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stop-breaking-my-heart-telltale · 3 years

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I might be back on my bullshit thinking about Louis [as if I ever stopped] and episode 2 again. Like... there are a lot of things that could’ve been handled better when it comes to ep2, but can we just appreciate his apology to Clementine during the archery scene?

[note: this turned into a bit of a rant, and for that, I apologize]

It still baffles me that he gets dismissed as a shitbird by portions of the fandom to this day for being upset with Clem and AJ when he just found out his best friend gave away the twins, murdered Brody and tried to pin it on Clementine to cover his tracks... only to then be murdered by AJ after he already gave up, shot him in the back of the head right in front of everyone and left Louis heartbroken and traumatized.

Like I understand that some of y’all think Clementine and AJ should never be held accountable for anything they do and they’re always right, even when they’re in the wrong because you’re the player projecting yourself onto them and everyone who is mean to you is a stupid head unless they’re mean in the right way.

Or you’re one of those violentine stans who feels like the only way to validate your ship is to create this narrative that Louis is a traitor and Clementine would never love him after he voted for them to leave as if the only way you know how to make Violet look good is to make Louis bad by comparison instead of like... y’know, being one of the decent stans who explain and gush about the positives of the ship itself and why they love it rather obsessing over the other ship.

Either way, you’re really gonna look at that situation of Louis reacting to his best friend’s death after what just went down and be like “calm down, Louis, you’re being a jerk :/” like.... I’m sorry?

Aren’t you the same people who complained about Luke not giving a shit about Nick’s death back in s2? how he didn’t have a reaction? In fact, aren’t you also the same people who vigorously defended Kenny for his reaction to Sarita’s death after he lashed out at Clementine? Remember? When he yelled at her and called her a stupid fucking kid who thinks she can just get anyone killed and it’s okay because she said sorry? but it’s fine because Kenny’s reacting in a realistic way that makes sense for his character and he later apologizes for it?

but now here you are, getting a realistic reaction out of Louis that makes sense with his character and all of a sudden, you don’t like it? You want him to just be like “Oh no, Marlon.... anyway.” Really?

Louis is hurt, he’s pissed and he doesn’t know what to do. He’s so shaken by what the hell just happened, Marlon’s dead body is bleeding out on the ground, Ruby’s talking about getting fucking medicine as if that’s gonna do anything, Violet waving her cleaver around at them even though literally none of them were looking at AJ they were all looking at Clementine, Violet you are not helping anyone in this situation, you’re only making it worse and adding to the aggression... but no, Louis shouldn’t be a fucking mess right now. He should just shrug his shoulders and be like “Welp, this is fine.”

Then there’s the damn funeral. Look, Clementine and AJ shouldn’t have been there. I know they had to be for story purposes, but it’s such a bad idea that it makes Violet, the one who wanted them there, look like an ass who has no regard for anyone other than herself, Clementine and AJ, and those who agree with her... which is only Tenn and I guess everyone else sucks and their feelings are invalid because no one else wanted them there since it’s not a good idea to have Marlon’s murderer attend his funeral and if you believe that isn’t going to piss people off or make them uncomfortable, then either you don’t care or you don’t know how to read a room.

And by the way, Louis wasn’t the one who suggested voting them out. He wasn’t even there when MITCH said they should take a vote and everyone agreed to it. So why is it that Louis gets all this blame for how the vote turned out? Oh, Louis is such a traitor because he’s the reason they got kicked out.... except no?

First of all, if you’re so mad at Louis then how come you’re not mad at Ruby? She voted them out, too. So did Omar. They contributed to kicking them out. How come no one else talks about how much they hate them after they said having the vote was a fair idea and then voted them out? Oh, and Willy, too. Willy voted them out. The only other person who gets heat for the vote is Mitch, and he was the one who came up with the idea in the first place... but no one else, huh?

Also, how come only Violet gets praise for wanting Clementine and AJ to stay? Never see anyone talk about how amazing Aasim is after he was the third vote for them. He has legit reasons for wanting them around, too, but he didn’t want them at the funeral either so what, does that cancel out his vote for you? Where is the Aasim love?

Then we got the dorms where Louis and Violet come to escort them away, and once again, I have to mention that both of them are wrong in this situation. They’re on the extreme opposites where Violet thinks they should stay because they didn’t do anything wrong, and Louis thinks they should leave because AJ’s dangerous. Both of these view points make sense with their characters.

However, I guess some conveniently ignore how conflicted Louis is about the whole thing and how he’s feeling about it because it doesn’t fit with the narrative they’re trying to push about his character.

Again, he’s dealing with a lot of shit right now only to be constantly invalidated by Violet, who keeps telling him what a shithead he is for hurting about this, how he’s just burying his head in the sand again and all this other shit, and he eventually snaps at her and says AJ’s dangerous, which hurts AJ and it’s all over Louis’ face that he realizes he snapped and he feels bad about it.

But Louis never got aggressive with them, he never laid a hand on them, and he was there to escort them out in the woods. And that argument of “he sent them out there to die therefore Clementine and AJ should hate him, Clem shouldn’t want any friendly/romantic relationship with him because he put AJ at risk and got him shot” is.... I dunno, ugh? It’s ugh. You act like Louis did this to intentionally get them hurt when that’s not true.

Clementine and AJ have survived on their own for years, so it makes sense that Louis would try to justify this to himself like “they’ll make it out there, they’ll survive because they’ve done this before... this is for the best for everyone” and no, him telling them that this is probably like going home for them isn’t okay, but it makes sense for his character because he doesn’t actually know how bad it is out there.

None of them know, they’ve all lived in walls their whole lives. It’s naïve of him, yes, but it makes sense and he didn’t do this with shitty intentions of wanting them to get hurt. He didn’t know that Lilly and Abel would be out there, he didn’t know AJ would get shot, he didn’t know any of it. He didn’t think that if they voted them out, this would happen. He was struggling with his feelings about them and saying goodbye to someone he was starting to feel a connection with.

And he let them back in. Hell, he carried AJ into the school himself when they showed up wounded and you still wanna call him an asshole and a traitor? He could’ve said nope, get the hell out. We kicked you out, you’re not welcome here.

He didn’t do that, he ran to them to see if they’re okay, he brought AJ to Ruby and stayed with him the entire time Clem was in the office with Violet.... AND he apologized to AJ, quietly begging for him to be okay... and when he’s faced with Clementine after what happened, he doesn’t know what to say to her. He can’t even look at her because he feels so ashamed of himself and feels all the blame for this.

This is a moment that ties back to backstory. Louis’ emotions overpowered him, he made a decision and now AJ is shot and bleeding on the couch.... when he came to the school, they [the staff, I assume] said these kids were bad people, they told Louis that he was bad after what he did to his parents and he internalized that, and this whole this just reaffirms that idea “I am bad, I hurt people, this is my fault.” He blames himself for everything even though there’s no way he could’ve known. You can feel Louis’ genuine concern for AJ and how he’s doing, but at the same time, he’s trying to distance himself from Clementine… and well, sorta failing since he brings her clothes and they have the conversation in the dorms.

Then the archery scene.... y’know, the scene I was gonna make a simple little post about that somehow turned into this.

Once again we have Louis and Violet arguing because that’s what they do now, and Violet continues to tell him to get over himself without listening to anything he says, and he goes to practice archery so that y’know... when the raiders come he can use a weapon to help defend them since he’s not very good with it and needs practice.

Clem goes to check on him, and Louis apologizes for voting them out, explains that when AJ shot Marlon, he blamed Clementine when that wasn’t the right thing to do. He had a lot going on emotionally on top of what was happening around him, but after having two weeks to work through things alone, even though he’ll never be happy Marlon died, he can understand why AJ thought it was the right thing to do... and if he could take everything back, he would. He knew that the moment they came back, and he still does.

I just.... how often does Clementine ever get an actual apology from anyone who has hurt her? A real apology from someone who means it and then doesn’t just turn around and repeat the same hurtful actions? Like... it baffles me that people will look at this genuine apology and tell him to fuck off, but will accept and continue to adore someone like Kenny who will apologize for hurting Clem, only to never try to be better and ends up hurting her even more next time.

Or they’ll accept and justify Violet’s last minute apology for punching Clementine in the face on the boat and putting everyone [including AJ, rememeber?] at risk of either dying or being made into brainwashed soldiers by the delta.

They both have reasons for their behaviors and you’ll work your ass off to justify them, and I’m not saying your points are wrong or invalid, but you seriously won’t even try to extend that same thing to Louis? Why?

Well, jokes on you because I too will work my ass of to talk about Louis and what he’s going through and that’s how posts like this get made. I know not everyone is going to feel that connection to him that I have, and you’re allowed to not like him as a character, but realize that I’m also allowed to give my perspective on his character and why I disagree with points posed by those who don’t like him.

The archery scene is one of my favorites. It’s Louis and Clementine proving that they’re able to open up to one another and say they’re sorry, to forgive the other without being petty or holding it over the other to throw back at them the next time they argue. It proves that Louis wants to put in the effort to repair their relationship and atone for the mistakes he made, to step up and not be “bad” anymore.

I mean, Louis says it best himself. Everyone heard the jokes and the piano, after that, they stop listening... a lot of people just boil him down to a funny man who never takes anything seriously and the only thing he could ever bring to Clementine’s life is a good laugh, but those who stuck with him and put an effort into building his and Clementine’s relationship know better than that. They know how much this apology in ep2 means even with the downer that the timeline of events rushes everything a bit.

The fact that Louis doesn’t have this big ego that prevents him from apologizes, that he can forgive AJ for what he did and still build a strong relationship with both him and Clementine, that if you earn his trust he will follow you to hell and back, that he isn’t afraid to call Clementine out on her bullshit and doesn’t have a come apart when she does the same to him, that with her and AJ by his side he finally doesn’t feel alone anymore.... it’s all just so fucking good.

I dunno, maybe you can understand why I get so ugh whenever I still see these same arguments about him being made with this double standard that doesn’t apply to other characters.

#twdg louis #twdg clementine #twdg aj #twdg marlon #twdg violet #twdg aasim #twdg ruby #twdg willy #twdg mitch #twdg omar #twdg tenn #twdg brody #twdg clouis

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palidoozy-art · 3 years

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The more I think about your recent post about the changes you made to Strahd, the more I wonder about those changes you made to the others mentioned (Rahadin, Van Richten, Ireena, etc). I'd absolutely love to hear what adjustments you made as you already shared some stellar ideas already. Like the Tome? -Chef kiss- Amazing.

Oh mannn I do love talking about my campaign. I changed a lot with them. Again, weirdly enough, I think Strahd wound up being the most like his original incarnation. I could talk forever about the changes I made so I'll try to be brief haha. IT STILL WON'T BE BRIEF.

Obvious CoS spoilers below

IREENA - I thought it was weird that the picture they gave her makes her look like such a badass, and then the module just kind of writes her as a damsel in distress to either get kidnapped or pulled into water or dumped somewhere. To me, she's like, the second most important character in CoS -- and the book literally gives you less direction to roleplay her than her brother. Furthermore, reading her ending actually legit made me mad.

So I said fuck all that. Ireena in my game was a 19-year old girl who grew and developed over the course of the campaign. Several of my players actually said they thought of her as "the main character," just because she experienced a lot of character growth and development, going from a sheltered meek teenager to someone who can fight and assert herself. The biggest change I made to her though was that I very specifically did not just want her to be "Tatyana with memory loss." Ireena is a unique individual who happens to be partially made out of Tatyana's soul. While she shares many similarities with Tatyana, they're separate people, and part of what Ireena has to grapple with is how to live up to that. She's in the post-campaign because of that distinction -- while Sergei offered her to join him, she declined, because she wants to experience life past her twenties. I didn't get to play it out because we were kind of rushing towards the end, but I honestly envisioned a scene where she talks to the portrait of Tatyana, apologizing to her because she knows she's being selfish remaining alive.

