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#getting to replies now <3
heavens-sin · 6 months
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𝐌𝐀𝐈𝐍𝐒 𝐂𝐀𝐋𝐋 !
By liking this post you are agreeing to the following:
I get full rights to bother you about our characters.
this is including, but not exclusive to: Moodboards, tagging you in things i think our characters would do, musings, random starters, playlists, etc
My undying love and affection
A special spot on my carrd just for you <3
This is also the call for shipping. if this is something you are interested in , if you’ve not reached out already. (Though if you want to further discuss things, my IMs are open considering.. the fucker I'm portraying - pairings are gonna be heavily selective. and discussed thoroughly with muns. ) 
Shipping with me can include, but is not limited to:
All them tropes.
Platonic love
this will also include the not so happy troped ones. of course this should be approached with extra caution. its not meant for everyone. and will be tagged and hidden under cuts.
thats including nsfw topics. all will be hidden under cuts.
Exclusive shipping rights which includes your own tags and ship verse. (I am still a multi-ship, but the exclusive ship partner does mean i will only ship with your version of a character)
Expanding ships we currently have
Anything in between you’d like to scream about me with
Fair warning: Shipping with me does include me becoming absolutely insufferable eventually about our characters. Also I'll only be accepting people as mains that I either already write with, OR we don't write atm but we are actively talking through IMs to plot or organise a thread or whatever.
(although i’m very willing to pop into your IMs anyway to discuss things if we havent written/talked but you are interested in being mains/exclusives).
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THE SAME-
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Reaction to scooped Mike
CANON, they would be friends,,,
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bixels · 6 months
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While I do think anon was rude, I do think it's pretty shitty to set up all this stuff you were going to add the au and then just drop it. It's disappointing. Definitely unfollowing.
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Bye.
#ask me#anon#once AGAIN.#I am not dropping anything#the au is not getting cancelled. more than likely i'm gonna take a break from it until i find motivation again#But I've been drawing the AU for half a fucking year#In that time I've only drawn 5 things that aren't mlp related#I'm getting tired and my last few posts didn't do as well as I'd hoped#And I'm not about to burn myself out on mlp au art even if I really do love making it#I'm still gonna make comics. I have a bunch of ideas.#Tulli and I still wanna do the limited run merch shop#Discord is still coming. Sunset is still coming. Sombra is still coming. I have so many ideas#But I need to do something else for my own sake. Did you know I was supposed to get the background 6 designs done by now#But I didn't because I'm TIRED#I've been keeping myself on a schedule to keep content pumping despite travel and school and family and I'm tired#what i'm getting isn't matching what i'm giving and that's nobody's fault. i'm not frustrated at anyone. a slump was bound to happen#drawing the au was fun until it become my Thing. Because when your Thing––your identity––starts to faulter#it can really make you freak out#And that's not healthy for the project or for myself. I need to find the fun again and I'm sure I will#I'm really appreciative of everyone's support in my inbox and replies it really does mean a lot especially given that about 2/3 of my#followers followed for mlp. But if you're gonna react to me saying “i'm gonna cool down on mlp art and draw my own stuff” with “i'm#disappointed in you." then Leave! I think it's good you're unfollowing#you are not obligated to stick by my side! But don't act like I'm doing you a disservice by turning my attention elsewhere#I didn't promise anyone anything and I definitely didn't say I'm breaking any promises.
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tprings-hair · 4 months
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I find it so funny that every time they get taken captive kirk is rattling his chains screaming "LET ME OUT" and spock is examining the shackles like "hm. interesting. did you know these are made of a very rare, indestructible metal found underground?"
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galedekarios · 3 months
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post/744500659658866688 can I ask what armor it is you're using for gale in this post? it looks so good on him.
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of course you can ask! i used a few mods for the full look:
the rings & boots are from basket full of equipment by antemaxx
the armour are from delfinition's battlemage armour by delfinition
the hair is gale's wizardly updo by matrinyx
an anon asked me for my favourite mods and i'll definitely make a list with screenshots and/or gifs soon!
i hope that was helpful for now.
