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#he loves apostrophes
strang3lov3 · 14 days
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Holy fuck! Not one, but TWO milestones to celebrate!
Sometime in April I hit 5000 followers and I was gonna celebrate then, but with my one year fic anniversary gbu899i (< my cat Gizmo typed this, we're leaving it here. Everyone wave to him) and mostly because the end of the semester right around the corner, I decided to wait until May in order to give this the attention it deserves. Here we are! May 10th marks one year of me writing fic here on tumblr, and I want to celebrate both achievements.
Your support has played such a vital role in making writing such a gratifying hobby of mine. Whether you’ve been here since I started writing a year ago or just recently stumbled across my blog, it means the world to me. Having people read, like, reblog, comment, and engage with my fics is beyond fucking incredible. You keep me inspired to keep writing.
It’s not easy for me to stick to a hobby for a year. Ask the 20% finished afgan I started knitting two years ago that hasn’t been touched in months!! It’s beyond cool to have both a date on the calendar and such a pretty number to reflect how hard I’ve worked, and neither the date nor the number would be possible without you. Thank you 🩷
So we’re gonna celebrate. I haven’t done one of these before, unless you count the time I hit 2000 followers and said “send me requests!” and then did just one of them and zero others because I was so overwhelmed. So we’re taking a slightly different approach this time…
I’m thinking an extended sleepover, lol. Depending on how many participate, for a week or so you can send me asks from the prompts below and we’ll have some fun with them.
@noxturnalpascal and @beefrobeefcal heavily inspired these choices with their recent follower celebrations 🩵
🐈‍⬛ Show and tell - send me pics of your pets, or Pedro if you don’t have any pets, brownie points for Kieran Culkin pics, or anything else that you love. And tell me all about it, and I’ll show you something I love! 👯‍♀️ I want to get to know each other better, so tell something about yourself or ask something about me. If you want, you can use this and this (⬅️ two send an emoji posts) for prompts 🏞️ Request a Moodboard (my favorite) I love doing moodboards, just tell me what you wanna see and I’ll do my best. 🗳️Send me a poll that you wanna see! Ask any question, let us all decide the answer. 🍆 Send me your dirty horny old man headcanons. I’m a horndog for some old men and I can’t change who I am. 📖 Send me your own writing (or another’s work that you love) I actually have a summer reading project where I’ve tagged each and every one of my mutuals to send me their own works for me to read all summer. So consider this just an extension of that- please send me the links to works you’ve written and/or works you’ve read and enjoyed so that I can enjoy them too and support fellow writers ✍️ 🩷 I enjoy just about anything, but I have a soft spot for dark/dub-con, masturbation, uhhhh anything hot and dirty like that. 👩‍💻Request some writing. I can do Joel, Roman Roy, and I’m maaaybe feeling brave about Frankie. @beefrobeefcal has dibs on my first Frankie fic anyway. Horny and debauched thots encouraged, dare I suggest dark as well? Fluff too, though I think I suck balls at writing it. I’ve been told I should do drabbles,,, that’s not really how I roll with my writing but I’m willing to try. It’s entirely possible and actually likely you’ll get a full length fic, in which case, it’ll take some time to get those done so bear with me. Depending on how many requests for writing I get, I may cut off requests at a certain point too. *It’s also possible I won’t jive with your idea, in which case please don’t feel bad. I only want to write something I feel I can do well, and if I can’t, that’s not on you.
GOD I am a rambler. I could have said so much less. But I hope to hear from some of you all and have some fun! Love you love you love you.
Tagging some friends, readers, and mutuals who’ve made writing what it is for me 🩷 I love you all @ievutebebe @pinkypromisepascal @yazsos @heartfairy @magpiepills @medellintangerine @merz-8 @bitchesuntitled @theweedisasterxoxo @covetyou @theywhowriteandknowthings @futuraa-free @smok3r7 @toxicanonymity @atticrissfinch @xdaddysprincessxx @whatsnewalycat @addictedtotlou @littlevenicebitch69 @marisferasiop @joelsgreys @just-some-random-blogger @ghostlovesbaguettes @sweetenerobert @swiftiegirliepop @joeloverture @dorims @munsonhoneybaby @umnitsa @nostalxgic @yazsos @rainbowcosmicchaos @rav3n-pascal22 @604to647 @starry-eyes-love @paleidiot @bluecookies-and-ink @beardedjoel @aestheticisinq @corazondebeskar @axshadows @kyloispunk @survivingandenduring @pedroswife69 @bean-is-reading @pedroshotwifey @casa-boiardi @knittingandfanfics @molt3ngold @worhols @iknowisoundcrazy @nostalxgic @pattwtf @cerridwen007 @corozondebeskar @blackmetalamazon @jazzysnazzys @sheepdogchick3 @alltheseperfectimperfections @mermaidgirl30
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charmac · 1 month
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Glenn's birthday post for Rob...
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findafight · 4 months
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When people remember Steve’s scraggly little moustache <3<3<3
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daydadahlias · 1 year
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polo ash is so important to me personally
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gale-in-space · 1 year
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I think GPT series shit and other bots and how we as humans treat them have kind of soured my former fondness with robots and AI in fiction
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Thinking about “the battle’s in your hands now, but I would lay my armor down if you said you’d rather love than fight” and the entirety of “The Great War.”
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dollsuguru · 2 months
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imagining suguru’s tattoo parlor look… methinks “uzumaki” would be in red neon lights outside but omg should the parlor name be uzumaki or uzumaki’s 😭 and the inside hmmmm methinks suguru would have tapestry of his own designs on the wall i think that would be stunning… i love interior design too so let me think of how the interior of his tattoo parlor would look like
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vidavalor · 2 months
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Crowley and Plosives
@kimberleyjean asked in my recent post on rings and apostrophes why it is that I think Crowley pops the consonants of words at times, as in "BooK. shoP", and if there is a technical term for what he is doing. There is.
Let's talk about Crowley's exaggerated plosive sounds--as well as his little "mmm" thing-- and what this all probably has to do with his hiss.
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In order to talk about why it likely is that Crowley pops specific consonants when he speaks-- with it being more pronounced at certain times than at other times-- we first actually have to talk about his hiss.
Crowley's hiss is less of a separate sound and more of a slur of what's known as a sibilant sound in phonology-- it's the sound of the letter s or the letters sh. If you say the word "sash" aloud, you're using sibilant sounds twice over-- once at the start and once at the end of the word. While Crowley could probably just hiss like a snake when he's in human form, we never actually hear him do that. We hear a hissing sound manifest in his sibilant sound when he is speaking-- which is to say when he's being a human over a snake. The same is true of Lord Beezlebub, whose fly buzz sound affects their speech. In their case, their sibilant sounds turn into the letter z to mimic a fly (as in, "It izzzzz written" on the tarmac in Tadfield in S1).
Sibilant sounds are part of a group of sounds known as fricatives, which are all softer in sound. They are grouped together based on how your mouth and throat move in forming the sounds and how much air is needed to move through them and in what way to say them. The letters k, p, t-- and sometimes d, b and g, depending on the word and the position of the letter in the word-- are "hard" sounds and are known as plosives. These are the sounds that Crowley tends to pop or to which he gives exaggerated emphasis in his speech. My theory as to why is basically that David Tennant decided that Crowley would feel the hiss is weak and react to it by popping his plosives to seem more intimidating, which really does go along with Crowley's psychology well.
