#i love queer people i love queer joy i love this show i love us sm

[tommykinard6]

I don't mean to pile onto your bad day but I've been seeing a lot of creators on tiktok complain/compare the bucktommy and henren tags/fic count on ao3 because there's almost more bucktommy fics then there are henren fics. The number one claim is always that bucktommy writers are racist because we don't write for henren. But like, that's not correct at all? People can write fanfiction for whatever they want to. If they want to see more henren stuff then they can write it on their own.

We can coexist without fighting each other. I'm just tired of people screaming about how bucktommy is anti this or anti that, when we're just vibing by ourselves and don't want the drama but the drama finds us anyway because Sucky People are loud and get heard the most.

You’re good, anon. It actually gave me something to think about during work.

As a quick disclaimer, before we begin, I’m not a POC. I am not speaking for anyone in the Black community and am not attempting to speak over them. My following thoughts are as a queer woman-ish who is also a writer.

I think it must be noted that Hen and Karen have been overlooked since day one. The fact that Buck coming out made it the “gay firefighter show” when we’ve had a beautiful canonical lesbian couple since the very beginning? Is only proof. Is this proof of racism in the fandom? Maybe. Quite possibly. I would argue that it comes from a misogynistic point as well.

If you look in any fandom, regardless of the color of their skin, any wlw ship is horribly overlooked. I’ve done some tag searching on ao3. Straight and mlm ships battle for dominance while there are canonical and fanonical wlw ships that have a drastic difference in numbers. This isn’t a good thing. But it’s an experience that spans fandoms.

I find it sad that BuckTommy has almost more fics, with only two episodes under their belt, than Henren with 7 seasons. However, this isn’t a reason to hate on BuckTommy. The ship didn’t do anything wrong. Comparison is the thief of joy and it’s also rage bait. I think that some creators simply are using anything they can to hate on BuckTommy. Which that makes it sadder, that they aren’t concerned about Henren other than pushing their own agenda.

This isn’t to say all creators who are speaking about this are doing this, but I guarantee some are.

Now, let me speak as a writer.

As someone with 62 published fics on ao3, I write almost exclusively mlm ships. This isn’t because I hate women. And as a queer woman-ish, don’t even start about homophobia. But for some reason, I find it so much easier to write men than I do to write women. This is true for straight and wlw ships and also just in general. I love Henren, but I don’t have the faintest idea about how to write them.

It’s hard enough to write as it is and I’m already writing on ships that are easy for me. I try to write women and it just hasn’t come out right. I want to challenge myself, branch out, and maybe I’ll write for Henren to do that. But I say all this to point out that for some people like me, writing some ships and demographics of ships are just a little more difficult.

That leads me into something else.

I, as a white person, worry about accidentally writing non-white characters wrong. And this was reinforced not too long ago when we had that whole thing on ao3 with deliberate racism in 9-1-1 fics. If anyone has resources or advice for writing non-white characters, I would love to hear that! The last thing I want to do is cause any harm.

I feel like I’ve spoken a lot about me, but that’s because I can’t really speak for anyone else. I can only speak from my experience.

We already have a ship war between BuckTommy and Buddie. We don’t need to pit more people against each other. I think we can love BuckTommy while agreeing that Henren needs to be seen and appreciated and treated equally.

End note to say: I tried to speak as delicately and as sensitively as I could, but if anything came out wrong, please feel free to point it out (kindly). Again, I speak for no one but my very little section of the world. I’m interested to hear what people of other backgrounds have to add!

#911 abc #911 show #9-1-1 #tommy kinard #bucktommy #evan buckley #lou ferrigno jr #911 season 7 #tk6 answers #oliver stark #henren #henrietta wilson #hen wilson #karen wilson

[p4nishers]

can we talk about how much queer and trans joy was this season? maggie and nina. they/them muriel, saraquel, beelzebub, even GOD. "you're a good lad" "im not actually, either". that one shopkeeper and his non binary spouse, played by a non binary actor. beelzebub and gabriel. shax, nina and maggie all thinking azi and crowley were together. also yes i'm gonna mention: crowley and aziraphale's kiss. it's just, i get that everyone's hurt and so am i but can we please focus on how beautiful this season was to us? we got so much and i'm so happy, despite the ending.

