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#god can fight me for him
sculkshrieking · 3 months
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redrew my favorite Saw IV scene
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astrallar · 3 months
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Come on and sit next to papa bear
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buckttommy · 22 days
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this isn't a horny post but. has buck even... seen a hard penis before that was not his own? like yeah yeah porn but. that's not really the same is it. not when you're not even looking. not when you don't even know that you want to look. like for all intents and purposes buck is completely virginal here and that's. ummm. that's a lot.
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explodingstarlight · 1 year
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"who gave this child coffee?? WHO GAVE THIS CHILD COFFEE?!??" my reblogs cry
it was me, i'm not sorry >:)c
*taps microphone* yes, thank you for tuning in 😌✨ now go follow the creator of the Alpha Stage/de-aged!Donnie AU, @snailsnaps and consume their content (not literally /j)
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clownsuu · 11 months
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I wonder what Frank's reaction would be to Howdy's visiting cousin... especially since Howdy would talk about his family, but now the rest of the neighbors get to see a relative? I can only imagine the antics bwaha!
(A silly thing, for you!)
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AWEEE MY BB BOYO ;;;;; more for frank to absolutely obsess over got d a m-
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taiturner · 11 months
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YELLOWJACKETS ◆ 2x08 "It Chooses"
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fereldanwench · 1 month
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Even without implants he could decomish us easily... Just know, from the way he walks, look in his eye... [x]
⚠️ do not reupload or edit my shots without my permission ⚠️
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pumpkinrootbeer · 7 months
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i do think it is legitimately very funny whenever someone tries to make the claim that lavabending is inherently a very slow subbending and therefore not good in a fight. specifically when using that argument against Bolin's skill as a bender.
Sure, I feel like in very specific instances with Ghazan that could be a fair argument to make. It takes him a moment to destabilize the Ba Sing Se wall and for him to kick up enough lava to destroy the airbending temple. (to the point I would argue that if Bolin had been versed in lavabending like he was in s4 he would have swept the ground with Ghazan), but in moments where he's actually in a fight his lava is incredibly quick.
Just the lava frisbee on its own is an incredibly quick move
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But making that argument with Bolin in particular is absolutely batshit when outside of lavabending he is an incredibly quick fighter. I would say it is one of, if not the, most defining things about his fighting style. He moves very, very quickly and uncharacteristically agile for a earthbender. This is a known thing. Like
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I am not the first person to say this but no other earthbender does backflips like he does. And THEN with lavabending he is just as quick if not more so
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Bolin since season 1 has had an uncanny knack for bending incredibly fast, and his lavabending is no exception to that rule. It's honestly something that haunts my brain all the time because how quick he is with it low-key breaks the balancing? a little?? Like earthbending was always shown to be very strong but in turn it was slower than other types of bending, but with Bolin that doesn't really seem to be a hangup he has.
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homostacis · 3 months
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hey what if you and your twin brother were the central protagonist and antagonist of a character-action franchise and must therefore fulfill your narrative roles that inherently place you in conflict with each other
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blueskittlesart · 10 months
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do u have any navi thoughts from your oot replay
i've been waiting to answer this until I actually beat the game in my current playthrough because navi is another one of those characters that i think of in like a "set" with several other characters who serve relatively the same thematic purpose; in this case that purpose being the "mother" character, and i wanted to have all the characters in that set fresh in my mind. it's notable that while oot shows us very clear and consistent instances of the ways in which the adults of hyrule fail to protect their children, there ARE several adults who DO go out of their way to both oppose ganondorf and protect and nurture the children under their care. All of these characters are adult women, and all of them explicitly help the children out of some sort of parental responsibility or sense of duty towards them. in this group I include link's late mother, impa, nabooru, and navi.
all 4 mother characters, despite being adults or adult-coded, reject the inaction mentality which characterizes other adults in the game. they become either direct supports or shields to their children from the conflict the world has to offer them, and they are always explicitly punished for their interference--link's mother is killed trying to protect her son, impa's village is burned, nabooru is brainwashed. The mother's fatal flaw is that she will protect her child above all else, even in a world in which children cannot truly be protected. however, with the exception of link's mother, these characters manage to persist even in the face of her punishment, and this is where I think navi becomes the exemplary character.
