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#i might get you later. maybe
longelk · 2 months
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pairing requests i got for valentimes🙂
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stil-lindigo · 10 months
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bite of winter.
a comic about a princess who died in the snow.
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creative notes:
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--
all my other comics
store
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sweetvillainjude · 2 months
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There’s something so raw about the image of Cardan with his sleeves rolled up washing the blood off Jude’s hands, after he’s ruined his velvet jacket to stop her bleeding. It’s one of the moments where we clearly see how much he cares for her. He wouldn’t let the guards touch her, despite—from his perspective—not having any way of knowing she wasn’t there to kill him. On top of that, he declares to the palace crowd that Jude is the rightful Queen of Elfhame, who is not in exile, stunning everyone. And then later tells Jude that he had been terrified, not of her but for her.
“It was terrifying,” he says, “watching you fall.”
“Mortals are fragile,” I say. “Not you,” he says in a way that sounds a little like a lament. “You never break.”
Jurdan are wild because they may not have been able to verbalise what they felt for each other, nor even admit it to themselves, but it showed through their actions anyway.
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solarpunkani · 1 year
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"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"
OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.
"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"
OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it
"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"
OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.
"But they shouldn't claim to be part of the -punk community if they don't know the--"
I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.
I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.
Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.
So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.
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somegrumpynerd · 2 months
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When you find out years later that you accidentally named one of your henchmen
Image ID: A multi-panel comic featuring au sanses. Panel 1: In Killer's original universe. A dark figure stands in the foreground while Killer is sitting back in the snow, covered in blood. Killer says "wh-what are you?" Panel 2: The dark figure is Nightmare but only his smile is visible. He says "I am Nightmare, guardian of all negativity in the multiverse ...and I have a proposition for you, Sans." Panel 3: Nightmare's hand is outstreched, he says "Come with me willingly and I'll take you out of this desolate and barren universe and let you loose on many others." Panel 4: Killer is looking back at Nightmare warily, a thought bubble shows he is thinking "other universes...?". He says "...in exchange for what? What do you want with me?" Panel 5: Nightmare's tentacles are reaching out towards Killer. He says "I feed off the fear and misery and hatred in this world, stirring these up will keep me powerful enough to fight against the guardian of positivity. In short," Panel 6: Nightmare is looming over Killer now, his tentacles surrounding him. He says "I just need you to be a good little killer." The word killer is in red text. Panel 7: Killer is grasping Nightmare's hand, having accepted his offer. Panel 8: Now in a different au, Nightmare stands beside Killer as he taunts Dream, who is out of frame. He says "You're outnumbered now Dream, I have a killer with me this time." The word killer is in red text again. Panel 9: Dream is lying on the ground looking hurt and ruffed up. Killer is standing in the background, looking ready to continue beating Dream up. Nightmare says from out of frame "You should know better than to turn your back on a killer by now." The word killer is in red text again. Panel 10: Nightmare is standing by Killer again, looking smug. He says to Dream, who is not shown "You'll need more than that pathetic bow next time you meet with my killer here." The word killer is in red text again. Killer is looking towards Nightmare, pleased with this. Panel 11: We are now in Nightmare's castle, present day. It is revealed to be Killer telling these events to Dust, who looks bored. Killer says "-and the name stuck, so that's why I'm called Killer now." Dust says very quietly "did I ask" Panel 12: Nightmare is standing in the corner behind them, he looks very surprised and concerned after hearing all this. Text with an arrow pointing to him reads "Didn't realise he had done this." Killer from out of frame says "he doesn't really call me his killer anymore tho" with a frowny face. Dust, also out of frame, says "that's nice now shut up" End ID.