#i love queer people i love queer joy i love this show i love us sm #also crowley deliberately avoiding using 'mr' in the 1827 flashback cause she was SO CLEARLY presenting fem #this season was literally just queer people doing crazy shit for each other and im actually emotional over how accepted everyone was #in the show and how fucking easy it is to have queer and trans characters on screen and just let them be. im gonna ugly sob #good omens #good omens s2 #azicrow #good omens season 2 #good omens s2 spoilers #go s2 spoilers #go spoilers #go s2 #ineffable bureaucracy #ineffable spouses #i just realized god is actually they/she but that's cool af too #AND ELSBETH AND WEE MORAG TOO WOOOHOO GO SAPPHICS

[doubledyke]

Dude, I meant to not judge the characters as good or bad, not to stop analyzing them. Ed Edd and Eddy was filmed in "ancient times", when shows based on violence and how everyone was bad was the norm. Every single character behaves meanly for the sake of humor.

i mean true, i do sometimes feel like we're going in circles a bit here with who's bad who's good and why. i personally couldn't care less. you're talking to an eddy enjoyer here... the morality of a character, lack thereof, whatever, has no influence on whether i like them or not, but it matters to some people i guess. and it can certainly play a role in someone's analysis of a character when looking at why they do the things they do, etc. i wouldn't call the tripe i post here analysis but we have fun. or at least try. idk i just answer questions i get sent. it's nothing to get heated about! all the characters are "bad" in their own way, just like real people are. it's a silly slapstick cartoon indeed, but it holds a lot of meaning to me and a bunch of other folks on here. i try to avoid being dismissive about it for that reason.

#if you put ed edd n eddy in front of a bunch of neurodivergent queers you can't expect us to be normal about it #i used to be embarrassed for how much i love this show but i'm embracing that shit tbh #it brings me joy and i've gotten to talk to some very cool people bc of it #also it's an objectively good ass show lets be real here #text

[inkskinned]

there are days that it is hard, and unfair, and some horrible part of me wishes i could have been born in a different world. i love being queer, i hate how others react to it. when i first came out at 15, my mom whispered: please don't say that. your life would be so much harder.

it is harder.

it is also a tuesday, walking my dog. we are both skiving off of work, and yes both of us have dyed hair and pronouns. mine is patchy - it was my first time trying bleach; i didn't have enough. theirs is a resilient toadstool green. a little girl comes up to us and asks um, excuse me? is your hair real? 'cause jason says you're a fairy.

it is sunday brunch, all of us talking over each other, overfull on love. she is trying out a new name today, and we made her a cake with today's name scrawled in shaky purple letters. she laughs so much she cries and then gets frosting in her hair. someone young at a different table keeps giving us these large, wide eyes: the same look we have all been on the other side of. the kind that says, breathless: wait, is that possible?

it is a half-fight in a supermarket because he loves "dance moms" and says abby's tiktok is funny and meanwhile i think the children in that show should be allowed to sue abby lee miller for child abuse. i tell him that it led to the casual acceptance of child harassment for mainly adult views; and then i am standing, suddenly, in someone else's thrown soda. there's a white lady standing there, furious, saying something about hell-on-earth. i had forgotten i was wearing stuff with pride colors. and then it is this: he had just been casually arguing with me - and within an instant, he squares his shoulders and goes after her like i am his sister

on saturday i sat in a circle while beca played with my hair and we were all over 30 and we laughed about how much happier we are being this old, how much more we appreciate our community. 25 minutes from now, we will be on stage to dance in baggy beige clothing, but for now we look on with envy to the dancers in loud-and-bright buttondowns. where are they getting these shirts! i cry, distraught. everyone laughs. one of our friends has a mushroom witch hat. this would have been cringey in high school, probably. instead we are all delighted with each other; happy just to be here and alive and moving

it's that last week my new friends cried with joy for me when they heard i'm getting top surgery. every so often i have the honor of being the first person someone feels comfortable enough to tell. i'm trying to make long fluttery butterfly wings to wear to pride; but i don't know anything about fabric or dye, so my friends have been sending me their personal advice.

i think in a different poem i would talk about how sometimes you walk into a room and put the mask back on. but i'm sleepy and my whole brain is fuzzy so i think in this one, it's a monday, and my dog and i took a nap on a couch, and i had missed texts from friends. i used to wake up lonely. i think this poem is about walking into a room and seeing someone and just knowing, the way you just-know-sometimes, and then giving them that little smile, and seeing them light up with joy and relief. it is how we always seem to be able to find each other in a crowded room. how we always seem to make friends with each other before even we know-it-to-be-true. it is saying: we're very different people; but i belong to you.

it is harder, yes. but it comes with a built-in family.