🖤
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tyttetardis · 5 months
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Macbeth Q&A 18th Jan 2024 Part 1
Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️
The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.
The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.
Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!
To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).
David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".
First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!
Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.
David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.
He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.
Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.
When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!
Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.
Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.
Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".
It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.
David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.
He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.
Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.
David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.
Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.
David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".
Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.
The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.
Part 2
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matchingbatbites · 1 year
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Love Grows - Part 1
This is my take on teen dad Steve! It was just supposed to be a ficlet, but the word count is currently hovering at 4k and I'm not done, so this will be going up in parts. <3
Ao3 | Part 2
February '85
The rumors have been flying for weeks. It only took one cheerleader to see Steve Harrington out and about with a baby and soon enough the news was all over the school. Nevermind that no one else has even seen said baby, but just the one accusation is enough to send the rumor mill into production.
It's something that had piqued Eddie's interest, but he quickly attributed it to teenagers spreading drama, a fiction created for their own entertainment. That is, until the day Harrington shows up to school with the baby.
The halls are buzzing, more so than usual, and it only takes until second period for Eddie to realize why. The entire class breaks into whispers when Steve walks in with a baby carrier in one hand, a piece of paper in the other, and a diaper bag slung over his shoulder. The paper goes to the teacher, who reads it before saying something to Steve, and Eddie is so curious but unable to hear anything over the chatter in the room.
Eddie can’t take his eyes off Steve for the rest of the class. He watches as the carrier finds a home on the floor, right by Steve’s desk, and Eddie has a perfect view of the little, rosy-cheeked baby girl from his seat two rows behind Steve (at least, Eddie’s assuming it’s a girl. The blanket tucked around her is a soft pink, so-). He sees every time Steve leans over to check on her, sees how her big eyes flick up to look at him, how she smiles around the pacifier in her mouth. 
It makes Eddie go all gooey inside; he's always loved kids, always hoped to find a guy who is good with them, and seeing Harrington being so attentive only increases the low-key crush he has on the other guy (he knows it’s a little pathetic, but Steve is very attractive, and Eddie is very gay, sue him). When the class ends, Eddie gathers his stuff slowly so he has an excuse to hang back a little and watch Steve interact with the baby some more, but soon enough the younger is also packed up and out the door.
Eddie doesn't see Steve again until later that day, when he's skipping out on 5th period and hears a baby crying as he passes by a closed classroom door. He peeks in through the window and sees Harrington pacing slowly while holding the baby against his shoulder, one arm supporting her from the bottom as his free hand rubs circles into her back. 
For a moment Eddie thinks about walking on, about just leaving Steve alone as he comforts his wailing child, but the cries pull hard on Eddie's heartstrings and he finds himself opening the door and slipping inside.
"Everything okay?" he asks, and Steve looks up in surprise before his expression shifts into something unreadable. 
"Yeah, we're fine. She's just extra fussy because she's teething. I came in here because I don't want to disturb anyone else." 
Eddie hums and goes to the nearby diaper bag, starts digging through it and is surprised when Steve doesn't tell him to stop. He finds a little bottle of numbing gel and smears some onto his pinky before sliding it into the baby's still wailing mouth, and carefully rubs it over her gums as he coos at her. 
"I know, honey, it hurts so bad. It's gonna be okay, though, just you wait." 
He glances up to see Steve staring at him, his expression curious, and Eddie suddenly feels overexposed. 
"My last neighbor had two jobs and three small kids, so I have a little experience with babies," Eddie explains, needing to fill the sudden silence that falls as the baby calms. His finger is still in her mouth, and he feels no desire to remove it, especially once she starts gnawing on it gently. Steve glances down at his girl before giving Eddie a soft smile, and Eddie's heart flips in his chest. 
"That's more than I have, at least. Thanks." 
"No worries, man. What, uh- what's her name?"
