#he must be thanked for a lot of things | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

Tumblr was created by web developers David Karp and Marco Arment.

#he must be thanked for a lot of things

thegayneurodivergentagenda · 1 year

Text

ceasefire (by Only The Poets) × Bad Buddy The Series

Here they roll in like a storm on the waves

Shots fired and nobody's safe

We're in trouble

No, no, no, not yet

Gripping the seams but the dreams slip away

On-board by them warm in their graves under rubble

Baby, we can't win this war, no

You had a vision of life in your mind

But this is a mess and the words never rhymed like a poem

No, no, no, not yet

You're taking the questions and toeing the line

Are you coming or going, you're wasting your time

You should love it

Maybe we won't win this war

But from here

until the door

ceasefire

I call a ceasefire

My love, your long day is over now,

over now

You've been that lost voice in the choir too long,

I call a ceasefire

Ceasefire

this is for @honeysachet and them only.

ceasefire (by Only The Poets) × Bad Buddy The Series

BadBuddy× my Playlist 4/n

#patpran×my playlist #i cried again #the softer smaller ceasefire at the end because pat is like I'm calling ceasefire to the fight you're having with *yourself* too #OTP are so good????#louis tomlinson must be thanked for this #he must be thanked for a lot of things #i love pran and pat so much #pat will fight for pran but never against #pat “you always fight next to me” ep11 jindapat #but for you #i would risk it all #GUYS THIS IS JUST EPISODE 11 CENTRIC TO HIT CLOSE TO HOME BUT THE SONG FITS THEIR ENTIRE POST EP 12 RELATIONSHIP SO WELL #my heart hurts so bad #my daily contribution to the patpran angst agenda #write the angst you wish to see in the world #crying asf #bad buddy #pat x pran #pat napat jindapat #patpran #pran parakul #if we cry they cry but we are us and them is also us #angst #PAT POV BECAUSE HE WILL BE STRONG FOR PRAN #based heavily on a rant of bbts rewatch by the loml honeysachet

17 notes · View notes

professorcalculusstanaccount · 26 days

Text

I remember discussing Tintin casting choices with a friend from Germany and remarked how it was odd he often has an English accent in adaptations rather than a Belgian one, and my friend just replied "that's because Tintin gives incredibly strong English boy energy (derogatory)"

Here in the UK there's a lot of weird classism tied into accents. Today accent diversity and representation in broadcasting is actively pursued but in Tintin's time there certainly was a preferred accent to have.

imagine this exchange happens between pages 28-29 in The Crab with the Golden Claws

#tintin #adventures of tintin #comic #captain haddock #archibald haddock #snowy #milou #fanart #the crab with the golden claws #i remember tintin crafting a trumpet to communicate with an elephant #and he remarks he must get the accent correct #very odd scenario but it shows he would be a stickler for that sort of thing #i also have to say accents do not indicate how smart someone is #a lot of pundits use an english accent to sound more credible #but i have to say there are a lot of fucking idiots here #me included #thank you 2011 film for validating my scottish haddock headcanon #any french speakers who have read to this point i wonder what your hcs are for his french speaking accent

8K notes · View notes

seventh-fantasy · 6 months

Text

li xiangyi, yin, and femininity

we all know that li xiangyi is a character of fractured identities. and li lianhua is an unreliable narrator to his own story. these make him not the most straightforward character to study. but I've believed in treating li lianhua as a part of li xiangyi, rather than separates. and there must be a common thread that ties all of him together. thus, I offer what I have found to be the most useful lens to use to view him as a cohesive whole, regardless as li xiangyi, li lianhua, or any other identity he may reinvent into: his 阴 yin qualities. (yin of yinyang)

this framework suggested by the drama's text itself has helped clarify to me his strengths, weaknesses, motivations, and struggles. by identifying this constant, too, makes it so much easier talking about what has changed in him.

[to the, hopefully growing, boli lhl hivemind @markiafc @ananeiah]

there are some notes on the concept of yinyang and chinese conceptualisation of gender I have to preface with.

[disclaimer: of course, I'm not even trying to cover a tip of what experts have extensively studied and debated in a depth it deserves. all I'm doing is try to parse the broad, fundamental ideas that are needed to explain my blorbos through my own spotty brain filter. so there bound to be nuances I've overlooked or some degree of my own interpretation. pretentious but needs to be done.]

阴 yin and 阳 yang are concepts characterised by passiveness, darkness, gentleness, femininity etc, and proactivity, light, toughness, masculinity etc respectively. a very key and handy concept to have in mind is their relationship to each other - which I'll not attempt at explaining better than literal scholars have:

Yin and yang exist only in relation to one another internally as the way warmth-coldness only exist relative to one another. Furthermore, when using yin-yang as an organizational schema, achieving balancing harmony is always the goal, not domination nor subordination of one to the other. [x]

while yin and yang can be symbols of femininity and masculinity, it doesn't mean all female are yin and all male are yang. it's certainly not a strict 1-to-1 equation. the concept of gender in chinese context is more social than biological. this suggests room for fluidity, and shaping of identities, often through social rituals as one journeys through life. it also means that there can be femininity in the masculine, and vice versa - in fact, that's only healthy because you need a good balance of the two worlds. no one part is better than the other. if you think of the two components as relative to each other, they are always interacting and affecting each other, rather than being strict and inert binaries. simply put, it needs to be kept in mind that there are greater nuances in applying yin and yang to the definitions of gender, and to avoid at all cost a simplification of this framework into a binary.

sure, the show has implied that lxy's powers and energy are yin-coded. but femininity is only one of the multiple attributes of yin. so how are we extending lxy's yin to femininity specifically? it's in the text that substantiates and qualifies lxy as feminine. dead women being used as proxies to his character. being literally dressed as a woman in order to put himself into their shoes and feel what they've felt. adopting a name that happens to be very, very feminine - 莲花 lianhua (lit. lotus flower) (it must be caveated that chinese names are NOT gendered. but there are just some names that are more feminine than others.) him coming to lead a life revolving around traditionally feminine, domestic things as li lianhua. him having interactions with the women around him like he's in his own element - no pressure and tension at all, unlike with all the other men.