This also brings up a unique problem in the post campaign. If Ireena dies, she ceases to exist and may not be able to be resurrected. When her soul leaves her body, it's Tatyana's again. Ireena very much wants to live. Tatyana doesn't. A resurrection has to be made with the consent of the soul, and if Tatyana declines, Ireena's just... gone. Forever.

Related: because I wasn't sure what my players would ask, and Rahadin would absolutely know this information -- there have been 18 incarnations of Tatyana, including the original. I actually have a timeline of when they were all born and how they died. The curse manifests in that they always die or are killed before their 25th birthday. If Strahd attempts to marry them, they lose their minds and throw themselves off of the same balcony the original Tatyana jumped off of during the ceremony. Strahd can never have Tatyana. Vampyr will ensure of that.

But yeah, essentially: Ireena gained actual class levels; she wasn't just Tatyana with memory loss; she traveled with the party for 90% of the campaign and wasn't just a macguffin to be kidnapped/take to places; and I removed any of the "Sergei takes her into water/the sky and you never see her again" endings because I absolutely hated those.

VAN RICHTEN - Van Richten I tweaked a lot from his original incarnation. First, I started him off as Lawful Neutral. No, game, I know you tell me he's Lawful Good, but I'm gonna have to disagree with you that "training a racist tiger to genocide an ethnic camp" falls under the spectrum of Lawful Good. Second, I changed him from cleric to artificer (alchemist). I somehow just got the impression the dude was a godless man, and so he felt more fitting to be a man of science rather than a man of the church. Third, since I wasn't sure the other dread domains were ever going to be brought into 5e I moved him out of Darkon and into another world from the outside.

His backstory was also tied more into Strahd and the campaign in general, as well as the Dark Powers. About 30 years ago, he went into the mists with his own adventuring party (that included Escher) to try to rescue his kidnapped son, Erasmus. He found his son half-turned and begging him for death. Killing him, Van Richten hunted down the Vistani woman (Ezmerelda's mother) who sold the man, and in a rage strangled her to death. This gave him a curse. Ezmerelda witnessed it happen.

He went on a warpath against vampire spawn and vistani alike, until Strahd proposed a deal to Escher. Escher lured the group to a familiar dinner date with Strahd... only for Strahd to murder all of them, including Van Richten. Van Richten was approached by a dark power -- Vaund the Evasive, and given the option to return to life in exchange for the promise that Van Richten would eventually return to Amber Temple and free him. He took it, waking up outside of Barovia. From there he became famed vampire-hunter-book-author, until in his early 50's he decided it was time to seek vengeance and fulfill his promise. He brought in his hat of disguise, came up with an alibi, and headed into Barovia as Rictavio the Great.

He was absolutely played as a much more morally grey character at the start (the party's first encounter with him rather than Rictavio was him literally torturing a dude). He softened over the course of the campaign as he grew attached to the party, until finally reaching a point in the post-campaign where he's considered Lawful Good

Also: Ezmerelda was treated more or less as his adoptive daughter. She absolutely argued against this every single time, but he even slipped up and referred to her as his daughter on a few tense occasions.

RAHADIN - Rahadin I adjusted a lot, too. A LOOOOOOT. Strahd being comically evil makes sense -- the dude is a darklord, that kind of comes with the territory. With Rahadin, I wanted him to have more motivations to his actions, because the base game actually suggests that the dude is actually capable of caring. In the base game, you can find him at Amber Temple, trying to "petition the dark god into releasing his master from his torment." He screams in grief if he finds Strahd dead. Furthermore it felt like the game glosses over the fact that the dude was adopted as Barov's son. It doesn't bother addressing how Rahadin felt about Sergei, who would in theory be his other brother. I thought a number of things suggested in his backstory were interesting, but not expanded upon in the base game. So I took it upon myself to do so.

I changed how dusk elf society was built, which affected the three major dusk elf characters. It worked off of a pretty brutal caste system, with three kings at the top overseeing all of it. Rahadin was born in a lower caste, but actually brought into the warrior caste after a member of royalty was intrigued by his stature. Rahadin worked as a general, but grew frustrated by the inefficiencies of the caste system and its inequality. He started attempting to use his influence to petition other members of nobility into changing or loosening the strict system.

Patrina caught wind of this, and viewing it as a threat to her lifestyle + viewing it as an easy way to gain brownie points with those above her... tattled on him to the three kings, spinning what he was doing as treason. Rahadin was arrested and subsequently tortured. They attempted to execute him on a breaking wheel, breaking his bones against the spokes and leaving him in the town square as an example. He wound up escaping, crawling his way out of town until he was subsequently rescued by a group of human monks. The event pretty much broke him, morally. He went to Barov soon after and sold his people out, taking a personal hand in helping annihilate the dusk elves and conquering their land. Barov was so impressed by the man's loyalty that he adopted him as his son.

Part of this was done to make a connection as to why the hell Rahadin just absolutely fuckin' hates Patrina so much (since that definitely got played up during the campaign). When thinking of Rahadin's motivations, I tried to come at it from the angle that this man was evil... but legitimately cared deeply about Strahd, Sergei, and Tatyana. He was devestated from the events of the wedding, but saw Strahd's return as a second chance. As the lone surviving witness from the wedding, he desperately wanted to help the three of them. But his own blind loyalty to Strahd and his broken moral compass prevented him from doing so.

One of my favorite little additions was a sidequest I offered to the players (they wanted to redeem Rahadin). They were requested by him to retrieve (well, "not destroy or sell") one of his most precious belongings in his office. When they get there... it turns out it's a birthday card and a worn-out old amulet from Sergei and Tatyana that he's kept after all these years. They got Ireena to read the letter to him, to help him keep going after Strahd's death.

anyway i could ramble on about changes forever but i don't want this post to get too long haha. i have. many feelings. over this campaign. maybe at some point I'll do a separate post with some of the others.

i also kinda wanna do a comic of an event from Rahadin's backstory for my players but we'll see, I might deem it "too stupid."

#palidoozy rambles #curse of strahd #curse of strahd spoilers #cos #cos spoilers #WARNING IT LONG #I HAVE MANY FEELINGS ABOUT THESE THREE CHARACTERS

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showtoonzfan · 2 years

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Positive things I have to say about Hazbin Hotel and Helluva Boss.

So, with all this bickering I’ve been doing, it probably still seems like I hate Hazbin and helluva, or mainly, any of Viv’s works. I’ll state again that I don’t but, that’s not the point. So far, I’ve said a few things about helluva, a teeny about Viv, and....I don’t think I’ve said much about Hazbin, even though there’s a LOT I have to say. Since there are....sadly very LITTLE things I like about both shows, I’ll just share them now cause I’m bored. Later I’ll talk about a few things that grinds my gears with Hazbin but for now, things I actually LIKE.

HAZBIN HOTEL:

I really like the concept. The concept in fact is the only......well ONE of the only GOOD things to come out of this whole project. As much as I bash around Viv, she does come up with creative and unique ideas for a project that could turn into something truly AMAZING. The concept of redemption is already a hefty subject, it’s a theme not done in a lot of animated adult cartoons, with the only exception being Bojack Horseman. What makes this concept more interesting is that it takes place in hell. So how do you redeem someone who’s already....as some would put it.......gone? It raised the potential maxes to full capacity....it was just.....the execution and writing that messed it all up.

I do like vivziepop’s style, so the style of the show is NOT bad. I haven’t gotten into what I think about the character designs or Viv’s style, but even though I think her style has a LOT of issues and stuff she could improve on, (I’ll elaborate another time) I still like the style of the show. As much as I hate to admit it, I’m glad we FINALLY got an adult cartoon without a realistic style. The pilot is honestly nice to look at........on a...cartoon level I should say, so yeah.

I have to give props to Viv for making her main character relatable....like, really relatable. I relate to Charlie myself, as when I was growling up, I truly cared for the people around me and just wanted to help, for everything to be okay. I feel like a lot of people can relate to her, so good part on that Viv.

All the characters (except for Cherri and Sir Pentious I’m sorry I don’t care for them at all) themselves are interesting. Sure, right now they’re all flat, one note cardboard CUTOUTS with personalities that of a shallow pool, BUT that doesn’t mean I’m not interested in their backstories, and what’s ganna happen with them.

Alastor is the MOST interesting, in fact he’s the second good thing about this whole project. I can’t say he’s my favorite character because I don’t HAVE one but.....not only does he have so much potential, but I love his character concept. I love the whole radio filter thing since he was a radio announcer when he was alive, and I love how he chooses to smile when I ORIGINALLY thought he did simply because his face was stitched up. Even though I have problems with him as well, he has a lot of potential!

I love Tom trench. Remember when I said I didn’t have a favorite character? I lied. It’s Tom. Gas mask boi is adorable and must be protected. Please protect him and love him. He needs it. Okay but in all seriousness, I have hope for Tom as a character. I don’t know if he’ll pop up in the future but he seems like a decent guy, he legit doesn’t seem like a bad person, in fact, I totally see a potential episode in whatever season, where he actually wants to join the hotel and go to heaven, since he seems to be suffering all the time, however he would struggle because he seems manipulated by the people around him. That would be a good idea.

Speaking of Tom, I like Katie as well, in fact, both Katie and Tom were the ONLY enjoyable characters in the entire pilot, sorry not sorry. Hope to see more of them in the future.

HELLUVA BOSS:

The concept is also really good here as well. A show about demons who go to earth to kill people is an amazing idea for a comedy show!

And that’s it. Yeah........even though I could fill a library with everything wrong with Hazbin, helluva is just..........— OOF. 😀

Thanks for reading and I’ll see you soon! 👋💕

#Hazbin hotel #helluva boss vivziepop #vivziepop critical #vivz mind #vivzieverse #anti vivziepop #hazbin hotel critical #helluva boss critical #spindlehorse critical #Helluva Boss #vivienne medrano #opinions #vivziepop

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waynedunlaptheorgandonor · 3 years

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hey so “find me” dropped on premiere and i just watched it, so you know what that means??

it’s review time!