#wish this was better written!!! but im sleepy!! #writeblr #pride #lgbt #but for real please help me make these lesbian wings. gonna get the supplies tomorrow . i have #no sewing machine but know how to hand sew #have never done a good job with tie dye so idk why im just runnin with it #ps im specifically going to boston pride next weekend come hang out with me

[torturedpoetemotions]

I know we used to joke that what made OFMD special was the cast and crew being normal about queer people but actually, no. They're not normal about queer people, they're feral about us. They're adoring about queer people. They approach queerness with such joy and depict it with such incredible care and excitement and love. They approach making a show about queerness with the same level of childlike glee Steven Spielberg approached making a movie about dinosaurs. And I fucking LOVE IT.

#ofmd #ofmd cast #ofmd crew #david jenkins

[queerly-autistic]

I've been turning over the 'boyfriends' deleted scene in my head all day, rotating it gently in my hands to get a good look at it from all angles, trying to figure out why it hit me in such an emotional place, and I realised it's because it's so...young?

It just perfectly captures that wonder and surprise and joyfulness of being in love for the first time, and realising that you can suddenly use words like 'boyfriend' and they mean something tangible to you - testing out the language and definitions of your relationship for the first time and being absolutely giddy with it all.

And the fact that it's two middle aged men, who have both been on their own specifically queer journeys, gives it a whole other layer of meaning and importance.

As queer people, so many of us were denied the opportunity to have these experiences when we were kids; standing on the sidelines and watching our peers go through all these rites of passage, whilst never quite able to reach out and touch it ourselves. And I think many of us live in perpetual fear that because we didn't to get to have this as kids, then we've missed out, and we will never get the chance to have those experiences in the same way.

But it isn't too late.

My mum came out as gay at 50, and I watched her go through the same thing when she met her first ever girlfriend (who is now her wife): the absolute excited youthful joy of being in love and getting to do all the things she never got a chance to do when she was younger. As a twenty year old, I was a bit annoyed and embarrassed by my mum suddenly turning into a lovesick teenager, but looking back on it now as a thirty-something, it actually makes me well up slightly thinking about how absolutely beautiful it was.

And that's why the 'boyfriend' moment puts me in such an emotional headspace. Because what this silly show did was cup my face gently in its hands and say 'it's never too late to have this'.

I'm so, so glad that we have so much representation for younger queers these days; that young queers get to see themselves represented on screen, having all these experiences that every young person deserves to have. But it's so much rarer for us to see older queers represented in this way, too. Older queers getting to have this is so important, and watching these two men in their 40s experience this, being allowed to revel in the giddy joy of first love - omg we're boyfriends! - like the happy lovesick teenagers they thought they'd forever lost the chance to be, it's just everything to me.

#ofmd #our flag means death #ed x stede #blackbonnet #gentlebeard #edward teach #stede bonnet #ofmd bts #ofmd deleted scenes #ofmd s2 ep8 #episode: mermen #ofmd meta #queer media #erin waffles

[literallyaflame]

i still remember when that stupid glee kiss happened. it made the news. people freaked the fuck out. my dad yelled at me about it in the car after school one day—he knew that i’d seen the show before (on account of being 13 fucking years old) and demanded an explanation. my mom loved grey’s anatomy, a show that fired a gay actor so hard that his much-beloved character got killed by a bus. i remember the hushed whispers about oitnb. i remember when people got pissy about gay stuff happening in game of thrones, the nastiest most adult-oriented show ever

i get that we’re all trapped in a toilet circling around a never ending shitturd of queer infighting—no piece of media will ever satisfy everyone—but it’s so nice that gay people can kiss on tv now. it doesn’t make headlines, not like it used to. hell, they sell queer YA novels at fucking target. the fact that “this is just ‘gay’ to appease the masses” is even a fucking situation fills my heart with joy, lmao

[piratecaptainscaptainpirates]

I was surprised when rewatching both seasons today to notice how little worth everyone assigned to their lives at the beginning of the show.

It's obvious with Stede "Do I want to live? I dunno, probably" Bonnet and Edward "haven't tried dying yet, maybe we should do that" Teach over there, but once I started looking for it, I was shocked how often it turns up.