as such, I'm more willing to use yin and femininity interchangeably in discussing lxy (while it's not necessarily applicable to every point that will be mentioned albeit there being some degree of implied association). and it's for the sake of elucidating what I feel is an intention or very plausible reading of the canon text in parsing feminine experiences in lxy's character. and thus, his queerness.

one last note is that taoism is going be mentioned quite a bit as well because of how much it as a philosophy honours the yin quality. its key tenets include valuing passiveness and inaction as a form of action, and submitting to the nature of things. and we will see how those come up in lxy's life too. (though I'm not gonna attempt to deep dive into it here beyond broad strokes of it.)

a huge part of li xiangyi's yin actually manifests in him being a passive person. this applies not just to li lianhua, but also li xiangyi. I know. ok wait hear me out. the idea of yinyang is after all components that can change and are relational to each other: thus, there were points in li xiangyi's life when he was less passive than other points, but they ultimately don't match up to the degree of aggression displayed by other men around him. so relative to their display of proactivity and aggression, he can be considered as passive. the best example is that of shan gudao proposing to launch an offensive on jinyuan alliance, while lxy - as much as he was arrogant about it - was standing his ground on not taking action in favour of peace.

it has already showed up in his childhood as well. he wasn't a particularly competitive child: 从来都没有谁要和你争 nobody has ever thought of competing with you over anything, he told sgd as he recalled of their times growing up. it was in fact sgd who was desperate to control and override lxy's presence. baby lxy did not hesitate at all over giving up on winning in favour of protecting his only rare few close relationships left in the world (given how hard-earned relationships are when they're non-familial !!!!). as much as I resent the one-dimensional writing of sgd, he has served as a very strong marker to highlight on lxy's yin.

I've harped on it several times before but this is the time I finally get to explain it proper: my own theory is that li xiangyi became an unparalleled swordsmaster because of his yin/feminine quality, not in spite of it. an interesting point that had been out in the open unclaimed until it was brought up in our friend group is that, li xiangyi does not actually fit anybody's conventional image of a 武林盟主 wulin mengzhu (ie. ruler of wulin). it would most likely have been some burly, muscular, ultra-masculine dude. even if they don't look like the demonic monk, it should be someone more like di feisheng. but. it's li xiangyi, the boyish, delicate-looking kid, who came to the top. (no wonder people - mostly men - love or love to bully hate him like weak men hate powerful women??)

"why didn't they cast someone who looks more like a wulin mengzhu (read: traditionally manly)?" no, no that's precisely the point. nobody said wulin mengzhu have to look manly. and also who is to define the manliness required to be in a place of authority? (or in my other meta, we would ask, who is to define anybody gets to have the authority over anyone else at all?)

by taoist ideal, gentleness is the most refined form of strength. li xiangyi has been haunting and distracting me in my chinese calligraphy practices lately because I'm thinking about how this must be the closest to what it felt like lxy becoming the best swordsman in jianghu. (so pretentiously brainrotten of me, I know, BUT IT'S REAL and I'm suffering.) mastering a chinese art is essentially about mastering a delicate balance between force and gentleness; being able to draw force from softness 柔中带刚 and an ability to maintain this balance. a beginner will instinctively hold a brush for the first time with brute, unrefined force. some fairly reputable contemporary calligraphers, according to my teacher, can be seen as being either too soft or too forceful - but are still able to pass off as good enough. it's then, the master of masters who will have the sophistication of a firm yet flexible control of the brush with the appropriate use of gentleness/laxness that produces a harmony of strokes. this idea extends to any other sort of chinese craft or practice including traditional chinese medicine, and I believe, swordsmanship too. I'm taking a fucking leap of faith here to say this because I practise NO sort of (chinese) martial arts, I must caveat. (someone who does may want to say something...) but theoretically that should be how it works.

it is not for no rhyme or reason, or *handwaves* that lxy emerged to the top AND is almost undefeatable. among a competitive, forceful (ie. yang) wulin, li xiangyi stood out with a power and energy defined by yin (ie. gentleness and stability) that led him to create his signature 扬州慢 yangzhouman. it is characterised by 慢 slowness (my calligraphy teacher says to us all the time to take it slow), and also described by dfs as 中正绵长 - which I would best describe by painting a picture of a steady and stable stream. these precisely speak of the essence of a mastery of gentleness as strength to me.

conversely, dfs's way in mastering power is very largely premised on taking action because he literally had no other choice in the environment he grew up in. both of them develop in opposite ways. it was the case of gentleness for lxy clearly because he grew up in a safe, nurturing environment that had allowed him to be slow and steady at his own pace, drawing on his natural gifts.

now top of the wulin world at 17, li xiangyi founds sigu sect. li xiangyi, the boy before becoming menzhu and li xiangyi the leader of sigu sect are not the same.

how then did a (relatively) passive boy like lxy end up founding sigu sect. this lxy is the one who was fostered into competition - though not in an abusive, twisted way. in fact he was raised in a rather taoist way by his shifu: to be honest with yourself and respect your opponent. so he honoured whatever powers he had been bestowed with by nature. he gives into it. even so, at another level, I just have a sense that shifu and shiniang's competitive marital spat had an insidious effect on the boys...though the detrimental effect was more on sgd than lxy. baby lxy feels like a sweet-natured kid who was just in his own zone, you know - some (aka sgd) would say, too much of him even, to have not realised what was wrong at all with his shixiong for years.

that's not all of course. I've always gotten the vibes that his attitude behind forming sigu sect felt more like, this is what all the good men of jianghu do and I will have to do it now especially that I'm the best. it didn't feel particularly personal to me, but rather what would have been expected of him by the social climate of wulin jianghu (eg. lxy saying to 光耀师门 bring honour to his teacher). it's definitely not an expectation from his shifu, who explicitly told him that he was never expected to become a noble figure of any sort, but just to be alive and contented. as concluded by the man himself as li lianhua: "有些人入了江湖是为了立心，而有的人入江湖为的是立命。我却不知道自己真正想要的是什么。some people enter jianghu for the cultivation of the mind, others for a cultivation of a meaningful life. but I never knew what I truly wanted." he was ultimately, unwittingly a passive player in his own story of becoming the great sigu sect leader.