Navi, after a lifetime of being link's only support system, the only adult in his life he could truly, consistently count on, receives her punishment at the hands of ganondorf--in the final battle, she is pushed out. she is unable to reach her child. she cannot protect him. However, BECAUSE link has grown up with her at his side, he is strong enough to take ganondorf down. and when ganon rises again, navi is there to support link, promising not to leave his side, and the intuitive targeting of that battle (a mechanic which navi is inherently tied to!!) makes it a cinch to win. Navi, and the other mothers we meet, are a reminder to the player that the world doesn't HAVE to be the way it is. Their persistence when punished, their insistence that their children ought to be protected, is a reminder that good adults do exist, and that good adults raise good children. link and zelda are able to win in spite of the adults who refused to help them, but also BECAUSE of the adults who DID. It's a reinforcement of the core theme of oot--that childlike idea that the world SHOULD be good and fair and if it isn't, it should be changed until it is. The mothers of oot are examples of what the world COULD be, reminders that it is possible to grow up without losing hope or growing bitter, and they are examples of the next step for the children they've raised to change the word--to continue fighting even in the face of punishment, to refuse inaction, and to foster that same hope and persistence in the generations to come.
#one thing i've really been noticing this time around is the specific way in which navi's targeting works#because even though other 3d games have that targeting mechanic navi's targeting is noticeably different#in two ways. the first being that she specifically targets weak spots in enemies almost as if she is pointing them out to link#and the second being that she is capable of targeting things link himself doesn't see#whether it be invisible enemies or triggers that are out of his reach or scarecrow points or whatever#it's really reminiscent to me of the way you teach problem solving skills to a kid. you see them struggling with something and beginning to#get frustrated and you say 'hey let's look around. do you see any solutions?' and if they can't see the solution themself you might point#and say 'hey what's that?' just to get their attention on it and help facilitate that train of thought for them#because like in most other games targeting is sort of assumed to be link's own intuition in battle#and therefore it will usually allow you to focus on one enemy within a swarm of them but it won't explicitly light up the weak spot for you#navi does that for link because she's essentially the mother teaching her kid how to problem-solve.#and when she's taken away in the final battle link is able to fight anyway BECAUSE she put so much time and effort into raising him#that he no longer needs her to facilitate that problem-solving process. he already knows how to beat ganondorf#because he's done it with her before. and that's exactly the mother's role in her child's life#protect him and raise him as best you can so that when you can no longer be by his side he isn't afraid.#foster that sense of justice and encourage him to keep fighting to change the world even when it seems unchangeable.#god. ocarina of fucking time#zelda analysis#asks
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saltyb0ba · 5 months
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"you always beat the level before me, but i had fun anyways!"
AU/prediction for S5. MK goes beserk in his kaiju form and mei shows him a drawing he made of him and mei back in S1 MK runs to mei to knock her out but he stops just a few feet in front of her when he sees what she's holding.
more AU since i don't think this will happen but there's always a chance!
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coquelicoq · 2 months
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post-canon every single member of kimcom likes to spoon kim dokja. nonsexually. it's just nice to know he's alive and there and feel his chest rise and fall within the circle of your arms. try to do something stupid now asshole. oh you can't? because of my octopus impression? that's right. take THAT. however i will make one exception for yoo joonghyuk. yoo joonghyuk may want to spoon kim dokja, but he never gets the opportunity because kim dokja wants to spoon him more. so the sleeping arrangement is yjh>kdj>all other kimcom members on rotation. actually i take it back there's one other household member who doesn't want to spoon kim dokja and it's yoo mia, but that's fine because she's one of the only people (besides kim dokja) who yoo joonghyuk would be comfortable spooning. so there's probably times when it's yma>yjh>kdj>today's lucky winner.
incidentally this is also the order for the doing-each-other's-hair train because while yoo mia WILL allow other people to do her hair, no one wants to because she always compares their skills unfavorably to her brother's. and she's really articulate about it. just utterly scathing. one time her criticism was so devastatingly, accurately incisive that she made lee hyunsung cry. yoo joonghyuk spooned him that night to cheer him up and yoo mia was so mad about it that lee hyunsung had to leave the country for a couple weeks. the household learned a valuable lesson that day. it's best not to disturb the delicate spooning/hair-train balance.