Talk of death is ever-present throughout s1. The very first thing we hear is Frenchie singing about how a pirate's life is short. One of Olu's reasons he gives to Lucius for not mutinying on Stede at the end of the pilot is "we'll all be dead soon, might as well enjoy it while it lasts." The indigenous people they meet in ep 2 remind Olu multiple times that Stede's gonna get them all killed. Jim talks blithely about killing the man who killed their family - "we live in a state of nature, grow up!" We get the sense life is fuckin' cheap -

But over the first season, there's a shift. Pete started out talking in the pilot about how he "should have 20 kills by now" and says killing "is like breathing" to his fantasy version of Blackbeard in s1e2, but by s1e6 he's visibly deeply shaken when Lucius almost dies. "I'm used to death...but not your death." Stede screaming that he doesn't want to die in s1e9 is such a huge marker of that shift, because he's finally living a life where he feels happy and loved and valued.

Take all of that, and put it into contrast with Jim saying in s2e2 that "there used to be a time when life meant something on this ship." It sets up such a nice contrast, because all the death Ed's crew have to deal with at the beginning of s2 isn't weird by pirate standards, but suddenly it's become weird for these pirates. Ed's suicidal behavior and Frenchie saying that "we've been living moment to moment for a while now, it's kinda nice to have a deadline" are terribly sad to us, because these pirates had a time when they learned to value their lives.

Stede Bonnet, being his cringefail, bitchy, unceasingly kind little self, built a community where life was allowed to mean something. It's about queer joy, about queer love, about finding community and finding reasons to love being alive with one another as we try to become the versions of ourselves we want to be. Fucking beautiful.

#ofmd #our flag means death #breaking: show called “our flag means death” includes death as a major theme. more at 11

[djarin]

one of the main reasons i love ofmd is the unapologetic queer joy they show us. there's not a single moment where the drama revolves around a character's "coming out" moment. there's no need to accept or reject anyone for what they identify as. like, for fuck's sake, there have been so many moments in the show where they explicitly tell us, "hey, this is us, take it or leave it." no explanations, no justifications—just pure, unfiltered representation. it truly drives in the point that at the end of the day, queer people are also just simply people.

as much as i appreciate the abundance of queer representation we're getting now, i cannot emphasize how much a show like ofmd means to me. i am begging more companies to do what ofmd is doing and just show queer people living as boring old fucking people instead of as victims. take us beyond existing as an educational tool or a plot device. show queer people being people, and we'll stop being victims.

"kill me. kill us all. our spirit will last throughout your entire fսckin' empire because... we're good." you know what this show teaches us? that queer people are resilient as fuck, and that whatever we may have been told, shown, and made to believe about our queerness is wrong. we're good. we continue to be good despite the hardships we face. despite all the shit our elders and trailblazers have gone through from the beginning. despite the political landscapes of today that continue to try to strip us of our dignity and rights. we still exist and we will continue to exist—as people first, and victims last.

#elio talks #ofmd #our flag means death #ofmd s2 #ofmd season 2 #lgbt #queer #izzy hands #gentlebeard #blackbonnet #ofmd meta #like.... guys i just cant stop thinking about this. sob #that quote has literally been burnt into my mind the moment i heard it #like. they really did that to us. FOR us #looked us straight in the eye and said 'you're good you know. don't believe the shit you've heard.' #'your queerness does not defile you.' #anyway. feeling v passionate about this #prob bc im also doing extensive research about queer and trans youth in the 'at-risk' narrative w my prof sdjgjsgs

[spenglernot]

STORIES TELLING: NED LOWE AND THE DEATH OF POOR REPRESENTATION IN OUR FLAG MEANS DEATH

In history, Ned Lowe was one of the most sadistic and violent pirates in the early 18th century, so he’s an obvious choice for a villain for season 2, episode 6 – Calypso’s Birthday.  What is interesting is what the OFMD writers chose to do with him.

Lowe announces himself to the crew of the Revenge with great fanfare (cannon ball attack) and gets right to the point.

Ed is thoroughly unimpressed.

Cut to Ed and Stede tied up while Ned attempts to set the mood so he can monologue about why he wants to kill Ed.

Ed knows what’s coming. He is going to suffer but he still can’t be arsed to meet Ned with anything but vaguely bored dismissiveness (and Stede is happy to play along).

Up on the deck, Ned prepares the crew for his big, dramatic moment of symphonic torture.

Note that the Revenge crew is tied down, braced by vices and generally unable to protect themselves from imminent torture and possible death, but their spirits are up. They don’t seem terribly fussed.

Then Stede uses his people positive management style to happily orchestrate a worker uprising in Ned’s crew.

Ned’s crew responds instantly; severing their allegiance to Lowe and telling him off.