Crowley's hiss is a feature of what of him is a snake and, as a result, will show up in the times that a snake would hiss. That means the slurred sibilant sounds show up primarily in situations in which he feels a sense of vulnerability. Snakes hiss when they're stressed or under duress and they hiss if you try to interact with them while they are digesting a big meal. In demon snake terms lol, it means Crowley is most likely to hiss in exactly the moment he does not want to (when he's anxious or afraid, which is usually when around other demons or angels). He probably cares a bit less about slurring sibilant sounds around Aziraphale after a big meal--or a "big meal"-- and Aziraphale actually probably likes it a bit as it's his life goal to keep that snake blissssssed out but the hissing around other people thing?
Crowley hates it. He haaaaaaates it. There is evidence of Crowley hating the slurred sibilants in a few scenes.
One is that when he shapeshifts into a monstrous snake to scare the guy at Tadfield Manor in S1, Crowley doesn't hiss at him-- he roars. Like a lion. (Lions are also on the arms and legs of his reason-for-therapy-alone throne chair in S1.) And this is his reaction when he makes the guy faint from fright:
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He loves it. Ah, control...
Because Crowley is a lot of things, really-- he's a snake, yeah, but he's a big cat, he's a crow, he's a nightingale, he's a black swan, he's a horse... we could go on. To control the hiss when he wants to is to feel in control of himself.
We all know how much Crowley seeks as maximum control over how he's perceived by others as he's capable of generating. It's a normal response to all the trauma he's suffered. It's probably worth considering as well that Satan's attacks on Crowley render him incapable of controlling his own mind and body for the duration of the assault. He doesn't have the option to speak or, if he does, the words aren't his own. These are bodily autonomy violation issues and the result is that Crowley hates anything that makes him feel weak and the fact that he has in the hiss what amounts to a nervous tic that is a symptom of his anxiety disorder makes him feel out of control of himself.
Another example of him hating the hiss is when he intentionally slurs the sibilant s sound while mocking Heaven:
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Crowley is not just talking about composers in this scene in general but using first-class composers as innuendo for sexual partners and mocking Aziraphale's potential choices if he gets stuck in Heaven for all of eternity. He does so by combining soft fricatives and his slurred sibilant hiss, showing how he equates the hiss with a sense of what he considers weak and unattractive.
The other scene that suggests this-- and shows how Crowley pops his plosives as a counter to the hiss-- is actually the end of the apology dance, when Crowley pops a t so hard, it's almost its own word: "You were righTTTTTT."
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The apology dance scene and its hard T as the final note of the mock-submissive dance also makes it clear that, unsurprisingly, Aziraphale knows what the popped plosives are all about. Plosives are, well, explosive. They have harder, louder, more dramatic sounds. It seems like Crowley pops them both as a measure to counter his hiss and as a measure to try to control it. He's taught himself to respond verbally with intensive plosive popping instead of hissing, which is also why we don't actually hear him hiss all that often.
One of the only times is almost immediately after this:
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Because saints and demons preserve us, it's Master Crowley, right? But then Satanic Nun!Nina interrupts them and Crowley starts slurring his sibilant sounds in sarcastic response to Aziraphale telling him that he didn't need to put the woman in a trance.
"Oh, oh, 'xcccussse me, ma'am, we're two supernatural entities looking for the notorioussss SSSSSon of SSSSSatan. Wonder if you might help us with our inquiries?'" How he controls the sentence, though, is really interesting. The extra-exaggerated sarcasm of the last sentence helps him regain control enough that the final 's' in 'inquiries' isn't hissed and he's back in control of it. He's also almost amping up the sibilant sounds he does slur sarcastically as well. Part of why it comes out here is that he allows himself to be less guarded with his speech in front of Aziraphale.
We've actually only heard him hiss his sibilant sounds about three times, if memory serves me correctly, and two of them are related to Heaven and Hell-- the two moments I mentioned above. They're examples of him trying to control-- and then sarcastically wield-- the hiss. (Particularly "celestial harmonies", which he did entirely intentionally.)
There's also one more positive instance of a sibilant slur though and that's this: "Yessssss, the 'Reign of Terror.'"
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The long hiss of a "yesssss" in this scene is not one that bothers him because drawing out a sibilant sound during a sexy conversation with Aziraphale is a very different situation than one about or involving Heaven or Hell.
If you look back on the series, there are probably no more popped plosives than in Crowley trying to ascertain just wtf Gabriel is doing in the bookshop wearing nothing but their tartan bedsheet.
"WHaT. Arrre. You. DO. ING. In. THis. BooK. ShhhOP?" 😂
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Crowley was literally terrified (and also losing it internally because he just jumped and basically screamed at the sight of Gabriel) and there's a very brief "shhhh" in "bookshop" that starts to slur and has him practically shouting the "OP" to finish the word without full-on hissing. It's a scene built around the plosives, really.
Gabriel probably understands Crowley's manner of speaking more than "Jim" did in this moment as Gabriel has his own affected way of speaking. His defensive speech has the same need for a sense of maintaining an appearance of control and dominance but is usually less about emphasizing plosives and more about conveying a sense of power through a perceived sense of "manliness" in a smug, corporate sort of way. The way he says "but as The Almighty likes to say: 'Climb Every Mountain'" in that 'CEO saying the bullshit company slogan to a junior employee at the company retreat' sort of way.
Gabriel usually uses intimidation through lower, more frighteningly measured tones that carry the sense that if you pissed him off, he would explode and it would not be pretty for you. It's what makes the moment when he does actually a bit shocking and that's when you hear the force come out in his speech a bit.
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He pops plosives in the curse and owns the 'fucking' in that sentence as a result. That is top shelf use of a curse word, in that it's selective enough and pronounced in such a way as to give it real power. You know he's going to lose this round because he can't win it but you're still kind of afraid of him-- maybe for the first time.
But Jim? Jim has none of this.
Jim is a guileless lovebug who doesn't understand why Crowley would feel the need to speak-shout at him and pause dramatically so his "I. AM. DUSTING." response is priceless. Jim over-emphasizes all of the sounds because he doesn't know why Crowley only emphasizes the plosives and he pauses dramatically between the words more out of confused repetition of Crowley's speech pattern to try to relate to Crowley than out of understanding that it was meant to intimidate him. He uses the same sense of theatre that Crowley uses without any context as to why Crowley feels like he has to and, as a result, it guts Crowley's whole attempt to intimidate him to compensate for his own feelings of vulnerability.
Crowley and Aziraphale both are fascinated by words and the evolution of language and they speak every language in the world. This means that they both have the ability, in theory, to correctly speak in any accent in the world, which is necessary to be able to pronounce the words in every language. Between that and his self-conscious, trauma-adjacent, plosive/fricative issues, as well as just being interested in how things like pronunciation informs the evolution of language, Crowley is more aware than most of how he sounds when he speaks.