"Rosemary," Steve says, humming when the baby makes a soft noise. "At least, that's what I'm changing it to, as soon as I'm able." 
The warmth that had settled in Eddie's stomach sours a little at Steve's declaration, and as he pulls his finger from the baby's mouth he can't help biting out "And her mom is okay with you changing her name?" 
The atmosphere in the room changes as Steve's face crumbles, and Eddie knows he's said something wrong. 
"Her mom didn't want anything to do with her," Steve replies softly, and oh no, Eddie instantly feels like a piece of shit. He'd heard the rumors that some girl had just dumped the baby on him, but he didn't think they were true. 
"Shit, I'm so sorry, man. I didn't mean to assume anything." 
"It's okay. No one really knows about the whole… situation." 
There's an awkward pause before Eddie asks "So, Rosemary. Your choice wouldn't happen to be inspired by a certain Edison Lighthouse song, would it?" He smiles when Steve blushes, the pink dusting his face so sweetly as he shrugs. 
"It was my grandma's favorite song, and a lot of my happy memories are with her, so... I've already started calling her Rosie, so she'll be used to it." 
"It’s a good name," Eddie hums, rubbing his thumb over Rosie's tiny eyebrow. "She's a cute kid, Harrington."
Steve mutters a soft “Thanks,” and then there’s a brief pause before he asks "Do you- do you want to hold her?" and Eddie doesn't even hesitate before nodding and giving a quick “Yes!”
He takes off his jacket and vest in one go, knowing the fabric is a little rough, and takes the baby when Steve offers her to him. He holds her close, one hand supporting her and the other resting on her back, and starts to sway a little. "I haven't held a baby in like, two years. I forgot how calming it is." Steve hums and smiles as he sits on a nearby desk. “Yeah, it is.”
They spend the rest of the time just talking about whatever comes to mind, and it's really fucking nice. Eddie learns about the gaggle of kids Steve babysits ("They're all shitheads, but I love them, even when they're using me as a chauffeur.") and Eddie talks a little about his own friends, his band ("I mean being famous is the end goal, but it's also just fun to get together and be creative just for the sake of it, you know?") and before they know it, the bell is ringing to signal the end of the period. 
Steve frowns, a cute pout that tugs on the corners of his mouth, and Eddie has to bite back a smile at the expression. He sets a now sleeping Rosie back into her carrier before shrugging on his jacket and vest, and hesitates for a moment. 
"Listen, Harrington. I know that we don't really know each other, but I've seen firsthand how tough this single parent shit can be, so. If you ever need a hand, or need someone to watch her so you can get shit done, you can ask me, yeah? No worry, no judgment."
Steve blinks at him, big hazel eyes flicking between Eddie's like he's making an insight check against Eddie's words. He must like what he finds, because he smiles softly and says "Thanks, Munson."
And Eddie shrugs, and smiles in return. "Call me Eddie, man."
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venomgaia · 8 months
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Guys that go bump in the night
(minorly inspired by @karniss-bg3 's response to this ask)
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kaiiscottage · 4 months
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MaJin moment from this episode~
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vaxxman · 2 months
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I'm sorry, but your Medic is the most appealing design I've ever seen of him!! You just draw him so.... shaped??? I dunno, it's just very good!!
This is such a cute message to get, here take this panel I drew today, it encapsulates my flushed reaction.
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(There's no way you'll be able to guess the context to this panel)
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pinkgibbon · 9 months
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thinking abt him between the games
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fumifooms · 5 months
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Do you think maybe a large part also of why Chilchuck's wife left him was because of how much he changed after becoming an adventurer? He seemed naive and spirited once, but became more jaded the more dungeon crawling he did. I like to think with the new image of his wife that Flertom and Puckpatti's cheerful demeanor came from how Chilchuck was once as a child. But she accepted that people change. And yet that night, meeting how he is with his coworkers, reminds her of how he used to be.