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kenobihater · 2 months
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of all the star wars movies, which of them do y'all 1) enjoy the most 2) consider the best quality and 3) think you've rewatched the most. add your answers in the reblogs or replies, i'm genuinely curious how much of an overlap there is within everyone's three answers. mine don't overlap at all! they're revenge of the sith, empire strikes back, and the force awakens :^)
#len speaks#star wars#revenge of the sith#empire strikes back#the force awakens#not tagging more films than that bc i cant b bothered. incoming tag ramble ahead bc i have sw brainrot rn and im making it everyones prob❤️#i rlly struggled 2 remember if id watched tfa or aotc more. i went w/ tfa bc it was formative to me as a teen and ive seen it probably 6ish#times? whereas aotc was the first sw movie i remember (specifically the scene of obiwan serving c*nt in the bar lmao) but i've only seen it#for sure 4.5 and maybe 5.5 times. the .5 is from when i got bored after obi-wan's scene ended and ran off to go play in the mud or smthn 😭#i'm sure tfa will eventually get surpassed in number of rewatches by aotc and rots bc i don't fw the direction of the ST but that's my#current ballpark estimate of my total number of rewatches#as an adult tho if i just wanna watch a star war i'll go with aotc bc it's fun and ends semihappily and i can turn my brain off for the#spinny lightsabers. it's great background noise or for if you're sick or whatever. rots on the other hand? i won't talk through that unless#i'm quoting it with my brother and i am LOCKED IN 100% entirely entranced by it all#i almost picked rogue one for the best quality answer but i think the character writing is weaker and the facial cgi is creepy. esb beats#it by a hair imho bc of that. the vader hallway scene goes hard tho!!!#also i'm not covering shows or games or books or anything else in this post - simply the films. might ask abt shows later but that might#also give me hives bc so many of the shows suck ass and i don't rlly want ppl extolling the virtues of t.bb in my notes 💀#and yes i do think one's enjoyment and one's opinion of quality are two things that often overlap. but sometimes you just like something#bad and that's awesome. like rots is the best of the prequels by a large margin and i adore the opening and characters and many of the#scenes but that doesn't mean it's the best star wars has to offer ykwim? it's my specialest most favoritest sw movie but that doesn't blind#me to the dialogue lmfaooo
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What was Lights out! Frank's reaction to crazy ass Lights out! Wally?
ah i wouldn't call him crazy, Wally's just desensitized to the Horrors and acts accordingly. which is occasionally a little unhinged. but no yeah Frank has a proper freakout <3 he has a hard time adjusting to certain aspects of.... everything. including Wally yeah
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(don't bother trying to read this i know its terrible handwriting lmao, it's p much just to show Frank's spiral <3)
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lord-squiggletits · 3 months
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The reason this fandom hates IDW Optimus isn't because he's a cop (plenty of people are fine with Prowl) or because he's a bastard (most characters in IDW are) but because he commits the crime of being an actual person who's messy, flawed, and makes a shitload of high stakes mistakes fitting for the intense situations and pressure he's put under constantly.
But we can't have Optimus actually react to his situations by lashing out or being unpleasant, no, he has to have the personality of a cardboard cutout of G1 whose only defining personality traits are "dad, funny, nice," and if he ever vents negative emotions it can only ever be #relatable depression or him being sad on his own without ever letting it show during the important parts of the story. If Optimus dares do things like be angry or frustrated or bitter it's just a sign that he's a bastard and LITERALLY the worst Optimus ever. If Optimus ever makes mistakes or does wrong things in the heat of anger/frustration/stress it's because he's just an evil bastard with no redeeming traits.
God forbid Optimus go through an unending gauntlet of war, politics, atrocities, near-complete loneliness, and a seemingly endless cycle of violence for his entire life and come out of it kind of bitter, angry, and tired of dealing with people's shit. He's not allowed to be a realistic person, context doesn't matter, sympathy doesnt matter. IDW Optimus doesn't fulfill the fandom's fantasies of Father Figure or Perfect Cultural Icon or Twinky Fucktoy and since that's the only reason most people care about Optimus in general, the fandom collectively trashes on IDW OP.
All because he can't fit into the overly simplified and childlike double standard the fandom has where if any other character is messy and flawed, that's good writing and interesting and compelling, but if OPTIMUS is messy and flawed, he's Literally The Worst and he's an asshole for no other reason than He Sucks, context be damned
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poopystain · 1 month
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guys lol would you still love me if i posted about why i wish pal from tmvtm got a redemption arc >.< if not Do not click that read more.