But there's also that his unique way of speaking-- when combined with his low, rumbly voice-- can be very sexy and he's aware of it, namely because it's clear that Aziraphale thinks his sounds-- all his sounds, along the full spectrum of them-- are hot. As a result, we also have scenes in the series wherein Crowley will sometimes heavily emphasize plosives-- and fricatives-- around Aziraphale just for fun because to do so has become a part of how he speaks and because the angel likes it. An example: the "lotsss of GooD DeeDsssss" bit of this:
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That Aziraphale likes the full range of Crowley sounds is symbolic of the fact that Aziraphale likes the full range of Crowley, full stop. As a result, Crowley plays around with how he enunciates words, often drawing out parts of them in ways he knows Aziraphale will enjoy. His "oo" and "ou" sounds are often elongated into an "oooh"; he softens fricatives to a breath at times when speaking more gently. At other times, he amps up his RP accent and emphasizes certain words in a sentence with pauses and heavier enunciation ("canopy", "astonish") to maximize their appeal and to draw Aziraphale's attention to them, usually also for wordplay-related reasons ("did you smite them with your wrath?" in Lockdown, for example.)
Then, there is that part of their language thing also appears to be an interest in onomatopoeia, which are words that have derived in language not from a connection to other, previously-existing words but from the sounds of Earth. Crowley, in particular, loves onomatopoeia, and likes to weave words that are that into his conversation-- "frou frou", "whoop", etc.. The word "hiss" is onomatopoeia. Unlike other etymology posts I have written or will write, there is no "derived from the Old French x" or "from the Latin x" or the like for the history of "hiss"-- it's just literally that people heard a snake hissing and said that sounds like "hssss" and so we're going to call it a "hiss."
While Crowley has issues with his anxious snake hiss, though, he actively likes to make the pleasurable sound the humans (and angels and demons) can make-- the ultimate in onomatopoeia. The word that is actually more his anti-hiss than his popped plosives:
"Mmm."
"Mmm" is derived from nothing more than the human sound of contentment. It's an often almost involuntarily hum of pleasure-- the human sound of satiation. There is no other history to the word but that and there has not been since beings began to exist.
Crowley makes the sound unconsciously but he also makes it consciously at times when speaking with Aziraphale because he knows Aziraphale likes the sound of it. Case in point: the very obviously intentional "mmm" in the Edinburgh phone call (and the heavy, exaggerated plosives emphasis on what followed it):
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"Mmm" is also something of an etymology joke as well because, at last count, I think I had at least twenty-five instances in a note file here about intentional wordplay between Crowley and Aziraphale that focuses on frequently confused words and phrases (to founder vs. to flounder; whoop vs. whoomp; wittering vs. withering; to get a wriggle on vs. to get a wiggle on, etc..) which I bring up mainly because, especially when written, "mmm" is frequently confused with "hmm", and the etymology of "hmm" is pretty funny from a Good Omens perspective.
While "mmm" is a sound of pleasure, "hmm" is a sound made of consideration, a kind of pause in a sentence to acknowledge something that was spoken and to either suggest you're giving it thought or to show hesitation over what was said-- or, possibly, both. While "mmm" is a contented sound derived from the human body, "hmm" is onomatopoeia because it is imitative of a different, very specific sound in nature...
...it comes from the droning sound of buzzing bees.
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To Crowley and Aziraphale, "hmm"-- the sound of hesitation and reflective contemplation-- is a sound of the insects that are symbolically the angels and that's amusing to them since the humans frequently swap it out with their signature sound of pleasure while Crowley and Aziraphale do not find much about Heaven very arousing.
Crowley's new favorite hobby in S2 is making dirty jokes that are going over Muriel's head-- some of which, like his handcuff innuendo while getting Muriel to take him to (literal) Heaven, are a bit on the surface. Others, though, like the frequently confused words wordplay of using "mmm" in protest of Heaven instead of "hmm" in the "mmm, bees" moment after successfully getting one over on the angels-- are examples of just wordplay jokes that Aziraphale would have found funny that Crowley was amusing himself with in the moment.
Crowley is definitely not the only one of the two of them amping up those mmms though. The only bee who has his attention is playing right back...
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...and the mmm thing is not exactly new, either...
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...like for him to mmm his way through an entire barbecued ox five minutes after this...
Original post that prompted this response:
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kmt123whatsthetea · 5 months
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Beauty in Innocence
Fred Weasley x reader
Requested by: @amathilofgondor
Request gist: Fred Weasley dating an adorable and innocent reader but he craves to destroy her in bed. He doesn't know how to present the idea of rough sex since they have only just started getting sexual.
A/N: Thanks for the request! For this fic, I didn't know whether you wanted the reader to be a virgin or not so I went for she’s not a virgin but still pretty innocent to things like different kinks and any sex that isn't vanilla. I also went down the route of the reader wanting Fred to teach her what he likes, that sort of thing. Also, in this fic the wizarding community have televisions and electronic devices. I've mentioned a pornographic video which will be in apostrophes.
T/W: Fred is a bit of a sex pest, brief mention of a Daddy kink, Fred maybe being a bit dark and dirty, attempted groping?, intense pornographic videos? (mentions of BDSM, pinching and spanking), Fred kinda uses her innocence to talk dirty (not like an insult but a bit mocking), nicknames, rough sex, mentions of corruption, unprotected sex, no aftercare (not a ‘Fred being mean’ thing)
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Fred's girlfriend. The girl who surprised all of Fred’s friends when they first met her.
Fred was a dirty devil. He always had a crude joke or quip. At bars and clubs, he was always the first one to chat up any girl he saw. Poor George suffered the most (even giving him a silencing charm after having to hear a girl call him ‘Daddy’ through the walls of their shared flat).
And then there was you. Fred’s dirty quips had your cheeks red with blush. His dirty jokes had you squirming as if you'd never heard such a lewd joke before. Like an angel whose ears had never heard the likes of Fred Weasley.
Don't get me wrong, Fred’s friends and family adored the sweet girl on Fred’s arm just as much as he did. But Fred more than adored you.
He desired you.
The way you were so innocent drove him mad. The way you'd bat your eyelashes when he made a dirty remark, like a confused baby deer. He even loved how innocent you were during movie nights. He was driving himself mad.
A part of him felt guilty for wanting more. He didn't want you to think it was because you weren't enough. The truth was, Fred is insatiable. Even the tiniest moan from your lips had him as hard as stone. He kept thinking about your first time together. It was the opposite of what Fred was used to. It was…sweet. Filled with soft kisses and a loving embrace while he slowly pushed into you. As much as he loved those tender moments, he craved to hold you down and fuck that pussy that got so wet for him. He needed to hear those needy sounds you'd make.
He’d run out of patience. Everytime he tried to approach the conversations, he’d freeze up. One idea he had was when you were both cuddling on the sofa. His hands slowly moved from your waist. His lips brushed along the skin of your neck, his hand stroking your inner thigh. Your soft whines and squirms made him think that you weren't ready for what he wanted to do to you, causing his hands to slowly retreat.
Little did he know that you were curious about his blatantly obvious attempt at a conversation and wandering hands. You'd heard things from his friends about how sexually active he seemed to be prior to you and it made you curious about the sort of things that he was into. You wanted him to be the one to teach you, to show you this world of sexual depravity that he knew so well. Maybe it was a primal nagging in your head or just the desire for him to be happy in every aspect of your relationship.