(super rambly as usual) spoilers under the cut

before i say anything, let me say, IT’S FINE, Y’ALL. as predicted. people are gonna be dramatic bc there are daryl/leah scenes, but like...we been knew? and some of them were rly important caryl-wise. (tbh, the episode was kind of boring and just a set-up for other stuff, lmfao)

okay, review:

opening credits, which i think most of us have already seen, were cute. obvi there was some weird tension with daryl that leads to the coming-to-a-head thing at the end, but their banter is still cute af

they went fishing and daryl’s reaction to carol was adorable, and there’s an important parallel later on, so bookmark this

similarly, there’s an important parallel to carol’s “the dead catch up to us eventually”/daryl’s “i ain’t gonna let it”, so bookmark that, too

dog is the instigator for the flashbacks, so if you wanna blame anyone, blame him. he races to the cabin, which for some reason daryl, who spent five years in this forest, seemed surprised to see? didn’t you literally map out that whole area, my dude? whatever

cue flashback!

i might have the scene order mixed up, but i think it starts with daryl being all sad by himself, and then dog as a puppy shows up and he’s like “!!! a dog!!!” which is v cute, and then he runs back off. we don’t meet leah yet

we see carol and daryl having a conversation while standing on opposite sides of a river for no reason except to probably symbolize distance or maybe covid, lol. the conversation basically goes:

carol: things are different

daryl: yeah

carol: how long are you gonna be out here?

daryl: -shrug emoji-

carol: i get why you’re out here, and i’d join you if things weren’t...

daryl: different

carol: yeah

daryl: yeah. anyway, it’s gonna rain, and also i’m having emotions, so ttyl

the end

at some point we see daryl sitting with an extremely unhappy face while it pours rain on him in the dark, and i want that as a reaction gif IMMEDIATELY

also the rain destroys his “where in the world is rick grimes?” map, which makes him v upset and scream-y, and we get the idea that he might be going a bit bonkers being all alone looking for a dead (or, ig, kidnapped by helicopter) man

in present day carol finds the note, and is like “oh dunk, she lived here??” so she knew about leah, and daryl’s like, “i already told you everything,” and carol’s like, “no you didn’t,” so we go back to flashbacks (but i’m still not sure what parts carol didn’t already know?? whatever, it’s not that important)

i’m just gonna hit the highlights of the flashbacks bc they were not that thrilling:

first time daryl meets leah the dog leads him to her cabin, and leah ties him to a chair and holds a gun to his head being like, “what are you doing on my land?” bc apparently you can claim whole forests during the apocalypse, and daryl says very little, and eventually she lets him go

next time dog finds daryl and he brings her back and leah is like, “the dog likes you” and they’re kinda flirty, and then daryl says very little and leaves

next time daryl is surrounded by walkers and leah shows up and helps and they hide in a tree and are awkwardly close to each other and daryl cannot handle the close physical contact so when the walkers pass he says very little except to tell her to never come back again, lmfao

the next flashback is my favorite bc daryl just fucking

goes to leah’s cabin and throws a fish at the door???

i laughed for ten years

he throws a fucking fish and then stands there for a minute like “is she gonna notice that i gave her a fish??” like, no, dumbass, you didn’t even knock, you just threw a fucking fish at her fucking door, what is wrong with you??

no wonder it’s taken him and carol so long if he thinks throwing fish at people is a smooth move. boy has NO fucking game

anyway, leah gets him back by finding him and throwing the fish at his head, being like, “wtf, don’t throw fish on my porch?” which, fair, leah

IMPORTANT CARYL PARALLEL (from here on out known as “caryllels”) #1: so earlier i mentioned the carol fish thing, and apparently the same thing happened with leah, where she speared a fish on her first try and daryl was like “tf?” v blatant “we are supposed to be thinking about carol and daryl’s relationship during this scene” sort of thing

leah’s backstory is bland. had a family, they got eaten or disappeared or something. she, her adopted son, and dog’s mom got away, but the kid was bit, and died the same day dog was born, bc ig when god closes one door, he replaces your dead son with a puppy, or however the idiom goes

ONLY PART THAT GOT ME LEGIT EMOTIONAL:

leah asked daryl who he lost, and he says, “my brother”

asklfdjaslfdjskl

god i miss rick

i hated rick for so long and now i miss him so much

but i digress

IMPORTANT CARYLLEL #2: leah and daryl have the same “the dead get you eventually”/”i ain’t gonna let it” conversation as caryl had earlier, only daryl is playing the role of carol in this scenario, so again we’re supposed to be comparing the two relationships. lemme get through the rest of the summary and then i’ll tell you my opinion on what that means

fuck what even happens next?

i have these out of order bc they were all the fucking same, but the two of them get closer, and there is the vaguest suggestion of sex ever. you literally only see daryl’s hand

then jump-cut to them sitting at the table being emo, ig bc daryl was gonna go back to look for rick for a bit, and leah is like “who do you belong with? your brother you won’t stop looking for? your family that you left? [side note: that seemed rather pointed, like, “hey hoe, you abandoned your family, that was kind of a dick move”] or me?” and he says he doesn’t know, and she’s like “yeah you do, now choose”

jump-cut to caryl scene where carol finds him at the river and says that she won’t be visiting as much, and daryl’s like “k” and they have a brief argument where daryl’s all snippy, like, “what? do you want my permission for you to move on with your life? i’m not still emo about the fact that you’re moving on with your life, and i also don’t think it’s contextually significant that every time you show up in my flashbacks you explicitly mention that you’re married and have a kid,” and carol is like, “bro, you need to Get Your Shit Together and come home”

jump-cut to daryl having what i’m assuming is an epiphany that carol/fam have all moved on while he was out being emo, and so he decides to go be with leah, except, plot twist! she’s gone. the picture of her and her son is gone, but dog is still there. daryl leaves the note, which says, “i belong with you, find me”

for those freaking out about the wording about the note, may i remind you that she specifically asked, “do you belong x, x, or with me?” so he was just answering the question

aaaaaand back to present day

carol is like, “what do you think happened to her?” and daryl is all -shrug emoji-, and then she’s like, “...do you think she might have just...you know...left?” and daryl gets rull offended, which was kind of funny

(she probably just left, bud)

carol tells daryl to stop thinking that when people leave it’s bc of him, and connie’s name gets thrown into the mix, and daryl gets a “oh here we fucking go” look on his face, and it sets him off

he said basically what we were already spoiled for. “you just want to run, you don’t know when to stop, i shouldn’t have taken you off the boat bc you still just want to run” etc

and carol looks fucking HEARTBROKEN, which hurt me, and she goes into the other room and we end the episode with daryl staring forlornly out of the window

the end

okay

so quick analysis

i think the significance of this episode is supposed to be so we have an understanding of why daryl is suddenly so !teamfamily, and !teamfuture, and how badly he wants carol to be there with him. at one point, one of them even says, “this isn’t about leah, or connie,” or anyone but the two of them. the title “find me” feels significant, bc the whole episode is daryl grappling with where he’s supposed to go, and what his purpose is, and by the end, he says to carol, “i know where i belong,” (implying, with her and the fam), pulling us full-circle. in the first flashback onward he is lost, but by the end he is found -cue amazing grace-

daryl and leah were flirty, but to me it felt very much like something that was just being used as daryl character development. we barely got anything that juicy between the two of them (except the fish throwing thing, that was amazing), and i still don’t think that it would make any sense, regardless of the showrunner, to pair daryl up with some rando after having so many other choices that people would have preferred. i don’t think we’re meant to #endgame ship it, so much as we are supposed to be like, “oh, ok, daryl learned the power of family and stability and leveled up, -you know what that is? growth gif-” as a result, i literally have no idea what leah’s role is gonna be in s11, but i don’t think it’ll be a huge plot point

so now we firmly know where daryl stands. he is all about moving forward, not looking back, and doing the best he can, and he’s frustrated bc when he took carol off the boat he wanted her to be in the same place as him so that they could grow together, but she wasn’t and isn’t there yet

so my guess is that what’s next for carol’s storyline is her reaching that same zen-level daryl’s at

once they’re both there, then they get to ride off into the sunset and make passionate love under the moon casting shadows over the vast desert wasteland

whew

anyway

tl;dr: idk, episode was fine, if not kinda boring. lots of caryllels. can i go back to writing my vietnam war au now?

the end

(stay hype, stan kang, and get daryl to call carol sweetheart 2k21),

-diz

#thank god i can move on with my life now #caryl #caryl spoilers #twd s10 spoiler #dunlap tp

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darthkruge · 3 years

Note

heyy Megan, I'm trying to do a character study on Anakin but im finding very limited information online. what do you think are some of his worst and best traits? his personality, humor and like his values? thank you so much,, hope you have a good day/night

omg hi!! thank you for asking me!!

*cracks knuckles* let’s get into it

anakin skywalker character analysis

best traits:

intelligence, overall skill, curiosity

anakin was building droids from scraps when he was a child. he spoke huttese and basic from a young age, as well. he’s an insane battle strategist, wonderfully skilled in battle/with a lightsaber, and incredible pilot! he can pick up new skills quickly, as well. i’m just gonna link this post by @chokemeanakin bc it just sums it up real nice.. but yes smart boy love him

compassion, capacity for emotions, empathy, understanding

anakin feels things deeply. i’ve talked about this a lot before lol. but yeah he is frequently in conflict over the sheer weight of the emotions he carries. further, as a jedi, this is not something his peers could relate to. but he always tries to be there for his friends and would do anything to ease their pain. and i think that anakin seeks to understand others. he’s spent so much of his life feeling alone and like no one related to him; he wants to know how other people work, feel, and think.

loyalty, friendship, caring

anakin is so fucking loyal to those he loves. and, tying into my previous point, he loves deeply. he cares, he always has. he treats droids as humans and forms attachments, even though they may be forbidden. he held onto that need for love, for connection even after he joined the order. and he would defend those he loves til the very end...

selflessness, protectiveness, bravery

anakin would literally dive headfirst into danger to save someone he loves. he doesn’t care about hurting himself or honestly whatever happens to him, as long as those he cares for are safe.

worst traits:

impulsivity, recklessness

i think we’ve all seen anakin be a bit impulsive at times... sometimes, he just doesn’t think everything through. this is especially clear when someone he loves is in danger. anakin’s lost so many people that when he’s faced with the threat of losing another, his judgment can become clouded.

insecurity, jealousy, fear

anakin is frequently jealous, which stems from his insecurities. he was probably conflicted a lot; brought into the order as a young child and told he was the chosen one. the weight of the galaxy was placed on his shoulders and, yet, he was held back in classes as a padawan, he didn’t make rank (canonically). i think these things are what allowed palpatine to manipulate him; palpatine knew anakin was afraid, insecure, and, yet, arrogant (my next point dw). he tapped into this and because anakin and the council did not have much mutual trust (aside from like obi-wan), it was easier to get to him. especially because palpatine used anakin’s fear of losing padme and his unborn children to do so. fuck palpatine bro-

arrogance

yes, anakin was insecure. yes, he was also arrogant. let me explain myself. he occassionally rushes into things without thinking, thinking he can handle them. i think a lot of this stems from being told he was the chosen one from such a young age. that title combined with his skill?! it makes sense he’d internalize it. i am now going to stop myself before i rant about how the gifted education system is a fuckfest. this is coming from someone who spent years in that program. anyway-

personality/overall rant about his life/motivations:

i think i summed up a lot of his personality within the best and worst traits because i got ahead of myself but im going to say some more!! i think a lot of anakin’s personality is dependent on his deep capacity for emotions. you can see that throughout ROTS, he was conflicted almost all the time. he grew up as a slave and all he wanted was to protect his mother. he built droids to help her and competed in podraces to tryand get them anything that could help.

then, he was taken to the order. suddenly, all these amazing traits he has make sense!! but then the person who’s supposed to train him (qui-gon) dies after anakin’s only known him for a short period of time. anakin’s attachment issues are abundant (i don’t think i need to explain that one) so of course he grows close to obi-wan! but obi-wan was trying to be strong for anakin. even though obi-wan struggled himself with attachment, he tried to be strong and put up a front as a “good” jedi for anakin to look up to. while this was helpful, anakin probably just felt more conflicted, as no one in his life could relate to the bredth of emotions he felt. this caused him to be more introverted and withdrawn (i talk about that in this post)

then, he loses his mother, she dies in his arms. the only person he’d wanted to protect from a young age, who he left to join the jedi, dies in his arms. he blames himself for this, thinking he should have gotten there faster, should have done something more. he probably also blamed the jedi, to at least some extent. why do these powers matter if they can’t save the people he loves? i believe he acted out of anger, killing the tuskens, because (at least to some degree) of the jedi. instead of teaching him how to express his emotions (pain, fear, loss, grief, etc.), they train him. to some degree, he might think all he’s good for is these skills. so he acts out of anger, slaughtering them.

