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#i just can't relate to people who are like IF A CHARACTER I LIKE GETS A SINGLE SCRATCH ON THEM I WILL LOSE MY MARBLES
latteandjacks · 2 days
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"They should've made an emphasis on Sallie May being trans before" "There should be things that openly indicate she's trans aside from the horns" "The merch shouldn't show her with a bulge if she's trans, logically she should hide it"
My brother in Christ shut the fuck up
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Aight, I get where most of you are coming from but let me just say that Sallie May is a big breath of fresh air from a lot of canon trans rep I've been seeing in the internet about big projects such as Helluva Boss, let's go point from point
This contains spoilers from Hell's Belles
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Sallie May is a transgender Imp, this is not something that was decided just now for the short as her first appearance in the moon harvest festival already shows her with the thick line horns (Which are exclusively from AMAB (Assigned Male at Birth) Imps
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If there's only one point these people made that I agree with is the fact that the horns thing should be something implied in the show, not specifically with the intention of outing a trans character but something simple that could give more context for those who do not check the wikis or the social medias that often
Other than that, I feel like they haven't actually meet a trans person irl because they believe that her being trans should be something that everyone should catch the first time they see her, that someone should inmeditaly point out she's trans, yet, they get upset at the fact that she's proudly showing a bulge on the merchandise They want the show to scream verbally about her being trans but not casually
You have no idea how relieved I felt when, at no point in the episode, her being trans was mentioned or outed, none pointed out her horns or voice and instead the problem was her feeling left out of her sister's life, and, again, not because she's trans and feels like Millie doesn't view her the same or some bullshit, but because Millie doesn't go home as often and felt a bit mad when she had to do her work In fact! Her not getting genitalia reconstructive surgery is also a thing that is cool about her, she got tits but didn't chop off the dick and is not insecure about it, most of times trans people are put between not getting surgery or getting ALL of the surgeries AND being extremely insecure about their genitalia, and yes, there's a lot of trans people that feel that way, but I think that aspect of her is really good representation for those that don't want to get surgery or only want to either reduce or enlarge their chest, not everyone gets dysphoria the same way and this doesn't make her less of a woman for that
Even if it's okay to have characters where one of the main issue of the comes from being trans (I have a few myself), It's also nice to see character that are trans but the main issue with their life comes from something completely different and not related
So for people upset about her passing so well you can't immediately tell she's trans Surprise! That's a lot of us want, that's what a lot trans people irl try, to just be a person of the gender we really are, to be normal and not needing to always out of ourselves, to be treated the same no matter what I make a lot of jokes about my lack of dick and my excess of tits, I only out myself as trans when formally presenting to someone and that is just because I'm not allowed to be trans so I don't pass as a boy at all and need to specify, but me being trans is something that most of my friend only bring into the conversation to make a friendly joke or when I bring it up
Sallie May is not only good representation, is one of the best I've seen in a while in the modern adult media, because she's subtle yet obvious You may not like Viv (Me too girl /non gendered), but I got to give it to her, the lgbt+ representation she does is on point
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Anyways now that I tackled down that issue is time to actually talks about this short as a whole see ya
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pomefioredove · 1 day
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Hi! This is very very specific, but…I've had a rough start to my day today, kinda relating to the topic of my request…
So I was wondering, would it be alright to request HCs of Jamil, Ruggie, Leona, Floyd and Rollo with a Reader who runs into an emotionally abusive/manipulative parent they haven't seen in a long time? The kind of subtle abuse that's hard to tell (from the inside, at least) is even abuse at all, and makes you doubt yourself a lot. Kinda narcissistic abuse
Kind of a hurt/comfort thing? Like how they'd deal with the bad parent and the Reader opening up a bit about it. Romantic or platonic, either one is good
Feel more than free to ignore if this kind of request isn't your thing: that's totally fine, I understand it's a bit heavy, not to mention very specific, so please do what makes you feel best. I hope you have a good day!
ahhh of course! I relate to this sort of thing a lot (although I don't use terms like narcissistic abuse since abuse is just abuse to me) and I know exactly what you mean. I love hurt/comfort and you're well within my boundaries since the only thing I wouldn't write pertaining to this topic is intimate partner abuse (like with an s/o). so you're perfectly fine! I enjoyed writing this <3
summary: comforting a reader with an abusive parent type of post: short fics characters: jamil, ruggie, leona, floyd, rollo additional info: reader is not specified to be yuu ("shrimpy" is used as a nickname during floyd's part tho), reader is gender neutral, food mention (ruggie's part), actual interaction w the parent happens during leona and rollo's parts, mentions/descriptions of emotional abuse, although reader is kinda vague about it
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Jamil Viper
Jamil knows what it's like to feel stuck.
That's really all he has to know when he recognizes that look on your face.
Perhaps you usually wear your heart on your sleeves, or perhaps you're better at keeping your emotions to yourself, like him, but either way he can tell something is very wrong the second he sees you.
It's a bit strange, isn't it?
Surrounded by people in the cafeteria and yet no one seems to notice the shadow cast over you.
He tries to talk himself out of it for the rest of the day. He has enough on his plate as it is, and it's not his problem. He's Kalim's keeper, not yours.
But that sense of unease doesn't go away.
He drags himself out of bed and somehow finds himself at your door in the dead of night.
And even though it takes you a moment to answer, he can tell you were already awake.
"Here," he says, handing you a warm meal in a container. "I noticed you didn't eat today. We had leftovers."
You don't feel very much like eating, but you accept the gift, anyway. It smells amazing. His cooking always does.
"Thank you," you mumble.
You can't think of anything else to say.
"Are you... well, Kalim sent me to ask if you're feeling unwell," he lies through his teeth.
"I'm fine,"
Another lie, this time of your behalf, which annoys him ever-so-slightly.
"You're clearly not. Are you sick?" the question is vague enough, said in such a way that leaves you with the impression that he wasn't exactly referring to a physical illness.
"I've... had a rough day,"
Jamil is quiet for a moment, thinking to himself. And then: "Do you mind if I come in?"