Fred’s last ditch attempt to express his desires included the one thing he knew best: pornography. With his laptop in hand, he approached you in the bedroom.
“Hey love, I want to show you something, see what you think”
He put the laptop in front of you, showing a black screen. But when he pressed play, it was far beyond anything you ever expected him to show you.
‘The woman in the video was tied down to a bed, her arms to the headboard and her legs spread. With the woman blindfolded and naked, another pair of hands appeared from off screen. The hands pinched and slapped the woman's inner thigh, getting closer and closer to her twitching pussy’.
Fred kept his eyes on your reaction, watching how your cheeks got darker and your breathing got heavier, only things that he would notice within seconds. He figured that if he couldn't tell you what he wanted, he’d show you.
‘The hand’s trailed higher, spanking the woman's clit, making her jolt and yelp’.
Fred heard the breath you sucked in, his hopes rising that you'll enjoy it.
‘A man came into frame, getting between the womens open thighs. Teasing his tip through her folds, he thrusted his cock into the hilt. His hips were like pistons, not stopping for a second. No matter how much the woman moaned and squirmed, he kept fucking her now dripping hole’.
You looked up at Fred. At first, he was worried you’d ask him to turn it off or tell him that it looked too rough and harmful. But he swore he heard angels sing when that normally innocent, sweet voice asked the most heavenly words he’d ever heard.
“Can we try something like that?”
Fred’s grin practically doubled in size, his arms snaked around your waist. He kissed the shell of your ear before whispering softly.
“My sweet girl wants me to do something so dirty to her?”
The needy “Yes” you replied with made his heart beat faster. This was confirmation to take you like he needed, to ravage you, to break you down and rebuild you with little pieces of himself woven in. He closed the laptop and moved it to the nightstand before laying you down. He crawled up your body, stalking like a predator. His hands trailed up your outer thighs, pushing your nightie up to your abdomen.
His thumb found the seat of your underwear, smearing the wet patch that had formed.
“And here I thought my girl was innocent. You liked watching that dirty video, baby? Your wet little cunt seemed to enjoy it.”
Every slight buck of your hips, every whimper, every moan. He absorbed it all, watching with beady eyes as if he'd never see something so beautiful again.
Your pouty voice caught him off guard.
“Please Freddie, more”
And who was he to deny?
Ripping your underwear down your legs, he pushed your thighs open. All that restraint, all that time of treating you like a porcelain doll, was gone for a minute, leaving pure need and lust. He stared at your open pussy like an animal who had finally found the source of a delectable scent. He had to stop himself from salivating at such a perfect sight.
His hands moved to pull his cock out, leaving you with a mental message to keep your thighs open for him. He lined his cock up and stopped for a moment, looking up at you. It was like his demeanour shifted for a split second.
“If you need me to stop pretty girl, just tell me”
You gave him a usual sweet smile and a nod, finding it heartwarming that he was still a sweetheart even in such an intimate moment.
He slowly pushed in, bottoming out and taking a minute to bask in your warmth surrounding him. When his hips started moving, he set a pace that you weren't used to. It was faster, his hips slapping against yours. The band in your stomach felt like it was tightening faster than usual.
“How can such a sweet girl be so dirty? Maybe i've corrupted you, angel”
His dirty words were new to your ears, but they caused you to clench around him. They only drove you closer and closer to a feeling you didn't know you craved so much. His hand came down to rub your clit in messy circles, and that's all it took.
Your moans filled the room and your walls pulsated around him, cumming harder than you had before. He kept fucking you through your orgasm, staving off his own orgasm. Your body trembled beneath him, arms reaching for his comfort, which he gave without a second thought.
Fred wasn't going to last much longer, so he pulled out and used his hand, stroking himself at the same pace he had fucked you. Spurts of his cum painted your stomach until he was spent. He laid himself down next to you after wiping your stomach clean, the both of you trying to catch your breath. He stroked your arm, keeping his eyes on your face for any signs of discomfort. You turned to lay on your side, snuggling into him.
“Can we do that again soon, Freddie?”
His corrupted angel was full of surprises.
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rafesfavgirl · 28 days
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mine — j. maybank
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short little jj fic bc i've been thinking about this one for dayssss
❝ what if he's written  'mine' on my upper thigh only in my mind ❞
pairing: bf!jj x fem!reader
context: jj gives you a stick and poke tattoo.
words: 321
warnings: tattooing, branding (?), fluff
"quit squirming, mama," jj gently pushes your thigh down to keep it steady as he used a stick and poke kit on your inner, upper thigh just right below your bikini line.
"can you hurry it up, jay?" you ask, eyes watching him carefully.
"give me a sec, i'm almost done," he said, poking little dots into your skin, as he finished up one j.
you still couldn't believe he was able to convince you to let him do this. seriously, who in their right mind let their boyfriend tattoo their initials on them? no one.
no one does this.
but when he promised that he'd let you poke your initials into his bicep, you couldn't exactly say no. especially when he pouted and gave you those cute little puppy dog eyes of his and told you it was to symbolize his infinite love for you.
besides, it's not like you'd come to regret it, right? jj wasn't just your boyfriend, but your best friend. the one person in the world you'd completely laid yourself bare to and still loved and accepted you for exactly who you were.
even if it were to end, at least you'd have a reminder of what it'd felt like to be young and in love.
you were okay with that, right?
"all done," jj gives you his wide toothy grin once he finished up a s after the apostrophe and sat up. "now you're officially mine forever."
you chuckle and kink a brow at him. "oh, is that so?"
"oh yeah," he nods, moving to wrap his arms around you. "you good with that?"
"as long as you are," you let yourself sink back against his warm chest, and glance down at his initials that were now forever carved on your upper thigh.
jj's, the tattoo read.
he smiles, lips placing a soft kiss on your forehead, as he rested his head against yours. "always."
reblogs and comments are deeply appreciated <33
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emeritusemeritus · 5 months
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No Good Deed. [George Weasley x Reader]
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Title: No Good Deed. Part 1.
Pairing: {George Weasley x Reader} mentions of previous Fred Weasley x Reader.
Timeline: Set a few years after DH, loosely following Canon.
Summary: A few years after Fred’s death, the investors of Weasleys’ Wizard Wheezes demand changes to the name. All it would take is two years of a fake marriage to fix the issues, but no good deed goes unpunished.
Warnings: Fake marriage trope because we love the cliché. Mentions of death (Fred). Friends to lovers. Slow burn but mentions of kissing and eventual smut. Swearing. Tags will be updated with each chapter.
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"How dare they! It's all I have left of him! I've already lost him once and now I have to lose him all over again?!"
You'd never seen George so angry as he stepped into the office, kicking a cardboard restore box under the table that stored this quarter's paperwork in sheer frustration. He tugged off his tie and ran his fingers through his flame red hair, trying to calm himself, his face downcast despite his anger. You silently stood in the doorway of the office, just observing him, not quite knowing what to say or how to comfort him after what had happened earlier that day in the meeting you'd both attended.
"Mr Weasley, there is one final notion on the mandate which must be discussed," the balding, sour-faced man says from the other side of the table, briefly looking up from his typed paperwork as he strains his neck once again, a habit you'd noticed him doing frequently during your hour long meeting which was thankfully coming to a close.