(at this point, as a side note, I do wonder if there were any other similar sects or alliances that function the same as sigu sect that came before it. because I'm damn well sure there must be something, as likely as there must have been generations of wulin legends who came before lxy. but of course, this is not what the story is concerned with at all and I'm ok with that.)

it's crucial to point out that, even despite this being the phase of his yang in the display of taking action and enacting firmness, lxy had still done sigu sect with the sole purpose and manner of upkeeping peace and order (in the way of the pro-universal love, anti-aggression mohist 侠 xia leader of the people). he's still very characterised by yin in my books, especially when vis-à-vis to sgd.

a li xiangyi full of himself and made himself too useful to the people was only bound for a great asteroidal fall, in the concept of 物极必反 - or in taoist lexicon 反者道之动 (ie. anything that has reached its limit will only start developing in the opposite direction). if you think you're above all, you can only go down.

this manifests during the next time he took action - and it was one so forceful that it overpowered even his opponent, dfs who ended up being the passive, receiving party in this case - was in initiating the battle at donghai 10 years ago... and gee oh boy. it didn't end well - for both of them, but even more so for lxy. (dfs was like 'tis but a scratch (shrugs)' as compared to him being ripped off his tendons by jiao liqiao like nezha did to the dragon prince. truth is he had to go into a 10-year healing retreat served by his entourage. :p) ok, I digress.

xiao zijin was quick to attribute sigu sect's fall to lxy's arrogance - in turn setting the stage for lxy's 10 years of self-hatred and the framing of lxy as a villain? irresponsible figure? by jianghu. (god forbid girls do anything! ok for legal reasons, this a joke.) lxy lost his mind in ways I believe he never had in his life there and then upon seeing his shixiong dead. so, you could say he led the jianghu world to ruins out of love (using this term loosely). but it feels inaccurate to say it's due to arrogance. he did not do that out of self-importance or ego, especially when the revenge for sgd was a collective decision made by sigu sect as we know from the flashback. so when llh pinned all fault on himself for being arrogant in the past, it is with caution to take his words because that's the unreliable narrator in him speaking.

anyway, it's precisely li xiangyi that is capable of bouncing back from such a fatal crisis, equipped with his yin and a mastery that gave him the power of flexibility.

it's extremely vital to re-establish that literally the only thing that was keeping li xiangyi alive, physically, as li lianhua is yangzhouman. (monk wuliao literally said that to lxy even though he did facilitate in saving him.) it's the yangzhouman that was drawn from lxy's mastery of yin. without yangzhouman, li xiangyi would not even have the chance to become li lianhua and undergo any needed process of transformation. without li xiangyi, there would have been no yangzhouman. no li xiangyi, no li lianhua, get it?

the point is not to deny the change li xiangyi wants to make and has made. but to acknowledge that change isn't about complete erasure and destruction. something from you survives. something in you had kept you alive to have you come so far, regardless of all the bad bits that you want to denounce of. you've always been worth it.

bringing back the thing about his new name: the distinction must be made that he did not pick it because it was feminine but it just so happened a feminine name had resonated with him. (read: he didn't necessarily identify as a woman but identified with femininity. at least within the parameters of canon text.)

he also made an interesting choice to retain his surname for someone who was desperate to sever ties from his past. hmm. or maybe he wasn't that desperate? when li lianhua says li xiangyi is dead, I believe it meant that li xiangyi the sigumen menzhu is dead rather than li xiangyi as an entirety. li lianhua is a returning to the path lxy could have gone if he did not establish sigu sect, the path that shifu wanted him to take. when he walked to the doors of sigu sect in the aftermath, nothing was actually stopping him from going back (people were still around and alive, instead of all dead people, you know)... except for himself. taking that action would have been too much for him. so he went with the flow of life giving him a chance at rebirth and walked away. there, inaction as a form of action.

zhan yunfei and qiao wanmian have said to li lianhua, oh that doesn't sound like li xiangyi at all. but has it been considered that, maybe it was sigu sect's lxy who wasn't the real lxy? sigu sect lxy was one big performance of the values of masculinity and heteronormativity that llh had came to an awareness of, and eventually struggle with again and resist against in the final year of his life. there had only been some glimpses of his true nature allowed (validated by fang duobing talking about lxy at his altar).

imho, most flashbacks of lxy during that period felt impersonal and more like a template of a hero expected to marry his girl at 18. going through all the motions and steps of a normative life even before he was old enough to grasp and explore his own identity and what it meant in the world. no wonder he denounced so much of what he had done as lxy including liking girls. walking away then also meant a walk away from those duties and expectations. li lianhua is li xiangyi liberated from masculine duties and heteronormative performance.

in doing that, he had the opportunity for the first time in his life to explore what he truly wanted, at least within the parameters of what he could afford to do at that point. he could go on to build a domestic, feminine life within the space of jianghu (as I've established here). it's a kind of feminine lifestyle that doesn't quite exist in mainstream society - being a woman there meant to stay put in a domestic space without much room to move socially. nor did it exist in wulin jianghu because even the women there like shi-guniang and jlq were expected to be masculine, aggressive, competitive. so building a mobile home in the space of jianghu is his way of defining the life he wants and can have. li lianhua is the extension of femininity in li xiangyi - and one that can be free.

it's also worth talking about in my opinion what is one of the most important and a favourite dihua moment: when dfs said to lxy that his greatest weakness was to like being a hero. and a swordsman should be without weaknesses. I'm forever wrapped up in how many layers this can be read in. was he mad at lxy for liking to be a hero or having weaknesses, or both? if the former, it was dfs criticising, based on lxy's public reputation, lxy's oversized illusions about being a hero - a figure of masculinity with an unrealistic sense to uphold noble goals eg. saving the world etc. that is actually perfectly logical coming from dfs, the straightforward, no-nonsense, morally neutral guy with no illusions about heroism (in this case, he feels more like a yin). but at the same time, we should understand that lxy's motivations behind the donghai battle are more personal than noble. if any, it was actually the opposite of noble - it was like he was acting out of the role of a caretaker of his family, and at a cost of the peace and order of jianghu he was set on guarding(!!) dfs also knew that lxy was there just for his shixiong. and so, dfs, who happens to be the epitome of yang, can be read as a symbol of masculinity disapproving of lxy for being sentimental and emotional; for having the "feminine" desires to simply want to defend his family (not saying those are exclusively feminine traits but they have been conventionally associated as feminine). I think both layers of reading are correct and should work together to contribute to the complexity of their characters. (we can see how it contributes to lxy and dfs being the perfect yinyang halves to each other, which I will come back to briefly touch on later.)