#i love how often the webtoon shows people giving their injured teammates piggyback rides#like yeah that is way easier than a bridal carry. good weight distribution#but also it means when they go into Spoon Mode they're like. hey this is familiar!#anyway kimcom totally has a schedule for who gets to spoon kim dokja because otherwise shin yoosung and lee gilyoung would#resort to murder#also han sooyoung was hogging him and pretending it didn't count because it was her clones doing it#(classic excuse. it wasn't me. it was my clone! my clone stole the cookie from the cookie jar! my clone ate my homework!!)#kim dokja figures out that there's a schedule but he thinks it's like. a chore for them instead of something they're fighting over#because he is an idiot 😎👍#the other sleeping arrangement is kim dokja lying on his back and one person on each side cuddling up to him#that's the default when yjh isn't around for kdj to spoon. which doesn't happen very often#if anyone asks no i did NOT start crying the last time someone spooned me because i was incredibly touch-starved. utter lies#totally untrue and also completely irrelevant to the matter at hand#orv#omniscient reader's viewpoint#my posts#f#kdj#orv spoilers#i guess??#kimcom in the situation room trying to strategize how to turn him back into a squid so they can all have a tentacle to cuddle#kim dokja only has two hands and like ten people who want to clutch him to their bosom...but what if he had MORE than two hands?#he has before and he can again. as god is their witness
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tacagen · 9 months
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eobard thawne, why are you holding down your nemesis who 'ruined your life' Like That
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satorugojoswiife · 1 month
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What do you think about gojo ships
I feel like I'm pretty indifferent to most of them. This is super cringe of me, but whenever I fall super in love with a character I don't often like shipping them romantically with anyone. 💀 (im delusional I know)
It doesn't help that for some reason the jjk fandom (especially twt) is weirdly aggressive about ships. I know it isn't all the shippers and it's mostly just the loud minority, but seeing so much of the discourse has kinda put me off and I don't really engage much with the ships in the fandom except for rarepairs and selfships bc alot of the time those communities are more wholesome and cozy (if that makes sense LOL)
#satofie best ship#andnajdjskdjksnfksndjdj im sorry im cringe 😔😔#anyways i honestly have no idea#its not even about not liking seeing him with others bc i enjoy seeing other ppls gojo × oc/selfships#i just for some reason dont really vibe with any of the existing gojo ships in the series#weirdly enough if i had to choose one i feel like sukugo is the most interesting one LOL they are so funny with eachother#i feel like in a different life they really couldve hit it off#i feel bad for gojohime shippers sometimes#like i personally dont like the ship but oh my god ppl on twitter are so mean about that ship i dont even know why ???#is it bc alot of them prefer him shipped with a guy ?? or they dont like seeing another woman that isnt them with him?? i dont know#but i see so much hate for it and it makes me sad bc like just move on or mute the account so u dont have to see it if you really hate it#the amount of times ive seen some big jjk account qrt a fanart dissing the ship while also getting more likes than the artists post is craz#why do ppl fight over fake people kissing.......#i remember this one account specifically that was obsessed with gojo but they were so snobby about it and like gatekeeping other fans#and they really hated gjhm and for some reason felt the need to make it into a problematic ship instead of just saying#i dont like this and moving on#but they made this whole thing abt how toxic they actually are bc utahime hates gojo#only to (in the same thread) gush over their fave ship which was nanago#and i felt crazy bc its......literally the same dynamic what#like am i missing something ?????#anyways this got a bit wild but pls be nice to eachother and respect eachothers ships#you dont have to justify why u dislike a ship you can just not like it#no need to turn it problematic
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kangaracha · 26 days
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daffodil + chan
a song
the prompt: daffodil (a god bows before a mortal)
read it on ao3
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"You have no power over me."
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running through his hands like water, and suddenly the earth is not his to control. The skies do not turn with the twist of his head, lightning does not fork in the air when his eyes, dark as night and yet still lit by some unearthly light, fall upon you, his mouth wide as if to gasp for a breath he cannot take-
And yet, still, it shivers down your spine; the magic that draws you here even as you rip it apart, the prize of your conquest to rip the world into two.
"Take it back," he hisses through his teeth, the ground trembling with every syllable that slides down his tongue. You watch his mouth as it forms the words, the flash of teeth behind thin lips reminding you of the way that the swordsman you'd fought through to get here had smiled at you - the last of his seven challenges, the last of his demons, or angels, or citizens of the sprawling, damned city he claimed as his kingdom.