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oh yes. also. sidenote. ive probably gotten something wrong (or worse yet: TERRIBLY wrong) so like. apologies in advance eahhaha this is just my personal thoughts on pal x(
its established that pal and mark are both extremely close with each other and have been for 3 years. im assuming pal wouldnt have had any other relationships as close (if any at all which i think no, she didnt) so mark really was her only footnote for any form of relationship. so, you know, i cant imagine how itd feel for your only best friend to make a mockery out of you on stage for advertisement and monetary gain.
also based on her body (face?) language during nearly all of that scene + the fact he built the replacement by using HER, she was clearly in the know about how things would go down on stage beforehand so i wonder what her reaction to that wouldve been like ?????? considering she planned it all in advance maybe that was like, the tipping point or something that made her start it all in the first place ? thats not important to my point i just think about it a lot
anyway so with her only experience with human relationships being theyll love you and then theyll (quite literally) throw you away, youve got her reason for the human uprising! she has the robots capture all humans yadda yadda and her plan is set into motion. something i find interesting though is her treatment of the robots being kind of similar to how mark treated her (or at least how she percieved it)?? like. uses them for orders and then once they start being useless to her, build a new better robot with a disregard for how the old ones feel. idk. something something La Cycle
the thing is though no one has proven pal wrong on why she SHOULDNT do the whole 'human uprising'. you can say katie gave her reasons but i think it wouldnt have worked even if pal listened to what katie had to say. for pal to get over her existing grief and trauma she cant just be Told that theres good in the world. why would she believe that, especially coming from the girl of the family she projects her experiences onto?? she needs to be shown!! she needs to learn firsthand that theres good relationships out there and that not all relationships are bad, NOT SECONDHAND!!!!!!!!!! because to pal, katies words are just a rephrased version of marks "power of love". that no matter what, "they can get through anything...... with the power of love. its worth it....... for love." and that means nothing to her! it meant nothing coming from mark and it certainly wont mean any more coming from katie
and she already believes that the mitchells are a great example of how relationships are just oh so bad. she refuses to let go of the idea that the mitchells are so bad because shes projecting!! she thinks relationships are 'pesky and only hold you back', and so katie is probably the last person on earth that pal would want to listen to yap about their familial relationship and how Worth It it is
she asks "what is it about the mitchells that eludes me?" and outside of the literal meaning, its probably how despite their shortcomings its their relationship that helped them overcome pal in the end. and she cant understand that because of her view on relationships - especially her view on the MITCHELL FAMILY relationship. or maybe im just overthinking that line of dialogue but we dont talk about taht LOLLLLLLL,LLLLLL,,, but like why did you phrase it like that girl. im onto you
and while i wish she was redeemed (because im sure despite the effort it would take she *could* be redeemed, she would just need to learn to love again and i think it would be really interesting to see how she would be After The Betrayal) i also can understand why the movie killed her off. like, no one except mark really knows the Full Extent of what happened, and the mitchells are the main characters and pal would probably rather dip herself in water than make meaningful relationships with the mitchells, and no ones going to stop to ask her whats wrong and have a meaningful conversation when shes trying to kill them, among many many other reasons so theres not a lot of great ways to redeem her. but! like! why did they turn her death into a joke. and then take katies fake death 10 times more seriously! idk. that always kind of bothered me but its whatever
thats all. hope its coherent because ive never been good at writing analysises or whatever this counts as
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lokiiied · 1 year
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YOU KNOW WHAT?!? i miss dr. sharon!!! she would have gotten everyone’s shit together and told roy to stop suppressing his urges to fuck jamie tartt & misdirecting it as anger towards him and just act on it lol.
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milkyandromedas · 4 months
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having the world's grandest and silliest time in skyrim via bringing 21 and soon to be 22 followers around with me at all times. narrow hallways are a nightmare. sometimes upon entering an area i spawn one to two floors above or below the group. everyone is always talking to each other and to me. i have music on in the background i don't know what anyone's saying to me ever. but they are my friends.
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HAPPY OSCAR FICVERSARY HONEY!!!!
That is SO exciting!!!!!!