The crew sails away and talks profit sharing while Ned dully threatens to hunt them down.

Ned is now a prisoner of the Revenge crew and seems entirely disinterested in his own survival.

And Ned sinks to the depths, without struggling at all.

There is a lot going on in this episode: pay and labor equity direct action, gay love engagement bliss, kink humor, Stede being a hero and saving his crew by playing to his strengths, then having to decide whether to kill in cold blood and feel the consequences of that choice. Ed having one more reason to be done with piracy (while being so impressed with and fond of Stede), and then watching his man make a fraught choice and having to deal with the fallout from that. (And, damn, I haven’t even mentioned the passionate sex bit.) Anyway, back to the point.

Now for the the meta part

The Ned Lowe sequences are perfectly in keeping with OFMD’s signature blend of madcap violence, humor, and big emotional gut punches. But something about Ned Lowe just strikes me as off for this show.

Ned is seriously threatening the crews’ lives, so why don’t they take him seriously?

Why does Ned have such a boring, throwaway backstory?

Why is Ned so nonchalant about his own death; like it’s a foregone conclusion?

Why does Ned have a silver violin and silver spurs on his slip-on dress shoes?

Why is Ned sartorially monochromatic?

And then I realized who Ned reminds me of.

This guy,

Earnst Stavro Blofeld in the James Bond film Diamonds are Forever (1971)

And this guy,

Scar in Disney's The Lion King (1994).

And this guy,

Xerxes, 300 (2006).

And it sure seems like Ned Lowe isn’t just an episodic villain. He is an archetype of the one-dimensional, stereotypical queer-coded villain that has been endemic in film and television throughout history. The OFMD writers have a lot to say about what to do with this kind of character:

Don’t respect him.

Feel free to openly mock him.

Don’t let him take your joy, even though he will hurt you.

He won’t disappear on his own. You have to throw something at him (take action) to make him go away.

Once he’s in the water, he’s content to drown. He’s not into what he’s doing any more than you are.

Oh and, just to be clear,

The LGBTQIA+ community has a very long history of turning shit media into better stories. So, hey, big media, prepare to have your crap characters wrecked (improved).

Now, back to our transformative pirate show with rich, complex queer characters and a multi-layered plot that surprises me every week and makes me feel big feelings - most of all, joy.

Final thought: I do wonder if Ned Lowe is monochromatically silver as a tribute to/poke at, Hollywood and the silver screen.

This meta was written before OFMD season 2 has fully aired. No idea what’s going to happen in the finale (and I’ve generally fled social media to avoid spoilers). I’ll be back, looking at everyone’s fascinating posts after episode 8 airs.

#JFC the OFMD writers have game #OFMD writers do not like stereotypes and know what to do about it #One-dimensional stereotypical queer-coded villains #OFMD meta #Ned Lowe #Thank you David Jenkins #Thank you Alyssa Lane #Thank you Alex Sherman #Thank you Eliza Jimenez Cossio #Thank you Zarye Ferrer #Thank you William Meney #Thank you John Mahone #Thank you Jess Tom #Thank You Natalie Torres #Thank you Simone Nathan #Thank you Adam Stein #Thank you Yvonne Zima #Thank you pocket friends for being awesome and keeping me curious and inspired #Our flag means death #OFMD S2 E6 #Calypso’s Birthday #OFMD S2 spoilers #OFMD S2 E6 spoilers

[actualhumantrashcan]

I can understand a silly workplace comedy about pirates not being everyone’s jam but I really can’t understand the amount of queer people I see hating on ofmd.

like for one thing most of the debates turn into gatekeeping queerness (which I think has a lot more to do with the ages of the main couples than actual concerns about authentic representation but that’s another post) and the rest are just hateful because it doesn’t directly name or label it’s queer characters but like why do we need that at this point?? listen I love heartstopper with all my heart but it is exhausting to watch them explain queer identities sometimes (even though I do think it’s super useful for younger audiences I’m just not the target demographic!) and ofmd is an explicit, violent, adult show that doesn’t NEED to explain it’s character’s identities.

queer people past their 30’s are usually very well aware of their queerness and have had (hopefully) plenty of time to go through the arc of discovering that. so why would we need to see Stede or Lucius or Ed going through turmoil because they’re attracted to men when they have already come to terms with that at this point in their lives?? i for one find it so fucking refreshing to watch a show where the characters being queer is not their main arc, they just ARE queer and life is still happening to and around them. maybe that’s just the millennial gay in me talking, but it gets emotionally exhaustive to watch show after show where the queer character’s arc is overcoming homophobia. yes obviously homophobia still exists and yes obviously if ofmd was trying to be historically accurate these characters would be living in a very dangerous time to be queer but it isn’t trying to be accurate!! it’s trying to be fun and diverse and kind!!