And here you stood, at the pinnacle of the eighth, and stared him in the eye without cringing away because now you knew the truth. Now you knew that what he whispered in the dark was a lie and what you saw with your eyes wasn't always true, and though he may be a god and a king amongst beings that you could never hope to rival, a god can only hold as much power as you give him. A god can only claim dominion over a beast that bowed to his dogma. 
You see now that you are no beast. You are no believer in any lie he utters to the darkness.
"Take it back," he says again, the note of his voice changing. He pleads, his brow furrowing and his shoulders curling in as if waiting for the final blow. "Take it back now, before it's too late."
"I can't," you tell him, and you watch him fall to his knees, and you know that it's wrong and your heart pounds in your chest and it
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like the ground does at the impact of his knees, crumbling into the pieces it was in when you first took his hand, alone on the side of the road with only one thing to call your own. And what was that thing, the little warmth you'd held to your chest in the dark and the cold? What had you traded away for the comfort of the house that crumbled around you now? Why had you destroyed him to get it back, where was it now, why did it not appear within his hands at this, the hour of his reckoning?
"Please," he spits into the cold ground, the dirt and the leaves and the curl of ivy that grows up the walls around you, old and ancient and not yet sprouted from its roots all at the same time. His hands curl in the dirt like he can reach down and pull the earth to him, like he can stop the wane of his power if he just tries to hold on a little bit tighter. "I know what you want, and I don't have it. I can't lose-"
Broken, fragile thing. Small god of limited earth, crouched at your feet like he might worship you instead. You'd thought him all-powerful once, and then you'd thought him severe and his servants and beasts and playthings petty, and then you'd thought him
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because he'd smiled at you in the garden that bloomed from his own hands when you expressed your desire for a flower to tuck in the braid of your dark hair, and his hand had been soft in yours, and when he looked out across his kingdom and the clamouring faces of the people he'd brought to live there, he'd looked at them the same way that he'd looked at you.
Beneath your foot, the ground cracks, fracturing outwards like a spiderweb. It's your heart, you realise morosely, sinking from your chest and into the depths of the earth, disappearing with whatever he'd taken from you; and it was a wretched thing and it had betrayed you a hundred times over, but you still mourn at the loss of it and all the dreams it had carried with it. It blooms in your flowers in the corners of the room, embeds itself into the land and sings along with the song of his power, a thing you can hear but cannot touch, a beast once born that now does not belong to you.
"I'm sorry," he says, his breath like mist in the cold air, and even without your heart, you can't bear to see him so cold.
Your hands reach for him without permission, your body kneeling in the dirt before you can stand your feet firm upon the earth and refuse to move. He flinches away, but your fingers are soft upon his chin and the curve of his jaw, gentle when they brush the soft dip of his neck. "I only wanted to know what it was," you tell him with a voice that cannot hold itself steady. "I thought if you loved me, you would give it back." It's the only voice you have - you are not like him, or like Felix, speaking with many tongues. You don't have any power of your own.
"It's because I love you that I can't give it back." His voice is hoarse, every word a knife that he swallows without ever once flinching. "It's because I love you that I couldn't tell you what it was."
"But didn't I deserve to know?" you question. "Doesn't my life belong to me?"
Finally, his eyes rise, looking up at you with a fire that belies the cold of his skin. "Of course it does," he gasps, and his hand reaches up, dirt-stained fingers dragging at your cheek. "That's why I gave it to you, and I never asked for anything else."
"But you wouldn't give back what you took in the first place."
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The sudden violence of his voice crumbles the walls and fractures the sky, the clouds blooming te dark colours of a bruise. The absence of his hand on your cheek stings in the cold; his face turns away, screwed up in regret and a pain he won't allow you to feel. You lurch forward before he can disappear, drawing him into your arms; stiff shoulders, spine of beaten steel, slow beat of a heart you once held in your hands. 
He'd stood so tall and unmoving in the morning light, when you'd first walked down this path, and now in the dark of the setting sun and the ending of the earth, his weight slumps into your grasp, his resolve melting into the warmth of your body. "I didn't want you to suffer again," he says to the soft cotton of your shirt and the curve of your collarbone, his breath a whisper against your skin. "I couldn't watch that, when you asked me to make sure it would never happen again."
Surprise comes in the pause of your breath and the still of your arms, the jump of a heart you're not sure you still possess. "I asked you to make me forget?" you question the world behind his back, and into your neck, he sighs.