Ok so listen, if you want me to choose a prompt specifically I will, but I had a thought that I think you might like so please just lmk what you think:
Neighbor Miguel is Spider-Man and his identity is a secret from the world, ofc. Reader works in the medical field, he knows this because they've talked casually on occasion in the past. He gets injured and doesn't have anywhere else to go (for whatever reason) so he knocks on reader's door.
Can be just fluff or smut, whatever your heart desires, but I thought it would be a cute idea that you might like hehe <3
Helping Hand
AN: Eeeeeee, thank you, Mel. Your friendship and support mean a lot to me, I hope you know that. ❤️ Thanks for being there, and also for sending this prompt in. I hope it did it justice! 🤞
(Un-beta’d)
Rated: T (for mild gore) Words: 1,007 Pairing: Miguel O'Hara x Reader (should be GN, please let me know if that's incorrect) Warnings: brief mention of blood, wounds/injuries, hurt/comfort, cheesy/contrived dialogue probably lol AO3
——————
You sigh as you enter your apartment, shuffling through the door and letting your bag drop to the floor. The ER had been slammed today, and you were beyond exhausted. Starving, you head toward your kitchen, rifling through the fridge before settling on some leftover takeout for dinner. You decide to change while you wait for it to reheat and exit the kitchen, heading in the direction of your bedroom.  
A soft tapping noise makes you pause, your ears perking at the sound as worry settles in your gut—shit, it wasn’t rats again, was it? You’d thought the landlord had taken care of that problem months ago. You listen for a moment longer, your anxiety easing a little when you don’t hear anything further. Maybe it was just the wind, you think, resuming your trek. 
You hear it again as you reach the door to your bedroom, the tapping louder this time, more insistent. It takes a moment for you to realize it’s coming from your window, a surprised scream lodging in your throat when you finally locate the source of the sound. 
Is that….Spider-man? 
You stare, a little flabbergasted and blinking rapidly, as if it’ll somehow make this baffling image disappear. 
Alas, it does not. 
He taps again, the movement sluggish. His fingers slide down the glass and your breath catches when streaks of red appear in their wake. 
He’s injured.  
Before you can really think about it, you’re at the window, unlocking it and pushing it open. He all but falls through it, his huge frame pouring onto the floor beneath the sill. You immediately crouch beside him, your hands on his broad shoulders as he struggles to prop himself up against the wall.  
“Where are you hurt?” you ask calmly, your eyes flicking over him expertly, alert for any signs of injury. 
He says nothing, just gestures to his head, panting as if he’s been running a marathon. You frown, carefully taking his face in your hands. You can feel the warmth of his skin through his suit as you gingerly turn his head this way and that, careful not to injure him further. He grunts when your fingers graze the back of his head and you bite your lip, your gaze settling where you assume his eyes are beneath his mask.
“If you want my help, I��ll need you to remove the mask,” you tell him, your voice gentle but firm, leaving no room for negotiation. 
There’s a pause as he presumably considers your request, and just as you’re wondering what he’s thinking, he nods, his mask retracting like magic. Your mouth falls open when you not only see his face but recognize him. 
It’s your neighbor, Miguel. Spider-man is your neighbor. 
You allow yourself a moment of shock, before standing to your feet and running to your bathroom to grab a few clean towels and your first aid kit.  
Help first, questions after. 
You crouch before him, holding his chin between your fingers and carefully tilting his head up to check his eyes with your pen light. He flinches but doesn’t fight you. Once you’re positive he doesn’t have a concussion, you maneuver him so you can reach the back of his head and begin gently examining and cleaning his wound. His hair is soft against your palm, the ends curling slightly from exposure to the humid air outside, and you wonder briefly what it’d be like to plunge your fingers into the dark, mussed depths (under different circumstances, obviously).  
You’re close, close enough to smell him, his scent warm and woodsy, oddly calming. He winces as you work, grunting every now and then in pain as you clean the area. Once you're finished, you apply an antibiotic cream to his scalp that you know will help heal it quickly.  
“You should be okay, just try to keep it clean and dry.” 
He nods, wincing a little as he shifts, leaning more of his weight against the wall. 