and then finally he finds someone who loves him in the way he wants to be loved. padme stays by his side, even after he killed the tuskens. she sees the good in him and treats him as a man, not a prophecy. but once again, this motif of fear remains! he has to hide this love, one of the only pure and good things in his life! he has to live in fear every second of every day because, if the council finds out that he found happiness and love, everything is ruined.

but then he starts getting the vision’s that padme will die. and not just padme, now his unborn children could die, too. the one thing he has that is good and purely his could now be ripped away. he knew he was helpless, knew there was nothing he could do to stop it by himself. the council isn’t that helpful, telling him to learn to let it go with the force. while that might help any other jedi, it just pushed anakin away. he would never be able to just surrender and let go to the force, not when the life of his entire family is at risk!

and he finds palpatine, someonoe who has spent years trying to manipulate him. but palpatine is smart, he’s cunning. anakin didn’t know what the real intentions were and, truly, he probably didn’t want to know. he was blinded by his fear and if anything could save padme, he would do it. then the council try to get him to spy on palpatine. again, conflict. anakin’s loyalty is repeatedly questioned and pushed and prodded, he was probably so confused! he didn’t know who to trust. but, when you combine the current situation with his backstory with who he is and what he cares about, it makes sense why it all happened.

this is what i mean when i say conflict. he was pulled in a million directions constantly. and we all know how his story ends and i don’t want to cry so i’m not gonna detail it...

also: i’m not saying any of this excuses all of his choices, but it does explain them.

humor:

lowkey a dork

he is. and i love that about him. you can see this in the way he flirts with padme sometimes... like floating the pear to her and the whole “i don’t like sand” thing. he’s a fucking dork. can’t exactly blame him nor do i hold it against him! he didn’t have many close friends growing up and he was like pining for padme for years so it’s not like he spent that time creating a playbook

he’s also witty!

i think this comes with his intelligence; he’s witty and he’s quick. example: “general grievous, you’re shorter than i expected.” i mean he’s no sass-king obi-wan kenobi but anakin definitely can hold his own in a verbal sparring match!

also i headcanon him as having horrible puns but loving them!

values:

love, friendship, connections

at his core, anakin just wants to find someone who understands him and his emotions. who can relate to him. he wants those connections; in fact, he actively seeks them out. love is a key part of his identity. i talk about this in this post about his love languages so imma just link it there!

success, validation

tying into his determination, anakin wants to do well! he pushes himself and i think he’s a perfectionist, too. you can see this in the way he holds himself as a general; he doesn’t slack off, doesn’t not care. he understands the responsibility he has in that role and he takes it seriously! and just in his overall skill level, even though he was a bit of a child-prodigy, he clearly spent a long time training. he probably also had some imposter syndrome going on and was constantly trying to prove his worth.

----

uhh yeah i think i got everything?? yes?? he’s so complex and i legit love him immensely. doing character analysis for anakin is my favorite thing in the entire universe! if anyone has anything they want to add, please feel free!!

#anakin skywalker #anakin skywalker character analysis #anakin character analysis #this is a rant i apologize #anakin thoughts #character analysis

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linddzz · 3 years

Note

Pitch Black for the ask meme bc I'm forever on my rotg bullshit

002 | Give me a character & I will tell you

How I feel about this character: THE OG! THE BASTARD THAT STARTED IT ALL! My first fanfic was because I didn’t like how anyone else was writing him at the time. He is still probably one of my favorite villain characters tbh. He’s got the classic Bad Guy vibe with evil laughs and a killin aesthetic but just adding all the potential for ancient eldritch personification of fear in the shadows???? Chefs kiss. So much cool shit was done with him in fandom because of that. But he’s also a goofy fuck??? He tells stupid jokes and he sasses and we must never forget the prancing around on the globe like a big fucking nerd. And then the angst potential. The reveal that he’s also a lonely miserable motherfucker who is largely acting up to get attention and make people notice him. He’s manipulative but I like interpreting him as also being fully sincere and never really lying because that makes it so much more interesting. Later learning about the book Kozmotis backstory??? Making Pitch into the end result of a formerly noble hero character being taken over and fully corrupted by cosmic darkness??? AMAZING. INCREDIBLE. EXACTLY MY SHIT.

All the people I ship romantically with this character: Jack Frost. (Who uh, just to be clear for newer kids, bc of his voice I always took as “twink who died between 18 and 25″ since if I remember right no one could find an official age for movie Jack??) I mean, you got the Cold and Dark dynamic that even Pitch tries to appeal to. You can also go into fun often has a bit of fear going on. They’re two immortals who know what it’s like to be totally ignored, overlooked, and invisible while being increasingly desperate for some sort of recognition. They can take each other in a fight and GOD I always loved Pitches legit batshit GLEE when Jack hands his ass to him and hes all like OH YEAH SHIT GOT INTERESTING AGAIN. I also am a person who loves me some unhealthy obsession in my fiction ships and Pitch immediately going “IF YOURE NOT GONNA BE MY FRIEND YOU’RE GONNA BE NO ONES FRIEND!!!!” just made my Hot Problematique Content senses perk right the fuck up. Scissor Sisters “I Cant Decide” is MY SONG for them ok like they just got that MOOD. Even in my more uh, mutal and balanced version of them (aka Evil Boyfriends) I see any relationship with Pitch getting full on codependent and obsessive and contentious. But even with all Dark Vibes there’s that fun aspect to them both! There is so much potential for stupid shenanigans and jokes and mischievous idiocy right alongside the dark nightmare shit and god I love that dichotomy.

My non-romantic OTP for this character: Him and Sandman have a two-sides-of-the-same-coin balance dynamic that is so great to explore. I also have an AU where Pitch is less Absolute Villain and more of a like, weird asshole antagonist who is still Part of Their World and anyway him and Toothiana get together to have tea parties where they talk shit and act like passive aggressive PTA mom frienemies.

My unpopular opinion about this character: Fandom made him too nice. Just. In general. I also got a lot of flack in the height of fandom for saying that without a LOONNNGGGG redemption arc and likely a bit of reverting back to Kozmotis, Pitch as he is in the movie isn’t really made for “healthy and wholesome romantic relationship”

One thing I wish would happen / had happened with this character in canon: I only kinda read the books but man i would KILL for that Kozmotis backstory presented as an adult sci-fi/fairytale. Give me space fantasy and noble knights and really digging into that “how much of the old man is in there still” nightmare potential.

my OTP: I pretty much put my blackice manifesto right up there already

my cross over ship: Shrug

a headcanon fact: Pitch doesn’t remember his old life but his personality is pretty much unchanged, but twisted up. He still sometimes gets set off and almost triggered by things that hit on Kozmotis trauma, but he has no idea why and those instances freak him out a little bit. He dances around a lot and if he wasn’t so fucked up by his growing isolation and need for vengeance he would probably be a great non-evil overall harmless antagonist who just likes stirring shit up for shits and giggles and (other peoples) screams.

#rotg #pitch black #blackice #that nightmare aesthetic was SO GOOD #we all took this kids movie and went #ok but lets look more into that ancient nightmare creature who likes dancing like a dweeb #Anonymous

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crowsent · 3 years

Text

tales from the smp: the village that went mad ft. salt losing his goddamn mind

“im jack. and. im a farm person, and i like p o t a t o e s”

starting the stream well i see. ponk coming in with generic potato boy and i love him for it

QUACKITY

“my name is helga, wife of badboyhalo” QUACKITY

karl: “bad, explain your character other than person that beats up their wife”

bad, immediately: “well, i do declare that my name is jimmy and im the mayor of this town”

and then bbh just fucking starts spinning around when hes asked what the name of this town is, theres a pause, and then he fucking hits us with “not a very good town, town” like BAD

this is why i love this man

this is why i fux with this man

he is unparalleled

but as much as i love bbh and would literally murder god for him, he still canNOT match the quiet theatricality of mr corpsehusband saying “im gonna turn around and itll all make sense” and then he has a fucking CAT TAIL

corpse “choke me like you hate me” husband is a fucking CATBOY ladies and gentlemen

hes a fucking catboy which further proves something which we already knew was true all along: furries exist in minecraft and are, in fact, accepted in society and treated no less differently than humans

this is why fundy and antfrost can just walk around without anyone telling them shit

this is why wilbur can fuck a salmon

corpse “catboi” husband paved the fucking road and drove down in a custom vintage jaguar so every other furry on the smp could fucking drive behind him in a second hand porsche

i salute you mr corpsehusband

truly amazing

miles memeington, connoisseur of steak and bob, “bob the builder” need no explanation

CORNELIUS COMING IN WITH THE BRIGHTASS NEON GREEN BODYSUIT EVERYBODY

GIVE IT UP FOR CORNELIUS

BEST RPER ON THE ENTIRE SMP

CORNELIUS GREENBODYSUIT EVERYONE

tubbo with the very cute ‘i am robin, i am an orphan child” being IMMEDIATELY ruined by karl sayin

“dont let technoblade hear about that”

i love this already

feed me technoblade lore. the man never fucking uploads so i have to get content adjacent to him

i wanna hear about technoblade the orphan killer. i want that backstory lore

and also i wanna protect robin the orphan boy because hello???????????

that skin???????

let me adopt you mr orphan boy

i love quackity just very casually going “my husband and i had intercourse” at the fucking TOWN MEETING BY THE WELL

truly

quackity’s comedy is unmatched

“hes into lots of weird stuff. he taught me this one thing called dunderhead”

and IMMEDIATELY someone (cant tell who, i have auditory processin issues) fucking goes “i DO NOT know this woman” and tbh if i were in that fucking town hall listening to my fucking weirdass neighbour casually lay out all her family secrets, id fucking say that shit too. id fucking disown this bitch as my neighbour. id fucking pretend she doesnt exist

imagine your fucking next door neighbour siddling up to you in the fucking w*lmart while youre just minding your own goddamn business trying to buy a fucking banana and your next door neighbour helga is dressed in a fucking bikini going “my husband fucked me so hard i couldnt walk” and even though you are clearly not interested and trying desperately to get away from her and her wackass gossip, helga goes ahead and fucking LISTS OUT HER HUSBANDS KINKS IN THE FUCKING FRUIT AISLE AT FULL VOLUME

id die

id just fucking die

id uninstall life right then and there

id pack my fucking bags and take a fucking extended vacation to guatemala and never return. id fucking change my goddamn name just to ensure that people never associate me with this woman.

thats what quackity is doing and i am very thankful this man exists and has given us the treasure that is helga

cOuLd iT Be iN ThE nAMe oF SaTaN???????? 🤔

karl

bruh

bustin out the fucking OLD conspiracies huh

“or could it be in the name of content on karls stream”

and hes just casually breaking the 4th wall too huh

kinda stealing techno “ill read donations in the middle of rp bc i need a distraction” blade’s go-to method there huh

its fucking funny tho. hes narrating this all serious-like but then he just goes “content on my stream uwu” and unrepentantly shatters that suspension of disbelief (in a good way)

but it wouldnt even matter bc apparently, satan and karls content have no difference

does protection exist in the smp? im worried for helgas health

the woman visited 3 different fucking houses in one night

i love how the rp just stops dead in its tracks around the campfire

no one was using any of the names

corpse was out here calling everyone by their actual names and not the names of their characters

this might just be bc im a pathological liar whos seen and heard shit but

i love him but

i mean

bbh cant lie

the man cannot lie

his voice is off, pitch wrong, tone sus

he is deffo a murderer

being accused of something hes not would make a person defensive/angry and bbh is not either

the man is LYING

and his argument/defense was LITERALLY tubbos

man cant lie

send this murderer to hell

tubbo can lie, but imo hes not. his voice is the voice of a person whos telling the truth

man is legit the doctor

a doctor who chose to fucking lay on the LORE

father killed in the red-eyed village wars????? mother taken from a young age?