He's always so careful with his words that such a direct (yet polite) request almost catches you off guard. You step to the side, letting him in your room.
"I don't mean to pry. I know it's not my place," he says, watching you close the door. "But... Kalim is worried. Yes."
You shake your head. "It's fine. I'll get over it,"
It.
What did "it" mean? Surely this couldn't just be a lousy day.
"Did something happen?"
You hesitate.
"Have you ever... ran into someone who made your life miserable? That you thought you moved on from... and it starts to feel like you're stuck in that place all over again?"
Of course. Of course he knows what that feels like.
He has to live through that exact experience every day, without even being able to move on.
But he can't just say that. And this is about you, after all.
"I'm familiar with the feeling. I suppose that's what's ruined your day, then?"
"That's one way to put it," you sigh, sitting at the edge of your bed. "Sometimes it feels like all the progress I've made is just... null. Like I'll never really move on."
He hates how much he's relating to you. How much you're affecting him, now, too.
He follows you to the bed and sits beside you.
"Someday, though, you will. It may feel hopeless now, but... you won't stay stuck forever,"
Unlike me, he thinks.
"How can you be so sure?"
"I can't be. But you don't strike me as someone to give up after hardship,"
Like me.
You're quiet for a moment, seemingly considering what he told you. And then you hug him.
A nice, soft hug. Not abrasive or sudden like the ones Kalim gives. He'd almost forgotten what it felt like.
"Thank you, Jamil,"
He hugs back. "Of course,"
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Ruggie Bucchi
It was almost painful, watching you fumble with your wallet like that.
You couldn't seem to get the proper amount out, shaking like a leaf and apologizing profusely. Sam keeps telling you it's okay, but the line forming behind you is starting to grow restless.
Ruggie included.
He has places to be, after all, and he's got two whole crates of energy drinks to lug back to Savanaclaw.
He has half a mind to ask what the holdup is.
And so, he peers over your shoulder, ready to- oh, no. You're crying.
Damn it. Why can't things ever be easy for him?
He can't even chew someone out for taking up all his precious time without being thrown a curveball. And now he feels bad.
Sigh.
"Hey, I got this," he says, setting his heavy crates down on the counter and flashing a card.
Your eyes widen. "Oh, no, Ruggie, you don't have to-"
"Relax, it's Leona's money, not mine," he offers a grin, ignoring the tears trailing down your face. "He won't even notice it's missing."
The line behind you two breathes a collective sigh of relief (much to your embarrassment) and Ruggie shoots them a glare.
"I... I still can't accept this-" you start, before he quickly shushes you.
"Hey, if you wanna make it up to me, you can help me carry these things. I'll call it even,"
You're silent for a moment as Sam finishes ringing you both up, and then you take a crate. As quiet as ever. It's unnerving.
You're walking back to the Hall of Mirrors when Ruggie breaks that silence by bringing up your purchase. "So, what's up with the afternoon snack? Not that I'm judging- I'm jealous. I skipped lunch, shishishi,"
"Oh, it's nothing," you mutter. "Comfort food, I guess."
The concept of comfort food is extremely appealing to him. "Huh. Long day?"
"Something like that... Why'd you skip lunch?"
Trying to change the conversation topic? Clever. But he'll bite, anyway.
"Leona forgot some of his class stuff, so I had 'ta run and get it. Too bad he forgot where he left it... I was all over campus,"
"Did you find it?"
"Eventually. Or else I'd be busy getting my neck wrung instead of 'bein here with you,"
You nod, and the conversation swiftly dies.
After another awkward beat, he clears his throat. "So you... you wanna talk about it, or something?"
"What?"
"You know, your... your day," he mutters, shrugging. He's desperately trying to remember all of the things his grandma did for him when he was upset as a child. "Talking about it might... make 'ya feel better, y'know?"
You're quiet again, and for a moment Ruggie is worried he said something to offend you.
Then, much to his relief, your voice picks up. "I ran into someone today,"
"What? Like someone was giving you trouble?"
"No, not a student. Someone I don't see very much anymore. Um... I guess it just threw me off,"
He tilts his head to the side. "Why?"
"I don't... well, we don't get along very much. Something about them just makes me feel... very... small. Insignificant,"
You don't ask if he understands what you mean, but he does. Not that he'd ever admit that so openly to you at a time like this, but being small and insignificant is basically his job.
And as much as he likes the perks, he can imagine how rough it would be to deal with that and not get to use a bottomless credit card whenever the opportunity presented itself.
He struggles to respond for a moment.
"That's rough,"
Definitely not the sympathetic response he was going for. At least you don't seem to mind.
"I-I mean, sometimes we have to act small to survive. It's a part of life, 'ya know? But that doesn't mean you are small. Just surviving on its own is an accomplishment," he recovers from his earlier blunder, trying to smile. "You should be proud of yourself, if anything."
"That's..." you say. "That's one way of looking at it."
He sighs. "I'm not expressing myself very well, am I? What I'm trying to say is that you're not small or insignificant, and living life feeling like you are is a survival tactic at best,"
The both of you stop in front of Savanaclaw, and he offers another grin.
"And if you ever wanna talk about this stuff... well, I'm around... And you can come inside now, if you want. I could definitely find more stuff to carry!"
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Leona Kingscholar
Leona Kingscholar is very, very much enjoying parent weekend alone, thank you.
Of course his folks don't want to attend a school event for their disappointment of a second son. Why would they care? And on Cheka's birthday weekend, no less...
But that didn't bother him. Not at all.
As long as he slept through the weekend without being bothered by any happy-go-lucky nuclear family units, he'd live.
That plan lasts about five hours.
"You'd be better off doing something more useful with your time. Sports, or science, or... something that might help your future. But if you're so sure... I suppose it's better to cut our losses now than put any more faith in you. You just can never decide, can you?"
That voice. Unfamiliar, but drawling, laced with poison. Aggravating enough to stir Leona from his nap in the botanical gardens.
And it's getting closer.