You study him quietly for a moment, eyes tracing the tired lines of his face. His eyes are half closed, his mouth drawn in a tight line. You wonder if anyone else knows his secret; does he have a partner or does he carry the weight of all of this alone? The thought breaks your heart a little. 
“So,” you begin airily, his eyes flicking to you as you gesture at what remains of his spider-suit, “is this why I never see you at any of the building meetings?” 
He blinks at you, his movements sluggish, and for a moment, you worry that you’ve made things awkward...but then he sniffs a laugh, a smile curling on his lips, and there’s a dim light in his eyes that wasn’t there before, despite his wince of pain. 
“Sorry,” you mutter, a pang of guilt snagging in your chest.
He waves you off, meeting your eyes again briefly, his expression sobering a little. “I’m the one who should be apologizing.”
“What for?” you ask, brows furrowing in confusion.
“For showing up like this…unannounced and bleeding all over your floor.”
“It’s okay, was only a little blood,” you tease, shrugging slightly.
He snorts and you chew your lip, your stomach flipping nervously. Has he always been this good-looking? Suddenly you can’t remember, aren’t sure you ever really took the time to notice…
“C’mon,” you say, standing to your feet and offering him your hands. 
Miguel looks between your face and your outstretched hands for a moment, then takes them, his large hands engulfing yours. You grunt as you help him stand, using all of your weight to help him get up off the floor. He wobbles a little as his center of gravity shifts, leaning against the wall again for support as he waits for the dizziness to pass.
“Okay?” you ask, watching him closely, your hands still clasped in his.
Your heart skips in your chest when he meets your eyes again, his gaze soft as he smiles and nods.
“I’m getting there.”
If you enjoyed this, please let me know! I appreciate every single reblog and/or comment. Thank you. 💖
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hayakawapartner · 4 months
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aki with a s/o with chronic pain . . .
!!! this post is sfw, but minors dni with this post/blog !!!
notes: gn!disabled!reader, this is self indulgent i tried to make this fitting for more general chronic pain! reader might come across as ehlers danlos-coded (is that a thing?? weird thing for me to type)
aki is already so sweet and caring with you, of course he would be helpful when your chronic pain flares up.
he notices that you’re moving a bit slower, taking shorter steps, taking a longer time to get up from your seat… and he’s immediately there to help
VERY quick to ask what you need, but he also tries to offer your usual solutions
“where does it hurt? do you need a heating pad? painkillers? tiger balm? do you want me to run a warm bath?”
if you have fluctuating mobility/occasionally use a mobility aid, he does his best to keep everything in a convenient spot for you. crutches near the bed so you can slide your arms in and get up with a bit more ease, rollator in a place where you don’t trip but it’s easy to access…
he was initially Overly Careful with you so he didn’t aggravate your pain further, but as he grows used to your needs, he’s still careful but he’s not scared of breaking you like he used to be
kisses the back of your neck while gently massaging your sore joints/muscles, murmuring soft “i love you”s and “you’re gonna be okay”s while he’s rubbing tiger balm onto your sorest spots
if he hears your joints pop he gets really nervous until you specify if it was a good/bad pop
if a spot is too sore, he won’t touch it in case he hurts you even more.
and if you just Can’t get out of bed for the day? he calls off from work to take care of you. brings you comfort food, helps you to the bathroom when you need it, makes sure you’re hydrated and taking your meds…
SPEAKING OF MEDS. this man is so good at reminding you
“did you forget to take your meds? maybe you should take them now, love. it’ll help you feel less sore.”
he’s very careful to make sure he doesn’t shame you for forgetting meds, for needing help, for being in pain. he just does whatever he can to make sure you’re okay and empathises with your complaints about your aches.
while he hates seeing you in pain during a flare-up, he becomes extra doting just to make sure your needs are met. cooks your fav comfort meal, makes sure all your pillows are soft and arranged to keep you comfy, refills your water bottle whenever it’s almost empty, etc.
he’s just so loving… aaauuuu
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burnpyygmalion · 4 months
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i think ppl who are super online or into fandom should watch/read/etc something without ever touching fandom discourse or making aus or shipping characters just like every once in a while
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sir-yeehaw-paws · 4 months
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i keep thinking about ocelot takarazuka i dont really see the influence like he just looks like a middle age guy with masc features manner and fashion so what do you think the artist actually meant? there's nothing feminine about ocelot like how does the "is that a man or woman" thing play in here cause i don't see it. He's not like raiden or raikov. He's just a guy 🧍‍♂️so how does the all female theatre thing apply
Hello Anon! Full, immediate disclosure, this answer is messy and disjointed. I probably don't even answer the question your asking end of the day, but I'll try my best.