motherfucker brought the LORE

motherfucker brought the SOB STORY

motherfucker legit said “here is my canonical in-character reason for being a doctor fuck you”

and honestly

what is bads defense?

karl asked if the town should kill an orphan over a mayor and there is legit no right answer to that

there is no good rebuttal

so bad straight went “you make a great point. just execute me”

amazing

10/10

idk who said it but “orphans just suck up resources” whoever you are i love you

i was eating my chips in peace but then i almost choked

thank

I FUCKING KNEW TUBBO WASNT THE MURDERER

his voice did not match

my bets on fucking ponk

its fucking DREAM

DREAM MURDERER

my respect for this man

motherfucker

shouldve known

he was kinda quiet at first but then he suddenly started talking a lot

son of a BITCH

gg dream

round 1 wasnt very rp heavy but

i can excuse that

who in the FUCK is making choking donald duck noises

who

bbh got a new skin cool

WHO IS MAKING THE CHOKING DONALD DUCK NOISES

corpse, about dreams death: “they killed him in front of me”

the town: “who was it corpse?”

ladies and gentlemen corpse, without a moments hesitation: “im also blind”

so the murderer is deffo not corpse. deffo not tubbo. probably not lazarbeam probably not bbh

that leaves quackity, george, and ponk

MY PARTNER WAS KILLED

i knew corpse was a catboi but i didnt know that mr dream “i went on a date and almost married a fox” wastaken partnered with a fucking catboy

what is this

dnf is out, dream corpse is in /j

bruh

MY PARTNER WAS KILLED

bro

the tragedy

CALM DOWN WENCH THE BOY DID NOTHIGN

CORPSE

STOP

CORPSE

standing up for tubbo like that

corpse

please

my heart cannot handle this

okay so its deffo not corpse and tubbo. most likely not quackity after that fucking disaster at the campfire. probably not lazarbeam or bbh. still think its george and ponk

CORPSE

he got executed trying to console tubbo who legit WENT IN THE PRISON TRYING TO LOOK FOR HIM

BRUH

WHAT THE FUCK

TUBBO

technically its robin but

TUBBO

he lost his father so quick what the FUCK

i will murder god for robin

the little shaking head he does after corpse got killed. going completely silent as he lost the one family he had left.

bruh

robin bby no

I KNEW HE WASNT THE MURDERER

tubbo

im sorry

I KNEW IT WAS PONK

was wrong about lazarbeam/george tho

bruh

what the fuck

tubbo/robin honey i am so so sorry

catboi corpse i am so so sorry

#tales from the smp #dsmp #salt liveblogs

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hanijunk · 3 years

Text

Alright boys, girls, and nonbinary folks of the world. It’s 5:36am (1/30 when I first started) as I decide to give up on my attempt to continue to focus on learning statistics, avoid studying for my two upcoming midterms, and put off my two actual essays for two different classes.

Instead we’re going into a dive about ✨ KazuFuuma ✨ . Is this me telling you you gotta ship it? No of course not, you’re entitled to your own ships! You don’t really gotta care about it as a ship. But I do want people to recognize it’s THERE canonically, and how disregarding it is extremely unfair to Kazuki as a character particularly. Also, I’m working on the assumption anyone clicking this at least knows the bare bones about what KazuFuuma (ex. You know they are a ship of Kazuki/Fuuma from Dolce, you know they are childhood friends, you know who Dolce is, you know about Honeyworks, etc.) I’ll be making references to specific things, but I won’t always go into heavy detail. Might just hope you know it or take my word for what it is, and go into analyzing it. Some I’ll put direct references to find, but some I’ll trust you can find it yourself. If you somehow read this MAMMOTH and want reference to a specific thing mentioned, hmu I can help you find it!!

Also I hate tumblr formatting sm if you legit wanna read this 7 page essay but hate tumblr format lmk I'll add it as a google doc link instead too. anYWHO

Before actually getting into the meat of things lemme preface some stuff.

Again it’s like almost 6am so this will be disorganized and very train of thought (and likely long due to the fact when I fly by the seat of my pants I’m known to get unnecessarily extensive). It’s definitely gonna be in large part why it’s important to recognize as a romantic relationship foundation and what about it shapes Kazuki’s character in particular. Maybe a bit of how it’s been built up and its general focus and implications. Dunno yet. We’ll see LMAOO

I say f*ck. Not a lot, just a handful of times. This ain’t something scholarly this is for my own enjoyment so if you don’t like that might not wanna read. And it’s not like spitefully I just curse a lot if you haven’t...read my tags before lol

Again this is through the lens of a Kazuki stan. Of COURSE I’m going to have some level of bias, but if anything that bias may help more than hurt because that means I become FIXATED and think a lot about Kazuki. Which plays into establishing just how important it is that Kazufuuma’s relationship is recognized, especially in a romantic light at this point. Lmfao.

I’ll have a few more prefaces about the actual content below but to keep this from getting too long if you wanna read come below the cut owo

I have extremely limited knowledge of Japanese just taking a few classes in highschool (so like 3 yrs ago) and live in America. This means a lot of my knowledge is gathered through the english translations of the super duper incredible and lovely people in the Honeyworks fandom who provide translations (delaix and takanenene esp have provided so much for me being able to understand Dolce) and my own limited Japanese paired with Google Translate for things that remain untranslated.

This only will be drawing on information I have come in contact with and have access to and making assumptions based on that, most (if not all) of which is in the public domain. So things like the Dolce Manga Volumes released via Animate, exclusive 4komas, and Light Novels are out of my area for the most part (apart from again snippets of translations thanks to this fandom’s godlike and generous translators).

I will not be drawing on anything from the first Dolce album with the exception of Nade Nade. From a meta standpoint, I consider those songs as songs made as performance media as opposed to character explorations. Nade Nade is the exception because (1) it was released a whole year before the album and (2) you can tell it’s explicitly an exploration of Fuuma and Kazuki’s interpersonal relationship even if it’s in a slightly more performance based context than the songs that came out with the Dolce LNs. Easiest parallel I can make to show this is if you held Non-Fantasy, Yume Fanfare, and Samishigariya up against each other, you could tell the difference in intended audience and intended purpose the same way the Dolce 1st album, Nade Nade, and the songs of the LNs do respectively. Even if there is some basis to ground Kazufuuma, for the purposes of this essay I’ll be acting under the assumption the 1st album falls under the Non-Fantasy equivalent category.

THAT WAS A LOT OF PREFACING CONSIDERING LIKE 2 PPL WILL PROBABLY READ IT I just have a tendency to anytime I do anything analytical lay down ground acknowledgements for myself to work on just...cuz it makes me feel less guilty for any accidental misinformation even if I’m writing towards my future self to read lolll IM SORRY WITHOUT FURTHER TO DO HERE’S THE BRAIN DUMP

First let’s go ahead and establish why it needs to be recognized as an important relationship. Again, I’m a Kazuki stan. He’s my favorite character not only of Dolce but also of the entire Honeyworks series, and as much as I love him for reasons outside the ship, whether you like it or not Kazufuuma is an essential aspect of his character and narrative. Of course there’s the fact that him and Fuuma are childhood friends, so that’s going to in part define their characters and interactions with each other and those around them. They’re both going to be relevant to one another and important to one another’s stories to an even greater extent than the rest of the members of Dolce. But on Kazuki’s side at least, it’s an EXTREME amount. A running plotpoint in Dolce Diary is the sheer amount of dedication Kazuki has to Fuuma and how much his thoughts and decisions are influenced by Fuuma, whether it be how he feels happiest spending time with Fuuma, how he decided to get his piercing to represent he wanted to protect Fuuma, how he doesn’t want to dislike food so he can eat what Fuuma dislikes, etc. Not to mention running jokes about his borderline overprotectiveness and downright possessiveness of Fuuma, how proud he is when Fuuma gets praised, or that one 4koma that literally explicitly states he can read Fuuma’s mind when he thinks motherfucking ‘dirty thoughts’ about his childhood friend (Fuuma). I still don’t know what the fuck to make of that last bit. Genuinely. Or the fact it’s a fucking running joke. As in it’s not a one off. It’s been brought up multiple times. Kazuki what the fuck.

That’s not to say that he doesn’t have character outside of Fuuma or he doesn’t interact with people other than Fuuma. He’s great friends with Sara, Girisha, and Kippei and is shown time and time again to have fun interactions with all of them, generally acting as the best support friend for every member of the group, not Fuuma alone. For instance how he helps Kippei with his self confidence issues or stays over at Sara’s to protect him from a cockroach (which he fails at lol). Nor is that to say all his interactions involving Fuuma focus solely on his devotion to Fuuma, especially in instances where the manga focuses on Dolce as a group dynamic (though even in that setting there are times where jokes about his devotion are thrown in). He’s kind, he’s stupid, he’s friendly, he’s an amazing character in his own right, and I love him for all those reasons. But that doesn’t change the fact a major part of his character and his character interactions are rooted in Fuuma, and arguably some of his most interesting, eccentric, and notable behaviors and traits revolve around Fuuma (again the mind reading for example).

Hell let’s take it one step further. If you look at the character bios of the Dolce members, you get everyone’s motives for being an idol and interests. Of them, Kazuki is the only one to have another character mentioned directly, not to mention that supporting Fuuma is explicitly stated to be his primary motive as to why he became an idol. Not even Fuuma’s sister is mentioned, though two arguments can be made for this. The first would be that Fuuma’s backstory about wanting to fulfill his dream for himself and his sister was decided later to explain Fuuma’s choice to crossdress though it can be argued it was intentionally done to leave it as a reveal at a later date, to which I would argue I don’t think this backstory was a choice in post. While Fuuma’s dedicated Dolce Diary extra exploring that backstory was released a little less than a year after Dolce was revealed, the preview to set up Fuuma’s backstory was actually the first thing released after the character bios on the Dolce Official Twitter page if you exclude a drawing of Dolce from Yamako. The second argument could be that information about his sister was intentionally withheld to set up the reveal when Fuuma’s extra released to explore it. However, going by that logic (which I do agree with), that would also mean that Fuuma’s inclusion and importance in Kazuki’s character bio also set up his dedicated extra, which I don’t think would be incorrect to assume considering what his actual extra turned out being.

Which brings me to the thing that makes it inexplicable to write off the romantic implications behind Kazufuuma: Kazuki’s dedicated Dolce Diary extra, Suki. I shipped Kazufuuma before even knowing of Suki, sure. But the fact that Suki even exists is a shock to me and drove into me the fact that Kazufuuma wasn’t just my own projection. Again, it’s not a surprise that Fuuma shapes Kazuki’s life. They’re childhood friends, of course they’re going to be important to each other. But this extra explicitly brought Kazuki’s feelings towards Fuuma under a direct spotlight. At first I was thinking oh, this extra was just to acknowledge the fact that Kazuki and Fuuma’s relationship can have romantic implications, but the end of it the conclusion that we got was that it didn’t matter what type of “like” he felt for Fuuma. Originally, I thought it wasn’t anything more than saying there are all types of like, and it doesn’t always need to be explicitly defined, but I appreciated the fact they were aware that they were writing Kazuki in a way that conveyed romantic implications.