You'd accompanied George to a meeting with his investors in London, notetaking for him and assisting him with the figures that the investors required to see periodically throughout the year as per their contract. You'd always had an affinity for bookkeeping and had found your skills utilised upon employment at Weasleys' Wizard Wheezes just after you left Hogwarts, immediately taken onboard by your childhood best friends Fred and George Weasley.
After Fred's death and the end of the war, funds had been low due to the long store closure despite their best efforts at an owl postage service and once George was ready to reopen the shop, he had needed to take on investors in order to get the money to replenish products and reopen the store, giving them shares in the company and the overall profits. Fortunately, the business had immediately boomed once again when the store reopened, only increasing in popularity and therefore profit when Hogwarts reopened and Diagon Alley bloomed with old and new shops opening seemingly every day. The investors were largely silent, providing money without any input to the business, proud to be associated with the more popular store in Diagon Alley, at least until today.
"It has come to our attention that you are providing services under a false pretence which we must discuss," another man says, much harder in his expression.
Your eyes flick to George who looks rightly offended and confused at the vague notion, seeing him shift in his seat somewhat uncomfortably.
"As there are no longer two of you, the name 'Weasleys' Wizard Wheezes' is redundant, incorrect and therefore unmarketable as it stands. We propose that changes must be made to change the name to 'Weasley's', moving the apostrophe so that it denotes the true ownership. Mr Weasley, you have 30 days to make the necessary change or else our shares will be pulled and we will no longer be investing in your business."
The meeting had come to an abrupt end as the investors exited, leaving you with a seething George who had surprisingly held it together until you both apparated to the outside of the shop. You'd struggled to keep up with George as he bounded up the stairs towards the office, completely ignoring Ron and a few regular customers who had greeted him. You shot them apologetic smiles, wordlessly trying to excuse his uncharacteristic behaviour as you followed him to the office.
He threw down his jacket onto your chair as you entered behind him and immediately began tugging at his tie in frustration.
"I can't change the name! It was always me and Fred, I've already lost him once I can't lose him again, not like this," his tone was no longer filled with anger or rage but rather deep sadness and heartbreak at the thought. You closed your eyes for a moment, unable to watch any longer as his words hit you like a freight train, the pain overwhelming you not only at the mention of Fred but of George's evident sadness.
You hear him throw himself down into his chair and you open your eyes again to see him looking completely defeated as he clearly plays out his options in his mind to prevent this from happening.
"Ginny's about to become a Potter, Bill and Charlie aren't in the bloody country, Percy's… well, Percy and Ron can't join in as a co-owner, the deeds are in mine and Fred's name. Six, well, five siblings and not one of them can help. Unless there's a way of bringing Fred back through the bloody veil, which I've exhausted all options in my bloody mind believe me, then I'm fucked. Everything Fred and I built is ruined."
You watch as his long fingers run over his face, rubbing his eyes which you suspect are brimming with unshed tears judging by his emotion filled voice.
Your words flew out of you before you could even comprehend what you were saying, surprising even yourself for a moment.
"I'll marry you."
George looks utterly astounded by your words as his eyes shoot up to yours, confusion evident over every single one of his features as your words sink in.
"Eh?" His brief reply conveys every inch of perplexity that his features show and at any other time the look on his face would have made you double over with laughter.
"Angel, I don't think now's the time," he says with a gentle frown, clearly treading carefully with his words despite his confusion. You fight to get the words out to explain yourself, knowing that somewhere before your unexpected outburst there was solid reasoning in your mind.
"You need another Weasley and the only way you can override the shared deed is by entitlement, like by marriage," you say, moving forward to stand in front of him before taking a seat on his wooden desk. Your leg brushes against his as you hop up and you don't miss how his eyes briefly flicker to the point where your legs touched just for a second.
"I've seen it with my parents, when my mum and dad divorced she was entitled to the interest of his business as a matrimonial asset. We'd have to check if there's a time limit on that but with Fred gone, it's the only way you'd be able to get another shareholder in his place."
You were trying to keep your explanation simple, pulling from your firsthand experience in similar matters but as you fought to explain yourself, you found yourself rambling a little under George's intense gaze.
"If we got married you wouldn't have to change the name, I'd take your name and we'd both be Weasley by law, cancelling out their demands. You'd have to put me on the business documents but we could draw up some sort of contract that doesn't actually entitle me to any money or profit from the business, but they don't need to know that."
Your words hang in the air for a few moments, tense silence lingering between you as your words replay over and over in your mind, wondering if you'd gone too far and made things too awkward.
"I couldn't ask you to do that," George says quietly, averting his eyes.
"Georgie I'd do it for you without a second thought, it might be the only way you could keep the business exactly as it is," you say, reaching out to touch his shoulder, trying to urge him to listen to you.
He fell silent again for a few more tense moments and you could see the conflict on his face as he considered his options, allowing your proposal to sink in. He's quiet again when he replies and if anything he looks a little timid as he speaks.
"But you and Fred," he weakly argues, his words making your stomach lurch painfully. You sigh, closing your eyes for a moment. You hadn't considered this part, the mental and emotional conflict of your proposal. You and Fred had been something throughout your later school years and a little while after, but had never wanted to make anything official, a secret shared between you both that never allowed you to commit to each other.
"Are in the past," you unwillingly admit with a sad sigh, "Fred's gone, it's taken me a really long time to mostly accept it, but if this means keeping his memory alive just as it is then I'd do anything, for him and for you."
Things were a little awkward for a couple of days following your outburst and each time you saw or crossed paths with George you inwardly cringed. You'd shut yourself in the office most of the time, trying only to see him before store opening and packing up and rushing off just before close, ensuring you wouldn't have to spend any prolonged time together.
"I know you're avoiding me," A familiar voice behind you says as you gather your bag and mug off the desk just before the end of the day, 3 days after your outburst. You turn slowly and see him leaning on the door frame with a little knowing smirk on his face, though his eyes look sad. You bite your lip, knowing you'd been caught out and flick your eyes to your bag, to the clock on the wall and then back to George, not really knowing how to respond.
"It's okay, I understand," he says, taking a slow step into the office, "but there's no need to feel awkward, not with me, I don't take it personally that you regret offering."
"I don't regret it," you reply quickly with a frown, effectively cutting him off. Your words make his eyebrows shoot you a little in surprise, or maybe it was the conviction in your voice that surprised him. "I've been avoiding you because it's been painfully awkward to offer yourself like that and be rejected."
"I didn't reject you," he replies quickly but with a gentle tone, now cutting you off. Your eyes widen a little at the quickness of the reply and you can't help but look into his eyes, seeing his tongue poke out and wet his lip as he looks nervously back at you.
You both look at each other for a moment as a little tense silence falls and you both breathe out a chuckle at the awkwardness in the room.
"So to make it clear, I could still marry you?" He asks, walking forwards towards you.
"I think the agreement was that I'd marry you," you teased, smirk tugging at your lips which earned you a roll of his eyes. "But yes," you said, now with a more serious and honest tone. "My offer to get married is still very much open, for the sake of the business."