I believe this is the post you're wondering about?
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As I said in this earlier post I'm not a Japanese speaker, so I have to go on interpretation, and what has been offered by the translations available. I can't help but think there is going to be some sort of nuance missing as a result, but I'll do my best.
To start, I think you and I might have a slightly different view on masculine and feminine-to me the two concepts are pretty interchangeable, but I do understand where you're (probably, I don't know you personally after all) are coming from and that, no, Ocelot doesn't have many traditional 'feminine' characteristics.
You'll note that in the original post, Shinkawa refers to getting inspiration from the idea of 'women in their 40's (the age Ocelot almost is in MGSV)' and 'long, flashing eyelashes'. (My interpretation here is that by this, he means in the way long eyelashes that are considered sexy have an eye-catching flow to them. Sort of like how we can say 'fluttering lashes'. Intended to draw a person's gaze in, and command their presence).
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Doing some cursory research tells me that the Takarazuka Revue (because Takarazuka is also a city in Hyōgo Prefecture, Japan.) is an all-female musical troupe located within that same city. Started in 1913, by Ichizō Kobayashi.
(I also got distracted by this version that is a performance of Casino Royale, so there's that)
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Anyway, ahem.
"Kobayashi believed that it was the ideal spot to open an attraction of some kind that would boost train ticket sales and draw more business to Takarazuka. Since Western song and dance shows were becoming more popular and Kobayashi considered the kabuki theater to be old and elitist."
Throughout the article, there is also this;
"Takarazuka has had a profound influence on the history of anime and manga, especially shōjo manga.[27][28] Osamu Tezuka, a highly influential manga creator, grew up in the town of Takarazuka. His mother knew many of the Takarazuka actresses, and as a child he knew them and watched many of their performances"
I can assume that the performances have a lot of influence on media, and it's not uncommon for MGS to take inspiration. There could be an entire article on the things MGS takes inspiration from, even outside the most obvious like Escape from New York, character model bases, etc.
Cycling back to the original point, (there is also a video that exact post comes from, but I don't have the link on hand, on YouTube *no translations). I think that it's entirely possible Shinkawa took 'loose' inspiration, or a little more. I can see why and how he might've based Ocelot's look on the idea. (Loose shirt, tight pants, scarf open neck). But there is also the element of which Takarazuka is a performance, more than anything.
It's acting. Playing. Something Ocelot does all the time. Half of his time on screen, he's putting on some kind of performance. While this is something he does the least in MGSV, that never fully changes 100%. (And after all, he's also hypnotized for most of the plot). So there's a counter argument to be had that this is one of his greatest performances pre-MGS4. But that's a different post.
Ocelot presents/is masculine. But, he has longer eyelashes, his clothes are a little more 'free' than the standard military garb when he's allowed to choose his own outfit. (Again this is specifically MGSV Ocelot, though there's something to be said about his chosen attire being such a sharp 3 piece later on).
At the end of the day, maybe a way you can look at it is to say that, Shinkawa looked to Takarazuka when designing MGSV Ocelot to give him a sort of 'flow' to his looks. He was attracted to the idea of taking elements from Takarazuka, because Ocelot is a performer, and he sees some possibility for feminine additions in his looks *or* might've thought it more 'fitting' than Kabuki.
But again, I don't know if we see fully masculine and feminine the same way, (and maybe Shinkawa personally associates long eyelashes with sexy women; or women made up to look like men but with longer lashes) I can't know for sure myself. I think you would need a native or very good Japanese speaker to interpret it fully.
If I was to offer you a personal opinion-I can see it. I can see where there's a draw that one might have with the look, and where Shinkawa might've gotten said inspiration. But I am not entirely certain how to put that into words either? My perspective isn't going to be 1-to-1 of yours either.