Then I thought about it because, again, I love Kazuki of course I’m going to think about his character extra, and realized...that’s not how these character extras have worked. There are only three character extras out as far as I know and have read: Fuuma, Kippei, and Kazuki. If we look at Fuuma and Kippei’s, each extra had a conclusion, sure, but they didn’t have a resolution. Rather, they were simply setting up explicitly what each character’s primary character arc and conflict were. Fuuma’s extra brought attention to the fact that he’s particularly a crossdressing idol by exploring the motives behind it. His choice to be a crossdressing idol is constantly under fire both by himself and the world around him. He’s not immune to those who consider his crossdressing strange, and a part of his story is both finding people who accept his decision to crossdress and to succeed for himself as a crossdressing idol. It’s an essential part of how we understand and define him as a character and it’s a central part of how he interacts with the world around him. For Kippei, it lays the severity of his insecurity under the spotlight and his journey and motives for improving himself. Again, this isn’t something isolated and resolved in the extra; his extreme insecurity and negativity is constantly affecting how he interacts with practically everyone from his fellow Dolce members to his fans despite the fact in all honesty? He’s fucking insanely talented in his own right, his own brother mentioning how smart he is and how he has amazing reflexes. For Kippei, his negativity is an essential part of how we understand and define him and central to how he interacts with the world as much as Fuuma’s decision to crossdress is to him.

Which brings us back to Kazuki, of course. In his dedicated extra, in the chapter that’s supposed to explore and establish and bring attention to an essential part of his character, the aspect of himself under investigation is how he feels about Fuuma. It’s not just how he behaves around Fuuma, it’s explicitly an exploration of his feelings, on top of the fact it’s explicitly an exploration about whether or not he likes Fuuma r o m a n t i c a l l y. Literally the conflict is spurred on by someone outright asking “Do you like him?” and having to clarify “I mean romantically.” What they decided to focus on for Kazuki’s character and emphasize and establish is that Kazuki’s like towards Fuuma toes the line between friendship and romance. His ambiguous feelings towards Fuuma (if we leave them inconclusive as Suki did) are just like Fuuma’s crossdressing and Kippei’s insecurity in the sense the weight of whatever those feelings may be are seen in how he interacts with the world around him and influences his behaviors. It would be another story if they introduced the potential and shut it down all within the extra, because then his central conflict would to me be less directly open to romantic potential and more simply about how his arc was meant to explore the dynamic of the behavior of an extremely dedicated best friend. The fact that he may be romantically attracted to Fuuma or may be only platonically dedicated to Fuuma is instead something that looms over Kazuki in the same way Fuuma’s decision to crossdress constantly looms over him. It’s what Dolce wanted to point to and say this is Kazuki’s central character conflict and central arc: exploring what type of feelings he has towards Fuuma.

Sure, it can be argued that there’s only three Dolce Diary character extras, there’s not enough to be sure about that being the purpose of the extras unless we get the other two’s extras. First, at this point I honestly don’t know if or when they’re going to release an extra revolving around Sara and Girisha just because not only has it been over a year and a half since the latest Dolce Diary Character Extra (Kazuki’s) was released despite the gap between the first and latest Dolce Diary Character Extra (Fuuma’s and Kazuki’s) were within a year of release but also because the Dolce 4komas and comics they’ve been posting to Twitter have decreased (last one being over half a year ago) potentially due to them deciding to focus on releasing Dolce manga content through the purchasable volumes instead. (This is not particularly related to the Kazufuuma argument, just wanted to put out there my two cents on what Sara and Girisha’s extra/focal arc would be. Based on a large part of the Dolce Diary in conjuncture with Can’t an Idol Fall in Love, I’d argue Sara’s would be his journey to regain his passion for performing, and if it’s not that I’d say it’d be coming out of his self-imposed isolation and opening up to people again. As for Girisha, I have less of a concrete idea but I’m assuming it’d be something pertaining to how people often misconceive him whether it be in tandem with his determination, his optimism and sociability, or his stupidity/ability to ignore those misconceptions and work past them. But Girisha is treated like the comedic relief 90% of the time so I’m not entirely sure, but his primary conflict is definitely rooted in misconceptions of him being his roadblock imo. #MoreGirishaContentPlz) That being said, I personally feel like the three are already enough evidence, especially considering it would be honestly even more cruel for Kazuki’s character-centric extra to be focusing on something that wasn’t essential to his character and character arc, anyway. And though it’s not explicitly stated that these chapters are extras exploring a central character, you can kind of tell based on how they are (to my knowledge) the only Dolce Diary updates with cover/title cards each which include their focal character front and center. So working off that fact, the Kazuki-centric chapter established that a pillar to his narrative was his feelings towards Fuuma and that those feelings are still open to romantic potential.

But if you follow me, this is why up until Can’t an Idol Fall in Love With Another Idol’s release, I was terrified of them writing that off. I would have been ok if it was just an arc that was given attention then continued to actively work in the background, as all the character arcs have been over all of Dolce’s content. The fact that they might be giving Fuuma a love interest and giving Fuuma a love arc while Kazuki’s feelings were still up in the air and were still the primary highlighted narrative for him would have been fucking scuffed. To me, it would be like… why would they make him so Fuuma-centric to the point that even his dedicated chapter was not just focused on Fuuma but focused on the ambiguity and potential of him having romantic feelings for Fuuma, yet reduce him to being Fuuma's designated right-hand man. Don’t get me wrong, friendships are just as important as romantic relationships. But again, rather than conclude Kazuki’s answer in Suki to be that his feelings were of friendship, they left it open ended and allow audience members to be actively aware that Kazuki’s feelings towards Fuuma still had potential to be romantically coded. It would just be so weird to quickly close off that narrative by giving Fuuma a love interest as opposed to letting Kazuki conclude it himself. It would be fucking beyond frustrating for me, at least Eventually, I kept trying to drive my hopes that they would explore Kazuki’s narrative at all down to the ground because it was a Fuuma-centric novel; maybe if anything they’d explore those feelings in his own novel after the fact. But then they kept having little drops here and there of Kazuki being even the slightest bit relevant and I’d go back to questioning “Are??? They??? Is this on purpose??? Do they know what they’re doing or are they just doing this because Kazuki’s just so important to Fuuma as his best friend that he’s there as his right-hand I genuinely can’t tell???” And um. Welp.

Safe to say Can’t An Idol Fall in Love sold me on the fact that they know what they’re doing LOL. And to anyone who thinks that Kazuki’s feelings can still be read as ambiguous in CAIFILWAI as opposed to explicitly romantic - whether it be due to a fear they may pull the “I like him as a friend” card or due to the disbelief that they have an explicit mlm main character in the Honeyworks series - I’d like to cover any bases that may make you think this way. If you think it’s just Kazuki acting like a protective friend, why do you think he calls Yui a rival? If you’ve only seen the MV and think it’s ambiguous or can be taken as the "likfe" for friend, then does that mean you think Yui’s feelings toward Fuuma are also ambiguous or as a friend? With the way Yui responds, she is trying to rival Kazuki’s feelings towards Fuuma. She and Kazuki recognize whatever feeling it is that they hold towards Fuuma, both of their feelings are the same type. I don’t think most people would argue that Yui’s confession about Fuuma was one of pure respect and friendship. Plus, if anything I’d argue of the three characters in the MV, Fuuma is the one whose feelings are left the most ambiguous despite him being the central character. It’s heavily implied that he may be forming feelings for Yui, but nowhere is it established either in the song or in the MV, especially if you compare it to Kazuki and Yui’s declarations or if you compare it to Sara’s feelings for Uru in Can’t An Idol Fall in Love. Fuuma’s romantic narrative here is trying to figure out how he feels for Yui, while for Kazuki and Yui they’ve established a rivalry because they both have mutually established they like Fuuma romantically.

If the MV isn’t enough for you and Suki isn’t enough for you for...some reason…??? You can check out the snippets of the light novel which the wonderful takanenene translated: one which revisits the conflict set up in Suki and one that covers the confession scene in the MV in more detail. If the fact that the conflict set up in Suki (aka the lurking feeling of not knowing if all he felt for Fuuma was only platonic or more than platonic) was specifically reestablished in the LN for anyone who didn’t keep up with Dolce Diary didn’t tip you off that it was something important, his behavior in the confession scene as depicted by the LN definitely should have. He’s possessive about his spot by Fuuma’s side. He doesn’t want that spot to be taken by anyone else. Even if he knows that they can help Fuuma, he wants it to be him. And this line: “Kazuki then trails off his words, quietly saying ‘That’s why…’ and then gave Yui a slightly painful smile, his cheeks turning red,” before he declares Yui a rival and states he likes Fuuma. If you can tell me you read that line and are still on the fence about Kazuki’s “like” towards Fuuma being romantic, please message me and I will see how I can get through to you. Like it wasn’t even just a romantically coded confession. It’s just a romantic confession. That “like” is romantic. And I’m so proud that he’s not only come to understand for himself how he feels, but that he’s confident enough to ask the person he sees as a romantic rival to speak in private and not only clarify her feelings for Fuuma but before she can even do that firmly establishes that he loves Fuuma with conviction. Kazuki my boy I’m so proud of you. *sniffs*

And that’s it for establishing Kazufuuma as at least canonically one-sidedly canon and why there’s not only no reason to deny it but also why denying it is a fucking disrespectful move towards Kazuki. He’s a character, sure, but that doesn’t change the fact you shouldn’t write off his struggle to come to be convicted enough to say it out loud. This has been something weighing on him at least a year, if not more (all I know is it started when both he and Fuuma were in some year in middle school). And as a character in a piece of media, I’ve been saying this the entire time, but brushing it off as non-romantic is literally chucking a fucking pillar of his character’s story into the gutter. And to those who may be saying Kazuki’s confession came out of nowhere and is pandering reread this entire fucking essay again I dare you to do it and tell me to my face it’s pandering. Again. Writing off the buildup as pandering is disrespectful to him, disrespectful to his character and narrative, and disrespectful to the wonderful people who have been creating Dolce so diligently and have crafted this narrative for us. Saying his “supposed feelings” and “ambiguous confession” is pandering is like saying Fuuma’s crossdressing is pandering which. If you say either of those I will find you and I will shank you in the fucking gut. Even if you’re not fully into Dolce, recognize these characters are actually very well developed and executed amazingly, as per every Honeyworks character that has come to exist. I don’t blame you if you weren’t aware of the weight of Kazufuuma, but now that you read this I hope you are. That’s mainly what I needed to get out there, but as follows will be me more exploring how Kazufuuma has been built up and generally waving my hand off at where it may be going. If you want you can dip, thanks for reading up to here because I know I repeated a lot because it’s just. So important to drill into your head and has been something I’ve been hung up about constantly. LOL

As for where exactly they’re taking it from this point on, I honestly don’t know. In all honesty, I didn’t even expect them to take it the direction they did. But honestly, I think the direction they went with it is really interesting and better than I could have imagined, in my opinion at least. Honeyworks never ceases to amaze me with their storytelling and narrative choices, and I don’t think there’s any that stand out to me as being severely questionable that they haven’t reapproached at some point down the line. And, again, I think they’re treating this with a lot of care and deserved respect. So I’m just gonna be gushing about how smart they set it up and how smart they’ve been executing it and maybe my own hopes on the direction it could go.

Whether they make Kazufuuma reciprocated I have no real clue or bearings, but to me my gut reaction is they will. Of course, I’m biased, but again if you trace things all the way back to 2018 and step through Dolce’s content and growth from there, I’d say even if they didn’t know if they could execute it like this and see it to fruition, I’d argue that Kazufuuma has been at least heavily implied since the beginning as a relationship they wanted to explore from both sides of the relationship. Obviously I brought up Kazuki’s character bio already, but if you look at the *goes to count* 5th Dolce Diary update already has a joke jabbing at the fact that Kazuki is technically Fuuma’s type (and the way Kippei and Kazuki excitedly react is so cute). The fifth update. And as stated before there are tons of Kazufuuma moments in Dolce Diary, whether it’s played for comedic effect or played straight (and this is post Suki but oh my god I’ve said it before I’ll say it again get yourself someone who looks at you the way Kazuki looks at Fuuma oh my jesus). But song-wise, I mentioned the one Dolce album song I would bring up is Nade Nade and this is where it comes!

