

You're a little breathless when you look at him. He can see stars reflected in your eyes.

"Whenever you want me."

#portgas d ace #portgas d ace x reader #one piece x reader #one piece #it's implied that the reader is somehow involved with the revolutionary army #alpha!reader #omegaverse #panda anon #thank you so much for your patience #this was super fun to write #and i really enjoyed getting back into his character a little bit #hope that i did it justice!#i forgot how young and repressed ace is XD #he will absolutely reject outright romance so you can't tell him that shhhh #just pretend there's another reason he's special and it'll be fine and give him time to figure it out #prompt fill #make a wish prompt fill

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