(ray) thoughts from of ep 4
goddamn this ep came out swinging. I think however I take this it's just going to be a ray breakdown so let's just have a little ray breakdown
we get so much characterization in that first scene and oh boy is it painful. ray in an empty bathtub in flashback, calling mew in the middle of what looks very much like an intentional od. except he's not quite there; this is desperate cry for help territory. he reaches out to mew and tells him explicitly where he is and implicitly what he is doing; he either hasn't taken anything yet or hasn't taken enough to be in physical danger.
(khaotung's fucking acting in this scene. jesus christ.)
the ray mew dynamic is suddenly entirely heartbreaking because we can see that ray has attached himself to mew in a way that mew doesn't reciprocate, not even to touch romantic feelings. when mew picks up ray's call he hears him sloppy and emotional and is immediately exasperated and pushing him away (are you drunk again? I'm not picking you up this time. you're talking nonsense)
when he realizes what's going on mew runs to the rescue because he does care about ray, and wants him safe. but it's clear that mew does not want to be ray's emergency contact here. he's going to do what he can to help out someone he loves, but he has a solid self-preservation drive and he is going to stick to his guns the same way we've seen him do with top so far. for the next two years ray will continue to cling to mew like a lifeline and mew will continue to push ray away as much as he thinks he can handle it.
a strength of this show is that it doesn't shy away from showing the reality and the nuance of this kind of situation. this dynamic plays out in emotionally abusive relationships on the regular and I've watched it close up and it rocks me in fiction not in the indulgently angsty way I love but in a pit-in-my-stomach way.
ray is putting mew in the impossible place of being his only reason to stay alive. this is heavyweight manipulative behavior, even though it's coming from a place of desperate pain and grief. maybe ray is repeating a pattern he learned young; maybe he's come here in the throes of his own self-destruction. whether intentionally or not, he's picked someone relatively invulnerable to this tactic, and so he only feels lonelier and more broken as it plays out. ray is looking for a savior in mew that mew refuses to be.
this dynamic gets an echo in the scene where ray kisses mew without consent. goddamn the narrative framing on this is well done. ray gets told off, both directly by mew and metatextually. he will return later to apologize earnestly for his behavior.
ray screws up over and over with mew. and we still hurt for him, because mew has the self-worth to stand up for himself, while ray loses no opportunity to add evidence to his reasons-I-am-a-terrible-person file.
meanwhile sand. we have seen already that the only thing standing between him and taking the psychic damage ray is dealing out everywhere is his quickly crumbling boundaries. he's stuck them so far, but only nominally. every time ray applies the na? na? he folds so fast it hurts to watch.
three minutes exactly post the above screenshots it has become a joke we share with the camera, in which ray says "hey, I saw a record store nearby. will you go there with me?" and we cut from one singular na directly to a closeup shot of sand's hands as he flips through a stack of records.
this scene also gives us ray trying to recreate the banter they had in their early interactions, in which sand threw insults at him and ray gave him bedroom eyes in response. ray names some insults sand has used in past and asks to be yelled at as punishment for bailing on him to pick mew up and without the na of doom sand just stares at him and thinks about what he's done.
sand doesn't want to throw insults at ray. sand is grasping at least one piece of ray's mo. he looks at ray and sees the lonely sadboi underneath, and he wants to save him.
unfortunately for sand but potentially fortunately for their long term prospects, as of yet ray is not looking to him for a savior the way he has with mew.
the end of this episode brings us back to ray's bathtub. the first time we were here ray was not using it as a bathtub. not to put too fine a point on it, but with no water in it, a bathtub shares some notable characteristics with a coffin.
this time, there is water in the bathtub and ray, again, and a glass of liquor, again, but no pills. this time, there is also no fully clothed mew to offer contrast to the physically and metaphorically naked ray. (mew, as it happens, is busy being physically and metaphorically naked in top's shower)
this time, ray is alone. but he's closing his fist significantly around the keychain that represents his relationship with mew, and looking significantly over at the poor boy shirt that represents his relationship with sand. the levels of analogy the of production team have wrung out of that singular t-shirt deserves an award
now we cut from the t-shirt Directly back to the record store, to sand saying "just give it a try. I think you might like it", which is definitely about the music and not a metaphor for anything, and putting headphones onto a ray who is gazing back at him like so:
as tender gentle acoustic music fills in raysand exchange longing glances and sand mouths /do you like it?/ and then has to ask again aloud, and ray affirms, and then has to take his headphones off to say it again more explicitly. no metaphors here, folks. we're talking about the song, and the song only.
then they tenderly and gently begin to take each other's hands.
I think I remember this scene from the lion king
so what's next? unfortunately we are only 1/3 of the way through this series, which means that raysand are still far away from any happy ending they may or may not be allowed. this episode suggests a possible bookend to ray's pining after mew, but those feelings don't change overnight, and sand is still forebodingly in the dark about them. also big question marks around ray's ability to approach reciprocal love in less toxic ways. also various addictions in play here. this could go wrong in so many ways I can't even guess the most likely! but boy am I along for the ride
(all ofts reflections)
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If you've ever struggled with suicidal ideation, this has likely been a particularly difficult week. It certainly has been for me. I've lost a lot of trust in a lot of people. I hope this post doesn't make anyone lose trust in me.
You need to live. That means you, the person reading this post. I don't know your name or your situation but I know, with the same certainty that I know that the Earth is turning, that you need to live.
I know that it can be hard, crushingly hard. I know what it's like to feel so empty that getting out of bed seems impossible, or so overwhelmed that drastic action seems like the only way out.