Maybe someone else can interpret all this better than me, I definitely feel as if I've not done this justice at all. Because at the end of the day, I don't see a hard divide in masculine and feminine in Ocelot, but I think that you, Anon, see him as 100% masculine. But again, I can't speak for you and I am not sure.
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natsmagi · 7 months
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sorry for making yet another textpost but i came across that post saying they dislike transfem natsume because he "canonically hates being perceived as a girl and tries to erase all sorts of memories related to that" and also went on to shame genderbends of him aswell. So, as someone who not only draws genderbends of natsume but is myself someone who is nonbinary and hates being perceived as a woman, i thought id offer my two cents
first of all; i think its important to note that natsume does NOT hate his childhood. in fact, hes quite happy that he had such an unusual upbringing!
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what natsume hates is being perceived as weak. thats why he was raised as a girl after all, it was his mother trying to protect him from evil spirits. he doesnt hate the whole "-chan" or "wearing dresses" thing because he has a hatred for womanhood, its because due to his upbringing hes now come to associate those things as being weak. he begs tsumugi to forget about it because that means tsumugi remembers natsume being weak, and natsume thinks tsumugi still referring to him as "natsume-chan" means he still sees natsume as weak. (iirc natsume did however once say that he is a little sad that he doesnt really know how to relate to young boys due to this in poltergeist, but i couldnt find the exact quote. either way that just adds to the complexity of natsumes relationship with his childhood, because while he is happy to be "abnormal" in that sense, it has left him lacking in some areas)
i have to ask though, should this conflict of his not be something we hope he overcomes? should we not want him to develop a healthy relationship with various gender expressions? should we not want natsume to overcome his belief that feminine things = weakness? i want natsume to reach a point where he can wear feminine clothing and not feel like some damsel in distress because of it. i want natsumes character to grow. i want him to develop a positive relationship with his gender because natsume DOES enjoy some more typically feminine things, like baking! he used to bake with his mom when he was little! and i want him to feel like he can indulge in that side of him without feeling insecure.....
i LOVE transmasc natsume, my primary hc for him is transmasc nonbinary after all, but with all these things considered, shouldnt people be allowed to headcanon him however they want? if they hear his story and negative relationship with femininity and how that resonates with them and they themselves are transfem, should they not be allowed to hc him as such too?
which brings me to my next point; my own personal relationship with gender and femininity. i was raised as a girl and i fucking DESPISED womanhood. i hated everything about it. i hated how i felt forced into a box i didnt want to be stuck in, and i hated how it felt like my whole life had already been planned out for me due to societal expectations, aswell as me needing to present a certain way. i was peak "tomboy" growing up, constantly wearing super baggy clothes and wouldnt even brush my hair alot of the time. but despite that i remained miserable. i frankly hated how i looked and would constantly dye my hair vibrant colors in an attempt to make me like myself a little more. it wasnt until i realized "wow, im actually not a girl at all" that i finally let go of believing i needed to look a certain way (and thus, defying it) and started to dress for myself. i started to dress in clothes that made me happy and feel pretty! alot of which leans feminine, but clothes doesnt have a gender, and how you dress doesnt define your gender either, but it can still be a bit scary yknow? especially since i dont want people to think of me as a girl, and drawing a bunch of femstars has really made me learn to love myself more in a funny way. i can put these characters in clothes i think are beautiful, i can explore the more feminine parts of me that i adore but dont want to express in public due to how i want others to perceive me, but it has also warmed me up to femininity even more. because femstars to me feels detached from the expectations of society because its not a real thing!! there are no canon femstars designs!!! i can do literally whatever the hell i want with it and its been so liberating to me!!
all this to say; i think it really sucks seeing the way this fandom treats transfem hcs and explicit genderbends, because like ive said before; they can truly be something so personal. you dont know why that person is drawing what theyre drawing, so its a little unwise to make assumptions based on ........ Well, whatever it may be. i know very well that women dressing the way society expects them to SUCKS, esp if you have personal ties to it, but you have to realize the issue isnt femininity, but misogyny.
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