“They finally made this theme more blatant-" Why does it need to be blatant. What's wrong with subtlety? Concepts can be underused but subtlety is not neglect.
Blaring all your concepts and themes is not good writing. It's so disruptive to a story's flow when the characters look off the screen to be like "See? This is the concept. The idea. The theme."
If you can feel the hand of the author becoming too heavy that's bad.
For example: I see people saying Azula's abuse in ATLA is more blatant in the live action and it's good because "it's being discussed more". It already was discussed at length. The show made it clear she was a victim at every turn, every behavior, every reaction, it came from a place of trauma. It was made clear that she was scared of ending up like Zuko because Zuko was an example of what would happen to her if she failed. When she says she's better than Zuko it wasn't just because she was raised to think hersef superior to him but because Zuko failed and failures get mutilated and exiled, failures are abandoned. In that final Agni Kai the music is morose and somber because this isnt some epic battle its a fucking tragedy, the burning out of "Ozai's brightest light" and Azula finally succumbing to her terror and trauma she was repressing now that her worst fears are realized. How can you see a fourteen year old girl chained to a sewer grate wailing and writhing and breathing fire desperately as unsympathetic? Even Katara and Zuko are horrified as to what has become of her.
The writers weren't looking us in the eye and saying "See? She's a victim too" when they wrote this, they weaved it in. They weaved it into her obsesison with symmetry, her extreme perfectionism, the way she talks about Ozai, the ways she calls herself a monster, her isolation from those with healthy home lives, all the ways she held herself together and ultimately all the cracks and seams that she shattered down when she fell apart. It did not need to be blatant to be clear.
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Machete and Vasco are so pomegranate-and-the-hand-that-slices coded. To me.
Pomegranates are seen as messy, bloody, inconvenient fruits. You slice or tear or bite and in return for your effort you come away underwhelmed, disgusted, and stained too deep to wash. The consumption of a pomegranate is a violent act of defilement, for both the fruit and the eater.
But that is because most do not understand how to open a pomegranate. They have little patience for the precise carving. They see no point in coreing the fruit gently, no reason to be reverent as they pull the quarters apart. When done correctly, opening a pomegranate leaves little mess. Your fingers will still stain, your knife will still slick, but there will be no pool of crimson drowning both you and the fruit.
The seeds are only sweet to those who understand the merit of a light hand and intricate slicing. Why put in so much effort for a food so bitter and clearly armored against consumption? Surely it must not yearn to be eaten.
(^insane about silly catholic dogs)
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Hey, writers of tumblr. I'm thinking about putting together a self-study course/ebook type thing on how to edit, intended for new/aspiring authors and those looking to prep their work for self-publishing.
For context: I currently do most of my freelance work through an agency that positions itself as an industry leader for author services (make of that what you will) and I get a lot of quote requests from folks who know their work needs editing, but have little idea where to start or what to expect. Frequently, either cost is a barrier to entry for them, or I find I'm having to correct or explain the same issues to a lot of clients.
I'd like to put something out on a pay-what-you-want basis that covers the most common issues I see in manuscripts. I'm thinking topics like basic grammar and formatting (especially for ESL writers and those working with translators), POV and perspective issues, filtering, pacing, rhythm & flow, dialogue, and a primer on techniques for self-editing your work prior to submission, pre-production, or sharing it in general.
Is this something you'd be interested in? What other kinds of topics would you like to see? What format(s) would you prefer?
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Sasori: Deidara, can you show me how to do something?
Deidara: What?
Sasori: Can you show me how to use clay to sculpt a little bird? Of course I won't be able to make it explode like yours do, but --
Deidara, tripping over his feet to get to Sasori: Holy shit holy shit holy shit you want to learn MY art?!
Sasori: I never said that. I simply wish to know how to make a small bird out of clay. That's all.
Deidara: But why?
Sasori: I've been feeling stressed out lately, and my puppet-making has done little to assuage this. So I'm hoping that by doing something out of the ordinary for me, I will be able to --
Deidara: *throws his arms around Sasori and kisses him* Don't be shy, Danna, hm! Just admit you finally realized my art is superior! Oh, we're gonna have so much fun! I can teach you birds and butterflies and cats and dogs and --
*Deidara runs into his room to get clay, still talking, and now mentioning that he should bring everyone in the Akatsuki to see how the "battle of the artists" has ended*
Sasori:
Sasori: I'm pretty sure HE'S the biggest reason behind my stress.
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Obsessed with Journey to Babel being the episode where Vulcan hand kissing is introduced, and then being immediately followed by Friday's Child, in which we are gifted with a scene where Spock, upon catching sight of Dr McCoy holding a woman's hand, frowns the deepest frown of his life, and McCoy, upon seeing this reaction, yanks his hand away faster than the speed of light and looks as though he has just commited a mortal sin.
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