He stands before you and you crane your neck upwards towards his familiar height and there's an intimacy that passes between you both that had never existed before as you look at each other, communicating only with your eyes.
"Then I accept your proposal," George says, taking your hand mockingly and you gasp at him, pulling your hand away to smack his arm lightly.
"I didn't propose to you!"
"That's not what I'm going to tell our grandkids," he jokes, pulling you into a hug. You can't deny that even though his words were mocking, your tummy did a little nervous and excited flip at his words.
"Thank you, so much," he says as you pull apart, completely serious as he looks at you with such intensity if makes your knees a little weak. "This means so much to me."
"And me."
It was Saturday night and you'd invited George around to your flat after work, to talk over your agreement. You'd opened a bottle of wine and ordered a takeaway, a benefit of living in muggle London that you loved, and started writing out some plans to your agreement as you both sat on the sofa beside eachother, the coffee table littered with notebooks and paper.
"We should move in together, make it believable," George says, taking a sip of his wine. You look at him in surprise, not having expected those words to fall from his lips.
"Who are we trying to convince?" You ask, a little confused at how deep this was going.
"Oh yeah, right," he says, looking away, taking another sip of wine. You immediately felt a little bad seeing his apparent negative reaction to your words and considered his idea for a moment, thinking of the implications.
"Unless the investors ask for character references," you said, picking up your own glass. "I suppose it's possible, we'd have to tell your family wouldn't we."
George nods slowly, on the same wavelength as you.
"Would your family be able to lie if they were questioned?" You ask, looking up at George.
George snorts into his glass and shakes his head in reply, "About hiding Harry, yeah, about this? No way."
"Then we'll have to convince your family that we're actually married," you say, feeling a little uneasy at the thought of lying to the family you cared very deeply for. George made a vague noise of agreement and placed his empty glass down onto the coaster on the coffee table, smoothing the creases in his trousers out with his long fingers.
"How long would we have to be married for?" George asks with a frown and you can't help but feel a little stab in your chest at his words, as silly as it was.
"Oh I don't know, until the investors drop the demand? Or maybe get new investors?" You ask, placing a strand of hair behind your ear that had fallen into your face. George watches your every move and you can't help but stare back at him, seeing him paying close attention to you.
"How far away would we be from being able to do away with the investors? Business is good right, maybe I could cash in their shares and become sole owner," he says, flicking his eyes down to your work bag by the door, knowing that there's his accounting documents in there.
"Good idea," you say, placing down your glass and moving over to reach for your bag. You begin calculating the investors shares against the profits of the business and try and work out a timeline for how long it would take for George to earn the money to buy out the investors, assuming business stayed as good as it was now.
"Looks like two years, based on the projections," you say, placing down your pen. "If business stays at the rate it is, you'd be clear from all investors in just under two years."
"Is that, is that okay with you?" George says, looking up into your eyes, his voice suddenly quieter and a little more timid.
You smile at him and nod in reply, genuinely okay with that. "What about you?"
"Of course," he smiles, chuckling to himself a little as he picks at the tweed of his trousers, "you're doing me the biggest favour imaginable, I have the easy deal."
"You have to be married to me, I'd say that's not easy," you tease, picking up your glass and drinking the last sip of wine left.
"I don't know, I can think of many worse things than being married to you," he says with a grin, reaching out to refill both of your glasses. Butterflies erupt in your stomach at his words, a warmth spreading through your chest as you bite back a smile.
"I have to admit," George says, handing you back your glass, "I feel as if I'm treading on Fred's toes a little, he'd probably be conspiring to turn my eyebrows purple if he knew I was stealing his woman, that or he'd shave them off whilst I slept," he says with a laugh. You chuckle, picturing the scene in your mind but it doesn't stop the little pang of sadness running through you. You wanted to tell George the whole truth but you couldn't, especially not now and so you simply allowed yourself to laugh and took another sip of wine.
"He'd understand," you say, perhaps a little quietly as you try to tell yourself that it was the truth, trying to justify your actions in your mind. George makes a sound of agreement and just as his glass reaches his lips, the buzzer rings out alerting you that the food had arrived.
"So, we have to convince your family that we're getting married, without dating beforehand?" You say, both of you still chatting as you eat your Chinese food. At this point you were feeling a little buzzed from the wine and everything felt a little easier to get out, the hesitation and trepidation of your words no longer bothering you.
"Good point, though we've always been really close so I don't think they'd think it was too out of the ordinary," George says, taking a huge bite of fried rice. "Did anyone know about you and Fred?"
"I don't think so," you replied, thinking of all the time you'd spent at the Burrow and of each family member, "I think Ginny had her suspicions but she never asked me about it. Thank god you were identical, we could always lie and say it was you if anyone did notice something," you chuckled, earning an enthusiastic laugh from George.
"How do we explain the divorce though?" You asked after a few minutes of comfortable silence, your thoughts drifting into all possible outcomes. "I don't want to lose your family because I become your horrible ex-wife," you say, feeling sad about the potential of that.
"You'd never be horrible, not to me and not to them," George says, reaching out to touch your hand. "We could always say we were just better off as friends? That marriage was too constricting for both of us? That way no ones to blame."
"Yeah that could work," you say, feeling a weird sense of sadness at the concept of divorcing George.
"On a serious note though," he says, temporarily placing down his cutlery as he looks at you, his eyes staring intensely into yours. "If you don't want to do this, I completely understand. It's asking too much of you and I'm very aware of that. It would mean no open dating or seeing anyone else until everything was over," he says carefully. You hadn't really considered that but it was a price you were willing to pay. The fact that George had said no open dating had made you feel a little off, knowing he intended to still date even though you were married, which of course was normal in the circumstances but it still made you feel a little funny.
"You'd still want to date?" You asked, the words falling from your lips before you could stop them, immediately mentally cursing the wine you'd drank that had apparently released your filter.
"Merlin no," he says with a little self deprecating chuckle, "I meant for you."
"I don't want to," you said, perhaps a little too quickly as it earned you a confused flicker of a look from George. "I mean, everyone would think I was cheating on you and I couldn't do that, not to you."
He seems to understand as he nods his head, once again picking up his fork and loading it up with the food.
"We can cross that bridge when we come to it," he says, with a determination in his voice that seemed to settle your anxious thoughts. "So, I suppose we really should move in together."