for 10 years he lived a life of seclusion and staying-in-his-own-lane a taoist would be proud of. he knew he was dying and has always been ok with dying, as he claimed. but did he want to die? to think of it, it was the opposite. because in those 10 years when he could have 100% just taken action to take his own life, he didn't. in fact, he lived on and took care of himself in the way shifu wanted him to. he had simply preferred letting nature run its course. if bicha didn't take him, he wasn't gonna do anything. but if he died one day very soon, he would be ok with it too. sure, he was maybe banking on a lead to sgd's whereabouts to appear during his last years alive but that clearly wasn't the only thing on his mind for NINE years because he didn't actively go out seeking for that either. this is basically him telling dfs that he would just lie in the sun and wait for the sweet release of death, if dfs were to force him to fight. not even the mortal threat from dfs was enough to move him into action of fighting back or killing himself.

time and again, lxy as llh was dragged into fdb's cases but not only that, he also maintained an impersonal distance with them. it's starkly different from the usual (wuxia) hero archetypes (for eg. fdb) who would be more impassioned and personally invested in the plight of the victims- or unlike most seemingly aloof protagonists who would somehow grow emotionally invested over time. one of the many things I love about llh is that he never tries a second time to persuade people out of their decisions he finds unwise (eg. him just wanting to move on in response to the girls in 女宅 insisting on staying behind with their slave master at first.) he will not interfere in other people's choices made in their own lives. it's not his business. he didn't even want to be there, to be honest.

however as the story progresses, more and more people - especially men, his past, and the leads to the truth came back to demand and taunt him into doing something. they vary from well-meaning people without any harm intended such as fdb intruding upon his private space completely uninvited and qwm wanting him back; to dfs merely seeking him as a mean to an end initially (eg. I only need him to live long enough to have one last fight); and finally, on the other end of the spectrum, outright aggressive and hostile people like sgd and xzj who wanted him to die. under all this pressure, he tried his best to deflect, but he does waver especially when it comes to matters concerning the people he cares about aka his obsession wish of 10 years of looking for sgd's remains that had lied low until fdb entered his life, and then later on taking revenge for his shifu.

looking for sgd became his final bid at taking action. he was operating on a slim chance of getting some emotional closure from finding out his shixiong is dead for real, yes. what a good plan. but objectively unnecessary. or surprise! uhhh...finding out his beloved shixiong is actually alive and would strangle him for one corn chip? AND OH NO IT GOT WORSE- uncovering a devastating truth about his shifu's death that he could have totally gone on with life fine without knowing if he had continued not caring.

but it is sometimes just impossible not to care - it is only human to care. and he is human, not an icon in the image of a hero. so he took a chance, once more, and it killed him in unprecedented ways. it's donghai all over again. things in life don't go as planned. you fuck around and it fucks you back. finding out the truth behind his shifu's death and his family background from the past did nothing for him as li lianhua living in the present.

it's no wonder that this lxy decisively relinquishes the desire to take action in the end. he goes back to letting nature run its course. and this time, stands firmly to it despite everyone begging him otherwise. wangchuan flower could only give him a recovery (or survival?) rate of 30%. there's a 70% chance of failure and even in the 30% he was not sure what he was to become. in comparison, dfs took a 10% chance game of survival in a heartbeat, and it pushed him to new heights. that's how they differ: he thrives by taking risks and action while lxy the other way round. so, something like that has happened before and he wants none of it again.

he leaves lotus tower, only taking his horse and a sack - relinquishing almost every other material belonging he had - and sets off on a journey. before xzj interrupted...where to was he going?? I wonder. we don't know for sure, I think? and are we allowed to know? that makes the scene he had with xzj an understated inflection point in the very last part of his journey. yes, he was already on his way to...maybe die? but not necessarily. you don't have to travel distances with your belongings for that, right? or speak to dfs personally about not wanting to fight? (borrowing one of @ananeiah's takes.) regardless, he was definitely leaving behind jianghu - not only wulin jianghu (he already did that 10 years ago), but also the jianghu space he had carved out in the last 10 years.

what sparked the decision to jump off the cliff in him was dfs's words from the night of their wedding 10th donghai anniversary: 横扫天下容易，断相夷太剑不易 conquering the world is easy, breaking xiangyi sword is not. in the original context, dfs was talking about defeating lxy being harder than conquering the world. but when it came to this scene, it was to lxy about forsaking the very last worldly possessions he had after already giving up on lotus tower and hulijing (including releasing his horse), especially his only connection left to swordsman lxy.

perhaps it had dawned on him that, wanting things at all was bad for him. in the last 10 years, he lived a life of seclusion, wanting very little. but he had still wanted things. there were still things he couldn't let go of that had led him to this state. despite having lived on an identity inspired by a buddhist teaching for 10 years, maybe it was only at this point that he was finally the closest to reaching an understanding of it. (I wish I was knowledgeable enough right now to dive into the possible buddhist reading here but alas. I'll leave it to our resident expert @markiafc)

it doesn't quite matter in the end where he was going after all. what mattered was that he literally went where the water took him and we're not supposed to know where it ends. I'm not seeing this in a bad and pessimistic way though. I think the relief in all this is that he had tried his best to within his abilities. also it's a form of enlightenment in relinquishing a desire, an obsession, a need to take any more action in order to live well. thus his ending felt to me relatively tender, empowering, and kind - albeit bittersweet and heartaching - than other possible kinds of ending, in a story where it was very possible for him to have died under the knives of his opponents or bicha at any moment, outside of his control.

if you've come so far in this post, congratulations! but also a reveal is that... you're not immune to the dihua propaganda threaded throughout this post. :P

as mentioned, other men like sgd and xzj in lxy's life were incredibly hostile to him. their yang nature overwhelmingly powers his yin. but dfs is different. dfs is the yang counterpart that fits perfectly to his yin.