"I just don't understand. Why get accepted into one of the most prestigious schools in the world just to spend your time goofing off?" a long sigh. "But as long as you're happy... we just want what's best for you."
Leona grumbles, turning over and trying to drift back to sleep.
"I'm trying,"
This voice is different. No- he recognizes it. It's yours.
"Are you? You know I know what's best for you, right?"
Sevens. This is your parent speaking to you? No wonder you've been acting all jittery lately.
He sits up, giving up on his nap, and continues listening in.
"I know," you say. "I really am trying, though."
"Did I say you weren't? Don't speak for me,"
This is getting ugly. Leona stands, stepping out of the shrubbery and clearing his throat behind the two of you.
You're the first to turn. "Oh- Leona! Sorry, we didn't mean to disturb you,"
"You're fine," he snaps, sharp eyes turning to your parent beside you. "Who's this, then?"
"This is-"
"Their parent," they go ahead and introduce themselves, cutting you off as if you weren't speaking at all. Like you're a piece of furniture hanging in the background. He's not a fan.
"Really? From the way you were talking, I would have guessed that you were their coach. Or boss,"
Your eyes dart between the two. "Leona-"
"You're fine," he reaffirms. "I was just looking for you, anyway. We really have to talk."
You pause, raising an eyebrow. He? Wants to talk to you? Now?
"Is it important?" your parent asks. The question is directed at you, although he answers.
"Very. I was just coming to ask you, very politely, I might add, to reconsider my offer,"
"Your... offer...?"
Your parent looks down at you. "What's he talking about?"
"Can't blame you for forgetting. I'm sure you're busy with all your... school... things. But I do have to ask you to rejoin the spelldrive club. We're in shambles without you,"
He gives you a certain look, one that clearly reads "Go along with it."
Leona Kingscholar offering an olive branch to someone is a rare occurrence. So you take it.
"Oh! Right, I have been busy with school. I've been meaning to get back to you..."
Your parent looks between the two of you with just the faintest hint of confusion, and then frustration. "You've been playing spelldrive? When was I going to hear about this?"
"They haven't been playing with us," Leona says, a small smirk already forming. "They're the team manager. They're way too smart to be out on the field- no, they're running the team, they're organizing everything, their strategy is like nothing we've ever seen. If only they were in Savanaclaw, we might have a chance at winning one of these years."
"Uhhh..." you start, looking between your parent and the oddly friendly and receptive clone that's replaced Leona. "...Yeah, right."
"Now, if you'll excuse us, we really have to discuss official club matters," he says, shooing away your parent until they eventually give in and leave.
As soon as they're out the door, you turn to him. "What w-"
"Are you alright?" he asks.
Stunned would be an understatement. "I'm fine,"
"Really? Cause you're looking at me like a gazelle caught in headlights,"
"I-I guess it's just been hard... having them here,"
Leona nods, closing his eyes as he thinks to himself. Then, he sighs.
"Yeah. I get that. Come on, then,"
You raise an eyebrow as he starts off in the opposite direction. "What? Where are we going?"
"Somewhere quiet and warm to nap. Being around that person sucked all the energy right out of me, I can't imagine how exhausted you feel,"
He turns to look over his shoulder with a smile. "With any luck, we'll avoid them for the rest of the weekend,"
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Floyd Leech
Of course, he can tell something's up right away.
Well... maybe it takes him a little while to tune into the conversation, but once he does, he notices you've been... awfully quiet throughout it.
His favorite little shrimpy? All sad? Moping around like a kicked puppy?
Now this catches his attention.
"Bored?" he asks. It's his first guess.
"Hm?" you ask, looking back at him. "No, I'm fine."
"But you're not,"
"Okay, I'm a little distracted,"
Now that, he can understand. But there's still something very off about the whole thing that he can't quite put his finger on.
"You're not telling me something," he states, matter-of-factly, crossing his arms.
You raise an eyebrow. "...And?"
"And I wanna know. I'm not letting you leave until you tell me,"
Your thought process is probably ranging somewhere between "oh, no," and "oh NO," by now.
"I sweaaar, it's nothing," you insist. "I just had a bad day, okay?"
"Why?"
There's no turning back now. He's invested, and until he loses interest, you're stuck here.
"It was... just... long. Can I go now? I have things to do,"
He frowns, and stands, and then puts you in a headlock. "Alright, where're we 'goin?"
"FLOYD!"
He drags you along with him, remembering not to be too rough as he takes you from place to place on his dailies. You begrudgingly learn to accept it.
When you walk back into the Mostro Lounge, Azul and Jade don't even bat an eye.
"You're thirty minutes late- ah, why do I bother?" Azul says, rifling through a stack of papers on his desk. He only looks up when he catches a glimpse of you. "Oh. Hello, there."
You wave half-heartedly. "Can I get some help?"
"Floyd. What is the meaning of this?" he asks.
Floyd pouts. "There's 'somethin wrong with them and they won't tell me what,"
"Are they ill?"
You lower your eyes at the two as they speak like you're not even there. "Hello?"
"Nah, they feel fine. They're all mopey, though,"
Azul hums to himself, lost in thought. And then: "Well, figure out what it is, and get to work, if you please,"
"Azul!" you shout. He ignores you.
Floyd drags you back outside the office and sits down with you at one of the tables, waving to concerned lounge-goers as they pass by.
"Now will you tell me?"
"Geez, alright, alright. I give up, you win," you sigh. "I... well, my parent was here earlier. At school. And we talked, and they... said some not-very-nice things to me. That's why I've been upset, okay?"
Floyd's smile immediately drops. "I win? But that's not a very good prize,"
"Tell me about it,"
"Why would anyone be mean to you, anyway? You're the best shrimpy I know!"
You avert your eyes. "It wasn't... mean... per se. Just... not nice,"
"Sounds mean to me," he mutters. "I don't get it."
"Well, sometimes these things just... don't make sense. It's my fault, anyway," you sigh.
His gaze sharpens at that. "'An who told you that? You didn't do anything! I'm starting to really dislike this parent of yours,"
His sudden mood swing doesn't phase you, but it does lift your spirits... just the tiniest bit. Even if you wouldn't admit that to yourself. "Hey, it's fine. I'm over it,"
"You sure you don't want me to squeeze 'em?"