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359 notes · View notes
vhstown · 10 months
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okay okay bit random but as a british person (yes im admitting to this) who lives around people who speak like hobie brown
PLEASE STOP WRITING HOBIE'S ACCENT LIKE HE'S HARRY STYLES 😭😭😭😭
(pls read below the cut)
you do not need to add an apostrophe every 2 sounds and make his speech unreadable we know he has an accent....
use it in moderation . a few sounds omitted are fine but please. you do not need to be doing 4D chess trying to portray every little quirk of his speech
a lot of the times if you over-do the accent it doesn't even sound right when you read it out? (to me it reads like an american or northern accent usually)
trust me we know how he sounds
OKAY OKAY bit of cultural trivia if you want to use slang you're probably gonna be looking at jamaican patois slang (EDIT: MLE or multi-cultural london english is the more appropriate term for his dialect! pls check the reblogs for a better explanation of it by somebody else)
in ATSV the only thing i can remember him saying is "mandem" and he tends to use other phrases like "man" and "my guy" to refer to others he's close with
not every piece of jamaican patois slang is commonly used in MLE
MLE is predominantly found in areas like south london or camden (where hobie is from)
hobie also seems to dial down his accent when speaking to people who aren't from his universe (my reasoning anyway)
his accent is actually very subtle compared to what i've seen irl
hobie is very witty and tends to speaks fast with a lot of filler words like "yeah?" and "alright?" and you wanna focus on things like word order and structure (for example the word "I" tends to be missing a lot so "i went to the cinema" would just be "went to the cinema" etc etc)
im not the best at writing hobie either and i wish he got more screentime but focus on capturing his personality rather than his accent pls
he's a teenager from a deprived area NOT A WHITE BRITISH HEARTHROB PLEASE STOP WRI'IN 'IM LI' 'ARRY BLOODY STOILES
sincerely a brit who really loves hobie but not so much the attempts at his accent
will reblog or edit with any other thoughts i have about this id appreciate any other british people's input too
PLEASE check out the reblogs on this !!!!
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lovebugdrabbles · 7 days
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Wriothesley Headcanons n$4w vers
notes: i need readers to please go into this believing bro is 35 years of age MINIMUM. or u won't get my VISION. also, my tags are messy bc it's my first time posting my writing on tumblr so just pretend ik how to tag my writing.
warnings: n$4w obvs, 1k words, untitled sentences for the aesthetic, semi-lit, i do use apostrophes, shortened words/abbreviations, i want him in a muzzle so that's mentioned, inappropriate use of handcuffs, i mention he gets rough, i write him as a sweetie pie lowkey tho, tbh it’s a little vanilla, i made a joke abt being ford tough and i feel that warrants a warning, biting, pet name ‘doll’ used, (brief mention) ass slapping , (brief mention) hair pulling, i call him a teddy bear a couple times, (mentioned) slight manhandling, i get a little too into imaging him subby, oops, i also get a bit caught up in soft dom wriothesley,
now playing |◁ II ▷| ‘doin time’ by sublime
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methinks he's defff vers/switch but will fully let a partner take over or will take control himself. i don't believe he's picky in this department for a moment. i think he might prefer dom however his dom side has limits.
i bet he's sooo vocal. letting every little grunt and moan out. word vomits too. whatever he’s thinking, his partner will hear it.
big softie. idc. he is a SWEET MAN. 'love should be warm' headass.
so many pet names for his partner. doll, baby, baby-doll, babe, sweetheart, hon/honey. but doll or sweetheart r his faves.
using his title in bed makes him melt.
like i don't think he's malicious in bed. like truly. he seems teddy-bearish to me but i could be looking thru rose colored glasses i must say.
he's def a bit rough tho but i think it'd be in a playful way. there is times he’d get too into the moment and grab on a bit too tight to a thigh or the hair he's running a hand thru or snap his hips a little too hard but he doesn't mean to and will apologize immediately and try to make it up to a partner or even stop mid-session to make sure the other party is alright.
not opposed to using the cuffs if a partner asks. on him or his partner. but he needs enthusiastic consent before or he won't do it.
i do think he’s actually rlly good abt asking for consent to do things tho. but he does it in a way that it feels like part of sex and not just asking for permission ‘you like that?’, ‘you wanna keep going, doll?’ ‘wanna keep taking me?’ but he will make said doll use their words or he won’t keep going. mans is a whore for hearing a partner beg or ask him to do something and he's not above it either.
he seems like the type to wanna hold hands while going at it. like if his hands can reach his partners they are intertwined or at least touching. a pinkie wrapped around the other at the very least. he feels closer and just… better with it
y'all know the shirt that says 'warning this bitch bites' he needs it. will leave marks that last for days and absolutely loves if a partner does it too. but he does feel a bit guilty after especially if it's a hard bite so will pepper kisses on them after.
seeing his bite marks on a partner drives him crazy tho. like, makes him stop in his tracks and wakes up smth in him like a sleeper agent.
kisses thru-out the ordeal soz u can pry this from my cold dead hands. he feels a little guilty if he isn't kissing a hand, a clavicle or any piece of skin he can delicately place a smooch on occasionally when he's not biting ofc.
additionally: my brain has been occasionally FOGGED w thoughts of him in a muzzle. i'm drooling rn actually. i think he'd have a love-hate relationship with it since he wouldn't be able to kiss or bite a partner but he absolutely bends at a partner’s will when they tug on the bars and that's the best part for him
honestly i don't think he'd be comfortable going much harder than what i've mentioned. maybe he'd allow a few slaps on the ass but idk just seems out of character imo. being rough and tumble is for work and the ring and i think he'd keep it that way.
i did say he's a switch/vers so it's time to talk abt both sides of the coin :))))
when he's in a particularly subby mood; he's pathetic. a complete mess of a man.
its so satisfying to see a guy so high in power just groveling to someone.
i bet he looks at a partner w the biggest puppy dog eyes, mumling the softest and breathiest pleases, his hair all tousled and falling over his face. he thinks he's willing to do anything a partner orders him to do atp.
especially interested in peppering kisses on a partner when he's in this mood. nuzzling and sighing as he wraps his arms around his partner and smooches.
this is the time he is very much not opposed to the handcuffs on him.
i think he'd asked to be praised or called a good boy on these nights. i don't make the rules.
this is when he gets vocal. whimpering included too.
but the facade almost immediately drops when aftercare starts.
on the topic of a dom wriothesley; honestly i dont see him getting into the rough dom role but staying more of a soft dom and being very comfortable there.
that is where the word vomit happens, talking a partner through it all when he's in this mood, telling them how good they feel, they're being so good, or to quiet down despite being a bit noisy himself but that's what his biting is for.
moaning into every bite. teeth marks and hickeys covering a partner the next morning leading to that system overload i touched on earlier.
willing to try more positions when he's in this mood fs but he truly believes you cant go wrong w the classics. *cough cough* missionary
this is when he gets real into it and loses himself in the moment like i mentioned earlier. hips bucking and hands reaching to hold onto a partner like they'll escape.
he gets a little bit rougher but its still not in a mean way more in a 'oh yeah? watch this.' type way. pulling a partner closer of man handling them to hold their hips in a better position.
occasionally those pet names get a very adamant 'my' in front of them.
i think this is when his most comfortable area of aftercare comes in but not before one last thing.
he'd like to stay holding a partner for a bit afterwards, letting everyone regain their bearings before hopping into aftercare mode if he was the one in control.
aftercare on top tho. tea, running a bath, helping a partner bathe if they so want, helping a partner get dressed if they're super sore, massages, just all out pampering, especially if he gets a little rough.
he equally enjoys reciving aftercare but is hesitant bc he says he's fine or he's built tough. BUILT FORD TOUGH. sorry idk where that came from and he is but the guy needs to let a partner take care of him sometimes.
the 'love is supposed to be warm' line weighs heavy on me if u cant tell. he's just a teddy bear :(( ugh i'll sob.
la fin !