and also, they aren’t pretending homophobia doesn’t exist!! it’s just addressed in a different way. Stede was emotionally abused by his father for his entire life for being “soft” and then was chased down by his homophobic childhood bullies, one of which explicitly told him that he “defiled” the great pirate Blackbeard by simply falling in love with the man behind that name. Meanwhile Ed was forced into the world of piracy at a young age and developed the entire persona of Blackbeard (who fits the toxic, violent masculine stereotype of the time) to hide the fact that he’s actually an incredibly sensitive and deeply queer man! and is told multiple times by male figures in his life that sex with other men is fine but it is absolutely unacceptable to be in love with a man. both of their arcs contain homophobic rhetoric that is still present in society today, but its never presented as a problem that they have to wrestle with. they don’t have to come to terms with what it means to love each other, they just have to overcome some trials that go along with the complicated lives they both lead as a pirate and former aristocrat. the homophobia in ofmd is woven into the backstory of each and every character, it shapes them into the people they are at the beginning of the show when all of their walls are up and they are performing the “pirate” roles they are supposed to play. and then we get to see them grow and realize that they are in a safe space, part of a community not just on the ship itself but in the life of piracy (which in the show is pretty much explicitly an allegory for queer lifestyles.)

anyway, I could rant about this all day but just truly why do we have to tear people down for enjoying something? why do we have to find reasons to hate something so obviously created with sensitivity to it’s queer audience and with so much queer joy? if historically inaccurate gay pirates going on silly adventures and falling in love are not your thing, fine! but perhaps just let people enjoy things and find your own things to enjoy.

#ofmd #our flag means death #ofmd s2 #our flag means gay

[dancermk]

I’m a little disappointed to see so much discourse, fandom competitiveness, and plain arguing going around at the moment in regards to queer film/TV. People complaining about too much sex, not enough sex, too cheesy, made for the hets, too happy, too sad, too realistic, too unrealistic, and a million other petty issues. I, for one, am a queer person in my 50s and I grew up with practically zero representation! Yes, we want to continue onwards and upwards with quality and varied shows BUT let’s be HAPPY we now have representation! Like, actual shows where the central characters are queer, not just a side character who gets f*cking murdered! There is room for all different types of representation - so enjoy the types you like, and let others enjoy what they like.

And on a side note: progress is progress and film/tv is a business that has to turn a profit! If some queer content is made to appeal to the straight community, and will also act as a means of reducing homophobia and increasing understanding, then that’s a good thing. That means in the future more and more content will include queer stories and representation. If only 10% (ish) of the population is the maximum target audience then shows won’t keep getting made!

There is a huge backlash all over the world right now - a “push back” by conservatives and religious groups that want to wind back the clock, and specifically the last decade of advances.

So stick together queers and LGBTQIA+ allies.

I’m super happy knowing I don’t have to wait years between content anymore. And I’ve loved all different types of shows over the last 5 years, for lots of different reasons!

Interview with the Vampire - is giving me the toxic, passionate gothic love affair I’ve always wanted. And addressing interracial relationships.

Heartstopper - is filling me up with pure joy and hopefulness for the future.

Shameless - gave me Ian and Mickey - unique, anti stereotypical gays with a tragic yet ultimately beautiful love story spanning 11 years

Lone Star 911 - is giving me TK and Carlos whose sexuality barely factors into the storyline! Yay!

Looking - gave me an authentic queer experience and an intoxicating love triangle.

Red, white and Royal Blue - gave me a sweet, cute romcom that allowed reality to be sidelined. Fun escapism!

Young Royals - had me captivated by first love and intense angst.

Fire Island - an underrated romcom that made me laugh so hard I cried.

Sex education - shoved the realities of sex in our faces and provided me with laughter and drama and a range of queer identities.

Gentlemen Jack -gave me historical lesbians with spectacular wit, and feminine power.

And that’s just the tip of the iceberg- because there’s SO SO SO many more shows I could mention! Don’t at me because I didn’t mention YOUR favourite. This is my point! There is SO much great content it would take all day for me to include everything. This is just a sample - and that’s f*cking brilliant!!