It isn't. Death is not the answer. It sure as fuck isn't praxis. Please, please do not let anyone convince you otherwise. If you think that your death will have a net positive effect on the world, I promise you, as someone who has been there before, it won't.
And while I encourage you to do what you can to try and make the world a better place - donate to charity, pick up litter, volunteer your time, write your representatives, et cetera - I want to make it clear that those aren't requirements you need to meet to justify being alive. Your life has value, inherently.
Today things may be terrible. They may stay terrible for a while. But one day, a song will get stuck in your head that makes you feel something again. You'll meet a dog that loves you unconditionally. You'll eat a meal that tastes like it was cooked by an angel. You'll pick up a new hobby, perhaps without even realizing it, and it will bring you some sense of satisfaction. You'll watch a beautiful movie. You'll walk past a beautiful mural. Someone will compliment your outfit, someone will laugh at your joke, someone will tell you they're happy to spend time with you. One day you will wake up early enough to see the sun rise.
It's a cliche to say "it will get better". That's because it's true. It probably won't be a linear upward trend, rarely do things stay better forever, but there will come a time when you'll be glad you stayed alive. I promise.
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TW: 200th rant about the stupid "HP fans are all complicit in antisemitism and transphobia" discourse, brought to you by my OCD-induced suicidality.
I've by now become so wary of trans people and enbies on social media, especially Jewish ones. I'm like "this person is GOING to be on their Harry Potter bullshit and trigger the hell out of my OCD" and my hackles go up automatically. Then my OCD goes "haha you hate them because they're Jewish and/or trans, you're an antisemitic transphobe so they're clearly right about people who defend HP! SUFFER bitch!" Cue hell loop until my brain is flayed over anything nobody actually even said or did.
I don't even LIKE HP that much anymore, why is wanting to stop having PTSD episodes about stupid shit the thing that also dropkicks me down seven circles of hell??? It's made all the so-called "leftist" enclaves of the internet a minefield. Why are people with OCD everyone's favourite collateral when it comes to stuff shitty rich assholes do? Is it so fucking hard to stop making up thought crimes to attack people over??
It's an extra layer of horrible when the same people have no problems applying "no ethical consumption under capitalism" to stuff like Coca Cola and Nestlé products. Y'all can't possibly live without child slavery chocolate or making brown people drink Nestlé's toxic filth or anything that's subjecting Indigenous communities and people in entire Global South continents to long, lingering, horrible deaths, but this one franchise whose author royalties are funding the UK transphobic lobby is the one line that matters. Fuck all the trans people in those places I guess. Every single Global North consumer moral policing is western leftists's dehumanization of our people writ large. Fuck all of you.
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I just realized. Your dream theory revamp means there's a wide field of options for endings outside of the dream, and I'm wildly curious about any ideas you have for that. Does Evan get to like. Grow up?? Ik you were still debating on the Bite for this, but I'm wildly curious about what things would be like if he actually got to continue on past that point.
Also, does Elizabeth still go missing?
I have. All the curiosity. Tell me anything. Or nothing. Follow ur dreams
I'm going to half-answer this in a rambling mess, okay, bear with me
So, initial idea for the au was that both Elizabeth and Charlie disappear, but I'm not exactly sure how that happens if William isn't actually a killer
Maybe it's possible that William accidentally killed Elizabeth in an ''abuse gone too far'' moment and covered it up afterward. Or there's some other killer or kidnapper who got their hands on Liz and Charlie. Or Liz and Charlie ran off together and got hurt and lost in the woods and never came back.
Orrrr, I was also thinking that it'd be nice to have an au where Mrs. Afton, aka Francine, is actually alive. So maybe William and Francine were going to get a divorce because William is an abusive piece of shit, okay, and William tries taking the kids and running because he REFUSES to loose everything that he had (all the "property" he owned) but he only manages to get away with Mike and Evan. So maybe in this version, instead of kids spreading rumors about how Elizabeth died, William and/or Mike is the one doing that to make Evan stop asking questions about Liz. William would have to leave Fazbear Entertainment behind to avoid jailtime for, yk, kidnapping though, so this version probably wouldn't work.
Or it's possible that Francine was the one to try taking the kids and leaving to keep them safe, but she's only able to save Liz for some reason. That way William is still part of Fazbear Entertainment, and anger and grief over the divorce/Francine running would further William's abuse of the boys; William could try pushing the idea that Elizabeth is "missing" around town rather than admit that his wife ran off with her, and kids around town still spread rumors about animatronics being responsible for Liz's "death." Maybe Charlie still goes missing, maybe not.
But either way, I think "Evan eventually grows up to reconnect with his mother and lost sister" makes for a good ending, especially if we squeeze Mike in there for the happy ending. Though ofc a lot of effort would have to be put into their relationship for Mike and Evan to get to that point, not to mention Mike and Evan having to get over the trauma of being left behind by Francine, whether she wanted that to happen or not.
If Mike does try killing himself at some point in the au, and esp if Evan is the one to find him, i can see Evan still growing up to be a doctor (probably pediatrics specifically) in the au, maybe; Evan wasn't the one in danger but the doctors and paramedics were all super nice to Evan when he had to call for help, when they showed up, and during stays in the hospital waiting room to see what Mike's fate would be. Evan obviously isn't very used to kindness, so their kindness would mean a lot to him.
It does admittedly feel weird to think about Evan growing up in this au tho, and I'm tempted to kill him off before he gets to that point for any other ending besides the "grow up and reconnect with his mother and sister" ending.
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