"Heh. No, that's okay. I would like you to let me go, though,"
His eyes widen at the sudden realization he still has you in a headlock and he quickly releases you.
You sit up, stretching and rubbing the back of your neck. "Thanks,"
"My arm was starting to hurt, anyway..." he thinks for a moment, looking back to the office door. "Ya think I can use that to get out of working? I wanna spend more quality time with my favorite shrimpy. You could use it!"
You look to the door and shrug. "Hey, worth a try, right?"
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Rollo Flamme
Out of all the things to ruin the day, of course it had to be your parent.
The disappointment between the two of you was palpable. And even though it was only a brief encounter, it was enough to sour the rest of the afternoon for the both of you.
The first thing Rollo noticed, of course, was the manner in which they carried themselves. As an authoritative, important figure, puffing out their chest and towering over you. What gave them the right...?
They were not a leader, nor a public figure, nor anyone of interest, if your earlier mentions of them gave him any idea. Nothing but an adult who spoke to the both of you as if you were tiny children.
He loathed being talked down to.
Perhaps he should have said something sooner than he did, and perhaps he should have said something more than the interruption he used to excuse you from the conversation.
And now you're just quiet.
"Are you well?" he asks, looking at you from the corner of his eyes.
You shrug.
"I apologize for not speaking on your behalf sooner. I did not want to be rude,"
No response at all.
Your silence was driving him mad. He couldn't get a good read on what you were feeling when you kept looking away like that.
"If you'd like to return home early, I would understand and escort you promptly,"
"No,"
A response. Not a good one, but a response nonetheless.
"May I ask you a question?" though he doesn't really wait for your permission to go on. "Why do they speak to you like that?"
That comment seems to jolt you, and you turn to look at him with wide eyes. "What? Speak to me like what?"
He struggles for the right words.
How could he describe it? It was so... odd. The words they spoke to you didn't sound cruel, but there was something sinister lurking beneath them. And not even in the typical "polite for the sake of it" sense.
Each response they gave was laced with a sort of venom that seemed to sting you. You had grown quiet, distant, as if you weren't really there at all.
Of course he was familiar with such tactics. He could weave his own words with ease. But you had done nothing wrong- you were guiltless. Why were you being punished?
He couldn't quite come up with an answer.
"You seemed uncomfortable," he finally says, looking away again. "I apologize for such an experience happening to you under my watch."
"It's not your fault,"
"It certainly isn't. And it's not yours, either,"
A blanket of silence falls over the two of you until he speaks again.
"You have nothing to feel bad about," he reaffirms.
Another pause.
"And I don't mean to intrude. But if you ever need my assistance, you know where to find me,"
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tsams-confessions · 2 days
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We're coming off anon with this one boys. It's long and I apologize but it's been weighing on my mind for quite some time.
There are three things people tend to know me for in this fandom. My art, my fanfics, or my thread on TSBS server. Said thread is a place where I talk about the psychological aspects of the show, as well as do character analyses and sometimes even analyze entire lore uploads for the kicks and giggles. I'm a psychology major, I also have ASPD. I made the thread so I could talk about Eclipse, who at the time I suspected had the same disorder I do and which was later confirmed less than a week after I made the thread. Since then Ruin has also been confirmed as an ASPD haver, which I personally deeply enjoy. It's fun for me to talk about my disorder and relate it to the show since ASPD is really hard to understand. 99% of people are inherently capable of empathy, and about 2% of that 98% lose that ability during childhood. So it's understandably not a very well-understood disorder. It's also a very scary and dark disorder, and I can say that honestly because I live with it. Due to this fact, it tends to be villainized in media, and I am very refreshed by the fact that TSAMS does a good job of not making their ASPD havers raving lunatics with a thirst for blood. 
Anyways, that's just background information. So far I haven't met very many weirdos about ASPD in this fandom. Almost everyone is very chill with the fact that I am a sociopath and I haven't received a ton of weird comments about it. It's a relief since I deal with a lot of open stigma and harassment irl because I refuse to pretend to be something I'm not. However, there was an instance in my thread when I was actively talking about ASPD, and a new member decided to. . . I don't even know. It was creepy and weird, and really uncomfortable. They basically told me that I'm 'too nice of a person to be a sociopath' and that they could tell that I wasn't a sociopath because they see the good in people. They also said that they were surprised that there are sociopathic people and inferred that sociopaths are pretending, whatever that means. They kept going to keep making weird and stigmatized comments about the disorder, as well as continuing to compliment me in a very unnerving way. I think about it a lot because it was very uncomfortable to be interrupted like that in the middle of talking about ASPD. There was the new mod online and participating in the conversation, but they didn't say anything to the person who was actively making me uncomfortable, even though I expressed such in the chat. 
I deal with a lot of stigma and ableism in my day-to-day life, where people tell me that I can't be a sociopath because of really stupid shit. Like the fact, I get along with people or want to help people in the medical field. Or the time-tried 'but you're a woman' comments. I don't understand why the mod kinda just left me to fend for myself and ignored the person causing issues, and while I don't hold it against them, I do have anxiety about this situation repeating itself in the future. It's not easy to talk about a disorder that the average person could not even dream of understanding, and it's even harder when people who don't know you are trying to tell you that your disorder is fake based on flimsy reasoning. It's really invalidating of the actual hellscape I had to survive to be able to even turn 18, and it rakes up my anxiety to a 10 just at the thought of it. There's not a lot of safe spaces for someone to talk about having a dark disorder, and even less for something as rare and misunderstood as ASPD. It's hard enough as it is being a high-functioning sociopath, and I just needed to rant, I suppose. Haha, could make it a "tl;dr even I get offended sometimes."