So maybe we could all start posting/tweeting etc about what WE DO LIKE / LOVE / MAKES US FEEL LOVED AND SEEN and put down the device if we’ve got nothing nice to say.

Sending everyone a love filled week! 💜

#interview with the vampire #amc iwtv #heartstopper #rwrb #red white and royal blue #nick and charlie #ian and mickey #shameless #louis and lestat #alex and henry #911 lone star #tk x carlos #queer as folk #sex ed netflix #fire island #bros #loveislove #queer love #ofmd #the l word #young royals #elite netflix #wilhelm and simon

[comicaurora]

I've started making my way through the playlist hbomberguy made of actually good video essays by queer creators and spotted a comment of yours on the one about the relationship between Harley Quinn and Poison Ivy, which was fun xD red in the wild!

Anyways, just wanted to appreciate how both you and Blue and you are very good at showing your sources! It's always nice to know that the people you've watched for years have good habits after an event like this, and I hope you guys are among the people that get some new fans after this whole debacle, because your channel definitely qualifies for "good educational videos made by queer people"

I'm glad! Blue's much better about listing his sources and follow-up reading than I am.

To be honest, I loved the video, but my imposter syndrome always flares like crazy when I watch an essay like that. It might be the ADHD or it might just be who I am as a person, but I feel like I've lived my whole life striving to make everything I do the best it can be, and still managing to fuck up and get criticised for things I could've done better if only I never missed anything. It's an actual gut-drop when it turns out a source I used wasn't trustworthy, or when in older videos I only went wiki-deep for some claims and didn't check every source to be 100% sure I wasn't being goat-fish'd. And this being the internet, I can get criticized at any time for things I've gotten wrong years ago, since it's evergreen online and to the new-viewing critic it's as fresh as yesterday. It makes it hard for me to stay proud of my work past the first moment of "oh I would've done that different now". There's a cocktail of complicated, scary feelings around this space, no matter how little I actually have in common with the bad guys of this scenario - it's less about the reality and more about who my imposter syndrome tells me I am. I saw several people saying that the video actually made them feel much better about their own work because it made it clear that accidental plagiarism on that scale is impossible, but if my anxieties listened to reason I would've successfully machete'd them out of my skull years ago. I just hope I never fuck up badly enough to deserve an hbombing of my own.

But my own stress aside, the hbomb essay exposed a level of laxness, laziness and entitlement on the part of these plagiarists that I think is almost incomprehensible to people who actually create for a living or even just the joy of it. How hollow do you have to be to take in someone else's writing and not consider it, digest it, let it reshape your views and then formulate your own interpretation on it, but instead to file off the serial numbers and pretend it's yours, trusting that the person whose thoughts and words you valued enough to steal will never be powerful enough to call you out on it? I go down research rabbit holes because I love the frustration and thrill of putting something together! How joyless it must be to skim the surface and borrow someone else's conclusions!

I've sometimes had people email asking for sources on parts of my interpretation of various myths, possibly in the interest of source-citing for school papers (a nightmare concept in and of itself) and with very few exceptions I usually have to tell them "the only sources were the english translations I used of the primary source where the myth was originally written, like I said in the video, and the part where I said I was conspiracy-boarding has no source other than my own analysis of the given source, which is why I called it conspiracy-boarding" and I was always a little baffled by those emails - half the videos are introduced like "this is The Prose Edda" or "this is in Ovid's Metamorphoses" or "this bit is Hesiod" so what else could they want - but seeing the hbomb of the week made me realize that truly original analysis might not be what most people are expecting from a "thing summarized." They might be expecting a compilation of other people's summaries instead.

#asks #not aurora

[athenagranted]

actually i'm still thinking about that part of oliver's zach sang interview where he says that he doesn't think of buck as a queer character, he thinks of him as a character that is queer, who has a fully fleshed out personality and a multitude of important characteristics and who has flaws and makes mistakes, just like any real, human person. he's not that bisexual character we shoved in there for representation's sake. he's evan buckley, and his bisexuality is important and undeniable but it's not the only thing that makes him buck. that makes him so loved.