dfs's yang is one that contains yin, that mirrors lxy's balance of yang in yin. it was suggested in text they are yinyang-coded meant to complement each other, given that whenever wangchuan flower's yin vs yang properties were discussed, the two men were always spoken about in the same breath. more importantly, as with the above few analyses of dfs's words playing a big role in shaping of lxy's choices with multiple meanings - as well as their day-to-day interactions - we can see that they constantly play off each other.

dfs's yang energy has been used to help lxy prolong his life (though not saving him entirely), while lxy has used his yin energy to save dfs and subsequently helped him attain his breakthrough. dfs has also helped lxy in his breakthrough of yin but not in the same way as dfs's cultivation of his combative powers, and rather, it's for lxy an understanding of his own path to take in life - a cultivation of the mind (both times 10 years before and after). given how significant dfs is in the shaping of lxy's realisation of the yin path - alike his shifu has, it's no wonder that they were the only two people lxy had imagined in his last sword dance of a farewell to jianghu.

with each of them coming together to form the perfect yin-yang model, they're a harmony of yin and yang representing the cosmos. what I also love is that they didn't start out as a perfect fit, but only towards the end of the story was the harmonisation completed, which makes sense for two components that are always in a flux influencing each other. the fact that they were number 1 and 2 of wulin, and being the only ones capable of understanding each other in a level nobody else could... it all reinforces the cosmic sense of their relationship. they're the halves to a whole, fitting in a specific way nobody else can.

(I mean. technically this is going into the space of extrapolation based on a tangential interpretation of canon text, so do take it with a pinch of salt. but of course this pinch of salt can do wonders for a shipper's feast... :P and this certainly could have been a meta of its own expanding on dfs's side of the analysis, but this is it for now in this context.)

to think of it, li xiangyi has actually died more than that one time that turned him into li lianhua. first was a death of him as a nanyin royalty - I resent having to bring up nanyin like it should hold any weight to the narrative as far as I'm concerned, but the point being that he had a completely different (familial-based) life before that still stands. then he had a rebirth as li xiangyi, disciple and swordsman to his shifu and shiniang, and later died again when li xiangyi the sigu sect leader took over. lxy the sigu sect leader died at sea in the battle 10 years ago and came back as li lianhua. (just like nezha, died after battling at east sea and rebirthed from the lotus) li lianhua then dies by the end of the drama.

there can be a myriad of interpretations as to what exactly happened to him, including the possibility that he's still alive. regardless, we can agree that li lianhua as an identity has ran its course, and he had to evolve again. but into what form?

in the line of thought of yin and femininity, and how his transformation has been in an increasing degree of presentation of femininity - even way back when I was watching the show, I had the idea of him living socially as a woman post-li lianhua. I don't know what he would be realistically doing or what could be practical for him in such an identity. but conceptually it was sensible and compelling to me before diving deeper into the details. (I have more elaboration to do on this that I won't be talking about here publicly but it is in the same strain of idea as this other comparative meta I wrote.)

I think the next possible identity lxy can assume - alive in the material realm or not - is one that will be beyond a material being. a nameless entity. once you've gone through the phases of life - from not knowing to knowing, and perfecting knowledge, then to the surpassing of knowledge - you surpass all worldly existence, and become one with the cosmos.

I end this off with an excerpt from Tao Te Ching's Chapter 41 (I'm not pretending to have read the whole book ok but I couldn't resist including this):

明道若昧，进道若退，夷道若纇 [...] 道隐无名 The bright path seems dim; Going forward seems like retreat; The easy way seems hard [...] The Tao is hidden and without name. (x)

the character translated into "easy" is the same 夷 yi of li xiangyi's name. somehow this seems to encapsulate the journey of his life: one that seems blessed and smooth-sailing but ending up to be rocky and turbulent. but at the end of the day, after all that he had been through, he will become hidden and without name.

#莲花楼 #mysterious lotus casebook #lhl #lhlmeta #my posts #a big win for the inaction fandom. lxy would have been patron saint #this inevitably turned into a 'lhl is a taoist and buddhist story if not a very chinese story' meta hbhjbjhbhjjb #the last thing i do before going to sleep is write this meta. the first thing i do after waking up is write this meta.#i feel so insane writing this. it kept growing like a monster. do you think this is a joke it's like my part-time job now #but it's one of the few times in my life i have confidence in my insanity. so.#crazier thing is. this meta is approaching 6k words yet i still think there must be things i haven't covered.#the last section is so nuts idk how i even wrote it guys i think i was possessed #it's also like the most pretentious way to put that he's dead in this world ok hjbjhbhjbhjbjbh #to be clear iirc the drama didn't say LXY'S POWER/ENERGY IS YIN in the same way it literally said dfs's energy is yang #but it's definitely implied by the explanation of the flower's healing properties for both of them. on top of yangzhouman #also fuck. another reason he didn't choose to save himself was so dfs could have the yang flower which he believed was what dfs wanted #thank u frens mark and ana for indulging my brain in the first time i brought the lxy as woman thing up. for it to have come this far #ofc disclaimer is that a lot of this is my own reading. it doesnt have to be agreed by everyone #i would be very happy though if any part of it resonated with anybody #also a good part of the analysis is based on my memory of the show. though i did revisit parts selectively to verify. sooooo. yeah.

145 notes · View notes

ohitslen · 11 months

Text

Thinking and headcannoning the shit out of angry Stampede! Vash and how Wolfwood deals with that first thing in the morning because i think him getting angry about something and letting down some of his mask in those genuine moments of anger is super awesome

Before we continue I have not read the manga yet so if you read something incredibly obvious or redundant to your experience, well, haha or something OQNENW

This is a VERY LONG Vashwood ramble I have to put SOMEWHERE or I will explode, so feel free to join if you want.

Vash is an overall very expressive person right? very emotional too generally, but the thing is I like drawing people getting angry so that’s what you are getting from me.

And I also often think about the fact that it’s Wolfwood and Knives the ones that have seen him be like that (most often than not towards them).