Not only is Nade Nade specifically focused on Kazuki and Fuuma’s relationship as opposed to the whole of Dolce despite being the first song, it included the setup/preview of the Fuuma-centric extra prior to the full release of the Fuuma-centric extra itself and was released early as fuck. Literally between the 6th and 7th update to Dolce Diary. Sure, it could be to isolate them as a duo for marketing purposes (they’re very often the two promoted idols together if the whole of the group aren’t included), but the way it’s established as a perspective song as opposed to a general idol duet is what fascinates me. Anyone who didn’t know about Dolce prior and only followed Honeyworks for music would be first introduced to these characters through this song alone, and maybe this is where my Kazufuuma bias comes from but I was one of those people LOL. I thought it was just a cute one-off relationship that they had set up for the purpose of a song and that it was an implied friends-to-lovers story that would never get a conclusion. Also I mistakenly thought Fuuma was a girl oop-. In the full context of Dolce, this song in part helped establish Fuuma and Kazuki more solidly as a unique duo out of all of Dolce, but it also specifically explored through Fuuma’s eyes just how much Fuuma recognizes and appreciates the unwavering support Kazuki gives him to follow his dreams as he wishes. For Fuuma, he loves Kazuki too, though whether it holds any romantic potential in the same way Kazuki loves him has never been explored to nearly the same extent. But Fuuma appreciates how Kazuki’s remained by his side and does everything he can to support him, so Nade Nade explores how his way of expressing his love and thankfulness to Kazuki is by never saying that he needs Kazuki by his side. He’s glad Kazuki’s always been there for him, and his reciprocation takes on the form of being ready to unwaveringly support Kazuki and not ask for more than he already has, even if it meant Kazuki would be leaving his side, despite the fact that he really does wish they could remain together forever just as Kazuki does. The one point he lets himself say something vaguely close to always wanting to stay together, he gets a surprised expression out of Kazuki and says an ambiguous “suki dayo.” Of course, this it much less romantically coded than what we get from Kazuki in Suki and CAIFILWAI, but there is an interesting emphasis put on it nonetheless. Keep in mind, this is all established through the song, which released long before not only Fuuma’s character-centric extra released but also Kazuki’s character-centric extra released, so there is at least a substantial setup for Fuuma’s feelings towards Kazuki’s being strong as well and possibly grow to be reciprocated one day.

I think for me the most fascinating part about Nade Nade is how they tied it back around to Can’t An Idol Fall In Love with Another Idol. Again, without remembering Nade Nade, I still thought CAIFILWAI was brilliantly explored and executed, even if some people would have preferred no love triangle. But honestly, revisiting Nade Nade makes me trust even more the direction they’re taking with this. Whether or not they make Kazufuuma canon mutually (which. Even if they for some inexplicable reason didn’t I’m going down with this ship.), I’m sure they’re putting a lot of thought into the story, because the last bit of Nade Nade directly parallels the misunderstanding that arose from Fuuma mishearing the Kazuki and Yui. Fuuma is resolved to support Kazuki in any area he’s given the chance, and that explicitly includes if Kazuki had some girl he liked, which is what he assumes is going on. The fact that they tied this back around in the form of a misunderstanding was really really smart and Honeyworks is always so good at parallels and references back to their older songs, but for some reason I didn’t expect this. I don’t know how to say why, but the fact that the song that started it all, kicked off both Dolce and Kazufuuma, was directly referenced both visually in the MV with a cameo at the start and narratively despite the central dynamic being predominantly explored in this story in particular was that of Fuuma and another potential love interest and involves said potential love interest for some reason makes me think that (sorry Yui) this is all planned out for Kazufuuma in the grand scheme of things. That being said, I don’t know if me thinking it was planned all along is just me with shipper goggles, but the idea it’s come full circle nearly 3 years later is not shipper goggles and a very very well done parallel in my opinion, whether this trajectory was their plan for Kazufuuma from the beginning or not. Just wanted to gush about that some more.

There’s more I could go into especially if I went into specific details about interactions or specific implications established in Honeyworks' Dolce content about different characters that would be fascinating to explore in relation to and under the lens of Kazufuuma, but I think this is uh...plenty long enough. Plus, I doubt you'll stop seeing Kazufuuma posts from me so those ideas will probably just be miniposts or somethin.

Back to the overarching point of this segment, idk what they’ll do with this story in the end, but do I think Kazufuuma will canon? I’m used to looking at ships that aren’t explicitly apparent with a sliver of skepticism, but all things considered (as I stated before) yeah. I don’t see reason why they wouldn’t now that they’ve explicitly identified there is a romantic dimension to it ¯\_(ツ)_/¯ Like to me, the setup isn’t something that would be written off as unrequited? And this doesn’t have to play into why I don’t think it will canon, my personal opinion on the Fuuyui relationship (again albeit through the lens of a hard Kazufuuma shipper lmao) has it’s own merits and is really cute, I find it cute in the way I found Koyuhina cute. I personally never really shipped Koyuhina, and especially since they slipped Kotarou into Ima Suki Ni Naru I was more curious about who this kid was and how he played into things I didn’t really see Koyuhina as something that would come to fruition. Similarly, there’s more importance in the overall sense on Kazuki than there is Yui (considering he’s one of the 5 original and focal members of this generation of idols, this would be natural), as well as the fact there’s just way more foundation and exploration in Fuuma and Kazuki’s relationship than there is Fuuma and Yui. As for how much of a balance there is inside the LN itself, the fact that they seem to have spent a substantial amount relaying the foundation of Fuuma and Kazuki’s relationship and re-exploring it (at least in Kazuki’s perspective) at all on top of how much content there is covering their relationship prior to the LN ever since Dolce’s origin just feels like that relationship holds more weight. Pretty much Kazufuuma feels more established as a priority in general. The way I personally hope Fuuyui plays out is whether they wind up holding mutual feelings or not or whether Fuuma doesn’t feel that way towards Yui is they get a relationship akin to Kotarou and Arisa. Albeit, Kotarou and Arisa never viewed each other in a romantic light, but they had mutual respect and solidarity. That’s the type of friendship I hope comes out of Fuyui. And considering there hasn’t been a break-up in any Honeyworks’ canon relationships (nor do I expect there to be… they’re all perfect for each other LMAO) it would actually be interesting if Fuuyui get together but don’t endgame and Kazufuuma is established as the inseparable endgame after some realization or another, though I don’t expect them to go that route nor do I know if that’d be the best way to go about it anyway. Also final point, Honeyworks seems to have a thing for childhood friends trope anyway soooooo owo All in all, don’t know where they’re taking it, just excited to see where it goes.

TL;DR of this *counts* 7 page essay, stan Kazufuuma. Not gonna proof this. Maybe I’ll edit and repost but yall are getting a confusing clusterfuck of ramblings over 2-3 hr periods of me writing across 3 different days at around 5am each day. Uh. If you got this far like and subscribe and-- jk plz reply to this mammoth anywhere you see fit or tell me if you have stuffs to add or counter or whatnot I like hearing people talk about Kazufuuma ;w; I am Kazuki and Kazufuuma brainrot can you tell after reading this? No? Lemme just remind you I’m K--

#honeyworks #dolce #kazufuuma #kazuki haiga #fuuma shirayuki #long post #analysis #character analysis #kinda?#nobody cares trash #also keep in mind this is PURELY for self satisfaction LMFAO read it if u wanna dont if u dont idgaf either way #anyway kazufuuma canon fight me #or have intellectual conversation with me #if you want it on a google doc bc it's easier to read hmu #if you can't tell i think about kazufuuma too much #how much of this is repetitive? probably a lot...

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seattlesea · 3 years

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The Poor Character Developments in the Heroes of Olympus Series

Rick Riordan doesn’t know how to write character arcs ✨

-Percy. What arc did he even have? From The Last Olympian to The Son of Neptune it seems like he just got more arrogant and douchey, and this is never explained or expanded on. The readers don’t know why he suddenly got so arrogant. His pride got out of control and he was doing things he knew he couldn’t do but jumped into anyway like attacking a giant head-on alone. He was reckless in PJO, but every time he always had a plan. In HoO he just turned careless. He even put other demigods’ lives at risk at times and honestly didn’t do much throughout the series. He was just kind of there, not really contributing to anything and only involved when the book needed comedic relief or to remind the readers that ‘Hey, Percy is super cool and powerful’. As for his arc, he didn’t change at all. He just got annoying and way too self-involved and vain. I mean- he was literally in front of Hercules, the man who broke Zoë Nightshade’s heart- the girl who literally sacrificed herself for Percy- and he didn’t even say or do anything? He didn’t even mention Zoë or think about her at all. All he was worried about was how ‘big-shot Jason’ got to meet the all-famous Hercules and he didn’t. And this never changed. Percy’s character arc was completely flat cause he never learned from his lessons or mistakes. Even when in Tartarus and was reminded of all the people that he lost during the Second Titan War, how he forgot about Calypso on her island for over two years, and how he left Bob the Titan alone in the Underworld, he didn’t make any move to change. After that scene, he completely forgot to even mention them again.

-Annabeth. Same thing with Annabeth, except her realism was ripped from her. She was well-written in PJO with actual flaws and weaknesses, relationships outside of her romantic one with Percy, a very important and crucial role, fighting bravely, etc., but in HoO, she- just like Percy- was pretty much dead weight, and she became extremely weak. The only thing she really accomplished was following the Mark of Athena and getting the Athena Parthenos, but she still had to be saved by everyone else, and honestly any other demigod could’ve done it way faster. Nico literally could’ve just shadow-travelled to the statue then shadow-travelled it back out. The only times she fought (which was very few times) she was always with another demigod, and the two-three times she actually fought she always had to be saved, by a newbie, especially. In the Temple of Fear, Piper ‘toughened’ her up and saved her three times from the giant Mimas, and when caught by the giants, Piper was the one to save Annabeth (again). She couldn’t do anything by herself without others having to save or help her. And she also became very dull. She didn’t have any more of her pride, short temper, care, ferocity, etc. All she was was a Percy fangirl. Everything was about him and him only. This also didn’t change. We didn’t see any improvement or alterations to her personality whatsoever.

-Jason. The majority of the fandom doesn’t like Jason- which is understandable- but they hate on him for the wrong reasons. They dislike him cause he was ‘boring’ despite him actually having multiple distinct personality traits. They just think he didn’t have any personality cause his traits weren’t directly commented on like the other characters’ were (which is actually bad writing, readers should be able to interpret a character’s personality without it being stated to them by other characters). And he even had a sense of humor. His character arc though...fell short. But! He could’ve had an amazing character arc, Riordan just focused on the wrong parts. Riordan’s take on Jason’s character arc was deciding if he was more ‘Greek or Roman’ and then deciding he was both. But...that makes no sense, cause that’s just stereotyping every single Greek and every single Roman. The fandom says that the Romans are the cruel, harsh, and merciless ones, but what about Hazel? Or Frank? Or Reyna? Or the fact that they immediately accepted Nico while Camp Half-Blood outcasted and even ostracized him? And they say that the Greeks are the fun, cool, relaxed ones, but what about Percy, the only character to canonically torture? Or Annabeth, the unfriendly bossy one? Or Thalia, the merciless, ambitious hunter? Or Piper, the prejudiced manipulator? So really, Jason’s character arc made no sense. It was written to be Jason going from ‘always following the rules and following expectations because of his godly parent’ to ‘doing whatever he wants’, but the fandom forgets that Camp Jupiter is the one who doesn’t care about godly parent, Camp Half-Blood does, cause Camp Jupiter has demigods live in barracks for the sole purpose of demigods without family members not having to live alone while Camp Half-Blood separates cabins and tables by parentage and immediately set Percy to high standards after he was claimed. Besides, does Camp Jupiter have harpies that literally kill demigods if they’re out past curfew? Plus, Jason was breaking multiple rules before his character arc anyways- leaving Camp Jupiter, sailing across the Mediterranean Sea, etc.

