Thinking and headcannoning the shit out of angry Stampede! Vash and how Wolfwood deals with that first thing in the morning because i think him getting angry about something and letting down some of his mask in those genuine moments of anger is super awesome
Before we continue I have not read the manga yet so if you read something incredibly obvious or redundant to your experience, well, haha or something OQNENW
This is a VERY LONG Vashwood ramble I have to put SOMEWHERE or I will explode, so feel free to join if you want.
Vash is an overall very expressive person right? very emotional too generally, but the thing is I like drawing people getting angry so that’s what you are getting from me.
And I also often think about the fact that it’s Wolfwood and Knives the ones that have seen him be like that (most often than not towards them).
Wolfwood specifically, I think that he WOULD get scared because when Vash is angry angry, he just seethes and looks like he is three seconds away from being love and peace to hate and war. These are probably the moments in where he carries the most resemblance to Knives, and to anybody that has experienced the man firsthand they know how scary that is because everyone and their moms knows that he does not hesitate to resort to murder if he is upset about something or if it’s inconvenient to him, so it is rightfully terrifying to even think of him getting mad.
Now take the same idea and apply it to Vash, he is so friendly and playful all the time and he gets kicked around all the time too, that it would be almost impossible to imagine him getting angry in a genuine way. That is UNTIL his ideals and morals are being countered or challenged by someone and THAT’S when people are gently reminded that oh yeah he can get mad too, and really fucking mad at that.
The peak of his anger doesn’t last for too long because he tries to level himself quickly, he is aware of how he can look when he gets like that, and it would be showing a little too much about how he is not very human in nature for what he is comfortable with. I think that when he gets mad his expression turns into something very vulnerably honest, to the point in where he unconsciously looks imposing and demanding, paired with his uncanny vibes it really is a treat and anyone at the other end of it would be other than also upset, quite scared. Like Wolfwood.
There is something very obviously other about Vash and he has the privilege of knowing just exactly why that is, and considering that his brother has a record for being a certain way when angry, knowing what he is does not soothe him at all. Then again, Wolfwood cares for him still and he is a stubborn guy himself, so even when most likely scared shitless, he would not move his ground, and the only thing that reassures him that things will be fine, is Vash’s pacific nature and also knowing that he cares deeply for him too, but that is a thing he would not think too much about other than the flash of thought that it is in the moment.
Vash is petty as hell too, he remains silent and gives the cold shoulder to the other person that was involved in the argument, and it is usually, once again, Wolfwood at the end of that stick. Wolfwood is a “mind your business and I mind mine” kind of guy considering he never asks things, but traveling with that idiot and having to be with him 24/7 and being given the silent treatment has to be uncomfortable at best incredibly annoying at worst. So even though he won’t change his opinion most of the times, he still insists on talking to him idly sometimes after they argue, something he would usually not do.
All Vash ever responds with are the necessary answers, at first shrugs or nods, then very short and to the point sentences, he eventually warms up to him again and they talk the way they usually do; and just like that things seems to be at bay for the time being until the next unavoidable argument comes by.
No matter how many times they argue, when things escalate and Vash begins to show his very honest anger, Wolfwood’s instincts would be screaming at him to stop it and to get away, because whatever Vash is feeling is reeking of a danger that no matter how enhanced he might be, he is NOT gonna make it through whatever will happen to him worse comes to worst. But when has he ever actually heard his instincts when it comes to dealing with Vash. So he always replies and stays.
He is somehow one of the very few (almost non existent) people who can deal with Vash when he is like that, one thing is getting mad at Vash and the other is him getting mad at you, and he has bite alright, he will say things that can come across as hurtful and very venomous when he starts to get more visceral, and yeah the whole predator kind of vibe he can give off is there too.