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Yes I do! I go into it in my masterpost on Chilchuck’s family, though I made it before we got his wife’s face reveal. If you want to see my thoughts on what things might have pushed her to leave I recommend you go to the ‘Possible strains on the marriage’ section!
Ooh I like your thoughts! Flertom and Puckpatti inheriting good cheer from him would be soo cute (it’d also be funny with how he’s like "Meijack, my daughter most like me" meanwhile the ones with the opposite of her personality got it from him. Sike Meijack’s like her mom the most lmao), but for Puckpatti at least I’m skeptical.
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Chilchuck likes good cheer out of work sure, but he dislikes optimism/carefreeness. It makes him worry on if they can take care of themselves or if they’ll be able to make it (in part due to how he was himself tricked by parties in the past), so I’ve theorized that Puckpatti’s carefree demeanor is actually an effect of Chilchuck working out of home more and more as the years go by, and thus having the least of an influence on his youngest child, leaving his wife to do most of the raising and teaching lessons.
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I don’t know what to make of his wife’s portrait yet, she does seem pretty jaded herself, or like she has a lot on her mind. Since it’s supposedly set into the present of canon, it could just be that she’s still affected and upset by having left him… Or maybe that’s just how she is! Maybe Chilchuck rubbed off on her too, or maybe she grew that way more over the years by herself, or maybe she’s always been a little gloomy/ice queen looking, no clue! I don’t think trying to take away a lot of her personality from just the portrait would be effective or wise, but now I do think she’s the more reserved and serious type.
"Yet that night, meeting how he is with his coworkers, reminds her of how he used to be" Asker I looooove this, you’re so right!! That could definitely be part of it, I hadn’t seen that angle. He’s very cheerful and open when sharing drinks with people as we see, so it’s possible she’s like "Wow, he’s having such a good time here with his coworkers. Why isn’t he usually like that with me?" plus just being hit with a ton of bricks of realization that that part of him was why she loved him, but he’s changed so much so maybe they should cut their losses and part away. And especially since they were childhood friends, too! 20 years sure do change a man. Chilchuck does say she fell into a bad mood after the outing on the way back home but didn’t know why, so there’s a lot of thoughts and feelings we can assign to her. Again, I encourage you to read my big post on it if it interests you, I give many different interpretations and whatnot~!
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zzoupz · 1 month
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anyone wanna volunteer to give me 1$ via buymeacoffee. for your troubles you get uhhh shitty 5 minutes more or less doodle
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aurorangen · 6 months
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Vincent has not been replying to Renee's texts, usually, he responds quickly. Waiting a few minutes turned into hours, then hours turned into a day, 2 days, 3...and still nothing. Renee has been dwelling on all sorts of emotions. Is he avoiding her because of what she told him about her parents' trust? She was looking forward to going to the romance festival with him. Veronica came to check on her and Renee vented her frustrations. She comforted her saying he would reply soon and maybe the festival later on would cheer her up. Going with your friends is just as much fun as with your boyfriend, right?
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lelelego · 1 year
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hello it's the vulpes anon again . thank you for your condolences i appreciate it. however i think im going insane. the vulpes brainrot has been creeping on me and i fear i am powerless to stop it. which is very unfortunate because i still hate him and i think he's the worst and i kill him in every playthrough an d i absolutely agree that he's a cringefail little guy but that drawing. oooghhhgjh. it changed my brain chemistry. this is all your fault and i hate you (im fully kidding i love you and your art) the ao3 suggestion is a good idea but that would only fuel the rot so i think my best bet would be to block him everywhere and pray 2 every god ever that i don't fall into vulpes inculta fallout new vegas hell because that would be cringe of me
that's a good idea feel better soon anon 🙏 he is the worst here he is being mean to eli hope it can help your rehabilitation from vulpes brainrot
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pup-pee · 1 month
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ur bartkon art legendary
TYSMM!!!!! IM GLAD U LIKE ITT!!!!! <33
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heres a silly sketch i prolly wont color :3
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