Anyway, not dropping names, but it wasn't a private matter. Nor am I upset with the mods, it's just a thing that happened that I think about a lot because it's a very rare thing for me to be offended. Glad that the majority of this fandom that I've interacted with has been willing to hear me out ASPD, but I just worry about having a repeat situation like this. It's a very sad thing to witness in this fandom that talks about inclusivity. We can't pick and choose our disorders, and where there are canon sociopaths in the show one would think the fans would try to be a little more educated on the disorder (not directed towards anyone and I appreciate the people who are willing to ask me things about it instead of making assumptions).
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starsreminisce · 2 days
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Hiii!!! I love your blog so much 😍😍😍.
I have a question for you: Do you think SJM could have Elucien reject their bond without exploring it? I feel like for Elriel to have a book, the bond would have to be rejected early on so the story can focus on Azriel and Elain and whatever plot SJM chooses, just like she did for feysand in ACOMAF. It would be weird for Elain to explore the bond and get to know Lucien while building her relationship with Az at the same time. Especially when it’s supposed to be a dual POV. If she’s dealing with both, they both should have their pov as well for it to make sense - in my humble opinion.
Hello! Thank you so much for your kind words!
Short answer: no.
This isn't just Elain's bond to Lucien; it's also Lucien's bond to Elain. As you mentioned with Feyre, she underwent a process of understanding her relationships with Tamlin and then with Rhys, eventually discerning the differences between the two.
We see a similar exploration with characters like Aelin, Rowan, Lysandra, Chaol, and, to some extent, Bryce with Connor and Ithan with Bryce.
When SJM introduces a new character as a love interest, there's typically a lightbulb moment that reveals why one person wouldn't work and then segues into why another would.
Remember Az's bonus chapter?
Personally, a rejected mating bond would have been included as part of Elain's early healing journey. We would have been introduced to this concept in ACOSAF as it sets up the trajectory for the next couple of books.
Consider the dinner scene where Elain attempted to join the conversation but faced challenges, particularly when Amren tells her she can't be human anymore. While the reasons behind Elain's inquiry may remain ambiguous (small talk, genuine interest, existential crisis, powers), Amren later confirms that Elain isn't okay. Then we have Lucien dropping off the presents. We could have been given insight into Elain's potential rejection during Feyre's confrontation, either through Feyre's speculation or Elain's hints, yet it's Mor who reassures Feyre that they just need time and things will work out. Happiness doesn't seem to be part of a rejected mating bond equation—not when it haunts her, not when it drives Lucien to madness, not even when she senses his death.
How will the story proceed with only two perspectives in the next book, considering ACOSF sets the stage for a different narrative structure? It's worth contemplating the trajectory of Elain and Lucien's journey together as they pine over different people while processing their bond. What happens next? Will the following book be a quad POV because their HEA hasn't been realized yet, or will it solely focus on Elain, leaving Lucien's fate uncertain?
I recall reading an Elriel's comment about SJM writing them into a corner. I can't relate—she made the road to Elucien pretty clear to me.
And if she had forgotten that the bond could be rejected until ACOSF, then isn't it telling that she had no plans for it at all?
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backgroundagent3 · 3 days
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for the character ask, daisy johnson!
Thank you so much for the ask! 💜 I love any excuse to talk about Daisy Johnson.
First impression: I'm trying to squeeze my brain here, but all I remember was trying not to like her at first because I knew se was a double agent for the Rising Tide. It goes without saying I failed miserably about three episodes in.
Impression now: She is my favourite character of all time.
Favorite moment: I really can't choose, but one that comes to mind was the final fight of season 5. I think it's a very underrated fight scene, because it's the end of the world, her dad is dying, she has been recently betrayed and tortured by her friend, and she still goes into battle BY HERSELF against Talbot, and if that wasn't bad enough, when she's about to die a horrible death she realises that the only way she can save the world is if she takes the serum and basically condemns the person she loves most to his death. It's so heartbreaking and poetic, but very cool to watch, and I just love so much it, idk.
Idea for a story: This is angsty but I would love to read something where the events of 5.14 are properly dealt with. May watches the security cameras and goes ballistic on Fitz, and Daisy gets time to grieve and heal. They get Coulson back and he's horrified, and Jemma is so conflicted but she's there for her best friend.
Unpopular opinion: Since apparently I can't stop thinking about season 5, here's some more. I think she actually did a good job of leading the team in season 5b. Especially if you consider that she's been recently tortured, her family doesn't seem to care, she has no experience, and hasn't gotten a good nights sleep in about 5 years. She might be tough, but hello? IT'S THE END OF THE WORLD?? You have to be at least a little bossy if you wanna make it through that. Also if you're gonna be a baby and call her a hard ass maybe you should have thought twice before joining SHIELD.
Favorite relationship: If it's romantic, then Sousa. I love them so so much, they're literally perfect and despite my obvious outrage at season 5, I will forever love the AoS writers for somehow pulling that off. As for platonic relationships, I'd say May. She's the perfect mother figure for her, and I love the parallels between them. I think Daisy has the best relationships in general, but this one is my favourite. Honourable mentions go to Coulson for being the most unhinged dad ever, and to Jemma for being the sweetest friend in the earlier seasons.
Favorite headcanon: before she goes off to space at the end of season 7, she rebuilds Afterlife with the help of Sousa and Kora. I've said this before, but I think they are actually the perfect team to do this. Kora has lived in Afterlife her whole life, she's seen Jiaying help people go through Terrigenesis, and she's been though it herself in a much healthier and safer environment than Daisy. Sousa is reasonable and calm, which are good qualities to have when you're helping someone who's terrified and potentially dangerous. He has experience leading people, which I think would make him a good mentor for the Inhumans. So Kora has the experience, Sousa has the qualities, and in my opinion, Daisy has a nice combination of the two. She has a different and much more horrifying experience of Terrigenesis that people who accidentally go though it can relate to, and she has spent years exploring and controlling her powers, so she knows what the deal is. And she's also a good leader, so where Sousa can help the Inhumans pre-Terrigenesis, she can train them after if that's what they want. Because that's another thing, SHIELD may be funding Afterlife, but they've learnt their lesson and they're not sticking their noses where they shouldn't. They accept new recruits and help train them, but if that's not what the Inhumans want, then SHIELD helps them get settled back into their normal lives. Anyways this got long but it's one of my favourite headcanons, so there you go.