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end notes: tysm for reading the ravings of a madman !! i've had so many random ass thoughts abt him since playing the story quests lmfao and i wanted to get out of my fluffy/horror writing comfort zone so i wrote basically what i think he's like in bed jsjsjs. i may be posting some stuff on boothill from honkai star rail but it'll probably be more rambling just about robotics and prosthesis for now if i post. if i don't post that i'm wrapping up a wriolette fic soon and that will be up here or on my ao3 under the same user !! till next timeee
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daydadahlias · 7 months
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SHE’S A POET!!!!!!!!! I will be bringing this to my poetry class next time. Thank you so much Crystal I love you 💙🥺
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That comma
Or, connections my brain makes when I don't sleep well for over a week because of a cold - read at your own risk :)
"I went to one meeting ten years ago. They were wittering on about the Christmas lights and passed a resolution condemning the improper use of apostrophes on signs in windows." (Mr. Arnold, s2e5)
This line always makes me laugh because I get super twitchy about certain grammar and punctuation errors. But errors happen, and you can usually tell what someone meant vs. what they wrote, so you correct it in your mind based on what you presume they meant and move on because there are bigger things to worry about in the world. Right?
Maybe we shouldn't always be so quick to presume and move on, though. Sometimes, things are supposed to be written a certain way for a reason. That reason is important, so we're taught the right way to write that thing. We all learn how to do it, and it's generally not something we screw up because there are consequences for doing it wrong. Like an address, for example. Addresses tell something or someone where to go. Maybe to a pub called The Resurrectionist - that one's at 66 Goat Gate in Edinburgh, right? It said so on the record that Maggie gave Aziraphale:
The Resurrectionist
66, Goat Gate
Edinburgh
Except - there's this annoying little comma in there that I've been ignoring for months. Right after the 66. Exactly where it shouldn't be - not if you're writing a street address. So I'm going to stop ignoring it and ask a question.
Is this actually a street address? I'm not questioning that the pub is in Edinburgh - that's well-established. It's that middle line - 66, Goat Gate - that I'm not sure of anymore. I'm having trouble making excuses for that comma.
If it isn't a street address, then what is it? I'm not sure, and I don't know if we have all the information to figure it out. My sleep-deprived brain has come up with a couple of crazy questions and ideas though. Starting with - what if the Clue is actually multiple Clues? What if we've just been thinking about the pub, but that second line contains a separate clue or clues about Edinburgh, so that Aziraphale Knows Where [He's] Going? (see what I did there?)
These ideas do require an assumption that we shouldn't just take season 2 at face value, but they aren't tied to any specific theories like time loops, dreams, etc.
This post from onceuponathyme about references to the number 66 in the show and promo posters, and gallup24's comment that the press pass in Newspaperman!Aziraphale's hat also has the number 66 on it got me thinking about whether the "address" and the hat are meant to be connected. The references to the number 66 could be an easter egg - the Book of Revelations is the 66th book of the Bible. But is it an in-show clue, too? Is the 66 on Everyday single telling Aziraphale to wear it on his hat, maybe as a signal to someone? ("The clarinet, it makes beautiful music.")
Moving on to Goat Gate. It could still be the name of a road. I have two other ideas though:
We've already seen goats turned into crows. Gate is an old term that can mean road or street. Goat Gate = Crow Road? (I don't know that I love this, but I'll put it out there anyway.)
There's also the symbolism of goats tied to Hell, Satan, and Crowley in particular - drconstellation has a lovely meta about sheep vs goats, so I'm not going to go any farther into that. But I do want to stay on Crowley, and the second place we see Aziraphale - the cemetery.
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Not quite this, but I can find a gif for just about every other part of the scene except for the line I'm looking for. The one where after a bunch of hilarious noises, he says, "Do I sound like a goat?"
And then, a short while later...
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The ground opens up (a gate to Hell?), and Crowley disappears, pulled down to Hell. And then we get one continuous shot of Aziraphale turning around in that spot that starts in 1827 and ends in present day.
We still don't know exactly why Aziraphale went to the cemetery. Maybe "Goat Gate" is the clue that sent him there?
One final thing I noticed in that episode that feels a little off to me now - Crowley's reaction when Aziraphale calls and asks him if he remembers Mr. Dalrymple. "Oh yeah, not a doctor, a mister! Whatever happened to him?" It's surprisingly normal and relaxed, considering what happened at the end of the night, isn't it?
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looseduke · 1 year
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okay insane thought about names and the feelings i have about them as a transgender blended family kid. it requires a leap of logic where the fantasy high parent couples remain dating and get married or otherwise legally bind themselves together but follow me on this for a moment. also i don’t know or care if this follows canon im just deciding it does
gilear took sandra lynn’s last name
could not afford to change it after the divorce
gilear is just one of those ppl who really likes having the same last name as his life partners, doesn’t have to be his name, he just thinks it’s nice
(sandra lynn liked her name and though she has Many Issues and might have changed her name in an attempt at normalcy gilear’s name was definitely something outlandishly stupid and he suggested it first anyway so it worked out)
do u see where im going with this
gilear seacaster.
fabian is furious but this ain’t about him
something so funny about taking your (way funnier if they don’t even get married) girlfriend’s dead husband’s last name
he keeps faeth as a middle name bc it’s still a connection to fig that he values and wants to keep
anyway. jawbone hears about all of this. absolutely loves it. thinks it’s awesome
jawbone o’shaughnessy-faeth!
yes with the apostrophe and the hyphen. yes every time.
he likes the connection to gilear and fig as much as he does the one to sandra lynn <3
when consulted fig was SUPER enthusiastic about another dad. gilear was like sigh. that might as well happen. im already being dunked upon by my mean stepson. go ahead.
okay the grand finale. the reason i even made this fucking post
adaine kills her dad, gets adopted, and starts to wonder if she should change her name
adaine makes amends with her sister, and starts to wonder if she should keep it
jawbone lets her know right away that he’ll support her decision no matter what, but it takes a long time for her to decide
it takes watching gilear and fabian bicker over their shared last name, watching fig get sappy over gilear holding onto the name faeth, watching fig and jawbone get sappy over THEIR shared last name, watching sandra lynn hide a smile whenever it comes up, watching, watching, watching
watching her sister learn and grow and love her unconditionally
she makes her decision, and when her dad brings her home from the fantasy dmv, there’s a new name on her ID
adaine abernant-o’shaughnessy-faeth. yes all three names. yes with the apostrophe. yes with the hyphens. every time
it’s for her dad, yes, for the man who gave her a home, who helped her find her strength, who is always her safe space, but it’s for more then that too
it’s for her sister, who for better or worse is in all of her earliest memories. who never underestimated her. who’s trying, every day
it’s for her sister, who called her awesome on the first day of school. who’s always there for her. who wears her heart on her sleeve and teaches adaine it’s okay to be emotional. who’s her best friend
it’s for the man who took her in when he had next to nothing to offer, who shared his extra garlic knots and vending machine snacks, who hosted his daughters strange friends night after night without question or complaint
and it’s for the elven woman sitting across from her at the dinner table, who understands her greatest fear better then anyone else and has built a life for herself despite her mistakes. who protected her on their quest. who opened her house for about 6 teenagers to live there permanently and anywhere between 3 and 10 more to hang out as much as they want
adaine abernant-o’shaughnessy-faeth, the people’s oracle <3
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