-Piper. Oh boy. Where to start with this one. I’ve already gone over how her horribly-portrayed backstory ruined the chances of a good character arc, but now let’s discuss the character arc she actually had. And the best way to describe it is ‘tell not show’. The main idea for Piper’s character arc was that she felt insecure about herself and useless and that she gained confidence in herself and her powers, but that’s not actually what happened, because starting from The Lost Hero, Piper showed multiple narcissistic tendencies that showed that she had a huge ego and placed herself on a pedestal she did nothing to earn or deserve. This is first shown with femininity- Piper immediately thinks that she’s better and above any girl if they so much as wear lip gloss or a dress, which is a sign of an obvious ego: thinking you’re better than everyone else (or in her case, a certain group of people) before getting to know them first. It’s also shown when her and Annabeth are looking for a weapon for Piper and when suggested that she doesn’t choose a dagger cause she’s a newbie, Piper retaliates with “But you use a dagger”...aka thinking she’s already on Annabeth’s level and that she can do whatever Annabeth can despite being a newbie. It’s not hypocrisy if Annabeth has been training for over nine years. Another example would be in The Mark of Athena- "Piper's eyes flashed defiantly, like anything Reyna could do, she could do". Like, no, she can’t, cause Reyna has been training her whole life and Piper doesn’t even know her. Piper shows multiple signs of having a very high opinion of herself, including degrading others (especially other women) for her own sake, thinking she can do what anyone else can, thinking she’s better than everyone else, constantly fussing over her appearance, thinking she deserves everything she’s gotten and that she deserves more without earning it, etc., so her entire character arc wasn’t even there. She just went from quiet about her narcissism to openly expressing it. She never grew from her horrible traits and habits, never realized she was wrong by jumping all over Jason while he was amnesiac, etc., and the whole ‘feeling of uselessness’ was brought up once then never expanded on or mentioned ever again, and nor was her internalized misogyny and fiery hatred towards femininity (which wasn’t even explained). Riordan should’ve used the ‘snobby rich girl learns to be kinder and more modest’ or expanded on the fact that Piper almost killed her friends multiple times. In Katoptris, she saw Jason with gold eyes in Kansas then said ‘Let’s go to Kansas!’ She saw her, Jason, and Percy literally drowning and legit said ‘Let’s go drown!’ without telling them about what she actually saw in her dagger. She saw her and Annabeth exploring some ruins and said ‘Let’s go!’ despite knowing the visions were deadly. She put all of her friends in multiple, life-threatening situations and never felt guilty and wasn’t even called out on it, because no one said if the visions in Katoptris were fate- something you can’t avoid- or destiny- something you can choose and change.

-Frank. Frank’s character arc was clear, but it happened in the wrong way. The main idea of his development was that he was insecure about his appearance then gained confidence from it, but he did only after he magically gained rippling abs and muscle. He only felt good about himself once he lost all his fat as if that’s not obvious lookism, fatphobia, and fat shaming (thanks, Riordan). Frank should’ve learned to love himself despite his flab and appearance and learned that it didn’t matter what he looked like cause he would still be a hero either way. He should’ve shown the readers that ‘Hey, I don’t care what I look like, cause appearance doesn’t matter, whether you choose to do the right thing or not does’, but it was wasted for fat shaming every single reader who was insecure about their weight and didn’t or couldn’t get skinnier and telling them that they should be insecure about themselves because they don’t look like Frank. Is it really so hard for society to believe that a lot of people who aren’t stick-thin are happy and confident about their body?

-Hazel. Honestly, her character arc was one of the most confusing ones, cause she didn’t have anything to drive or even start one. Her backstory is tragic, yes, but there isn’t anything in it that she has to learn to change from cause all of that was resolved when she took down Alcyoneus and Gaea. The only thing I can think of is learning to break away from toxic people even if they’re your family or friend or cause you don’t want to hurt their feelings, but Hazel didn’t struggle with relationships at all. She wasn’t even introduced to any toxic people besides Octavian, and she already hated him. Her transition from the racist and segregated days to the modern world could’ve been really good material for a character arc along with internalized racism- she of all people (someone born and raised in segregation who was taught to hate herself and her skin tone) would grow up thinking that there was something wrong with her because of her dark skin tone and- especially after meeting so many different people of different ethnic groups and skin colors- could’ve learned to love herself and learn that skin tone doesn’t define you (which also would’ve been a perfect lesson for younger readers). Another thing that puzzled me about her ‘development’ was her powers. Her Mist control powers are cool, but what would’ve been cooler was if she was reluctant to use them because she wouldn’t want to twist the minds of people just like Gaea did to her mom. Her gem and metal control powers could’ve been expanded on but they were barely mentioned after The Son of Neptune. As for her curse, that...made absolutely no sense. Her curse was honestly just dead weight. It wasn’t even that one thing that had a lot of potential, it didn’t even have potential, cause what would she ever use it for? It was just used to make her backstory sadder, but it was never mentioned again or even explained. The only thing it could’ve been used for (and what I was hoping would happen) was if one her friends or allies took one of her cursed jewels and died because of it. The one thing I was really hoping to see in her character arc was from the quote she said to Hecate after Hecate gave her the three paths to choose from- “I’m not choosing one of your paths. I’m making my own.” This really sparked my interest because almost everything Hazel had gone through was forced onto her by others without her consent. She didn’t choose to be born into racism and segregation. She didn’t choose to be cursed. She didn’t choose to be used as a pawn by Gaea through her mother. She didn’t choose to almost raise a giant and nearly bring upon the apocalypse. She didn’t choose to use her curse against others and move to multiple places. She didn’t choose to be brought back to life. She didn’t choose to be brought to Camp Jupiter and thrown into an army. She didn’t choose to be a part of the Seven and face the same woman who used her and had her mother possessed years ago. The only two choices she made herself- destroying the island and Alcyoneus and sacrificing Elysium so her mother wouldn’t go to the Fields of Punishment- and she and her mother died because of it and she went to Asphodel for years. I was really hoping to see Hazel break free from others always making decisions for her and learn to make her own choices, but that never happened.

-Leo: His character arc was also very confusing, but because it was all over the place. Riordan kept switching up Leo’s internal problems; forgetting about one of them and jumping to another, jumping to three different others, and then going back to the first one a few chapters later. It was so confusing. And then- in the end- he focused on the worst problem Leo had- not finding a love interest. I mean, who exactly focuses on whether or not they have a girlfriend while in the middle of a war and fighting to survive again? I liked Leo’s other problems- guilt over and blaming himself for his mother’s death, seeing his fire powers as a curse instead of a gift, forcing himself to hide his pain with humor instead of opening up to people, running away from all his problems, and his abandonment issues and constant fear of being left out and alone, but they were all replaced with ‘He felt like the seventh wheel’ (cause yes, Riordan, if you don’t have a love interest, you are immediately lesser than anyone who does, obviously). Leo got over his mother’s death in The Lost Hero- which, great- but after that nothing too memorable changed about his character. He never even used or mentioned his fire powers after The Lost Hero, he continued to hide all his pain with humor, hide his emotions from other people, and never learned to open up to others about his pain and trauma, he never learned to stop running away from his powers (shown by when he faked his own death without bothering to talk to the others about feeling left out), and his abandonment issues and fears were never expanded on, he just ran into the arms of a girl who verbally abused and constantly insulted him AKA ran to the person who gave him attention, even if it was the bad kind of attention, as if that’s not something emotionally scarred people and people with abandonment issues do, and he never grew from accepting unfair hate and criticism.

-Nico. His character development was actually pretty good. From going to an energetic, cheerful, and playful kid to becoming a quiet, closed-off, and independent teen who struggled with depression and feeling alone and like he didn’t belong, to finding comfort in his family and friends (especially Reyna, Hazel, and Will) and learning to accept himself for who he was (as a son of Hades and as gay) and how to confide in others about his struggles, problems, and trauma and finally letting people in after being do dubious of people after Percy broke his promise to protect Bianca, he found out that King Minos was using him, and almost all of Camp Half-Blood excluded and ignored him. After being alone for most of his life, by the end of The Blood of Olympus, he has two homes (as stated by Reyna), is comfortable with people hugging him, allowed people to take care of and help him, decided to stay at Camp Half-Blood and Camp Jupiter instead of isolating himself, made a bunch of new friends that helped him through his struggles, and he even showed multiple signs of healing from his depression and anxiety. His character development was pretty well-written. But, there was one thing wrong with it that kind of ruined the rest- his love life. Nico had an incredible character arc that could’ve taught multiple valuable lessons to younger readers, but most of it was ditched after he came out as gay in The House of Hades. Throughout all of his point of views in The Blood of Olympus, Nico never thought about any of his past trauma or struggles, Bianca, his new family and friends, etc. Pretty much all he thought about was finding out how to come out to the others and Percy. And while mustering the courage to come out is a huge deal and is great material for a character arc, Riordan never actually utilized it. Nico telling Reyna he was gay was really touching (best duo) and telling Percy he had a crush on him was great, but after that, his entire character was about his attraction towards Will (which was way too rushed, but that’s for another rant), and it got pretty annoying cause it made it obvious that Riordan only confirmed him gay for publicity by trying to shove it in the reader’s faces as if every gay person needs to have a boyfriend to validate and prove their sexuality. Riordan should’ve stayed on track with Nico’s original character arc.

-Reyna. THE BEST CHARACTER ARC. Hers was actually really good. She started off trying to do everything on her own because she believed that she had to be strong enough to do things by herself without help from others to learning that it’s okay to ask for help. She also started off with the (quite serious and traumatizing) problem of bottling all her emotions because she believed that she always had to put on a strong, brave face for others without showing any signs of weakness to learning that it’s okay to express your emotions and confide in others (and again, that it’s okay to ask for help). This was mostly evident after she met Nico, which (in my opinion) kick-started her motivation to change because once she saw how much Nico needed help and giving him that support and comfort, realized that everyone is allowed to ask for help and started confiding in Nico as well. I like how she stayed strict and serious cause she has a formal job- a job that’s equivalent to an American’s president, that is- so she’s supposed to be serious, and she’s only strict cause she wants to protect her people. Though I do hate when people misjudge her as ‘cold-hearted’ or ‘cruel’ because Reyna is actually one of the kindest and most selfless characters in the series. Even Pegasus (the immortal lord of the pegasi) was ‘touched’ by Reyna’s ‘compassion’ towards Scipio (he didn’t even say that to Percy about Blackjack), and it’s pretty obvious she cares deeply about her family, friends, and people. And overall, her character arc was easily the best-written one in HoO. But then Riordan- just like he does with most things in this series- completely trashed her character arc just so he could have the opportunity to make fun of wlw readers who thought Reyna and Thalia would be a good couple by making her leave everything behind for the Hunters of Artemis just cause she ‘couldn’t find a love interest’ as if joining the Hunters is the only option for single female demigods instead of just...living a normal demigod life without a partner without leaving everything they know and love behind for no reason other than their shitty love life.

#heroes of olympus #percy jackson #character arc #character development #rick riordan #annabeth chase #jason grace #frank zhang #hazel levesque #leo valdez #reyna ramirez arellano #reyna avila ramirez arellano #nico di angelo #piper mclean

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