Thank you so much for the ask! Sorry for rambling, but I have a lot to say about Daisy. 🌼💛
Character Asks.
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katlyntheartist · 2 days
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Knuckle series is out!! Any thoughts? Does it affect your Jojo and Gang au?
Spoilers for the Knuckles series people! Avert your eyes children!
First, let's talk about the things I liked:
- Sonic and Tails were great for as little screen time as they had. And Maddie trying to be patient with Knuckles while also not strangling him was great, haha. As someone who worked at a Daycare, I related to her dealing with kids like Knuckles and Maddie's facial expressions when she was grounding Knuckles were on point. Also THEY HAVE A PLAIN BED FOR TAILS AND A TRUCK BED FOR KNUCKLES AHHHHH!!!!!
-Pachacamac is a Jedi Force ghost? Alright then. I don't know much about this character outside of Sonic X but I thought that he was fine. And Christopher Lloyd does a great job as usual.
-Wade was not terrible. I like how he has some character growth through the series and at the end he isn't a master warrior/fighter. He's still a goofball but now he's thinking things through and using what he has and his current surroundings to his advantage in a fight, and isn't just hiding and waiting for Knuckles to save him. But him breaking out of the cage in episode 4 was a bit ridiculous. What was that cage made of, cardboard? He really should have broken his hand or something.
-I liked the villains but I wish that we got to see them more involved in the story, especially the buyer. Who was menacing for about five minutes and then was crushed to death like, dang 0-0
-NANA WHIPPLE AND KNUCKLES SPINOFF SHOW PLEASE!!
-Knuckles was the best part of the show. He's the strong tough warrior but with a big heart and good intentions, though a bit misguided at times. Idris did a great job, nothing new there.
And now let's get into the things I didn't like:
-The show is %70 Wade bowling story and %30 Knuckles adjusting to earth and his backstory with Pachacamac and his tribe and his connection to the master emerald and everything else that the show should have been about. The Wade sub plot takes up so much time that we don't get to explore Knuckles. I wished that we had gotten to see him learn to appreciate and call Earth his new home instead of him just accepting it at the end. It just felt so rushed.
-Episode four wasn't awful but I didn't care for it. Also you can NOT show us the Flames of Disaster from '06 and not have Silver or Blaze show up. You can't do that >:(
-Knuckles and Maddie didn't get to have a heart to heart conversation which is what I and many others thought that was what the show was building up to. Also he never gets in trouble for running way and we never cut back to seeing Maddie or Sonic and Tails realizing Knuckles is gone, or even Sonic and Tails trying to cover for Knuckles. I get that the CGI was expensive and voice actor and actor schedules might not have worked out for it to happen, but my point still stands.
-Wanda was useless and you could have cut her out and lost nothing. Don't get me wrong, the actress is good but she feels wasted here. Her character is so annoying and serves no purpose other than to be mean to Wade. And why do we have to have the "siblings who hate each other but make up at the end" cliche? I would have liked Wanda more if she was nicer to Wade from the start and if they had a fun sibling bond with each other. Also if she was able to actually use her skills as an FBI agent to at least hold her own against the gang when they attack Nanna Whipple's house. Also the dad needed to be more comedically villainous, he was too generic.
-Like I said the villains here are fine but the Buyer's whole character is to just show up, have a cool robot fight, and die. We don't get to see him be a threat to Knuckles at all, he just appears for the climax and then is offed in a snap. And the two agents were fun but a lot of their dialogue was graining.
-And that leads me to the main problem with the series. The writing. I'm aware that the writers for the main movies didn't work much on this series, except Jeff did do the first episode. Which is why it's the best one. There is no balance between the jokes and the emotional moments. The show is so focused on trying to make you laugh every five minutes that it sacrifices genuine emotional growth for the characters especially for Knuckles. You know, the whole reason for the show existing in the first place. It suffers the same problems that the live action Ton and Jerry movie had, where the main stars weren't allowed to be the main stars of their film. All of the screen time there went to the human characters who weren't interesting or just plain annoying and mean.
And the dialogue for the show teeters back and forth between actually funny/well written and being dangerously close to obnoxious. And kids shows having jokes all the time isn't a problem. Rottmnt and the Lego Movies are both kid properties that fire off a joke every minute but they knew when to cut back and let the emotional moments shine. The jokes in the Knuckles show felt more like they were pandering to four year old's then actually trying to be funny and the emotional moments felt kind of forced.
I don't want to give any of the writers or anyone who worked on this show a hard time. I can see that everyone worked hard and had fun with this. And I had fun too. There were some good moments between Knuckles and Wade and even a few jokes that got me. But the problems I listed above are just to hard for me to ignore. If you liked the Knuckles series then great for you! I'm happy you were able to have a great time! But for me it was just ok.
Not great. But not bad either. 5/10.
Now, about this affecting Jojo and Gang. I think what I'll do is have comic take place a month after the Knuckles series. And use my AU to focus on Knuckles getting accustomed to Earth and learning to call it home. Basically my AU will do what the Knuckles series didn't.
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bougiebutchbitch · 4 months
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cannot believe that 'yelling at your boss when he repeatedly almost gets you and your crew killed and lies to manipulate you into staying when you try to leave, is not emotional abuse, actually' and 'there is such a thing as a mutually toxic and unhealthy relationship where both parties are incredibly shitty to each other - and this is obviously where Ed and Izzy stand until S2, when it becomes blatantly abusive' is a controversial take. But as this is Abuse Apologism And Ableism, The FandomTM, I really should not be surprised
Just.
I was deep in physically and mentally abusive relationships in my teens/twenties - including relationships that started out with mutual toxicity and bad decisions on all sides, but which became outright physical & mental & other sorts of abuse with myself as the victim. I know my shit.