Maybe Wolfwood also knows how hurt Vash would feel if he retreats because of how scared he feels and that’s why he doesn’t back away. It would be reasonable if he did, hell he doesn’t owe him shit for all he knows and he would be in his whole right to run away scared if he wanted, but for one it would be too cowardly, and two Vash would be once again pushed away for being something not human, and that would be a scar he would carry for his whole life and Wolfwood does not want to be a part of that. So that’s another reason to the ever growing list of “why don’t I just let this be”.
There is an odd sense of comfort in seeing Vash get mad, knowing that the man knows his ground, that even he has lines he won’t allow anyone to cross, that he can allow himself to feel something genuine for once and not the fake little things he is always doing. It is the positive side Wolfwood tries to see in those situations and what he has to remind himself over and over again so he doesn’t flinch away. Good thing he has some practice in arguments thanks to his little siblings back at the orphanage, practice he refuses to let go and holds on to dear life because he needs any crumb of reason at those moments.
At some point when hands are involved, when a clench to the shirt and a push to the shoulder escalates to shoving the other to the ground and a punch to the gut, Wolfwood goes full survival mode because no one told him that Vash was THAT strong and THAT heavy and THAT intimidating. He could have guessed after having watched the man fight. He is capable and strong, he usually moves with a certain preciseness and care under the goofy display, he may twirl around and stumble when dodging, but he is dodging and also landing hits.
He knows that Vash is strong and that he is also incredibly careful. But that’s when he is in all his senses with a mostly cool head, so having him hovering over Wolfwood pressing him down rendering him to the ground while very obviously mad and trying to prove his point, he freezes before he can react and fight back.
Those are the times where Vash feels the most guilty after the fight from what Wolfwood can gather and wildly assume. If him not eating (again) for days or even refusing to acknowledge Wolfwood unless necessary is any sign. That behavior can last over a week which is a little too long for Wolfwood’s peace of mind. So he starts poking again because apparently arguing again is the only way to make the bastard answer more. And it usually works, some nudging here and there and putting lemon with salt to the wound seems to do the trick.
It entails more shouting and screaming at each others faces their flaws that they already know like a script, until things start to calm down when Wolfwood reassures him that he is tougher than he looks, and that no matter what he won’t just leave Vash in a ditch, and if they were going to travel together for the future to come they would have to learn how to sort things out. Something he knows neither of them will probably never learn, but it is what it is and that’s what he can resort to at the moment, and it does seem to satisfy Vash a little. So once they are done, and they go their separate ways, never too far from each other, Vash starts to nibble at his food and says or asks little things to Wolfwood, and just like that they are good to go again.
They are both aware that addressing out loud how fucking scary Vash can be at those raw moments of anger, would be like painting a line of ‘I am this and you are that so we shouldn’t be doing this’ that neither of them would actually want to have. So even when yeah it can be horribly scary and surprisingly intimidating to deal with Vash when he is angry, Wolfwood is willing to stay and fight with him if that’s what he wants, if that’s what he needs. Even if it’s starting to take a toll on him. He is getting used to it though so it will be fine.
Probably.
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Fun fact: In the original pitch for Stranger Things, El had a little brother.
After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.
This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.
But the thing about this moment, is that it might not have been scrapped entirely...
Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.
Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.
But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.
One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.
The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.
Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.
Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.
Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.
What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.
While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.
Which means she has likely seen him within the last 24 hours regardless.
This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.
Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.
Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.
Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.
We know Will is not younger than El, so how could this apply to him?
Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…
Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.
It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.
And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.
If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.
This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.
I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.
And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?
I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.
The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!
And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.
While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.
Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.
On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.
And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.
Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.
This leads to several moments where El is being compared to as not only a boy, but Will as well.
Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.
And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.
The changes don't stop there.
Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.
Another thing that changed from the first script, was Scott Clarke's introduction:
And so you might be thinking, who cares? What does that have to do with anything?
Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:
Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?
Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...
I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.
And the changes go on, as they obviously would.
Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.
And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...
If you've made it this far, congratulations.
If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘
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