Wolfwood specifically, I think that he WOULD get scared because when Vash is angry angry, he just seethes and looks like he is three seconds away from being love and peace to hate and war. These are probably the moments in where he carries the most resemblance to Knives, and to anybody that has experienced the man firsthand they know how scary that is because everyone and their moms knows that he does not hesitate to resort to murder if he is upset about something or if it’s inconvenient to him, so it is rightfully terrifying to even think of him getting mad.

Now take the same idea and apply it to Vash, he is so friendly and playful all the time and he gets kicked around all the time too, that it would be almost impossible to imagine him getting angry in a genuine way. That is UNTIL his ideals and morals are being countered or challenged by someone and THAT’S when people are gently reminded that oh yeah he can get mad too, and really fucking mad at that.

The peak of his anger doesn’t last for too long because he tries to level himself quickly, he is aware of how he can look when he gets like that, and it would be showing a little too much about how he is not very human in nature for what he is comfortable with. I think that when he gets mad his expression turns into something very vulnerably honest, to the point in where he unconsciously looks imposing and demanding, paired with his uncanny vibes it really is a treat and anyone at the other end of it would be other than also upset, quite scared. Like Wolfwood.

There is something very obviously other about Vash and he has the privilege of knowing just exactly why that is, and considering that his brother has a record for being a certain way when angry, knowing what he is does not soothe him at all. Then again, Wolfwood cares for him still and he is a stubborn guy himself, so even when most likely scared shitless, he would not move his ground, and the only thing that reassures him that things will be fine, is Vash’s pacific nature and also knowing that he cares deeply for him too, but that is a thing he would not think too much about other than the flash of thought that it is in the moment.

Vash is petty as hell too, he remains silent and gives the cold shoulder to the other person that was involved in the argument, and it is usually, once again, Wolfwood at the end of that stick. Wolfwood is a “mind your business and I mind mine” kind of guy considering he never asks things, but traveling with that idiot and having to be with him 24/7 and being given the silent treatment has to be uncomfortable at best incredibly annoying at worst. So even though he won’t change his opinion most of the times, he still insists on talking to him idly sometimes after they argue, something he would usually not do.

All Vash ever responds with are the necessary answers, at first shrugs or nods, then very short and to the point sentences, he eventually warms up to him again and they talk the way they usually do; and just like that things seems to be at bay for the time being until the next unavoidable argument comes by.

No matter how many times they argue, when things escalate and Vash begins to show his very honest anger, Wolfwood’s instincts would be screaming at him to stop it and to get away, because whatever Vash is feeling is reeking of a danger that no matter how enhanced he might be, he is NOT gonna make it through whatever will happen to him worse comes to worst. But when has he ever actually heard his instincts when it comes to dealing with Vash. So he always replies and stays.

He is somehow one of the very few (almost non existent) people who can deal with Vash when he is like that, one thing is getting mad at Vash and the other is him getting mad at you, and he has bite alright, he will say things that can come across as hurtful and very venomous when he starts to get more visceral, and yeah the whole predator kind of vibe he can give off is there too.

Maybe Wolfwood also knows how hurt Vash would feel if he retreats because of how scared he feels and that’s why he doesn’t back away. It would be reasonable if he did, hell he doesn’t owe him shit for all he knows and he would be in his whole right to run away scared if he wanted, but for one it would be too cowardly, and two Vash would be once again pushed away for being something not human, and that would be a scar he would carry for his whole life and Wolfwood does not want to be a part of that. So that’s another reason to the ever growing list of “why don’t I just let this be”.

There is an odd sense of comfort in seeing Vash get mad, knowing that the man knows his ground, that even he has lines he won’t allow anyone to cross, that he can allow himself to feel something genuine for once and not the fake little things he is always doing. It is the positive side Wolfwood tries to see in those situations and what he has to remind himself over and over again so he doesn’t flinch away. Good thing he has some practice in arguments thanks to his little siblings back at the orphanage, practice he refuses to let go and holds on to dear life because he needs any crumb of reason at those moments.

At some point when hands are involved, when a clench to the shirt and a push to the shoulder escalates to shoving the other to the ground and a punch to the gut, Wolfwood goes full survival mode because no one told him that Vash was THAT strong and THAT heavy and THAT intimidating. He could have guessed after having watched the man fight. He is capable and strong, he usually moves with a certain preciseness and care under the goofy display, he may twirl around and stumble when dodging, but he is dodging and also landing hits.

He knows that Vash is strong and that he is also incredibly careful. But that’s when he is in all his senses with a mostly cool head, so having him hovering over Wolfwood pressing him down rendering him to the ground while very obviously mad and trying to prove his point, he freezes before he can react and fight back.

Those are the times where Vash feels the most guilty after the fight from what Wolfwood can gather and wildly assume. If him not eating (again) for days or even refusing to acknowledge Wolfwood unless necessary is any sign. That behavior can last over a week which is a little too long for Wolfwood’s peace of mind. So he starts poking again because apparently arguing again is the only way to make the bastard answer more. And it usually works, some nudging here and there and putting lemon with salt to the wound seems to do the trick.

It entails more shouting and screaming at each others faces their flaws that they already know like a script, until things start to calm down when Wolfwood reassures him that he is tougher than he looks, and that no matter what he won’t just leave Vash in a ditch, and if they were going to travel together for the future to come they would have to learn how to sort things out. Something he knows neither of them will probably never learn, but it is what it is and that’s what he can resort to at the moment, and it does seem to satisfy Vash a little. So once they are done, and they go their separate ways, never too far from each other, Vash starts to nibble at his food and says or asks little things to Wolfwood, and just like that they are good to go again.

They are both aware that addressing out loud how fucking scary Vash can be at those raw moments of anger, would be like painting a line of ‘I am this and you are that so we shouldn’t be doing this’ that neither of them would actually want to have. So even when yeah it can be horribly scary and surprisingly intimidating to deal with Vash when he is angry, Wolfwood is willing to stay and fight with him if that’s what he wants, if that’s what he needs. Even if it’s starting to take a toll on him. He is getting used to it though so it will be fine.

Probably.