I suppose I can see where 'Izzy emotionally abused Ed' comes from IF people give literally the most uncharitable interpretation to Every Single Scene, and assume Izzy shouts angrily at Ed and negs him all the time rather than this being how he acts when he's incredibly stressed by circumstance caused directly by Ed and at the end of his fucking rope? Which, as we see in S2... Is not the case.
It's not freaking emotional abuse when you're shouting at your boss who keeps almost getting you and your crew killed. Even if this is NOT a kind or productive way to help Ed deal with his mental health, considering that Ed's actions have consequences that he repeatedly and blithely ignores, it's pretty fucking justified!
It's not freaking emotional abuse if your boss OPENLY LOVES MAIMING PEOPLE AND IS MORE THAN HAPPY TO BURN THEM ALIVE and you encourage that, while upholding his right to not kill with his own hands. Even if he has private breakdowns after the fact because he suffers from black-and-white thinking, dissociates himself from any wrongdoing, and is afraid of his potential to become 'a monster'.
Are these choices helpful? No. Are they kind? No. Is Izzy demonstrating Model Citizen Behaviour? Definitely not.
But it's sure as hell not emotional abuse. And it doesn't justify the physical and emotional abuse Ed puts Izzy through in S2.
Nothing you say can 'make' him hit you. If he chooses to hit you (or... choke you out then repeatedly mutilate you and pressure you to commit suicide and makes you constantly live in fear for your life and the lives of people you care about) he makes that decision himself. Yes, even if you shouted at him first. Yes, even if you were arguing. Yes, even if you were in the wrong in that argument. Yes, even if he has a Tragic BackstoryTM and mental health issues. This shit shouldn't be controversial.
Signed: one of those actual abuse survivors.
#izzy hands#israel hands#the izcourse#ofmd izzy#our flag means death#ofmd#to be clear: I think Izzy was an absolute shitbag in S1!#but. as someone who WAS emotionally AND physically abused just. Idk. The amount of straws people are grasping at#that's... not what emotional abuse looks like. holy shit.#if they were trying to depict that then they frankly did a really bad job lol#I think he was jealous and also worried for himself and HIS crew (who weren't the Revenge crew at that point in time)#I think he egged Ed on. But as we see REPEATED THROUGHOUT THE SHOW#ED DOES ENJOY VIOLENCE#HE LOVES A GOOD MAIM#HE BURNS PEOPLE ALIVE#THEN DISSOCIATES - that's what makes his character so fascinating and relatable to me! but he absolutely kills people#he just can't handle the reality of that or what it says about him#Izzy didn't 'make' him do jack shit. S1 is heavily dedicated to showing just how much Izzy never can get Ed to do what he wants#'Ed was afraid of him'?? wtf where do you even GET that from#if anything Ed is afraid of HIMSELF in that final scene. And he has good reason to be!#That self-loathing and fear of the self is INTEGRAL to him! See: when he's ACTUALLY scared of the fucking kraken#Anyway stop making both Ed and Izzy fundamentally boring by making one wholly good and one wholly bad lol#Izzy did bad shit. He got a good redemption arc and died. a lot of his fans are tired of that arc.#Ed did bad shit. He didn't get a good redemption arc and a lot of his fans are pissed about it.
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utilitycaster · 1 year
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After all that discussion touching on character death I want to note that I think Travis's self-imposed mechanic for Chetney rolling to see if he died of old age in his sleep is absolutely top-tier. On the one hand? Very possible he never rolls a 100 and this remains a running gag. On the other, if it does? Move of all time.
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lord-squiggletits · 1 month
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"IDW Megatron got a redemption arc and Starscream didn't it's so unfair--"
Do not slander Metalhawk, Bumblebee, and Windblade's hard work trying to fix this man they didn't work for half the continuity (and in 2/3 of their cases) literally die and come back as zombies/ghosts for y'all to be out there saying no one helped Starscream get redeemed and have friends and be a better person
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myrmica · 10 days
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speaking of interpretations i don't like i hateeeeeeeeeeeeeeeeee the idea that lifesteal characters are somehow different people or lose memories between seasons i hate it so bad
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mermaidsirennikita · 3 months
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sometimes it drives me literally insane to see romance requests that are like
--I want a romance wherein it's basically the happy epilogue throughout the book
--I want a romance that has great communication and they never withhold anything from each other ever
--no "miscommunication trope"
The last thing is just a general gripe about how so many of the things people say are tropes are not tropes, and it's pedantic and snobby but like. Miscommunication is so broad. It's not a trope. People are miscommunicating. WHAT are they miscommunicating about? Is one of them keeping a secret identity from their partner? Because a secret identity romance iS a trope. Is one of them withholding their feelings out of fear of rejection?
Because people DO miscommunicate. Often writers do write it clumsily. If people miscommunicate for no reason, sure, whatever. But if they miscommunicate BECAUSE of a REASON--like, often it's not even miscommunication lol. It's the hero keeping his dire supernatural secret from his wife because she'll die if she finds out (honestly, valid to me, but whatever). It's the heroine finding it difficult to trust the hero with her heart because her dad left when she was young (maybe cliche in theory, but actually a very real thing that happens).
If all you want is plotless nothing wherein everyone is happy and nobody makes mistakes, I personally have a hard time thinking of it as a book, because there is no story. It's just vibes. And essentially EVERY time, people have to mess up and make mistakes in order for there to be a plot.
I just don't understand the point.
#romance novel blogging#if all you want is pure vibes what you want is a short form story or fanfic sorry#you don't want a book#and i'm not saying every writer does miscommunication right--romance has a lot of clumsy writers who just shove it in#(lmao)#but miscommunication is often a backbone in its most broad form of conflict#'i cannot tell you this thing because i am scared for you'#'i cannot tell you this thing because i'm scared of what you'll think of me'#'i can't tell you how i really feel bc i frankly need therapy'#these are all forms of miscommunication and the thing is that when a writer does it well you don't even call it 'miscommunication trope'#but you'll still dismiss miscommunication as bad#the long game by rachel reid is a great example#generally a really well-received book!#ilya gets distant with shane and shane doesn't take ilya's feelings as much as he should#bc ilya has depression and is not telling shane about it#and there is NO REASON for ilya to do this other than internalized shame and a tendency to hide his pain to keep others happy#this is miscommunication!!! they are not communicating well!!! and people still like the book bc rachel reid is a good writer#who knows how to convey this in a way that isn't annoying and is relatable#lol ofc all of this is also symptomatic of the fact that people can't read nuance anymore apparently#and 'character behaves badly = book bad'#(for the record ilya and shane miscommunicate a lot in both books but those books are widely loved bc again rachel is a good writer)
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I know multiple of these are likely important to people, but I'm asking in terms of like - which of these do you tend to focus on the MOST, enjoy the most, that is most essential for you to actually care about the media, etc.?