i love it because that's always how 911 has approached queerness, right from the very beginning. when i think of hen, her being a black lesbian isn't the first thing that comes to mind. what comes to mind is her brilliance and her compassion towards the people that she treats. it's the understanding with which she approaches the world. it's how fiercely protective she is of her friends and her loved ones. it's her devotion towards her wife and her family. it's her complicated feelings towards her past and the way that she's learned to heal from the scars that were left. however, hen's identity as a black lesbian is always present. it's never ignored or minimized and the show never tries to diminish how those aspects of who she is would impact her life. her identity as a black woman and a queer woman is always relevant and has played a huge part in making her who she is, but it's never, ever been her sole defining characteristic. she is a fully fledged character, and her queerness has always been allowed to exist and take up space without taking away from anything else that makes her hen.

that is always how representation should be done and i'm so grateful that it's been the norm on 911 right from day one. i'm so grateful for this show, and the love and care with which they've treated our queer characters — hen, karen, michael, david, josh, that beautiful older gay couple that quite literally defined love on this show, that sweet woman who just wanted to pass her driving test, the guy who ended up with a tapeworm in his ass because he couldn't stop eating sushi, tommy, and now, evan buckley. a character that has been so loved right from the very beginning and now gets to discover this new part of himself that brings him so much joy and so much relief. despite the hurdles they've had to face, the people making this show have given so much to their queer audience and i'm just....so grateful that we get to witness the love they have for us. they really said. we see you. there is a space for you here. come and embrace it.

#I'M EMOTIONAL!!!!! #I LOVE THIS SHOW SO MUCH #rae.txt #911 #my commentary #evan buckley #hen wilson

[virgo-79]

I'm disappointed and sad and pissed, for sure. But there are some things that are keeping me from being totally devastated. There are things that give me hope for what might be to come.

David Jenkins confirmed that the industry took notice of our campaign. We saw the articles and interactions that confirmed people were taking notice of our campaign. And we got new eyes on the show. Whatever else it's up against, future queer media can only be helped by that.

Maybe at some point we actually will get an on-screen continuation of OFMD. Again, from David's mouth, the lack of pickup is down to an industry in chaos -- not a lack of interest in the show. Obviously that industry chaos is a problem, and for a bigger reason than just this one show. But this transitional period also means there's an opportunity for change, and that's why I think we need to keep being vocal about OFMD, about WB and MAX, and streaming in general. Keep the action and conversation going, both for the sake of influencing the direction the industry goes in, and for showing that interest in OFMD isn't waning. Because there's always that chance that once the dust settles, there will be at least one platform in a position to bring OFMD back. Giant companies aren't suddenly going to grow souls, but they'll look out for their own interests. All we need is someone to decide that those intersect with ours. We've come to the end of the road, yeah, but there's always another trip to pack for.

And finally, I think it's HIGHLY possible we'll get another show by David Jenkins that features Taika, Rhys, and a lot of other OFMD actors and crew. Every single person who has talked about the experience of making this show has absolutely spilled over with love for it. Everyone had a good time, everyone loved what they were creating. Taika and Rhys adored working together again. Taika said being Ed made him fall in love with acting again. All of the actors got to have a hand in their characters' creations. There's so much positivity, respect, and encouragement passed back and forth between the people making the show and the people watching. Which is all my long way of saying that whether it's more OFMD at some point in the future, or a completely different show, I believe strongly that this team is going to work together again and have more stories for us. And I have every confidence that that story will radiate as much love and joy as OFMD. I am and always will be head over heels for the characters and storylines of OFMD. But my delight in them goes beyond the characters to the people who made them, and I'll be there for any project these people collaborate on. I trust them to give it the same heart our silly queer pirate show has.

#ofmd #our flag means death #david jenkins #taika waititi #rhys darby #ofmd cast #ofmd crew

[the-eeveekins]

It's perfectly reasonable to be angry at Bandai and sad about their decision today. But I do not regret watching G-Witch, I do not regret falling in love with this show or Sulemio and I definitely DO NOT wish they hadn't even tried to tell a queer story in a Gundam series. This show and these girls have brought me so much joy over the past year, and they can't take that away from me.

Yes, Bandai's response to THEIR OWN explicitly queer story is frustrating and infuriating. But no matter what they do today or in the future, even if it involves censoring the BRs or writing sequels to undo their happy ending, they'll have to rip the broadcast version of G-Witch from my cold, dead hands, because they can never take that happy ending with Suletta & Miorine explicitly married like the creators intended away from me.

So when I see people say they wish Bandai had never made G-Witch or wished they had never watched it, I just can't agree with that take. I love this show & what the creators tried to give us, and even if cowardly executives held them back, I'm so thankful for what they managed to get through: that representation is so important to me.

#g witch #sulemio #gundam the witch from mercury #the witch from mercury