#MY BRAIN IS ALWAYS ROTATING THEM LIKE A CHICKEN IN MY HEAD #The bickering and the fights and the conflicts they have are an important piece of them methinks #so it is impossible for me to not think of them like that all the time. I just think that their whole power dynamic is very interesting #because realistically Vash is very much capable of doing a lot of things to prove his point but he never does thanks to his philosophy #something that has saved WW from being absolutely obliterated into little pieces I believe #I bet Vash’s intrusive thoughts must be WILD because ain’t no way that man holds back from so much violence without it marinating inside #of his mind okay just saying #fellas is it gay to be kind of into your bro pinning you to the ground when he is in emotional distress and you are scared as fuck?#trigun #vash the stampede #nicholas d wolfwood #trigun stampede #vash #wolfwood #nicholas trigun #vashwood #lenssi rambles #lenssi writes #because that’s too fucking long.#I just thought of this but I think that Vash starts to let himself express more of his anger with each argument they have #like at first he is more wary. still upset but careful bc as I mentioned at the beginning he knows what he looks like when he is that upset #but after seeing that WW doesn’t really make a big reaction other than ofc arguing back he sort of starts to just #let himself go a little more. it’s not exactly the preferable outcome. but for once Vash is able to get mad and shout and express himself #almost fully with someone. and a part of him knows that WW can handle it. that he is capable of going through it #it’s a part of Vash that he doesn’t like when he’s in such a volatile state of being. but there is comfort in knowing that WW can take it #and that WW will answer back too. with just as much bite as he does #oooh I’m so normal about them oooh I lie a lot also

135 notes · View notes

larabar · 1 year

Note

Please give more info for your Frontiers au, it makes me very happy

HI YES ALWAYS

this is late because i wanted to have a little more to show you than i had before but Anyway

ok .ok so

each character in the game had their own Main Issue/Thing. amy's was .idk love and wanting to share it with others. knux's was his ancestors and his own past, learning to get off angel island once in a while. and tails' was all about his independence

but for sonic it was really hard to find something sjdnfj since he doesn't really have anything to go off of (flat character and all that) but. i got thinking about how cyberspace affected each character and just how it Works

from what i understand, being stuck between cyberspace and reality has no feeling to it, no sense of being 'grounded', and all that other fun stuff .

and that sounds like a living hell for sonic

he can't do anything. he can run but it doesn't give him the same feeling because there is no feeling. the most he can do is just sit back and wait till everything's fixed.

y'know what just take this

not finished but it gets my point across and also im so normal about these two

#also .little things #when any character thats trapped in cyberspace gets angry or something i think they should get more glitchy. like theyre flaring up #this is just an excuse to let sonic hang out with the koco more #they love him a lot its like second nature for sonic to get along with little guys #pretty sure theres a cutscene with tails where he just. runs through a portal HE MADE into cyberspace #so can they move freely between the two realities ??#really really hoping the dlc gives us more info on all this half ghost stuff i must know #OH AND im still trying to figure out if the cyber ghost characters could hypothetically leave their respective islands #like are they literally stuck there or is it just the fact that theyre islands and theres no clear way across them #can they meet each other in cyberspace ? or is it different for everyone no matter what so theyre always in different places #can the cyber ghost characters touch each other or is it the same as anything else #um anyways .thats all for today =] <cant sleep because of all these thoughts and more #its .1am.goodnight #<ME LAST NIGHT #it is afternoon now .sorry this took so long i just wanna talk about this so bad but i have no idea how to do that #but uh yeah thanks for asking about it !! genuinely made me so so happy #i wanna finish that cutscene concept sometime soon they are rotting my brain as we speak #sth #doodles #asks #sonic frontiers #sonic frontiers spoilers #frontiers role swap

42 notes · View notes

scramble-crossing · 11 months

Note

"I think it's especially interesting how he considered himself to be at his most "beautiful" once he'd gone taboo. It wasn't about his actual appearance. It was about breaking from the confines of his old body, which lacked the strength to take on the Composer and could never see him through to his ultimate dream of usurping Joshua's position and shaping Shibuya to his own desires. The power he possessed and the violence it allowed him to exert was really an artform in itself. Beauty for him, I think, is in the freedom to shape oneself to their most extravagant desires, which implies a lot about what he might've been like as Composer. Of course, the tragic downside to the actual, physical state of his body tying very little into his sense of worth is how willing he is to tear it apart over and over again to achieve his goals. Very shrewdly mathematical of him."

bro i am metaphorically kissing you on the mouth. you get it. you UNDERSTAND. he uses his body as just another addition to his latest opus. "freedom to shape oneself to their most extravagant desires" is so real, and also "following one's wishes" which is why i think that he gets along with konishi at the end of OG where he says that he zetta digs her style, because she's following her selfish desires to the end and he finds that beautiful. or how he smirks about rindo factoring out how his time travel works, allowing him to manipulate time to his desires. i think that the interest in trash says a lot too. he thinks that anything can be beautiful, no matter how much others view as garbage, because it can be a canvas when heaped together.

"implies a lot about what he might've been like as Composer"

personally i think that people over-exaggerate the whole "he would've turned shibuya into a trashpile!" because we see him capable of supporting OTHER PEOPLE in this too. i think that he would hate anything that homogenized shibuya, even himself. he wouldn't want everyone acting exactly like him or whatever. that doesn't make interesting material for art. instead he'd want to see everyone pursuing their selfish desires with hierarchies ripped apart

^For context I'm pretty sure this is the post anon is referring to

Hehe thanks :] I think specifically his interest in trash is fun because you're really able to take it in different directions based on what you want to get out of his character. "he thinks that anything can be beautiful, no matter how much others view as garbage, because it can be a canvas when heaped together" is one super cool interpretation! I also think that you could take it in a direction where he has a more negative worldview, and his "The world is garbage!" schtick is more about him believing that there is something deeply wrong with the world he is living in and only he can fix it, which could provide a motivation for why he wants to become the Composer. There's no one "right" way to interpret Sho which makes him really fun to write about, you can really do whatever you want with him. Which makes me even more frustrated with how hard it is to replicate his mathspeak...sigh