"You couldn't forget," he murmurs. "She was dead before I found you, and when I took her from your arms - you couldn't forget. There was nothing I could do to fix what had been broken. And then you begged me to let you forget, so I remembered her for you." He pauses, his throat hitching like he's swallowing something down. A sob maybe, or the tears he will never let fall. "I can't give her back though. She's not here anymore."
You push him upright, your hands on his shoulders, his neck, his face. Brushing away the hair that falls in his eyes, wiping at the blood that drips from the cut on his cheek. "Why didn't you tell me?" you ask, because the answer is incomprehensible. "Why did you let me go this far?"
"Because I was scared," he admits, and his teeth clench and his spine stiffens against the urge to hide away from you again. "Because I'm a wretched, evil, stupid thing who thinks they can-"
His words die in your throat; vile, wretched things that you store away to spit out later, into the ground where they belong. He is none of that; he is soft, and hesitant, until your fingers find the sharp curve of his hip and the lines of his back, dragging him closer and his lips open like there is nothing in the world to devour but you and
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jahiera · 6 months
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pondering on a meta diving into Gale's abstract brand of selflessness (willingness to go away to a corner of the world to die so that none of the faceless masses will be harmed by his mistake) vs his personal selfishness (willingness to stick by tav despite being repulsed by tiefling camp murder + general vocal approval or interest in accumulating more power) and Gale's status as someone who is good aligned but generally ineffectual at enforcing actual good (the way that wyll or karlach will actually leave the party) which is fascinating for a fairly good-aligned person. just love when the Good Guy is actually kind of fucking weird. edit: tumblr cut off my tags Okay. and how all of this ties back in an interesting way to his relationship and power imbalance with mystra. he was wronged, deeply, but he also desires still that ... status / closeness to divinity in some way, by her influence. Gale thinks that he would be a better god simply by virtue of his mortality but he cannot escape the appeal of holding himself apart from others and being more than, greater than, something closer to godliness and thus inherently removed from mortal values and standards of right and wrong, which the gods themselves don't adhere to in the same way.
#it's just one of those things that's really compelling about his character to me in terms of ...#Gale hesitates with the shadow lantern not really because he's put off by the magic#in fact if a sorcerer Tav condemns dark magic he rebukes it and argues that all magic is inherently neutral; some simply more#frowned upon than others#He appreciates good acts. he'll say We Should Do The Good Act. but he's not going to really fight FOR doing the right thing the way#others might; and when you get beyond the act itself he can very quickly rationalize#necessity. or mistake. or the value of power + strength behind it.#the dichotomy between his fearful willingness to die at Mystra's behest while not really tamping down his interest in power and survival#that peers out and I think (?) feels almost obfuscated behind his eloquence and his manners and charm and general clockability as a#guy who approves of good things.#and there are things he says & does that are further beyond the expectations of what you might expect from someone who is 'good'#the initial interest in a deal with Raphael; the approval of taking tadpoles despite the uncertainty and possible cost; the acknowledgment#that powerful forms (slayer form or ascending astarion) will be useful onward#His Fucking Speech to Tav after the grove slaughter where he's outraged and disgusted but can be swayed to stay#he's so... sunk cost fallacy too I think. at some point the ends must surely justify the means right#and his God of Ambition thing is sooo compelling because it really drives to the max the part of gale's personality that is always there#but obfuscated by his immediate insistence that he's a moral person right. you know him to be of sound judgement. trust him.#He likes seeing good happen and he's happy to go along with doing good things and he'll#state his opinion when he thinks something EVIL is happening. but he's not necessarily#going out of his way here either if tav isn't -- and to be fair game mechanics technically mean#no one is - but we can read from Wyll/Karlach removing themselves from the situation#(need to double check but can't Wyll also leave a slayer dark urge?)#that they CAN go out of their way#Wizard Apathy Baby! you feel benevolent toward others but you crave what is beyond humanity and#deeply rooted in the arcane; which you see as beyond too basic concepts of 'good' vs 'bad' magic; neutrality that sways with intent#you trust good actions but you didn't ACTUALLY use your power at the time For Others either; you probably could have but#you craved MORE. something BETTER.#and there's a lot there in how that interacts with his relationship to mystra too#his desire to achieve something closer to godliness and both thinking that he can do better because he's mortal but at the same time#has proven that he can separate himself or his technical moralities from a situation if it means exploration of power/knowledge Beyond
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