(For example: someone finding "Relatability" most important would likely not enjoy a show much if they have trouble empathizing with the characters/relating to it, even if it were good otherwise. Or, someone might be able to overlook bad acting and ugly costumes, as long as the Character Dynamics are fun to them, because they value that more than Aesthetics- while for others, bad costumes would be a dealbreaker.)
Also feel free to reblog and explain your answer or more information in the tags- I've always been curious about people's relationships to media, how they conceptualize it/what they get out of it, how some people value some parts more than others, how that informs their overall taste and genres they may be more inclined towards, etc. :0c
#I was having a conversation with a friend about our favorite type of media and they said the reason they DON'T like historical or fantasy#media or etc. is because they can't imagine themselves being in those situations like it's too detached from anything that they can relate#to personally. they put themselves in the shoes of the characters and apparently like feel emotions while watching stuff and actually#get into the way the characters are feeling so they kind of judge how 'good' or 'bad' a show's writing/setting/etc. are by how it makes#them feel and if they think the characters reacted realistically based on what they were feeling in the moment/what in their head they#would be feeling if they were in the postion of the character. SO apparently the distance of it being in an unrelatable setting or too#detached from our reality makes it harder for them to relate to and less able to really engage with it on that level. WHEREAS I watch#things exclusively in a very like.. detached way?? I'm INTERESTED.. it's like im intellectually analyzing everyhting that's happening and#can be intrigued by events but it's not in an emotional way? More of like a distant 'intellectual curiosity'. Maybe the premise or the#aesthetics or something about it has piqued an interest for me to observe it. to see what it's like or how it plays out. how the idea#is executed or etc. But like.. I cannot remember EVER really relating to any character or situation or projecting onto a character#or having those sorts of feelings or investment in it. That is just not a central part of why/how I watch things or what I care about#BUT after this I was thinking maybe this is my disconnect? I do not seem to conceptualize media the way some other people do and I often#walk away with an entirely different take on things. etc. So I wonder if maybe it's part of how everyone values different things probably?#maybe I literally just watch stuff and percieve it from a different frame of mind that others. More of a like detached curiosity#vaguely bemused analysis mode. Instead of a 'I am deeply emotionally invested in this and am feeling for all the characters' mode#And also I bet people who care more about plot/story are also the people who mind spoilers. Whereas for me I literally seek out spoilers#intentionally because that element of 'suprise ooh what will happen next!' is not central at all to my enjoyment. I could know literally#everything that will happen and still can find it interesting to observe - since for me#that's not the point. I'd rather know the ending so I can determine whether I want to invest the time in it in the first place. etc.#ANYWAY!! If I had to choose - I would say I'm usually heavily focused on world details and aesthetics. With only a slight preference#towards characters individually being interesting. Group dynamics can sometimes be okay but I get tired of everything being about relations#hips and romance - especially when sometimes it seems to be like. people who could not stand on their own as a character/are fundamentally#boring otherwise lol. I would watch a series of just one guy locked in a closet talking to himself as long as he was interesting and saying#things that were amusing or notable for some reason lol. I actually tend to dislike plot because most 'plot heavy' things like action focus#ed shows ALWAYS feel to me like they're moving so fast just to get from one thing to another that I'm not getting enough details. Part of#why I tend to not like movies. the time limit makes them too quick. I need a 95 hour expostion dump of the history of the entire world#and a series of 17 episodes straight where a guy is trapped in a room & the audience is just psychoanalyzing him. hghj.. Maybe I find all#characters annoying/unrelatable bc people w my personality type make bad characters/are not often represented (or are done BADLY). so then#I'm just picking 'who is the LEAST insufferable? who could i study like a lab rat?' whilst my main focus is the worldbuilding&costumes lol
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parasitoidism · 5 days
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the reason i specifically try to avoid any and all persona related leaks is because if I hear anything about a persona 1 2 or 4 remake it's going to pre-emptively kill off a substantial number of my braincells. different reasons for each game
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not-poignant · 9 months
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thoughts on penny from stardew valley?
sorry if thats random
I don't mind her, but I don't really have any strong positive or negative feelings towards her either. I kind of nothing her sdkalfjas
She very much comes across as a victim of emotional abuse who just wants lots of babies and children, and as someone who personally is absolutely incredibly childfree, I could not be less interested in her character motivations if I tried. She's basically power-banging the storyline of 'how to fix my own mother issues with raising other people's children well and then having a ton of my own children' and it's like - more power to her, and she's extremely sweet as a character, but like...zero relatability. Probably one of the most two-dimensional characters that you can date.
OH, and I also HATE how much she's an ableist asshole to George and the game supports that. So yeah, wants tons of babies and is ableist. Like every character is flawed, Alex is an asshat, Sebastian is rude, Shane is actively cunty towards you for AGES, etc. but given I'm disabled, I take the ableist one personally. I guess my feelings do swing a bit negative now that I think about it. I have to skip that cut-scene every time we come to it.
I skip all of her cut scenes x.x
Like I doubt I could ever put her in a story of mine, unless I was writing characters concertedly interested in having children / raising children etc. and I'm just not interested in that.
So my perspective towards Penny is like 'you're good for the people who love you and I don't really have anything to do with you as a character.' I think the only reason she'd ever really be seen in Stain for example is maybe if Alex walks past Maru and Penny in town, or if Maru brings her up.
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domorebemore · 2 months
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