#trying this cool new thing where I actually respond to asks #also I already talked about how I think he'd be as a Composer in the last ask so I'm gonna pass over that part #BUT I agree with you on how he would hate anything that would homogenize Shibuya #personally I think he took Hanekoma's 'do whatever you want when you want as much as you want' advice a little TOO close to heart #terrible message btw hanekoma. thanks so much.#he would totally encourage the people under him to endlessly pursue their selfish desires regardless of the impact it has on others #a sort of 'every man for himself' mentality #I really like the idea of him getting the same talk from hanekoma as neku and interpreting it in a completely different and destructive way #no I don't dislike hanekoma btw #I think he's flawed and that his dynamic with sho is inherently an absolute trainwreck #he would throw him under the bus in a heartbeat for the good of shibuya and while sho's awful in og twewy and certainly has #a lot of things coming to him #he still must have trusted hanekoma to some degree and felt betrayed by him #this coming hot off the heels of megumi giving up his location to neku and josh on W2D7 so that they could jump him #are they wrong to do so? not really. but I doubt sho's seeing it that way #minamimoto

9 notes · View notes

day8423 · 1 year

Text

the idea of fiona being cursed randomly (us as the audience never discovering a reason this unknown witch put a spell on her), has always been so interesting to me. multiple times i've considered diving into writing a backstory, why she was cursed, why this witch decided fiona was destined for true loves kiss. i actually do have a whole load of headcanons and metas stored in the back of my brain, which in actuality would flesh it out and grant a reason why. but i have never put them to paper, nor will i ever, because i kinda love that we don’t know? (yeah it was probably just the writers once again belittling fiona over her male counterparts and deciding their stories were more important… but i ain’t gonna rant about that right now.) it aligns with good vs evil, the stereotypes that these films portray. fiona’s been raised on very straight forward beliefs that put her in that tower in the first place.

we never know what the witch’s motive was: was she plain evil, or was something else planned down the line? either way, far far away proved itself tenfold as a stick to the book kind of kingdom, keeping in line with all stereotypes and never drifting too far from fated paths. in fiona being cursed, harold immediately grew concerned regarding the stray of expectancy, and did everything in his power to get his daughter, his kingdom, and his own happily ever after back on track. rather than seeing how things might play out, he went to a well-known solution and beloved story: a fair maiden locked away in a tower. not actually knowing why the witch cursed fiona, ultimately reinforces the notion that far far away is a very closed minded kingdom (at least where the king is concerned, despite his own backstory). however all this unwillingly places fiona into the role of a princess like no other, the first strike of independence. she steps out of her destined pages, and rewrites her own story. and along that road, changes the entire mindset of those in higher positions in far far away. she gives lesser respected creatures a voice, advocates that being different is okay, and not only beautiful people deserve a happy ending.

i have also loved the idea that it could have been fairy godmother that cursed fiona as a little girl, under disguise as a haggard witch, in order to assure her sons place in far far away when both children grew up. then, she presented herself under a guise of goodwill, promoting this plan of locking fiona away in a tower for her own safety and security, setting the wheels in motion from the beginning. lillian and harold were so desperate for help, and she took that vulnerability for granted. which all this was not difficult given harold’s debt to her; she knew he would listen lest he risk himself and his position. (i genuinely don’t think lillian had much say in all this, but that is a rant for another time!) she waited until fiona was old enough, rather than cursing her as a baby. ‘when i was a little girl a witch cast a spell on me.’ old enough to know how to act and behave as a member of royalty, but still young enough to be moulded and naïve regarding some aspects of the world. that when she returned with charming, she would lack experience and knowledge of how to truly be a princess, given her isolation and separation from her people. thus, charming and godmother could shape her as they pleased, and gain proper reigns of far far away over carefully planned precision.

either way, cursed by fairy godmother or a random witch, fiona is never going to find out, and eventually she becomes okay with that. for a long time all she wanted to know was why. why her. why was she so different to every other princess out there. never knowing why she was cursed really does just strengthen her mindset because while she struggled with it for such a long time, it shaped her into who she is. there’s no grand backstory, she has nothing to truly blame, no one to seek revenge upon; she just needs to deal with it. furthermore, because it was random and seemingly an act of unjustified cruelty, it allowed fiona to break herself free from feeling like a victim, and get out of the tower when she did. it wasn’t destiny that cursed her, it wasn’t set in stone, her life wasn’t meant to exist in a lonely tower. if her parents had said from the beginning that it was supposed to be her story, those three stages (cursed, tower, rescue) then she would have been crafted to live like that. it would have been expected. alas, it wasn’t any kind of fate, so she really just gave a big middle finger to feeling like a victim, and took her story into her own hands!!

#ii. every princess is a beauty / every dragon must be cruel : study.#long post /#also this might seem like a harold hate blog.#(kinda is)#i DO think he loved his family a hell of a lot.#and genuinely thought he was doing what was best for fiona at the time.#but his mindset would have been VERY different if he wasn’t so scared of risking his own position and happy ending.#he’s just a weakling lbr.#also all this really is taking from my own interpretation rather than anything canon with shrek.#i probably shouldn’t need to reinforce that but like.#shrek is NOT canon here. <3 #unless specifically stated.#fiona runs her own world thank u very much!!#but yeah just the curse is so interesting to me!!!#the fact that there is legit no backstory when there could be an amazing one!#fiona being cursed really was the best thing that ever happened to her mkay.#after like...#twenty five years or so she comes to realise that rifp.#the irony in the fact that fiona’s curse was not destiny. it was random. and as such allowed her to break free from the shackles #of those emotional and physical restraints and become who she is.#but if it WAS destiny then she would have remained the dutiful princess because it was apparently who she was supposed to become.#she wouldn’t have questioned it.#i am overthinking this i know but.#i just LOVE that we don’t have a backstory.#i think it makes it way more intriguing.

11 notes · View notes

moviesstoriesandbooks · 1 year

Text

Look I'm worried about all this affecting the rest of the cast. This is a big big break for them. Thailand is a small country , with not much presence in global platform in terms of entertainment business as far as i know.

For people like jeff for example, this is a once in a lifetime opportunity. Who would've thought , he'd get offers from south korea. This is a dream come true for him. Years of hardwork and finally , finally a chance to break it in the global market. The potential is unlimited. It's the time of korean stars getting cast in marvel movies for crying out loud.

I thought during the first time when he went on a hiatus, it was the worst possible timing , with the series airing and all. Guess i was wrong.

And barcode has so much ahead of him , so much potential.